show biz

MILLIE Bobby Brown looked incredible at the Stranger Things premiere in London in a showstopping black corset dress.

The actress, 21, who plays character Eleven on the hit series, attended the event alongside her fellow cast members including Sadie Sink and Natalie Dyer.

With its fifth and final season set to air on Netflix in just two weeks time, the cast reunited once again to celebrate ahead of the release.

Millie looked sensational in a dramatic lingerie-esque ensemble, consisting of a sheer corset and a black mini skirt with a flowing train of tuelle.

She paired the perfectly over-the-top piece with simple stockings and a pair of dark shiny stilletos.

As Millie strutted across the carpet in front of the Stranger Things promo poster, she eyed up the camera and adjusted her free-flowing brunette hair.

Her diamond droplet earrings tied the whole look together, as her only other accessory.

Meanwhile Sadie donned a gorgeous cream satin number, falling all the way to the floor.

Her waved auburn locks cascaded over her chest to where silver bead detailing framed the bust of the dress, as well as a sexy midriff cut-out.

Natalie also didn’t fail to look absolutely fabulous, oozing Hollywood glamour despite being all the way across the world in Britain.

She rocked a breathtaking pale lilac gown with a feathered trim, as her golden blonde hair flowed like honey down each shoulder.

But David Harbour was nowhere to be seen.

David has been a core member of the Stranger Things cast since it first aired in 2016.

Starring in the role of Jim Hopper, often referred to as Sheriff Hopper, he’s one of the series’ most beloved personalities, loved for his complex character arc.

It comes after Lily has been spotted out and about in London.

Just yesterday, the Smile hitmaker looked incredible in a see-through dress at the Hunger Games premiere.

STRANGE REUNION

Just last week Millie and David put on an overly affectionate display at the Stranger Things season five premiere in Los Angeles after it emerged he had been accused of bullying her.

Millie was bizarrely seen hugging her co-star, putting her hands on his shoulders and seemingly sharing a private joke.

The pair, who play father and daughter on the hit Netflix show, seemed to be at pain to show there was no animosity between them at the star-studded event at Los Angeles’ TCL Chinese Theatre.

It comes amid reports that Millie previously complained about her long-time castmate.

According to the Daily Mail, Millie is said to have reported David to Stranger Things show bosses, complaining about his behaviour while filming the fifth and final season.

The 21-year-old’s complaint included allegations of “harassment and bullying”.

While Netflix chose not to respond to the Daily Mail’s claims, at the premiere, the show’s co-creator Ross Duffer addressed these reports.

He told The Hollywood Reporter: “Obviously, you understand I can’t get into personal on-set matters, but I will say we’ve been doing this for 10 years with this cast, and at this point they’re family and we deeply care about them. 

” So, you know, nothing matters more than just having a set where everyone feels safe and happy.”

The unnamed source alleged that David’s ex Lily Allen “supported” him “throughout it all” and “it was a brutal time.”

LILY’S HEARTBREAK

Stranger Things star David got married to singer Lily, 40 in Las Vegas in 2020 before moving from London to the US.

However, in December friends confirmed they had split after living “separate lives” for months.

The Smile singer allegedly found his “secret profile” on a dating app.

David has found himself in the headlines for all the wrong reasons recently, after Lily dropped ‘revenge’ album West End Girl last month.

On the album, Lily appeared to accuse her ex of having an affair with a woman named Madeline, as mentioned in songs Tennis and Madeline.

On the track Tennis, Lily sings: “So I read your text, and now I regret it.

“I can’t get my head round how you’ve been playing tennis. If it was just sex I wouldn’t be jealous

“You won’t play with me and who the f*** is Madeline?”

Writing on social media, one fan said: “Madeline – the Becky with the Good Hair of West End Girl – doesn’t escape unscathed.”

Another said: “Lily Allen dropping a whole song confronting the other woman named Madeline.”

And, referencing Dolly Parton’s iconic hit, a third added: “We got Jolene, Becky with the Good Hair and now Madeline.”

David is still yet to address the claims made on the album but has previously mentioned “slip-ups” he’s made in recent years.

The Netflix star said in an interview: “I would change either everything or nothing.

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“You either accept your path completely and realise that even the pain and the slip-ups and the mistakes are all part of the journey, and that there’s truth and growth, wisdom and deeper empathy and connection in all that.

“It’s kind of like a house of cards, the minute you try to change one thing you kind of have to change it all.”

Warner Bros. Discovery has modified Chief Executive David Zaslav’s contract for a second time this year to prepare for the company’s proposed breakup.

This month’s alterations were outlined in an SEC filing on Thursday — a week before initial bids are due in the Warner Bros. Discovery auction. Industry sources expect Paramount, Comcast and Netflix to make offers for the embattled entertainment company that owns HBO, CNN, Food Network and the storied Warner Bros. movie and television studios.

Warner Bros. Discovery declined to comment.

The sale kicked off in September when David Ellison-led Paramount made an unsolicited offer for Warner Bros. Discovery — a month after Ellison and RedBird Capital Partners had acquired Paramount from the Redstone family in an $8-billion deal. The company since has made at least three bids — but all were unanimously rejected by the Warner Bros. Discovery board, which viewed them as too low.

Paramount’s most recent solicitation for Warner Bros. Discovery was for $23.50 per share, which would value the company at about $58 billion.

The external jockeying for Warner Bros. Discovery set the stage for Zaslav and the Warner board to amend his employment agreement. The contract was revised Nov. 7 to clarify that various spin-off configurations would result in the same incentives for Zaslav.

Previously, his contract was amended to outline his compensation and incentives should the Warner Bros. studios and HBO Max spin off from the parent company, as envisioned when Warner announced its breakup plans in June. At the time, Zaslav planned to stay on to run the studios and streaming company, which would be called Warner Bros. in a nod to its historic roots and the pioneering days of the movie industry.

The plan was for the company’s two dozen cable networks, including CNN, TNT, Animal Planet and TLC, to remain behind and the company renamed Discovery Global.

The company is forging ahead with its breakup plans. However, it now plans to spin off the cable channels (Discovery Global) and keep the studios, HBO and the HBO Max streaming service as the surviving corporate entity (Warner Bros.).

“The amendment clarifies that if the separation is achieved by retaining Warner Bros. and spinning off Discovery Global (a ‘Reverse Spinoff’) rather than spinning off Warner Bros. … the Reverse Spinoff will be treated in the same manner … for all purposes of the Zaslav arrangements,” the filing said.

Previously, the company had envisioned that the split would be complete by Dec. 31, 2026. But a full-blown auction could upset those plans — and the transaction could close at a later date.

Zaslav’s contract was modified to extend his employment through December 2030. Previously, his contract was set to expire in December 2027.

“This extension is intended to secure Mr. Zaslav’s leadership of WBD for the same period that we had contracted to have him serve as the chief executive officer of Warner Bros. following a separation,” the filing said.

The Wall Street Journal was the first to report that nonbinding preliminary bids for the company are due Nov. 20.

Married at First Sight UK couple Leisha and Reiss have confirmed they are no longer together after the groom decided to end their marriage following the final vows

A Married at First Sight UK couple have called it quits after their final vows.

The E4 reality show, which has become one of the most talked-about dating experiments on telly, has kept viewers hooked for ten weeks.

One couple who’ve had a rollercoaster journey throughout the series are Leisha and Reiss.

The bride even found herself in hot water with co-stars Leah and Leigh after she shared a smooch with the latter during a day out with the cast.

Despite their turbulent time on the TV show, the couple made it to the final vows where they had to decide whether to stay together or part ways.

During their final vows, the couple voiced their worries about whether their relationship was robust enough to last, reports OK!.

To add to the drama, Leisha had already confessed her love for Reiss, but he was moving at a slower pace and chose not to reciprocate.

