secret

Susanna Hoffs calls it “the list”: a faded piece of paper ripped from a Filofax day planner on which are scrawled the names of every guy she’s ever gone out with — some famous, some not, some “kind of douchey,” as she puts it with a what-can-you-do shrug.

“It was like a dating profile but pre-internet,” Hoffs says of the tally, which she composed sometime in the late 1980s as she was racking up hits — among them the chart-topping “Walk Like an Egyptian” and “Eternal Flame” — as the frontwoman of the Bangles. “I’m a nice Jewish girl,” she adds. “I was just keeping track, doing my homework.”

Today at the bottom of the list in all caps sits the name of Jay Roach, the movie director whom Hoffs met on a blind date in 1991. He’s the subject of a new song called “None of Them Were You,” in which the singer runs down some of Roach’s predecessors — “a very dapper Brit,” “a suave and handsome actor” — before musing on her deep connection with the man to whom she’s now been married for 33 years.

“I ended up with such a good guy,” she says. “It almost brings a tear to the eye.”

“None of Them Were You” isn’t the only tune with that potential on an album Hoffs is preparing to release next month. Due Sept. 18 from her Baroque Folk label, “The List” — Hoffs’ first set of original material in more than a decade — collects a dozen touching and witty songs based on tales from her life as an artist, wife, businessperson and mother. At 67, her winsome singing voice is remarkably unchanged from the era of big hair and dangly earrings. Yet the music reflects an emotional wisdom that had to be earned through experience, as in the folky “Time,” which ponders her and Roach’s relationships with their two adult sons.

“I see you dancing in the kitchen / I feel your tiny hand in mine,” she sings, “What if you fly back home this summer? / We could spend a little while.” (Beware, parents — this one will wreck you.)

A voluble presence with an easy laugh, Hoffs points out that she’s hardly been “hiding in a cave” since 2012’s “Someday.” In 2024, she put out a long-shelved solo record of songs she’d cut back in 1999; before that, she made a series of expertly curated covers albums, including three she recorded with the power-pop maestro Matthew Sweet. But publishing her first novel in 2023 — “This Bird Has Flown,” a charming bestseller about a one-hit wonder looking for a comeback — rejuvenated Hoffs’ devotion to songwriting.

“I never thought the book would sell, and I never thought it would get great reviews,” she says on a recent afternoon at her home in Brentwood. “That was a big turn career-wise.”

For “The List,” Hoffs teamed with CJ Camerieri, a musician and producer known for his work with Paul Simon and Bon Iver, among others; Camerieri in turn recruited an array of songwriters to collaborate with the two of them, including a couple of Grammy winners in Dan Wilson and Jesse Harris.

“Sue has built up decades and decades of goodwill in this town,” Camerieri says, seated next to Hoffs on a sofa, “so you call up somebody like Dan and you say, ‘Hey, you want to write a song with Susanna Hoffs?’ and he goes, ‘Great, yeah, I’m in.’”

The process was simple, the producer explains: “We’d start in Sue’s kitchen with coffee at 10 in the morning —”

“I’m really good at coffee,” Hoffs interjects. “I mean, I use Nespresso. But I’m good at being a hostess to all the lads.”

“So I’d give everybody a yellow legal pad and Sue would start telling stories,” Camerieri continues. “We’re all scribbling notes, and after about an hour, we’d go, ‘I think we got enough here,’ and we’d go write songs about what she’d told us.”

They recorded at Hoffs’ place — “We’d move this couch and the drums would go right here,” she says — beneath a vaulted ceiling that provided just the right ambience. First-call players like Greg Leisz and Wendy Melvoin stopped by to take part in the sessions; for harmony vocals in a country-ish ditty called “Bad Case of Loneliness,” they got Rufus Wainwright, with whom Hoffs had done a version of the Turtles’ “Happy Together” for Roach’s 2025 comedy “The Roses.”

The dreamy-rootsy arrangements are never less than handsome — and never prettier than in “Fool,” which Hoffs says was inspired by her love of the records Dionne Warwick and Burt Bacharach made together. Yet “The List” was built to showcase Hoffs’ rich storytelling.

The LP opens with “Casablanca,” in which she recounts a run-in with the Grateful Dead’s Bob Weir in New Orleans in the late ’80s. The Bangles were on tour opening for George Michael; the Dead had a gig at the University of New Orleans’ Lakefront Arena. After Hoffs and Weir ended up at a crawfish boil put on by the Neville Brothers, the two took a walk along Lake Pontchartrain — “He was very cute,” Hoffs says — then later strolled again through the French Quarter.

“At one point, I looked back and there was a sea of Deadheads who realized it was Bob Weir,” she says. “But I was with him. I got to be his pal, which I just couldn’t believe was happening. It was delicious.” (Between the two walks, the Bangles famously jumped onstage with the Dead to perform “Iko Iko.”)

As we’re talking, Camerieri tells Hoffs that he recently met Weir’s former tour manager — Weir died in January at age 78 — and that he’d relayed Hoffs’ memory of the encounter. “He was like, ‘I know this story,’” Camerieri says the manager replied. “‘Bob used to talk about the time he got to walk around New Orleans with Susanna Hoffs.’”

