PALOMA Faith has shared a look at her blossoming baby bump after a luxury break in Oman.
The singer is pregnant with her third child, and ahead of the birth whisked away for a sunsoaked getaway with her two daughters and partner, Stevie Thomas.
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Paloma has showed off her blossoming baby bump by the poolside in OmanCredit: InstagramThe star shared a series of pics from her trip on InstagramCredit: InstagramPaloma and partner Stevie are expecting their first child together – her third babyCredit: Instagram
Sharing pictures from the resort’s poolside, Paloma looked relaxed and happy as she posed for selfies, while in another she was seen asleep in a bikini with her bump on display.
Alongside photographs of the Middle Eastern resorts sights, Paloma was also seen beaming next to Stevie in another loved up snap.
“Amazing trip to Oman with the boy, kids and bump,” she wrote alongside the pictures on Instagram.
“I have to say it’s an amazing part of the world and I am so blessed to share this time with my kids before new baby comes ….. taking time out with family from work is something to push for and I really try.”
After splitting from Leyman in 2022 after a 10 year relationship, it’s believed Paloma and music venue director Stevie secretly dated for a year before going public with their romance in March 2025.
Thankfully she has since fully recovered, taking the opportunity to ditch the British cold for a resort trip abroad with her family and loved ones.
The star shared pictures of the sights from her getawayCredit: InstagramPaloma returned to our screens last year as part of Celebrity TraitorsCredit: InstagramThe star has been sharing updates of her pregnancy onlineCredit: BBCThe star was iconically killed by best mate Alan as part of his work as a traitorCredit: BBC
After months of Washington – with the help of much of the US mainstream media – manufacturing consent for a military intervention in Venezuela, last week American forces abducted the country’s president, Nicolas Maduro, and flew him to a prison in New York City. Now, the Trump administration is shifting the narrative away from the stated objective of striking a “narco-state” to the US taking control of Venezuela’s massive oil reserves.
Contributors: Alejandro Velasco – Associate Professor, NYU Alexander Main – Director of International Policy, CEPR JM MonteBlack – Venezuelan-American journalist Luis Valdez Jimenez – Lawyer and Venezuelan- American activist
On our radar
Once again, Iran is in the grip of nationwide protests, triggered in large part by the country’s struggling economy. What makes this moment volatile is the geopolitical context: both Israel and the US bombed Iran last year and now authorities in Tehran are accusing them of stoking the unrest. On the ground, the response from Iran’s security forces has turned violent but the details remain difficult to verify. Meenakshi Ravi reports.
An interview with Jose Luis Granados Ceja
A conversation with Jose Luis Granados Ceja, the Latin American contributor of Drop Site News on how to decipher the news coming out of Venezuela.
Featuring:
Jose Luis Granados Ceja – Latin America contributor, Drop Site News
Myanmar’s military government is holding an election despite much of the country being ravaged by the effects of war with rebel forces. Al Jazeera’s Tony Cheng has been to the abandoned town of Hpapun, where there are no residents left to vote.
R. Scott Gemmill, the creator and showrunner of “The Pitt,” has always felt comfortable in a hospital.
He initially had ambitions of going into medicine — he studied gerontology, which explores the processes and problems of aging, and did some volunteer work at hospitals. He also took a nurse assistant course.
“I really thought I was going to try and get into a med school,” he said recently while seated in the recognizable lobby of the show’s fictional hospital set on the Warner Bros. lot in Burbank. “I just wanted to have a job and medicine seemed like there was always going to be a need. I’m comfortable in a hospital. I wish I followed through on a certain level because I loved that ability to go in and solve problems. But my writing kicked in and that’s it — I never went back.”
But in TV land’s school of medicine, Gemmill has gone far. He did a rotation at Chicago’s County General Hospital, joining the writing staff of NBC’s popular medical drama “ER” in its sixth season. And now his turn at Pittsburgh Trauma Medical Center, through HBO Max’s “The Pitt,” has been a breakout success, revitalizing the medical drama genre with a fresh spin on the format — each episode tracks one hour in a shift — and energizing its audience with a traditional weekly rollout. The Emmy-winning series returned Thursday for its second season that revolves around a shift on the Fourth of July. But the fireworks arrived well before that, with HBO Max announcing on the eve of the show’s premiere that the drama has been renewed for a third season.
In the hiatus before shooting began on this season’s finale, Gemmill, whose other TV credits include “Jag” and “NCIS: Los Angeles,” talked about the show’s momentum heading into the new season, navigating how personal to get with characters, and introducing a new doctor to the mix.
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1.Noah Wyle as Dr. Robby in Season 2 of “The Pitt.” (Warrick Page / HBO Max)2.From left: Sepideh Moafi as Dr. Baran Al-Hashimi, Taylor Dearden as Dr. Melissa King, Katherine LaNasa as charge nurse Dana Evans, Gerran Howell as Dr. Dennis Whitaker and Supriya Ganesh as Dr. Samira Mohan in “The Pitt.”(Warrick Page / HBO Max)
You started breaking Season 2 last January, as people were discovering the show week to week. People love to be critical of sophomore seasons of a breakout hit. How did that shape the second season for you and the writers?
It was weird because we wrote [Season 1] without any feedback. Not just wrote it — we shot it and produced it. We had started thinking about Season 2 before people had responded. It was a slow build. I felt like the healthcare professionals found us first, then spread through word of mouth. We were just moving forward with what we thought were the next stages of these characters’ lives. It wasn’t until later on that the accolades came and there was more pressure then. When we first started, we didn’t know if anybody was going to watch or not. We had finished it without any pressure whatsoever because nobody had weighed in on it. It was a very rarefied situation, which was nice. We hope for the best. And it seemed to work out OK. There’s a little bit of concern going into the second season because we were successful, you wonder, can you maintain that? But we try not to focus on that, and just really focus on the characters and the stories and do what we did the first season — tell really authentic, strong stories.
The season picks up 10 months after that initial shift where we met everyone. How did you decide on the time jump, landing on July 4?
It really came from wanting to have Langdon [Patrick Ball] back, so I knew he had to do about 10 months of rehab. Then we were looking at what time of year would that be. We’re also somewhat limited by when we shoot in Pittsburgh. We decided to do the Fourth of July because it comes with a bunch of shenanigans.
Season 2 opens with a helmet-less Robby riding in on a motorcycle.
The motorcycle goes back to some part of Robby’s past. We don’t really talk about it, but it has a link to his father, and his father being a tinkerer of old cars and Robby needing a vacation, a hiatus of sorts. Pennsylvania is a no-helmet law [state]. And some of us who have motorcycles sometimes enjoy riding them without a motor helmet. It’s not a smart thing to do, and it speaks to Robby’s current attitude of a certain amount of carelessness on his part.
Yes, we learn that he’s going to be taking a three-month sabbatical. How soon will we discover what led to that? Is it an amalgamation of different things?
Yeah, he’s long overdue for a vacation. He knows that something’s not working in his life and this is one way he thinks that he can fix things.
It was a place I knew about and it just sounded like an interesting place for him to go that has some foreboding associations with it.
A new doctor, Baran Al-Hashimi (Sepideh Moafi), center, is brought in to oversee the ER unit on the eve of Dr. Robby’s (Noah Wyle) three-month sabbatical.
(Warrick Page / HBO Max)
The season introduces a new character, Dr. Baran Al-Hashimi, played by Sepideh Moafi, who’s going to be taking over when Robby is out. She’s an advocate of generative AI and trying to get everyone on board with this idea of saving time with charting. What were your conversations with doctors in the field about that topic and what intrigued you about how healthcare professionals are thinking about this technology?
She’s someone who’s a little different with her approach, a little more contemporary and forward, as opposed to Robby; he bridges contemporary medicine and old-school medicine with his relationship that he had with Dr. Adamson, who showed him a lot of the old-school techniques that he still has in his wheelhouse if he needs them. AI is pretty much here to stay and it’s infiltrating every aspect of our lives — medicine is no exception. I would say it’s still in its infancy in the ER, but there are ways that it’s trying to be implemented. Like any other tool, it has potential to be used wisely and potential for disaster. We’re not really exploring the disastrous side of it yet but just what the realities are. The fear is that it will make the doctors more efficient, especially with things like charting, but then will that time go back to the patients or will they just have to see more patients? And so they’ll have even less time. That’s the challenge at this point.
How do you feel about it in your own industry?
I try not to think about it. I guess I’m probably in denial more than anything. I don’t have any place for it and I don’t really want to really know too much about it at this point.
We see a lightness to Robby this season. He’s involved in a situationship at work. This is a workplace drama. It hasn’t shown us the interior lives of its staff beyond the nuggets they share during their shift. How much do you want the viewers to know about them versus how much do you want your actors to just understand their characters?
It comes with the job. He’s not a monk. He’s in a relationship of convenience more than anything. I don’t think he’s a long-term planner. The fact that he hasn’t had a vacation in forever is proof of that. Robby is very good at putting on a good face until he’s not. I think what we’ll see over the course of the season is that facade start to slide.
It’s a process. The 15-hour nature of the show limits how much of that information you can dole out organically, but it also allows you to be authentic in terms of how much you actually learn about someone in a day. Most of us not just spilling our guts and saying our life story to the people we work with. As we start the season, we’ll think about: What is the journey we’re going to take this character on, and what information needs to be learned in order to achieve that? And then what medical stories will help maybe bring that out. You do it in little layers.
Is there something coming up that you think will be particularly illuminating?
There’s some stuff about Robby. We pulled back a lot on it, but we’ll learn a little bit about him. We’ll learn some things about Whitaker [Gerran Howell]. We know what Langdon is going through, his marriage.
After taking leave to seek treatment for prescription drug addiction, Dr. Frank Langdon (Patrick Ball) returns to work in “The Pitt.”
(Warrick Page / HBO Max)
To stay on Langdon — physicians and people in the healthcare profession are vulnerable to addiction for a variety of reasons. What was important for you in that storyline and what did you want to explore through him?
To show somebody who’s made a mistake and was doing their best to hide it as is sometimes the pattern of behavior. I don’t think most people enjoy their addiction. So, seeing someone who’s doing their best to try and heal themselves. Just because you’re going through the program and doing the steps, it doesn’t mean everyone’s going to welcome you back with open arms. There are still some bad feelings and you have to mend some bridges and fences along the way.
It’s not just Robby and Langdon. Langdon feels he owes a sort of mea culpa to almost everyone he works with, especially Santos [Isa Briones]. And whether or not she’s willing to accept that is debatable. Robby, obviously, has some really strong feelings about it because Langdon was his student, and he made Robby look kind of stupid. Robby is angry at himself for not seeing it.
How are you figuring out who’s going to shuffle in and out?
Some of it’s based on the reality; for instance — I was thinking of this today — next season would be Whitaker’s third year, so he has one more year to stay here, and then he would have to go. It’s really about where they are in their careers and what makes the most sense story-wise.
I want to talk about some of the procedures and cases that we’ll see this season because they’re pretty gnarly. Do you keep a log of cases and try to figure out how they can fit into the story as you go?