No one expected Reiss to commit to Leisha at the final ceremony, but he shocked everyone by agreeing that their marriage was far from over.

After a moment of uncertainty, they both confirmed that they wanted to continue their marriage beyond the experiment.

However, it seems the couple couldn’t make things work in the real world. During the first part of the eagerly awaited reunion on Thursday (November 13) night, Leisha broke down as she confessed she still loves Reiss.

Just before reuniting with her fellow castmates, Leisha confessed: “When we left the experiment, I was worried that I was more into the marriage than he was but we both worked hard to make it work.”

Reiss explained to the camera: “Since leaving the experiment, Leisha came down to see me and then I went up to Scotland.

“We had some cracking times and she is a beautiful girl inside and out but sadly we couldn’t make things work. I’ve not seen Leisha since it ended.”

An emotional Leisha couldn’t hold back her tears as she admitted: “I am devastated that my married with Reiss hasn’t worked out because I still love Reiss and I think about him everyday.”

She added: “So right now I’m feeling really sad because I really wanted it to work and I put my heart and soul into it and it just wasn’t reciprocated.”

Married at First Sight UK is available to stream on Channel 4

WAG Taylor Ward has shared a first photo of her newborn baby boy, after giving birth to her second child with footballer Riyad Mahrez. 

This summer Taylor, 27, gathered friends and family for a lavish celebration, where she and husband Riyad, 34, opened a giant box to discover they’re expecting a baby boy.

And now the star has announced his arrival, by posting a sweet black and white snap of them together in the hospital. 

Taylor, daughter of RHOC star Dawn Ward, revealed their son’s name, as she penned to fans: “Khayri Mahrez 🤍 Everything we dreamed of and more.” 

The blonde beauty looked content as she cradled her bundle of joy, with Riyad by her side in the hospital. 

In a second black and white snap, Taylor posted a photo of their daughter Mila, who was born in July 2022, holding her brother.

It’s A…

WAG Taylor Ward shares gender of second child with footballer Riyad Mahrez

HAPPY NEWS

WAG Taylor Ward reveals she’s expecting second child with Riyad Mahrez

Fans and friends flooded the comments with messages of congratulations.

Footballer Jack Grealish penned: “congratulations guys,” followed by blue heart emojis.

And Molly-Mae Hague wrote: “Congratulations special mumma !!!!”

Loose Women star Denise Welch wrote: “Taylor!!! The first boy!!! So wonderful.”

And Taylor’s mum Dawn commented a string of heart eye emojis.

Right winger Riyad – who plays for the Saudi Pro League club Al-Ahli – has two other children from a previous marriage with internet personality, Rita Johal.

She initially tied the knot with the footballer in an intimate and low-key religious ceremony in January 2022.

The duo then officially wed in a legal ceremony in September 2023 at The Londoner Hotel.

This was before they celebrated with their family and friends at a lavish ceremony at Lake Como in Italy.

Imprisoned rapper Tory Lanez has failed in his efforts to overturn his guilty verdict for shooting Megan Thee Stallion five years ago.

A three-judge panel from the California 2nd District Court of Appeal ruled against 33-year-old Lanez (legal name Daystar Peterson) on Wednesday, reinforcing his convictions on three felony counts stemming from the violent incident in 2020. Neither representatives for Peterson or Megan Thee Stallion (legal name Megan Pete) immediately responded to requests for comment on Thursday.

Peterson’s legal team can petition to have the California Supreme Court hear the appeal, despite Wednesday’s decision.

Canadian musician Peterson, who rose to popularity in the late 2000s, was convicted in December 2022 of assault and weapons offenses. He was convicted of assault with a firearm, illegal possession of a firearm and negligent discharge of a gun, following a two-week trial that featured tearful testimony from Pete.

He was sentenced to 10 years in prison in August 2023. Peterson is currently carrying out his sentence at the California Men’s Colony near San Luis Obispo. He was relocated there after he was stabbed by a fellow inmate at the California Correctional Institution in Tehachapi earlier this year.

“Savage” rapper Pete, on the other hand, is currently at the center of two legal disputes. One is a harassment suit filed against her in 2024, from a cameraman who alleges that she forced him to watch her have sex in a car while on tour in Europe. The other is a 2024 defamation lawsuit against blogger Milagro Gramz.

The Associated Press contributed to this report.

Two Big Brother housemates were forced to leave the ITV show immediately

Two Big Brother housemates were forced to leave the ITV show immediately in the latest episode.

In scenes which were aired tonight (Thursday, November 13) Marcus and Teja were booted out just one day before the grand final. It means they just miss out on a chance to bag the £100,000 prize.

Farmer Cameron from Somerset had already been handed a ticket to the final following a round of challenges and a decision made by his fellow contestants.

The rest were subjected to a public vote, with no nominations taking place in the final week, reports OK! Viewers were able to choose which they wanted to save.

Two with the fewest votes would be kicked out. It comes after the house was transformed into the Emerald City, in celebration of the upcoming film release Wicked For Good.

Big Brother housemates were told they were now citizens of Oz. Not only were they tasked with rebuilding the yellow brick road but they also faced challenges to win a party.

However, the party soon turned unlucky for a couple of housemates. After The Emerald City Party, they returned to the Yellow Brick Road to receive a gift from The Wizard.

Big Brother told them: ” Ozians, you stand before The Wonderful Wizard of Oz. He has decided to reward each of you with a very special gift.”

Each Housemate is instructed to open the gift in front of them. Some of them received special items to commemorate their time in the house.

For example, Richard was given a golden keyboard and Elsa a Princess wedding dress. However, two housemates were given their marching orders, marking the end of their time in the Big Brother House and they had to leave immediately.

The remaining six housemates are now officially Big Brother Finalists. Those left in the house will now battle it out for the title of this year’s winner. Among the confirmed finalists are Cameron, Elsa, Richard, Tate, Jenny and Emily.

The public will continue to cast their votes for their favourite ahead of Friday’s (November 14) live final. Presenters AJ Odudu and Will Best will be back to announce the final standings of each housemate.

Viewers at home were quick to react to the latest twist as the series nears its conclusion. Sharing their reactions on social media, one viewer posted: “Oh wow, my face was the same as Jenny’s when I saw that ticket.”

Another chimed in: “How you gonna give Elsa a wedding dress and Marcus a ticket home omg. LMAO.”

While another commented: “Wow Big Brother, that was brutal.” Another shocked viewer said: “Teja was evicted?” I’m so shocked! I thought she was gonna be in the top three at least. “.

Big Brother concludes tomorrow at 9pm on ITV2 and ITVX.

HE’S a happily married dad of two but Olly Murs is still a lad at heart and he wanted his new album to reflect that fun part of his personality. 

And by laddish, the upbeat singer means a good old-fashioned knees up — the title of his eighth record. 

“There’s always a moment to be a lad, right?” he laughs. “And that’s what this album is about — I’m going back to my roots. 

“This was probably the kind of album that I wanted to launch my career with, but I didn’t.

“For a long time, I was making records for other people, my fans and what I thought they wanted to hear.

“This time I wanted to make an album for me.” 

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I meet the singer at his record label where he’s about to head into an afternoon of rehearsals.  

And, surprisingly, unlike most dads with newborn babies, he’s managed a full night’s sleep.  

“Albert — Alby — is a dream,” he says of his son, born in September. “I’ve had a really good time with him, it’s been lovely.

“I’ve been getting loads of time with him.”

“Cuddles, seeing him grow, that little smile. 

“He’s such a good baby and he sleeps, which is important because I need sleep.

“If sleeping was an Olympic sport, I’d be there. 

“Maybe he takes after me. 

“We’ve been blessed so far after ten weeks. 

“He’s giggling, he doesn’t really cry.  