“Oh my God!” Hoffs says, eyes starting to glisten. “So it meant something to him too.”

Bookending “The List” is “What Are Wings For,” a stately ballad about sticking to one’s guns that Hoffs and Camerieri wrote with Edie Brickell, who’s married to Simon, on a trip they took to the couple’s ranch in Texas.

“We were there during the World Series [in 2024],” Camerieri recalls, “and we watched the Yankees game with Paul every night after working on songs.”

Adds Hoffs with a laugh: “He also told me that he thinks the Bangles’ version of ‘Hazy Shade of Winter’ is better than his. I was like, ‘Please don’t — yours is the iconic version.’”

By the time the Bangles covered that Simon & Garfunkel tune for the soundtrack to 1987’s “Less Than Zero,” the band was already a fixture on the radio and MTV. Hoffs formed the group in 1981 with sisters Vicki and Debbi Peterson, who learned to play together in the garage of Hoffs’ parents’ house, just a few blocks from where the singer lives today.

The Bangles came up through L.A.’s ’60s-steeped Paisley Underground scene and found stardom after the addition of Michael Steele with “Manic Monday,” a sparkling pop-rock gem gifted to the band by Prince. (Beyond her list of boyfriends, one of Hoffs’ prized possessions from back in the day is Prince’s original cassette demo of “Manic Monday.”)

“He was brilliant but mischievous,” Hoffs says of the late trailblazer, on whom she modeled the character of Jonesy from her novel. “I remember one time he invited us to Sunset Sound in the middle of the night. We get there and we’re jamming, then suddenly we look around and he’s disappeared. ‘OK, I guess we’re done.’”

The Bangles with an assortment of music execs in Los Angeles in 1987.

(Lester Cohen / Getty Images)

After eight Top 40 singles and a triple-platinum LP, the Bangles split in 1989 amid differing ideas about the band’s creative direction and ambitions. The members pursued solo and other projects but reunited to record a song for 1999’s “Austin Powers: The Spy Who Shagged Me,” which Roach directed; two more Bangles albums followed in 2003 and 2011, the second minus Steele, whom Hoffs says she’s not in touch with at the moment.

Compared to the Go-Go’s, whose parallel career was detailed in a 2020 documentary and who were inducted into the Rock & Roll Hall of Fame a year later, the Bangles haven’t quite cemented their legacy, though an authorized biography came out last year and a doc is currently in development.

Yet Hoffs doesn’t seem especially troubled by the possibility that the Bangles might be underappreciated, perhaps because she’s got plenty of her own stuff going on. Before “The List” comes out, she’ll play her old hits in a Sept. 5 gig at Largo at the Coronet and in a handful of dates opening for Billy Idol; after the new album drops, she’ll head east for a residency at New York’s Café Carlyle.

She and Camerieri are also at work on a musical adaptation of “This Bird Has Flown” for the stage or the screen. And just the other day she found a folder on her computer full of songs she wrote years ago with her friend Marvin Etzioni of Lone Justice.

“I don’t like using the word ‘bucket list,’ but all these things are labors of love,” Hoffs says.

What’s the trouble with “bucket list”?

“Oh, I don’t know,” she says, smiling. “It just seems, like, death-y.”

HUGE headliners. Gorgeous Suffolk countryside. Woodland spas. Entire fairgrounds, theatre and comedy tents. Oh, and fluffy pink sheep.

If you’re looking for the UK’s best family festival, you’ve found it at Latitude.

I visited the festival this year to celebrate its 20th birthday, and as a first-timer, it truly surprised me.

This year I sang my heart out to sets from Tom Odell and Lewis Capaldi, but over the years, the festival has hosted artists like The 1975, Liam Gallagher and Florence + The Machine.

Pair those headline sets with DJ sets from Dermot O’Leary and Gok Wan, and you’ve got yourself a pretty interesting line-up across the festival’s six music stages.

The thing that struck me the most about this festival was just how family-friendly it is.

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At the very front of the main stage, you’ve got dedicated superfans stood against the barrier.

Zoom to the outer edges of the crowd, and you’ve got multi-generational families sat on camping chairs and picnic blankets, with pully trolleys packed with snacks, toys and games.

And when I say this is an all ages festival, I mean ALL ages.

I saw pairs of grandparents slow-dancing together as well as tiny toddlers grooving on the grass.

Those who wanted to stay out late or head to over 18’s zones could do just that, whilst those who want to peel off early to put the kids to bed can easily do so, too.

It was refreshing to find a festival where you can enjoy huge headline acts such as Lewis Capaldi and David Byrne, and not get caught up in the pushing, shoving and moshing that comes with other UK festivals.

Although – if you are wanting that vibe – head to the Trailer Park late at night, where alternative and up-and-coming acts like Grooveline put on incredible, high-energy sets.

This is also the area of the woods that’s best for exploring, where you’ll find everything from a redneck oracle offering life advice, to a rat-themed caravan hosting a rat-themed rave.

I won’t lie, this exploration was done during the early hours of the morning and I was starting to question my own eyes. But I can assure you that the Trailer Park, in all of its randomness, is real.

There’s even a secret, apres-ski themed stage that plays dance music and blasts fake snow over the crowd – accessible only by crawling through an unsuspecting ski shed.