We never really start with the medicine. Sometimes we say the medicine is the wallpaper that reflects everything in the room, but what’s going on between the characters is really what’s at stake, and it’s either something going on between them and the patient, between the doctors and nurses, or internally. Ideally, it touches on a little bit of everything.
When we came back, I probably had 150 ideas of just cases. I don’t know how many of them we actually did. We had never done a hot toddler story, [where a child was overheated] but that is something that’s a real problem. That was one where we knew we were going to try and do that story, but whose is it going to be? Who does it reflect most? Then we work backwards into it. We pull from everywhere — things we think of, things we’ve heard, things we imagine. We don’t really do ripped-from-the-headlines, but we do things that seem like that because a lot of times we’re talking to professionals, asking them what was concerning them. What do they worry about? We’re extrapolating their concerns. That’s what happened with [Season 1’s] measles story. There was no measles outbreak when we wrote that story, but we knew, based on what was going on, that there would be eventually, and we just happened that the timing was in our favor.
Is there like a line you won’t cross in terms of squirm factor? Have you had to pull back?
I don’t think so, because we’ve never done anything for the sake of that. We’ve never done anything that’s not done in the ER. As long as it serves a story and a character, then I think it’s fair. We do something big for the finale that Abbot [Shawn Hatosy] and Robby are doing with a bunch of others — it takes all hands on deck. I’m interested to see how that comes out, and I’ve seen elements of it now that are terrific.
Can you share more of what kinds of topics or cases we’ll be seeing this season?
We did a sexual assault, [and] we’re looking at how budget cuts are affecting healthcare. There’s a story about someone who’s been rationing their insulin and the downsides of that.
When the One Big Beautiful Bill Act was signed into law by the president, did you have a lot of calls with professionals?
Oh, yeah, because it’s a huge issue. You figure out with the changes in the Affordable Care Act, if you suddenly have 8 to 10 million people that don’t have insurance, what’s going to happen is they’re going to stop going to their doctors. Anything that was an issue is going to get exacerbated by not being treated. So, where do they end up? Well, they’re going to end up in the ER, but they’re going to be even sicker than they would have been. We’re going to get more people, and their conditions are going to be worse. It only makes what’s already a strained system even more likely to break. Because we were just starting to shoot in the summertime, we could make some adjustments, but I don’t remember going back and changing things. We saw it coming.
I know there had been some discussion about an ICE story? Will we see that this season?
Yes, we have some ICE agents show up, and how that affects people in the hospital. That’s been a tricky one to try and get right without being heavy-handed and being fair to everyone on both sides of that conversation. What else do we do this year? Some fun stuff. The kind of things you would expect over the Fourth of July weekend.
How do you feel about the shipping that’s taking shape with “The Pitt” fan base?
I’m not on social media, I’m not really a part of that. My writers would tell me about things like that. The Langdon-Mel of it — I’m like, he’s married. That’s more of a big brother relationship. And Abbot and Robby — I just sort of shake my head. Our show’s not really like that. It’s not a show where people are sneaking off to have sex in a closet or anything. Those things are very subtle. And we do see a little bit this season between a couple of people, but it’s very much secondary because it’s not something we actually see, per se.
Just as he did last season, Noah Wyle is writing again this season. He’s also directing. Tell me what it’s like when you have the lead of your show involved in different aspects of the show’s creative elements?
It’s really great because he’s up to speed on everything. And because he is the centerpiece of the show, I rely on Noah a lot for guidance and help figuring out how to steer through all the icebergs. He’s a good writer and he’s a good director, and it just adds a whole other level to the writers room, in terms of the connection between us and the set. He’s there right up until, basically, we start shooting. Even when we are shooting, if he has a day off, he’s in the room or we’ll do meetings at lunchtime so he can join in and weigh in. It was Noah’s idea to do the Shema prayer for his breakdown. That was a very coordinated effort because I knew I was asking a lot of him. That’s what’s really nice about having Noah be a writer and a director. He has the vernacular to have these conversations about what he needs from me to get him to where he needs to be. It’s a very symbiotic relationship.
R. Scott Gemmill on the pressure that comes with having a breakout hit: “There’s a little bit of concern going into the second season because we were successful, you wonder, can you maintain that? But we try not to focus on that, and just really focus on the characters and the stories and do what we did the first season — tell really authentic, strong stories.”
(Christina House / Los Angeles Times)
Do you ever worry about him being overextended?
Yes. That’s why I don’t mind when he has a day off. But he’s just gonna fill it with work.
In Hollywood, when something’s a success, there’s an immediate impulse to figure out a way to broaden that success. Has there been talks of spinoffs, ways to build out the universe?
No, not really. We’ve talked about doing a night shift. In time, maybe that’s something we’ll explore. The show still has lots of life in it, so I wouldn’t want to distract from what we’re doing now. But I think there’s a potential to do all the craziness that comes out at night.
Like Dr. Al-Hashimi, you’ve had experience being the newcomer joining a well-oiled machine. Tell me about becoming a writer on “ER” in Season 6.
I hated it when I first went on. They had done so many stories already, and there were multiple stories told per episode, so they had gone through so many stories that it seemed like anything I suggested was already done. They all felt like Ivy League professors and I was a college dropout; I felt like I so didn’t belong there. I remember calling my wife and saying, “I hate this. This is horrible. I should never have left ‘Jag.’” But over time, I found my way and found my voice on the show.
That was the season with one of the episodes I revisit often — when Dr. Carter (Wyle) gets stabbed.
I remember having a big debate over whether Kellie Martin’s eyes should be open or closed. I was adamant that she had to have her eyes open. I’m glad I won, but that was intense. The whole show was very intense.
George Clooney has teased that he would be open to the idea of appearing on “The Pitt.” Could you see a world where that happens?
I take that with a grain of salt but, hey, I’m up for anything. I’ll try anything once.
What I appreciated about the season finale last year, especially in this world of TV where you feel like you need to have this epic cliffhanger, was how true to life it felt. Since you’ll be shooting the finale in January, what can you share about how you’re thinking about it?
There’s something really fun at the end of this season. I hope that we do it as a little Easter egg for the fans in the finale, so I’m looking forward to doing that.
Jesy Nelson has opened up about her twin daughters’ devastating genetic condition and how they may never walk in an emotional interview on ITV’s This Morning
12:28, 07 Jan 2026Updated 12:38, 07 Jan 2026
Jesy Nelson has revealed the extreme lengths she takes to make sure her twins can breathe at night following their devastating muscular atrophy diagnosis. The Little Mix star announced on Sunday that her twins had been diagnosed with the rare genetic condition spinal muscular atrophy and may never walk.
The 34-year-old welcomed daughters Ocean Jade and Story Monroe Nelson-Foster prematurely back in May with her musician fiancé Zion Foster, 27. Speaking in a video on Instagram at the weekend, Jesy told her fans that Ocean and Story have the most severe form of the disease, which sees muscles deteriorate over time, and that she’s now a nurse to the twins.
She added that she took them to the GP when her mum noticed they weren’t moving as much as they should. “The girls have been diagnosed with a severe disease called SMA type one. It stands for spinal muscular atrophy which affects every muscle in the body from legs, arms to swallowing,” she said.
Speaking on This Morning today, Jesy revealed that her twins exhibited early symptoms of SMA – but she didn’t know what they meant. Fighting tears, she told Ben Shephard and Cat Deeley: “That is the part that frustrates me the most. I knew and saw all of the signs before I knew what SMA was.
“It was weird because from when I was in NICU [Neonatal Intensive Care Unit], the way they used to lay on my chest, they would have frog leg position. I did say to my mum, ‘Isn’t their belly an unusual shape? They breathe from their belly.’
“That’s what frustrating – for me, if these were the cards I was always going to be dealt and there was nothing I could do about it, it would be easier for me to accept. But when you know there is something that can be done about it and it is lifechanging to your child, that’s the bit that I cannot accept.”
She added that it makes her “so sad” to watch videos which show the twins gradually losing use of their legs over the course of weeks. “That’s how quick it is and that is why it’s so important to get treatment from birth,” she said.
Jesy went on to reveal that her house was “looks like a hospital” with all of the medical equipment needed to keep the twins alive.
“Story has to be on a breathing machine at night because she isn’t strong enough to breathe by herself at night,” she said. “They have to have Cough Assist machines to help them cough, I have to put feeding tubes down their nose to get secretions off their chest.
“I’ve had to learn this within the space of a few days of getting their diagnosis. It’s so much to deal with while you’re also trying to deal with this horrendous thing that’s just happened.”
Sharing an update on the twins, she said that doctors have told her that they won’t be able to walk, regain neck strength and will be in wheelchairs. However, Jesy isn’t giving up hope.
“There have been so many stories where parents have been told this and then their children have gone on to do incredible things,” she said.
“So I believe you have to manifest this into existence. They’re still smiling, they’re still happy and they have each other.”
If you have been affected by this story, advice and support can be found at SMA UK. You can get in touch by phoning 01789 267520 or by emailing office@smauk.org.uk.
This Morning airs weekdays from 10am on ITV1 and ITVX.
IT’s an abby new year for Jennifer Aniston as she shows off her toned torso in gym gear.
The Friends star, 56, demonstrated equipment for fitness brand Pvolve — which included a few yoga moves.
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Friends star Jennifer Aniston shows off her toned torso in gym gearCredit: pvolveThe Hollywood star demonstrated equipment for fitness brand Pvolve — which included a few yoga movesCredit: Pvolve
Jen said finding motivation to work out was hard but persevering gave her a buzz.
She explained: “That feeling is what brings me back.”
Last year she told People: “No pain, no gain. That’s not true at all.
For years, the blonde beauty swore by the idea that pushing her body to the extreme was the only way to stay fit, as she confessed: “I always had the message in my brain.”
She advised: “You gotta do 45 minutes of cardio, then floor work and then weights.”
Through her ongoing partnership with Pvolve, a low-impact fitness program, Jennifer has completely transformed the way she thinks about exercise.
She shared: “You can actually enjoy your workout, not break your body, and have an incredible transformation.
“In all the workouts I’ve tried over the years, this one has transformed my body more than any of the others.”
Jen said finding motivation to work out was hard but persevering gave her a buzzCredit: pvolveFor years, the blonde beauty swore by the idea that pushing her body to the extreme was the only way to stay fitCredit: Pvolve
Washington, DC – United States Secretary of State Marco Rubio has not been shy about his desire to see the toppling of Venezuelan President Nicolas Maduro.
Infamously, the former Florida senator even posted a series of photos of slain deposed leaders, including a bloodied former Libyan leader Muammar Gaddafi, as tensions with the US and Maduro’s government spiked in 2019.
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But it wasn’t until the second administration of US President Donald Trump that Rubio’s vision of a hardline approach to Latin America and his longtime pressure campaign against leftist leaders was realised – culminating on Saturday with the illegal abduction of longtime Venezuelan leader Maduro.
Experts say Rubio has relied on an ability to capitalise on the overlapping interests of competing actors within the Trump administration to achieve this, even as his broader ideological goals, including the ousting of Cuba’s communist government, will likely remain constrained by the administration’s competing ambitions.
