From Mount Maunganui to Wellington, plus a loss in Hamilton in between, England’s batting failings against the Black Caps were undeniably a concerning trend.
Yes, captain Harry Brook lost all three tosses to expose those batters to the worst of conditions on at least two occasions.
Yes, New Zealand’s 50-over side, with their 93% win ratio at home since 2019, provide one of the toughest challenges in world sport.
But with four Ashes bankers in England’s top five – and the fifth a possible starter in Jacob Bethell – they returned only one innings above 34 between them across three matches.
Bethell, Brook, Ben Duckett, Jamie Smith and Joe Root batted 15 times collectively in the 50-over series and together had nine single-figure scores.
No-one would call that ideal.
“It’s a different form of the game and it’s a completely different kind of challenge that we’re going to be confronted with as well,” said coach Brendon McCullum, denying batters would be scarred by the 3-0 series sweep heading into the Ashes.
At no point have England been in New Zealand because they see it as the optimal way to prepare for five Tests in Australia.
These fixtures were part of their wider schedule, dictated by those with a grip on the purse strings and who sign broadcast deals.
England have, instead, tried to make the most of the cramped schedule and ease players back into action after a post-summer break.
Steve Smith’s Sheffield Shield century appeared ominous, but fellow Australia middle-order batter Travis Head is also battling through white-ball matches against India, with no score above 30 in four attempts.
Had Root stroked New Zealand’s medium-fast pacers for a century in front of Aotearoa’s grass banks, few would have said it mattered when it came to facing Mitchell Starc and Josh Hazlewood in the Perth cauldron with a different ball.
The reverse must also be true.
“Jamie Smith, Joe Root and Ben Duckett, they’ll be better for the run, too,” McCullum said.
“I’m sure they’ll be better for it with the prep that we’ve had with the other Test guys [bowlers Mark Wood, Josh Tongue and Gus Atkinson] who’ve been here for a while, too, we’ll have no excuses come Australia.”
TORONTO — Tyler Glasnow threw seven, maybe eight, pitches in the bullpen. There was no more time to wait. The red emergency light was flashing.
For 14 years, Glasnow has made a nice living as a pitcher. He has thrown hard, if not always durably or effectively.
There is one thing he had not done. In 320 games, from the minors to the majors, from the Arizona Fall League to the World Series, he never had earned a save.
Until Friday, that is, and only after the Dodgers presented him with this opportunity out of equal parts confidence and desperation: Please save us. The winning run is at the plate with no one out. If you fail, we lose the World Series.
No pressure, kid.
He is not one of the more intense personalities on the roster, which makes him a good fit in a situation in which someone else might think twice, or more, at the magnitude of the moment.
“I honestly didn’t have time to think about it,” Glasnow said.
In Game 6 on Friday, the Dodgers in order used a starter to start, a reliever to relieve, the closer of the moment, and then Glasnow to close. In Game 7 on Saturday, the Dodgers plan to start Shohei Ohtani, likely followed by a parade of starters.
Glasnow, who said he could not recall ever pitching on back-to-back days, could be one of them.
“I threw three pitches,” he said. “I’m ready to go.”
The Dodgers had asked him to be ready to go in relief on Friday, so he moseyed on down to the bullpen in the second inning. He didn’t really believe he would pitch. After all, Dodgers starter Yoshinobu Yamamoto had thrown consecutive complete games. If Yamamoto could not throw another, Glasnow did not believe he would be the first guy called.
He was not. Justin Wrobleski was, protecting a 3-1 lead, and he delivered a scoreless seventh inning. Closer Roki Sasaki was next, and the Dodgers planned for him to work the eighth and ninth.
Glasnow said bullpen coach Josh Bard warned him to be on alert. Sasaki walked two in the eighth but escaped. He hit a batter and gave up a double to lead off the ninth, and the Dodgers rushed in Glasnow.
“I warmed up very little, got out there,” Glasnow said. “It was like no thinking at all.”
The Dodgers’ scouting reports gave Glasnow and catcher Will Smith reason to believe Ernie Clement would try to jump on the first pitch, so Glasnow said he threw a two-seam fastball that he seldom throws to right-handed batters. Clement popped up.
The next batter, Andrés Giménez, hit a sinking fly ball to left fielder Kiké Hernández. Off the bat, Glasnow said he feared a hit.
If the ball falls in, Giménez has a single and the Dodgers’ lead shrinks to one run. If the ball skips past Hernández, the Blue Jays tie the score.
Glasnow said he had three brief thoughts, in order:
1: “Please don’t be a hit.”
Hernández charged hard and made the running catch.
2: “Sweet, it’s not a hit.”
Hernández threw to second base for the game-ending double play.
3: “Nice, a double play.”
Wrobleski tipped his cap to his new bullpen mate.
“He’s a beast, man,” Wrobleski said. “To be able to come in in that spot, it takes a lot of mental strength and toughness. He did it. I didn’t expect anything less out of him, but it was awesome.”
Wrobleski was pretty good himself. The Dodgers optioned him the maximum five times last year and four times this year. He did not pitch in the first three rounds of the playoffs, and his previous two World Series appearances came in a mop-up role and during an 18-inning game.
Dodgers reliever Justin Wrobleski reacts after striking out Toronto’s Andrés Giménez to end the seventh inning in Game 6 of the World Series on Friday.
(Robert Gauthier / Los Angeles Times)
On Friday, they entrusted him with helping to keep their season alive. They got three critical outs from Wrobleski, who is not even making $1 million this season, and three more from Glasnow, who is making $30 million.
“We got a lot of guys that aren’t making what everybody thinks they’re making, especially down in that bullpen,” Wrobleski said. ”We were talking about it the other day. There’s a spot for everybody. If you keep grinding, you can wedge yourself in.”
He did. He was recruited by Clemson out of high school, then basically cut from the team.
“They told me to leave,” he said.
Did a new coach come in?
“No, I was just bad,” he said. “I had like a 10.3 ERA.”
Glasnow signed with the Pittsburgh Pirates out of Hart High in Santa Clarita. In the majors, the Pirates tried him in relief without offering him a chance to close. Did they fail to recognize a budding bullpen star? “I never threw strikes,” he said. “I just wasn’t that good.”
We’ve all heard stories about the kid who goes into his backyard with a wiffle ball, taking a swing and pretending to be the batter who hits the home run in the World Series.
Glasnow doesn’t hit.
“I’ve had all sorts of daydreams about every pitching thing possible as a kid — relieving, closing out a game, starting in the World Series,” he said. “I thought about it all the time. So it’s pretty wild. I haven’t really processed it, either. I think going out to be able to get a save in the World Series is pretty wild.”
The game-ending double play was reviewed by instant replay, so Glasnow missed out on the trademark closer experience: the last out, immediately followed by the handshake line. Instead, everyone looked to the giant video board and waited.
Eventually, an informal line formed.
“I got some dap-ups,” he said. He smiled broadly, then walked out into the Toronto night, the proud owner of his first professional save. For his team, and for Los Angeles, he had kept the hope of a parade alive.
And Shohei Ohtani is expected to be their starting pitcher.
In what will be just four days removed from his six-plus-inning, 93-pitch start in Game 4 of this World Series, Ohtani will likely serve as the team’s opener in Saturday’s winner-take-all contest, according to a person with knowledge of the situation not authorized to speak publicly.
While Ohtani almost certainly won’t make a full-length start, he should be able to get through at least two or three innings (depending on how laborious his outing is). Four or five innings might not be out of the question, either, even in what will be only his second career MLB outing pitching on three days’ rest.
The only time Ohtani did so was in 2023, when he followed a rain-shortened two-inning start at Fenway Park against the Red Sox with a seven-inning outing four days later.
Saturday, of course, will come under entirely different circumstances, in what will be the first seventh game in a World Series since 2019.
By starting Ohtani, the Dodgers would ensure they wouldn’t lose his bat for the rest of the game, thanks to MLB’s two-way rules. If he were to enter in relief during the game, the only way he could stay in afterward is if he shifted to the outfield (since MLB’s rules stipulate that a team would lose the DH spot under such circumstances). Starting him also eliminates any complications that would come with trying to find him time to warm up if his spot in the batting order arose the inning prior — something that would have made it potentially more difficult for him to be able to close out the game.
Ohtani has completed six innings in each of his three previous pitching appearances this postseason, with a 3.50 ERA and 25 strikeouts in 18 innings.
The Dodgers should have options behind Ohtani. Tyler Glasnow will likely be available after needing just three pitches to get the save in Friday’s wild finish. Blake Snell also said he would be available after his Game 5 start on Wednesday.
In the bullpen, Roki Sasaki figures to be at manager Dave Roberts’ disposal, as well, despite throwing 33 pitches in one-plus inning of work on Friday.
Roberts said everyone short of Game 6 starter Yoshinobu Yamamoto would be available.
Los Angeles Dodgers send the World Series to a decisive seventh game after defeating Toronto Blue Jays in Canada.
Published On 1 Nov 20251 Nov 2025
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The Los Angeles Dodgers kept alive on Friday their hopes of becoming Major League Baseball’s (MLB) first repeat champion in 25 years, with a 3-1 victory over the Toronto Blue Jays that pushed the World Series to a decisive seventh game.
With their backs against the wall and facing elimination for the first time this postseason, a Dodgers team that had no room for error got six solid innings from starter Yoshinobu Yamamoto while Mookie Betts and Will Smith provided the offence.
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Toronto thought they tied the game on an inside-the-park homerun in the ninth on a bizarre play, when the ball was lodged at the bottom of the outfield fence where Dodgers outfielder Justin Dean immediately raised his hands to rule the play dead.
A video review went the Dodgers’ way and determined it was a ground rule double, which left Toronto with runners on second and third with not outs.