Forgetting the chaos of the nighttime escapades, this festival experience can also be as relaxed as you want it to be.

Maybe it’s the chilled Suffolk countryside that puts everyone at ease, but this festival has an incredibly relaxed and friendly atmosphere.

There’s even free punting trips along the river, where you’ll cruise by a floating stage that puts on experimental art performances and classical music from a live orchestra.

And if you really want to unwind, there’s an entire wellness area dedicated to just that.

Slip through sparkling streamers into the zen zone and find food trucks serving nourishing smoothies, massage tents, saunas and daytime yoga sessions.

My favourite part of this zone was the “peace tree”, draped in flowers and colourful hangings, with soft cushions scattered across the grass beneath it.

It’s the ideal spot for a quick moment of meditation (or, let’s be honest, to retreat to when you’ve had one too many drinks).

Here, you can simply lie back on the earth, rest your head on a cushion, and breathe – and don’t worry, no one will judge if your quick lie-down turns into a full afternoon snooze.

To the left of the zen zone you’ll find the comedy tent, where you can catch a stand-up show from both budding talent and big names.

I managed to catch a set from the hilarious Sue Perkins, which started with all things Bake Off and ended on embarrassing, behind-the-scenes moments from her Netflix travel show.

Just a few minutes’ walk from the comedy tent will take you to the massive dedicated kids area, which is packed with free workshops, theatre shows and more from 10am – 6pm daily.

The baby and toddler tent offers a sheltered soft play plus areas to feed, change and even bathe the little ones.

For older kids, there’s a fairground with a giant helter skelter, plus a kids theatre tent with song and dance workshops, arts and crafts activities and pop-up Punch and Judy shows.

Over in the forest, you’ll find bushcraft skills, pop-up museums and interactive space and science stations. All in all, it’s pretty impossible for kids to get bored here.

When it comes to camping, there’s plenty of options.

There’s general weekend camping, plus dedicated family camping zones, ideal if you have children aged 16 and under in your group.

The family camping zone has its own ‘Enchanted Garden’ area with extra activities, plus it’s only a short walk from here into the main arena, which is ideal for those with little legs.

I stayed in the Pink Moon glamping area, which is well worth it if you’re looking to treat yourself.

Here there’s plenty of sparklingly-clean loos and showers, plus lounge zones with sofas and a dedicated pamper tent, complete with mirrors, hairdryers and straighteners that are yours to use.

As for food and drink, you’re pretty spoilt for choice here.

Stonebaked pizzas, macaroni cheese bowls, loaded jacket potatoes, coconut curries, duck wraps, fluffy Biscoff pancakes…my mouth is watering just thinking back to the meals I had.

Expect food festival prices, but my top recommendations would be to grab a salted maple iced latte from Pantha Coffee (£5), and indulge in home comforts with a full-on roast dinner from Roasthost (£18).

You can even just grab a side of roasties with gravy and cauli-cheese for a cheeky snack (£10).

Or head to The Local Larder by the kids zone to pack your own picnic, where you can put together a lunch of scotch eggs, sausage rolls, cheese twists, salads, pastries and more.

Ultimately, Latitude Festival can be whatever you make it.

Want a wholesome family camping weekend where the kids have a fairground and woodland workshops on their doorstep? Sorted.

Or days of drinking at waterfront wine bars, going punting, catching a few DJ and comedy sets thne ending the night by dancing to drum and bass? That’s easily done, too.

All of this in a fantastical woodland setting dotted with pink sheep, hidden forest raves and floating river stages – I’d say that’s a recipe for a pretty magical weekend.

Latitude 2027 Early Bird tickets go on sale on August 13 at 10am.

Day tickets start from £110 for adults and £18 for children.

General weekend camping tickets start at £308 for adults and £28 for kids, which covers four nights of camping plus entry to all free performances, workshops and activities.

Pink Moon camping starts from £285 per adult for the weekend, excluding a festival entry ticket.

See latitudefestival.com.

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ROCK veteran Phil Collins has admitted he was days from death after secretly relapsing into alcoholism.

The 75-year-old Genesis legend was placed on a life support machine as vital organs, including his kidneys, started to shut down.

Collins said his five children — including Emily In Paris actress Lily, 37 — were even summoned to a hospital in Switzerland to say goodbye during the drama two years ago.

Now sober again, the eight-time Grammy award winner said: “There were some decisions to be made about, ‘Do we keep Phil on life support?’

“My kidneys were packing up, my organs were seizing up. People were coming to say goodbye.

“They were all worried that they wouldn’t see me again.”

Collins — whose 13 solo hits include You Can’t Hurry Love, Easy Lover and Groovy Kind Of Love — first opened up about his struggle with alcohol in his 2016 book Not Dead Yet.

He said he started drinking while having too much time on his hands and stopped only after being hospitalised with acute pancreatitis in 2012.

Now he has told how he went on the drug Antabuse, which triggers severe sickness if used while drinking alcohol.

Yet, despite this, in November 2023 he was back in hospital because he had hit the bottle again.

He was discharged almost a month later, then readmitted in early 2024, spending seven months in hospital. In January he blamed the stay on contracting Covid.