“It took a tremendous amount of political skill on his part to marginalise other voices in the administration and elsewhere who were saying: ‘This is not our conflict. This is not what we stand for. This is going to upset our base,’” Alejandro Velasco, an associate professor of history at New York University, told Al Jazeera.
Those agendas included US President Donald Trump’s preoccupation with opening Venezuela’s nationalised oil industry, US Secretary of Defense Pete Hegseth’s desire for a more pugilistic military approach abroad, and adviser Stephen Miller’s fixation on migration and mass deportation.
“So that’s the way that Rubio was able to bring into line not quite competing, but really divergent agendas, all of them to focus on Venezuela as a way to advance a particular end,” Velasco said.
US Secretary of State Marco Rubio whispers in the ear of President Donald Trump during a roundtable discussion about antifa in the State Dining Room of the White House in Washington, DC, on October 8, 2025 [File: Jim Watson/AFP]
A hawk in ‘America First’
A traditionalist hawk who has regularly supported US military intervention in the name of spreading Western democracy and human rights abroad, Rubio initially appeared to be an awkward fit to be Trump’s top diplomat in his second term.
His selection followed a campaign season defined by Trump’s vow to end foreign wars, eschew US-backed regime change, and pursue a wider “America First” pivot.
But the actual shape of Trump’s foreign policy has borne little resemblance to that vision, with the administration adopting a so-called “Peace Through Strength” doctrine that observers say has resulted in more room for military adventurism. That has, to date, seen the Trump administration launch bombing campaigns against Yemen and Iran, strike armed groups in Nigeria and Somalia, and attack alleged drug smuggling boats in the Caribbean.
The approach of Trump 2.0 has more closely aligned with Rubio’s vision of Washington’s role abroad, which has long supported maximum-pressure sanctions campaigns and various forms of US intervention to topple governments.
The US secretary of state’s personal ideology traces to his South Florida roots, where his family settled in the 1960s after leaving Cuba three years before the rise of Fidel Castro, in what Velasco described as an “acerbically anti-communist” political environment.
“I think for him, it started as a question of finally making real the hopes and dreams of Cubans in Florida and elsewhere to return to their homeland under a capitalist government,” Velasco explained.
“It went from that to what this could represent, if we think about it more hemispherically – a bigger shift that would not only increase, but in fact ensure, US hegemony in the region for the 21st century.”
‘Vacuum was his to fill’
After tangling with Trump in the 2016 presidential election, in which the future president deridingly dubbed his opponent “Little Marco” while Rubio decried him as a “con man”, the pair forged a pragmatic working relationship.
Rubio eventually endorsed Trump ahead of the 2016 vote, helping to deliver Florida. In Trump’s first term, Rubio came to be seen as the president’s “shadow secretary” on Latin America, an atypical role that saw the lawmaker influence Trump’s eventual recognition of Juan Guaido as interim president in opposition to Maduro.
Analysts note Rubio’s approach to Venezuela has always been directly aimed at undermining the economic support it provides to Cuba, with the end goal of toppling the island’s 67-year-old Communist government. Following Maduro’s abduction on Saturday, Rubio quickly pivoted to the island nation, telling reporters: “If I lived in Havana and I was in the government, I’d be concerned”.
Still, in the early months of Trump’s second term, Rubio appeared largely sidelined, with the president instead favouring close friends and family members to spearhead marquee negotiations on ceasefires in Gaza and Ukraine.
During this time, Rubio was slowly amassing a sizeable portfolio. Beyond serving as secretary of state, Rubio became the acting administrator of the Trump-dismantled US Agency for International Development (USAID) and the acting archivist of the US National Archives. Most notably, he became the acting director of National Security, making him the first top US diplomat to also occupy the impactful White House role since Henry Kissinger.
A Venezuelan in Miami holds a picture of US Secretary of State Marco Rubio during a rally in response to US military strikes in Venezuela; in Miami, Florida, the US, January 3, 2026 [Cristobal Herrera-Ulashkevich/EPA]
Rubio eventually found himself in a White House power vacuum, according to Adam Isacson, the director of defence oversight at the Washington Office on Latin America (WOLA).
“Rubio’s somebody who understands Washington better than the Grenells and Witkoffs of the world,” Isacson told Al Jazeera, referring to Trump’s special envoys Richard Grenell and Steve Witkoff.
“At the same time, other powerful figures inside the White House, like Stephen Miller and [Director of the Office of Management and Budget] Russ Vought haven’t cared as much about foreign policy,” he said, “so the vacuum was his to fill.”
Meanwhile, Rubio showed his ability to be an “ideological weather vane”, pivoting regularly to stay in Trump’s good graces, Isacson said. The National Security Strategy released by the White House in December exemplified that approach.
The document, which is drafted by the National Security adviser with final approval from the president, offered little in tough language towards Russia, despite Rubio’s previous hard lines on the war in Ukraine. It supported the gutting of US foreign aid, despite Rubio’s years-long support for the system. It offered little of the human-rights language with which Rubio had earlier in his career styled himself as a champion.
It did, however, include a “Trump corollary” to the Monroe Doctrine, which dovetailed with Rubio’s worldview by calling for the restoration of US “preeminence” over the Western Hemisphere.
A pyrrhic victory?
To be sure, the toppling of Maduro has so far proved a partial, if not pyrrhic victory for Rubio, far short of the comprehensive change he has long supported.
In a news conference immediately following Maduro’s abduction, Trump doused support for exiled opposition leader Maria Corina Machado, who has hewed close to Rubio’s vision for a future Venezuela. Several news agencies have since reported that US intelligence assessed that installing an opposition figure would lead to widespread chaos in the country.
Rubio has so far been the point man in dealing with Maduro’s former deputy and replacement, Delcy Rodriguez, who has been a staunch supporter of the Hugo Chavez-founded Chavismo movement that Rubio has long railed against. Elections remain a far-off prospect, with Trump emphasising working with the government to open the oil industry to the US.
The secretary of state has not been officially given a role connected to the country, but has earned the less-than-sincere title in some US media of “viceroy of Venezuela”.
On news shows, Rubio has been tasked with walking back Trump’s claim that the US would “run” the South American country, while selling the administration’s oft-contradicted message that the abduction of Maduro was a law enforcement action, not regime change, an act of war, or a bid for the country’s oil.
“I think he’s sort of lying through his teeth,” Lee Schlenker, a research associate at the Quincy Institute for Responsible Statecraft, told Al Jazeera.
“Even he doesn’t seem to believe a lot of the sort of rhetorical and discursive pretexts that have been deployed about drugs, about narco-terrorism, about a law enforcement-only operation, about just sort of enforcing a Department of Justice indictment,” he said.
Having to work with Rodriguez, and reportedly, Venezuela’s security czar and Minister of Interior Diosdado Cabello, has been a “bucket of cold water on Rubio’s broader illusions”, Schlenker added, noting that Rubio’s end goal still remains “the end of the Chavista project”.
Rubio is also likely to face further reality checks when it comes to his expected attempts to pitch the overthrow of what he will likely argue is a weakened Cuba.
The island, without the economic resources of Venezuela and no known drug trade, is seen as far less appealing to Trump and many of his allies.
“Compared to Venezuela,” Schlenker said, “there are a lot more reasons why Trump would have less interest in going after Cuba.”
One in three Americans opposes the Venezuelan leader’s abduction by US forces, a poll shows, while others are unsure.
Published On 6 Jan 20266 Jan 2026
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Americans are evenly split in their support for the US military operation to abduct Venezuelan President Nicolas Maduro, an opinion poll has found.
Thirty-three percent of Americans support Maduro’s abduction, compared with 34 percent who are against it and 32 percent who are not sure, the Reuters/Ipsos poll showed on Monday.
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Supporters of President Donald Trump’s Republican Party are much more likely to support the military operation, with 65 percent in favour, compared with 11 percent of Democrats and 23 percent of independents.
On the question of who should govern Venezuela, Americans lean against Washington taking control of the country, according to the poll.
Forty-three percent oppose Washington governing Venezuela until a new government is established in Caracas, compared with 34 percent in favour and 20 percent who are unsure.
Americans lean against the US stationing troops in Venezuela – 47 percent to 30 percent – according to the poll.
More Americans than not also oppose the Trump administration taking control of Venezuela’s oil fields, with 46 percent against the idea and 30 percent in favour.
On the question of whether the US could become “too involved” in the Latin American country, 72 percent are very or somewhat concerned.
Trump said on Saturday that the US would “run” Venezuela, though officials in his administration have sought to downplay the prospect of Washington occupying the country.
On Sunday, Trump threatened further military action against Venezuela if it “doesn’t behave”.
Maduro, who was abducted in a raid by US special forces over the weekend, on Monday made his first court appearance to face charges related to “narcoterrorism”, drug trafficking and weapons possession.
Maduro pleaded not guilty to all charges, declaring himself the victim of a kidnapping and a “decent man”.
“I am still president of my country,” Maduro told a US federal court in New York through an interpreter.
Maduro, his wife, Cilia Flores, son Nicolás Ernesto Maduro Guerra, and three others face the possibility of life in prison if convicted.
On Monday, Maduro’s deputy, Vice President Delcy Rodríguez, was sworn in as Venezuela’s interim president.
“I come with pain over the kidnapping of two heroes who are being held hostage: President Nicolás Maduro and First Lady Cilia Flores,” Rodriguez said during a swearing-in ceremony at Venezuela’s National Assembly.
HELEN Flanagan is looking as hot as ever in her latest snaps, shortly after reigniting her feud with ex Scott Sinclair.
The gorgeous actress, 35, took to Instagram on Sunday to wow onlookers in a figure-hugging corset and tights.
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Helen posed up a storm in a lace back leopard print corsetCredit: InstagramThe snug metallic number hugged her figure to perfectionCredit: InstagramThe sexy snaps come just after a row with her ex, Scott, over parentingCredit: Instagram
The metallic corset featured subtle leopard print detailing and dainty spaghetti straps falling down over Helen’s shoulder.
And it’s safe to say every inch of the ensemble hugged her assets to perfection.
Helen finished the look off with a pair of black kitten heels, a glowy brush of highlighter on her cheekbones and a black mini skirt.
Crouching down on the floor while eyeing up the camera, Helen radiated confidence and don’t-care energy.
Meanwhile Helen posted a snap of her cuddling their son, writing: “Loved Charlie’s nativity. My star, my heartbeat.”
Helen and Scott split up in 2022 after spending 13 years together.
The former flames, who were engaged, have hinted at struggling to co-parent, with Helen telling The Sun: “He lives like Somerset and I live in Lancashire. So we live so far away from each other, which is really difficult when you’ve got three young children.
“I hate calling it co-parenting because I don’t really feel like a co-parent to be honest with you anyway.”
Helen has been busy working while looking after her kidsCredit: InstagramShe used to spend Christmas with everyone, but Scott took their kids this yearCredit: InstagramThe pair were together for 13 years before calling it quitsCredit: Getty
Jesy has shared her twins have been diagnosed with a rare diseaseCredit: Instagram/JesynelsonThe star posted a heartbreaking video on Instagram to raise awareness to other mothersCredit: InstagramThe adorable seven-month-old babies are being looked after by Great Ormond StreetCredit: Instagram
Speaking from her home, Jesy said the pair have been diagnosed with SMA Type 1, or Werdnig-Hoffmann disease, the most severe form ofSpinal Muscular Atrophy.
