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A UK waterpark has closed suddenly as the country experiences 33C heat.

Blackpill Lido in Swansea, Wales, is a popular spot that is free for visitors – and is even more popular with the current heat the UK is experiencing and the half-term holidays.

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However, Swansea Council was forced to drain the lido yesterday after the pool floor became damaged.

It is the pool’s second closure in the past month, following sprinklers being stolen from the lido earlier this month.

According to Swansea Bay News, the council revealed that they had been forced to drain the pool on Tuesday after parts of the pool flooring came away.

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A spokesperson for the council said: “Sadly the Lido at Blackpill will be closed for a number of days due to a technical issue.

“Sincere apologies for any inconvenience this has caused and thank you for your understanding.”

In a later update, a council spokesperson added: “Unfortunately, the lido’s flooring has come away in some areas and we’re looking into how it happened.

“We’re aiming to get it fixed as quickly as possible over the coming days and then we’ll refill the lido.”

The council also revealed that even once repair works are complete, it could take a number of days to refill the lido, which will prolong the closure.

Currently, no expected reopening date has been announced.

Blackpill Lido underwent refurbishment in recent years, including launching new water features.

The players’ campaign, which began in late 2025, is being spearheaded by former WTA chairman and chief executive Larry Scott.

The American will be in Paris on Friday for a meeting with French Open tournament director Amelie Mauresmo and FFT president Gilles Moretton.

Meetings are also planned with representatives of the All England Club (AELTC) and the US Tennis Association later in the fortnight.

The players’ action is designed to put pressure on the AELTC, with prize money for Wimbledon not due to be announced for another three weeks.

Last year, the Wimbledon prize fund rose by 7% to £53.5m – double the amount on offer a decade earlier.

Players look enviously, however, at the revenues generated by the Grand Slams and feel entitled to a larger slice of the cake.

The AELTC’s financial statement for the year to July 2025 showed revenue of £427m and profit after tax of £39.7m.

Players have asked the Slams to pay 22% of their revenue in prize money by 2030.

They are also asking that tens of millions of dollars are paid towards pension, healthcare and maternity benefits, and that they are consulted more widely on scheduling and other key decisions.

At this month’s Italian Open, world number one Aryna Sabalenka said she believes players will “at some point” boycott one of the majors.

World number three Iga Swiatek felt that would be a “bit extreme”, but defending French Open champion Coco Gauff said she would support strike action “if everyone were to move as one and collaborate”.

Men’s world number one Jannik Sinner also claimed players are not getting the respect they deserve when it comes to prize money at the majors.

An FFT statement on Wednesday read: “We regret the players’ decision, which impacts all of the tournament’s stakeholders: the media, broadcasters, the FFT and the entire tennis community, all of whom follow each edition of Roland Garros with great enthusiasm.

“The French Tennis Federation recognises the importance of the players’ contribution to the tournament’s success, and wishes to maintain close ties with them.”

The French Open takes place from 24 May to 7 June.

MARTIN Short has revealed daughter Katherine’s death has been a ‘nightmare for the family’ & opens up about her mental health.

The Only Murders in the Building star was left heartbroken in February when his eldest daughter was found dead.

The 42-year-old was found dead inside her Hollywood Hills home after a call was made to police about a potential suicide.

Now on CBS News Sunday Morning, Martin, 76, gave an emotional interview about her passing, and the years she spent battling with her mental health.

He said: “You know, it’s been a nightmare for the family, but the understanding that mental health – and cancer, my wife had – are both diseases.

“And sometimes with diseases, they are terminal and my daughter fought for a long time with extreme mental health, borderline personality disorder and other things as well.

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tough times

Devastated Martin Short steps out for first time since daughter’s tragic death

TRAGIC LOSS

Martin Short’s daughter Katherine was found dead after shooting herself aged 42

“And did the best she could, until she couldn’t.”

He then referred to his late wife Nancy, who passed away in 2010 after battling ovarian cancer, saying: “So Nan’s last words to me were ‘Mart let me go’ and she was just saying ‘dad, let me go’.”

Katherine’s official death certificate from the Los Angeles County Department of Public Health confirmed she died from a self-inflicted gunshot wound to the head.

The document also confirmed she had been cremated.

Authorities discovered Katherine behind a locked door inside the property.