But, speaking to The Sunday Times’ Decca Aitkenhead, he admitted that it was down to years of alcohol abuse.

He explained: “Something happened and I stopped taking the Antabuse. I resented the fact that I couldn’t drink.

“I’d have wine when I woke up. That was what I’d want for breakfast — a glass of wine. But I didn’t drink into the night.

“I wasn’t really aware of having a problem, to be honest.”

Then an 18-hour bender saw him admitted to intensive care in Switzerland, where he lives. A doctor asked his loved ones: “Is Monsieur Collins’ will in order?”

Looking back, Collins continued: “There were times I would just collapse. One time, I remember getting up to give the kids a cuddle and I lost my balance.

“I left two teeth marks in the tiles in the living room.

“Another time, I was walking upstairs too quickly and I fell down. There was a pool of blood around my head.

“There were various low moments that I’m not proud of.”

He said he had not touched a drop since leaving hospital, but confessed that the effects of boozing have permanently damaged his body.

Over the past decade he has had multiple operations on his knees and his spine, and he has Type 2 diabetes.

Single Collins now needs a 24-hour nurse who ensures he takes the medication he needs and helps him walk six laps daily around his home.

A physiotherapist visits three times a week.

He passes the time watching TV, including Sky News and re-runs of comedy panel show Shooting Stars. He also watches documentaries about serial killers on YouTube, along with Piers Morgan’s show.

In the wide-ranging interview, which he carried out with nothing to promote, he said: “I’ve had my run-ins with Piers, but I watch his show every Saturday morning. I really look forward to it, because I find I agree with him.”

Recalling the past year, which saw him reuniting with his children at Christmas to celebrate his ­recovery, Collins said: “I was very lucky.”

He said his illness had brought him closer to Lily, saying she “was sitting beside me in tears telling me, ‘I never thought I’d get these moments’.

“We had an incredible time. I can’t overemphasise how fantastic it was.” Collins also used his Sunday Times Magazine interview to address the end of his marriage to his third wife, Orianne Cevey.

He was previously married to Andrea Bertorelli and Jill Tavelman and met Orianne in 1994 when she was working as a translator.

They wed five years later.

Orianne, 52 — mum of two of Collins’ three sons, Nicholas and pro footballer Mathew — divorced him in 2008 and Collins had to pay a £25million settlement, the largest in celebrity history at the time.

The pair reunited in 2016 but in the autumn of 2020 it was revealed she had secretly married 36-year-old jobbing guitarist Thomas Bates in Las Vegas.

She moved him into Collins’ £30million mansion in Miami, and he even flew to the UK to work with Genesis.

Collins later took Orianne to court to evict her from the house, a move that saw Bates branding him “petty and vindictive” in an interview with The Sun.

Speaking publicly about the marriage bust-up for the first time, Collins said he found out about the couple’s wedding only when Orianne introduced Bates to him.

The singer and drummer said: “She’s not in my best books.

“I’d love to go into detail, but I can just see this coming back to bite me.

“And she’s admitted that she f***ed up big time. She’s aware of what she did wrong, and how wrong it was, and how it must have affected me. But I can’t quite forgive yet.”

Collins said he was still in touch with Orianne but admitted he tried to limit contact, explaining: “I don’t think it’s a good idea right now.

“Just because I know what I’m like. I would probably fall again, maybe. I mean, we were very much in love.”

Collins will be inducted into the Rock & Roll Hall of Fame for a second time this November.

In 2010 he was recognised for his work with Genesis and this time will be honoured for his solo work.

The Sun understands he will try to attend the ceremony if his health permits it.

He is also working with Lily’s mother Jill, 70, on a Los Angeles charity auction due the same month. It will feature items from his archive between 1980 and 1995.

All proceeds from the sale will go directly to The King’s Trust, with whom Collins has worked for 44 years after becoming its first celebrity ambassador

Opening up about why he had decided to speak up now, Collins said he wanted to set the record straight on his life and career. And he said he was keen to find someone to settle down with again.

He added: “I’d love to be in love again. I would love a relationship. I think it’s probably too late for that. I’m not a very social person. I don’t go out.”

• Interview by Decca Aitkenhead for The Sunday Times

DAUGHTER RIFT IS NOW HEALED

By Ellie Henman

PHIL Collins has addressed falling out with his actress daughter Lily.

The Emily in Paris star, 37, wrote an open letter to him in 2017, where she credited previous eating disorders to the pair’s troubled relationship.

She wrote at the time, in her autobiography Unfiltered: “I forgive you for not always being there when I needed, and for not being the dad I expected.

“I forgive the mistakes you made. And although it may seem like it’s too late, it’s not. There’s still so much time to move forward.”

She continued: “I’m learning how to accept your actions and vocalise how they made me feel. I accept and honour the sadness and anger I felt toward the things you did or didn’t do, did or didn’t give me.”

Addressing the words in his Sunday Times Magazine interview, Phil said: “I was quite shocked and a little bit sad.

“But she’s told me why now, and she takes it all back.

“She wished she’d never done it. I have a wonderful relationship with Lily now. So everything has a happy ending, most of the time.”

The Genesis rocker also said he has a close relationship with adopted daughter Joely, 53, and his 49-year-old son Simon from his marriage to first wife Andrea.