The tearful star told the camera: “If it’s not treated in time, your baby’s life expectancy will not make it past the age of two.”
Her stunningly honest discussion prompted a wave of support from celebrity pals, with Chris – who dated Jesy from 2018 to 2020 – one of the first to back her up and send her love.
“A warrior Jess. Be easy on yourself,” he told her. “Sending prayers to you all, everyone behind you guys 🤍”
Amy Childs added: “I’m so sorry jesy what your going through ❤️xx sending love and strength to you and your beautiful girls xxx”
Megan McKenna wrote: “My heart is breaking for the pain you are in right now. Sending so many prayers and love to your beautiful girls ♥️♥️”
Jess Wright also commented, telling Jesy: “Sending you so much love Jesy. Love & strength ❤️❤️❤️❤️❤️❤️❤️”
Ashley James also noted: “Jesy I’m so sorry. I’m thinking of you and your girls and sending love ❤️❤️’
“Jes, There are no words big enough for how unfair and heartbreaking this is. I am so deeply sorry,” wrote I’m A Celeb star Shona McGarty. “My heart aches for you and for your beautiful little girls.
“Please know that their lives, no matter what, are already filled with love because of you. That love matters. It always will.
“You don’t have to be strong, and you don’t have to find the right words. However you feel, whatever you need, it’s okay.
“You are not alone in this, Jes. You are so loved, and your girls are so loved. I’m holding you all in my heart. 💔🤍”
While Shaughna Phillips also added: “Sending you and your girls so much love and positive prayers, you are a superwoman and they are lucky to have you ❤️❤️❤️”
Jesy’s Journey
Jesy has shared that her babies had to endure “months and months” of doctors appointments before finally getting diagnosed with SMA Type-1.
Spinal Muscular Atrophy: Signs and symptoms
Spinal muscular atrophy is a disease which takes away a persons strength and it causes problems by disrupting the motor nerve cells in the spinal cord.
This causes an individual to lose the ability to walk, eat and breathe.
There are four types of SMA – which are based on age.
Type 1 is diagnosed within the first six months of life and is usually fatal.
Type 2 is diagnosed after six months of age.
Type 3 is diagnosed after 18 months of age and may require the individual to use a wheelchair.
Type 4 is the rarest form of SMA and usually only surfaces in adulthood.
What are the symptoms?
The symptoms of SMA will depend on which type of condition you have.
But the following are the most common symptoms:
• Floppy or weak arms and legs
• Movement problems – such as difficulty sitting up, crawling or walking
• Twitching or shaking muscles
• Bone and joint problems – such as an unusually curved spine
• Swallowing problems
• Breathing difficulties
However, SMA does not affect a person’s intelligence and it does not cause learning disabilities.
How common is it?
The majority of the time a child can only be born with the condition if both of their parents have a fault gene which causes SMA.
Usually, the parent would not have the condition themselves – they would only act as a carrier.
Statistics show around 1 in every 40 to 60 people is a carrier of the gene which can cause SMA.
If two parents carry the faulty gene there is a 1 in 4 (25 per cent) chance their child will get Spinal muscular atrophy.
In her newest video, Jesy revealed that her mother, Janice, raised concerns after the twins didn’t show much movement in their legs.
While their initial concerns were chalked up to the twins being premature and therefore unlikely to hit milestones at the same pace as other children, Jesy and Zion pushed for more tests after they had trouble feeding.
Jesy and Chris dated from 2018 to 2020Credit: GettyChris Hughes led the messages of support in her commentsCredit: Refer to sourceJesy looked heartbroken as she opened up about what her girls had gone throughCredit: Instagram
According to Jesy, it took three to four months of appointments before they finally got a diagnosis, with the pair then being treated at Great Ormond Street Hospital.
“I feel like I’ve almost had to become a nurse in the space of two weeks,” Jesy added, explaining how she has had to put her daughters on breathing machines.
“The reason I wanted to make this video was because, the last few months has honestly been the most heartbreaking time of my life. I feel like my whole life has done a 360.
“I’m grieving a life I thought I was going to have with my children,” she emotionally said, before acknowledging that she is grateful to have them.
“I truly believe that my girls will defy all odds. And with the right help, they will fight this, and go on to do things that have never been done.”
“They probably will never regain their neck strength, so they will be disabled,” she revealed, adding it’s also unlikely they’ll ever be able to walk.
“So the best thing we can do right now is get them treatment and just hope for the best.”
Jesy then said that she wanted to make the video because if the disease is detected early enough in the first few months of a baby’s life “a lot of this stuff could be prevented”.
Taking to his Instagram page, Zion shared a photo of his daughters in what looked a stroller.
With tubes attached to their noses, the two tots could still be smiling widely.
Alongside the photo, Zion wrote: “Still smiling through all the challenges. Daddy loves you so much.”
Jesy and Zion welcomes their twins in May 2025Credit: jesynelson/InstagramThe star hoped that her experience would help others see the warning signs in their babiesCredit: Instagram
KYLIE Jenner has sent followers wild after posing in a series of eye-popping poolside bikini pics.
Beauty mogul Kylie shared the stunning snaps with fans on her social media displaying her enviable curves in a gold bikini.
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Kylie Jenner showed off her famous curves in a series of steamy bikini photosCredit: InstagramKylie looked sensational in Sunday in a gold string bikiniCredit: InstagramShe spent the day sunbathing at her LA mansion in the two-piece swim suitCredit: Instagram
The 28-year-old brunette bombshell – who has been busy putting rumours of a split with Timothée Chalamet to bed – took to Instagram to share a series of selfies while lounging by the pool.
Preened to perfection with a full face of make-up, the TV personality wore a metallic two-piece featuring a plunging neckline and matching drawstring bottoms.
Sporting light eyeshadow and mascara on the lashes, she completed the look with pink blush for a radiant glow on her cheekbones and a darker nude-coloured matte tint to her lips.
She styled her long, dark hair with a middle parting, sat on her shoulders in bouncy waves.
She commented on her post: “Ur so hot.”
Fans applauded: “2026 goals,” stunning” and “obsessed.”
Others condemned: “I’d be so embarrassed to pose like this and ask someone to take my picture and then be self-obsessed enough to post it online. Dreadful.”
“Hasn’t she ever heard of OnlyFans?” enquired a second.
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“What happens when this woman can no longer post pictures like this for validation? It’s going to hit her hard when she has to be more than just her body!” ranted another.
The entrepreneur played the supportive partner this weekend, attending the 2026 Palm Springs International Film Festival Film Awards to cheer on boyfriend Timothée Chalamet.
The esteemed actor was honoured with the Spotlight Award for his role in Marty Supreme.
Although she skipped the red carpet, Kylie still made a major fashion statement inside the event.
The beauty icon wore a custom Ludovic de Saint Sernin creation – a shimmering, dark orange column dress covered in copper sequins.
The body-skimming design featured a plunging neckline and unique halter straps that criss-crossed at the collarbone.
She paired the look with a matching chrome orange manicure and wore her hair in signature voluminous waves, swept elegantly to one side.
One admirer penned: “Orange is the new love colour.”
“This glam is something else,” confirmed a second.
“You always know exactly how to own a moment,” praised a third.
However, the dramatic look divided fans. One commented: “Kylie used to be one of the best dressed in the family and ever since she got with Timothée her fashion sense has been on a steep decline.”
A second agreed: “She wants her boobs to be the focal point of every outfit. It’s a shame because I agree she could pull off some really gorgeous looks. I’m not saying it’s bad to show cleavage but she doesn’t dress accordingly for the events.”
“All that money but always manages to look like an airhead wearing a prom dress off SHEIN,” noted one unimpressed user.
However, Chalamet appeared not to mention his girlfriend while accepting his award at the prestigious awards bash.
The body-skimming column dress featured copper sequins all overCredit: InstagramKylie’s dramatic look divided fans and they questioned her fashion senseCredit: InstagramThe star posed up a storm in the burnt orange sequin dressCredit: InstagramKylie applauded her boyfriend at the 37th Annual Palm Springs International Film AwardsCredit: Getty
Rhian Sugden had a message of hope for people thinking of getting a breast reductionCredit: InstagramShe wore a plunging top to show how her boobs looked beforeCredit: InstagramAnd then showed off the results of her surgeryCredit: Instagram
She reshared a video she first posted on Instagram to send a message of encouragement for anyone who was thinking of undergoing breast augmentation.
Rhian donned a chic black jumpsuit with a plunging neckline, almost down to the waist, so that much of her breasts were on display.
The video started with Rhian showing what her boobs looked like in that outfit both from the front and posing sideways to the camera.
Then she shared the results of her breast reduction and lift as she looked at the camera with a big smile on her face. Her breasts sat higher on her chest and were rounded.
“In June I said goodbye to 500g from EACH boob. That’s basically a bag of sugar per cheb… no wonder my back was crying for help,” she captioned the post.
Rhian continued to say the surgery was “one of the best decisions” in her life, which has helped reduce back pain and she was even able to take up running.
“I can wear clothes without limiting my style because of bra styles. My boobs are still big, just way more manageable and actually feel like they belong to my body now,” Rhian wrote.
“The pain + recovery? Nowhere near as bad as I’d built it up in my head.”
She added: “The confidence glow-up though? I feel it was the mummy makeover I needed.”
Rhian then told her fans that if they were considering a similar surgery but were afraid, that “this is your sign that it’s okay to choose comfort, confidence and feeling like yourself again over super heavy shoulder boulders that are uncomfortable.”
Her fans rushed to the comment section to shower her with praise.
“You being happier, healthier, just shines on you. You’re entering your radiant era lady,” wrote one fan.
Another added: “Look fabulous @rhiansuggers Glad it was a success and its all healed x Happy 2026.”
And a third wrote: “Beautiful with amazing figure.”
Shewentunder the knife in 2025 for a breast uplift and reduction, aftergiving birth to her son Georgesaw her breast size jump from a DD/E to an F cup.
The model also revealed her nipples had been sitting 11cm lower than they should have been after giving birth because “gravity took its toll.”
Rhian has been open about how her breasts changed after giving bothCredit: InstagramRhian’s back pain has disappeared and she can go running againCredit: rhiansuggers//Instagram
It’s the start of a new year and that means the kickoff of a whole new slate of television series. And while 2026 will bring plenty of those, it will also yield revivals, new seasons of beloved shows, spinoffs and long-awaited finales. Though this list isn’t exhaustive by any means, and not all dates have been announced, there’s plenty to start penciling into your calendar.
Holly Hunter as Capt. Nahla Ake in “Star Trek: Starfleet Academy.”