A note was recovered at the scene, though its contents have not been made public.

I am a journalist; storytelling is my craft.

Words are the tools I turn to, again and again, to make sense of events and shape them into narratives that do them justice. And yet, when it comes to the genocide in Gaza, my birthplace, language feels wholly inadequate.

There is a limit to what words can say. At a certain point, the instinct to describe, to explain and to make sense of what has unfolded begins to break down under the sheer scale of devastation and pain.

One scene from the start of the war has lingered in my mind: A bulldozer burying 111 unidentified bodies, wrapped in bright blue bags, in a mass grave. It appeared briefly in the endless scroll of social media before it disappeared again, replaced by yet another shocking scene. And another.

A hundred and eleven souls about whom we knew nothing; not their names, not their dreams or what their final moments were. A New York Times headline read: More Than 100 Bodies Are Delivered to a Mass Grave in Southern Gaza. Omission of the perpetrator aside, could that possibly capture the magnitude of such an event?

Every attempt to describe in words what Israel has inflicted on Gaza and its people has felt reductive, compressing something vast, ongoing and staggeringly lethal into language that cannot possibly hold it. What remains is a tension at the heart of the act of telling itself; knowing no account will ever be enough, how do you tell stories of such unspeakable horrors?

This tension lies at the heart of the Gaza Genocide Tapestry, which I am co-curating and which will be displayed at this year’s Venice Biennale. It is an art project that brings together Palestinian women in occupied Palestine and refugee camps in Lebanon and Jordan to document Gaza’s destruction in real time. They tell these stories in the way they know best: Needle and thread.

Through 100 embroidered panels, each composed of 55,000 stitches, these women have created a testimonial that refuses to let the world forget what has been done and to whom.

Each panel tells a fragment of what has happened: A journalist weeping over his child’s dead body; young girls with empty pots being crushed at a soup kitchen; a child crying as her world crumbles around her.

Some of these images forced themselves into the public consciousness, if only for a moment; Khalid Nabhan hugging his dead granddaughter, the “soul of his soul”, for the last time before joining her a year later, or Dr Hussam Abu Safia walking towards a tank on the orders of Israeli soldiers, to then never be seen again.

But most images from Gaza are not granted that pause. They pass without names, context or farewell.

The tapestry defies this. To embroider is to decide something is worth the effort – hours, days and weeks of labour. This is to insist it is not lost to the sheer volume of images that pass briefly before our eyes.

A national archive in thread

The Gaza Genocide Tapestry is a new chapter of the award-winning Palestine History Tapestry Project, which I co-chair alongside Gaza-born designer Ibrahim Muhtadi. Following in the tradition of the famous Bayeux Tapestry and the Great Tapestry of Scotland, it is the largest body of Palestinian embroidery narrating the history of Palestine and its people.

The tapestry was started in 2011 in Oxford by Jan Chalmers, a British nurse who lived and worked in Gaza for two years in the 1960s. An avid embroiderer, Jan was previously involved with the Keiskamma History Tapestry, which chronicles the history of South Africa’s Xhosa people and now hangs in the South African parliament.

Recognising the centuries-old embroidery tradition of Palestinians, tatreez, Jan believed a Palestinian history tapestry was in order. I met Jan in 2013 in Oxford during my postgraduate studies. That is when I first joined this invaluable effort.

Tatreez, recognised by UNESCO in 2021, has long expressed Palestinian heritage and belonging. Its motifs encoded identity, place and social status. After the 1948 Nakba, it became a means of preserving Palestinian culture in the face of attempted erasure. Today it is something else again: Testimony.

Not long after Israel unleashed its devastating military assault on Gaza in 2023, the tapestry found new momentum by merging with the Palestine Museum US, an independent institution founded and led by Palestinian American entrepreneur Faisal Saleh. The tapestry is now housed at the museum in Woodbridge, Connecticut, and travels from there for exhibits worldwide.

It was within this expanded framework that the Gaza Genocide Tapestry took shape. Jan, Ibrahim, Faisal, and I came together to discuss how best to document the genocide. We initially created two panels to mark this dark moment in Palestinian history – Gaza on Fire and The Palestinian Phoenix. Faisal then proposed we do 100 panels focused solely on Gaza.