Ernie Clement then hit an infield pop and Andres Gimenez lined out to left before Kike Hernandez turned the double play when he fired the ball to second base to get Addison Barger out and end the game.
The Dodgers victory put on hold, for one day at least, a coast-to-coast party in Canada, where fans of the lone MLB club are desperate to celebrate the Blue Jays’ first World Series triumph in 32 years.
Toronto Blue Jays’ Bo Bichette is hit by a pitch by Los Angeles Dodgers’ pitcher Yoshinobu Yamamoto (not pictured) during the sixth inning in Game 6 [Ashley Landis/AP]
Dodgers’ season on the line in Game 6
As they were at the start of the season, the Dodgers came into the World Series as an overwhelming favourite and with few expecting the Blue Jays to produce much of a challenge and even fewer calling for it to go the distance.
With their season on the line, Los Angeles opened the scoring in the third on a run-scoring double by Smith, before Betts singled in a pair of runs to put Los Angeles ahead 3-0.
Barger led off the bottom half of the third with a double before scoring on a George Springer single to get the Blue Jays within two.
The Dodgers’ starting rotation had been the team’s strength this postseason, but the Blue Jays picked it apart en route to grabbing a 3-2 lead in the World Series before Yamamoto once again took matters into his own hands.
The Japanese ace, who threw complete-game gems in his previous two starts, struck out six batters and allowed one run on five hits across six innings before the Dodgers turned to a bullpen that has been their weak link all season.
The Blue Jays threatened in the eighth when they got runners on first and second with one out before Roki Sasaki retired Bo Bichette and Daulton Varsho grounded out to end the inning, before once again getting close in the ninth.
Play was temporarily disrupted in the sixth inning when a spectator scaled the outfield wall and stormed the field with a United States flag before he was promptly taken down by security guards and escorted away.
Game 7 will be played on Saturday in Toronto.
Yamamoto and the Dodgers will try to retain their MLB World Series title on the road in the deciding Game 7 in Toronto against the Blue Jays [Brynn Anderson/AP]
The Blue Jays will feel aggrieved after a controversial umpiring call prevented them from levelling the score in the bottom of the ninth inning.
Toronto’s Alejandro Kirk was hit by a pitch from reliever Roki Sasaki and replaced by speedy pinch-runner Myles Straw, before Addison Barger’s line drive wedged under the wall in left centre field.
But instead of allowing Straw and Barger to score, the play was ruled to be a ground rule double,, external putting the runners on second and third.
A ground rule double is typically signalled when a ball hit fair is deemed to be impossible to field in the layout of a particular stadium, such as when it becomes trapped under a tarpaulin, and runners are allowed to advance by two bases.
The hosts challenged the call, arguing that a fielder could easily have retrieved the ball, but the on-field decision was upheld by video review.
And with the tying run in scoring position, Andres Gimenez drove into a double play to end the game.
Earlier, the Dodgers drew first blood on Halloween night as Tommy Edman doubled, Shohei Ohtani was intentionally walked, and Smith’s double to left field sent Edman home.
Freddie Freeman drew a walk to load the bases, and Betts’ two-run single gave the visitors what proved to be a decisive lead to force a decider.
Game seven takes place on Saturday evening, again at the Rogers Centre.
The listless team of the previous two games was gone. The inspired team of the previous month was back.
Earlier this week fans were asking, who are those guys? On Friday they emphatically answered that question by finally, forcefully, being themselves.
Faced with elimination in Game 6 of the World Series, the Dodgers rose from the presumed dead to haunt the Toronto Blue Jays at the Rogers Centre with a 3-1 victory to knot the duel at three games apiece.
And they did with the most unlikely of saves, a game-ending double play on a lineout that Kiké Hernández caught in left field and threw to Miguel Rojas at second base.
How do the Blue Jays come back from that? How can the Dodgers not gain all the momentum from that?
The quest to become the first team in 25 years to win consecutive World Series championships lives.
The stage is set for all sorts of dramatics after a night when the Dodgers took an early three-run lead on the back of slump-busting Betts and then cruised to victory on the back of another brilliant pitching performance by Yamamoto and a surprising three-inning shutdown from the Dodger bullpen.
It didn’t end smoothly, but it ended splendidly, after reliever Roki Sasaki began the ninth by hitting Alejandro Kirk in the hand with a two-strike pitch, then Addison Barger hit a ball to center field that lodged under the outfield tarp for a ground-rule double.
With runners on second and third and no out, Tyler Glasnow made an emergency appearance and recorded that memorable save, retiring Ernie Clement on a first pitch popout and ending the game by inducing Andrés Giménez into a lineout that Hernandez perfectly threw to Rojas.
The Dodgers have been here before. It was just last year, in fact, when they needed consecutive wins against the San Diego Padres in the division series to save their season.
They calmly won both and rolled to a championship. A similar path could end in a similar destination this weekend after the Dodgers rebounded from two lifeless losses at Dodger Stadium to weather the loud Game 6 storm with calm and cohesion.
“Yeah, I mean, we all know that everything has to go perfect for us to be able to pull this off,” said Teoscar Hernández before the game.
So far, so good, beginning Friday with the much-maligned Betts, who smacked a two-out, two-run single in the third inning to give the Dodgers a lead they never lost. Next up, Yamamoto, who followed consecutive complete games by giving up one run on five hits in six innings.
Enter the bullpen, which had given up nine runs in the Dodgers three losses in this series. But the sense of dread lightened when Justin Wrobleski worked around a two-out double by Clement to end the seventh with a strikeout of Giménez.
On came Sasaki, who immediately found trouble in the eighth inning by yielding a single to George Springer and walking Vladimir Guerrero Jr. But the rookie remained calm, and retired Bo Bichette on a foul popout and Daulton Varsho on a grounder.
This set up the breathtaking ninth, the inspired Dodger tone actually set by manager Dave Roberts a day earlier. Roberts did his best Tommy Lasorda imitation by literally leaving it all on the field during Thursday’s day off when he challenged speedster Hyeseong Kim to a race around the bases. Roberts gave himself a generous head start, but as Kim was passing him up around second base, Roberts tripped and fell flat on his face.
The moment was caught on a video that quickly spread over social media and actually led the FOX broadcast before Friday’s game.
Roberts looked silly. But Roberts also looked brilliant, as his pratfall injected some necessary lightness into the darkening team mood.
“I clearly wasn’t thinking,” said Roberts. “I was trying to add a little levity, that’s for sure. I wasn’t trying to do a face-plant at shortstop, and yeah, the legs just gave way. That will be the last full sprint I ever do in my life.”
He lost, but he won.
“Of course it makes you smile and it makes you have a good time,” said Rojas. “When the head of the group is…loose like that, and he’s willing to do anything, that’s what it tells everybody, that he will do anything for the team.”
The spark was lit in the third inning Friday after Blue Jay starter Kevin Gausman had struck out six of the first seven batters.
Tommy Edman, one of last fall’s postseason heroes, ripped a one-out double down the right-field line. One out later, after Ohtani had been intentionally walked, Will Smith ripped an RBI double off the left-field wall.
It was the Dodgers first hit with runners in scoring position since the fifth inning of Game 3, but the surprise was just beginning.
After Freddie Freeman walked, the bases were loaded for Betts, who was the biggest villain of the Dodgers hitting drought with a .130 World Series average while stranding 25 consecutive baserunners. He had been dropped to third in the batting order in Game 5, and then dropped again to fourth for Game 6, and it finally worked, as he knocked a two-strike fastball into left field to drive in two runs and give the Dodgers a 3-0 lead.
The Blue Jays came back with an heroic run in the bottom of the third when, after Addison Barger doubled down the left-field line, wincing George Springer fought off a painful side injury to drive a ball into right-center field to score Barger.
TORONTO — It was a miserably cold, rainy and gray afternoon outside Rogers Centre on Thursday.
Inside the stadium, however, the Dodgers found some rays of emotional sunshine.
No, this is not where the team wanted to be, facing a 3-2 deficit in the World Series entering Game 6 on Friday night against the Toronto Blue Jays.
And no, there was not much to feel good about after a disastrous 48 hours in Games 4 and 5 of this Fall Classic, in which the Dodgers relinquished control of the series and allowed their title-defense campaign to be put on life support.
But during an off-day workout, the club tried to rebound from that disappointment and reframe the downtrodden mindset that permeated the clubhouse after Game 5.
Every player showed up to the ballpark, even though attendance was optional after a long night of travel.
“That was pretty exciting for me, and just speaks to where these guys are at,” manager Dave Roberts said. “They realize that the job’s not done.”
Roberts brought some levity to the start of the workout, too, challenging speedster Hyeseong Kim to a race around the bases — only to stumble face-first on the turn around second while trying to preserve his comically large head start.
“Cut the cameras,” Roberts yelled to media members, as he playfully grabbed at his hamstring and wiped dirt off his sweatshirt.
Dodgers manager Dave Roberts reacts after falling while challenging Hyeseong Kim to a race on the basepaths during a team workout at Rogers Centre on Thursday.
(Vaughn Ridley / Getty Images)
Then, the Dodgers got to work on their primary task: Trying to sync up an offense that had looked lost the last two games, and has scuffled through much of October.
“I’ve been doing a lot of thinking about this … and I could dive into my thoughts,” Roberts said of the team’s offensive struggles, which he noted could include another lineup alteration for Game 6.
“But I think at the end of the day,” Roberts continued, “they just have to compete and fight in the batter’s box. It’s one-on-one, the hitter versus the pitcher, and that’s it. Really. I mean, I think that that sort of mindset is all I’ll be looking for. And I expect good things to happen from that.”
In the losses at Chavez Ravine, the majors’ second-highest scoring offense struggled to hone that ethos. The Dodgers scored only three runs, racked up a woeful 10 hits and looked more like the version of themselves that stumbled through much of the second half of the season before entering the playoffs on a late-season surge.