(Brooke Palmer/Paramount+)
In these awful, uncertain times, it is heartening that “Star Trek,” that most good-hearted, proudly progressive of space operas, continues to create new missions for fresh multiplanetary crews of explorers. The latest series, set like “Star Trek: Discovery” in the far-flung 32nd century, when anything the writers need created can be, takes place both in San Francisco — where the rebuilt Starfleet Academy is welcoming its first new class in more than 100 years — and aboard a training starship, the USS Athena, which will presumably carry cadets into situations more dangerous than rush week or beer pong. Tig Notaro’s engineer Jett Reno, surviving from “Star Trek: Discovery,” and Robert Picardo’s holographic doctor way back from “Star Trek: Voyager,” are seen here, as are several new young actors for youth appeal and Holly Hunter, as the academy chancellor and starship captain, for the “Broadcast News” fans. The voice of Stephen Colbert, making announcements as the Digital Dean of Students, is heard, and Paul Giamatti puts on prosthetics to play the villain. — Robert Lloyd
‘Memory of a Killer’ (Jan. 25, Fox)
Michael Imperioli, left, and Patrick Dempsey in “Memory of a Killer.”
(Christos Kalohoridis/Fox)
Former “Grey’s Anatomy” heartthrob Patrick Dempsey trades in his “McDreamy” scrubs for a high-powered rifle in Fox’s thriller drama. Inspired by the 2003 Belgian film “De Zaak Alzheimer,” the drama features Dempsey as Angelo Ledda, a New York City hit man facing a devastating dilemma: he has early Alzheimer’s. The disease complicates his deadly profession and his life as a low-key family man. With a cast that includes Michael Imperioli (“The Sopranos”) and Gina Torres (“Suits”), the trailer looks particularly intriguing, with Dempsey looking intense while backed by the Who’s “Behind Blue Eyes.” Fox is spotlighting the series with a two-night premiere; the first episode airs following the NFC Championship game. The second episode airs Jan. 26 as the drama settles into its regular slot on Mondays at 9 p.m. — Greg Braxton
‘Scrubs’ revival (Feb. 25, ABC)
Zach Braff, top, and Donald Faison in the “Scrubs” revival.
(Jeff Weddell/Disney)
Ready for another walk through the halls of Sacred Heart Hospital with J.D., Elliot, Turk, Dr. Cox and Carla? The 30-minute sitcom was a comfort watch throughout much of the early aughts, with an endless loop of reruns keeping the show alive in the minds of fans long after it was canceled in 2010. But now ABC is bringing back the medical sitcom nearly 16 years later, and a lot of familiar faces are returning too: Zach Braff, Sarah Chalke and Donald Faison will reprise their lead roles, and John C. McGinley and Judy Reyes will make guest appearances. But not all is the same — several new cast members will join “Scrubs,” including Vanessa Bayer (“Saturday Night Live,” “I Love That for You”) and Joel Kim Booster (“Fire Island,” “Loot”). As long as J.D.’s daydreams and goofy bromance with Turk remain, I’m all in. — Maira Garcia
‘Monarch: Legacy of Monsters’ Season 2 (Feb. 27, Apple TV)
Wyatt Russell and Mari Yamamoto in Season 2 of “Monarch: Legacy of Monsters.”
(Vince Valitutti/Apple)
It’s been two years since the first season of “Monarch: Legacy of Monsters” ended with a surprise two-year time jump and I’ve been waiting to see what’s next for the extended Randa clan ever since. The Monsterverse series follows Cate Randa (Anna Sawai) — a survivor of a Godzilla encounter — trying to learn the truth about her father Hiroshi’s (Takehiro Hira) disappearance with the help of her newly discovered half-brother Kentaro (Ren Watabe) and ex-pat hacker May (Kiersey Clemons). It turns out the Randa family legacy is intertwined with Godzilla as well as Monarch, a secret organization dedicated to studying the giant monsters known as Titans. The possibility of kaiju battles was definitely what initially drew me to the show, but the humans have kept me hooked. Season 1 ended with Cate reuniting with her brother and father after escaping a mysterious pocket world beneath Earth’s surface with her long-lost grandmother Keiko (Mari Yamamoto) in tow. If that is not the setup for some gloriously messy family drama, I don’t know what is — and that’s not even taking into account a potential love triangle. But don’t fret monster lovers, the presence of Kong has also been teased for Season 2. — Tracy Brown
’American Love Story’ (February, FX)
The latest iteration of Ryan Murphy’s “American Story” anthology will focus on John F. Kennedy Jr. and Carolyn Bessette Kennedy, whose relationship and untimely deaths in 1999 created a media frenzy. (The couple died in a plane crash that Kennedy was piloting — the cause of death was deemed pilot error, but with no survivors, we’ll never know with 100% certainty.) Though their deaths occurred more than two decades ago, the event remains a significant moment in the memories of Americans and the Kennedy family, which has endured numerous tragedies over the decades. While Kennedy family members have openly criticized the series, it hasn’t stopped Murphy from proceeding. The television creator knows how to pique viewers’ interest, often dramatizing notable people and events. The series stars Sarah Pidgeon as Bessette, newcomer Paul Kelly as Kennedy and Naomi Watts as matriarch Jackie Kennedy. — M.G.
Logan Marshall-Green, Arielle Kebbel and Luke Grimes in CBS’ “Y: Marshals.”
(Sonja Flemming/CBS)
More than a year has passed since “Yellowstone” rode off into the sunset. The modern western was television’s hottest series during its five-season run, solidifying the star power of its lead Kevin Costner as patriarch John Dutton while establishing co-creator Taylor Sheridan as one of TV’s top writer-producers. Sheridan hopes to continue his “Yellowstone” triumph with several spinoffs. Kelly Reilly and Cole Hauser will reprise their respective roles as Dutton’s volcanic daughter Beth Dutton and her husband, boss ranch hand Rip Wheeler, in Paramount+’s “Dutton Ranch.” Luke Grimes, who played Dutton’s son Kayce Dutton, will headline “Y: Marshals” in which Kayce joins a top U.S. Marshals unit. Joining Grimes in the CBS drama are “Yellowstone” cast members Gil Birmingham (Thomas Rainwater) and Mo Brings Plenty (Mo). Also in development is “The Madison,” a drama starring Michelle Pfeiffer and Kurt Russell about a New York City family living in Montana’s Madison River territory. — G.B.
‘Imperfect Women’ (March 18, Apple TV)
Elisabeth Moss, left, Kerry Washington and Kate Mara in “Imperfect Women.”
(Nicole Weingart/Apple)
If you’re longing for the elusive Season 3 of “Big Little Lies” or a similar crime-laced psychological thriller led by powerhouse women, Apple TV might be able to scratch that itch with this upcoming drama. Based on Araminta Hall’s novel of the same name, “Imperfect Women” will follow three lifelong friends, played by Kerry Washington, Elisabeth Moss and Kate Mara, as a murder sends their lives into chaos. Moss and Washington also serve as executive producers with Hall. Details about the plot of the series are scant (it is a mystery, after all), but the novel teases a story with deep betrayal and guilt, a secret affair and muddled perspectives, all underpinned by a murder investigation. That all sounds pretty dark, but Moss said the series will somehow be a “fantastic palate-cleanser” after the close of her dystopian drama “The Handmaid’s Tale.” “Imperfect Women” is “super different,” she added. “It’s fun, it’s sexy.” — Kaitlyn Huamani
‘The Forsytes’ (March 22, PBS)
Danny Griffin and Tuppence Middleton in “The Forsytes.”
(Sean Gleason/Masterpiece / PBS)
Written by Debbie Horsfield (“Poldark”), this is, as far as I can tell, a freely adapted, female-forward prequel to John Galsworthy’s “Forsyte Saga” novels, which provided the basis for a highly popular, 26-part adaptation in 1967 and subsequent filmings in 2002 and 2003. Set among a late Victorian-era family of stockbrokers, a phrase that will undoubtedly bring the word “succession” to mind, it promises to be a meaty, cheesy and handsomely dressed — sometimes undressed — romp. The large ensemble cast includes Francesca Annis, Stephen Moyer, Tuppence Middleton, Eleanor Tomlinson, Jack Davenport, “Doctor Who” companion Millie Gibson and Susan Hampshire, who starred in and won an Emmy for the 1967 series. — R.L.
‘Margo’s Got Money Troubles’ (April 15, Apple TV)
Michelle Pfeiffer and Elle Fanning in “Margo’s Got Money Troubles.”
(Allyson Riggs/Apple)
Ever look at a television title and think: “It’s great to see myself represented on TV?” The actual premise of this series may feel less relatable on the surface to most, but the struggle to stretch a dollar like it’s made of industrial-use elastic is a conundrum many of us know all too well these days. And this new series from prolific TV producer David E. Kelley promises humor and heart in its adaptation of Rufi Thorpe’s novel of the same name, which explores sex work and financial precarity without moralization. The series stars Elle Fanning as the titular character, a recent college dropout from a working-class background who, as a new mom raising a baby solo, is forced to figure out how to make ends meet and finds a financial lifeline as a creator for OnlyFans, the subscription-based platform made famous by adult content. The series also features Michelle Pfeiffer as Margo’s mother (an ex-Hooters waitress) and Nick Offerman as her father (an ex-pro wrestler). And to ensure she’s not letting 2026 go by without adding a stamp to her TV punch card, Nicole Kidman is also part of the stacked cast. Because we need that, all of us. — Yvonne Villarreal
‘The Testaments’ (April 2026, Hulu)
Lucy Halliday, left, and Chase Infiniti in “The Testaments.”
(Disney)
The success of Bruce Miller’s award-winning adaptation of Margaret Atwood’s “The Handmaid’s Tale” prompted the author to write the Booker Prize-winning sequel “The Testaments,” which Miller is also adapting. Set to premiere in April, it returns viewers to the Old Testament world of Gilead, years after the events in “The Handmaid’s Tale,” and focuses on June’s (Elisabeth Moss) daughters Hannah, renamed Agnes (Chase Infiniti), and Daisy, previously known as Nicole (Lucy Halliday), as they face the brutal forces of a misogynistic theocracy. Ann Dowd reprises her role as Aunt Lydia, the only character (with the possible exception of June) who will cross over from the previous series. Miller has characterized the series as a “coming of age” story, but readers of the book will know that all is not what it once was in Gilead; forces both without and within plot its downfall and June’s daughters will not be far from the fight. — Mary McNamara
‘Beef’ Season 2 (2026, Netflix)
Three years after gifting us a darkly comic road rage thriller fronted by Steven Yeun and Ali Wong that was set against a soundtrack of ‘NSync, Tori Amos and Hoobastank songs, Lee Sung Jin’s anthology series returns for its second season with another layered, twist-filled exploration of class struggles, resentment and the absurdity of life’s curveballs. Consisting of eight 30-minute episodes, this season unpacks the pursuit of the American Dream by way of an exclusive Southern California country club and two couples from different socioeconomic backgrounds. The chaos kicks off when a young couple who work at the club (Cailee Spaeny and Charles Melton) witness a heated fight between their boss (Oscar Isaac), the general manager, and his wife (Carey Mulligan), an interior designer, just as the club’s new Korean billionaire owner (Youn Yuh-jung) takes over. The encounter spins out into a web of favors and coercion in this tale of broken systems and characters going to great lengths to get what they want. “Parasite’s” Song Kang-ho and K-Pop star BM (of KARD) round out the cast. And yes, there will be needle drops. — Y.V.