His youngest children, footballer Mathew, 21, and drummer Nicholas, 25, are also in close contact with him.

Phil added: “There’s been a lot thrown at them over the years, and I dread to think what that’s been like.

“But all of us are good now and have been for a while.”

Javier Ramirez was handcuffed in the back of an unmarked car, bruised and confused, when immigration agents used a word he had never heard before.

It was June 2025, and they were bragging about the raids in the Los Angeles area that swept up hundreds of immigrants — and a few U.S. citizens, like Ramirez. The unfamiliar word caught Ramirez’s ear.

Tonk.

“I wondered what that meant — I thought it was some code,” the 33-year-old tow truck driver told me over a Zoom call this week. “But I didn’t make a big fuss about it then.”

Masked men had thrown him to the ground outside a tow yard in Montebello, for reasons they wouldn’t divulge. He ended up in the car with a man detained in another roundup, headed for the Metropolitan Detention Center in downtown Los Angeles.

The color disappeared from Ramirez’s face when I explained what “tonk” means.

For at least half a century, Border Patrol workers have used the onomatopoeic word, referring to the sound of someone getting hit, as slang for undocumented immigrants. Body camera footage and text chains from last summer’s immigration raids, released this week in a court filing, captures agents throwing around anti-immigrant insults like “wet” and “tonk” with the same ease that the rest of us say “and” or “the.”

The most egregious example, I told Ramirez, was directed at him and his friend, fellow U.S. citizen Brian Gavidia.

A video shows an agent shouting, “One tonk f— got away, dude!” as colleagues manhandle the pair. The same agent, who spoke with a Chicano accent, later sped off in a vehicle while asking in Spanglish, “¿Alguien arresto un tonk, güey?” — Did someone arrest a tonk, man?

“Oh, wow, OK, that’s really bad,” Ramirez finally said, laughing bitterly while gathering his thoughts. “It’s kind of hurtful. They’re just assuming who I am.”

Ramirez asked his attorney, Luis Castillo, if the agents who accosted him “had violence on their mind when they used that word.”

“You’re getting a double whammy,” the longtime civil rights lawyer replied. “They’re hitting you twice, physically and psychologically.”

No, Luis: they’re hitting us all.

Brian Gavidia stands in a parking lot next to East Los Angeles College in Monterey Park in 2025 a day after he and his friend were roughed up by immigration agents outside a tow yard in Montebello. The two are suing the federal government for violating their civil rights.

(Carlin Stiehl / Los Angeles Times)

If you’re still doubting that racist violence fuels President Trump’s deportation deluge, just consider what Gavidia and Ramirez have been through.

La migra roughed them up even as they screamed that they had documents to prove their U.S. citizenship. They took Gavidia’s Real ID and never returned it. Ramirez was detained for five days and charged with trying to assault a federal officer and interfere with their work — a case that went nowhere because he did no such things.

The American Civil Liberties Union and Public Counsel, along with other groups and private attorneys, included the body cam footage in a court filing asking a federal judge to bar immigration agents from making stops based on racial profiling.

Gavidia is part of that lawsuit, while Ramirez has sued separately. Now, the two men are more certain than ever that the Trump administration’s deportation strategy isn’t about getting the worst of the worst.

To la migra, all Latinos are tonks.

“I never even heard the word, but once [lawyers] told me the explanation of what it meant, I was disgusted instantly,” said Gavidia, 30, who fixes up and sells cars. “They already knew what they were coming to do. We told them we were Americans. It didn’t matter. We were brown, and that was enough.”

“I saw [the tonk video] 300 times,” Gavidia added, “and it’s giving me more trauma.”

“Tonk” has been a dirty little secret of the Border Patrol for decades — workplace lingo showing that the banality of evil that’s la migra on its best days has transformed into something far uglier under Trump.

The slur is so vile — predicated on violence by law enforcement, unlike ethnic jabs that insult food or culture — that it has never crossed over into mainstream English. “Tonk” in its anti-immigrant meaning doesn’t appear in the Merriam-Webster dictionary or even the Dictionary of American Regional English, the premier academic collection of American slang.

And that’s exactly how the Border Patrol likes it.

The earliest use of “tonk” to demean immigrants that I’ve been able to find is in a 1976 book by Paul Schuster Taylor, an early pioneer of Mexican American studies best known for documenting the plight of Dust Bowl refugees along with his wife, photographer Dorothea Lange.

Taylor quoted a Border Patrol inspector referring to Mexicans as “tonks” but offered no definition. In a 1978 hearing, Immigration and Naturalization Service Commissioner Leonel Castillo said the slur was “sort of like the new term” for “wets.”

Castillo — no relation to Luis — nevertheless defended his agents’ use of anti-immigrant words.

“I think it’s the way — the tone in which you use it, and then how you treat people,” he said, maintaining that the verbiage was ingrained in the “very fine gentlemen” who worked under him.

“It’s very hard to change them,” he said. “But they’re not necessarily bad people.”

A year later, an anonymous Border Patrol agent writing for the white supremacist publication Instauration debunked Castillo’s apologia. He claimed that “tonk” derived from the thudding noise when agents smashed a flashlight on an immigrant’s head.