Their biggest stars stopped hitting. Their teamwide approach went by the wayside. And in the aftermath of Game 5, they almost seemed to be searching for their identity as a team at the plate — trying to couple their naturally gifted slugging ability, with the need to work more competitive at-bats and earn hittable pitches first.
“We’re just not having good at-bats,” third baseman Max Muncy said.
“We’ve got to figure something out,” echoed shortstop Mookie Betts.
Take a quick glance at the numbers in this World Series, and the Dodgers’ hitting problems are relatively easy to explain.
Shohei Ohtani (who took another Ruthian round of batting practice Thursday) does not have a hit since reaching base nine times in the 18-inning Game 3 marathon. Betts (who spent as much time hitting as anyone Thursday) has bottomed out with a three-for-25 performance.
Other important bats, including Muncy and Tommy Edman, are hitting under .200. And as a team, the Dodgers have 55 strikeouts (11 more than the Blue Jays), a .201 overall average and just six hits in 30 at-bats with runners in scoring position.
“We got a lot of guys who aren’t hot right now, aren’t feeling the best,” Edman said Wednesday night. “But we got to turn the page, and hopefully we can swing it better the next couple days.”
“As a group,” Kiké Hernández added, “it’s time for us to show our character and put up a fight and see what happens. … It’s time for us, for the offense, to show up.”
Better production from Betts would be a good start.
On Wednesday night, the shortstop did not mince words about his recent offensive struggles, saying he has “just been terrible” after batting .164 in 13 games since the start of the National League Division Series.
Roberts tried to take some pressure off the former MVP in Game 5, moving him from second to third in a reshuffled batting order. But after that yielded yet another hitless performance, Roberts further simplified the task for his 33-year-old star.
“Focus on one game, and be good for one game,” Roberts said. “Go out there and compete.”
On Thursday, that was Betts’ focus, with multiple people around the team noting a quiet and renewed confidence he carried into his off-day batting practice session. He had long talks with hitting coach Robert Van Scoyoc, special assistant Ron Roenicke and Roberts around the hitting cage. He searched for answers to a swing that, of late, has generated too many shallow pop-ups and mishit balls.
Dodgers teammates Mookie Betts, left, Max Muncy, Tommy Edman and Freddie Freeman wait on the infield during a pitching change in the seventh inning of Game 5 of the World Series on Wednesday night at Dodger Stadium.
(Robert Gauthier / Los Angeles Times)
“He looked great,” fellow hitting coach Aaron Bates said. “Actually, his head was in a good place. Good spirits. The whole group, guys were great. Everyone came and showed up and hit and got their work in.”
For the Dodgers to save their season, it isn’t only Betts who will need to find a turnaround.
While Blue Jays starters Shane Bieber and Trey Yesavage pitched well in Games 4 and 5, the Dodgers also seemed to struggle to adapt their plan of attack — getting stuck in an “in-between” state, as both Roberts and several players noted, of both trying to attack fastballs and protect against secondary stuff.
“Sometimes we’re too aggressive,” outfielder Teoscar Hernández said. “Sometimes we’re too patient.”
“It seems like at-bats are snowballing on us right now,” Kiké Hernández added. “We’re getting pitches to hit, we’re missing them. And we’re expanding the zone with two strikes.”
Being “in-between” was a problem for the Dodgers late in the season, when they ranked just 12th in the majors in scoring after the All-Star break. That it is happening again raises a familiar question about the identity of the club.
Do they want to be an aggressive, slugging lineup that lives and dies by the home run? Or more of a contact-minded unit capable of grinding out at-bats and stressing an opposing pitcher’s pitch count. Roberts’ emphasis on better “compete” signaled the need to do more of the latter.
Freeman echoed that notion leading up to Game 5.
“If we’re going up there just trying to hit home runs, it’s just not the name of the game,” Freeman said. “We just need to check down and have, like, almost a 0-1 mindset. Just build innings, extend ‘em, work counts, be who we are.”
So, how do they actually go about doing that, ahead of a Game 6 matchup with a pitcher in Kevin Gausman who excels at mixing his fastball and splitter?
“Basically, you have to keep to your strengths,” Bates said. “And see what the next pitcher brings to the table.”
The only silver lining: The Dodgers have been in this spot before.
Last year, at the very start of their World Series run, they faced a similar situation in the NLDS against the San Diego Padres, winning back-to-back games with clutch offensive outbursts that helped catapult them to an eventual World Series title.
“We can do it again,” Freeman said.
“I think we’re a more talented team than we were last year,” Kike Hernández added.
Entering Friday, they will have two games to prove it. Now or never. Do, or watch their dreams of cementing a dynasty die.
From Jack Harris: Dodger Stadium wasn’t so much cheering, as it was pleading with its team’s maddening offense.
All month, the club’s lineup has looked off. All night Wednesday, it had been shut down by Toronto Blue Jays rookie phenom Trey Yesavage in Game 5 of the World Series.
But now, in the bottom of the seventh inning, there was one last hope for life. Teoscar Hernández had hit an infield single. The Dodgers, down four runs, had a chance to chip away. And as Tommy Edman came to the plate, a capacity crowd in Chavez Ravine rose to its feet in desperate anticipation.
Seven pitches later and one inning-ending double play later, they would be quiet again — and, this time, for good.
In a 6-1 loss to the Blue Jays that gave Toronto a 3-2 lead in the series, the Dodgers showed a deflating, disconnected and yet all too familiar identity at the plate.
Dodgers vs. Toronto at Toronto 11, Dodgers 4 (box score) Dodgers 5, at Toronto 1 (box score) at Dodgers 6, Toronto 5 (18) (box score) Toronto 6, at Dodgers 2 (box score) Toronto 6, at Dodgers 1 (box score)
Friday at Toronto, 5 p.m., Fox, AM 570, KTNQ 1020, ESPN Radio
*Saturday at Toronto, 5 p.m., Fox, AM 570, KTNQ 1020, ESPN Radio
*-if necessary
UCLA
From Ben Bolch: A large group of former UCLA football players sent a letter to chancellor Julio Frenk earlier this month asking for besieged athletic director Martin Jarmond to be replaced “to reestablish the university’s commitment to excellence, both on and off the field.”
The 64 players, who represent multiple eras of UCLA football spanning coaches Bob Toledo to Chip Kelly and include several who went on to play in the NFL, wrote to “express deep concern with the current direction of UCLA Athletics under Martin Jarmond. Despite the resources, history, and opportunities at his disposal, Mr. Jarmond has not demonstrated the level of leadership or vision consistent with UCLA’s proud legacy. Rather than building on the foundations of greatness established by those before him, his tenure has fallen short of advancing UCLA to its rightful place among the nation’s premier programs.
“UCLA deserves an athletic director who understands that this role is not merely about administration, but about stewardship of a legacy — one rooted in excellence, historic achievement, and national leadership. Unfortunately, Mr. Jarmond has not embodied these values, nor has he positioned UCLA Athletics to rise to the standard its history demands.”
The sudden switch made for a tense two weeks leading up to last season’s meeting with Nebraska. Not everyone in the locker room, you see, was thrilled with Moss’ removal.
But the move paid dividends in the end. Maiava injected life into the offense, USC returned from its bye and won three of its last four to finish the season. More critically, Riley found his quarterback of the future.
A season later, USC is once again searching for answers coming out of its second bye, with Nebraska looming in November. Though, none of the questions this time concern the quarterback, who has been one of the best in the Big Ten. Nor are they as easy to solve as plugging in one player.
From Broderick Turner: At some point, the Lakers will get stars Luka Doncic and LeBron James back in the fold. But exactly when they will return to play from their injuries is still unknown.
James has been out all season with right sciatica irritation, and Doncic has been out since last Sunday with a left finger sprain and a lower left leg contusion.
But in their absence, Austin Reaves has taken up the mantle and has delivered time and time again, his latest masterpiece a game-winning floater in the lane that lifted the Lakers to a 116-115 win over the Minnesota Timberwolves that led to Reaves being mobbed by his teammates Wednesday night at the Target Center.
The Lakers had lost all of their 20-point lead after Julius Randle scored to give the Timberwolves a 115-114 lead with 10.2 seconds left.
But Reaves wouldn’t let his teammates down, scoring 28 points and handing out a career-high-tying 16 assists.
LAFC plays at Austin on Sunday for a chance to advance to the Western Conference semifinals.
LAFC took a 1-0 lead in the 20th minute on Brendan Hines-Ike’s own goal. Ryan Hollingshead beat his defender in the box for a cross in front of goal that was deflected in by Hines-Ike.
From John Cherwa: Sovereignty, the top-ranked horse in the country, will not run in the $7-million Breeders’ Cup Classic after developing a fever this week. The winner of the Kentucky Derby, Belmont Stakes and Travers Stakes will recover although it’s unclear if he will ever race again.
Trainer Bill Mott made the announcement Wednesday morning and informed Breeders’ Cup officials of the scratch.
“I actually started thinking, ‘We might be OK.’ But then, in a matter of hours, my optimism was taken away,” Mott said. “When he had a real mild fever and we medicated him right away, he acted normal. I actually was maybe looking at it with rose-colored glasses.”
1943 — Gus Bodnar of Toronto scores a goal 15 seconds into his first NHL game as the Maple Leafs beat the New York Rangers 5-2.
1955 — Jim Patton of New York returns a kickoff and a punt for a touchdown as the Giants beat the Washington Redskins 35-7.
1966 — Jim Nance of the Boston Patriots rushes for 208 yards and two touchdowns in a 24-21 victory over the Oakland Raiders.
1971 — Eric Allen of Michigan State rushes for 350 yards in 43-10 rout of Purdue.