‘Little House on the Prairie’ (2026, Netflix)
It’s beyond time that someone revisited the semi-autobiographical series by Laura Ingalls Wilder in a way more suited to modern television. The 1974 NBC adaptation is a classic, but as a family drama of its time, it did not attempt to capture the historical breadth the book series documented. The many tribulations, and triumphs, the Ingalls family experienced as they moved from state to state, (including the locust plague of 1874, described in “On the Banks of Plum Creek,” which devastated the Midwest) provide a unique look into life on the American “frontier.” With any luck, showrunner Rebecca Sonnenshine and her team of writers will do the same. — M.M.
‘Something Very Bad Is Going to Happen’ (2026, Netflix)
Fans of the nearly 10-year long “Stranger Things” chapter on Netflix are sure to be feeling a bit of Duffer Brothers withdrawal in the new year. But their overall deal with Netflix will bear another intriguing project before the creators move over to Paramount exclusively. “Something Very Bad Is Going to Happen” is a horror drama centering on a soon-to-be bride and groom, although the title seems to imply they never make it to the altar. The Duffer Brothers, Matt and Ross, and Hilary Leavitt from Upside Down Pictures are executive producing along with Haley Z. Boston, who will serve as showrunner. Boston has written on “Guillermo del Toro’s “Cabinet of Curiosities” and “Brand New Cherry Flavor,” both of which attracted avid horror fans. Camila Morrone (“Daisy Jones & the Six,” “The Night Manager”) stars alongside Adam DiMarco (“The White Lotus,” “Overcompensating”). Very few other details have been shared, but the talent involved — both behind the scenes and in front of the camera — is enough to pique my curiosity, even if I’ll have to close my eyes when things get a little too scary for my comfort. — K.H.
‘Yellowjackets’ Season 4 (2026, Showtime)
Tawny Cypress in the Season 3 finale of “Yellowjackets.”
(Darko Sikman/Paramount+ with Showtime)
I thought high school was traumatizing enough, but I didn’t have to deal with anything close to what the teens in “Yellowjackets” have endured for three seasons. The coming-of-age survival thriller is about a championship high school soccer team whose plane crashes into the remote Canadian wilderness where they are stranded for 19 months. The story unfolds over two timelines, with one following the girls as they do whatever it takes to survive in the wilds — including cannibalism and ritual sacrifice — and the other following the survivors in the present day as they are trying to live their lives. Unfortunately for them, whatever they started in the wilderness is unwilling to be left buried in the past and is back on the h(a)unt. There is plenty of rage, trauma, secrets and murder in both timelines, as well as some unsolved mysteries that may or may not involve supernatural elements. With the upcoming fourth season confirmed to be the last, here’s to hoping some of the remaining questions — including how the girls were saved, how many girls actually survived, and why the “wilderness” came back to them in the present day — will be answered. — T.B.
‘VisionQuest’ (2026, Disney+)
It feels like forever ago that “WandaVision” kicked off Marvel Studios’ foray into television with a bang. A clever homage to sitcoms, the show followed Wanda Maximoff (Elizabeth Olsen) as she tried to magically piece together a life and family with Vision (Paul Bettany) after the events of “Avengers: Endgame” (2019). The upcoming Disney+ series “VisionQuest” will cap off the “WandaVision” trilogy, which also includes one of my favorite MCU installments, “Agatha All Along.” When audiences last saw Vision, the reconstructed android had just regained his memories and, presumably, his sentience, before flying off into the unknown. The new series will see Vision trying to navigate that aftermath to figure out who he is — reportedly with some help from other known Marvel AI programs and robots. Both “WandaVision” and “Agatha” explored grief and trauma and motherhood in their own ways, so I’m curious how these themes might carry over into “VisionQuest.” I’m admittedly a bit more into witches than robots, but I’m looking forward to the proper introduction of Tommy Shepherd (Ruaridh Mollica), who in the comics is the grown-up version of one of Wanda and Vision’s magically-created twins, and any potential family reunions. — T.B.
Garo Ohannessian is known as a “lifer” at AGBU, an Armenian K-12 school in Canoga Park. He’s been there from the start and now he’s making a name for himself in high school basketball with his three-point shooting skills.
He set a school record making 13 threes and finishing with a career-high 45 points in a Dec. 30 win over Brawley.
Coronation Street legend Beverley Callard, who starred as Rovers landlady Liz McDonald, has hit back at accusations she has taken weight loss medication to get into shape
Coronation Street legend Beverley Callard has shown off her weight loss (Image: ITV)
Beverley Callard has insisted she has not been using jabs to lose weight. The actress, 68, who is best known for her legendary portrayal of former Rovers Return landlady Liz McDonald on Coronation Street, is also a qualified fitness instructor alongside her television career and took to social media on Friday to show off her trim new figure.
But some followers did not believe that she had simply adopted a healthier diet and exercise regimen to drop the pounds and accused her of turning to “skinny jabs” as a quick fix.
In the video, Beverley said: “No girls, I am not on a skinny jab. I have worked out my whole life and I have been working my a** off, literally. Although I must say, I would not knock anybody who is on it. Just do what you’ve got to do.” The former I’m A Celebrity…Get Me Out Of Here! star, who was last seen in her signature soap role in 2020, also used the caption of her post to quash the accusations.
She wrote: “Just addressing some of the comments I’ve been getting recently about my weight… as there have been quite a few! I’ve spent my whole life doing fitness and working my arse off… literally! Each to their own when it comes to weight loss, but I’m not on any weight loss jabs. Just clearing that up!”
During the height of her television fame in the mid to late 1990s, Beverley released a series of workout videos and also wrote a fitness-themed column for the Mirror. Fans of the Two Pints of Lager and A Packet of Crisps actress rushed to the comments section to throw praise on the star.
One wrote: “You have always looked amazing @beverleycallard ignore all the comments those who love you and follow you know you’ve done this with healthy eating & good exercise happy new year to you & keep doing what your doing xx”
Another said: “I still use your exercise DVD, it’s still fab! You need to upload it or do a new one!” and a third wrote: “I’ve been working out to your DVDs for years. Along with Rosemary Conley, you are my favourite fitness instructor. I’d love to train with you for real if you ever decide to hold some local classes.”
Since quitting her role as Liz, Beverley moved from Manchester to Norfolk with her husband Jon McEwan and quickly started offering exercise classes in her local area. When she launched them in 2022, she said: “I can’t wait to meet you all. Thank you to all of you who have been in touch already! Those of you who have emailed but not filled in the questionnaire yet, please send me them!
“If you’re interested in being one of my 25 strong women and part of my new fitness classes.” Beverley was an aerobics teacher before she was cast as Angie Richards in Emmerdale in 1983, and when she left Coronation Street for the first time in 1998, she decided to focus on her fitness career once again.
She then appeared as Liz again from 2003 until 2011, and then again from 2013 until 20202. Once she left for the final time, Beveley admitted she had worked six days a week and filmed from 7am to 10pm in the evening.
Beverley also took a swipe at the writers of the long-running ITV soap as she spoke of why she doesn’t think the “scripts are as good now”, in comparison to when she first made her appearance as Liz in 1989.
In an interview with The Sun, Beverley said of her decision to leave: “As an actor, you’re scared to say no to a job, but the scripts came and I thought I’ve just got to trust my instincts really. It’s not nine to five, it’s like seven until ten at night and it’s six days a week, it’s really full on and you have no life, like it used to be a lot harder years ago when the cast was smaller. I personally don’t think the scripts are as good now, I think we’re overloaded with soap operas, which is a shame.”
A local in Lanzarote has been left confused by the weather warnings for Storm Francis, which is expected to bring strong gusts, heavy thunderstorms and even snow to the Canary Islands
Sophie Roberts Head of Social Newsdesk
11:17, 02 Jan 2026
The Canary Islands aren’t always sunshine-filled(Image: Photo by Rafa Elias via Getty Images)
Tourists planning trips to the Canary Islands have been cautioned about Storm Francis, which was forecast to bring powerful winds, torrential thunderstorms and even snowfall to the area.
However, one resident in Lanzarote has expressed bewilderment over these alerts. Mr Travelon has shared a TikTok video showing the actual conditions on the island at present.
Whilst there have been slightly breezy spells in the popular resort, the weather is far from the severe conditions anticipated. So the expat, filmed standing on the beach beneath clear blue skies, questioned: “Where’s this storm Francis? Because it hasn’t arrived yet in Lanzarote.”
The Lanzarote resident was sporting sunglasses while delivering his update. And despite wearing a fleece, he didn’t require a heavy winter coat.
His video went on: “It was meant to arrive New Year’s Day, we were meant to be seeing the new year in with a storm. Seas looking a little bit choppy, there’s a red flag up there saying ‘do not swim’ and I certainly wouldn’t be getting in that today. But is the storm here… it’s about 14 degrees!”
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The holidaymaker then swept his camera across the island, giving viewers a glimpse of the conditions on January 2. He went on: “It is definitely a little bit breezy and the sun is coming up just over there.
“The trees are blowing so we’ve definitely got some sort of medium storm on the way, but they did say it’s possibly going to pass quite quickly. Will it be a pool day today? I doubt it. But that dark cloud is looking like it might start raining.”
The climate in Lanzarote appears considerably more pleasant than what we’re currently experiencing back home in Britain – but that doesn’t mean it won’t change.
There remains a possibility the storm could arrive later today, so tourists are still being told to exercise caution over the next few days.
Consequently, Spain’s meteorological agency AEMET has urged travellers bound for the Canary Islands to stay informed about weather updates.
AEMET stated: “Due to the high level of uncertainty regarding the evolving situation and the potential impact on outdoor activities in the coming days, close monitoring of forecast updates is recommended.
“Today, Storm Francis is expected to affect the Canary Islands, bringing southwesterly winds to coastal areas with very strong gusts, as well as locally heavy and persistent thunderstorms that will move from west to east throughout the day and into the early hours of tomorrow.
“Strong winds will persist in exposed areas and mid-altitude zones until the middle of the 3rd. On the Iberian Peninsula, after a few days of relative stability with scattered showers in the Cantabrian region and the western third of the peninsula, increased instability is likely from the 3rd onwards in areas of the southern and southeastern thirds, with showers that could be locally heavy and persistent in areas of the Gulf of Cádiz, the Strait of Gibraltar, the Costa del Sol, and Cabo de La Nao.
“On the 4th and 5th, the potential interaction with the cold air mass could bring snowfall to mid- to low-lying elevations in the southeastern quadrant of the Iberian Peninsula, with the highest probability and accumulations expected in the eastern Iberian System, the eastern part of the southern plateau, the mountain ranges of the Valencian Community, and the area around the Baetic System. It is possible that snowfall will extend, with less intensity, to other areas of the Iberian System, the central peninsula, and the northeastern third of the peninsula. Additionally, snow showers are expected at mid-elevations in the Cantabrian area.
