Single on Valentine’s Day? Skip the predictable romance films and celebrate with these nostalgic, feel-good movies to lift your spirits
Single on Valentine’s Day? Skip the predictable romance films and celebrate with these nostalgic, feel-good movies to lift your spirits(Image: Supplied)
Valentine’s Day has come round once more, and if you’re not getting caught up in all the soppy, romantic nonsense, there’s loads of other ways you can spend your evening. If you’re staying in and swerving all the loved-up couples out there, telly is an excellent means of escape.
Valentine’s Day needn’t revolve around romance, after all. If you’ve had your fill of formulaic, predictable romantic flicks, here are some brilliant alternatives that’ll rekindle your appreciation for those nearest and dearest.
So whether you fancy a giggle on your own or with mates, ditch those rom-coms for some feel-good nostalgia this Valentine’s Day.
Angus, Thongs & Perfect Snogging (2008)
For anyone wanting to grasp what life was like as a British teenage girl in the late noughties, Angus, Thongs & Perfect Snogging hits frighteningly close to home. At some stage, we’ve all caught ourselves relating to Georgia’s worldview, however misguided it might be, reports the Express.
Adapted from Louise Rennison’s bestselling book series, we follow 14-year-old Georgia Nicholson (Georgia Groome) as she tries to navigate adolescence whilst pining after the new lad in town – a breakthrough performance from Aaron Taylor-Johnson. Throughout her mission to bag a boyfriend and organise a spectacular 15th birthday bash at a nightclub, we witness the inner workings of the teenage brain manifesting in reality through some absolutely hilarious and toe-curling antics.
Shaving off an eyebrow? Absolutely. Faking the disappearance of a beloved moggy for sympathy? Naturally. A massive pair of granny pants? Without question.
Whilst this flick might centre on Georgia’s romantic pursuits, beneath the surface lies a tender coming-of-age tale exploring insecurity, platonic bonds, and that distinctly teenage sensation that everything is utterly catastrophic. Plus, it boasts what’s arguably one of cinema’s finest original songs, guaranteed to transport you straight back to those nostalgic days.
Planning to mark Valentine’s Day with your mates this year? Nobody’s turning down this gem. Angus, Thongs & Perfect Snogging proved a defining British picture for younger audiences back then, and continues to supply countless cultural touchstones we reference today.
In fact, Georgia Groome recently resurrected that legendary olive outfit for a cameo appearance in the reveal video for Maisie Peters’ latest album ‘Florescence’. Nearly two decades on and that immortal line still echoes: “Boys don’t like girls for funniness”.
The film is available to stream on Netflix, Amazon Prime and Apple TV.
Wild Child (2008)
The year 2008 was evidently peak teen cinema. On one side sits Angus, Thongs & Perfect Snogging, offering a relatively authentic portrayal of adolescent life for girls during the noughties, whilst on the other stands Emma Roberts ‘ Wild Child.
What do you do with a spoilt, glamorous Malibu Barbie teenager who leaps off cliffs into the ocean? Simple – pack them off to an all-girls boarding school deep in the English countryside.
A genuine fish out of water, Emma Roberts’ Poppy Moore couldn’t be more different from the seemingly prudish, eccentric pupils she encounters at Abbey Mount. It’s quite the exaggerated portrayal of boarding school life, but that’s rather the point – to knock the protagonist down a peg or two.
Gradually, the crisp English climate begins breaking down Poppy’s defences as she develops authentic bonds with her roommates – Kate (Kimberley Nixon), Josie (Linzey Cocker), Kiki (Sophie Wu), and Jennifer “Drippy” Logan (Juno Temple). Naturally there’s a love interest (Alex Pettyfer) and a sworn enemy (Georgia King) determined to see her fail, though that’s really beside the point when there’s such entertaining mischief afoot.
Beneath the rebellious and entitled façade lies genuine warmth, drawn out through the connections she forges. Ultimately, Poppy emerges transformed – having discovered a missing piece of herself through real mates who embrace her for who she truly is, whilst wreaking havoc around campus. Whilst Wild Child might not be the most universally relatable picture, there’s something in all of us that yearns for that kind of school adventure.