“The Anglos of the Border Patrol are not as intimidated by federal guidelines as people might think,” the agent wrote. “We have our own methods of interrogation in the desert.”

San Diego State English professor William Nericcio has spent his career studying anti-Mexican hate. He grew up around Laredo, Texas, in the 1970s and 1980s with “guys and their dads who worked in Border Patrol because it was a good job.”

Yet he hadn’t heard of “tonk,” either.

Immigration agents detain two men at a car wash in Montebello, Calif., in 2025.

(Gregory Bull / Associated Press)

“A drum roll of anti-Mexican violence turns into a soundtrack — wetback, beaner, spic and now, tonk,” Nericcio responded when I asked why the slur has stuck for so long among immigration agents. “Of all these anti-Mexican terms, this is the only one that directly connects to an act of violence. It’s a thing of pride when you say it — ‘Hey boss, I got a tonk today! Where’s my bonus?’ It’s glory days for them.”

The casual use of “tonk” by la migra eventually became a PR embarrassment even for the Trump administration. In 2019, during Trump’s first term, a Customs and Border Protection spokesperson told an Arizona public radio station that the slur “is now considered a derogatory term and CBP does not condone its use.”

This time around, a Department of Homeland Security spokesperson told my Times colleagues that “agents are focused on protecting the American people — not entertaining performative outrage.”

CBP didn’t respond to my multiple requests for comment about whether its internal guidelines continue to discourage “tonk” and whether agents face any discipline for using it.

If you’re not disgusted by this devolution in protocol, I’m not sure what can possibly disgust you.

ACLU lawyer Mayra Joachin said the body cam footage is “clear evidence that these stops were always about individuals’ appearance of being Latino working class” and is proof of the “culture of racism underlying” the Trump administration’s deportation strategy.

How are Gavidia and Ramirez feeling now, after being called a racist slur they hadn’t even known existed and that doesn’t even technically apply to them?

“If you’re a U.S. citizen, you can’t be free in the U.S.,” Ramirez said. What happened to him “can happen to anyone, it can happen to their kids and family, and when it happens to their family, that’s when they’re going to see the truth of what’s happening.”

Gavidia, who voted for Trump in 2024, said that immigration agents think they “are above the Constitution and law.”

“That’s sad and disgusting,” he said. “If we don’t stop this and fight this now, it’s going to get worse and worse.”

This story includes spoilers for “Spider-Man: Brand New Day.”

It’s been nearly five years since Spider-Man’s last big-screen adventure, but your friendly neighborhood webslinger is finally back.

Directed by Destin Daniel Cretton, “Spider-Man: Brand New Day,” in theaters now, follows a Peter Parker (Tom Holland) who no longer has much of a life outside of his vigilante crime-fighting and keeping tabs on his loved ones (Zendaya, Jacob Batalon) from afar.

The movie’s biggest reveal involves the identity of the villain played by Sadie Sink — and plenty of questions remain about her future and what her appearance means for a certain fan-favorite mutant superhero team.

But although much has changed for the Marvel Cinematic Universe in the years since the 2021 release of “Spider-Man: No Way Home,” one tradition remains: unpacking the meaning of an installment’s post-credits scene.

“Brand New Day” features just one brief end-credits sequence to tease what’s next for Spidey. Here’s how it connects to upcoming MCU installments “Avengers: Doomsday” and “Secret Wars.”

Ned (Jacob Batalon) created the Spidey Tracker app shown in “Spider-Man: Brand New Day.”

(Jay Maidment / Sony Pictures)

What happens in the ‘Spider-Man: Brand New Day’ post-credits scene?

The bonus footage shown after the full credits of “Spider-Man: Brand New Day” roll is more of a tease than a proper scene. The brief stinger involves the Spider-Man tracking app created by Ned, which allows users to log any sightings of the webslinger. The Spidey Tracker map screen shown in the post-credits tag at first shows the friendly neighborhood hero’s location as being “unknown” at that moment. The map then zooms out of New York and away from Earth before the Spider-Man icon indicates he has been spotted somewhere in outer space.

Does that mean Spider-Man is returning for ‘Doomsday’?

Maybe! The expansive cast list for “Avengers: Doomsday” includes members of the Avengers past and present, the Fantastic Four, the X-Men and many others, but one glaring omission has been Tom Holland as Spider-Man. It’s possible that the secretive Marvel has stayed mum just to keep his appearance a surprise and Spidey will not only appear but also join some of the other heroes — like the Fantastic Four, who have a spaceship — as they venture out to somewhere in space.

It seems unlikely that Marvel would keep Spider-Man’s involvement in “Doomsday” a secret for so long only to spill the beans without fanfare in a brief post-credits stinger, though.

Tom Holland in “Spider-Man: Brand New Day.”

(Sony Pictures)

Will Spider-Man be in ‘Secret Wars’?

Probably? Not much is known about “Doomsday’s” follow-up, “Avengers: Secret Wars,” which is reportedly scheduled to start filming “soon.” Throughout the “Brand New Day” press tour, Holland has maintained that he knows absolutely nothing about the upcoming movie.