1974 — Muhammad Ali knocks out George Foreman in the eighth round in Kinshasa, Zaire, to regain the world heavyweight title in the “Rumble in the Jungle”.
1975 — John Bucyk of the Boston Bruins scores his 500th career goal in a 3-2 victory over St. Louis.
1977 — Walter Payton of the Chicago Bears rushes for 205 yards and two touchdowns in a 26-0 triumph over the Green Bay Packers.
1993 — Erin Whitten becomes the first woman goalie in pro hockey to be credited with a victory as Toledo beats Dayton 6-5 in the East Coast Hockey League.
1996 — The WNBA announces the eight cities that will compete in the WNBAs inaugural season. Charlotte, Cleveland, Houston and New York will play in the Eastern Conference and Los Angeles, Phoenix, Sacramento and Utah will compete the Western Conference.
1997 — Argentine soccer star Diego Maradona announces his retirement on his 37th birthday.
1997 — Violet Palmer makes professional sports history by becoming the first woman to officiate an NBA game. There is little reaction by the crowd when her name is announced just before tip-off of the game between the Dallas Mavericks and Vancouver Grizzlies.
1999 — Marques Tuiasosopo becomes the first college player to pass for 300 yards and run for 200, racking up a school-record 509 yards as Washington rallied to beat Stanford 35-30. Tuiasosopo completes 19-of-32 passes for 302 yards and a touchdown and rushes 22 times for 207 yards and two TDs.
2001 — Michael Jordan misses his biggest shot of the night and commits two crucial late turnovers in the Washington Wizards’ 93-91 loss to the New York Knicks, Jordan’s first regular-season game after a 3 1/2-year retirement.
2003 — In the first regular-season game of his NBA career, 18-year-old LeBron James has 25 points, nine assists, six rebounds and four steals, but the Cleveland Cavaliers lose 106-92 to the Sacramento Kings.
2004 — Trainer Bobby Frankel finally breaks through in the Breeders’ Cup Classic, with Ghostzapper blazing to victory in America’s richest race held at Lone Star Park. Frankel, who had just two wins with 62 Breeders’ Cup starters before the $4 million Classic, had saddled the beaten favorite the past three years.
2004 — Dana College’s Tom Lensch sets an all-division college record by attempting 101 passes in a 60-35 loss to Hastings College. Lensch completes 56 passes for a school-record 507 yards with three touchdowns and three interceptions.
2011 — The Baltimore Ravens erase a 24-3 deficit to defeat Arizona 30-27. It marks the fifth time this season a team trailed by at least 20 points and came back to win. That is the most in a single season in NFL history.
2016 — Derek Carr throws a 41-yard touchdown pass to Seth Roberts with 1:45 remaining in overtime, capping a record-breaking day for the Oakland Raiders in a 30-24 victory over the Tampa Bay Buccaneers. Carr throws for a franchise-record 513 yards — completing 40 of 59 passes without an interception — and the Raiders overcome an NFL-record 23 penalties for 200 yards.
Compiled by the Associated Press
THIS DAY IN BASEBALL HISTORY
1945 — Branch Rickey signs Jackie Robinson to the Montreal Royals.
2019 — Washington Nationals beat Houston Astros, 6-2 in Game 7 at Minute Maid Park, Houston to win first title in franchise history; MVP: Washington pitcher Stephen Strasburg.
2024 — MLB World Series: Dodgers win 8th title in franchise history; overcome 5-0 deficit to beat New York Yankees 7-6 at Yankee Stadium for 4-1 series victory; MVP: Dodgers 1B Freddie Freeman (4HR, 12 RBI).
Compiled by the Associated Press
Until next time…
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at [email protected]. To get this newsletter in your inbox, click here.
Was Edgardo Henriquez the best option to pitch to Vladimir Guerrero Jr. in the seventh inning with two outs and runners on the corners?
Maybe, maybe not.
And that was the problem.
The problem was that Dodgers manager Dave Roberts didn’t have a choice that was clearly better than to place the game in the hands of a hard-throwing but unreliable 23-year-old rookie.
Henriquez walked Guerrero on a 99.9-mph fastball that sailed into the opposite batter’s box, evading the grasp of catcher Will Smith and allowing Addison Barger to score.
A manageable two-run deficit was now three and about to become four.
The Dodgers were on their way to a 6-1 loss to the Toronto Blue Jays on Wednesday night, the Game 5 result placing them at a three-games-to-two deficit in this World Series.
For Roberts, that seventh inning didn’t represent a manager’s nightmare. That was a manager’s night terror.
What else could Roberts do?
Stick with starting pitcher Blake Snell? Snell had already pitched to Guerrero three times and his pitch count was at 116.
Use closer Roki Sasaki as a fireman? He’s their only dependable reliever and Roberts wasn’t about to use him in a non-elimination game in which his team was down.
Turn to last year’s postseason hero Blake …? Never mind, that question isn’t even worth being asked in its entirety.
“It’s hard because you can only push a starter so much,” Roberts said. “I thought Blake emptied the tank.”
The Dodgers somehow concealed their piñata of a bullpen in the three previous rounds of the postseason, but that bullpen is now catching up with them.
Reversing their series deficit will almost certainly require some of their starters to pitch in unfamiliar roles over the next two games, including Shohei Ohtani as an opener on three days’ rest in a potential Game 7.
Snell figures to be a candidate to also pitch in Game 7, perhaps as a middle reliever. Tyler Glasnow is expected to be available out of the bullpen in at least one of the two remaining games.
Besides Sasaki, the relievers can’t be trusted.
In each of the team’s three losses in this series, the games turned when the starting pitcher was removed with men on base. In all three instances, the bullpen made a mess of the game, allowing the inherited runners to score.
“You look at the three games that we lost, it spiraled on us with guys on base,” Roberts said. “Guys got to be better.”
They can’t.
This reality makes the bullpen’s heroic performance in the 18-inning victory in Game 3 all the more miraculous. The Dodgers are fortunate this series isn’t already over.
The construction of this particular bullpen has to be one of the greatest front-office blunders in franchise history, as it could cost the team a World Series in a season in which it has Ohtani, Freddie Freeman and a billion-dollar rotation.
How did this happen?
Start with Tanner Scott and Kirby Yates. The Dodgers committed a combined $85 million to the two relievers and neither of them is even on the roster.
Look at the injured list. Brusdar Graterol missed the entire season with shoulder problems. Evan Phillips underwent Tommy John surgery.
Finally, examine what the Dodgers didn’t do at the trade deadline. Everyone — and by everyone, I mean everyone except Andrew Friedman’s front office — knew they were in desperate need of bullpen help. Counting on some internal solutions working out, the only reliever they acquired was Brock Stewart. The notoriously brittle Stewart went down with a shoulder injury and didn’t pitch in the postseason.
What the Dodgers did was the baseball equivalent of building a breathtaking mansion but forgetting to install any toilets.
Now, the entire residence stinks, the Dodgers one loss away from losing a World Series that should be theirs.
A first-inning blitz and a dominant outing by rookie starting pitcher Trey Yesavage put the Toronto Blue Jays within one win of their first World Series title since 1993.
Major League Baseball’s only Canadian franchise hammered the Los Angeles Dodgers 6-1 to give them a 3-2 lead in the best-of-seven ‘Fall Classic’, which now returns to Toronto for its conclusion.
Right-hander Yesavage, who was only called up to the majors in September, threw seven solid innings, with 12 strikeouts – a World Series record for a rookie – and only gave up one run.
The game started in unbelievable fashion at Dodger Stadium as Davis Schneider launched the very first pitch of the night over left field for a home run, and Vladimir Guerrero Jr repeated the feat off the second pitch he faced, leaving the Dodgers 2-0 down before some fans had taken their seats.
While Enrique Hernandez halved the deficit with a solo homer in the bottom of the third inning, Toronto restored their two-run lead straight away as Ernie Clement’s sacrifice fly scored Daulton Varsho.
It got even worse for the Dodgers in the top of the seventh as multiple wild pitches and a walk allowed Addison Barger to score, and Bo Bichette drove in Andres Gimenez to make it 5-1.
Isiah Kiner-Falefa’s base hit added another run in the eighth as the home fans headed for the exits, on a night when even the Dodgers’ Japanese superstar Shohei Ohtani went hitless for the second successive game.
After a travel day, the series returns to Toronto on Friday for game six at the Rogers Centre, also the venue for a potential decider on Saturday.
“Who are you really? What is real happiness? What do you actually need for happiness?” Rhea Seehorn murmurs.
It’s an otherwise ordinary Wednesday afternoon, steps away from bookshelves stuffed with works like “East of Eden” by John Steinbeck and the “A Court of Thorns and Roses” series by Sarah J. Maas, when she casually lists these big life questions aloud while leaning over a vegan brownie and cup of tea at a small table inside Village Well Books & Coffee in Culver City. I’m still questioning whether I read the street parking signs correctly. But these are queries Seehorn has given hard thought to in recent months.
That’s what happens when you’re headlining a Vince Gilligan show. Existential reckonings are part of the gig.
Seehorn is at least familiar with the deep internal struggles that swirl within Gilligan’s protagonists. For six seasons on “Better Call Saul,” AMC’s hit prequel spinoff to “Breaking Bad” that told the backstory of Walter White’s smarmy lawyer Saul Goodman a.k.a. Jimmy McGill (Bob Odenkirk), Seehorn played Kim Wexler. The fan-favorite type A lawyer with a perfectly-positioned ponytail was McGill/Goodman’s principled but increasingly conflicted girlfriend who got caught up in his elaborate schemes and paid a price for his crimes.
In his first follow-up to the “Breaking Bad” universe, Gilligan opted to forgo revolving another series around a tormented man in favor of one that let the shades of Seehorn’s talent fill the screen.
