sitcom

LONDON — Penelope Keith, a comic performer who shone as flinty but lovable upper-crust characters in British sitcoms “The Good Life,” which aired on PBS in the U.S. as “Good Neighbors,” and “To the Manor Born,” has died aged 86.

Keith’s family said Monday that she had been diagnosed with cancer and died at her home in Surrey, near London.

Keith began her acting career onstage and joined the Royal Shakespeare Company in 1963. But she found her greatest fame on television.

She won a BAFTA Award in 1977 for “The Good Life,” playing Margo Leadbetter, a snobbish suburbanite appalled by her back-to-the-land neighbors Tom and Barbara Good, played by Richard Briers and Felicity Kendal.

Kendal called Keith a “comic genius.”

“She was a joy to know and work with, and she will be much missed,” Kendal said.

Keith displayed a similar mix of imperiousness and deadpan wit in “To the Manor Born,” broadcast between 1979 and 1981 and brought back for a 2007 Christmas special. Keith played cash-strapped aristocratic widow Audrey fforbes-Hamilton, forced to sell her country estate to a nouveau millionaire, played by Peter Bowles, with whom she has a love-hate relationship.

Keith’s velvet tones featured on children’s show “Teletubbies” as the voice of the Bear With Brown Fuzzy Hair and in ads for everything from Pimm’s to Parker Pens. She also presented cozy documentary TV series, including “Penelope Keith’s Hidden Villages.”

Keith continued to perform in stage roles into her 80s. Theaters in London’s West End will dim their lights Wednesday evening in tribute to her.

In 2014 she was made a dame, the female equivalent of a knight, for services to the arts and to charity.

She is survived by her husband, Rodney Timson, and their two sons.

Fans have branded the series the ‘best thing since toast’ and it’ll now be available to UK viewers.

Fans of BBC’s ‘masterpiece’ series Ghosts are about to get a new series to sink their teeth into.

The beloved sitcom starring Charlotte Ritchie and Kiell Smith-Bynoe ran from 2019 to 2023, leaving fans devastated at its axe.

But now, three years later, the Australian version will be landing on the BBC. The broadcaster has announced it has acquired the rights to the comedy series, which premiered last year.

The synopsis for the adaptation teases: “Young couple Kate and Sean inherit Ramshead Manor after the timely death of Kate’s great-uncle.

“Heading out to the country to inspect the dilapidated property, they debate whether to uproot their city lives and turn Ramshead into a boutique hotel. Unbeknownst to them, the manor is also home to an eclectic group of Ghosts…”

The cast includes Tamala as Kate and Rowan Witt as Sean, alongside Mandy McElhinney, Brent Hill, Ines English, Michelle Brasier, George Zhao and Jackson Tozer.

The eight-part series will land on BBC iPlayer and BBC Three soon, with Nick Lee, Head of BBC Programme Acquisition, saying: “It’s a fresh and very fun spin of the wheel for this beloved BBC format. Fans will really enjoy the world this new ghoulish gang create.”

Ghosts: Australia has already been hailed “excellent” by fans, with one calling it “the best thing since toast”. They went on: “With just enough familiarity to make one feel at home, but sprinkled with unique elements and spirit unlike any series seen before, Ghosts Australia is a must-watch.”

Another called the characters “magnificent”, while someone else wrote: “I’m so impressed with this adaptation! I binged the entire series in one night. The performances are outstanding, the production is stellar, and the writing is sharp, clever, and full of heart.”

Someone else said: “Call me biased because I’m Australian, but this feels like peak cinema chaotic, unforgettable masterpiece that somehow changes your life, steals your milk, borrows your sanity, and still leaves you grinning like it did you a favour in the end. Honestly, nothing else even comes close to this madness.”

The original UK sitcom Ghosts came to an end after five seasons, leaving fans heartbroken.

In a statement shared at the time, the Ghosts team said: “After five incredible years haunting the halls of Button House, we have decided that the time is right to let our beloved sitcom Ghosts rest in peace.

“We have just wrapped filming on our fifth and final series and we can’t wait to share it with you all later this year.

“We could never have imagined the reception the show has enjoyed, or the fun we have had making it, and we would like to thank our amazing cast and crew as well as everyone at BBC Comedy, BBC1 and Monumental Television for their tireless support.”

A highly-demanded feature film is now set to air, The Possession of Button House, with the cast and actors set to return.

“We never planned to come back,” the show’s creators said.

“But when we had the idea for this story, we all got so excited that we couldn’t resist returning to our haunted home for one more adventure.

“We can’t wait to be together and to welcome some brilliant new faces, to tell this soul-stirring tale of life and death.”

Ghosts is available to watch on BBC iPlayer.

Netflix’s comedy series Leanne is returning for Season 2 this summer and some huge names have joined the cast.

Fans of the beloved sitcom Leanne can gear up for another binge-fest soon.

Leanne Morgan’s bingeworthy comedy series, Leanne, is set to return for a second season this summer, with the star expressing how “so grateful” she feels about returning to Netflix. The Big Bang Theory producer, Chuck Lorre, who is behind the popular series that proved a massive hit with viewers, said of the show’s comeback: “Congrats to Leanne and the entire cast and crew.

“This has been an incredible journey that began with a visit to Knoxville, Tennessee. Leanne Morgan is the whole package. A comedic genius, a warm, loving human being, and an absolute joy to work with.”

