Sir

The history of all living things is examined through five key species chosen for the way they move, feed and reproduce and also for their size and intelligence

Chris Packham famously hates so-called “T-shirt” animals – preferring beetles and bugs to the more box-office elephants, lions and tigers.

But for his major new BBC series examining the history of every living creature’s existence, the presenter had to block that prejudice as he looked back over 4 billion years. In Evolution, viewers will see how every plant and animal evolved – differently – from a single celled organism called LUCA.

And in order to explain this effectively, the five episodes focus on the elephant (size), ostrich (reproduction), horse (movement), bat (feeding) and dolphin (intelligence) to show what changes have happened over the millennia until they started to look a bit like the creatures we recognise today.

“TV likes an iconic species, something to put on the T-shirt,” Chris laughs, acknowledging that he doesn’t normally go for these “celebrity” animals which tend to draw in viewers, but go against the grain for Chris. “On Springwatch we’re always keen to champion the underdog, we make films about slugs and snails and flies and all those sorts of things, so we’re trying to build up that idea in people’s minds that everything counts – not just the fluffy birds in the nest, or the cute pine-marten kits. Survival of the cutest has always been an issue.”

“But had we picked, I don’t know, some innocuous little bug, it wouldn’t have looked great,” he laughed. “I’m not a great fan of T-shirt animals, but I am a fan of using them constructively.”

He even admits that filming the series, in different locations around the globe, brought him one of the best moments of his life, when he found himself right in the middle of a pod of dolphins during a break in filming. “It was absolutely extraordinary,” he says. “There were times when the cameraman was doing something and I was still in the water and I could just actually just be there with them.

“I dived down about four metres and I looked down and I had a dolphin right underneath me, under my chest. And I had couple on one side, I mean they never touch you, but they’re close, and a couple on the other side – and then I looked up and they were above me. And I was like in the middle of a pod of dolphins. You can hear them the whole time, they’re constantly clicking. So you can here that that’s that communication going on.

“It was just five minutes or something, it wasn’t a lot of time, but long enough to actually just engage, and realise that this was one of the most remarkable moments in my entire life. To be in that environment with these astonishing animals. I thought ‘blimey, I’m Flipper’.”

The five-part science show, which must be Packham’s most ambitious programme to date, has clear similarities in scope to Sir David Attenborough’s 1979 series Life on Earth, which set out to look at the earliest life forms. “I’d say it was more modern in its narrative structure,” he says thoughtfully. “Also, we’re catering for an audience that we know we need to surprise. We want to feed them short snippets, which are basically entry information into a bigger story, if you like. Those twenty-second things that get people to prick up their ears. And we want people to down the pub and say, ‘do you know what? I just watched this programme and, you won’t believe it, we couldn’t have a head before we had an arse’.

“I don’t think Life on Earth is like that. That felt very 1970s, because that’s when it was made, this just feels like a really modern, cutting-edge version.”

To film the series the BBC team were very careful about where they went in order to limit the carbon footprint. “Ten or 15 years ago, we would have gone to multiple locations to make a series like this,” Chris says. “But I’m pleased to say that each of our programmes was essentially made in one location.”

The elephants in the series opener were filmed in Kenya and the ostriches in South Africa. The horses were in the UK, with three days in France which was reached by train. Then the dolphins were in the Bahamas and the bats were in Borneo.

Chris says his role as presenter on the show, from the team who previously brought us Earth, is to keep the audience enthralled, and showing his own excitement is a big part of that, just as he experienced while watching his hero Attenborough. He particularly remembers a programme made by the veteran broadcaster about birds of paradise, filmed in Papua New Guinea.

“They were my dream birds because they’re mental, they look like space aliens,” he explains. “And I was sat there waiting for it to come on, just thinking, ‘you b****rd, I want to go to Papua, I want to see that.’ But in fact my response to the programme, and a testament to his broadcasting, was that I absolutely loved it because I felt the connection to the birds through his joy.”

Chris found himself caught up in some beautiful moments that will also tug at the audience’s heartstrings, such as when a baby ostrich hatched out of its egg right into his hands. “You’re peering into it, it’s not even in the world yet, and it’s like you’ve had a sneak preview into a life which is going to unfold,” he marvels. “It’s just this little thing moving, and that was really very emotional, that formation of new life.”