The challenge of producing in a single year what had previously taken a decade was formidable, but it was an urgency dictated by an unfolding genocide and made possible by the scale, visibility and global reach the museum provided.

United in pain

Women in Gaza were initially among the most active contributors to the Palestine History Tapestry. Their work was vibrant and meticulous, and offered them a means of support. But as bombardment intensified, most became unreachable, often displaced multiple times. Materials could not enter Gaza, and finished panels could not leave.

Gaza’s women became the subjects of the story, rather than its narrators.

But the tapestry, at its core, is a kind of “lam shamel” (Arabic for family reunion), as one embroiderer put it. Despite borders and forced displacement, the labour of Palestinian women everywhere converges into a single visual record of the Palestinian experience.

For Iman Shehabi, Basma Natour and the dozen women in Ein el-Hilweh refugee camp, embroidery is how they make a living. But the tapestry project, they said, “restored” a part of their “dignity”.

“It was a space where heritage pulsed, and where our needles stitched both our pains and our hopes,” they wrote to us in a letter upon completion of their panels.

And it is not only the embroiderers who contributed. One of the panels in the Gaza Genocide Tapestry, embroidered by Shahla Mahareeq in Ramallah, was based on an image of Hind Rajab illustrated by London-based artist Khadija Said.

A panel of blindfolded men, arbitrarily detained by Israeli soldiers in Gaza, was painted by Haifa-based lawyer and rights activist Janan Abdu, a Palestinian citizen of Israel. It was embroidered by Bothaina Youssef in Lebanon’s Ein el-Hilweh refugee camp.

Another artwork by Gaza-based artist Mohammed Alhaj, depicting displacement in Gaza, was also embroidered in Lebanon by Kifah Kurdieh, before a million people in southern Lebanon were themselves displaced.

The process of putting together the Gaza Genocide Tapestry has been painstaking. For more than a year, Faisal, Jan, Ibrahim and I held weekly meetings to research and select representative panels across various themes and coordinate the work. Each panel had to be translated by Ibrahim into a format that could be embroidered, then sent to a woman to stitch through field coordinators in each location.

There were constant questions, both ethical and practical. What do we choose to include, and what is left out? What does it mean to translate suffering into a stitched pattern?

At the Venice Biennale

Starting May 9, the Gaza Genocide Tapestry will be exhibited publicly at Palazzo Mora under the title:
“- – – – – – – – – – -” *
*Gaza – No Words – See The Exhibit

It will be available for viewing through November.

When we were informed in November last year that our biennale submission was selected, I felt a complicated kind of recognition. On one hand, it is an honour and a chance for this work, and the women behind it, to be seen on one of the world’s most prominent cultural stages.

On the other hand, it captured the paradox of a world increasingly willing to name what is happening in Gaza, to look it in the eye, call it a genocide, and yet remain unable or unwilling to stop it. What does it say about humanity when art becomes a primary site of real-time testimony because political systems have failed?

I have no simple answer. What I know is this: Palestinian women continue to tell these stories and demand accountability. Theirs is a collective response to my late mentor Refaat Alareer’s final instruction before he was killed: “If I must die, you must live to tell my story.”

This package offers a family of four the chance to experience on of Gulliver’s four theme parks and includes tickets to the park, entertainment, and an overnight stay for less than £25-a-head

Keeping the kids entertained can be a costly undertaking, but this deal offers families not only a fun day at a theme park, but also a memorable overnight stay, all for less than £100.

Gulliver’s Theme Park Resorts, who have four locations in Milton Keynes, Warrington, Matlock Bath, and Rotherham, are now offering a ‘1 Night Saver’ package on selected dates that comes in at £99 for a family of four. The package includes tickets to the park, so families get access to all the rides, attractions, and entertainment for the day.

The cost also includes an overnight stay in select themed family accommodation, with access to the resort’s facilities and activities for even more fun for all ages. Families can book these overnight packages on selected Friday dates throughout 2026, with park access on the Saturday after you check out.

The package can be booked at www.gulliversfun.co.uk, where families can also browse the fun accommodation options available to them. Depending on the park and availability, these can include family-sized double suites, western-themed dens, fairy hideouts, and dino dens, so no matter what the kids are into, there’s an accommodation option they’ll find thrilling.