“From the 6th onwards, the most likely scenario is that precipitation will decrease in intensity and extent in southern areas, although it could still be locally heavy in the Strait of Gibraltar and Melilla, while snowfall will become restricted to mountainous areas, especially in the northern third of the peninsula.”
It all began more than a decade ago. Saudi Arabia and the United Arab Emirates were the pillars of a coalition created to fight the Houthis who had taken control in Yemen.
Over the years, that mission failed. Then the UAE set out to pursue its own long-term interests by supporting and arming a group called the Southern Transitional Council (STC) in the south of Yemen.
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But Riyadh stepped in to disrupt what it saw as a national security threat after the STC seized control of areas close to its borders.
The UAE was given 24 hours’ notice to withdraw – an ultimatum it agreed to.
So what does all this mean for the future of Yemen?
Presenter: James Bays
Guests:
Abdul-aziz Al Ghashian – Senior non-resident fellow at Gulf International Forum
Alkharder Sulaiman – Southern Transitional Council spokesman
Andreas Krieg – Associate professor at the School of Security Studies, King’s College London
Heidi Klum was snapped enjoying a dip in the sea during a Caribbean trip to St BartsCredit: The Mega AgencyThe model was seen holding hands with her musician husband Tom Kaulitz, 36Credit: The Mega Agency
She was also seen holding hands with her musician husband Tom Kaulitz, 36.
Kaulitz is a German musician who has been dating Heidi since March 2018.
The pair were first spotted together on 14 March leaving Delilah in West Hollywood.
The pair were both glammed up in silver while strutting with Stella’s pet Trip, a chihuahua terrier mix.
They were on set filming for Germany’s Next Topmodel series in LA.
Heidi wore a plunging gown with a see-through skirt, while Stella, 35, was in a slashed minidress.
Stella calls Trip her “most treasured possession”.
A week previously, Heidi changed tack and joined forces with Robbie Williams at the World Cup 2026 draw in Washington DC.
She donned two different dresses, switching up from a red sparkling number to a black blouse and diamante skirt.
She hosted the World Cup draw alongside comedian Kevin Hart and actor Danny Ramirez at the John F Kennedy Center for the Performing Arts in Washington DC.
And the supermodel, who previously took part in the 2006 tournament draw in her native Germany, was among the first names on the red carpet.
As Heidi switched into a third dress for the actual draw ceremony – this being a glittering gold number – things seemingly went downhill.
TV star Heidi donned a gold bikiniCredit: The Mega AgencyThe star flashes flesh as she runs from the wavesCredit: The Mega AgencyHeidi and Tom enjoy a splash in the seaCredit: The Mega Agency
MOLLY-MAE Hague and Tommy Fury have jetted to an exclusive resort for the super rich – splashing £6,000 a night to relax in the Maldives over the festive break.
The luxury trip includes a stay at the One & Only Reethi Rah resort, where villas lead straight into the Indian Ocean.
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Molly Mae has revealed where she is staying in the Maldvies – and only the super rich can afford itCredit: InstagramMolly-Mae and Tommy Fury are relaxing at a lavish resortTommy showed off their amazing accommodation on Instagram
Previous A-list guests include Chelsea FC owner Roman Abramovich, Hollywood stars Tom Cruise and Russell Crowe, The Beckhams and former TopShop owner Phillip Green.
Molly-Mae and Tommy booked into a Grand Water Villa that costs £6,000 a night over the New Year period.
They opted to forgo a private pool, likely to keep a close eye on their two-year-old daughter Bambi.
The resort is nestled on North Male Atoll with villas having access into the beautiful Indian Ocean.
The social media mogul has seen the cash come flowing in after launching her brand, Maebe.
New accounts for her firm MMH International Ltd have laid bare just how much money she is making.
The millionaire Love Island star made around £300,000 in profit for the 12 months to the end of March this year.
Currently, cash deposits in the firm stand at £231,155, having risen from £65,071 last year.
The firm’s documents also go on to reveal that Molly currently has around £700,000 worth of stock.
At present, Molly currently sells a variety of items on Maebe, with some items such as jackets costing £150, as well as jeans and dresses which range up to £90.
The resort is nestled on North Male Atoll island in the MaldivesCredit: RexMolly-Mae looked stylish in a black vest and baseball cap while cradling Bambi in her arms on the gorgeous beachCredit: Instagram
As an editor, the lion’s share of my job is about identifying the awards season’s most compelling stories and conveying them to our readers. But I do reserve a small sliver of time for the joys of advocacy, championing work that I love and hoping that converts readers into viewers, and perhaps even voters.
So, with no new issue this week, my New Year’s Eve newsletter felt like the perfect time to reflect on the movies and TV shows that moved me in 2025. And if you give them another look before you cast your awards ballots, all the better.
MOVIES
1. ‘A Little Prayer’ and ‘The Testament of Ann Lee’
David Strathairn and Jane Levy in “A Little Prayer.”
(Music Box Films)
I am not terribly spiritual myself, but I encountered transcendence twice at the movies this year. As quiet and beseeching as its title, Angus MacLachlan’s chamber drama “A Little Prayer,” about a family man (David Strathairn) navigating marital trouble between his son (Will Pullen) and his daughter-in-law (Jane Levy), uncovers varieties of religious experience in 19th century landscape painting and small, memorable kindnesses. As sweeping as the extraordinary life it depicts, Mona Fastvold’s biographical portrait “The Testament of Ann Lee,” which follows the Shaker leader (Amanda Seyfried) and her devotees from the textile mills of Manchester to the wilderness of colonial New York, carves sensuous art from the exalted song and dance of evangelical faith. But whether the scale is intimate or epic, both capture, to quote “A Little Prayer,” that rare thing: “a powerful sense of the sublime.”
2. ‘Sinners’
Michael B. Jordan in “Sinners.”
(Warner Bros. Pictures)
“Sinners” has rightly been praised for its novel twist on the vampire genre, its deep investment in African and African American music, its blockbuster box office in an era largely dominated by franchise IP. But perhaps the highest compliment I can give director Ryan Coogler may be that the Jim Crow Mississippi he conjures is so richly textured, so allergic to cant or cliche, that I’d have been just as riveted if the bloodsuckers had never shown up. That’s what it’s like to be in the hands of a master.
3. ‘Sorry, Baby’
Eva Victor in “Sorry, Baby.”
(Philip Keith / A24)
Eva Victor is not the first filmmaker to face trauma with a sense of humor, but few have done it with such a gentle, humane touch. As Victor’s Agnes moves through life in the aftermath of a sexual assault on her college campus, the writer-director-star focuses squarely on the slow, ungainly, ultimately profound work of healing — and includes some of the best gags about academia this reformed graduate student has ever seen. No apology needed: “Sorry, Baby” marks the arrival of a major talent.
4. ‘One Battle After Another’
Leonardo DiCaprio in “One Battle After Another.”
(Warner Bros. Pictures)
With elements of action, satire, political thriller and family melodrama, Paul Thomas Anderson’s wild yarn about the members of a revolutionary group — and the fallout that comes when the past catches up with them — is well-nigh indescribable. But it’s also unforgettable. Combining high-wire filmmaking with electric performances, it never relinquishes its grip on the viewer and invites multiple viewings. Which is just as well, considering that this one is going to be on the tip of our tongues all the way through the Oscars.
5. ‘Nouvelle Vague’
Zoey Deutch as Jean Seberg and Guillaume Marbeck as Jean-Luc Godard in “Nouvelle Vague.”
(Jean-Louis Fernandez)
The purest delight of the season is Richard Linklater’s mash note for the French New Wave, a zippy comedy of errors about the making of one of the most influential films of all time. As Jean-Luc Godard (the rakishly charming Guillaume Marbeck) tries to put “Breathless” together with spit, glue and attitude on the streets of Paris, “Nouvelle Vague” becomes as confident a caper as the original, with Jean-Paul Belmondo (Aubry Dullin) and Jean Seberg (a beguiling Zoey Deutch) as the French director’s oft-befuddled collaborators — and sometimes foils. To overlook a film with this much cinematic joie de vivre would be a crime.
6. ‘Sirât’
The rave sequence that opens “Sirât.”
(Neon)
The less said the better about Spain’s acclaimed Oscar submission, which takes such twists and turns as it wends its way through the Moroccan desert that it left me frozen, after my first screening, in a sort of defensive crouch. I simply suggest that you go on the journey with filmmaker Oliver Laxe as he follows a father (Sergi López) and son (Bruno Núñez Arjona) on their search for a missing loved one, beginning with a rave so lifelike it almost had me dancing in the aisles.
7. ‘Hedda’
Tessa Thompson, center, in “Hedda.”
(Matt Towers / Prime Video)
I must admit I went warily into “Hedda.” An awards-season Ibsen adaptation had, I feared, all the makings of a fusty, dour costume drama. Mea culpa, Nia DaCosta. Mea culpa. The filmmaker’s sharp, fresh take on “Hedda Gabler,” featuring mesmerizing performances from Tessa Thompson as the devious title character and Nina Hoss as her (gender-swapped) former lover, renders the play as provocatively, and vividly, for today’s viewer as it must have been for attendees at the Munich premiere in 1891 — and in the process reminds us why the original is an enduring classic.
8. ‘Sentimental Value’
Stellan Skarsgård and Elle Fanning in “Sentimental Value.”
(Kasper Tuxen)
No film this year has left me more eager for a rewatch than Joachim Trier’s delicate family drama, and I was rewarded with the sense that “Sentimental Value” is really two films, woven together so deftly that they can’t quite be unraveled. One is the story of two sisters (Renate Reinsve and Inga Ibsdotter Lilleaas) bonded by generational trauma. The other is about a filmmaker, their father (Stellan Skarsgård), recruiting a sympathetic outsider (Elle Fanning) to tell the story of his own. By the time these strands reach their conclusion, on a soundstage built to resemble the family manse, Trier’s thoughtful architecture pays off in the understanding that you really can go home again, because home is a state of mind.
9. ‘The Alabama Solution’
A still from “The Alabama Solution.”
(HBO Documentary Films)
In an especially strong year for documentaries, particularly those that appreciate, emulate or chronicle the work of investigative journalism, it seems a shame to single out just one. But from the moment of its Sundance Film Festival premiere, the movie by Andrew Jarecki and Charlotte Kaufman registered as a prime example of nonfiction storytelling’s unmatched ability to “comfort the afflicted and afflict the comfortable,” starting with its unflinching use of Alabama state prison inmates’ contraband cellphone footage of the shocking conditions they’re forced to endure. As advocacy, as exposé, as portrait of the fight for justice, no documentary has stuck with me this year quite like “The Alabama Solution.”
10. ‘All That’s Left of You’ and ‘The Voice of Hind Rajab’
Scenes from “All That’s Left of You,” left, and “The Voice of Hind Rajab.”