Gilligan says that in “Better Call Saul,” which he co-created with Peter Gould, he saw in Seehorn what he had observed in Aaron Paul years before on “Breaking Bad” — an actor whose performance propelled a side character, wayward junkie Jesse Pinkman, into a figure that commanded viewers’ attention and became integral to the story.
“Aaron made that character indispensable,” Gilligan says over video call. “It was like déjà vu with Rhea Seehorn. I hate saying I wasn’t aware of her prior to us auditioning and casting her. But she was just fantastic from Day 1. What Peter and I saw in her was a potential to take a show that, at the beginning, was about one character and make it a two-hander. And I just knew very, very quickly in the early life of ‘Better Call Saul’ that I wanted to work with her again after it was over.”
So he set out to create a story where she was No. 1 on the call sheet.
How did Seehorn process that news?
“I just cried,” she says.
It’s not, as some may have hoped, a Kim Wexler spinoff — though, she’s still open to that: “I’ll do it. I’ll do it. Anything. A series. A film. A Staples commercial,” she says.
Rhea Seehorn as Carol in Apple TV’s “Pluribus.”
(Apple TV)
“Pluribus” has been a tightly-guarded project for Apple TV with a strict embargo on details that makes it difficult to provide a lot of context to its premise. Here’s what can be said: Seehorn plays Carol, a fantasy romance author who, despite a successful career and seemingly loving relationship with her partner, is described as “the most miserable person on Earth.” After a signal from space changes the world in a significant way, she must save humankind from happiness. The nine-episode drama premieres with two episodes on Nov. 7; new episodes will be released weekly after that.
For a while, Seehorn only had the first script to make her assessments about the world Gilligan was building. She eventually got her hands on two more before 2023’s dual Hollywood strikes kicked in. When she finished reading through them, one thought came to mind: “‘Wow, this is a lot of me,’” she says, launching into laughter. “He had warned me — ‘You’re going to be in almost every scene’ — but then you read it and you’re like, ‘Oh … oh.’”
Careful to be as vague as possible, she continues: “I can’t spoil it. There’s a lot of time I spend completely on my own. I’m not giving away anything am I? Make sure I’m not!” Aside from the way she has to be coy about the series, she’s appealingly unguarded in her enthusiasm for the journey it sent her on as an actor.
“‘Better Call Saul’ was its own animal, but it had the mothership,” she says. “With this, in our conversations, it felt like Vince wanted to push things to the limit — it’s genre-defying, tone-defying. It’s hilarious and then gut-wrenchingly upsetting. It’s scary in a variety of ways. It really makes you think: What would you do in this situation?”
Seeking to playfully lean into the show’s interest in exploring happiness and the human condition, in scheduling our meet-up I asked that Seehorn pick a location that makes her happy, which led us to this bookstore near her home. “I buy books constantly,” she says. Her most recent purchase was Rachel Kushner’s spy thriller “Creation Lake.” But lately, she’s been prioritizing William T. Harper’s book, “Eleven Days in Hell: The 1974 Carrasco Prison Siege at Huntsville, Texas,” which chronicles the true story of the standoff between inmates and law enforcement. At the time of this sit-down, Seehorn is days away from beginning production in Texas on a film adaptation of the book that will also star Taylor Kitsch and Diego Luna.
She lights up as the conversation veers into the stuff she watched to unwind while shooting “Pluribus”: “I’m obsessed with ‘Chicken Shop Date,’” she says. “Do you watch? Can we please use this article to get me on that show? This is my campaign.”
Rhea Seehorn, who stars in the new Apple TV series “Pluribus,” says the show is genre-defying: “It’s hilarious and then gut-wrenchingly upsetting. It’s scary in a variety of ways. It really makes you think: What would you do in this situation?”
(Anthony Avellano / For The Times)
She wrapped production on “Pluribus” last December. Since then, she‘s shot an indie film, “Sender,” with “Severance’s” Britt Lower, had a brief family vacation and helped the eldest of her two stepsons get settled in for his first year of college. They’re the kind of life moments, she says, that feed into those big questions discussed earlier and what the show confronts.
“It’s about this reckoning — a big exploration of who you are. It got me thinking about how we handle really difficult emotions,” Seehorn says. “There was a constant through line for me about this feeling of anxiety that we all know. When we have those nightmares where you’re running around telling everyone that the barn is on fire and they all keep saying, ‘It’s fine.’ And you’re screaming that it’s not.
“You find yourself thinking, how do I measure success?” she continues. “About everything — relationships, career, talent, ambition. There’s reasons we make armor, sometimes long-term, sometimes short-term. There are choices that are survival skills, that are good for you at one time, that later are no longer the crutches and tools they used to be. The performance Carol is giving at the beginning — where she hates the life she’s living and questions the people who like her work because it’s not impressive enough — Vince and I had some deep-dive talks about that as people in the arts.”
Of course, the philosophy of self and purpose and happiness was not something Seehorn considered much while growing up. Deborah Rhea Seehorn — she went by Debbie until her early teens — was born in Norfolk, Va., but spent her childhood in places like Arizona and Japan because of her father’s job as an agent for the Naval Investigative Service, later known as NCIS when it added “Criminal” to its name. “My dad was not Mark Harmon,” she jokes. After her parents divorced when she was 12, the family stayed in the Virginia Beach area.
On paper, Seehorn wasn’t primed for a life of acting. But she felt a creative pull: Her mother did musical theater in high school; her father and paternal grandmother painted. And Seehorn and her sister began sketching from a young age. Seehorn initially had ambitions of pursuing a career in design or art — she majored in painting while a student at George Mason University. She thought maybe she’d land a job doing exhibition design or art restoration at the Smithsonian or one of the other museums around town. But when she was required to take an elective course her freshman year, she saw an opportunity to try something that otherwise felt out of reach to her.
“At the time, at least to me, American television and film had people who looked like models,” she says. “I didn’t. I thought I would get made fun of mercilessly if I said I wanted to be an actor. It felt the same as saying I wanted to be a supermodel. But I knew immediately, with the first class I took, that acting was it for me.”
It was taught by Lynnie Raybuck, a teacher and actor who remains a mentor to Seehorn. This is where — in life and in this conversation — it becomes clear Seehorn revels in the technique of acting. She grows animated referencing Practical Aesthetics, the acting technique developed by David Mamet and William H. Macy for the Atlantic Theater Company, and detailing her fondness for in-depth script analysis.
“To me, it blew my mind the first time I realized that it isn’t magic fairy dust on some people — that they’re just talented and you’re not,” she says. “That there is a way to work toward that. As soon as somebody said there was a way to study that and there was a way to get closer and closer to inviting that audience in to go with you on a journey and make it believable, I just was like, ‘Well, this is what I’m doing for a living.’”
Rhea Seehorn starred as Kim Wexler opposite Bob Odenkirk’s Saul Goodman/Jimmy McGill in “Better Call Saul.”(Greg Lewis/AMC/Sony Pictures Television)
She knew it wouldn’t pay the bills right away. She ushered, worked the box office, read stage directions for new plays — she had days jobs, too, like working at TGI Fridays — “By the way, they just offered me suspenders since I never got them.” (She was underage and unable to serve alcohol at the time, so she was a hostess who did expo for the waiters.)
She eventually landed in New York, working at Playwright Horizons, an off-Broadway theater. After a few years, the pull of L.A. led her west. She was cast in the ABC sitcom “I’m With Her,” starring Teri Polo and loosely based on writer Chris Henchy’s marriage to Brooke Shields. It didn’t last long, but other roles would come along with varying degrees of steadiness. She had a recurring role as an assistant DA in the legal dramedy “Franklin & Bash” and played the best friend of Whitney Cummings’ fictionalized version of herself in NBC’s “Whitney,” which ran for two seasons from 2011 to 2013.
Then, as “Better Call Saul” was coming together, the casting directors working on the project were familiar with Seehorn, who had auditioned for them many times over the years, and what she could deliver.
“The first time I met her was for the producer sessions and there were three actresses who were reading for Kim with me,” Odenkirk says by phone. “The other two actresses were absolutely fantastic. But Rhea and I had chemistry, and we all knew it. We all felt it. It was undeniable and it was easy.”
She was cast as Kim, before a last name was even assigned to the character, and with no inkling for how essential she would become to the story. And it quickly becomes clear how she dissects her characters. (Both Odenkirk and Gilligan, without prompting, say that her scripts were often heavily marked up with scribbled notes, highlights and tabs.)
“I only have one line of dialogue in that first episode, other than the intercom,” Seehorn says, still able to recite it by memory. “They told me later it wasn’t on purpose that I have almost no contractions in the first couple of episodes and other people do. And I was like, should I ask them if it’s OK to elide ‘want to’ to ‘wanna’ or ‘do not’ to ‘don’t.’ But then I was like, ‘No! What if I just try to figure out who talks like this?’ It started to be this thing of ‘Who is this controlled person? And why would she be this controlled?’ She became so important to me because I had largely built her out of subtext and this private part of her that mostly the audience was my biggest confidant.”
Rhea Seehorn on starting her acting career: “I thought I would get made fun of mercilessly if I said I wanted to be an actor. It felt the same as saying I wanted to be a supermodel. But I knew immediately, with the first class I took, that acting was it for me.” (Anthony Avellano/For The Times)
Odenkirk admiringly references Seehorn’s level of attention and their shared approach in defending the emotional intelligence of their characters. He notes the predicament the “Better Call Saul” writers sometimes faced in placing Jimmy/Saul and Kim, who knew each other so well, in dramatic situations that ordinarily would require more obliviousness or willing unawareness.
“When Kim and Jimmy were together, there were times — not many, but a few — where one of them was lying to the other one,” he says. “And it was always a challenge. We’d be like, ‘Saul knows he’s being lied to’ or ‘Kim knows Saul is lying.’ And we’d have to find a way around it. Or we’d have to let go — she’s [Rhea] good at that too … I just love her seriousness of purpose. And her love for losing herself in the dream.”