“He had his vaccines this week which were horrible.

“I had to cancel work yesterday because [his wife] Amelia did it with [daughter] Madi and I never did, so I wanted to be there.  

“Bless him, he wasn’t in a good place, he was proper aggy.

“So, I cancelled a bit of work, which is unlike me, but family comes first.” 

For years, Murs put his career first and everything — and everyone — else came a distant second. 

“Now life is very different,” he tells me.

“Now Amelia and the kids are everything and my career is still there, but I have a different way of looking at life — and I love it.” 

He has no expectations for the new album, which makes the prospect of putting it out even more exciting. 

He says: “I’m out here doing my thing, and if people like it, great. If you don’t, it is what it is.  

“I’m just happy doing my thing. 

“I’ve got to a point where I want to try different things and musically this isn’t too far away from what I’ve done before – it feels authentic to me, and I’m enjoying it.  

“I’ve got to tell myself that more, because there is the other side of me that’s the ego.

“I want a number one, I want that trophy.

“I want that plaque on the wall. And I’ve got to keep that desire, otherwise, what’s the point?

“I want things to matter. Of course, I do. 

“My thing is that I don’t sit in one place.

“My unique selling point is that I can jump on radio or TV and present a show, and at the same time, I can release music and have success and also tour the country.  

Caroline was a good friend and she took her own life. The documentary has come out this week so it’s been difficult. It has brought things back.

Olly on Caroline Flack

“There is a uniqueness with me that I am proud of.” 

Knees Up draws heavily on the ska and pop influences of Madness and The Specials, the bands Murs adored as a kid. 

He says: “When I first started, I was asked to list all the songs I liked if I was to make the best album ever.  

“It was The Specials, Madness, a bit of Stevie Wonder, The Kooks who were my favourite band at the time, Robbie Williams and Paolo Nutini. 

“Save Me, the first song on the album is very Madness and that spearheaded which direction the music went in.

“I feel like it’s Madness meets The Streets, with a bit of Rizzle Kicks.

“This could be an album Heart Skips A Beat fits on.” 

There’s plenty of fun moments on the album.

Still Getting Used To The Ring is a mischievous song about settling into marriage.  

“That song is definitely the cheeky side of me,” laughs Murs.

“It came from a lyric I wrote on my phone.

“Sometimes when I’m writing songs, I will say to co-writers Ed Drewett and James New, ‘If I sing that the Mrs won’t be happy’, but then we’ll write it in a sense that I’m still getting used to being a husband, I’m still getting used to being dad.  

“So, I forget to do the little things and I might not be perfect, but I’m still getting used to the ring.” 

When it comes to choosing a favourite from Knees Up, Murs says Honest is the one he keeps coming back to. 

“Honest for me is every bloke’s nightmare,” he explains.

“It’s about when they walk in from a day at work and they just know that there’s a cloud upon the house. 

“There’s been times when I’ve got home and I just know that Amelia is annoyed about something I’ve done — but I don’t know what that is.  

“The song is about not knowing what you have done wrong.

“That song was fun to write.” 

Cut To The Chase, which Murs jokingly calls “my sexy song”, sees him tapping into a flirtier, more confident vibe. 

He says: “It is about how sometimes in life we are busy and with kids we don’t get any intimacy or moments together.  

“It’s about the cut to the chase which really resonated with me as we are always crossing paths.  

“It is also a fun song to sing and when I played it to Amelia she loved it.  

“She also thinks my fans will love that one, because it’s ‘big bandy’. 

“It’s got the brass and is very old school London with ukulele and banjo in it.  

“Like music from an old gentlemen’s club, or a cool bar with fancy tables. 

“It’s got a very classic feel to it.

“Classic AND classy — you’d never know it was about sex.” 

I’ve done a lot of tours in the last three years and I’ve got married. I’m now on Heart radio station every Saturday with Wrighty [Mark Wright], I’ve written an album and I just think I need a bit of time for me.

Olly on why he might not be doing many gigs for a while

Chin Up, the song that closes the album, carries a more serious tone.  

Murs says: “That’s about mental health and to do with what I went through with some friends in the last year.  

“It’s been a tough year for a lot of my friends who have reached out to me to chat and that song came from that. 

‘Her feelgood vibe’ 

“That song is about encouraging men to speak out and talk. And when we were writing it, we felt it was important to keep your chin up and everything is going to be fine. 

“I went to a charity dads’ club recently for a TV show — it was a Sunday club at a school where all the dads can turn up with their kids once a month and they play games and have a couple of hours together.  

“It’s important, because a lot of dads go to work in the week as of course woman do too, but it’s important for dads to come along and meet other dads and feel like they’ve got a group.  

“One guy was telling me about the positives but also that they’d lost one guy to suicide.

“A dad had taken his own life. And it really hit me.  

“So I’m glad I’ve written that song and hopefully it can help someone.” 

The subject is clearly a personal one for Murs, and it leads him to think about a loss closer to home, that of TV presenter Caroline Flack, who died in 2020.

The documentary Search For The Truth by her mum Christine premiered on Disney+ this week. 

“Caroline was a good friend and she took her own life. The documentary has come out this week so it’s been difficult,” he says, the emotion clear.  

“It has brought things back.

“I try and always remember the positive things with Caz.  

“I don’t try and think too much about the negative stuff, because if I do, I go down a rabbit hole of emotions, and unfortunately, it’s not going to bring her back.

“I just remember her laugh, her jokes and her feelgood vibe.

“I wish she was still here, of course, and it hurts to watch her old shows.” 

A different loss felt by Murs is that of his estranged twin brother Ben, who cut himself off from Murs and his parents when the singer missed Ben’s wedding in 2009 to perform in the live semi-finals of The X Factor. 

‘Always on the go’ 

Murs says: “I’m proud of Ben.

“I don’t see him, but I’m proud of him.  

“There isn’t any bitterness or anger there. 

“I’m just really proud of where my career is, and from what I hear, Ben’s doing great too, and that’s all I care about.  

“We’re older men now, we’re in our 40s, so I’m sure at some point we’ll figure it out.” 

Next month Murs plays a London show to celebrate the new album and he is excited about what might be his only gig in a while. 

He says: “The truth is I don’t even know what I’m doing next year.

“I don’t even know if I’m ever going to tour this album properly.  

“I’m doing this show at Kentish Town Forum and it might even be the only one I do for this album.  

“I’ve done a lot of tours in the last three years and I’ve got married.

“I’m now on Heart radio station every Saturday with Wrighty [Mark Wright], I’ve written an album and I just think I need a bit of time for me.”

“But then I’m always on the go and I like that.

“I don’t know what I’m doing next — I’ve got plans and ideas but I’m just going to see what happens. 

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“I’m going to roll with it.” 

• Knees Up is out on November 21. Olly Murs headlines Kentish Town Forum on December 8. 

KNEES UP  

Olly Murs 

★★★★☆

“South Park” is known for pushing the envelope, but the latest episode has been described by fans online as “nightmare fuel.”

In what is arguably one of the most disturbing episodes of the year, “South Park” creators Trey Parker and Matt Stone explore just how easy it is to create artificial intelligence-generated videos — and how easy it is for some people to fall for them, or to be convinced that real videos are fake.

The conversation about Wednesday’s episode has largely revolved around President Trump and Vice President JD Vance being depicted having sex. They tell reporters the leaked video of their affair was a fake, created with Sora 2, the latest version of OpenAI’s video generator.

In the same episode, titled “Sora Not Sorry,” the children of South Park generate revenge-porn videos using Sora as a means of getting back at each other. Butters creates an explicit video of Red with Santa Claus, and then she creates a similarly explicit video featuring Butters and Totoro, of the Studio Ghibli classic “My Neighbor Totoro.”