But “Secret Wars” gets its name from a couple of Marvel comic book storylines that involve various heroes being pitted against each other. Although MCU works are usually not direct adaptations, Spider-Man was involved in both comic crossovers.

The 2015 “Secret Wars” story featured some plotting by Doctor Doom and saw multiverses collide, be destroyed and merge. During the crossover, the main continuity’s Spider-Man teamed up with another dimension’s Spidey — Miles Morales — who then ended up moving to the main Marvel universe in the event’s aftermath.

Spider-Man also played a part in the very first “Secret Wars” crossover in the 1980s. In this story, various heroes were plucked away from their usual haunts by a mysterious powerful being and pitted against similarly assembled villains (including Doctor Doom). It was during this crossover that Spider-Man first donned the sentient black suit that would become known as Venom.

Both “Secret Wars” series saw characters displaced onto a patchwork planet called Battleworld. The Spidey Tracker info from the “Brand New Day” post-credits scene could be teasing that’s where Spider-Man will eventually land.

What do we know for sure?

“Brand New Day” concludes with the message “Spider-Man will return.” Fans will just have to wait to see when, where and which Spider-Man will be involved.

“Avengers: Doomsday” is slated to hit theaters Dec. 18, while “Secret Wars” is scheduled for a Dec. 17, 2027, release.

Killing Eve’s Harriet Walter was left ‘astounded’ after discovering her mother’s incredible secret job on Who Do You Think You Are

Dame Harriet Walter was left speechless after discovering an ‘astounding’ secret about her mother.

The legendary actress, 75, has graced our screens for years in incredible films and television shows, such as Star Wars: The Force Awakens, Rocketman, Downton Abbey, The Crown, Succession, Killing Eve, Ted Lasso and Call The Midwife.

However, Harriet put her family in the spotlight for the latest episode of Who Do You Think You Are? on Thursday night, where she discovered an incredible secret about her mother, Xandra Lee – the elder sister of renowned actor Sir Christopher Lee.

Showing old pictures of her lookalike mother, Harriet said: “This is my mother, Xandra. She was a very sweet woman, had the most amazing sense of humour, but she was sort of slightly belittled by the men in my family.”

Harriet continued: “This picture is my parents, and they were married in December 1946. I knew a bit about what she did in the war. She worked in naval intelligence in the Admiralty, but she said, you would never in a million years tell your best friend, your husband, anybody what you were doing. You just would not do it.

“She said she was one of thousands of cogs in the machine and I just want to know much more about exactly what that machine was doing and what her part in it was. So I’m going to see what I can find.”

However, Harriet got more than she bargained for upon discovering her mother played an important role in the success of the 1944 D-Day landings, which she learnt thanks to ground-breaking research on women in wartime intelligence conducted by Dr Helen Fry.

During the meeting at the Old Admiralty Building in London, Dr Fry revealed after sharing archive details and facts: “To get this into perspective, your mother was in charge of the whole intelligence picture for naval intelligence for the D-Day landings.”

Harriet was left speechless as she put her head in her hands, before adding: “Wow, wow. It’s just astounding. It’s astounding. I had this rather frivolous idea of her sort of just having a great time in the canteen and flirting with the boys and I had no idea she had this sort of responsibility.”

Dr Fry then pointed out: “The oath of secrecy, they knew when they took it, it was for life and she kept it”, adding that her mother’s work was “detailed analytical work” and “highly responsible”.

Harriet added: “That is extraordinary. I’m sorry to say this, but when I think how she was sort of put down by my dad and my stepfather and, you know, ‘your mother’s not very logical’, you know, had they only known what she’d done, they might have treated her with more respect.

“Blimey. It’s so extraordinary. I’m rethinking my mother entirely. You know, it’s extraordinary how that changes your image of somebody, to think of her in that position of responsibility. I have such a mixture of feelings.

“I mean, mainly I’m astounded that my mother had any kind of significance in the war effort, because she never exposed anything of that sort. She was the epitome of, I would say, modesty in some kind. Not coy, but just sort of, ‘Oh, I don’t matter, darling.’ You know.

“I feel certainly silly that I’ve got some kind of fame for having done absolutely nothing except, you know, pretend to be other people for a living.

“And she, who had a quite a strong role in the D-Day landings, which opened up the whole path to peace. Good for her. Good for Xandra Carandini Lee.”

Who Do You Think You Are? airs at 9pm on Thursday on BBC One and BBC iPlayer.

WHEN it comes to coastal destinations, you might not have heard of Cooden Beach.

But with interest rising, it might be a spot that could soon take your fancy – not to mention it has a beachside terrace, hotel and nearby adventure play park.

Google search data shows searches for Cooden Beach have jumped by 120 per cent in the past month.

Not to mention that other searches like “Cooden Beach hotel menu” and “Cooden Beach hotel restaurant” have risen by more than 5,000 per cent.

Cooden Beach in East Sussex is a simple spot in that it has no loud amusement parks to speak of, or arcades.

It’s ideal for anyone looking for a simple beach break rather than a resort.

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The pebble beach is half-an-hour drive away from Eastbourne – but is much quieter, especially in the summer months.

One gem of the seaside town is the boutique coastal hotel that opened almost 100 years ago.

Saying that, it’s very modern with one of the most popular spots being its Seaview Terrace which on the beach with views across the shingle shore.