The film also marks one of Natasha Richardson’s final performances (as headmistress Mrs Kingsley) prior to her tragic passing in 2009.
Wild Child is available to stream on Netflix.
The Breakfast Club (1985)
This film boasts what’s arguably one of cinema’s most iconic closing sequences and exit tracks. The Breakfast Club, a coming-of-age comedy-drama, follows a group of outsiders whiling away the hours together during an all-day Saturday detention.
Each teenager belongs to a different social circle within the school, and their paths would ordinarily never cross in daily life. They’re set the task of penning a thousand-word essay on “who you think you are” by their notoriously harsh vice principal (Paul Gleason).
Alongside the usual rebellious teenage shenanigans and storylines, the film explores the realities lurking beneath the stereotypes presented on screen. It tackles themes including peer pressure, abuse, neglect, troubled relationships, and suicide in a manner that resonates with its audience, rendering the characters relatable to viewers.
Despite their contrasts, the group discover they’re all grappling with comparable struggles and form connections with one another. It serves as a reminder that surface appearances can be deceiving.
Whilst the group suspect their newly-formed bonds will dissolve once detention wraps up, they acknowledge they’ll view their classmates through fresh eyes going forward. As the film reaches its conclusion, we hear their moving message to their vice principal, declaring: “Each one of us is a brain, an athlete, a basket case, a princess, and a criminal.
“Does that answer your question? Sincerely yours, the Breakfast Club.”
Cue Judd Nelson’s fist raise and Simple Minds’ ‘Don’t You Forget About Me’.
The Breakfast Club can be watched via Netflix, Amazon Prime and NOW TV.
Romy and Michele’s High School Reunion (1997)
There’s something about a 90s comedy that hits all of the right spots, something the 2020s can learn from. The film follows underachieving best friends Romy (Mira Sorvino) and Michele ( Lisa Kudrow ) who decide to reinvent themselves with fake careers to impress their former classmates at their ten-year high school reunion.
The film kicks off with the drama of the girls’ prom in 1987, where they find themselves targeted by bullying from the high school cheerleader clique. Some stroppy behaviour leads the girls to do the classic slow dance together.
Fast forward, the duo don’t appear to have achieved much success since leaving school, stuck in dead-end jobs – or jobless – living a life lacking in some sort of purpose. They’re fine, totally fine.
It’s the invitation from one of their high school tormentors to their high school reunion that makes them pull their socks up, but only in the pretence sense. It’s your typical American movie that takes you on a journey, both literally and figuratively.
Following a catastrophic falling out over their friendship, the pair go their separate ways after their drive cross-country to the reunion. Or do they?
The film is madcap, light-hearted, and chock-full of clichés, but sometimes that’s just the ticket. Let’s face it, we all need a good giggle now and then, and anything featuring Lisa Kudrow is guaranteed to leave you in fits of laughter.
You can catch this film on Disney+.
Frances Ha (2012)
Whilst we’re accustomed to seeing Greta Gerwig behind the lens, she’s equally at home in front of it. The film stars Gerwig as a struggling dancer in New York, grappling with the rollercoaster ride of her twenties alongside her best mate, Sophie (Mickey Sumner).
They say your twenties are meant to be the time of your life, but in truth, you’re still figuring out who you are and where you fit into the world. We can all identify with the unpredictability of existence; flitting from one flat to another, settling for jobs you don’t really fancy, and witnessing friendships fade as they form new relationships.
Life in the Big Apple can be complex and unsettling, regardless of which side of the Atlantic you hail from. The trials and tribulations of everyday life can weigh heavily, with Frances battling to make her mark on New York.
The film masterfully blends comedy, drama and emotion to paint an authentic picture of struggling twenty-somethings.
In 2025, Frances Ha secured the 90th spot on The New York Times’ list of “The 100 Best Movies of the 21st Century”. Writing for Harper’s Bazaar, Yasmin Omar noted: “Frances Ha has become a cult classic thanks to its relatable portrait of the bewildering life stage that is young adulthood.”
Frances Ha is available on Netflix, Amazon Prime and Apple TV.