Chaos then ensues as the children make a frenzy of AI-generated videos featuring well-known (and copyright-protected) animated characters. The South Park police force is dumbfounded by the videos, believing they are real.

Droopy Dog, Rocky, Bullwinkle, Popeye and even the beloved preschool character Bluey are mentioned or make appearances in the episode. Representatives for Studio Ghibli also appear, offering a voice of reason in the madness, saying, “You cannot just do whatever you want with someone else’s IP.”

It echoes the real response Studio Ghibli had when Sora 2 emerged, arguing that OpenAI likely used its content and other Japanese art as machine learning data. The Content Overseas Distribution Assn., an anti-piracy organization representing Japanese IP holders, released a letter in late October saying the organization believes OpenAI’s actions “may constitute copyright infringement.” CODA demanded that OpenAI stop using Japanese content for machine learning and requested that the company respond to claims of copyright infringement “sincerely.”

The latest update to Sora, released at the end of September, is “more physically accurate, realistic, and more controllable than prior systems,” according to OpenAI, and it also features synchronized dialogue and sound effects.

The company sparked swift backlash as it rolled out the new version because it was operating under a system where intellectual property owners had to opt out of the app, which meant users could create videos featuring popular actors, characters, voices and likenesses until the rights holders made the opt-out request.

Unauthorized deepfakes of celebrities, dead figures and copyrighted characters began circulating quickly, including videos of Robin Williams, Michael Jackson and Martin Luther King Jr. in what the company called “disrespectful depictions of Dr. King’s image.” OpenAI and King’s estate released a joint statement in October saying the app would block the ability to create generations featuring King as the company “strengthens guardrails for historical figures.”

After a slew of Hollywood studios and agencies expressed their frustration with this policy, OpenAI Chief Executive Sam Altman wrote in a blog post that the AI company will be giving rights holders “more granular control over generation of characters, similar to the opt-in model for likeness but with additional controls.”

Some studios have expressed interest in the user-generated content space, with Disney Chief Executive Bob Iger saying on a recent earnings call that the company was having “productive conversations” with unnamed AI companies in an effort to reach an agreement that would also “reflect our need to protect the IP.”

Back at South Park Elementary, as the battle of disturbing AI-generated videos heats up, Kyle questions how creating that kind of content, especially with copyrighted characters, is legal. “Nothing is sacred, Kyle,” Butters tells him. “All you can do is fight fire with fire.”

The episode seems to address Parker and Stone’s own frustrations with their work being replicated, as evidenced by a line from billionaire Peter Thiel, who also appears in the episode: “With Sora 2, I can make the South Park kid do just about anything.”

One EastEnders star departed Walford tonight in sad scenes – with more exits set to come on the BBC soap

An EastEnders star has bid farewell to the Square. Micah Balfour departed the BBC soap this evening, just eighteen months after joining as George Knight’s estranged son Junior.

In sad scenes this evening, Junior said goodbye to his ex Cindy and his sisters Anna and Gina. He shared his prized car with his uncle Kojo and warned his dad to stay away from Nicola Mitchell.

As he bid farewell to the Square, he headed off to start a new life in Dubai. A BBC spokesperson previously confirmed the departure to The Mirror, explaining: “We can confirm Micah will be leaving EastEnders later this year, we wish him all the best for the future.”

When Junior arrived on the Square less than two years ago, bosses teased “there is more to Junior than meets the eye”.

Upon his casting on EastEnders, then-executive producer Chris Clenshaw said in a statement: “I’m delighted to welcome Micah Balfour to the cast of EastEnders as he takes on the role of Junior Knight.

“Although Junior has been referenced since the Knights arrived in the Square, the audience knows very little about George’s son and the circumstances behind their estrangement.

“Junior arrives in Walford following an unlikely meeting with his dad, and is quickly thrust into the heart of the drama. However, it will soon become apparent to viewers that there is more to Junior than meets the eye.”

Micah’s exit from the BBC soap comes just before the departure of Anna Knight, played by Molly Rainford.

“New boss Ben Wadey is making sweeping changes on the show and his decision coincided with Molly deciding she wanted to pursue other challenges,” a source added, “She’s hugely talented and wants to spread her wings and see what else is out there for her.”

“Molly came into the show two years ago, and in that time has been trusted with some great storylines. It’s just so happened that when Molly was considering other options in her career, a meeting was held to discuss the future of the character, and both parties were in mutual agreement that it was the right time for Anna Knight to wave goodbye to Walford.”

Of Micah’s departure, a source said: “Bosses decided not to renew Micah’s contract and he filmed his final scenes last month. Obviously Micah was gutted but he understands how it all works. His final scenes will air before Chris­t­mas. The door is being left open.”

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I USED to fancy the pants off of Charlie Hunnam.

But after seeing him turn into creepy serial killer Ed Gein in the latest instalment of Ryan Murphy’s Monster series on Netflix, I have cooled a little.

Luckily for Charlie, his girlfriend Morgana McNelis was spotted with a huge diamond on her ring finger, so it looks like she said yes top being his wife.

She was seen wearing the enormous rock during a day out this week.

A photographer friend of mine in the US said: “Charlie and Morgana have been together for almost 20 years so it’s about time he popped the question.

“She had this huge diamond on her ring finger, so it seems like Charlie has asked her to be his wife.

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“This is the first time she’s ever been seen wearing it too, so maybe that Netflix pay cheque came in handy.”

Charlie previously admitted Morgana had been pushing him towards the aisle, despite the actor feeling “indifferent” about getting married.

He said: “She does not feel the same. She’s very eager.

“I’ll do it because it’s important to her but I don’t have any great romantic feelings towards it.”

After feeling the heat from social media, Charlie later clarified his comments and said: “That really hurt my girlfriend’s feelings and I really regretted saying that.

“I actually didn’t mean it at all, it was, frankly, just stupid s**t I said in the heat of the moment.

“I’m, like, so romantic, and the reality is I sort of consider myself married. I’ve been with my girlfriend for 14 years.

“I suppose what I was trying to articulate is the official government sanction of it doesn’t mean anything to me, but the romance of it means an enormous amount.”

After that hoohaa, I wouldn’t be surprised if Charlie went all out with his proposal.

Ellie’s beau strips for vid

ELLIE GOULDING has roped in a favour close to home for her new video – by enlisting her real-life boyfriend to play the love interest.

She will drop the visuals to Destiny at 3pm today and my exclusive first look shows her with muscly actor Beau Minniear, who I told you she was dating in July.

It features a series of steamy scenes, including Ellie hugging the topless hunk, straddling him with a camera in hand, and, in one of the quirkiest parts, snogging with veils over their faces.

Now I’m excited for the next album.

Gaga lithium breakdown

LADY GAGA had a psychotic episode after shooting A Star Is Born, which is why she cancelled much of the European leg of her 2018 Joanne tour.

She told Rolling Stone magazine: “I did A Star Is Born on lithium.”

On breaking down afterwards, she said: “There was one day that my sister said to me, ‘I don’t see my sister any more’.

“And I cancelled the tour. There was one day I went to the hospital for psychiatric care.

“I needed to take a break. I couldn’t do anything. I completely crashed, it was really scary.

“There was a time where I didn’t think I could get better . . .  I feel really lucky to be alive. I know that might sound dramatic, but we know how this can go.”

Thankfully Gaga, who said she is on “some, but not as many” antipsychotics now, is in a much better place.

And she’s got a surprise career away from music, having co-founded a skin-health research firm in the US alongside her fiancé Michael Polansky.

It’s called Outer Biosciences and 20 employees.

Meanwhile, the couple are more eager than ever to tie the knot.

Michael said: “We’re talking about it all the time. We have these breaks, and they’re tempting.

