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‘White Lotus’ Season 4: Bonham Carter exit, Cannes backdrop, more news

Nearly five years on from its premiere, every morsel of information about Mike White’s addictive HBO series is still met with feverish excitement. And its upcoming fourth season is no exception: After previous visits to Hawaii, Italy and Thailand, the Emmy-winning series is checking into digs on the French Riviera, with its backdrop none other than the Cannes Film Festival.

Just as closely watched has been the string of starry casting announcements — and one very high-profile departure, Helena Bonham Carter, who departed the show shortly after production began. According to an HBO spokesperson, “With filming just underway on Season 4 of ‘The White Lotus,’ it had become apparent that the character which Mike White created for Helena Bonham Carter did not align once on set. The role has subsequently been rethought, is being rewritten and will be recast in the coming weeks. HBO, the producers and Mike White are saddened that they won’t get to work with her, but remain ardent fans and very much hope to work with the legendary actress on another project soon.”

The road to a new “White Lotus” season is always a twisty one, as executive producer David Bernad recently told The Envelope. He also shared details on the season’s themes, other key cast members and how the production plans to maneuver around tourists. Here‘s what we gleaned from our chat.

A bad French hotel restaurant experience changed everything: Bernad and White spent a week scouting in France but weren’t sold until one fateful night. “Mike and I went to meet a friend for dinner at a hotel in the South, which will remain nameless. The maître d’ was so rude and they called security on us,” says Bernad. However, once inside, the staffer continued to be dismissive of them and the show. “The whole season crystallized in that moment, and as we were leaving, Mike’s like, ‘I know exactly what we’re going to do and we’re doing it in the South of France.’ It was the most productive dinner I’ve had,” he says.

Helena Bonham Carter attends the UK Premiere of "Agatha Christie's Seven Dials" on January 13, 2026 in London, England.

Helena Bonham Carter, the first actor cast in Season 4, became the first to exit, HBO confirmed Friday. Her character will be reimagined and recast.

(Dave Benett / WireImage)

Other countries were in contention: Choosing each season’s swanky location is always a “conundrum,” says Bernad, who shared that he and White initially planned a multicountry European tour. “We were starting in France, then we were going to Spain, then Ireland. But once we had that moment in the South of France at that restaurant, Mike said, ‘I don’t want to see anymore.’ So the rest of the trip was canceled,” says Bernad.

Cannes and its history form the season’s backdrop: One of the show’s familiar sights during the first three seasons has been swelling waves dramatically crashing against rocks, but you’ll see something different in Season 4. “A lot of those shots will be replaced by Cannes, the city itself and the glamour of the festival,” says Bernad. Also, the focus won’t be confined to the present but also pay tribute to the past. “It’s also the storied history and glamour of the festival, and we’re going to be tipping our hat to French cinema throughout,” he adds.

Vincent Cassel 2024 in Cannes, France.

Cast member Vincent Cassel at Cannes with “The Shrouds” in 2024.

(JB Lacroix / FilmMagic)

The season’s theme is “really intentional”: Bernad says he’s known the Season 4 theme since they realized the hit show would be ongoing. “We’ve always had an idea that this season would explore the arts and fame, celebrity and the spiritual journey of being an artist, so we focused on countries that had a long relationship with the arts,” he says. Fashion’s influence is also key as “Dior permeates through the entire season,” he says, adding that French designers and artists are doing pieces for the show that lean into “the painful, existential journey of what it means to be an artist.”

No Hollywood star cameos: With Cannes as the backdrop, you might think A-listers like George Clooney or Anne Hathaway will be wandering through a “White Lotus” scene. Nope. “The show lives in the universe of ‘White Lotus’ so we’re not doing cameos, we’re not doing celebrity,” says Bernad. “In that universe, there are references to real people, but everything is its own world.”

Kumail Nanjiani

Kumail Nanjiani is among the Americans in the international cast.