It’s why he’s not surprised Gilligan wanted her to lead his next series.
“She is formidable in nature,” Odenkirk says. “Her strength on screen is great, her dynamic range is incredible. She has the strength of character of a leading man — I’m just going to say it. She has the backbone and the steely determination of a leading man.”
In fact, when the idea for “Pluribus” began tugging at Gilligan years ago, in the midst of “Better Call Saul,” he initially envisioned it having a male protagonist.
“But I would take these long walks during our lunch breaks in the writers room and, I can’t remember when exactly, but it dawned on me on one of those walks that I really like this young lady, Rhea Seehorn,” he says. “She’s a really good actor. And I started thinking, ‘Why does the main character of my next show have to be a guy? ‘ I was about to say I kind of tailored the role to Rhea, but the truth is, I don’t know if that’s true. Rhea has so many strengths as an actor, I know she can do anything I threw at her — just like I knew many years before that Bryan Cranston could do anything. She makes it look easy.”
When Seehorn and I speak again a few weeks after our initial meeting, she is video-calling from a nondescript room during a break from production on “Eleven Days.” She has already fiddled through a number of jigsaw puzzles and “Paint by Numbers” — her activities of choice when she needs to turn down her actor brain — in the time since we last spoke; she reaches for the painting of plants she recently completed as proof. We eventually return to the idea of happiness. What makes her happy right now?
“It is my family and my friends, but it’s also my work,” she says. “Carol, on paper, has many of the things that I want, that many of us want. Success at work, especially in a career in the arts. But she won’t believe the hype. Her mocking of her work and her fans is just a mocking of herself. It’s self-loathing — like she’s trying to beat people to the punch.
“For me, I realized I fully own and will not be embarrassed about the fact that a third leg on that stool for my happiness is my work,” she continues. “It is intrinsically a part of who I am and I am a better mom to my stepsons and a better partner to my fiance because I get to do what I love.”
And she’s finding new ways to do more of it. She has become an executive producer on Katja Meier’s Swiss TV show “$hare” and made her episodic directorial debut with “Better Call Saul” — “I would like to try to direct again. There’s a couple of projects and people I’m talking to about directing on their show. People are like, ‘Why didn’t you direct the first season [of ‘Pluribus’]?’ I’m like,’I was trying to remember to brush my teeth with all I had going on.’”
She references the children’s book “Archibald’s Next Big Thing,” written by actor Tony Hale, whom she shared screen time with on “Veep.” It’s about embracing the journey you’re on.
“You’re constantly moving your goal post and all it is doing is just s— on yourself and where you are now,” she says. “Carol missed things until they were taken away. She could have stopped judging everything and judging herself.”
It was a reminder to embrace the freedom to think outside the box with her performance. The first episode is a high-wire balancing act; at one point, there’s a 12-minute stretch that has her character twisting through confusion, fear, grief, anger and frustration like pretzel dough being looped into a knot — on her own, yet not alone.
“Everything made me nervous about Carol,” she says. “As soon as Vince sent me the script, I was like, ‘This is bananas.’ You’re on your way to work and you just think, ‘What if I just took this off-ramp and I fled the scene and it would be all over?’ But then you’re like, ‘You know what, I’m gonna show up and do my best. Believe me, I did some takes that I’m sure were embarrassing, but I was just like, ‘When else are you going to try? The time is now.”
Shohei Ohtani wore the same mask of calm that he always wears.
He spoke with detachment, as he often does.
By the time Ohtani walked into the interview room at Dodger Stadium after his team’s 6-2 defeat in Game 4 of the World Series, however, he was already devising his redemption.
“Of course, I’d like to prepare to be available for every game in case I’m needed,” Ohtani said in Japanese.
He wants to pitch again, even after he was saddled with the loss on Tuesday night by the Toronto Blue Jays.
He wants to pitch again, even after the physical demands of reaching base nine times in an 18-inning victory the previous night clearly diminished him on the mound.
If Ohtani pitches, he would almost certainly pitch in relief.
Pitching in middle relief doesn’t make sense for Ohtani, considering that when he departs the game as a pitcher, rules would require the Dodgers to play him in the outfield or lose him as a hitter for the remainder of the game.
They might as well use him as a closer, and they might as well use him in a World Series clincher, either in Game 6 or 7.
He won’t let the disappointment of his World Series pitching debut scare him away from pursuing another dream. He isn’t afraid of failure.
Game 4 was a failure.
The six-hour 39-minute game the Dodgers played the night before offered Ohtani cover. He reached base a record nine times. He homered twice and doubled twice. His leg cramped at some point. He went to sleep at 2 a.m.
But Ohtani didn’t take any of the excuses that were offered to him.
“I have no plans of saying the game yesterday was this or that,” he said.
The truth was revealed in his play.
Ohtani looked exhausted. He sweated profusely and looked as if he might be dehydrated. He looked, well, human.
His fastball uncharacteristically never touched 100 mph, but he pitched well for the most part. His only notable mistake was an elevated sweeper he threw in the third inning to Vladimir Guerrero Jr. that was deposited over the left-field wall for a two-run home run.
Ohtani struck out the side in the fourth inning, as well as the first batter he faced in the fifth. Manager Dave Roberts said that pitching coach Mark Prior approached Ohtani in the sixth innings and asked him how much he had left.
“He said he had three more innings,” Roberts said.
Ohtani couldn’t make it out of the seventh inning. In fact, he couldn’t even record an out in the seventh, starting the inning by giving up a single to Daulton Varsho and a double to Ernie Clement. With Ohtani clearly gassed, Roberts called in Anthony Banda, who allowed the two inherited runners to score.
Ohtani’s final line: Six innings, four runs, six hits, a walk and six strikeouts.
He said his goal was to pitch seven innings.
Ohtani didn’t have the game he wanted in the batter’s box, either. It didn’t help that he didn’t have any form of lineup protection. No. 9 hitter Andy Pages, who batted in front of him, was 0 for two and is now batting .080 this postseason. Mookie Betts, who batted behind him, was hitless until the eighth inning when the game was already out of reach. Betts is batting .158 in this World Series.
Ohtani walked in the first inning but was hitless in the three at-bats that followed. Not one of the 14 pitches he saw from Blue Jays starter Shane Bieber was near the middle quadrant of the plate.
Being a starting pitcher and leadoff hitter in the same game was hard enough. Being a starting pitcher and a leadoff hitter in the same game after an 18-inning battle was revealed to be downright impossible. Because if Ohtani couldn’t do it, nobody could.
Instead of moping over the setback, Ohtani has started eyeing his next boundary-pushing maneuver: To be a leadoff hitter and high-leverage reliever in the same game.
The World Series is now tied, two games apiece. The fixation Ohtani has with finding new methods to win games could be why the Dodgers finish as champions again.
The Toronto Blue Jays have tied the best-of-seven World Series at 2-2 after a thumping 6-2 victory over the Los Angeles Dodgers in game four.
Vladimir Guerrero Jr’s early two-run homer and a glut of runs in the seventh inning helped Major League Baseball’s only Canadian side come from behind at Dodger Stadium.
It also ensures the series will return to Toronto for a sixth game, and potentially a deciding seventh.
After Monday’s 18-innings epic drained the energy of both teams’ bullpens, the Dodgers and Blue Jays were banking on long outings from their starting pitchers to give their relief corps some respite.
All eyes were on the Dodgers’ Japanese superstar Shohei Ohtani, as this was the game where he was scheduled to double up as starting pitcher and leadoff hitter.
Ohtani, 31, is an exceptionally rare “two-way” player, operating at the elite level as both a pitcher and a hitter.
But having reached base on all nine plate appearances in game three, he went hitless with the bat, and left the pitcher’s mound in the seventh inning trailing 2-1 and having put two men on base – both of whom would score – with no outs.
Toronto’s less heralded starter Shane Bieber, born in California, showed no favour to the hosts, striking Ohtani out twice and pitching into the sixth inning while giving up just one run.
The Dodgers had gone ahead in the bottom of the second inning when Enrique Hernandez’s sacrifice fly scored Max Muncy.
Toronto’s offence was missing George Springer, who sustained a muscle injury during game three, but Guerrero stepped up and launched Ohtani over left centre field to make it 2-1.
After Ohtani was taken out, Andres Gimenez, Ty France, Bo Bichette and Addison Barger all drove in runs to give the Blue Jays breathing space at 6-1 before the seventh-inning stretch.
The Dodgers briefly threatened a rally in the bottom of the ninth as Teoscar Hernandez walked, Muncy doubled, and Tommy Edman ground out to score Hernandez, but Toronto closed out the win with little alarm.
The series continues with game five, again at Dodger Stadium, on Wednesday evening.
For the first two games of the World Series, the average viewership in Japan was almost as high as in the United States, despite a population one-third that of the U.S., and the average viewership in Canada was 10 times greater than it was last year.
The average in the three countries, through two games: 30.5 million, MLB said Tuesday. The average for the World Series last year: 28.6 million.
The Game 1 audience for those three countries: 32.6 million, the highest for an MLB game in the U.S., Canada and Japan combined since Game 7 of the 2016 World Series between the Chicago Cubs and Cleveland Guardians.
When the Dodgers and Yankees played in last year’s World Series — a clash of the two biggest markets in the United States — the average game attracted 15.8 million viewers in the U.S. For the first two games of this year’s World Series, the average game attracted 12.5 million viewers on Fox platforms, so Canadian markets are not included.
However, even without a U.S. team to oppose the Dodgers, Fox said this year’s ratings are better than any other World Series since the pandemic, besides last year’s.
This year’s NBA Finals — a small-market matchup between Oklahoma City and Indiana — attracted a U.S. average of 10.3 million viewers.