“It’s like, ‘OK, can we get married that weekend?’ We don’t want a really big wedding, but we want to enjoy it.”

Sara sis surprise

IT’S the final day of Sara Cox’s epic Radio 2 Great Northern Marathon for Children In Need – and she has absolutely smashed it.

Through tears and triumph, the teatime presenter proved that with great support, physical resilience and pure grit you can achieve so much.

She will today complete the 135 miles, heading past my old University digs in Headingley, Leeds, for the final mission of getting Pudsey Bear to the Yorkshire town of Pudsey.

Sara was yesterday given an extra boost as her sister Dot turned up to give her a cuddle, with Sara telling me: “That was a lovely surprise.”

And she got another when her mum Jackie rang her, saying: “We’re tracking you from India.”

Sara said: “It’s been amazing and painful. My shins are so sore.”

Speaking to me ahead of the final day, Sara paid tribute to the thousands of people who have turned out for her along the route.

Some have driven miles to catch a glimpse of her.

Sara told me: “The people coming out in the villages made me skip along a little bit faster. It’s been tough finishing in the dark because miles in the dark just seem to go so slowly.

“It has been brutal and tough but I’ve been given such a boost from people. It’s been amazing.”

FAMILIES AT WAR

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Sara was this morning starting to push her fundraising to over £3million. I expect donations to go through the roof as she appears live on BBC One’s Children In Need tonight.

If you can, join me in donating at donate.bbcchildreninneed.co.uk/sara.

It takes a certain composure, as a teenager, to walk out onto Taylor Swift’s stage in a sold-out stadium and play an opening set to tens of thousands of fans who have never heard of you. But it takes even more conviction to use the occasion to play music almost guaranteed to leave them squirming — grimy, bloodletting noise-rock and electro about being a sexual menace and growing disillusioned with God.

The now-20-year-old singer-songwriter Sofia Isella did that last year, opening on the Australian run of Swift’s Eras tour. “Taylor was an angel for allowing me to share that stage,” L.A.-raised Isella said. “I wish I could have recorded that feeling. But the show itself is not as nerve-wracking as it is playing for 20 people. There’s something about a giant room that almost feels a little dissociative, like it’s not really happening or it’s not really there.”

“Dissociative” is a decent descriptor for Isella’s music, too — disorienting, unnerving, drawing out emotions you might not understand. But there’s so much skill in the performances and imagination in her arrangements that they may well get Isella — who plays the Fonda Theater on Nov. 16 — onto much bigger stages of her own, just as the world gets much bleaker around her.

“This next record, I’m having so much fun with s— that’s really f— dark,” Isella said. “It’s like, the only way to stop screaming about it is to have a moment laughing about it.”

Isella grew up in Los Angeles in a family with enough entertainment-biz acclaim to make being an artist feel like a viable career. Yet they still let her be feral and freewheeling in developing her craft. Her father, the Chilean American cinematographer Claudio Miranda, won an Oscar for 2012’s “Life of Pi” and shot “Top Gun: Maverick” and the recent racing hit “F1” (Her mom is the author Kelli Bean-Miranda). Looking back on her bucolic childhood in L.A., Isella recalled it filled with music and boundless encouragement, worlds away from her social media-addled peers.

“I’d been homeschooled my whole life,” Isella said. “My mom would leave little trails of poetry books for me to find, and my dad would set up GarageBand and leave me for hours with all the instruments and nothing but free time. I didn’t even have a phone until I was 16. When I first was on TikTok, I saw everyone had the same personality, because they had been watching each other for so long. Being around kids my age was so strange, because I’d grown up around adults — like, ‘Oh, these kids are so sweet and kind and adorable, but they think I’m one of them.’”

After her family temporarily moved to Australia during the pandemic and Isella began self-releasing music, it became clear that her talents set her very far apart. Drawing on her early background in classical music and a fascination with scabrous rock and electronic music, she found a sound that melded the Velvet Underground and Nico’s elegant miserablism, Chelsea Wolfe and Lingua Ignota’s doom-laden art metal and the close-miked , creepy goth-pop of Billie Eilish’s first LP.

Isella began self-releasing music during the pandemic. Since then, she’s landed opener spots on multiple high-profile tours.

(@okaynicolita)

Her early music showed a withering humor and skepticism of the culture around her (“All of Human Knowledge Made Us Dumb,” “Everybody Supports Women”), but singles came at rapid clip and translated surprisingly well on the social media platforms she loathed (she has 1.3 million followers on TikTok). It all got her onto stages with Melanie Martinez and Glass Animals and, eventually, Swift. (A Florence + The Machine arena tour opening slot is up next.)

On 2024’s writhing EP “I Can Be Your Mother,” songs like “Sex Concept” had the sensual fatalism of poets like Anne Sexton and Sylvia Plath, paired with the drippy erotic menace of Nine Inch Nails. “I’ll bend him over backwards, give him something to believe in,” she sings. “We’ll play the game, both go insane and then we’ll call it even … I’m the only god that you’ll ever believe in.”

“The first EP was this whole story of giving birth to yourself, this giant stretched-out muse,” Isella said, leaning into a stemwinder about the genesis of art. “It just doesn’t feel like it’s coming from me. It feels like it’s coming from some weird thing I somewhat worship.”

A May 2025 follow-up, “I’m Camera,” dealt with the depersonalizing effects of sudden attention. On “Josephine,” she makes tour life feel like a proverbial grippy-sock vacation to the breakdown ward — “I’m sock-footed, sick and selfish holding strangers’ hands … I lost something, I sold it, I only remember the ache.”

Isella’s wariness of institutions extends to her recording career. She’s still independent for now — surprising for an artist on Swift’s radar — and uncompromising about what a label would demand of her compared to what they can provide. “I’ve met with a lot of the big dogs, and they’re very kind people, but I just love the feeling of being independent,” Isella said. “Maybe I’ll change my mind on that, but I’m trying to fully understand a label and what its functions are, what it gives the artist in a social media day. I’m trying to fully assess that before I sign any magic papers.”

Her newest material (and her subversively eerie, Francesa Woodman-evoking music videos like “Muse”) feel perfectly timed to the apocalyptic mood in L.A. and the U.S. now, where an inexorable slide to ruin feels biblical. “Out In the Garden,” from September, hits some of the Southern gothic moods of Ethel Cain, but with a sense of acidic pity that’s all her own. “That there’s a small part of me that’s envious / That you full-heartedly believe someone is always there,” she sings. “That will always love you, and there’s a plan for you out there.”

Even at her bleakest, there’s a curdled humor underneath (her current tour is subtitled “You’ll Understand More, Dick”). But if this little sliver of young fame has taught Isella anything, it’s that even when everyone wants a piece of you, no one is actually coming to save any of us.

“There’s nothing with weight, nothing that’s meaningful, to blind faith,” Isella said. “On this next record, I’m about to go really angry because religion really pisses me off, it inflames me. But it’s the most beautiful placebo to imagine that there’s a father that loves you no matter what you do. I’m a really lucky person in that I’ve always been safe and protected, but if you’ve had a rough life, that is insanely powerful to imagine that and believe that.”

Emmerdale will not air this evening as part of a schedule change on ITV, despite a very dramatic episode on Wednesday night where we learned more about Robert Sugden and Kev’s past

Emmerdale will not air this evening as part of a schedule change on ITV. On a Thursday, the ITV soap usually airs for an hour between 7.30pm and 8.30pm but it will not air this evening.

This is due to a scheduling change owing to sports coverage. Tonight, from 7pm, ITV will air the European Qualifiers between England and Serbia, with the actual game kicking off at 7.45pm.

In last night’s episode, Robert’s prison life was explored and as part of that Faith Dingle made a shock return to the village, as Sally Dexter reprised her role three years after her exit.

