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YouTube vs. Disney: What’s behind the fight

YouTube TV customers are bracing for another frustrating weekend.

For the last week, YouTube TV’s 10 million subscribers have been denied access to ESPN, ABC and other Walt Disney Co. channels in a dispute that has swelled into one of the largest TV blackouts in a decade. Instead of turning on “College GameDay,” “Monday Night Football” or “Dancing With the Stars,” customers have been greeted with a grim message: “Disney channels are unavailable.”

The standoff began Oct. 30 when the two behemoths hit an impasse in their negotiations over a new distribution contract covering Disney’s channels and ABC stations.

Google, which owns YouTube, has rebuffed Disney’s demands for fee increases for ESPN, ABC and other channels. The Burbank entertainment giant has been seeking a revenue boost to support its content production and streaming ambitions, and help pay for ESPN’s gargantuan sports rights deals.

Talks are ongoing, but the two sides remain apart on major issues — prolonging the stalemate.

“Everyone is kind of sick of these big-time companies trying to get the best of one another,” said Nick Newton, 30, who lives near San Francisco and subscribes to YouTube TV. “The people who are suffering are the middle-class and lower-class people that just love sports … because it’s our escape from the real world.”

Both companies declined to comment for this article.

The skirmish is just the latest between YouTube and programming companies. Since August, Rupert Murdoch’s Fox Corp., Comcast’s NBCUniversal and Spanish-language broadcaster TelevisaUnivision have all complained that YouTube TV was trying to use its market muscle to squeeze them for concessions.

Here’s a look at what’s driving the escalating tensions:

Google’s growing clout in television

The struggle between Disney and YouTube reflects television’s fast-shifting dynamics.

Disney has long entered carriage negotiations with tremendous leverage, in large part because it owns ESPN, which is a must-have channel for legions of sports fans.

Programmers, including Disney, structured their distribution contracts to expire near a pivotal programming event, such as a new season of NFL football. The timing motivated both sides to quickly reach a deal rather than risk alienating customers.

But for Google’s parent, Alphabet, YouTube TV is just a sliver of their business. The tech company generated $350 billion in revenue last year, the vast majority coming from Google search and advertising. That gives YouTube a longer leash to hold out for contract terms it finds acceptable.

“This dispute is not that painful for Google,” said analyst Richard Greenfield of LightShed Partners, noting that YouTube TV could probably withstand “two weekends without college football, and two weeks without ‘Monday Night Football’ — as long as their consumers stay with them.”

Disney, however, depends on TV advertising and pay-TV distribution fees. The week-long blackout has already dampened TV ratings, which means less revenue for the company.

Consumers like YouTube TV

For decades, throngs of consumers loathed their cable company — a sentiment that Disney and other programmers were able to use in their favor in past battles. Customer defections prompted several pay-TV companies to find a compromise to restore the darkened TV channels and stanch the subscriber bleeding.

But YouTube is banking on a more loyal user base, including millions of customers who switched to the service from higher-priced legacy providers.

“I’ll stick this thing out with YouTube TV,” Newton said, adding that he hoped the dispute didn’t drag on for weeks.

“This is one of the problems facing Disney,” Greenfield said. “It’s been a noticeable change in tone from past carriage fee battles. If customer losses stay at a minimum, then Disney is going to be in a tough place.”

It boils down to power and money

YouTube TV is the fastest-growing television service in the U.S. Analysts expect that, within a couple of years, YouTube TV will have more pay-TV customers than industry leaders Spectrum and Comcast.

In the current negotiations, Google has asked Disney to agree to lower its rates when YouTube TV surpasses Comcast’s and Spectrum’s subscriber counts. Disney maintains that YouTube already pays preferred rates, in recognition of its competitive standing, and that Google is trying to drive down the value of Disney’s networks.

“YouTube TV and its owner, Google … want to use their power and extraordinary resources to eliminate competition and devalue the very content that helped them build their service,” top Disney executives wrote last Friday in an email to their staff.

People close to YouTube TV reject the characterization, saying the service has been a valuable partner by providing a strong service that brings Disney billions of dollars a year in distribution revenue.

“The bottom line is that our channels are extremely valuable, and we can only continue to program them with the sports and entertainment viewers love most if we stand our ground,” the Disney executives wrote in last week’s email. “We are asking nothing more of YouTube TV than what we have gotten from every other distributor — fair rates for our channels.”

Higher sports rights fees

A major reason Disney is asking for higher fees is because it’s grappling with a huge escalation in sports costs.

Disney is on the hook to pay $2.6 billion a year to the NBA, another $2.7 billion annually to the NFL, and $325 million a year for the rights to stream World Wrestling Entertainment. Such sports rights contracts have nearly doubled in the last decade, leading to the strain on TV broadcasters.

In addition, deep-pocketed streaming services, including Amazon, Apple and Netflix, have jumped into sports broadcasting, driving up the cost for the legacy broadcasters.

The crowded field also strains the wallets of sports fans, and appears to be adding to the fatigue over the YouTube TV-Disney fight.

Newton wrote in a recent Twitter post that he was spending $400 a month for his various internet, phone and TV services, including Disney+ and NFL Sunday Ticket, which is distributed by YouTube TV.

“I’m already on all the major subscriptions to watch football these days,” Newton, a third-generation San Francisco 49ers fan, said. “You need Netflix. You need Peacock, you need Amazon Prime and the list goes on and on. I’m at the point where I’m not paying for anything else.”

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What the steady drumbeat of layoffs means for Hollywood workers

The cuts in Hollywood just keep coming, following a sadly familiar script.

Last week it was Paramount, which laid off about 1,000 workers in the first wave of a deep staff reduction planned since tech scion David Ellison’s Skydance Media took over the storied media and entertainment company.

The cuts affected a wide swath of the company, from CBS and CBS News to Comedy Central, MTV and the historic Melrose Avenue film studio, my colleague Meg James and I reported. Another 1,000 layoffs are expected in the coming weeks.

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But Paramount isn’t the only one in the media business that’s shedding jobs and payrolls.

Earlier, cable giant Charter Communications said it would lay off 1,200 people nationwide, as the company faces increased competition for its broadband internet packages. NBC News, too, laid off 150 employees last month amid declining TV ratings and lessening ad revenue.

Other recent media-adjacent layoffs included 100 cuts to Disneyland Resort’s Anaheim-based workforce and the massive 14,000 worker reduction at Amazon, including at the company’s gaming and film and TV studios.

And that doesn’t even include widespread job losses that happened earlier this year at companies such as Walt Disney Co., Warner Bros. Discovery, NBCUniversal and Six Flags Entertainment Corp.

It all adds up to a grim picture for Hollywood’s workers, who have faced a near endless marathon of economic hurdles for the last five years.

First it was the pandemic, followed by the dual writers’ and actors’ strikes in 2023, cutbacks in spending after studios splurged on streaming productions, and the outflow of production to the U.K. and other countries with lower costs than California.

Then, in January, nature struck a blow, with the fires in Altadena and the Pacific Palisades destroying many industry workers’ homes.

Topping it off, Saturday marked the first day that millions of low-income Americans lost federal food assistance due to the government shutdown that began Oct. 1. That has affected some 5.5 million Californians and probably some who work in the entertainment industry.

“It’s been one crisis after another, without enough time in between,” said Keith McNutt, western regional executive director of the Entertainment Community Fund, which provides social services for arts and entertainment professionals. “People are concerned and very worried and really trying very hard to figure out where they go from here.”

McNutt reports that the nonprofit group has already heard from some people who were recently laid off, and has experienced a sharp increase in demand for its services, particularly from those in the film and TV industry. The fund offers healthcare and financial counseling and operates a career center. It also provides emergency grants for those who qualify.

Clients include not only low-income people who are always hit hardest in downturns, but also veteran entertainment industry professionals who’ve worked in the business for 20 to 30 years.

Those who were lucky enough to have savings saw those wiped out by the pandemic, and then were unable to replenish their rainy-day funds after the strikes and industry contraction, said David Rambo, chair of the fund’s western council.

“It has been snowballing very slowly for about five years,” Rambo said.

Many in the industry are hopeful that California’s newly expanded film and television tax credit program will bring some production — and jobs — back to the Golden State. That’s what backers campaigned on when they lobbied Sacramento legislators to bolster the program. Dozens of TV shows and films have received credits so far under the revamped program, but it’ll take some time to see the results in filming data and employment numbers.

And that doesn’t help the workers who were just laid off last month. For those folks, McNutt suggests calling the fund’s health insurance team to make sure they understand their options and also to spend some time with career counselors to understand how Hollywood skills can be transferable to other employers, whether that’s on a short- or long-term basis. Most importantly, don’t isolate yourself.

“You’re not alone,” he said. “Nobody’s alone in this situation that the industry is finding itself in right now, and so reach out to your friends, reach out to your colleagues. If you’re not comfortable with that, reach out to the Entertainment Community Fund.”

Stuff We Wrote

Film shoots

Stacked bar chart shows the number of weekly permitted shoot days in the Los Angeles area. The number of weekly permitted shoot days in the area was down 23% compared to the same week last year. This year, there were a total of 197 permitted shoot days during the week of October 27 - November 02. During the same week last year (October 28 - November 03, 2024), there were 256.

Number of the week

twenty-six million

The Los Angeles Dodgers’ wild 11-inning win on Saturday over the Toronto Blue Jays notched nearly 26 million viewers, making it the most-watched World Series game since 2017, according to Nielsen data.

The 2017 Game 7 win by the Houston Astros over the Dodgers had an audience of 28.3 million.

The Dodgers are now the first Major League Baseball team to win back-to-back championships in 25 years. On Monday, thousands of Dodgers faithful turned out for the team’s victory parade through downtown L.A.

Finally …

You’ve no doubt heard of L.A.’s famous star tours. But what about a tour of a historic cemetery?

My colleague, Cerys Davies, wrote about local historian and guide Shmuel Gonzales — or as he calls himself, “Barrio Boychik” — and his walking tour of Boyle Heights’ Evergreen Cemetery.

The cemetery is the final resting place for many of L.A.’s early movers and shakers, including the Lankershims and the Hollenbecks, and it’s also a prime example of L.A.’s multicultural history.

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Best gifts made in Los Angeles

Handwritten notes. Free product samples. Email responses to questions. And in some cases (shout-out to Surfing Cowboys in Malibu), an old-school phone call to discuss a gift item.

This is the kind of service that sets local businesses apart, offering personalized experiences you won’t find on Amazon.