(Michael Buckner / Variety via Getty Images)

The Season 4 cast is eclectic… and still evolving: Ironically, the exiting Bonham Carter was the first person cast for Year 4. “Mike always had her in mind as we started this process, and we built the cast around her,” says Bernad. While we wait for her revised character to be recast, an array of international artists are set to appear, including Brits (Steve Coogan and Dylan Ennis), Americans (Sandra Bernhard, Chris Messina, Kumail Nanjiani, Chloe Bennet, Ari Graynor, Heather Graham and Rosie Perez), French (Vincent Cassel, Corentin Fila, Nadia Tereszkiewicz and Laura Smet), Canadians (Alexander Ludwig), Norwegians (Tobias Santelmann), Swedes (Frida Gustavsson) and Australians (Caleb Jonte Edwards). It’s no surprise that multiple language interpreters will be on set, says Bernad.

One White Lotus hotel isn’t enough: “What’s cool and unique this season is there’s going to be two hotels so not everyone is staying at the same hotel,” says Bernad. In fact, while the White Lotus Cannes is a beautiful property — the Hotel Martinez in Cannes will be used for filming — the more coveted place to stay is the White Lotus du Cap, filmed at the Airelles Chateau de la Messardière in Saint-Tropez. “That starts to play into the theme and story about ego and narcissism and how we view ourselves as it relates to how the world views us,” explains Bernad, adding filming at Paris’ Mandarin Oriental Lutetia will also double for some of the Cannes action.

The Airelles Chateau de la Messardière in Saint-Tropez will stand in for the "White Lotus du Cap."

The Airelles Chateau de la Messardière in Saint-Tropez will stand in for the “White Lotus du Cap.”

(Jarry/Tripelon / Gamma-Rapho via Getty Images)

Filming in a high tourist area is a “Jenga tower”: Previous seasons were shot in more remote, secluded locations, but that’s not the case for the fourth season. “We’re shooting in the South of France during a very peak tourist time, and it has been the most challenging season so far,” says Bernad. “It’s like making a Jenga tower work with all the crazy dates in the South of France and things that are booked out.”

Production is the longest ever: Shooting at multiple hotels isn’t new for the show, but in previous seasons, “we would stay in a hotel and we would shoot it out and then we’d move on to the next hotel,” explains Bernad. This time, it’s more of a puzzle that will make Season 4 the longest production schedule ever for the show. “We’re going to be shooting, leaving and then returning [to properties]. We’ll shoot in the spring, and then we’re going to come back in the fall when high season’s over,” he says.

Besides a great hotel, another major factor exists in securing a location: Besides finding the perfect property that will look great on camera and lining up a variety of schedules, a “White Lotus” location “has to be a place we want to live for a year,” says Bernad. “Because it is a year and it is relentless work … I think Tanya [Jennifer Coolidge] says at one point, ‘At this age, you just want to feel comfortable,’ and that’s us.”

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Sheridan Smith reveals she was kicked off a plane for being ‘too drunk’ saying cabin crew ‘left her behind’ in Florida

SHERIDAN Smith has today revealed how she was once kicked off a plane for being “too drunk”.

The I Fought The Law actress, 43, also revealed how she annoyed the cabin crew so much, they “left her behind” in Florida.

Sheridan Smith has revealed she was once kicked off a flight for ‘being too drunk’ Credit: Shutterstock Editorial
Sheridan revealed all to Alan Carr on his podcast Credit: Life’s a beach podcast
The star said cabin crew ‘left her in Florida’ Credit: Shutterstock Editorial

Talking on Alan Carr‘s Life’s a Beach podcast, the host asked the much-loved star: “Have you missed flights before and all that?”

Replying, Sheridan, who is currently starring in BBC One’s The Cage, said: “Yeah. I went to Florida to watch my mate boxing.

“And they wouldn’t let me on the flight Alan.”

The Chatty Man star then asked her: “Why? Too drunk. Oh, God.”

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A mortified Sheridan then admitted: “I was too drunk. But I don’t drink now, so I can say this now.

“I can say it now and I can look back and laugh.

“But at the time, it was a nightmare because everyone else got on the flight.

“Oh, my God. I was left there!”

Meanwhile, in the same chat with Alan, Sheridan also made a saucy confession.

The star revealed she had a fling with a hunky stuntman when she filmed the drama The Castaways.

In the same chat with Alan, Sheridian admitted to having a fling with stuntsman Alex Anlos Credit: Instagram

The actress played Erin, a woman who goes to Fiji to investigate the disappearance of her sister Lori, in the 2023 drama that aired on Paramount+ and was filmed in Greece.