Speaking about her return, she said: “They’ve thrown me in prison with Robert. It’s a flashback episode and it’s delightful to be back doing it. First of all, I thought – how are they gonna get me back because I’m dead!

“I’ve been dead about two years. It’s been really enjoyable, it’s been lovely coming back. It’s a bit like coming back to a school you went to – or an old house you used to live. It feels very homely.”

She left in sad scenes when her character was diagnosed with terminal breast cancer. Faith died with her son Cain Dingle by her side, in what was devastating and heartbreaking scenes for soap fans.

Speaking about coming back to the show, albeit briefly, Sally said: “They’re a lovely bunch of people here. I’ve always said my mum was the person I based her on and unfortunately she died last year, so coming back again – it was a joyous thing to do. I’m very grateful. To play Faith again is very very special to me.”

During a dramatic episode, Robert explained to Aaron why he and Kev ended up together. He explained to Aaron that when he married Kev – who protected him – he decided to just accept prison life and not think about his former partner in the nearby village.

When Faith arrived and said Aaron was struggling, Robert made it his mission to get out – and he ended up taking day release on Aaron and John’s wedding day. Eventually, John’s crimes came to light and Aaron and John split.

At the end of last night’s episode, there was a huge twist – which revealed that Kev’s secret son was in the village. It was hinted that Lewis (played by Bradley Riches) was actually the son of Kev and Emma Barton.

However, fans are predicting this could lead to a bigger twist – or even might be a red herring. One fan suggested that Kev might stay longer now this has been revealed, whilst others said it may be show writers misdirecting fans.

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ADAM Peaty has cancelled a two-day event in the US after receiving sinister threats amid his explosive family feud.

The Sun today revealed how Adam was escorted off a plane from his stag do by five police officers over concerns he might be assaulted.

Olympic champion swimmer Adam, 30, was due to fly to the US this weekend for a two-day training clinic with aspiring swimmers who signed up to his AP Race company.

He founded the business in 2019 to provide clinics to athletes across the globe.

Adam was expected to fly to Orlando, Florida, for a two-day session on November 15 and 16.

The website is still advertising Adam as attending and said: “Adam and the AP Race Team cannot wait to be heading to the USA for our first ever American Clinics.

FAMILIES AT WAR

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STAG DO ORDEAL

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“This is your ultimate opportunity to be coached by Triple Olympic Champion and World Record Holder, Adam Peaty and learn from his world class team.”

However those close to Adam said he would no longer be attending the clinic.

A source said: “With everything going on Adam is going to remain in the UK.

“His team will still be delivering a first class clinic.”

The Sun first told this week how a secret feud between Adam and certain members of his family had imploded.

His mother, Caroline, was banned from attending his wedding to his fiancee Holly Ramsay, 25, next month.

Those close to the family branded six-time Olympic medalist Adam a “narcissist” and said he was “ashamed” of the family.

In a statement, a friend of Adam and Holly hit back and said the issue wasn’t cut and dry as his family were making out.

And today insiders told The Sun how Holly, the daughter of celebrity chef Gordon, had called cops over concerns for Adam’s safety while he was on his stag do in Budapest, Hungary.

A source explained that Adam had received a series of “increasingly threatening” messages while away with friends – prompting Holly to get the police involved.

A friend said: “The issues that have been reported don’t stem from hen do or wedding invitations; it goes so much deeper.

“Things escalated over the weekend when someone became increasingly abusive and threatening over text.

“Adam was trying to enjoy his stag do and was getting freaked out by it all.

“He then received a threat that he’d be met off the plane.

“He told Holly who called the cops after consulting with her family.

“Gordon and Tana have been 100 per cent supportive of them in this.

FAMILIES AT WAR

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WILL ROW

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“They are both brilliant in a crisis.

“The police were sufficiently concerned that they went to the airport to accompany him through passport control, baggage area, arrivals hall and into a waiting vehicle.”

Sarah Jessica Parker is adding one more trophy to her collection.

The six-time Golden Globe-winning actor will receive the 2026 Carol Burnett Award for excellence in television. Parker will be presented with the prize, named for its inaugural winner, during the first-ever “Golden Eve” special, airing Jan. 8 on CBS and streaming on Paramount+.

The Golden Globes previously announced that Helen Mirren will be honored with the Cecil B. DeMille Award at the January ceremony, part of a celebratory “Golden Week” kicking off the awards season.

“Sarah Jessica Parker’s career embodies the very spirit of the Carol Burnett Award,” Golden Globes President Helen Hoehne said in a press release Thursday. “Her trailblazing impact on television and her dedication to storytelling across stage and screen have left an indelible mark on popular culture. We are honored to celebrate her extraordinary contributions to entertainment.”

Past winners of the Carol Burnett Award include Ted Danson (2024), Ryan Murphy (2023) and Norman Lear (2021).

Best known for her role as Carrie Bradshaw in the epoch-defining “Sex and the City” — she reprised the character for the divisive HBO sequel “And Just Like That” — Parker has also received Golden Globe nominations for her performances in the beloved 2005 Christmas comedy-drama “The Family Stone” and the HBO drama series “Divorce.”

Parker is also the co-founder of Pretty Matches Productions, alongside producer Alison Benson. With the production company, Parker and Benson have made a concerted effort to hire more women for on- and off-camera roles, exceeding standard mandates with “Divorce.”

Parker is also the founder of SJP Lit, an imprint from independent publisher Zando that has ushered in acclaimed titles including Mai Sennaar’s “They Dream in Gold” and Alina Grabowski’s “Women and Children First.”

Recently, Parker served on the judging panel for the 2025 Booker Prize.

Comedian Nikki Glaser will return as host for the 83rd annual Golden Globes ceremony, which airs Jan. 11 on CBS and streams on Paramount+.

Former Coronation Street star Sue Cleaver has issued a warning to those preparing to enter the I’m A Celebrity…Get Me Out Of Here! jungle in Australia this year

Sue Cleaver has issued a warning to the stars preparing to become campmates on I’m A Celebrity…Get Me Out Of Here! The actress, who left her long-running role as Eileen Grimshaw on Coronation Street earlier this year, took part in the 2022 edition of the ITV reality series and has now spoken of how bored and hungry she was during her time on the show.

The former dinnerladies star was back in her usual seat on the panel of Loose Women on Thursday alongside Kaye Adams, Frankie Bridge and Nadia Sawalha, where she reminded them that viewers at home only ever see a trimmed down version of the action in the camp, which is filmed for 24 hours a day.

She said: “You only ever see the edited version from a 24-hour period. If you aren’t doing a trial, you’re in the camp doing nothing. There’s no books, nothing. You’re in a hammock kicking a stick. I made a pair of shoes out of some twigs. They didn’t show that on the telly.”

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“You’re gonna be starving, you literally are starving. It’s two tablespoons of rice, two tablespoons of rice. Oh my God, I’ve never touched it since.”

This year, those heading into the jungle include Sue’s fellow soap legend Lisa Riley, who is known for playing Mandy Dingle on Emmerdale, Spandau Ballet star Martin Kemp and presenter Alex Scott amongst a host of others. Sue insisted the new contestants on the programme have to be ‘strong’ to get through it, and it is as ‘tough’ as it seems.

She added: “I would say you have to be strong. I’d watched it for years and I always thought that when they cameras weren’t rolling, there would be tea and cakes round the corner, there isn’t! It is very, very tough.

“There are spiders on the bed, somebody does come in and grapple a snake and take it away in the middle of the night. If you have any issues…you’ve got to be strong!” Sue previously spoke of how taking part in the programme allowed her to open up to the idea of new experiences.

Following her stint in the jungle, Sue went play Mother Superior, the part made famous by Dame Maggie Smith, in Sister Act: The Musical,

She told Prima magazine: “My 50s have been the happiest decade of my life. I’m happy with myself and where I am, so I’m looking forward to seeing what the next decade brings. “Since doing I’m A Celeb, my eyes have been opened to all these new experiences.