From independent artists working at home to brands manufacturing in downtown Los Angeles, these businesses offer a diverse range of products and services that reflect the unique character of our city, which has been affected by wildfires, ICE raids and a struggling economy.

The gifts I’ve included here are all from Los Angeles-based businesses. They carry a personal touch — a connection to the people and the city. Some are handmade while others are manufactured, but all of them are a part of our city’s unique fabric.

Let’s keep it going and support small businesses in Los Angeles this holiday season. Our connection to one another is our strength.

If you make a purchase using some of our links, the L.A. Times may be compensated. Prices and availability of items and experiences in the Gift Guide and on latimes.com are subject to change.

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SpaceX cuts Starlink service to Myanmar scams compounds

SpaceX’s Starlink, which provides Internet service via satellites like those pictured being released into orbit around Earth, this week cut service to thousands of its internet service devices after Myanmar’s military shut down a scam center along the country’s border region. File Photo by SpaceX/UPI | License Photo

Oct. 23 (UPI) — SpaceX cut Starlink Internet service to thousands of its devices providing access to compounds in Myanmar linked to human trafficking and monetary scams worldwide.

The company said late Tuesday that it terminated more than 2,500 Starlink devices Chinese crime syndicates were using to contact and scam people globally.

“SpaceX continually works to identify violations of our Acceptable Use Policy and applicable law because — as with nearly all consumer electronics and services — the same technology that can provide immense benefits has a risk of misuse,” Lauren Dreyer, Starlink’s vice president of business operations, said in a post on X.

“In Myanmar, for example, SpaceX proactively identified and disabled over 2,500 Starlink kits in the vicinity of suspected ‘scam centers,'” she wrote.

The scam centers, which operated largely along the border between Myanmar and Thailand, lure people in with the promise of good jobs before often being taken captive and being forced to defraud people through fake investments and pretend romantic schemes, according to reports.

Myanmar’s military, which in 2021 staged a coup that has kept the country mired in a civil war, announced this week that it shut down a scam operation called KK Park, seizing 30 sets of Starlink Terminals and arresting more than 2,000 people.

The military earlier this year launched an operation to go after the scam centers after other nations, specifically Thailand and China, exerted pressure to ease the situation that has seen people from both countries trafficked and forced to work in the scam parks.

Although the military has moved to shut down some operations, reports suggest that many compounds in Myanmar remain active, with tens of thousands of employees and some protected by militia groups that are aligned with Myanmar’s military.

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Why movies still matter to Netflix

Small screen giant Netflix has once again turned to the big screen, this time with the release of its latest buzzy film, “Frankenstein.”

Written and directed by Guillermo del Toro, the film opened last weekend with a limited release in 10 theaters in Los Angeles, New York and a few other cities, and will expand to more sites for a total theatrical run of three weeks. The film stars Oscar Isaac as the titular egomaniacal scientist and Jacob Elordi as the Creature (who, contrary to popular belief, is not named Frankenstein — you can thank my English major for that tidbit).

The film is getting some awards attention, particularly for the performance of the prosthetics-and-makeup-laden Elordi, and notched a solid 86% approval rating on aggregator Rotten Tomatoes. As of Sunday afternoon, Del Toro posted that the film had sold out at least 57 screenings. “Frankenstein” will debut on the streamer on Nov. 7.

Del Toro’s “Frankenstein” is just the latest in a long line of adaptations of the classic 1818 novel by Mary Shelley. From the first silent film short in 1910 to Boris Karloff’s famed turn as the monster in 1931 and the Kenneth Branagh-directed movie in 1994 that starred Robert De Niro as the creature (Branagh played Frankenstein and Helena Bonham Carter was Elizabeth Lavenza), the classic horror story has proved ripe for filmmakers’ commentary on humanity, science and nature.

In fact, “Frankenstein” has been a lifelong passion project for Del Toro, who has made an award-winning career out of analyzing and depicting monsters, from 2006’s “Pan’s Labyrinth” to 2017’s “The Shape of Water.”

For Netflix, it’s a reminder of why film remains an important, if unlikely, part of the streamer’s strategy.

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It’s no secret that Netflix has built its reputation — and its streaming prowess — on the strength of its series, from “Orange Is the New Black” to “Stranger Things” and “Bridgerton.” After all, popular episodic shows keep viewers on the platform, rack up hours of engagement and help draw new subscribers to the service.

The Los Gatos, Calif., company’s embrace of movie theaters may seem surprising given its longstanding testy relationship with movie theater exhibitors and their distribution strategy.

In fact, Netflix has also long said its main goal is to offer subscribers first-run movies on its platform, directly undermining the traditional 90-day “window” between a film’s release in theaters and when it appears in the home.

Earlier this year, Netflix Co-Chief Executive Ted Sarandos poured salt on the wound when he called the theatrical business “outdated,” at a time when many chains are struggling to fill seats to pre-pandemic levels.

Yet, theaters are still important to Netflix, which releases about 30 films annually in cinemas.

One reason: the allure of Oscar glory.

For the last few years, Netflix has submitted dozens of movies for awards-qualifying runs.

It’s typical for those films to be in cinemas for about two to three weeks before showing up on the platform. (Sometimes, those theatrical showings are for marketing purposes, like the recent “KPop Demon Hunters” singalong screenings.)

Netflix has won numerous Academy Awards over the years, ranging from animated feature (Del Toro’s “Pinocchio” in 2023), supporting actress (Laura Dern for “Marriage Story” in 2020 and Zoe Saldaña for “Emilia Pérez” in 2025) and director (Alfonso Cuarón in 2019 for “Roma” and Jane Campion in 2022 for “The Power of the Dog”).

Best picture, however, has continued to elude the company.

Theatrical releases also help the streamer to attract filmmakers and build relations with key talent. For instance, Netflix’s upcoming “Narnia” film from Greta Gerwig will get a two-week Imax run next year. Netflix previously ran Del Toro’s well-received horror anthology series “Cabinet of Curiosities.”

And while serial narratives may reign supreme, to maintain subscribers, you need other kinds of content to keep it fresh. That’s where movies (and live events) come into play.

As consumers decide which streaming services they can’t live without, a platform that has a little bit of everything has an advantage.

“Having a good mix of movies and serial content is really important,” says Alicia Reese, senior vice president of equity research in media and entertainment at Wedbush Securities. “A lot of people use this as their one and only subscription.”

In other fronts, is the fight over OpenAI’s new Sora 2 dying down? Maybe not, but there are signs of easing tensions.

On Monday, United Talent Agency, SAG-AFTRA, Creative Artists Agency, Assn. of Talent Agents, actor Bryan Cranston and OpenAI released a joint statement noting that Cranston’s voice and likeness was able to be generated “in some outputs” without consent or compensation when the tool was launched two weeks ago in a limited release.

“While from the start it was OpenAI’s policy to require opt-in for the use of voice and likeness, OpenAI expressed regret for these unintentional generations,” the statement said. “OpenAI has strengthened guardrails around replication of voice and likeness when individuals do not opt-in.”

Cranston, who brought the issue to SAG-AFTRA’s attention, said he was “grateful” to OpenAI for improving its policies and “hope that they and all of the companies involved in this work, respect our personal and professional right to manage replication of our voice and likeness.”

Stuff We Wrote

Film shoots

Stacked bar chart shows the number of weekly permitted shoot days in the Los Angeles area. The number of weekly permitted shoot days in the area was down 29% compared to the same week last year. This year, there were a total of 178 permitted shoot days during the week of October 13 - October 19. During the same week last year (October 14-20, 2024), there were 254.

Number of the week

one hundred fifty

NBC News sent termination notices to 150 staffers last week, as the network struggles with declining TV ratings and ad revenue. Layoffs have been prevalent throughout the media landscape this year, but have been felt especially hard at broadcast news outlets, as audiences increasingly migrate to streaming platforms and cut the cord.

In addition to these issues, my colleague Stephen Battaglio reported that the NBC News layoffs were also attributed to the spin-off of cable networks MSNBC and CNBC. NBC News now no longer shares resources with those outlets, which will become part of a new company called Versant.

Affected employees were encouraged to apply for 140 open positions throughout the news group.

Finally …

I had to do it. With the Dodgers returning to the World Series, my colleague Jack Harris looks at the team’s season this year and how they fought through multiple injuries on the roster to eventually turn the ship around.

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ICE ads are streaming near you. So is the online rebellion

There you are, sitting in traffic in your car, listening to Taylor Swift on Spotify because it’s easier than subjecting yourself to a new, more challenging artist. An ad pops up in your stream. It’s serious stuff, evidenced by the dystopian tone of the narrator: “Join the mission to protect America,” the serious man’s voice commands, “with bonuses up to $50,000 and generous benefits. Apply now … and fulfill your mission.”

It’s an Immigration and Customs Enforcement recruitment ad, part of the Trump administration’s investment of $30 billion to add more than 10,000 deportation officers to its ranks by the end of the year. You would have been spared the outrage if only you had paid for Spotify’s ad-free tier of service, but there’s no way the audio streamer is getting your money now. You’ll be switching to, say, Apple Music. Maybe Tidal?

The experience of being subjected to recruitment ads for a domestic military force, assembled by a power-hungry president, has generated intense backlash that’s culminated this week in calls for boycotts of streaming services and platforms that have featured ICE spots. They include Pandora, ESPN, YouTube, Hulu and Fubo TV. Multiple HBO Max subscribers bemoaned on X that they were subjected to ICE recruitment videos while watching All Elite Wrestling: “Time to be force-fed ICE commercials against my will for two hours again #WWENXT,” @YKWrestling wrote.

Recruitment ads — Uncle Sam’s “I Want You” poster comes to mind — are an American staple, especially in times of war. But the current recruitment effort is aimed at sending forces into American cities, predicated on exaggerated claims that U.S. metro areas are under siege and in peril due to dangerous illegal immigrants, leftist protesters and out-of-control crime rates. The data, however, does not support those claims. The American Immigration Council found that from 1980 to 2022, while the immigrant share of the U.S. population more than doubled (from 6.2% to 13.9%), the total crime rate declined by over 60%.

Yet there’s a far scarier doomscape on the horizon if ICE’s recruitment efforts are successful: a mercenary army loyal only to Trump, weaponized to keep him on the throne. If that sounds more dystopian than the aforementioned Spotify ad, consider that the administration has spent more than $6.5 million over the past month on a slew of 30-second commercials aimed at luring in police officers.