Now she has confessed that she had a romance with Alex Anlos while filming, and it came after she split with the father of her child, Jamie Horn.

Spilling the tea, she told host Alan: “I did have a holiday romance actually. I was filming in Greece and the stuntman – I’m giving so much away – he taught me to swim, so he was holding me.

“And the next thing we did have a bit of a romance – it’s an exclusive!

“It’s so romantic and it’s the heat and the bodies are all out!”

At the time of filming, Sheridan posted a picture with Alex, which she shared on her Instagram stories.

In the cosy snap, the pair were all smiles as they posed for the behind the scenes picture.

She had penned over it: “Hanging out after stunt rehearsals with @that_stunt_dude Greece. This guy has made me look bad ass.”

Sheridan also shared another photo of them both on her feed as she captioned it: “Love filming here in Greece. With my set bff @that_stunt_dude. I was a non-swimmer till we met!”

The Gavin and Stacey star split from fiancé Jamie in 2021 after three years together.

The pair had welcomed their son Billy in May 2020 and had got engaged back in 2018, shortly after meeting on dating app Tinder.

Sheridan is currently starring in the BBC’s the Cage Credit: PA

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Vernon Kay explains family shift ‘we don’t want’ as dynamic ‘changes’

Vernon, who has two daughters with former Strictly host Tess Daly, explained that “your babies will always be your babies” and highlighted a horrifying scenario for parents

Vernon Kay has opened up about a family change he and his wife “don’t want” as he confessed that their dynamic is changing. Vernon, who is married to former Strictly Come Dancing host Tess Daly, shared his thoughts while reflecting on his evolving relationship with their two daughters, Phoebe, 21, and Amber, 16.

The couple exchanged vows at St Mary’s Church in Horwich back in 2003 and now reside in Buckinghamshire with Amber, while Phoebe has headed to New York to pursue her studies. Vernon and Tess, like many parents, have spoken about their daughters spreading their wings and becoming “independent”, yet it appears that, deep down, neither parent is truly ready to let go.

Vernon revealed he has had to figure out how to “enter their world” — a world with certain “pitfalls” that he and Tess never encountered — including one particularly alarming modern-day concern. In a recent interview, he noted that “your babies will always be your babies”, while acknowledging that today’s world brings with it an issue of which they are “acutely aware”.

Vernon told The Times: “Now that Phoebe is 21 and Amber is nearly 17, our relationship with them is changing. We talk about encouraging them to leave the nest and be independent, but we don’t really want them to. You have to learn to enter their world and that world has pitfalls that just didn’t exist for us.

“When Phoebe started going out, we became acutely aware of drink spiking. I think that just didn’t happen in the Nineties.” Last month, Phoebe shared her relocation to the Big Apple via TikTok, posting a clip of herself dancing against the New York skyline, including views of the Empire State Building.

She wrote: “NYC has my hearttt! Lucky to call it home for a while.” Her parents travelled to the US earlier this year to visit her, with Tess documenting the trip on Instagram, featuring snaps of a pancake breakfast and visits to art galleries. Tess, who lived in New York during the 1990s, said: “I love NYC. Maximised every minute on a whirlwind half-term trip and fell in love with this magical city all over again.”

Meanwhile, Vernon’s BBC Radio 2 co-star recently issued an apology to Tess on air. Vernon has been suffering from a bad back and has been struggling to keep on top of household jobs. In the segment, he informed colleague Gary Davies about his intentions to visit a chiropractor and how he’d been “getting the garden ready”.

Vernon explained: “Chiropractor this afternoon… I think I’ll be a little bit better, but the thing is we’re pre-summer, aren’t we? So, at the moment, I’m getting the garden ready. Done a bit of lawn mowing and I’ve got a list as long as my arm of jobs to do, but I can’t do them with a bad back! I don’t want to get anyone in either.”

Gary joked that this was a convenient excuse, prompting Vernon to quip: “To keep my feet up… and do absolutely nothing!” Gary said: “Sorry, Tess, sorry!” Offering a further glimpse into his relationship with Tess, Vernon revealed: “She sent me a message this morning on the train, ‘Why is half the lawn done?’.”

When questioned whether he’d taught Tess how to tackle the mowing herself, Vernon stated: “That’s my job – no, that’s my job. That’s my job, I love it. Put my headphones in and away we go!”