This year’s World Series features Japan’s team — the team of Shohei Ohtani, Yoshinobu Yamamoto and Roki Sasaki — against Canada’s lone major league team. The average viewership in Japan: 10.7 million, despite the games starting there at 9 a.m.
The average viewership of last year’s World Series in Canada: 720,000. That number through two games this year: 7.2 million. The U.S. population is 10 times greater than that of Canada.
On June 2 this year, the Dodgers were in need of pitching help. At the time, their rotation had been ravaged by injuries, and their bullpen was overworked and running low on depth. Thus, the morning after their relievers had been further taxed following a short start from Yoshinobu Yamamoto against the New York Yankees, the Dodgers went out and added a little-known pitcher in a deal with the Seattle Mariners.
Will Klein’s origin story had quietly begun.
Almost five months before becoming a World Series hero for the Dodgers, pitching four miraculously scoreless innings in their 18-inning Game 3 win over the Toronto Blue Jays on Monday night, Klein joined the organization as a largely anonymous face, acquired in exchange for fellow reliever Joe Jacques in the kind of depth transaction the Dodgers make dozens of over the course of each season.
At that point, even Klein couldn’t have foreseen the star turn in his future.
He had a career ERA over 5.00 in the minor leagues. He had struggled in limited big-league action in 2024, battling poor command while giving up nine runs in eight outings. He had already changed organizations three times, and been designated for assignment by the Mariners the day before.
“I woke up to a 9 a.m. missed phone call and a text,” Klein recalled Tuesday. “Found out I was DFA’d. Really low then.”
Now, in the kind of serendipitous turn only October can create, Klein has etched his name into World Series lore.
“I don’t think that will set in for a long time,” he said.
As the last man standing in the Dodgers’ bullpen in Game 3, Klein pitched more than he ever has as a professional, tossing 72 pitches to save the team from putting a position player on the mound.
Afterward, he was mobbed by his teammates following Freddie Freeman’s walk-off home run, then greeted in the clubhouse with a handshake and an accomplished “good job” from Dodgers pitching icon Sandy Koufax.
He had 500 missed messages on his phone when the game ended. He got 500 more as he tried responding to everyone Tuesday morning. His middle school in Indiana, he said, had even hung a picture of him up in a hallway.
“I woke up this morning still not feeling like last night had happened,” he said in a pre-Game 4 news conference. “It was an out-of-body experience.”
A thickly bearded 25-year-old right-hander originally from Bloomington, Ind., Klein’s path to Monday’s extra-inning marathon could hardly have been more circuitous.
In high school, he was primarily a catcher, until a broken thumb prompted him to focus on pitching. When he was recruited to Eastern Illinois for college, his ACT scores (he got a 34) helped almost as much as his natural arm talent.
Dodgers pitcher Will Klein also pitched in the eighth inning of Game 1 in Toronto, allowing no runs.
(Robert Gauthier / Los Angeles Times)
“I’m big into academics,” Eastern Illinois coach Jason Anderson said by phone Tuesday. “If you can figure out science class, you can figure out how to throw a slider.”
Anderson wasn’t wrong. Though Klein was initially raw on the mound, posting a 5.74 ERA in his first two collegiate seasons, he worked tirelessly on improving his velocity, learning how to leverage the power he generated with his long-limbed, 6-foot-5 frame.
As his fastball crept toward triple digits, he started garnering the attention of MLB scouts. Though Klein’s junior season in 2020 was cut short after four outings by the COVID-19 pandemic, he’d shown enough promise in collegiate summer leagues beforehand to get drafted in that year’s fifth and final round by the Kansas City Royals.
Klein’s rise to the major leagues from there was not linear. His poor command (he averaged nearly seven walks per nine innings in his first three minor-league years) hampered him even as he climbed the Royals’ organizational ladder.
Klein reached the big leagues last year, but made only four appearances before being included in a trade deadline deal to the Oakland Athletics. This past winter, after finishing the 2024 campaign with an 11.05 ERA, he was dealt again to the Mariners.
The return in that package? “Other considerations,” according to MLB’s transaction log.
“His whole career has been [full of] challenges,” Anderson said. “He really just needed some time and somebody to believe in him.”
With the Dodgers, that’s exactly what he found.
Long before his arrival, Klein had admirers in the organization. The club’s director of pitching, Rob Hill, was immediately struck by his high-riding heater and mid-80s mph curveball when he first saw Klein pitch in minor-league back-field games during spring training in 2021 and 2022.
“I vividly remember his outings against us in spring training,” Hill said. “I was walking around, asking people, ‘Who is this guy?’ That was my first introduction to him.”
After being traded to the Dodgers, Klein was optioned to triple-A Oklahoma City to work under the tutelage of minor-league pitching coaches Ryan Dennick and David Anderson. There, he started to refine his approach and trust his high-octane arsenal in the zone more. In 22 ⅔ innings, he struck out a whopping 44 batters.
During four stints on the MLB roster over the second half of the year — during which he posted a 2.35 ERA in 14 outings — Klein also worked with big-league pitching coaches Mark Prior and Connor McGuiness on developing a sweeper to give him an all-important third pitch.
“I think our coaches have done a fantastic job of cleaning up the delivery, challenging him to be in the hitting zone, working on a slider,” manager Dave Roberts said. “He’s a great young man. And it’s one of those things that you don’t really know until you throw somebody in the fire.”
The Dodgers didn’t do that initially this October, sending Klein to so-called “stay hot” camp in Arizona for the first three rounds of the playoffs.
But while Klein was there, Hill said it “was very notable how locked in he was” during bi-weekly sessions of live batting practice, with the pitcher “consistently asking for feedback and trying to continue to make sure his stuff was ready.”
During the team’s off week before the World Series, Klein was sent to Los Angeles to throw more live at-bats against their big-league hitters. He promptly impressed once again, helping thrust himself further into Fall Classic roster consideration as the team contemplated ways to shuffle the bullpen.
Still, when Klein learned he would actually be active for the World Series, he acknowledged it came as a surprise.
“I’m just going to go out there,” he told himself, “and do what I can to help all these guys that have worked their butts off.”
After holding his own in a scoreless inning of mop-duty in a Game 1 blowout loss to the Blue Jays, Klein started sensing another opportunity coming as Monday’s game stretched deep into the night.
“I realized that, when I looked around in the bullpen and my name was the only one still there, I was just going to [keep pitching] until I couldn’t,” he laughed.
Every time he returned to the dugout between innings, he told the coaching staff he was good to keep going.
“No one else is going to care that my legs are tired right now,” he said. “Just finding it in me to throw one more pitch, and then throw another one after that.”
Back in Illinois, Anderson was like everyone else from Klein’s past. Awed by how deep he managed to dig on the mound. Moved by a moment they, just like him, could have never foreseen or possibly imagined.
“Everything about him — his mentality, his work ethic, his obstacles, his path — it was like he was destined to be on that field at that time,” Anderson said. “That’s one of the greatest baseball games in history.”
And, against all odds, it was Klein who left perhaps its most heroic mark.
Dodgers fans Aiden Mashaka and his dad, Akida Mashaka.
(Juliana Yamada / Los Angeles Times)
How long have you been a Dodgers fan?
Akida: What are you talking about? Kirk Gibson! I’m Tommy Lasorda, baby!
How much did you pay for your ticket?
Akida: $900. We bought our tickets from a third party. I’ve been asking my brother-in-law how much I owe him, but he’s such an amazing human being. He’s like “Don’t worry. I got this!”
Was it worth it?
Akida: Of course it’s worth it. We’re seeing the Dodgers World Series. The flight costs more than $900. If you have it, it’s worth it. If you don’t have it, it’s not worth it — you can watch it on TV. If I was still in school, I would be watching on TV. But I am a 53-year-old man, after many years of life, so I can spend $900 to watch the Dodgers.
Aiden: This is maybe my second or third game that I’ve been to for the Dodgers. Being at the World Series, like the grand finale, I feel like it’s a great time to be here. I’m really proud of my dad, my auntie and my uncle for bringing me here. I want to thank them.
Explore amazing Cornish landscapes where you can walk in the footsteps of Poldark’s Ross and Demelza this autumn — and stay at a huge historic country house where the drama was filmed
BBC series Poldark, adapted from the novels by Winston Graham, took the nation’s breath away – and now you can follow Poldark’s footsteps(Image: BBC/Mammoth Screen/Mike Hogan)
The period drama Poldark, which aired on the BBC from 2015 to 2019, captivated us with its stunning locations and compelling storyline, and the series, which starred Aidan Turner as Ross Poldark, was watched by eight million viewers per episode.
One of the highlights of the show was the breath-taking filming locations, and now, the National Trust is inviting fans to explore these sites this autumn and winter, as Cornwall celebrates a special Poldark anniversary.
Next year (2026) will mark 80 years since the publication of the first original Poldark novel, Demelza, which continues to enchant readers to this day.
The first TV adaptation of Winston Graham’s novels aired 50 years ago, running from 1975 until 1977, and it’s been 10 years since the acclaimed remake graced our screens in 2015, reports Cornwall Live.
One review of the 2015 series sums up the enthusiasm people had for Poldark: “This is the most artistic, photogenic, captivating series ever made. Besides an outstanding, lovely cast, the excellent performance by the lighting men, cameramen, director, scenery experts, colour specialists, costume creators, music score, and quality scriptwriters is beyond all expectations.
“Their outstanding teamwork often makes me freeze the image in order to better appreciate the beauty and magic of the shots: outside and inside. Breathtaking scenery and, extremely cosy, authentic cottages, and overwhelming, rich mansions—even the flower bouquets—are mind-blowing.
“So grateful to the whole crew, they made a genuine masterpiece. A treasure to cherish forever!”