The ads aired on TVs in more than a dozen cities including Chicago, Seattle and Atlanta and opened with images of each specific metro area’s skyline. Then came the commanding narration: “Attention, Miami law enforcement!” It’s followed by the same messaging that is used in ICE ads across the country: “You took an oath to protect and serve, to keep your family, your city, safe. But in sanctuary cities you’re ordered to stand down while dangerous illegals walk free — Join ICE and help us catch the worst of the worst. Drug traffickers. Gang members. Predators.”

But are the ads working? It’s hard to say since transparency isn’t a hallmark of the MAGA White House. For what it’s worth, a Sept. 16 press release from the DHS claimed that it had received more than 150,000 applications in response to its campaign and had extended 18,000 tentative job offers.

As for the power of consumer-led boycotts, there’s hope. More than 1.7 million Disney, Hulu and ESPN subscriptions were reportedly canceled between Sept. 17 and Sept. 23 during Jimmy Kimmel’s temporary suspension by ABC (Disney is ABC’s parent company). The network pulled the show after the host’s comments related to Charlie Kirk’s assassination angered MAGA supporters and the Trump-appointed FCC chair appeared to threaten the network. But after a week with a significant increase in cancellations — a 436% jump compared to a normal week — Kimmel was back on the air.

As of today, Spotify appears unmoved by the pressure to pull those intrusive ICE ads. “This advertisement is part of a broad campaign the US government is running across television, streaming, and online channels,” a Spotify spokesperson said in a statement this week. “The content does not violate our advertising policies. However, users can mark any ad with a thumbs up or thumbs down to help manage their ads preferences.”

Thumbs down. Frowny emoji. Cue the dystopian narrator for a counter ad: “Join the mission to protect America: Cancel Spotify.”



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CNN launches a direct-to-consumer streaming service — again

CNN is taking another shot at launching a direct-to-consumer streaming service that will make much of the channel’s news programming available without a pay TV subscription.

The unit of Warner Bros. Discovery announced Thursday it will launch an All Access subscription tier for CNN.com available for $6.99 a month starting Oct. 28. The service will provide what the company describes as “a selection” of live programming on CNN and CNN International.

The service will also have exclusive on-demand programming and a library of titles from CNN Films and CNN Original Series.

The All Access subscription will be be offered at $69.99 annually, but will carry an introductory price of $41.99 for the first year for customers signing up by Jan. 5.

The announcement comes two years after Mark Thompson took over as chief executive of the network with a mandate to guide the channel into a digital post-cable future.

CNN launched a direct-to-consumer service in 2022 called CNN+, made up of original programming featuring its current talent line-up and new additions including Audie Cornish, Chris Wallace and Kasie Hunt. But the service was shut down nine days after launch following WBD’s takeover of the network, as new management was focused on reducing debt.

CNN has seen profits decline significantly over the last five years as cord-cutting has driven down revenues received from cable and satellite companies carrying the channel.

The cable channel also saw a significant decline in ratings after WBD took over ownership of the network and executives pushed for the network to appeal more to conservative viewers.

Thompson has made few changes to the CNN program line-up as his team has focused on its digital properties. Thompson and Alex MacCallum, executive vice president of digital products and services, were both at the New York Times when the company transformed into a successful digital subscription-based news business.

In a statement, MacCallum said the All Access launch is “an essential step in CNN’s evolution as we work to give audiences the complete CNN experience in a format that reflects how audiences engage with the news today.”

CNN introduced a paywall on its website last year, giving users unfettered access to articles and video on the site for $3.99 a month. Response to the preliminary phase was encouraging, according to people inside the network who were not authorized to comment publicly.

Cable subscribers will also get the new streaming service for free.

Fox News is currently the only major cable news channel available without a pay TV subscription. The channel is offered on Fox One, the recently launched streaming service that also offers local Fox broadcast affiliates for $19.99 a month.

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YouTube says it has restored service after global streaming disruptions | Social Media News

YouTube users reported problems streaming content and accessing the app for about 60 minutes before the company resolved the issue.

YouTube says it has resolved problems with its website and app after hundreds of thousands of users worldwide self-reported issues with its streaming services.

“This issue has been fixed – you should now be able to play videos on YouTube, YouTube Music, and YouTube TV!” YouTube wrote on X on Thursday morning in Asia.

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list of 4 itemsend of list

YouTube did not disclose why users reported problems streaming videos for about 60 minutes on Thursday morning, or the global extent of the problem.

Disruptions began just before 7am in East Asia (23:00 GMT, Wednesday) for YouTube, YouTube Music and YouTube TV, according to Downdetector, a website that aggregates website disruptions in real time.

Users from Asia to Europe and North America soon reported problems streaming, accessing the website, and using the apps of YouTube and its affiliates, though error reports were most heavily concentrated in the US, according to Downdetector’s user-generated error map.

Major disruptions were also reported in Japan, Brazil and the United Kingdom, although the extent of the problem is unknown because Downdetector data is based on user-submitted reports and social media.

The number of error reports peaked at 393,038 reports in the US at 7:57am (23:57 GMT) before falling off sharply, according to Downdetector data.

Downdetector reported a smaller number of disruptions for YouTube Music and YouTube TV, which both peaked at fewer than 5,000 error reports in the US over the same period of time.

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How cable and satellite TV are trying to win back cord-cutters

Pay TV providers have a new message for consumers: Your ex wants you back.

While the media industry watches the once massive number of subscribers to cable and satellite services diminish like a slow-melting iceberg as audiences move to streaming, the companies are aggressively developing ways to slow the trend and perhaps win some business back.

Spectrum and DirecTV have both recently held fancy press events in New York to tout their efforts to offer a more consumer-friendly experience and services that add value for the still substantial number of customers they serve. Giving consumers more choice and flexibility is their new mantra.

The latest evidence of this emerged last week when Spectrum introduced an app store, where customers can get subscriptions to the streaming platforms such as Disney+, Hulu, AMC+ and ESPN, and access them alongside the broadcast and cable channels that still carry the bulk of high-profile sports and live events.

The Stamford, Conn.-based company’s 31 million subscribers can now get ad-supported streaming apps as part of their TV packages, which would otherwise cost an additional $125 a month. Ad-free versions are also offered at a discounted price.

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Over the last year, El Segundo-based DirecTV rolled out smaller packages of channels aimed at consumers who no longer want a big monthly bill for the panoply of networks that have accumulated in the pay TV bundle over the years. The satellite TV service now offers smaller “genre packages” of channels and streaming apps that cater to a particular interest available at a lower price — designed for news junkies, sports fans, kids and Spanish-language speakers. There is one for entertainment channels as well.

There are early indications consumers are responding. In the second quarter of this year, Spectrum reported a loss of 80,000 cable customers due to cord-cutting, a significant decline from the same period in 2024, when 408,000 homes ditched cable.

DirecTV does not disclose its subscriber numbers, but Vincent Torres, the company’s chief marketing officer, said the smaller and more bespoke channel packages are drawing younger consumers who have bypassed pay TV subscriptions up to now.

For Spectrum, the deal to get the Disney apps came out of an ugly carriage dispute in August 2023 that for 12 days left customers without programming, including the U.S. Open tennis tournament and the start of the college football season. The standoff followed comments by Walt Disney Co. Chief Executive Bob Iger that taking the company’s program services directly to the consumer and bypassing its traditional pay TV partners was inevitable.

Spectrum CEO Chris Winfrey suggested his company could get out of the video distribution business and stick to selling its far more profitable broadband internet services.

The dispute was a sharp example of the pressure on cable providers that have been asked to pay more to carry the channels from Disney and other media conglomerates as they feel the pressure of rising programming costs and sports rights fees. The costs are passed along to customers who are paying more for content that is available on streaming services. Spectrum insisted on a deal that made Disney’s streaming apps available to its customers at no additional cost.

The tensions subsided and, in June, Spectrum reopened and extended its contract with Disney before it was up — a rarity in the contentious arena of carriage negotiations that lead to channel blackouts.

DirecTV’s slimmer cable packages came after a similarly bruising dispute with Disney last September, with customers losing access to the channels for 13 days.

But there was a new spirit of unity on stage at Spectrum headquarters, where ESPN Chair Jimmy Pitaro, the architect of ESPN’s direct-to-consumer strategy, was among the guest speakers.

Although Pitaro has long hammered away at how ESPN needs to be accessible to sports fans wherever they are, he touted the value of the cable subscription and described the relationship with Spectrum as “the best it has ever been.”

Spectrum customers already get ESPN channels through their cable subscription, but adding the direct-to-consumer app allows them access to its features such as enhanced real-time stats during live games and a personalized “SportsCenter” that uses AI to create a custom highlight show for users.

Spectrum has enlisted the networks it carries to make promotional spots touting its new services. Speaking at the Spectrum event, Winfrey acknowledged it will take some time for consumers to get used to the idea of getting more from their cable provider at no additional cost.

“Our No. 1 issue is — and this may shock you — but customers don’t trust the cable company,” Winfrey said. “Maybe with good reason. For how many decades did the cable industry go out and say HBO is included for free? And it was for three months and then, $10 would show up on your bill. We’ve conditioned people to think it’s a free trial period.”

Torres notes that more consumers are experiencing what he calls “content rage” as the prices of individual streaming services such as Peacock and Disney+ continue to rise. As programming gets sliced and diced for the growing number of services, consumers are finding that more than one subscription is necessary, especially for fans of the NFL or NBA, which have spread their games over several services.

“You see a growing frustration that ‘I can never find what I want to find when I want to watch it,” Torres said. “The fragmentation of the content is creating customer dissatisfaction. They can’t always find what they’re looking for.”

Along with its slimmer channel packages, DirectTV recently introduced a new internet-connected device called Gemini that combines streaming apps with traditional TV channels.

Pay TV companies are also offering voice-controlled remotes to help consumers find what they want to watch, whether on streaming or a traditional channel.

Executives say more enhanced viewing experiences are coming to keep the pay TV customer connected.

Starting this season, Spectrum’s SportsNet channel will be offering its Los Angeles customers several Lakers games in an immersive video format that can be streamed through an Apple Vision Pro device. The technology will give users a courtside view of the game at Crypto.com Arena. All that’s missing is a seat next to Jack Nicholson, but as AI advances, who knows?

Stuff We Wrote

Film shoots

Stacked bar chart shows the number of weekly permitted shoot days in the Los Angeles area. The number of weekly permitted shoot days in the area was down 25% compared to the same week last year. This year, there were a total of 181 permitted shoot days during the week of October 06 - October 12. During the same week last year (October 07-13, 2024), there were 242.