Learning new stuff is “the greatest joy” of his job. “I get to work with people who know more about a subject than I do. And their job is to tell me and the team everything they know about it in 30 seconds,” he says. “So my joy is that I attend the University of Zoology every single day that I’m working, and this is updated information, so we’ve constantly gone to the latest science.”

While they don’t skirt away from the technical stuff, like explaining how DNA works, Chris feels it is carefully woven into the narrative. “There’s no dumbing down, but we are conscious constantly of building a narrative which will keep our audience engaged.”

– Evolution, BBC2, Monday 13 July, 9pm

Sir Rod Stewart’s Glastonbury 2025 performance was rebroadcast on the BBC on Saturday night

Singer Sir Rod Stewart left BBC viewers distracted just minutes into his performance.

Sir Rod’s Glastonbury performance, originally broadcast in 2025, was reshown on Saturday evening. In a repeat episode of Rod Stewart at Glastonbury, audiences watched the rock legend once more commanding the Pyramid Stage on the festival’s closing day at Worthy Farm in 2025.

Joined by his band and multiple guest vocalists, he captivated festival attendees. Sir Rod, who has been forced to postpone numerous concerts recently due to health issues, left viewers thoroughly impressed by his performance.

One delighted viewer commented on X at the time: “80 years old. Just feel good throughout. What a star,” while another declared, “Rod Stewart still looks great at the age of 80. He’s still got it.”

Another admirer gushed: “All those eyes on Rod. He looks fabulous for his age.”

One supporter commented, “He deserves that crowd after all these years,” as another enthused, “Sir Rod Stewart… phenomenal! 80 years old and had us all in rapture. Best there is,” the Express reports.

Someone else continued, ” Wait – Rod Stewart 80, Ronnie Wood – 76, Lulu 76, thanks and massive respect for you all. Shows age is a number, but talent…. ageless.”

Back in 2025, Rod shared his enthusiasm ahead of Glastonbury and told Radio Times, “I’m really looking forward to it. And it is a different gig, it’s like when you’re playing a cup final, you’re trying to treat it like another game. But, of course, it’s not. It’s special. It’ll be glamorous, it’ll be sexy.

“And we’ve got a little orchestra coming on to play with us. And we may have some bagpipes.”

More recently, Rod has been forced to withdraw from several performances due to health issues. This week, Rod was also spotted with an oxygen tank, prompting worry amongst fans.

His wife, Penny Lancaster, said during an appearance on Loose Women that it “looked a lot scarier than it really was”. She told her co-stars, “He had to cancel a couple of shows prior to that because of a respiratory infection.

“He was recovering and well enough to perform. But he wasn’t aware that Salt Lake City, where he was performing, was way above sea level. So the altitude levels, just for your regular person, is a challenge. If you’re not acclimatised, like sportsmen would arrive before an event, a week before to acclimatise.”

She added, “Rod just flew in on the day of the show, wasn’t aware of this particular altitude. So he was already down on his juice because of recovering from his respiratory infection. And then he was also down another 17% of oxygen because of the altitude. So when he’s on stage, and of course, his two-hour show involves him running around, he doesn’t sit still for a minute, it suddenly hit him.

“But there are oxygen tanks at these particular shows for that reason, because even the young ones, if they’ve had a late night out before a show, they can suffer, and they do.”

Rod Stewart at Glastonbury 2025 is available to watch on BBC iPlayer.

Scotland, Liverpool and Celtic great Sir Kenny Dalglish is undergoing treatment for cancer.

The former forward and manager wanted to keep the news private but confirmed the diagnosis after accidentally sharing the news initially in an “inadvertent social media post”.

“I am currently undergoing treatment for cancer,” Dalglish, 75, wrote on social media. “Unlike my mobile phone use, the treatment is going well.

“Ideally, this would have remained private because that’s the way it should be, but my useless technology skills have forced my hand.

“Obviously I did not mean to make this matter public so I would appreciate it if the privacy of my family and myself are respected.

“As ever, thank you to the wonderful medical staff who have shown incredible care and discretion, not just for me but for many, many others. They are a credit to themselves.”