The show’s spectacular filming locations span from the wild Tin Coast and vast sandy shores to the “ancient and atmospheric” Godolphin estate, which served as Trenwith in the 1975 Poldark series.
These breathtaking spots have attracted devoted fans from across the globe. The medieval gardens and historic house at Godolphin represent just one of the numerous National Trust sites that played a crucial role in bringing the Poldark tale to life.
The enduring phenomenon of “Poldark tourism” continues to fund essential conservation efforts throughout Cornwall, and visitor numbers have played a vital role in safeguarding threatened wildlife and habitats across the county.
Autumn presents an ideal opportunity to explore the striking landscapes that sparked the beloved saga. The cooler months offer a wonderful opportunity to explore Poldark country, as visitor numbers remain lower than during the summer peak, allowing you to truly savour the tranquillity that Cornwall provides.
Since its first appearance in 1946, Winston Graham’s “love letter to Cornwall”, the Poldark saga, has won hearts across the globe, whisking readers and viewers away to 18th-century Cornwall.
The dramatic vistas of mining heritage locations and rugged coastal cliffs took centre stage in the narrative when the original television adaptation was broadcast in 1975, and once more in 2015 when the reimagined series introduced an entirely new generation to Ross and Demelza’s Cornwall.
Poldark transformed into a worldwide phenomenon, motivating thousands to journey to Cornwall and discover the scenery they had witnessed on their screens.
By 2019, approximately 14% of Cornwall’s visitors were believed to have made the trip in some capacity due to Poldark, and this enthusiasm delivered a tourism windfall to the county whilst raising crucial funds for the conservation and maintenance of Cornwall’s natural and historic locations.
A significant portion of this support has been reinvested into preserving these remarkable landscapes for generations to come, with efforts along the Tin Coast concentrating on protecting natural areas and wildlife habitats. At West Wheal Owles, better known to Poldark fans as Wheal Leisure, conservation efforts have been put in place to protect the endangered Cornish choughs.
This area is now off-limits to the public, creating a safe haven for this iconic bird species.
For those who are fans of the 1975 TV series of Poldark, Godolphin will be familiar as it was the home of Francis Poldark and the fictional grand house, Trenwith.
Back when Godolphin was still a private residence, it served as a filming location. The National Trust bought the estate in 2007 and began extensive and careful conservation work to preserve the house for future generations.
In 2006, Godolphin was recognised as a UNESCO World Heritage site. Since then, the estate has become renowned for its historic gardens and 500 acres of protected parkland — and the house is available as a holiday let for most of the year.
Autumn is the ideal time to explore Poldark country with its quieter paths, sweeping sea views, and a feeling of stepping back into history.
From rugged clifftop walks and mining heritage trails to exploring historic houses and gardens, Cornwall’s National Trust sites offer visitors a chance to experience the landscape that inspired a legend.
It was excruciating. It was exhausting. It was ecstatic.
It was Fred-die, Fred-die, Fred-die, forever.
Repeating history, rocking the Ravine, winning the unwinnable, Freddie Freeman has done it again for the Dodgers, knocking a baseball for a second consecutive October into probably a second consecutive championship.
In the 18th inning of the longest World Series game in baseball history Monday, nearly seven hours after it started, Freeman smashingly ended it with a leadoff home run against the Toronto Blue Jays to give the Dodgers a 6-5 victory and a two-games-to-one lead.
This time last year he was hitting an extra-inning, walk-off grand slam against the New York Yankees that propelled the Dodgers to the title. At the time, he was being compared to Kirk Gibson and his memorable 1988 World Series homer.
This time, he can only be compared to himself, a guy who was struggling so much in the postseason that both Shohei Ohtani and Mookie Betts had been intentionally walked in front of him late in the game.
Three times in extra innings, he could have ended the game with a hit. Three times he left runners stranded.
But, finally, Freddie once again became Freddie, driving the ball deep over the center field fence, thrusting his right hand in the air, and watching his teammates dancing and jumping and screaming with a jubilation not previously seen by this workmanlike team this postseason.
“I don’t think you ever come up with the scenario twice,” said Freeman. “To have it happen again, it’s kind of amazing, crazy, and I’m just glad we won.”
Nobody seemed happier than Ohtani, who left the scrum to run down to the bullpen to embrace teammate Yoshinobu Yamamoto. Despite throwing a complete game two days ago, Yamamoto was preparing to pitch in this game because the Dodgers had run out of arms.
It was that kind of night. It was two seventh-inning stretches. It was umpires nearly running out of baseballs. It was Vladimir Guerrero Jr. eating in the dugout.
“It’s one of the greatest World Series games of all time,” said Dodger Manager Dave Roberts while meeting the media after midnight. “Emotional. I’m spent emotionally. We got a ball game later tonight, which is crazy.”
When Ohtani returned toward the dugout he was hugged by water-spraying teammates, and for good reason.
Throughout the night Ohtani once again wrapped Dodger Stadium in his giant arms and shook it down to its ancient roots.
The win was set up after Tommy Edman made a perfect relay throw to the plate to gun down Davis Schneider in the top of the 10th, then Clayton Kershaw dramatically worked out of a base-loaded inherited jam in the 12th.
But before Freeman’s homer, Ohtani owned the night.
He led off the game with a ground-rule double. Then he gave the Dodgers a 2-0 lead with a third-inning homer. Then he closed a 4-2 deficit with a fifth-inning RBI double. Then he tied the game at 5-all with a seventh inning home run.
Then, his aura became even crazier.
Four times in a five-inning stretch from the ninth inning to the 15th, Ohtani was intentionally walked — drawing a fifth walk on four pitches in the 17th. Twice the bases were empty. Once he had to pause at second base to relieve leg cramping. It was nuts.
Imagine a player so dangerous he is given a base four times with a World Series game on the line. One can’t imagine. That’s Ohtani.
“He’s a unicorn,” said Freeman. “There’s no more adjectives you can use to describe him.”
Remember 10 days ago when Ohtani had three home runs and struck out 10? Monday night was nearly as impressive because it was in the World Series, his four extra-base hits tying a record that had last been set in 1906.
And, yeah, he pitches again Tuesday in Game 4, so by the time you comprehend all this, he may have done it again.
“Our starting pitcher got on base nine times tonight,” said Freeman with wonder.
Ohtani was so good, he was better than the Dodgers bad, which included bad baserunning, bad fielding, and a bit of questionable managing.
The Dodgers stranded the winning run on base in the ninth,10th, 11th, and 13th, 14th and 15th inning and 16th…and really should have won it in the 13th.
That’s when Roberts surprisingly batted for Kiké Hernández after a Tommy Edman leadoff double. Miguel Rojas bunted Edman to third, but Alex Call and Freeman couldn’t get him home.
That was only one of numerous potentially game-changing plays on a night when the Dodgers took a 2-0 lead, fell behind 4-2, tied it up at 4-all, fell behind 5-4, then tied it up again in the seventh. Who’d have thought it would remain tied for the next 11 innings?The Dodgers left 18 men on base. They were two-for-14 with runners in scoring position.
Max Muncy went 0-for-7. Mookie Betts went 1-for-8. Freeman was just 2-for-7.
“Weird how the game works sometimes, huh?” said Freeman.
The official time of this one was 6:39, which wasn’t so long that one thought of actor Jason Bateman’s reminder to the crowd during a pregame cheer. He noted that the Dodgers had not clinched a World Series championship at Dodger Stadium since 1963.
Two wins in the next two days and they’ll finally do it again.
After Monday’s doubleheader sweep, it’s hard to believe they won’t.
Teoscar Hernandez, who had struck out in all four of his at-bats in game two, opened the scoring for the Dodgers with a home run in the second inning.
Ohtani doubled the lead with a solo shot of his own in the third, before the Blue Jays’ bats woke up in the top of the fourth inning.
A fielding error by second baseman Tommy Edman allowed the Canadians to put two men on base, Alejandro Kirk lifted his second homer of the series over the centre-field fence for a 3-2 lead, before Andres Gimenez’s sacrifice fly made it 4-2.
Blue Jays starter Max Scherzer became the first man to pitch for four different teams in the World Series, but he departed in the fifth inning and that was the cue for the Dodgers to level the scores.
Ohtani’s third hit of the night scored Enrique Hernandez, before Freeman drove in Ohtani from second base for 4-4.
The pendulum swung back towards Toronto in the seventh when Bo Bichette’s line drive to the right field corner allowed Vladimir Guerrero Jr to score from first base, but Ohtani’s second homer of the night tied the scores again at 5-5, and the game remained deadlocked after that.
Both sides stranded multiple baserunners on several occasions, and neither was able to conjure a run with the bases loaded.
Ohtani was intentionally walked, external four times and was caught stealing second base, while Toronto pinch-runner Davis Schneider was thrown out at home plate in the 10th, and veteran Dodgers pitcher Clayton Kershaw made a cameo appearance from the bullpen in his final series before retirement.
Eventually, with both sides running out of bench players, Freeman lifted reliever Brendon Little over centre field to win it.
The series continues with game four on Tuesday, again at Dodger Stadium, when Ohtani will be the starting pitcher.
Whether it’s wearing a specific jersey — or in the case of Yoshinobu Yamamoto’s interpreter, lucky boxers with a rabbit shooting a rainbow-colored laser out of its eyes — or making sure you’re watching the game from the spot on the couch, superstitions abound when it comes to sports, especially during the playoffs.
L.A. bleeds blue, and now that the Dodgers are facing off against the Toronto Blue Jays in the World Series, we want to hear your superstitions, actions and the lucky items you’re employing to help cheer the team on to victory.
Tell us your superstitions, and we might share your story in a future article.
Enter by filling out the form and tell us about your lucky item or whatever superstition or strategy you have to help the Dodgers win. You can even include a photo if you’re so inclined.