Number of the week

thirty-three point five million dollars

Disney’s sci-fi sequel “Tron: Ares” got off to a weak start, opening with just $33.5 million in North American theaters.

The results were well below 2010’s “Tron: Legacy,” which opened to $44 million. The production budget for “Tron: Ares” was reportedly $180 million.

Still, Disney does have two potential box office hits later this year with “Avatar: Fire and Ash” and animated sequel “Zootopia 2.”

Finally …

Stacy Perman’s deeply reported piece on fake collectible movie props is a must read. Bonus points for an appearance by notorious movie and TV executive Jim Aubrey, known as “The Smiling Cobra.”

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Hiltzik: More on the dismantling of U.S. healthcare

It’s not my habit to preface my columns with “trigger alerts,” so this is a first:

If talking about circumcision makes you cringe, feel free to move along.

If, on the other hand, you wish to understand what Robert F. Kennedy Jr. was talking about during a White House meeting Oct. 9 when he tried to connect circumcision with autism, follow along with me.

The U.S. health disadvantage threatens the country’s global competitiveness and national security, as well as the hopes and prospects of future generations

— Dept. of Health and Human Services

The offhand reference to circumcision’s possible role in autism by Kennedy, Trump’s secretary of Health and Human Services, is part and parcel of Kennedy’s documented assault on science-based medicine.

His campaign encompasses attacks on COVID-19 vaccines, which have been shown over the years to have saved millions of people from death, hospitalization or long-term disability; his firing members of professional advisory boards at his agency and replacing them with anti-vaccine activists; his promotion of unproven “cures” for vaccine-preventable diseases; and his inaction in the face of a nationwide surge in cases of measles, a disease that was declared eliminated in the U.S. in 2000.

Get the latest from Michael Hiltzik

Let’s pause for a few words about the broader consequences of the erosion of our public health infrastructure. It not only exposes Americans to more disease and more serious disease, but has profound economic effects.

That’s true worldwide, but especially in the U.S., which spends much more per capita on healthcare than other developed countries, for lower results. Undermining the existing system for partisan ends won’t make the picture look any lovelier.

“The U.S. health disadvantage threatens the country’s global competitiveness and national security, as well as the hopes and prospects of future generations,” according to a 2021 paper from the Department of Health and Human Services, the agency that Kennedy now leads.

“U.S. employers depend on a healthy workforce to maximize productivity and minimize healthcare costs,” the paper stated. “Population health also affects the consumer market, whereby the demand for nonessential products and services suffers when families are struggling with illnesses and much of their disposable income is required for medical expenses.”

The chaos imposed on our public health system under the Trump administration only intensifies the damage.

On Friday, hundreds of employees at Kennedy’s agency, including the Centers for Disease Control and Prevention, abruptly received layoff notices. Some were hastily informed that their firings were erroneous, but the experience rattled the CDC, an agency tasked with overseeing the national response to seasonal respiratory illnesses at a time when those illnesses typically spike.

The damage is beyond repair,” Demetre Daskalakis, who resigned as director of the National Center for Immunization and Respiratory Diseases, a unit of the National Institutes of Health, over conflicts with Kennedy, told CNN. “Crippling CDC, even as a ploy to create political pressure to end the government shutdown, means America is even less prepared for outbreaks and infectious disease security threats.”

That brings us back to Kennedy’s preoccupation with autism. He has claimed that the autism rate is on the rise due to “environmental toxins” such as childhood vaccinations and the use of Tylenol — or acetaminophen, its generic name — by mothers during pregnancy.

As I’ve reported, however, the roots of the increase in reported autism rates in recent decades are well understood: They have much to do with a broader definition of autism, which is widely described today as “autism spectrum disorder,” and with improved access to screening and diagnostic services by formerly overlooked groups such as Blacks, Hispanics and other nonwhite cohorts.

Kennedy’s comment about circumcision came during a White House Cabinet meeting. At first, he and Trump traded misconceptions they had previously aired about Tylenol use by pregnant women — Trump asserting that “obviously,” the rise in autism rates is “artificially induced” and adding, “I would say don’t take Tylenol if you’re pregnant, and … when the baby is born don’t give it Tylenol.”

That advice dismayed physicians, who say that fevers during pregnancy are a greater risk for the unborn and that acetaminophen is safer than alternative fever-reducing medicines.

Kennedy then injected circumcision into the discussion. “There’s two studies that show children who were circumcised early have double the rate of autism,” he said. “It’s highly likely because they were given Tylenol.”

Unsurprisingly, Kennedy’s remark got extensive play in the news media, prompting him to try walking it back via a tweet on X. Rather than accept responsibility for his confusing words, he responded with Bondi-esque truculence, writing: “As usual, the mainstream media attacks me for something I didn’t say in order to distract from the truth of what I did say.”

He even took arms against the Murdoch-owned New York Post, which posted its story with the headline, “RFK Jr. says Tylenol after circumcisions linked to autism,” and proceeded to debunk the claim.

In trying to clarify his point, however, Kennedy dug himself a deeper hole. According to his tweet, the two studies he was referring to at the cabinet meeting were a Danish study from 2015 and a non-peer-reviewed preprint posted online in August, which refers to the Danish paper. Kennedy mischaracterizes both.

Contrary to Kennedy’s implication, the Danish study did not address the use of acetaminophen (called “paracetamol” in the paper) in connection with circumcision. The reason, its authors wrote, was that “we had no data available on analgesics or possible local anesthetics used during ritual circumcisions in our cohort, so we were unable to address the paracetamol hypothesis directly.”

They did note, however, that the acetaminophen theory had only “limited empirical support.” In other words, evidence was lacking. Anyway, the Danish study was criticized — in the same journal that had published it — for its reliance on a very small sample of children.

As for the preprint, contrary to Kennedy’s description, it did not identify the Danish paper as offering “the most compelling ‘standalone’ evidence” for an autism-acetaminophen link. That language referred to three studies, one of which was the Danish paper. Of the other papers, one was based on later interviews with parents. The other was a study of the effects of acetaminophen on 10-day-old mice, not human children.

I asked Kennedy’s agency to clarify his claim and to explain the discrepancies between his words and the papers themselves, but received no reply.

To summarize, Robert F. Kennedy Jr., the nation’s top federal healthcare official, conjured up a connection between circumcision and autism via a relationship between circumcision and Tylenol that is unsupported by the research he cited. Indeed, the Danish paper describes the idea that boys undergoing circumcision invariably are given acetaminophen for pain as “a questionable assumption.”

In searching for empirical support for the acetaminophen theory, moreover, the Danish paper cited a 2010 paper funded by NIH that cautioned: “No evidence is presented here that acetaminophen in any way causes autism. … This hypothesis is largely based on multiple lines of often weak evidence.” Anyway, the paper was focused on a possible link between acetaminophen use and asthma, not autism.

Sadly, this sort of mischaracterization of research described as “a rigorous scientific framework” (RFK Jr.’s words) isn’t surprising coming from today’s Department of Health and Human Services. This is the agency, it may be recalled, that in May issued an “assessment” of the health of America’s children that cited at least seven sources that did not exist.

Nothing can stop unwary parents from relying on the judgment of Donald Trump or Robert F. Kennedy Jr. to make healthcare decisions for their infants and children. But they should be warned: They do so at their own and their offsprings’ risk.

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Injured runaway horse retires from military service

Runaway horses Trojan and Vida were filmed by a BBC cameraman covering the Post Office Inquiry

A military horse that bolted through central London after being startled by construction work has retired to the country.

Quaker, 15, was one of five Household Cavalry Mounted Regiment horses spooked when rubble was dropped through a plastic tunnel while they were on an exercise in Belgravia on 24 April last year.

Footage of the frightened animals was broadcast worldwide after being captured by a BBC cameraman covering the Post Office Inquiry.

Service personnel were thrown from their horses and the animals ran loose, smashing into vehicles, including a double-decker bus, resulting in a number of injuries.

PA Media Major Thomas Stewart says goodbye to Quaker as he begins his retirement.PA Media

Maj Thomas Stewart said Quaker was the only horse of the five that was unable to return to the Household Cavalry

Quaker suffered bleeding and a small break during the incident. After receiving surgery, he stayed with the Horse Trust at its sanctuary in Buckinghamshire.

Quaker’s rider broke his back when he was thrown off but after a year in recovery he was able to return to his duties and is riding again.

Maj Thomas Stewart, Life Guards squadron leader, said Quaker was the only horse from the five that had been unable to return to its duties.

Household Cavalry horses Trojan, Tennyson, Vanquish and Vida have all returned to duty.

“It was decided that actually it was best for [Quaker’s] welfare that he wasn’t going to come back to us down in London,” he said.

“It’s better for him that he’s here and enjoys it while he’s here.”

Jeanette Allen, CEO of the Horse Trust, said Quaker’s retirement involved eating, sleeping and running around “when he feels like it”.

“We were founded nearly 140 years ago by a lady who read Black Beauty, and she was inspired to help London’s cab horses,” she said.

“Respite for London’s working horses is where we started and over time we started retiring military horses.”

PA Media Quaker at the Horse Trust sanctuary in Princes Risborough, Buckinghamshire. On the other side of the fence is fellow resident Bear the Shetland pony.PA Media

Quaker will spend the rest of his days at the Buckinghamshire sanctuary

Lt Col Matt Woodward, commanding officer of the Household Cavalry Mounted Regiment, said what happened in April last year was unusual, because “the horses got lost”.

“They were at a place called Wilson Crescent,” he explained. “They came around the crescent the wrong way and exited on the east side.

“Had they exited on the north side they’d have gone back to Hyde Park and probably everything would have been fine.

“It’s just unfortunate they went around the crescent to Victoria and a couple of them made it to Limehouse – which is a long way.”

The Horse Trust is the permanent home for 32 former military horses, 26 of which have served with the Household Cavalry Mounted Regiment.

As well as taking in horses at the end of their working life, the trust offers a respite scheme where military and police horses can take “short breaks and summer holidays” and return to duty refreshed.

The Horse Trust spends about £2.5m a year caring for its horses, and is mostly funded by donations.

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‘Boots’ review: Timely, if predictable, show about gay military service

In “Boots,” a new miniseries set in 1990, Miles Heizer plays Cameron Cope, a scrawny, bullied gay teenager who is out only to his best (and only) friend, Ray (Liam Oh). Ray, who is joining the Marines to make his disciplinarian but not unkind father proud, convinces Cam to join alongside him. (The recruiters sell a buddy system, which is a bit of a come-on.) Cam told his messy but not unkind mother, Barbara (Vera Farmiga), where he was going, but she wasn’t listening.