“Now, I’m just thinking, ‘Right, what’s my next challenge?’”

The star, who lost weight on the ITV reality show due to food rationing, discussed what she believes to be “unfair expectations” on women to look and eat a certain way, which she refuses to buy into.

She said: “I lost some weight in the jungle, but I’m not obsessing over diets: life is hard enough!

“There’s always going to be outside pressure and unfair expectations placed on women, but I refuse to get pulled into it. Let’s just let women be women – we have enough difficulties and struggles as it is.”

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ZARA McDermott has taken the next major step in her relationship with Louis Tomlinson.

The Love Island alum went Instagram-official with the One Direction hitmaker, 33, back in May and since then, their relationship has been going from strength to strength.

The Sun first revealed in March that the Strictly star, 28, and boyband singer, 33, were an item after being spotted on dates and holidaying together.

The pair have kept a relatively low profile, though last month Louis couldn’t help but gush about his stunning girl on Steven Bartlett‘s The Diary of a CEO podcast, hinting at how much she’s inspired his new music.

This week, Zara, 28, captured her “date night” look on Instagram for her social media followers as the pair spend time in Los Angeles.

Now the BBC documentary-maker has been confirmed as a firm member of the family after it was revealed she’d met Louis’ niece.

SIMPLY STUNNING

Zara McDermott stuns in outfit for ‘date night’ with Louis Tomlinson in LA

GAGA FOR ZARA

Louis Tomlinson breaks silence on Zara romance saying he’s ‘so in love’

One fan asked blogger and actress Phoebe Tomlinson, 21: “Has Zara met Olive yet?” referring to her little girl, Olive Varley, aged one.

She swiftly replied with a previously unseen image and the words: “She has! Girlies!”

Louis’ other sister, make-up artist Lottie, 27, has also revealed her bond with the TV star.

Alongside a recent Instagram post showing Zara in a red dress, she wrote: “Beauty in red.”

SIBLING APPROVAL

Lottie has previously broken her silence on her sibling’s romance – and the potential for baby-sitting.

Speaking to The Mirror at the launch of her beauty line, Lottie said: “Yeah, she is amazing and they are really happy. I’m really happy for him.”

Lottie was also said to have laughed when it was suggested Louis and Zara could babysit for her children Lucky, two, and five-month-old Flossie.

“Hopefully, yeah,” she told the publication.

LOUIS’ LOVE

Back in August, Louis told Zara “I love you” in a rare public comment.

He then told how she was inspiring his new music.

The X Factor star said: “

“I’m a deeply, deeply romantic person.

“It’s also easy to be romantic when you are a creative… I really struggle to write in a fictional sense, I really struggle.

“For me, I have to have been living it, it has to be real to me. So, if I wasn’t feeling so good, like right now, I wasn’t feeling so in love… the record probably would have a slightly different feel to it.”

He added: “One thing I was thinking about with this record, my intention is just to maybe feel good.

“I know that’s a really cliché and obvious thing to say, but I’m not sure some of my other music did that. It made you feel, it was honest, it was painful at times, but it didn’t feel good.

“So, I think now I’ve got this almost new sense of life, a new sense of happiness, and purpose, and fulfilment, all those things.”

END GAME

Before sparking up romance with Louis, Zara dated Made in Chelsea star, Sam Thompson.

ZAYN’S RETURN

Zayn Malik ‘rejoins’ One Direction 10 years after quitting the band

bad boy

Real reason Becki Jones vanished for months – as we reveal new man’s criminal past

The former flames were an item for five tumultuous years before calling it quits in 2024.

Whereas Louis last girlfriend was Danish model Sofie Nyvang who he dated for a couple of months at the beginning of 2023.

Lukewarm performances at the box office from the likes of “The Fantastic Four: First Steps,” “The Roses” and “Freakier Friday” dented Walt Disney Co.’s entertainment business for its fiscal fourth quarter, the company reported Thursday.

The Burbank media and entertainment company reported $10.2 billion in revenue for its entertainment segment for the three-month period that ended Sept. 27, down 6% compared with the same quarter a year earlier. Entertainment operating income for the fourth quarter totaled $691 million, down 35% compared with last year.

The softer box office showing during the fourth quarter was being compared with the strong performance of the irreverent superhero flick “Deadpool & Wolverine” in the year-earlier period, as well as the tail end of the theatrical window for the animated juggernaut “Inside Out 2,” each of which would go on to gross more than $1 billion globally.

For the full year, however, Disney’s entertainment segment — which includes movies, TV, Disney+ and Hulu — posted revenue of $42.5 billion, up 3% compared with fiscal year 2024. Operating income totaled $4.7 billion, an increase of 19%.

Though the company saw a 16% decline in revenue for its linear networks in the fourth quarter due to lower ad dollars and viewership, Disney did see an increase for its streaming services. The company reported fourth-quarter streaming revenue of $6.2 billion, an 8% jump compared with the previous year, and operating income of $352 million, up 39%.

“This was another year of great progress as we strengthened the company by leveraging the value of our creative and brand assets and continued to make meaningful progress in our direct-to-consumer businesses,” Disney Chief Executive Bob Iger said in a statement. “I’m pleased with our many achievements this fiscal year to position Disney for the future.”

Disney’s fourth-quarter revenue totaled $22.5 billion, about flat compared with the previous year. That put the company’s year-end revenue at $94.4 billion, up 3%.

Earnings, excluding certain items, for the fourth quarter totaled 73 cents per share, up from 25 cents a year earlier. For the full year, earnings per share was $6.85, up from $2.72. The company’s income before taxes in the fourth quarter was $2 billion, up from $948 million last year; for the full year, it was up 59% to $12 billion.

Disney’s experiences segment, which includes its theme parks, cruise line and Aulani resort and spa in Hawaii, was a bright spot for the fourth quarter. The company reported revenue of $8.8 billion, an increase of 6% from the previous year’s fourth quarter, with operating income rising 13% to $1.9 billion.

Operating income for domestic parks and experiences for the quarter was up 9% to $920 million, which Disney attributed to growth at its cruise line. Disney also got a boost from its international parks and experiences segment, largely due to an increase in attendance and spending at its Disneyland Paris resort.

For the full fiscal year, Disney’s experiences business reported revenue of $36.2 billion, a 6% bump, with operating income increasing 8% to nearly $10 billion.

Disney’s sports business, which includes ESPN, reported quarterly revenue of nearly $4 billion, up 2%, with operating income decreasing 2% to $911 million. The company said the decline in operating income was due to higher marketing costs associated with the August launch of the new ESPN direct-to-consumer service and increases in programming and production costs.

The sports business closed out the year with revenue of $17.6 billion, roughly flat compared with the previous fiscal year, and a 20% jump in operating income to $2.9 billion.

JACOB ELORDI is gracing our screens once again, this time as the Creature in Guillermo del Toro’s Frankenstein – and it seems audiences can’t get enough of the Australian actor. 

According to Google Trends data, Elordi’s global search record charts an extraordinary rise from Netflix romcom newcomer to one of Hollywood’s most in-demand leading men.

Google Trends shows his career highs with clear spikes in search interest. 

His breakthrough role came in 2018 when he starred in Netflix’s The Kissing Booth, introducing him to Gen Z audiences around the world. 

The following year, he solidified his profile as Nate Jacobs in HBO’s Euphoria, a role that won critical acclaim and expanded his fanbase beyond romcom audiences.

But it’s in the past two years that Elordi’s popularity has skyrocketed. 

Searches for “Jacob Elordi” reached new global highs after the release of Emerald Fennell’s Saltburn in 2023.