Dalglish scored 167 goals in 320 appearances for Celtic between 1969 and 1977 before going on to make 515 appearances for Liverpool.

The legendary forward scored 30 goals in 102 caps for Scotland.

In a statement, Liverpool said: “The support, best wishes and love of everyone at Liverpool FC are, and will be, with Sir Kenny and his family.

“The club would also like to underscore his request for privacy moving forward.”

HIS love life has been almost as varied as his incredible songwriting catalogue.

Sir Paul McCartney endured the tragedy of losing first wife Linda to cancer and a catastrophic £24million divorce from Heather Mills before finally finding happiness again with American businesswoman Nancy Shevell.

But today The Sun can reveal the identity of the secret childhood crush who became Sir Paul’s “one that got away” — a pretty neighbour whose striking good looks inspired the opening track to his new album, which tells the story of his childhood in Liverpool.

The record was unveiled at a preview event in London this month, where the legendary Beatles songwriter recalled memories of a pretty neighbour called Jasmine, who lived close to his home.

Today, it has emerged she is retired mum-of-three Jasmine Howe, who left the area and resettled in Hertfordshire before retiring to the New Forest in Hampshire.

And the now 83-year-old’s ­family were stunned to learn of the £800million rock legend’s youthful infatuation — revealing she had “absolutely no idea” about his fondness for her.

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They explained: “It’s a cute story, she lived nearby and knew who he was, but she never got close to him — meanwhile, he obviously felt very differently!

“It’s an amazing story — a very long time ago now, but we’ve chatted as a family in the past about how Jasmine grew up close to Paul McCartney.
Goosebumps

“She just knew him as one of the boys in the local area. It’s enough to give you goosebumps!”

The Boys Of Dungeon Lane is Sir Paul’s first solo album in five years, and critics say it is his “most personal to date”.

The title is taken from Days We Left Behind, a wistful acoustic track that references Dungeon Lane, near the River Mersey, where McCartney played as a boy, as well as a “secret code” and mysterious promise made to John Lennon at the time, which he insists “will never be broken”.

At a special event, held at the iconic Abbey Road studios in London where the Fab Four ­produced their biggest hits, Sir Paul played tracks from the new record and explained their ­origins — beginning with opening song As You Lie There.

The lyrics recall: “Do I ever cross your mind as you lie there? As you lie across your bed, am I there inside your head?”

Revealing the inspiration to a small invited audience, Sir Paul explained: “Up in one of the ­windows, there was a girl I ­fancied called Jasmine.

“But I didn’t know how to approach her — I never spoke to her.

“The joke was, she did show up later that year and knocked on the door. I was indisposed — I was on the toilet — so I missed Jasmine!”

Turning to his wife Nancy, who he married in 2011, he grinned and quipped: “Sorry, Nancy.”

Prior to meeting his third wife, Macca famously had quite a ­colourful love life.

His first serious romance was with Dorothy ‘Dot’ Rhone, who he met at the Casbah Coffee Club in Liverpool in 1959.

The pair dated for more than two years and even got engaged, but split just before Beatlemania exploded.

In 1963, Paul met actress and model Jane Asher backstage at one of the band’s concerts.

The relationship would last five years and Paul even moved into the family home on London’s Wimpole Street.

Jane was his muse and introduced him to the avant-garde arts and classical music scene, which would inspire some of his most famous songs.

Despite being charmed by Jane’s cultured family and domestic life, Paul had secret flings with model Maggie McGivern and US writer Francie Schwartz — betrayals that ultimately shattered one of the Sixties’ most iconic romances.

He met his second wife, model and amputee activist Heather Mills, at a charity event in 1999, marrying her three years later.

Their daughter Beatrice was born the following year. However, the pair split acrimoniously three years later with a very publicly played-out divorce — one that cost the star £24million.

However, the singer enjoyed real happiness with his first wife, American photographer Linda.

They married in 1969, raised four children together, and were ­inseparable until her death from breast cancer in 1998.

Growing up, Sir Paul lived with his parents at 20 Forthlin Road in Allerton, Liverpool, while Jasmine lived with her family on the corner of neighbouring Hurstlyn Road, just 20 yards away.