Though the series, which premieres Thursday on Netflix and is based on Greg Cope White’s 2016 memoir, “The Pink Marine,” is novel as regards the sexuality of its main character, it’s also essentially conventional — not a pejorative — and largely predictable. It’s a classic Boot Camp Film, like “An Officer and a Gentleman,” or Abbott and Costello’s “Buck Privates,” in which imperfect human material is molded through exercise, ego death and yelling into a better person, and it replays many tropes of the genre. And like most every military drama, it gathers diverse types into a not necessarily close-knit group.

Cam’s confusion is represented by externalizing his inner voice into a double, “the angel on my shoulder and, honestly, sometimes the devil,” with whom he argues, like a difficult imaginary friend. (It’s the voice of his hidden gayness.) Where basic training stories like this usually involve a cocky or spoiled character learning a lesson about humbleness and teamwork, Cam is coming from a place of insecurity and fear. At first he wants to leave — he had expected nothing worse than “mud and some bug bites and wearing the same underwear two days in a row” — and plots to wash out; but he blows the chance when he helps a struggling comrade pass a test. He’s a good guy. (Heizer is very fine in the part.)

Two men sit on a bottom bunk bed.

Cameron (Miles Heizer), left, is convinced by his best friend (and only friend), Ray (Liam Oh), to join the Marines with him.

(Alfonso “Pompo” Bresciani / Netflix)

Press materials describe “Boots,” created by Andy Parker, as a comedic drama, although, after the opening scenes, there’s not much comedy in it — even a food fight is more stressful than funny. Using “Also Sprach Zarathustra” as the soundtrack to a long-in-coming bowel movement — I just report the news — was already dated and exhausted in 1990, and is bizarrely out of joint with the rest of the production. “Boots” isn’t anywhere near as disturbing as, say, “Full Metal Jacket” — which Ray told Cam to watch to prepare, though he opted for a “Golden Girls” marathon instead. But it makes no bones about the fact that these kids are being trained to kill. “Kill, kill, blood makes the grass grow,” they chant, and “God, country, Corps, kill.” And sometimes just, “Kill, kill, kill.” And things do turn violent, sometimes for purposes of training and sometimes because someone just goes off his head.

Still, that Cam survives, and, after a period of adjustment, thrives (that’s not a spoiler, Cope White lived to write the book) makes this, strictly speaking, a comedy. (And, by implication, an endorsement of the program.) “We’re killing our old selves so we can be our best selves,” he’ll say to Ray. The Marines may make a man of him, but it won’t be a straight man.

Rhythmically, “Boots” follows scenes in which someone will break a little or big rule — I suppose in the Marines, all rules are big, even the little ones — with some sort of punishment, for an individual or the platoon. Laid across this ostinato are various storylines involving recruits working out the issues that have brought them to this Parris Island of Misfit Boys. Cody (Brandon Tyler Moore) was taught by his father to look down on his twin brother, John (Blake Burt), who is in the same outfit, because he’s fat. Slovacek (Kieron Moore), a bully, has been given a choice between prison and the military. Mason (Logan Gould) can barely read. Santos (Rico Paris) is slowed down by a bum knee. Ochoa (Johnathan Nieves) is a little too much in love with his wife. And Hicks (Angus O’Brien) is a chaos-relishing loon, having the time of his life. Obviously, not everyone who joins the Marines is compensating for something; Nash (Dominic Goodman), a more or less balanced character who seems to be sending Cameron signals, is there to pad his resume in case he runs for president one day; but he’ll have his moment of shame.

A man in a blue T-shirt and camouflage pants watches a man try to scale a wooden fence.

Sgt. Sullivan (Max Parker), left, is one of the drill instructors who takes an interest in Cameron (Miles Heizer).

(Alfonso “Pompo” Bresciani / Netflix)

Though they all raise their voices and get in people’s faces, the drill instructors do come in various flavors. Staff Sgt. McKinnon (Cedrick Cooper), the senior instructor, is imposing but obviously sane and sometimes kind; Sgt. Howitt (Nicholas Logan) is an unsettling sort who will prove to have some depth, while Sgt. Knox (Zach Roerig) is a twitchy racist, soon to be replaced by Sgt. Sullivan (Max Parker), tall, steely and tightly wound. He doesn’t yell as loud as the others, but even his posture is intimidating. He focuses immediately on Cameron; make of that what you will. He’s the series second lead, basically.

There are some respites from the training, the running and marching, the room full of tear gas, the dead man’s float test, the hand-to-hand combat, the flower planting. (That part was nice, actually.) The yelling.

Ray winds up in sick bay, where he flirts with a female Marine. We get a few perfunctory glimpses of what the brass is like when they’re out of uniform and quiet; it comes as a relief. McKinnon’s wife is having a baby; he makes Cookie Monster noises on the phone for his son. Capt. Fajardo (Ana Ayora), “the first woman to lead a male company on Parris Island,” is heard talking to her mother, presumably about her daughter’s wedding: “I would rather not spend the time or the money because she can’t live without love.” Of her position, she observes that it “only took 215 years and a congressional mandate.” McKinnon, who is Black, offers a brief history of Black people in the Marine Corps as lived by his forebears.

The social themes become more prominent in the second half, and we learn or are reminded just how toxic the military was to gay people, and how backward was its attitude. “Don’t Ask, Don’t Tell” wasn’t in effect until 1994, and it wasn’t until 2011 that openly gay soldiers could serve. Now, as civil rights are being beaten back to … backwardness by small-minded politicians, there’s a timely element to this perfectly decent, good-hearted, unsurprisingly sentimental miniseries.

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Taylor Swift rocks the box office — again. Why it matters to movie theaters

Taylor Swift has already conquered the music world and the concert business, so it’s no surprise that this weekend she reigned supreme over the box office — again.

Swift’s latest venture into theaters came in the form of a listening session/fan party of sorts for her latest album, “The Life of a Showgirl.”

The 89-minute movie, titled “The Official Release Party of a Showgirl,” featured the premiere of the Swift-directed “The Fate of Ophelia” music video, as well as behind-the-scenes footage and commentary from Swift about the inspiration for her new songs.

As expected with anything Swift, the film quickly rocketed to the top of a weekend box office that didn’t have a lot of new big-name releases. The one-weekend-only affair hauled in $34 million in the U.S. and Canada, AMC said Monday morning. Globally, it made more than $50 million. Paul Thomas Anderson’s “One Battle After Another” was the runner-up in its second outing this weekend, grossing about $11 million domestically.

But the lack of competition doesn’t dilute the impact Swift had — and has had — on the box office. Her three-day theatrical total beats opening weekend grosses for other recent, studio films such as the Leonardo DiCaprio-led “One Battle After Another” ($22 million), 22-year sequel “Freakier Friday” reuniting Lindsay Lohan and Jamie Lee Curtis ($28.6 million) and my personal favorite, “Downton Abbey: The Grand Finale” ($18.1 million).

I may not be a Swiftie, but I know plenty who made their way to theaters this weekend, with some dressing up for the occasion. My colleague, Malia Mendez, wrote about the Taylormania that took over AMC Century City, which screened the Swift film 21 times over three screens, just on Saturday.

There’s something to be said about harnessing the power of a fan base to drive people to theaters. Look at Swift’s last theatrical appearance — 2023’s “Taylor Swift: The Eras Tour” made about $180 million domestically and brought in more than $261 million worldwide, making it the highest-grossing concert film of all time.

As she did with the “Eras Tour” film, Swift bypassed the typical Hollywood system and worked directly with AMC Theatres Distribution to release “The Official Release Party of a Showgirl.” The film played at all of AMC’s 540 locations and also showed at other theaters such as Cinemark and Regal.

The unconventional release was welcome news for theaters, which have struggled to bring in crowds as they did before the pandemic

“On behalf of AMC Theatres and the entire theatrical exhibition industry, I extend our sincerest appreciation to the iconic Taylor Swift for bringing her brilliance and magic to movie theatres this weekend,” AMC Chief Executive Adam Aron said in a statement. “Her vision to add a cinematic element to her incredible album debut was nothing less than a triumph.”

The film’s success is another reminder of the value of nontraditional, alternative content for theaters at a time when they need to employ fresh strategies to lure younger audiences to the multiplex.

As the number of movies released by studios has decreased, theaters are on the hunt for content to put on their screens. Lately, that’s ranged from episodic streaming series like “The Chosen,” which chronicles the life of Jesus, to concert films, opera performances and anniversary screenings of hits such as “The Sound of Music,” “Jaws” or “Back to the Future.”

It’s a business that really took off after the pandemic. Distributor Fathom Entertainment has specialized in this kind of nontraditional content for more than 20 years, but it is now seeing increased interest in these types of titles, particularly anniversary screenings, which now tend to make up between 20% and 40% of the company’s annual revenue.

Providing these kinds of titles is a way to mitigate the uncertainty of the film business, where there can be highs driven by hotly anticipated releases and lows when there’s little in the lineup.

“Our bread and butter is, and has continued to be, the big studio releases,” said Daniel Fastlicht, chief operating officer of the Lot, a luxury dine-in theater chain based in La Jolla with four locations. “What we want to see more than anybody is more content. But if that doesn’t happen, we still need to fill our auditoriums with people.”

All of the Lot’s theaters had at least one or two screens showing the Swift film, and the atmosphere was light, with people singing and dressing up, including a few in Travis Kelce jerseys, said Marcos Sayd, director of operations. He noted that alternative content helps their theaters fill the less-scheduled holes in their calendar. In addition to the Swift release, the Lot also programs local documentaries and films, as well as one-off events such as the Newport Beach Film Festival to draw audiences in.

And they’re not alone. Other theaters have been looking to position themselves as gathering places for communal experiences, whether that’s to celebrate T-Swift fandom, sing and dance to “KPop Demon Hunters” or collectively scream at a horror movie. Will the post-pandemic zeal for connection repopulate theaters again? Only time will tell, but the popularity of Swift’s latest film is a positive sign.

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Stuff we wrote

Film shoots

Stacked bar chart shows the number of weekly permitted shoot days in the Los Angeles area. The number of weekly permitted shoot days in the area was down 22% compared to the same week last year. This year, there were a total of 174 permitted shoot days during the week of September 29 - October 05. During the same week last year (September 30 - October 06, 2024), there were 224.