It makes sense that all these projects are among the top 25 related searches – alongside relationship history, of course. 

Searches have surged again this fall, thanks to the release of Frankenstein.

Early reviews of the film have praised Elordi for his ability to combine vulnerability with intensity, showing he can tackle challenging characters. A million miles away from the character he played in The Kissing Booth. 

The data also shows that Elordi has international appeal. 

Early searches were mainly in Australia, the US and the UK. Recent trends show growing interest across Europe, Asia and South America, with his choice of roles boosting his global profile.

Elordi looks set to maintain his momentum with Wuthering Heights, scheduled for release in 2026, in which he will star opposite Margot Robbie. 

The casting is already sparking excitement, appealing to fans of classic literature as well as general moviegoers. 

Frankenstein audiences have been fascinated by how Elordi brings Mary Shelley’s iconic character to life. As Wuthering Heights is also a beloved literary classic, expectations are sky high. 

Literary fans will be watching closely, hoping for an adaptation that honors the original and doesn’t just appeal to Hollywood.

Each major appearance sparks a worldwide search spike, making Elordi a soon-to-be household name. 

He is a phenomenon whose every role – from Nate Jacobs to the Creature and, soon, Heathcliff – triggers global attention.

With Frankenstein out last month and Wuthering Heights on the horizon, one thing is certain: Elordi’s well on the way with his journey from teen heart-throb to Hollywood A-lister.

L.A. is a harmony of contradictions: It’s a bankrupt skyscraper covered in graffiti, a Mercedes-Benz G-class SUV with an expired registration, the quiet confusion of wondering whether a stranger’s outfit means they’re unhoused or just new to Silver Lake. L.A.’s refusal to make sense is what makes it irresistible, and no one understood that better than writer, artist and provocateur Eve Babitz, who died in 2021.

“Los Angeles isn’t a city. It’s a gigantic, sprawling, ongoing studio,” she wrote in her 1974 book “Eve’s Hollywood.” “Everything is off the record.”

Born in Hollywood in 1943 to a classical violinist father and an artist mother — and with Igor Stravinsky as her godfather — Babitz was destined for “It”-girl-ism. While people tend to flee their hometowns to start over in a new city, usually a place like L.A. or New York, Babitz knew she was exactly where she was meant to be. She tried New York once as a typist for Timothy Leary, because it’s where “real writers” lived and worked; she gave it one year before moving back to L.A.

“She lived in Rome for six months, and that was the only other city she loved, almost as much as L.A.,” Mirandi Babitz, Eve’s younger sister, told me. Despite her growing popularity in the ’60s and ’70s, Eve Babitz didn’t hightail it from her Hollywood bungalow to live in Pacific Palisades or Topanga or Malibu — she lived and died in the heart of it all.

When I asked Mirandi what Babitz would think of today’s coffee-shop lines, overpriced wine bodegas and tinned fish culture, she said with a laugh, “She’d roll her eyes.”

Babitz may have been synonymous with places, including the Chateau Marmont and Musso & Frank Grill, or with people such as Jim Morrison and Ed Ruscha. But it wasn’t because she was a hanger-on, desperate to be cool or famous. She was the keeper of cool, and L.A. was the only muse she gave a damn about. “I did not become famous but I got near enough to smell the stench of success. It smelt like burnt cloth and rancid gardenias,” she wrote in 1977’s “Slow Days, Fast Company: the World, the Flesh, and L.A.”

After graduating from Hollywood High, Babitz skipped the traditional UCLA route and instead took classes at Los Angeles City College. “The school was located about 4 blocks from the hospital I was born in,” she wrote in “Eve’s Hollywood.” “It was on Vermont near Melrose, which is an indeterminate lower-middle-class sort of neighborhood with no delusions. Westwood, where UCLA is, is so insanely crappy you could throw up. It’s so WHITE and it’s so clean and it’s so impervious …”

At age 20, Babitz made a name for herself in the art world. She posed nude, playing chess with a fully clothed Marcel Duchamp for Esquire — a cheeky act of revenge against her lover, Walter Hopps, who wasn’t returning her calls. Shot by Julian Wasser at the Norton Simon Museum, the now-iconic photo did its job: Hopps rang her soon after. That photo is now described by the Smithsonian Archives of American Art as being “among the key documentary images of American modern art.”

Babitz also launched her independent career as an artist, designing album covers for Linda Ronstadt, the Byrds and Buffalo Springfield. Her foray into the music scene — where she partied with (and allegedly had affairs with) legends like Morrison of the Doors (“I met Jim and propositioned him in three minutes,” she wrote in “Eve’s Hollywood”) and some original Eagles members — blossomed into a social life so magnanimous that names like Andy Warhol, Steve Martin and Annie Leibovitz came up as casually as what Babitz had for lunch that day.

She went on to publish several books and worked as a journalist, writing about everything from Salvador Dalí to the best taquito stand in L.A. (Don’t worry — we listed it below.) Although Babitz’s love life kept the city gossiping, it was always apparent that her true love was the city itself. Her books, including “Sex and Rage” (1979) and “L.A. Woman” (1982), are all love letters to a city she knew inside out. In turn, her life in L.A. became the stuff of urban legend — and decades later, we’re still talking about it.

Babitz understood L.A. better than anyone, including its seductions and secrets. Her legacy is being revisited in the Huntington’s exhibition “Los Angeles, Revisited,” which explores how L.A. has been shaped — and reshaped — by its visionaries. Babitz and her mother, Mae, a self-taught artist known for her preservation work on the Watts Towers and her sketches of L.A.’s vanishing buildings, have drawings included in the show. The exhibition runs through Dec. 1.

Consider what’s below your invitation to see L.A. as Babitz did — expansively, honestly and maybe a little recklessly. Just a heads-up, though: You won’t find a single coffee shop with a DMV-like line on this list.

Netflix thriller The Beast in Me follows a grieving author following the tragic loss of her young son

The Netflix thriller, The Beast in Me, follows the story of a grieving author, Aggie Wiggs (played by Claire Danes), who is dealing with the tragic loss of her young son.

After being torn apart from her ex-wife due to the harrowing event, she lives alone until a new neighbour, Nile Jarvis (Matthew Rhys), moves into a stunning manor house across the street.

Set against the backdrop of beautiful forests, green spaces and streets lined with striking homes, the series offers a visual treat for viewers.

So where was this gripping series filmed?

The Beast in Me was shot in Red Bank, a borough located in Monmouth County, New Jersey.

READ MORE: The Beast in Me review: A chilling thriller with some of the best acting of 2025READ MORE: The Beast in Me cast from The Americans star to Pitch Perfect icon

Known for its picturesque location along the Navesink River, the borough has been used as a backdrop for many other films and TV shows.

Additional filming took place in Raleigh, North Carolina, reports the Manchester Evening News.

Specific locations included Tamaques Park in New Jersey, along with other popular spots such as Branch Brook Park, 33 Washington Street and 98 Frelinghuysen Avenue. A warehouse on Mulberry Street was also used, as well as Poinier Street, Independence Park, Halsey Street, National Newark Building Broad Street, Unique Design Menswear in Branford Place and 289 Washington Street.

According to The Cinemaholic, an entire block in East and West Front Street was transformed for the series. They reported: “The entire block was transformed into a film set, with JR’s restaurant at 17 West Front Street redressed as Roberto’s Pizzeria for the series.

“The 26 West On The Navesink, located at 26 West Front Street, also features in a few scenes. In addition, the Molly Pitcher Inn, situated at 88 Riverside Avenue, served as yet another prominent production location.”

The series was filmed in the township of Belleville, with Carewell Health Medical Center and Essex County Airport also serving as locations.

The Beast In Me was shot from September 2024 to late January 2025.

The Beast in Me is on Netflix