If you’re looking for different dates, it’s also worth checking out Wowcher’s Gulliver’s deals, which include school holiday dates. Packages start from £159 for tickets and overnight accommodation, and options include stays in Jungle Cabins and dinosaur-themed Lost World dens.

Facilities and attractions also vary by resort, but as an example its Warrington park features rides such as a wooden rollercoaster, pirate ship, log flume, and lots of other fun themed attractions for all the family. Look out for themed events such as Princess and Pirates weekend where kids can meet characters that they love.

If you don’t have a Gulliver’s near you, many other theme parks across the UK also offer short break packages. Paultons Park, known for being the home of Peppa Pig world, is offering short breaks from £177 per family. This includes a second free day in the park for the family, free parking, and breakfast.

Alton Towers is also currently running a Spring Sale where those who stay overnight get a second day free. Alton Towers packages include free parking, 9-hole golf, and breakfast. Guests can also add a waterpark pass to their booking, allowing them to enjoy even more family fun during their stay. You can find out more on the Alton Towers short breaks website.

Other parks operated by Merlin are also offering a similar deal, including Chessington, Thorpe Park, and LEGOLAND. Many resorts also offer additional entertainment and perks to guests, making for the ultimate family sleepover.

Find out more about Gulliver’s deals, check availability and book short breaks at www.gulliversfun.co.uk.

Have a story you want to share? Email us at webtravel@reachplc.com

Isaac Collins had two hits and two RBIs and the Kansas City Royals used a five-run outburst in the fourth inning to beat the Angels 6-3 on Friday night.

Noah Cameron (2-1) worked 6⅓ innings, striking out six and allowing eight hits and three runs for his first quality start of the season. Royals starters have combined for 14 quality starts, tied for second in MLB with Seattle.

Starling Marte knocked in the first run of the game on a fielder’s choice in the fourth. Collins drove in another, and beat the throw home to score on Elias Díaz’s two-run double. Michael Massey drove in Díaz to cap the inning.

The Angels tried to rally in the seventh. After Zach Neto‘s RBI single chased Cameron, Mike Trout drew a bases-loaded walk and Jo Adell drove in another run on a fielder’s choice.

The Angels (12-15) didn’t get another hit as Nick Mears, Daniel Lynch IV, Matt Strahm, and Lucas Erseg combined for 2⅔ hitless innings of relief to preserve the lead. Erseg struck out two in the ninth for his sixth save.

Yusei Kikuchi (0-3) allowed five hits, five runs and struck out five in five innings.

The Royals (9-17) earned their first win against a left-handed starter in seven tries this season. Their 0-6 record against southpaws heading into the game was tied for the worst mark in the majors.

Up next: Angels RHP Walbert Ureña (0-2, 2.35) starts against Royals LHP Cole Ragans (0-4, 6.00) in the second game of the series.

It was 6.30am, the cockcrow slot at Jubilee Park lido, and still not quite light. I hadn’t wanted to come this early – it was the only time I’d been able to book. But as I slid into the pool – heated to a delicious 29C – I realised it was a gift. Vapours rose dreamily into cool air laced with owl hoots and the whiff of dewy blooms, and I swam into a sunrise that became more vivid with every stroke. A man in the next lane paused to admire the reddening dawn too; he was hungover, he said, but had come to do his morning lengths nonetheless. A cure of sorts.

Bath, Harrogate, Buxton – Woodhall? This Lincolnshire village isn’t one of Britain’s headline spa towns. Most probably don’t know where it is – 18 miles (29km east of Lincoln, for the record. But at the turn of the 20th century, Woodhall Spa was among the most fashionable places to be seen, to be healed.

Those wellness-seekers didn’t come, as I had, for the 90-year-old lido (open April to November). They came for the springs. In 1821, a hopeful entrepreneur sank a mine shaft here, prospecting for coal. He discovered water instead, which was found to be high in iodine and bromine, thought to be beneficial for everything from rheumatoid arthritis to gout. The first proper bath house was built in 1838; trains arrived in 1855. Woodhall Spa was on the map.

The village’s Edwardian heyday is long gone. The railway has closed, the baths are no longer in use – the original building is now a beauty salon. But Woodhall Spa still has a deeply restorative feel. With its broad, leafy avenues, red-brick and half-timber villas, protective shroud of trees, numerous cafes and delis, and promise of simple, bygone pleasures, it’s like a safety blanket; a place to escape the world’s horrors for a few days.