Number of the week

twenty-four point five million dollars

Last week, YouTube agreed to pay $24.5 million to settle a lawsuit President Trump filed after his account was banned by the Google-owned streamer following the Jan. 6, 2021, riots at the U.S. Capitol.

San Bruno-based YouTube is the latest tech and media company to settle one of Trump’s lawsuits. Meta, Twitter (now X), Paramount Global and Walt Disney Co.-owned ABC News have all paid multimillion dollar sums in settlements. Most of the YouTube settlement dollars will go to Trump, who plans to contribute it to the Trust for the National Mall, which is “dedicated to restoring, preserving, and elevating the National Mall” and will also fund construction of the White House State Ballroom, according to court documents.

Finally …

My colleagues, Matthew Ormseth and Summer Lin, wrote about how the strange case of an illicit casino-turned-marijuana stash house/psilocybin mushroom-growing location that eventually led police to find an Arcadia mansion filled with 15 children, most of whom were born to surrogates.

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USMC’s Amphibious Assault Vehicle Retired After Over 50 Years Of Service

The U.S. Marine Corps recently marked the formal decommissioning of the tracked Assault Amphibious Vehicle (AAV) family after more than five decades of service. Since 2018, the Marines have been working to replace the AAV fleet with new Amphibious Combat Vehicles (ACV), an 8×8 wheeled design.

The Marines held a sundown ceremony for the AAV at the Assault Amphibian School at Camp Pendleton, California, on September 26, according to an official release put out yesterday. Whether any AAVs technically remain assigned to units as the service continues to work out plans for their final disposition is unclear.

An AAV maneuvers at Camp Pendleton during the retirement ceremony on September 26. USMC

The retirement event at Camp Pendleton featured a small parade of the vehicles, one of which had an individual in an alligator suit standing in an open hatch, as seen at the top of this story. Alligator and gator have been common nicknames for tracked amphibious vehicles, in general, since they first began entering U.S. military service during World War II. The term amtrac, a portmanteau of amphibious tractor, is also commonly used in the United States to refer to vehicles of this type.

The AAV family “has been many things, a ship-to-shore connector, an armored fighting vehicle, a troop carrier, a logistics platform and even sometimes a live [sic; life] boat,” Marine Col. Lynn Berendsen, the Assault Amphibian School’s commanding officer, said at the ceremony, according to the release. “Most importantly, it was in a place where Marines made their mark in combat, in service and in sacrifice.”

The Marine Corps began fielding what was originally known as the Landing Vehicle, Tracked, Personnel-7 (LVTP-7) in 1972. The LVTP-7 was smaller, lighter, and could carry fewer personnel inside than the preceding LVTP-5, which had entered service in 1956, but was faster on land and in the water and offered greater unrefueled range. Unlike its predecessor, which relied on its tracks for propulsion in the water, the LVTP-7 also featured a pair of water jets on either side of the rear of the hull. The vehicle was armed with a single .50 caliber M85 machine gun in a turret on top of the front of the hull, offset to the right. The Marines received additional specialized variants configured for command and control (LVTC-7) and recovery (LVTR-7) missions, as well.

A Marine LVTP-7 seen during an exercise in 1982. DOD

The LVTP-7 arrived too late for service in the Vietnam War, but Marines did bring them to Lebanon in the early 1980s as part of a multi-national peacekeeping operation. They were also employed in the amphibious assault role as part of the U.S. intervention in Grenada in 1983. It’s also worth noting here that LVTP-7s were offered for export, and Argentinian examples were used in the opening phase of the Falklands War in 1982.

A Marine sits on top of an LVTP-7 in the Lebanese capital Beirut in 1983. DOD

Starting in the early 1980s, the Marine Corps’ LVTP-7 fleet was also put through a major upgrade program, which included a host of improvements, including a new engine and transmission, and updates to the water jet pumps. The resulting vehicles were redesignated AAVP-7s. The LVTC-7s and LVTR-7s were also brought up to this new configuration, becoming AAVC-7s and AAVR-7s. Later in the 1980s, the original M85-armed turrets on the AAVs also began being replaced with completely new ones sporting the much more common M2 .50 caliber machine gun and a 40mm Mk 19 automatic grenade launcher.

Marines use an AAVR7, at left, to maneuver the turret on an AAVP7, at right, in Kuwait in 2003. DOD

The Marines took their improved AAVs into combat during the Gulf War in 1991. The vehicles were also employed in other operations in the years following the end of the Cold War, including in Somalia in the early 1990s. This period also saw the development and fielding of the Enhanced Applique Armor Kits (EAAK), giving the vehicles improved protection against small arms fire and shrapnel.

An AAV with the Enhanced Applique Armor Kit fitted. USMC

The AAVs went through another round of major upgrades starting in the late 1990s, including another engine change and improvements to the suspension. The resulting A1 variants notably had the same engine and other components as the U.S. Army’s Bradley Fighting Vehicles, offering additional logistical and supply chain benefits.

Marines brought AAVs with them back to Iraq in 2003, where their performance faced significant criticism, especially over the level of protection afforded to the crew and passengers. Eight of the vehicles were damaged or destroyed during the Battle of Nasiriyah, with at least one having been struck by fire from a friendly U.S. Air Force A-10 Warthog ground attack jet.

One of the AAVs destroyed during the Battle of Nasiriyah. DOD

“I can think of several times in and around Fallujah in 2005 having been shot at many times, having had bullets bounce off the side of the vehicle, knowing that it was going to operate every time I needed it to,” Assault Amphibian School commander Col. Berendsen did tell our colleagues at Task & Purpose in an interview yesterday. “It was just one of those things that I was very comfortable operating in, and I knew it was always going to take on the job, no matter what it was after.”

Starting in 2012, the Marines had moved to replace AAVs with a more modern amtrac called the Expeditionary Fighting Vehicle (EFV). The EFV was notably designed to travel at nearly 30 miles per hour over the water by hydroplaning. This was intended to allow U.S. Navy amphibious warfare ships to deploy the vehicles from much further offshore, helping to protect them from growing threats, especially shore-based anti-ship cruise missile batteries. The EFV also featured a turret with a 30mm automatic cannon, offering a significant boost in firepower.

All of this came at a price, with the EFV eventually having an estimated unit cost of around $20 million, more than that of a contemporary variant of the M1 Abrams tank. While the original goal was for the first EFVs to be fielded in 2015, the program was instead cancelled over cost growth in 2011. Development of another round of upgrades for the AAVs, with a heavy focus on improved survivability, began in 2015, but was also canceled in 2018 following the decision to acquire the new ACVs.

A modified AAV seen during testing of the Assault Amphibious Vehicle Survivability Upgrade package, work on which was cancelled in 2018. USMC

By that point, the aging AAVs had also become increasingly prone to serious and sometimes deadly accidents, including fires and instances where the vehicles sunk, trapping their occupants. In a particularly infamous incident in July 2020, one of the vehicles sank during training in the Pacific Ocean off the coast of San Clemente Island, California, killing the eight Marines and one U.S. Navy sailor on board. In late 2021, the Marines ceased regular deployments of AAVs and banned them from entering the water except in support of emergency crisis response operations. The vehicles were still being used in exercises on land, including ones overseas, as recently as last month.

A Marine AAV seen in Egypt in September 2025 during Exercise Bright Star 25. USMC

The replacement ACVs also suffered a string of accidents early in their fielding. The Marines placed the blame for that largely on the 8×8 wheeled design being substantially different from the tracked AAV, and personnel having trouble making the transition. ACVs are now in regular use in support of operations worldwide, and the service is in the process of acquiring additional variants, including ones featuring turrets with 30mm automatic cannons.

A trio of ACVs. From left to right, an Amphibious Combat Vehicle command and control variant (ACV-C), a 30mm cannon-armed ACV-30, and a standard ACV personnel carrier version (ACV-P). USMC/Sgt. Alexis Sanchez

The Marine Corps’ decision to go with a wheeled design over a tracked one in the first place had been the subject of much debate. In particular, compared to tracked types, wheeled armored vehicles have historically offered mixed performance on softer ground, like sandy beaches, but also higher speeds on firmer ground, especially improved roads. The ACV is also notably no faster in the water than the AAV. You can read more about all of this here.

Since 2020, the Marine Corps’ overall view of armored vehicles has changed dramatically, as well. The service is still in the process of a total overhaul of its force structure in line with new expeditionary and distributed concepts of operations (CONOPS), which notably put significantly less emphasis on operations involving heavy forces deploying via traditional large amphibious warfare ships. This already led to the total divestment of its M1 Abrams tanks. The planned total size of the ACV fleet was also slashed from 1,122 vehicles to 632.

AAVs do continue to serve in many other armed forces globally, and the current prime contractor for the vehicles, U.K.-headquartered BAE Systems, continues to offer them for sale. American allies and partners have also already moved to acquire second-hand ex-Marine Corps examples in recent years.

Regardless of how the Marine Corps’ ACV and other armored vehicle plans may now continue to evolve, the sun has set on the service’s AAVs.

Contact the author: [email protected]

Joseph has been a member of The War Zone team since early 2017. Prior to that, he was an Associate Editor at War Is Boring, and his byline has appeared in other publications, including Small Arms Review, Small Arms Defense Journal, Reuters, We Are the Mighty, and Task & Purpose.


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Legendary sleeper train service launches new route linking major UK cities

People will be bale to easily access picturesque views of Scotland easier from the Midlands as the popular Caledonian Sleeper Train has announced a brand new route

A popular sleeper train has announced a brand new route – offering the chance for more people to experience the journey to Scotland.

The Caledonian Sleeper has announced a band new route, making it the biggest timetable change in 30 years as it will now link Scotland with Birmingham.

According to the operators, Aberdeen, Inverness and Fort William train services will travel to and from London via Birmingham, and have also assured the new stop won’t affect journey lengths or departure times either.

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The Scottish government took over the Caledonian Sleeper in 2023 after its previous operator Serco had its contract ended seven years early and it came at the time when the government was looking to increase the number of people using the service.

According to BBC, Caledonian Sleeper’s interim managing director Graham Kelly said research suggested there was demand for Birmingham to be added to the route and it was hoped the change would help contribute to tourism in the north of Scotland and the West Midlands.

He told BBC Scotland News: “We are continuing to run our service in its existing and current format. It is about adding in Birmingham as that additional opportunity. So in terms of the length of the trains and the resourcing on board, it will all continue to remain.”

The new service will depart from Birmingham International on 15 January 2026 and will run six days a week, with no services departing stations on a Saturday night. The Lowland service that goes to Glasgow and Edinburgh is unaffected by the change.