(Watermelon Pictures; Venice Film Festival)
One expands its tale of the Palestinian experience across continents and decades, the other condenses its saga to just 90 minutes, balanced on a knife’s edge between documentary and drama. But for all their stark stylistic differences, both “All That’s Left of You” and “The Voice of Hind Rajab” — along with films such as “Palestine 36” and “Put Your Soul on Your Hand and Walk” — urgently communicate, in specific human terms, the life-and-death consequences of a struggle for self-determination too often abstracted in the West to its “complicated” or “thorny” geopolitics. Whether the setting is Jaffa or Gaza, the subject a multigenerational family pushed to its breaking point or the fate of a single little girl, both will leave you shaken. As they should.
TV SHOWS
1. ‘Andor’
Diego Luna and Genevieve O’Reilly in “Andor.”
(Lucasfilm Ltd. / Disney)
Turning its portrait of reluctant rebel Cassian Andor (Diego Luna) into a kaleidoscopic thriller about a simmering revolution reaching the boil — and the authoritarian forces set on stopping them — “Andor’s” second season emerged, by degrees, as the year’s most astounding political allegory — on any size of screen. Aided by an ingenious structure, which divided its four-year arc into four, three-episode miniseries, it ensnared even avowed “Star Wars” skeptics, and featured both the best action set piece and the best monologue of the year.
2. ‘The Rehearsal’
Nathan Fielder in “The Rehearsal.”
(John P. Johnson / HBO)
Another sophomore step up, this iteration of “The Rehearsal” — which bordered on cavalier about its civilian subjects in Season 1 — finds impresario Nathan Fielder with more skin in the game, and so becomes a revelatory meta-comedy that lives up to its immense ambition. Come for the elaborate re-creation of American airports, stay for a surprisingly vulnerable Fielder investigating the possibility that he’s on the autism spectrum, and be wowed by the series’ real-world implications for pilot communication. Whatever aspect of “The Rehearsal” grabs you first, it’s the inimitable, inexpressible whole that makes it essential viewing.
3. ‘Adolescence’
Stephen Graham, left, and Owen Cooper in “Adolescence.”
(Netflix)
It would be easy to be jaded about “Adolescence,” which seems likely to follow in the footsteps of “Baby Reindeer” and win just about every award it’s eligible for. (It’s already notched eight Emmys.) But from the moment I first laid eyes on its extraordinary one-shots, I was persuaded that the series’ technical wizardry was no gimmick. As written by Jack Thorne and Stephen Graham and directed by Philip Barantini, in style and substance “Adolescence” captures polite society’s hold on young men spiraling out of control — and invests its central figure, Owen Cooper’s 13-year-old Jamie, with both the childishness and the menace to match.
4. ‘Elsbeth’
Carrie Preston in “Elsbeth.”
(Michael Parmelee / CBS)
I was glad to hear that CBS plans to campaign “Elsbeth” as a comedy at the Emmys in 2026, in part because it may improve Carrie Preston’s chances at a nod for her turn as irrepressible investigator Elsbeth Tascioni, and in part because the designation highlights what has always shined most in the legal universe of Robert and Michelle King. Here, it’s broader and brighter than the acerbic satire of “The Good Wife” and “The Good Fight,” and embedded in a “Columbo”-esque case-of-the-week structure, but the pair’s sense of humor — always keyed to punching up — continually works wonders, especially in a world where so much crime media is unrelentingly grim.
5. ‘The Pitt’
Noah Wyle in “The Pitt.”
(Warrick Page / HBO Max)
Given that “ER” was the first show my mom let me stay up late to watch, I wasn’t surprised to like “The Pitt.” But even with my high expectations, I was dazzled by the series’ ability to introduce such a wide array of characters in the pilot episode, and then to develop them all in a seemingly infinite variety of directions while solving one medical crisis after another. Indeed, forced by its “real-time” structure to keep the focus tight even as the stakes ratchet skyward, “The Pitt” registers as even richer, subtler and more relevant than its predecessor. May its heyday last just as long.
6. ‘Dying for Sex’
Jenny Slate, left, Sissy Spacek and Michelle Williams in “Dying for Sex.”
(Sarah Shatz / FX)
Since first seeing it in the spring, I haven’t been able to get out of my head the most hilarious moment in “Dying for Sex.” When Molly (Michelle Williams), early in a journey of sexual self-discovery prompted by a recurrence of cancer, falls victim to an online ransomware scam, she drops to the floor to escape the sight of her laptop camera — soon to be joined by her loyal but scattered bestie, Nikki (Jenny Slate), who is not much help but is great company. It had me doubled over with laughter, like so much of Liz Meriwether and Kim Rosenstock’s adaptation of the real-life story. The miniseries never pulls a comic punch despite the heavy subject matter, and is peppered with idiosyncratic choices and memorable performances that make it sing. Special shout out to Rob Delaney for turning a total slob named Neighbor Guy into one of the romantic heroes of the year.
7. ‘Forever’
Michael Cooper Jr. and Lovie Simone in “Forever.”
(Elizabeth Morris / Netflix)
The Emmy success of “The Studio” and the buzz around “I Love L.A.” may have somewhat overshadowed “Forever,” but they have given me consistent opportunities in 2025 to recommend my favorite L.A.-set show of the year. Mara Brock Akil’s warmhearted, meticulously wrought teen romance, channeling Judy Blume’s condescension-free interest in young people, paints a portrait of places in the city where those other series rarely go, and does so with uncommon sensitivity. I could watch “Forever,” well, forever. Plus, it features one of the year’s finest dramatic performances: Like the series as a whole, Karen Pittman’s protective mother transforms an archetype that could easily ring with cliches into a lived-in, multilayered portrait. Give me more, Netflix!
8. ‘The Gilded Age’
Audra McDonald, left, and Denée Benton in “The Gilded Age.”
(Karolina Wojtasik / HBO)
After two enjoyably low-stakes seasons, HBO’s New York-set spin on the upstairs/downstairs drama, created by “Downton Abbey’s” Julian Fellowes, breaks out of the (opera) box in Season 3. With ruined women, roguish men and more geegaws than you can shake a stick at — not to mention a character known to the internet as Clock Twink (Ben Ahlers) — the series remains a deliciously campy prime-time soap, but it now features moments of genuine romance, or regret, to accompany the social climbing. With Peggy (Denée Benton) finding love, Ada (Cynthia Nixon) finding fortune and conniver in chief Bertha Russell (Carrie Coon) finding herself on the outs with her wealthy husband (Morgan Spector), “The Gilded Age” has reached glorious maturity by developing a subplot for just about every taste, even one as lofty as the Van Rhijns’.
9. ‘The Paper’
Domhnall Gleeson in “The Paper.”
(Aaron Epstein / Peacock)
Call me a homer if you like for putting a show about the survival of local newspapers on this list. And when it comes to the indignities of 21st century journalism, “The Office” spin-off, from Greg Daniels and Michael Koman, certainly passes my fact-check. But more importantly, and sustainably, Peacock’s mockumentary treats the Toledo Truth Teller as the setting for a rock-solid workplace comedy, replete with a winsome editor in chief (Domhnall Gleeson), an ace reporter (Chelsea Frei) and a perfect foil, in the form of managing editor/aspiring influencer Esmeralda Grand (Sabrina Impacciatore, in perhaps the year’s funniest performance). Sure, I’m liable to root for any film of TV show that qualifies as a “love letter” to my chosen profession, but you can’t fake credibility. “The Paper” has the goods.
10. ‘Pluribus’ and ‘Paradise’
Sterling K. Brown in “Paradise,” and Rhea Seehorn in “Pluribus.”
(Disney; Apple TV)
One is full of jaw-dropping plot twists, the other meditative, often silent. One imagines the end of the world as we know it in terms of natural disaster, the other in the form of an extraterrestrial’s utopia. What Dan Fogelman’s “Paradise” and Vince Gilligan’s “Pluribus” share, though, is far more important than what sets them apart: a commitment to postapocalyptic storytelling rooted in flawed, compelling characters, not the minutia of megavolcanoes and mRNA. Indeed, as “Paradise’s” hero, Xavier Collins (Sterling K. Brown), squares off against the power-mad Sinatra (Julianne Nicholson) in an underground bunker, or “Pluribus’” Carol Sturka (Rhea Seehorn) clashes with stubborn ally Manousos Oviedo (Carlos Manuel Vesga) on an Earth overtaken by happy lemmings, what becomes clear about both series — and I mean this as a high compliment — is how ordinary they are. If you want to know how you might handle doomsday, you could do worse than starting here.
GEMMA Collins has shown off her impressive three stone weight loss in a bikini after turning to fat jabs.
The 44-year-old took to Instagram to proudly share a picture of herself looking slimmed down in a turquoise and black two-piece bikini set.
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Gemma Collins has proudly shown off her impressive weight lossCredit: InstagramThe reality star began using NHS-approved Mounjaro last yearCredit: Instagram
The reality star showed off the results of her huge weight loss as she stood on a beach with a pair of black sunglasses on.
She looked happier than ever and comfortable in her skin as her tanned body glistened in the sun.
Gemma took the opportunity to wish her followers an early happy new year as she captioned the post with an insightful message.
She penned: “As we step into 2026, do so with grace, confidence and unwavering self- belief. Your intuition is sacred guidance – trust it, honour it and allow it to lead the way.
“Never dilute the essence of who you are to meet the expectations of others. The foundations of your soul were divinely designed and do not need to be changed.
“True luxury is authenticity. True power is alignment. When you remain rooted in your truth, abundance flows naturally. Stay real, stay grounded and stay radiant. Your presence alone is powerful.”
The former TOWIE star continued: “May 2026 bring elevated success, abundant wealth, deep inner peace and soul-level happiness to everyone.
“May your path be blessed, your heart protected and your dreams manifested with ease.
“You are becoming. You are rising. You are exactly where you are meant to be. HAPPY NEW YEAR,” she signed off.
Her followers flocked to the comments section and many couldn’t help but compliment her on her figure.
One person gushed: “Well said Gemma, you look fabulous. Love to you all xxx.”
Another fan penned: “Looking fab, love your swimwear,” while somebody else enthused: “Wow! You look amazing x.”
A fourth added: “That’s so lovely, so beautiful. May you have the most amazing 2026. You look stunning by the way, radiant.”
The weight loss comes after she began getting help from the NHS-approved Mounjaro back in November last year.
Having struggled with weight gain since being diagnosed with polycystic ovary syndrome aged 28, Gemma weighed in at over 23st and a size 26 at her heaviest.
She proudly told OK! Magazine: “I’ve actually just lost another stone and four pounds, I feel really good.
“I love myself as I am – you’ve got to be kind to yourself, it’s just about constantly remembering to make those right choices and be mindful.”
The I’m A Celeb star added: “I don’t put pressure on myself.
“It didn’t take you five minutes to gain it and it’s not going to take you five minutes to lose it.”
The reality TV star, who is a poster girl for shapely women, now only eats one meal a day after a two-decade battle with her body.
However she refuses to lose her famous curves, previously telling The Sun: “Nothing against skinny people, but I don’t ever want to be thin.”
She added: “Darling, I became most famous being who I am.
“If I got stick thin overnight, it would kill my brand, my endorsements and it wouldn’t be me.”
Gemma has been open about her struggles with her weight over the yearsCredit: GettyShe now only eats one meal a dayCredit: Getty