Meanwhile, Vernon has shed light on a “horrendous” hidden struggle while presenting The One Show alongside regular host Alex Jones.

Speaking with Ellie Brennan on Radio 2 , Vernon disclosed how his stomach had begun rumbling, explaining: “Did you watch The One Show last night? Did you notice that Alex and I had the giggles? Just out after filming Watchdog. They take it very seriously at The One Show. It’s a consumer rights programme, so it’s very serious, and my tummy, because I hadn’t eaten lunch, decided to pop up and say hello.”

He continued: “I literally – and it’s the first time in, I’d say 25 years, since I was working with June Sarpong – that I’ve done a live television link biting my lip to try to stop myself laughing as I’m introducing something really, really serious. It was horrendous.”

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NFL goes Hollywood: Inside its plan to conquer streaming, movies

For years, the NFL has playfully scoffed at conspiracy theories its drama is scripted.

Now, the league has hired some of the best writers in the entertainment industry to do just that.

The NFL is going Hollywood, looking to expand its audience with theatrical motion pictures and its first scripted streaming series. This isn’t just about using the names and logos of real NFL teams, but diving headlong into storytelling about the league in the form of upcoming movies — one about John Madden, another a Christmas Day release about an unlikely hero for the New York Giants — and “The Land,” a dramatic Hulu series centered on fictional characters and the Cleveland Browns starring Christopher Meloni, Mandy Moore and William H. Macy.

It’s the next step in the partnership between the NFL and Skydance Sports, the forming of a premier content studio aimed at creating must-watch storytelling and attracting everyone from hardcore football fans to people who otherwise have no real interest in the game.

The NFL has long contended it’s the world’s greatest reality show and the numbers support that. According to Sportico, NFL games were 84 of the top 100 most-watched television shows last year. And the year before, it was 93 of 100.

“When you have an audience as big as the NFL’s, there are a lot of different demographics to service and engage even more deeply,” said Jason Reed, who heads Skydance Sports. “Those movies work as a fan service. They service towns, fans of those franchises, and they really connect. What they also do is pick up this other group of people who maybe wouldn’t watch a football game.”

Pulling back the curtain on the league is a challenge. The NFL isn’t likely to sanction unflattering content, at least not much of it, yet the goal is to make the stories as realistic as possible. How will the writers handle issues such as concussions, drug use or domestic violence? That was addressed in a presentation at last month’s owners meetings by JW Johnson of the Haslam Sports Group, who oversees the business strategy of the Browns.

“We don’t want this to be — no offense to our friends at ESPN — a ‘Playmakers’ situation,” said Johnson, referring to the popular but short-lived series on the Cougars, a fictional football team, that explored mature themes and was canceled after one season after pressure from the NFL. “We want this to be a really fan-friendly show that also has the authenticity of what happens in a locker room and on the field. We’re very comfortable with it.”

David Corenswet as "John Tuggle" and Isabel May as as "Katie" in Mr. Irrelevant: The John Tuggle Story.

David Corenswet as “John Tuggle” and Isabel May as as “Katie” in Mr. Irrelevant: The John Tuggle Story,” from Paramount Pictures.

(Sarah Enticknap / Paramount Pictures)

Dan Fogelman, creator of “This is Us,” and a lifelong football fan, had long envisioned writing a dramatic series based on his favorite sport. That led to “The Land,” which began production last fall and does not have an official premiere date.

“We’re not making this stuff up out of thin air,” said Fogelman, who also created the Hulu series “Paradise,” a post-apocalyptic political thriller. “The characters are flawed and they do bad things, but the NFL has been great about that. I was worried up top, and it just hasn’t been an issue because we’re not out there looking to be salacious. We’re not trying to do ripped-from-the-headlines, crazy, exaggerated versions of reality. We want things that really happen, done accurately and in a cinematic way.”

To that end, he brought in actual NFL players as consultants to help with the storylines and make sure the details make sense.

“We had a bunch of NFL players come and visit us in our little office, and we’re on the second floor,” he said. “Some of my heroes were in that room. I was genuinely concerned the floor was going to fall through.”

Enter NFL Films, which for more than six decades has turned a violent sport into an art form, filling the frame with meticulous focus on a Matthew Stafford spiral — and without the benefit of a second take. Those camera operators are heavily involved in the production of both the upcoming movies and the streaming series.