Both properties still stand in the south Liverpool suburb, nestled in a series of brick-built terraces — though Sir Paul’s is now owned and maintained by The National Trust as a museum.

The Trust operates tours around Sir Paul’s home and also John Lennon’s childhood home nearby.

Inside, the three-bed property has been meticulously preserved as a snapshot of 1960s Liverpool, including some of the family’s original decor — and a blue plaque outside commemorates “The Birthplace of The Beatles” as Paul and pal John would meet there to compose their earliest songs.

Jasmine later married her boyfriend Charles, known to the family by his middle name, ­Christopher, and they had three sons — Philip, Matthew and, amusingly, Paul.

A photograph of Jasmine posted online by a family member shows her looking elegant in a navy blazer at a relative’s wedding, with carefully cropped blonde hair beneath a wide-brimmed hat.

The relative explained: “She is 83 now and lives quietly. She wouldn’t want it to become any more of a story than it is — she had no idea that Sir Paul liked her, but she’s happy to leave it as that.

“It’s a good story for our family.”

The album, released on May 29, returns the world’s greatest living songwriter to many of his early memories and experiences, with Sir Paul going on to explain more about his 18th solo collection.

He said: “This was a lot of memories of Liverpool for me, but also any days we’ve left behind.

“Everyone’s got them, school, old mates  . . . It has memories of John in the middle — that’s lovely to go back to. Someone asked: ‘What’s the secret code?’ I’m not telling.

“You make up a lot of stuff when you write songs.”

And that admission may chime with Jasmine’s family, who later jokingly insisted: “She never ­actually knocked on his door.”

On another track, Salesman Saint, Sir Paul turns to his parents. “I was born in 1942, in the war. I was too young to appreciate that, but my parents weren’t.

“My dad was a fireman, putting out fires from the bombs. My mum was a nurse and midwife. But they carried on, because they had to.

“Like people in Ukraine, Gaza and elsewhere now.”

Meanwhile, Down South, one of the album’s most nostalgic tracks, recalls a story of hitchhiking with Lennon and fellow pal and later Beatles bandmate George Harrison.

The lyrics explain: “It was a good way to get to know you before we learned Twist & Shout.”

And reminiscing about the trip, Sir Paul reveals how he and George climbed on to a milk float.

He says: “There was the driver’s seat, a battery and a passenger seat. George got the battery. His jeans had a zip on the back and it connected with the battery. Later, he showed me the big zip burn.”

The new record was unveiled in Liverpool with a series of cryptic posters around the city.

Artwork for the project was designed by Sir Paul’s nephew, Josh.

It features cameos from Ringo Starr, The Pretenders singer Chrissie Hynde and Texas frontwoman Sharlene Spiteri.

And its release coincides with a series of major Beatles retrospectives — including Peter Jackson’s seminal Get Back documentary put together from restored archive footage that details the creation of their final album, Let It Be, and the band’s break-up.

But still to come is a major new dramatisation of the band’s rise to fame directed by Sam Mendes and with Paul Mescal as Macca.

The blockbuster will be released simultaneously as a quadrilogy in 2028, with each movie focused on one of the Fab Four’s formative years, charting their coming together as the world’s greatest musical group.

Filming with Mescal as Paul, Harris Dickinson as John, Barry Keoghan as Ringo and Joseph Quinn as George has already begun.

The much-revered broadcaster and natural historian has been sent hundreds of items in the post

As birthdays go, they don’t come much bigger than Sir David Attenborough turning 100 – as the postmen of Richmond-upon-Thames have discovered.

In the run up to the big day today (FRI) the BBC natural history star has been inundated with hundreds of cards, packages and gifts from across the UK – with some even coming from abroad.

Yesterday Sir David issued a statement of gratitude. In it, he admitted that he’d been hoping for his milestone anniversary to slip by unnoticed, but added that he’d been “completely overwhelmed” by the messages he’d received.

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In a message recorded for social media he is shown holding a harvest mouse, from the Wild Isles series about British wildlife. He said: “I had rather thought that I would celebrate my 100th birthday quietly – but it seems that many of you have had other ideas.

“I’ve been completely overwhelmed by birthday greetings, from preschool groups to care home residents and countless individuals and families of all ages.