Tina Delaney, a director at Woodhall’s Cottage Museum, agrees. She came here on holiday from Bedford six years ago and ended up staying: “My husband describes it as moving 100 miles north, 80 years back in time.”

The little museum occupies a rare 19th-century prefab of yellow corrugated iron and documents Woodhall’s history, from its early fortunes to its part in the second world war. The 1st Airlanding Brigade trained here for Operation Market Garden, the ill-fated plan to seize bridges in the occupied Netherlands; of the 2,500 men who left, fewer than 500 returned. Many became prisoners of war. Also, Squadron 617 – the Dambusters – were briefly stationed at RAF Woodhall Spa; the officers’ mess was in the grandiose mock-Tudor Petwood Hotel. I wandered there after the museum and sat on the terrace, looking out across the elegant gardens with a half of Petwood Bomber ale.

While officers hung out at the hotel, lower ranks frequented the Kinema in the Woods. This late-19th-century sports pavilion was converted into a cinema in 1922 and nicknamed the “flicks in the sticks” by airmen, who were shown top-secret reconnaissance films here. It is now a cinephile’s delight. The lobby is all rich reds and movie memorabilia, with separate counters for popcorn and ices. In screen one, deep-plush seats face a stage through which a Compton organ sometimes rises, played by the resident organist – but sadly not for my showing. There was an intermission, though, during which I devoured local-made Dennetts’ apple pie ice-cream.

When I emerged the owls were hooting again and I headed back to Bainland, an 18-hectare (45-acre) holiday park of reclaimed-timber lodges on the edge of the village, large but nicely done. My lodge was smart and cosy, set on a teeny lake. The next morning I breakfasted outside, listening to acorns smack the decking, watching mallards skim through perfectly reflected trees.

I was in no rush. My plan was to borrow one of Bainland’s bikes and make the most of Lincolnshire’s flatness. First, I headed north-east. The railway, so key to Woodhall’s former prosperity, may be defunct but its old trackbed forms part of the off-road Spa Trail, an easy ride (around three miles) to Horncastle, via ancient woods and excellent sculptures: there are steel Viking ships and oversized plants, nodding to Sir Joseph Banks, the botanist on Captain Cook’s first Endeavour expedition, who grew up near Horncastle. Banks also brought the canal to Horncastle, transforming it from backwater to busy market town. The canal, which I followed briefly, is quiet and unnavigable now; these days, the town’s main trade is antique and secondhand stores. I browsed around, wishing I had a bicycle basket to load with dog-eared books and comedy toby jugs.

I also cycled the Water Rail Way, a mostly traffic-free route following the former Lincoln to Boston Railway, by the River Witham. In the middle ages, Lincolnshire had one of England’s greatest densities of monastic houses – abbey-averse Henry VIII called it “the most brute and beastly shire” – and the greatest concentration was in the Witham valley. I started at one, Kirkstead Abbey, where the merest sliver remains, and rode northward for six miles to another, in Bardney, where there was even less. But it was a joyful pedal, along the river, fenlands spreading either side, dotted with more sculptures, swans and defunct stations that now serve only walkers and cyclists.

Finally, I followed the same route a few miles south to Tattershall, home to the enormous, light-flooded Collegiate Church of Holy Trinity and one of England’s first brick-built castles. My timing was good, arriving just as National Trust guide Nigel was starting a tour of the castle’s moated 33.5 metre-high Great Tower. It was constructed in the 15th century by Ralph, third Baron Cromwell, treasurer of England, who wanted a show-off home befitting his self-importance. Nigel described it as “ eight million bricks and a fashion statement” – exposed brick was avant garde at the time.

We climbed up the storeys, from the vaulted basement buttery (used as a prison during the civil war) to the turreted roof. A superlative lookout – and power move – for Cromwell, it’s still the highest point around; Lincoln Cathedral’s gargantuan towers, visible when it’s clear, are 18 miles away. I looked north towards Woodhall Spa, too flat to be perceptible amid the fuzz of green, hidden despite being so close. Indeed, the ideal spot to hide away.

The trip was provided by Bainland Lodge Retreats, which has lodges from £649 for four nights (sleeping two) and bike hire from £15pp. For more information see visitlincolnshire.com