Kristen Johnston, Celia Weston, Blake Clark, Ryan Stiles, Jayma Mays, Tim Daly, Graham Rogers, Hannah Pilkes, and Andrea Anders are all set to reprise their roles for the second season. Fresh faces are also joining Season 2 and here’s everything you need to know about the new series.

When is Leanne Season 2 out?

Leanne is making its Netflix comeback for a second season on August 27, with the sitcom’s latest run consisting of 10 episodes.

Fortunately for devotees, all 10 instalments will arrive simultaneously, allowing them to binge-watch to their hearts’ desire.

The second run is considerably more compact than the first, which featured 16 episodes, and it remains inspired by Leanne’s stand-up performances.

The sitcom chronicles Leanne’s journey as her world gets flipped upside down when her husband of 33 years unexpectedly walks out on her for another woman.

Throughout the series, “Leanne learns to embrace the chaos and finds strength, laughter, and hope in the most unexpected places”.

Who is joining the cast of Leanne Season 2?

Fresh faces include country music sensation and Yellowstone star Lainey Wilson.

The 34 year old country artist from Louisiana made her television debut in Yellowstone in 2022, taking on the role of Abbey.

She also has her own Netflix documentary chronicling her career, and made her big-screen debut in the film adaptation of Colleen Hoover’s novel Reminders of Him.

Actress and model Jaime Pressly is also joining the cast, best recognised for her portrayal of Joy Turner in the NBC sitcom My Name Is Earl.

Actor and comedian Billy Gardell, famous for Mike & Molly, has similarly signed up for the series, alongside accomplished film and theatre actress Tyne Daly.

Leanne season 2 arrives on Netflix on August 27.

Unlike the movies, where directors get the glory, TV directors sit lower in the hierarchy, below creators, producers and actors. In most series, which might employ several over a season, they are interchangeable — which isn’t to say they aren’t valuable, transforming words on a page into a four-dimensional living thing. But a director hired to helm a pilot, as James Burrows, who died Friday at 85, was again and again — almost as a lucky charm — helps set the tone for the series. Jake Kasdan’s input was crucial to the feel (and philosophy) of “Freaks and Geeks,” as Hiro Murai’s was to “Atlanta” (and most recently “Widow’s Bay”). In some cases a director is a co-creator in all but title and union affiliation. A show might subsequently pass to later hands, but they’ll be honoring its established look and feel.

But Burrows was more than a little well known. If you sat through the opening credits of “Taxi,” whose pilot he directed along with 74 other episodes — and why wouldn’t you, with its pleasing Bob James theme and Checker Cab crossing the Queensboro Bridge — you would have seen his name for weeks on end. You might have noticed it on “Cheers,” which he co-created and for which he directed 236 episodes, or on “Will & Grace” (246 episodes), or “Frasier,” “The Big Bang Theory,” “3rd Rock From the Sun,” “Caroline in the City,” “Two and a Half Men,” “2 Broke Girls,” “The Neighborhood” or, just last year, “Mid-Century Modern” — all series whose pilots he directed. You might have caught it on episodes of “The Mary Tyler Moore Show,” “Phyllis,” “Rhoda” or “Laverne & Shirley,” until you began to think that maybe there was nobody else directing network multi-camera situation comedies, the most human of television formats and a specialty from which he rarely strayed.

And you might have seen him as himself this year in the third season of Lisa Kudrow’s “The Comeback,” as the man she enlists to save a television pilot from hacky AI jokes. “Surprising only comes from a group of writers huddled in a corner, beating themselves up to beat out a better joke,” he says.

“As director, I am there to help create the ensemble, to do everything I can to foster a community among the company, and to train a new set of actors to behave as a group and respect one another,” he wrote in his 2022 memoir, “Directed by James Burrows.” He famously took the cast of “Friends” to Las Vegas before the show premiered in order to foster bonds in a soon-to-be-impossible state of anonymity. “I guess I have a gift for creating families,” he told the New York Times in 2023.

But if “Friends” refers to the characters and the people who play them, it includes the audience too. Burrows’ talent was to midwife a real relationship between the viewer and the viewed, “You want to go where everybody knows your name,” runs the “Cheers” theme, and where you know everyone’s name. The families he excelled at creating were yours as well, and one watched knowing that these things happened in real time in real space, and that you could be in the room, if you made the effort. Tickets were available.

The son of Abe Burrows, who wrote or co-wrote the books for “Guys and Dolls,” “Can-Can” and “How to Succeed in Business Without Really Trying,” and co-created the radio comedy “Duffy’s Tavern” — set, like “Cheers,” in a bar, though the younger Burrows denied any influence — he’d been directing dinner theater when he had the idea to write to Mary Tyler Moore, whom he’d met on the set of a never-opened “Breakfast at Tiffany’s” musical. His stage experience (and his Yale School of Drama degree, presumably) proved eminently transferable to the proscenium reality of multi-camera situation comedy.

What Burrows shows share — the ones we remember, at least, out of many we don’t — is that they’re fundamentally joyful. They lack cynicism. They’re expressive of their times without being showily edgy. They walk a line between freshness and familiarity, which makes one want to return week after week. They may push an envelope — “Friends” was something new, after all — but subtly. We can assume, given his reputation and the fact that he could have retired on “Cheers” alone, that he liked what he did and did what he liked, and regard his choice of projects as a form of personal expression in itself, the basis of a body of work that has and will live on.