“I simply can’t reply to each of you all separately, but I would like to thank you all most sincerely for your kind messages and wish those of you who have planned your own local events tomorrow, have a very happy day.”

As the posties have arrived carrying armfuls and boxes of letters in recent days, Sir David has been seen answering the door to his home in Richmond, south west London, looking surprised and delighted by the scores of thoughtful messages people have sent for his birthday.

He will mark the day itself with close family in the daytime and then attend a live event staged in his honour at the Royal Albert Hall, to be shown on BBC1.

Called David Attenborough’s 100 Years on Planet Earth it aims to showcase his groundbreaking career at the forefront of natural history storytelling and will feature the BBC Concert Orchestra plus special guests expected to include Prince William.

The event will take audiences on “a journey through a century of exploration and discovery in the natural world, seen through the prism of David’s extraordinary life”. It will feature wildlife stories accompanied by live music from his programmes, plus reflections from leading advocates for the natural world and those he has collaborated with over the decades.

Accompanied by the BBC Concert Orchestra, it will feature original compositions from some of David’s best-known landmark series. Alongside the music, guests will include some of those he has collaborated with from the world of conservation and wildlife filmmaking.

It was commissioned by BBC specialist factual boss Jack Bootle who said at the time: “It’s impossible to overstate what Sir David Attenborough has given us. His programmes have changed how we see our planet and our place within it.”

He added: “It’s also a moment for all of us at the BBC to say thank you to David — for his generosity, for his brilliance, and for a lifetime spent bringing the wonders of nature into our homes.”

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THE Beatles and the Rolling Stones both launched their latest albums yesterday – on separate continents. 

It was a case of let’s attend the knights together in honour of British rock royalty, Sir Paul McCartney and Sir Mick Jagger. 

At London’s fabled Abbey Road Studios, where the Fab Four recorded nearly all their songs, Macca held a lunchtime listening party for his latest LP, The Boys Of Dungeon Lane (out May 29). 

Then, in New York City hours later, Sixties chart rivals Jagger and Keith Richards as well as the later arrival to the ranks, Ronnie Wood, were seen strolling out of a Brooklyn theatre at the launch of their album, Foreign Tongues (out July 10). 

In a neat twist, Sir Paul plays bass on new Stones track Covered In You, recorded at the same session as his contribution to Bite My Head Off from 2023’s Hackney Diamonds. 

And BOTH albums were produced by American hotshot producer Andrew Watt, known for work with Ozzy Osbourne and Lady Gaga. 

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Before a select audience of fans and “my lovely son James” in Studio No2, McCartney, 83, introduced all fourteen tracks on his heartfelt 21st studio effort. 

For nearly two hours, he filled the time with fascinating anecdotes, playing select chords on his acoustic guitar and even mouthing some of the lyrics.  

Many songs have nostalgia-filled backstories, including As You Lie There about unrequited love for a girl called Jasmine. 

The “trippy” Mountain Top recalls Glastonbury, where he headlined in 2022, while Down South is about hitchhiking trips to Wales with George Harrison. 

Elsewhere, there’s a first-ever duet with fellow Beatle Ringo Starr on new single Home To Us, also featuring Chrissie Hynde and Sharleen Spiteri. Salesman Saint is a moving tribute to Macca’s parents, Jim and Mary. 

Meanwhile, the Stones also heralded their album with the release of a single, In The Stars, the follow-up to Rough & Twisted, a limited edition vinyl single which appeared under a pseudonym, The Cockroaches. 

Then Oscars host Conan O’Brien hosted a Q&A session with Mick and Keith, both 82, and Ronnie, 78. 

Besides McCartney, other guests on Foreign Tongues (also 14 songs) include The Cure’s Robert Smith on three tracks and Steve Winwood. 

The Sunday Times leads on its interview with the Prime Minister, saying he vowed to fight and win the next general election. The paper describes Sir Keir Starmer as “defiant”, with Labour expecting to suffer heavy losses in elections next month. Separately, the paper notes, allies of the mayor of Greater Manchester, Andy Burnham, are continuing efforts to secure him a route back to Parliament, potentially paving the way for a leadership challenge.