Richard Parker, Mayor of the West Midlands, said: “This iconic service means people from across the West Midlands will soon be able to travel comfortably and sustainably to discover the stunning beauty of northern Scotland. But this also means our Scottish friends can come and explore the wonderful West Midlands. That’s a win-win for our tourism and hospitality businesses on both sides of the border.”

It comes after one of the most picturesque train lines in Britain is to get a new service for the first time in ten years. The West Coast Main Line will be blocked while Network Rail replaces the rail bridge over M6 near Penrith, which has led Avanti West Coast to divert its Class 805 Evero fleet onto the Settle to Carlisle line.

The stretch of railway, which is renowned for its beautiful scenery, will be used as a diversionary route when the West Coast Main Line is blocked between Preston and Carlisle for two weeks in the new year.

To keep customers moving on trains across the North West and into Scotland, Avanti West Coast is planning to run a shuttle service broadly every two hours between Preston and Carlisle non-stop via the Settle to Carlisle route.

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Trump uses government shutdown to dole out firings and political punishment

President Trump has seized on the government shutdown as an opportunity to reshape the federal workforce and punish detractors, meeting with budget director Russ Vought on Thursday to talk through “temporary or permanent” spending cuts that could set up a lose-lose dynamic for Democratic lawmakers.

Trump announced the meeting on social media Thursday morning, saying he and Vought would determine “which of the many Democrat Agencies” would be cut — continuing their efforts to slash federal spending by threatening mass firings of workers and suggesting “irreversible” cuts to Democratic priorities.

“I can’t believe the Radical Left Democrats gave me this unprecedented opportunity,” Trump wrote on his social media account. “They are not stupid people, so maybe this is their way of wanting to, quietly and quickly, MAKE AMERICA GREAT AGAIN!”

The post was notable in its explicit embrace of Project 2025, a controversial policy blueprint drafted by the Heritage Foundation that Trump distanced himself from during his reelection campaign. The effort aimed to reshape the federal government around right-wing policies, and Democrats repeatedly pointed to its goals to warn of the consequences of a second Trump administration.

Vought on Wednesday offered an opening salvo of the pressure he hoped to put on Democrats. He announced he was withholding $18 billion for the Hudson River rail tunnel and Second Avenue subway line in New York City that have been championed by both Democratic leaders, Senate Democratic leader Chuck Schumer and House Democratic leader Hakeem Jeffries, in their home state. Vought is also canceling $8 billion in green energy projects in states with Democratic senators.

Meanwhile, the White House is preparing for mass firings of federal workers, rather than simply furloughing as is the usual practice during a shutdown. White House press secretary Karoline Leavitt said earlier this week that layoffs were “imminent.”

“If they don’t want further harm on their constituents back home, then they need to reopen the government,” Leavitt said Thursday said of Democrats.

A starring role for Russ Vought

The bespectacled and bearded Vought has emerged as a central figure in the shutdown — promising possible layoffs of government workers that would be a show of strength by the Trump administration as well as a possible liability given the weakening job market and existing voter unhappiness over the economy.

The strategic goal is to increase the political pressure on Democratic lawmakers as agencies tasked with environmental protection, racial equity and addressing poverty, among other things, could be gutted over the course of the shutdown.

But Democratic lawmakers also see Vought as the architect of a strategy to refuse to spend congressionally approved funds, using a tool known as a “pocket rescission” in which the administration submits plans to return unspent money to Congress just before the end of the fiscal year, causing that money to lapse.

All of this means that Democratic spending priorities might be in jeopardy regardless of whether they want to keep the government open or partially closed.

Ahead of the end of the fiscal year in September, Vought used the pocket rescission to block the spending of $4.9 billion in foreign aid.

White House officials refused to speculate on the future use of pocket rescissions after rolling them out in late August. But one of Vought’s former colleagues, insisting on anonymity to discuss the budget director’s plans, said that future pocket rescissions could be 20 times higher.

Shutdown continues with no endgame in sight

Thursday was Day 2 of the shutdown, and already the dial is turned high. The aggressive approach coming from the Trump administration is what certain lawmakers and budget observers feared if Congress, which has the responsibility to pass legislation to fund government, failed to do its work and relinquished control to the White House.

Vought, in a private conference call with House GOP lawmakers Wednesday, told them of layoffs starting in the next day or two. It’s an extension of the Department of Government Efficiency work under Elon Musk that slashed through the federal government at the start of the year.

“These are all things that the Trump administration has been doing since January 20th,” said Jeffries, referring to the president’s first day in office. “The cruelty is the point.”

House Speaker Mike Johnson (R-La.) underscored Thursday that the shutdown gives Trump and Vought vast power over the federal government. He blamed Democrats and said “they have effectively turned off the legislative branch” and “handed it over to the president.”

Still, Johnson said that Trump and Vought take “no pleasure in this.”

Trump and the congressional leaders are not expected to meet again soon. Congress has no action scheduled Thursday in observance of the Jewish holy day, with senators due back Friday. The House is set to resume session next week.

The Democrats are holding fast to their demands to preserve health care funding and refusing to back a bill that fails to do so, warning of price spikes for millions of Americans nationwide.

The shutdown is likely to harm the economy

With no easy endgame at hand, the standoff risks dragging deeper into October, when federal workers who remain on the job will begin missing paychecks. The nonpartisan Congressional Budget Office has estimated roughly 750,000 federal workers would be furloughed on any given day during the shutdown, a loss of $400 million daily in wages.

The economic effects could spill over into the broader economy. Past shutdowns saw “reduced aggregate demand in the private sector for goods and services, pushing down GDP,” the CBO said.

“Stalled federal spending on goods and services led to a loss of private-sector income that further reduced demand for other goods and services in the economy,” it said. Overall CBO said there was a “dampening of economic output,” but that reversed once people returned to work.

How Trump and Vought can reshape the federal government

With Congress as a standstill, the Trump administration has taken advantage of new levers to determine how to shape the federal government.

The Trump administration can tap into funds to pay workers at the Defense Department and Homeland Security from what’s commonly called the “One Big Beautiful Bill” that was signed into law this summer, according to the CBO.

That would ensure Trump’s immigration enforcement and mass deportation agenda is uninterrupted. But employees who remain on the job at many other agencies will have to wait for government to reopen before they get a paycheck.

Mascaro, Boak and Kim write for the Associated Press. AP writers Chris Megerian, Stephen Groves, Joey Cappelletti, Matt Brown, Kevin Freking, and Mary Clare Jalonick contributed to this report.

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Government shutdown begins as nation faces new period of uncertainty

Plunged into a government shutdown, the U.S. is confronting a fresh cycle of uncertainty after President Donald Trump and Congress failed to strike an agreement to keep government programs and services running by Wednesday’s deadline.

Roughly 750,000 federal workers are expected to be furloughed, some potentially fired by Trump’s Republican administration. Many offices will be shuttered, perhaps permanently, as Trump vows to “do things that are irreversible, that are bad” as retribution. His deportation agenda is expected to run full speed ahead, while education, environmental and other services sputter. The economic fallout is expected to ripple nationwide.

“We don’t want it to shut down,” Trump said at the White House before the midnight deadline.

But the president, who met privately with congressional leadership this week, appeared unable to negotiate any deal between Democrats and Republicans to prevent that outcome.

This is the third time Trump has presided over a federal funding lapse, the first since his return to the White House this year, in a remarkable record that underscores the polarizing divide over budget priorities and a political climate that rewards hard-line positions rather than more traditional compromises.

Plenty of blame being thrown around

The Democrats picked this fight, which was unusual for the party that prefers to keep government running, but their voters are eager to challenge the president’s second-term agenda. Democrats are demanding funding for health care subsidies that are expiring for millions of people under the Affordable Care Act, spiking the costs of insurance premiums nationwide.

Republicans have refused to negotiate for now and have encouraged Trump to steer clear of any talks. After the White House meeting, the president posted a cartoonish fake video mocking the Democratic leadership that was widely viewed as unserious and racist.

What neither side has devised is an easy offramp to prevent what could become a protracted closure. The ramifications are certain to spread beyond the political arena, upending the lives of Americans who rely on the government for benefit payments, work contracts and the various services being thrown into turmoil.

“What the government spends money on is a demonstration of our country’s priorities,” said Rachel Snyderman, a former White House budget official who is the managing director of economic policy at the Bipartisan Policy Center, a think tank in Washington.

Shutdowns, she said, “only inflict economic cost, fear and confusion across the country.”

Economic fallout expected to ripple nationwide

An economic jolt could be felt in a matter of days. The government is expected Friday to produce its monthly jobs report, which may or may not be delivered.

While the financial markets have generally “shrugged” during past shutdowns, according to a Goldman Sachs analysis, this one could be different partly because there are no signs of broader negotiations.

“There are also few good analogies to this week’s potential shutdown,” the analysis said.

Across the government, preparations have been underway. Trump’s Office of Management and Budget, headed by Russ Vought, directed agencies to execute plans for not just furloughs, as are typical during a federal funding lapse, but mass firings of federal workers. It’s part of the Trump administration’s mission, including its Department of Government Efficiency, to shrink the federal government.

What’s staying open and shutting down

The Medicare and Medicaid health care programs are expected to continue, though staffing shortages could mean delays for some services. The Pentagon would still function. And most employees will stay on the job at the Department of Homeland Security.

But Trump has warned that the administration could focus on programs that are important to Democrats, “cutting vast numbers of people out, cutting things that they like, cutting programs that they like.”

As agencies sort out which workers are essential, or not, Smithsonian museums are expected to stay open at least until Monday. A group of former national park superintendents urged the Trump administration to close the parks to visitors, arguing that poorly staffed parks in a shutdown are a danger to the public and put park resources at risk.

No easy exit as health care costs soar

Ahead of Wednesday’s start of the fiscal year, House Republicans had approved a temporary funding bill, over opposition from Democrats, to keep government running into mid-November while broader negotiations continue.

But that bill has failed repeatedly in the Senate, including late Tuesday. It takes a 60-vote threshold for approval, which requires cooperation between the two parties. A Democratic bill also failed. With a 53-47 GOP majority, Democrats are leveraging their votes to demand negotiation.

Senate Majority Leader John Thune has said Republicans are happy to discuss the health care issue with Democrats — but not as part of talks to keep the government open. More votes are expected Wednesday.

The standoff is a political test for Senate Democratic leader Chuck Schumer, who has drawn scorn from a restive base of left-flank voters pushing the party to hold firm in its demands for health care funding.