“That’s our whole thing,” Reed said. “How do we support great filmmakers and make sure they know how to access the resources and expertise that NFL Films has developed over 60 years, and combine those two together? That, to me, is the secret sauce of the venture.”

What’s more, what the father-and-son combination of Ed and Steve Sabol created in NFL Films provides an incredible library for future projects.

“The well is infinite,” said Jessica Boddy, vice president of commercial operations and business affairs for NFL Films. “We’ve only scratched the surface.”

For Fogelman, “The Land” is scratching a creative itch he’s felt since childhood.

“I’ve wanted to do this show for 20 years,” he said. “I’m a failed athlete myself. My connection with my father growing up — he worked a lot — was I grew up in Pittsburgh as a Steelers fan and also migrated to New Jersey, where we became Giants fans. My dad would let me watch games with him if I was quiet and didn’t act goofy. We would also throw the football back and forth.

“Now, many decades later, my father is 83, and our connection is that we talk every Monday after Giants games. He now talks with my son and me. For me, football has been very much in the fabric of my life and my relationship with my friends. This has been something I’ve been chasing for a very long time.”

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Fresh blow for Scott Mills after BBC sacking as M3 bridge tribute to star is permanently removed

SCOTT Mills has been dealt with a fresh blow after his sacking from the BBC as his M3 bridge tribute has been permanently removed.

It was officially unveiled as The Scott Mills Bridge back in 2016 and a plaque was installed at Fleet Services on the M3.

Scott Mills has been dealt with a fresh blow after his sacking from the BBC Credit: Shutterstock Editorial
A tribute plaque was installed in 2016 after a bridge was named after him Credit: News Group Newspapers ltd
The plaque has now been taken down Credit: Not known, clear with picture desk

His then BBC Radio 1 co-host Chris Stark and Welcome Break staff led a campaign to rename it after him.

However, after his dismissal from the BBC, the plaque has now been removed.

In official pictures obtained by The Sun, the plaque which was previously on a wall next to a set of stairs, has been taken down.

The black and silver frame previously said “The Scott Mills Bridge” alongside the Welcome Break logo and his signature.

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The Sun previously revealed that the bridge would be renamed as Welcome Break, who own the service station, want to disassociate themselves from Scott, 53, following the scandal.

A source explained last month: “It’s highly likely Welcome Break will rename the bridge in light of Scott being fired, especially given the nature of the allegations.

“It’s not a great look for them to be associated with any scandals.”

Scott was suddenly axed by the BBC with news of his sacking being made public last month.

He was last on-air as host of the Radio 2 Breakfast Show on Tuesday, March 24, before a complaint arose.

BBC chiefs are understood to have taken swift action in sacking him thereafter.

The complaint is believed to relate to “serious sexual offences” against a teenage boy.

He was questioned by police under caution in 2018 – when he was in his 40s, the Mirror reports.

The interview was related to alleged offences which took place between 1997 and 2000.

The case was dropped in full due to a lack of evidence.

Scott was sacked last month due to his “personal conduct” Credit: Shutterstock Editorial

A source close to Mills — the BBC’s 11th highest-paid star — told The Sun: “Scott was told about the allegation in a meeting with senior staff present. He was tense.

“He has completely shut down now and no one can get hold of him. No calls, no messages — nothing.

“The people who know him are blindsided by all of this and they can’t get hold of him.”

An internal message was sent around Radio 2 after Mills’ exit was made public.

It was revealed last week that Sara Cox will take over as host of BBC Radio 2’s Breakfast Show.

She expressed: “There are not enough adjectives to really sum up how I’m feeling about being trusted with such an iconic show but let’s start with ecstatic, honoured and incredibly chuffed.

“It’s been a dream to host the Breakfast Show since I joined Radio 2 and it feels like a bit of a full circle for me.

“I’ve had the most glorious seven years of my career on Teatime so thank you to my brilliant Teatime listeners who hopefully will join me at Breakfast for excellent music and all my usual nonsense plus some superstar guests.

“I honestly can’t wait to wake the nation up with the biggest most fun breakfast show ever.”

Sara Cox has replaced Scott as host of BBC Radio 2’s Breakfast Show Credit: Getty

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