“Americans are hurting with higher costs,” Schumer said after the failed vote Tuesday.

House Speaker Mike Johnson sent lawmakers home nearly two weeks ago after having passed the GOP bill, blaming Democrats for the shutdown.

“They want to fight Trump,” Johnson said Tuesday on CNBC. “A lot of good people are going to be hurt because of this.”

Trump, during his meeting with the congressional leaders, expressed surprise at the scope of the rising costs of health care, but Democrats left with no path toward talks.

During Trump’s first term, the nation endured its longest-ever shutdown, 35 days, over his demands for funds Congress refused to provide to build his promised U.S.-Mexico border wall.

In 2013, the government shut down for 16 days during the Obama presidency over GOP demands to repeal and replace the Affordable Care Act, also known as Obamacare. Other closures date back decades.

Mascaro, Jalonick and Groves write for the Associated Press. Associated Press writers Matt Brown, Joey Cappelletti, Will Weissert, Fatima Hussein and other AP reporters nationwide contributed to this report.

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Clippers’ Kawhi Leonard denies his endorsement deal was cheating

Kawhi Leonard mumbled his way through a few answers to questions Monday about his endorsement deal with Aspiration Partners that has triggered an NBA investigation into whether the Clippers circumvented the league salary cap.

The Clippers allowed only two reporters to ask about the deal during media day at Intuit Dome, refusing to give the microphone to additional reporters — including one from The Times — who raised their hands to ask questions. Leonard was ushered off the dais and out of sight.

“The NBA is going to do their job,” Leonard said. “None of us did no wrongdoing and, yeah, that’s it. We invite the investigation.”

Asked about his understanding of the endorsement deal and whether he performed any services, Leonard replied, “I understand the full contract and services that I had to do. Like I said, I don’t deal with conspiracies or the click-bait analysts or journalism that’s going on.

“I don’t think it’s accurate” that he provided no endorsement services to Aspiration, he said. “It’s old. This is all new to you guys. But the company went bankrupt a while ago, so we already knew this was going to happen.”

He added that he wasn’t paid all the money due to him, saying “I’m not sure [how much I’m owed]. I’ve got to go back and look at the books. … The company went belly up and it was fine.”

Los Angeles Clippers forward Kawhi Leonard speaks during the NBA.

Clippers forward Kawhi Leonard speaks during media day at the Intuit Dome on Monday.

(Eric Thayer / Associated Press)

Lawrence Frank, Clippers president of basketball operations, was insistent that the investigation will exonerate owner Steve Ballmer and the franchise.

“We appreciate that there will be a clear-eyed look at these allegations,” Frank said. “And we are eager for the truth to come out.

“The assumptions and conclusions that have been made are disappointing and upsetting. And we expect the investigation will show that these allegations are wrong.”

The salary cap limits what teams can spend on player payroll to ensure parity and prevent the wealthiest teams from outspending smaller-market teams to acquire the best player. NBA Commissioner Adam Silver has called attempts to circumvent it a “cardinal sin.”

In this case, Leonard agreed to a $28-million contract for endorsement and marketing work for Aspiration, which went out of business in March. Players are allowed to have separate endorsement and other business deals. At issue in this case is whether the Clippers participated in arranging the side deal beyond simply introducing Aspiration executives to Leonard.

The most painful penalties the NBA could impose would be suspending Ballmer for a maximum of one year and docking the Clippers their first-round draft picks for up to five years. The team already is without a first-round pick in 2026 and 2028, having traded them away. Forfeiting the remaining picks through 2032 would make it harder for the Clippers to compete for their first-ever NBA championship.

“I hurt for Steve,” Frank said. “He’s one of the best people, most honorable people I’ve met. He does things the right way for the right reasons. And he constantly reminds us to stay on the right side of the rules.

“I also hurt for our players, our staff and fans. And, on a larger level, as I’ve learned about this over the past month, I feel bad for all the people defrauded by [Aspiration].”

Frank said a partition exists between team executives and companies that signed players for endorsements.

“Endorsement contracts are completely separate from player contracts,” he said. “So what a player makes, Kawhi, or any of our other players, in endorsement contracts, I have no idea.”

Ballmer, however, had a 2-3% ownership share in Aspiration and made separate investments of $50 million and $10 million in the company. Whether that same partition applied to him is something NBA investigators will examine, according to Michael McCann, a visiting professor of law at Harvard who has followed the situation closely.

Frank emphasized that the Clippers front office takes the salary cap rules seriously.

“The salary cap governs everything we do,” he said. “Our mission every day is to build the best team we can under the constraints of the cap. There is no gray area. There are no secret shortcuts. It’s clear what we are and are not allowed to do.”

Whether Leonard was as clear about the rules remains unknown. The forward who is under contract for two more seasons and $100 million said the upcoming season is all he’s thinking about.

“I’m not getting into any conspiracy theories or anything like that,” he said. “It’s about the season and what we’ve got ahead of us right now.”

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1 Reason Why Now Is the Time to Buy United Parcel Service

United Parcel Service is deeply out of favor, but it provides a vital service and is preparing for a brighter future.

United Parcel Service (UPS 1.38%), which usually just goes by UPS, has a huge dividend yield of 7.9%. Many investors are likely attracted to it as a dividend stock, but that’s a risky call. It is more appropriate to see this package delivery giant as a turnaround stock. And if that’s how you view it, now could be the time to hit the buy button.

What UPS does is hard to do

Without getting into the logistical details, moving packages quickly and cost-effectively is very difficult. Even after huge capital investments in its own delivery service, Amazon still uses UPS. But Wall Street has a habit of going to extremes, which is a big part of why UPS could be an attractive turnaround stock.

A compass with the arrow pointing to the word strategy.

Image source: Getty Images.

During the pandemic, package demand spiked. Investors extrapolated that demand far into the future, bidding up UPS’ stock price. Demand slowed, and UPS’ stock price crumbled when the world learned to live with COVID-19. UPS chose to start a major business overhaul as demand was returning to normal levels. The goal is to increase the use of technology to cut costs and to refocus on the company’s most profitable business lines to increase profit margins.

This is a multiyear effort with material up-front costs. And exiting low-margin business will lower sales even as it helps improve profitability. (Notably, UPS has chosen to proactively reduce its business relationship with Amazon.) Financial results have been ugly lately, which is what you’d expect. An over 97% dividend payout ratio, however, hints that most income investors should tread with caution.

However, there are positives starting to show through. For example, revenue per piece increased 5.5% in the U.S. business during the second quarter of 2025. That could be signaling that deeply out of favor UPS stock is turning a corner and is, thus, ripe for an upturn as investors get more confident in its business overhaul.

Reuben Gregg Brewer has no position in any of the stocks mentioned. The Motley Fool has positions in and recommends Amazon and United Parcel Service. The Motley Fool has a disclosure policy.

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National Park Service removes Trump, Epstein friendship statues

Statues of President Donald Trump and Jeffrey Epstein holding hands are displayed Tuesday at the National Mall in Washington by an anonymous group. Photo by Bridget Erin Craig/UPI

Sept. 24 (UPI) — The National Park Service on Wednesday removed bronze-colored statues of President Donald Trump and convicted sex offender Jeffrey Epstein holding hands and frolicking on the National Mall in Washington, D.C.

The papier-mache and paint statues were erected on Tuesday by an anonymous group called The Secret Handshake, UPI reported. The statues were near U.S. governmental buildings with the Capitol in the backdrop.

“We celebrate the long-lasting bond between President Donald J. Trump and his ‘closest friend,’ Jeffrey Epstein,” the middle plaque reads. “There must be more to life than having everything.”

A member of the group behind the statue told MSNBC that U.S. Park Police took down the statue around 5:30 a.m. EDT, although they had a permit that allowed them to remain through Sunday evening. CNN also confirmed the removal.

The group said it had initially been told it would be given 24 hours’ notice if the administration wanted it removed.

“Instead, they showed up in the middle of the night without notice and physically toppled the statue, broke it and took it away,” the group said.

The permit is for a 6-foot-tall statue, but the display is taller than that when combined with its base, which is almost as tall.

A spokesperson for the Department of the Interior, which oversees the Park Service, told MSNBC, “the statue was removed because it was not compliant with the permit issued.”

In a statement to Time magazine, the White House said, “Liberals are free to waste their money however they see fit — but it’s not news that Epstein knew Donald Trump, because Donald Trump kicked Epstein out of his club for being a creep.”

Trump is displayed with another plaque quoting the infamous 50th birthday card to Epstein, which reads in part, “A pal is a wonderful thing. Happy birthday — and may every day be another wonderful secret.”

Epstein’s plaque reads: “Nor will I, since I also know what it is. Yes, we do come to think of it. As a matter of fact, it was clear to me the last time I saw you.”

Epstein died by suicide in jail on Aug. 10, 2019, while awaiting trial on federal charges of sex trafficking. He had been convicted on state charges of soliciting prostitution in Florida in 2008.

Tourists stopped before the statues out of curiosity and lined up to take photos.

“I think it’s a really good reminder about how artists are the ones that always push back on fascists first, on fascist governments,” D.C. resident Matt Gordon told UPI on Tuesday.

“This is a hoot,” D.C. resident Lelaina Brandet also told UPI. “It seems there’s other daily distractions, whether calling a marginalized group a terrorist organization or attacking some random vote to distract from what pretty much everybody from both sides wants — which is to see the release of the Epstein files.”

One week ago, a 12-foot golden Trump statue whose faceplate called him the “Bitcoin president” was displayed anonymously at the same location for about a day before being taken down.

“It is great to have these artists that keep pushing the focus of ‘Hey, let’s not forget this is what America wants right now.’ We love it. It’s fantastic,” resident Brandet said.

In 2024, the group’s “The Resolute Desk” and “The Donald J. Trump Enduring Flame” statues went viral. In June, their “Dictator Approved” statue and another of a golden television appeared.

“Before this, they’ve never been anything but friendly to work with,” Patrick and Carol Flaisher, an independent contractor who files the group’s permits, told CNN.

The group said they were able to view the removed statues. Trump’s head was split in half.

“It’s a great example of where we’re headed in this country when it comes to freedom of speech,” Patrick said.

Last week, a giant banner with Trump and Epstein was unveiled on the lawn outside Windsor Castle, where Trump was hosted by King Charles III and Queen Camilla. The banner was removed before Trump arrived in Britain.

Protesters then projected images of them on the walls of Windsor Castle. Also targeted was Prince Andrew, who was associated with Epstein.

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