One visitor said “on a sunny day it looks and feels like the Med!”

Another called it “East Sussex’s best kept secret”.

Along with its beachfront terrace, it has bedrooms with sea views and a modern wellbeing thermal spa with heated loungers, rooms for treatments and a gym.

There’s even a hot tub that looks out over the sea and beach-facing sauna.

Cosy Double rooms start from £110 per night and Family Rooms start from £190 per night.

The beach is on the outskirts of Bexhill-on-Sea which is known as the birthplace of British motor racing as it hosted the first automobile races in the country.

It also has a long seafront promenade and a huge De La Warr Pavilion where there are often art exhibitions and events.

For anyone heading to the seaside for a summer break, there’s also a nearby adventure park – and you get 10 per cent off if you stay with the hotel.

Called Knockhatch Adventure Park – it’s a play paradise for kids with jumping pillows, a pirate ship ride, huge water slides, a splash park and boating lake.

There are animal encounters in the owl sanctuary and a huge Dragon Castle playground to explore.

Inside there’s the Froggies soft play centre which is a multi-level play area with slides, ball-pools, a spider tower and tunnels.

The play park has lots of top reviews – one visitor wrote on Google: “Fantastic day out. So much to do we couldn’t fit it all in.”

Another said: “One of the best parks I have visited in a long while.”

Day tickets to Knockhatch Adventure Park start from £20.46.

You don’t have to book in advance but it’s advised to get a ticket before arrival to guarantee entry.

THERE are plenty of campsites around the UK, but some of them are so beautiful, it feels like they could be hundreds of miles away.

Sun Travel has teamed up with camping experts at Pitchup.com to find ones in the UK that look like they could be abroad from coastal escapes to secluded lakes.

Ardlui Holiday Home Park

The first from Pitchup.com is Ardlui Holiday Home which looks over the marina on Loch Lomond in Scotland.

With its position on the lake and mountain backdrop it doesn’t look like it belongs in the UK.

The campsite welcomes families and dogs too – the nearby Ardlui Hotel serves up homemade food and Scottish whiskies.

The site offers camping, touring pitches, lodges and its waterfront glamping pods – tent pitches start from £18 per night for two adults.

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Portmeirion Motorhome Park

Portmeirion in Wales is known for looking like an Italian village with bright coloured buildings and pretty gardens.

Staying at Portmeirion Motorhome Park, the pitch price includes entry into the village itself.

You also get complimentary use of the heated outdoor swimming pool – so on a hot day you’ll feel like you’re paddling in Italy.

The campsite has pitches for motorhomes and campervans from £65 per night for two adults.

Pencarnan Farm Caravan and Camping Site

On a bright summer‘s day, a stay at Pencarnan Farm Caravan and Camping Site on the most western tip of Pembrokeshire could look like it could be abroad.

The campsite has direct access to Porthsele Beach and has incredible views of St Georges Channel.

The sea and bay are safe for swimming, kayaking and there are plenty of rockpools to explore at low tide.

There are pitches for tents, caravans and motorhomes starting from £34.80 per night for two adults.

Seaview Gorran Haven Holiday Park

Set on the Roseland Peninsula this campsite is surrounded by green fields and the Cornish blue sea.

It has a heated outdoor pool with a large patio and sunloungers that’s open to guests in the summer months.

Nearby attractions include the Lost Gardens of Heligan and the Eden Project.

It has grass and hardstanding pitches which start from £50 per night for two adults.

Atlantic Beach Resort

Thanks to its enormous swimming pool and proximity to some of Cornwall’s top beaches this campsite has the potential to feel like it’s in Europe.

Found on Cornwall’s north coast, it’s within minutes of some incredible beaches from Watergate Bay to Fistral Beach and Lusty Glaze Beach.

The campsite also has plenty of facilities like a playground for kids, segway adventures, laser tag and 80 classes per week at the gym.

It has grass and hardstanding pitches as well as bell tents – rates start from £36 for two adults for two nights or £9pppn.

Portavadie Loch Fyne

Portavadie Loch Fyne sits on the shores of a loch known as the ‘Secret Coast’ on the Scottish islands

It’s less of a standard campsite and more of a spa and leisure resort and it even has a heated infinity pool that looks out over the water.

There are indoor pools too, a gym as well as cycling trails through the forest.

Electric and grass motorhome pitches start from £28 per night for two adults.

Cornish Tipi Holidays

This peaceful campsite is found in a woodland valley and sits by an on-site lake which guests can swim in or take a small boat out.

The wild camping site is remote and suitable for anyone wanting a quiet break in nature.

It’s not far from the coast either – it’s a five-minute drive away from the nearest beach.

There are a variety of pitches as well as Tipi tents which can be booked out from £192 for two adults for two nights.

POP superstar George Michael’s estate is suing his former best pal over footage from the recording of a lost album.

Andros Georgiou, 63, faces court for charging fans to watch scenes which he recorded of the ex-Wham! star.

George’s former best friend said he would be “turning in his grave” after the pop singer’s estate sued him over video footage of a secret unreleased album.

The Wham! star’s lawyers are taking Andros to court after he released almost 90 minutes of unseen footage shot in 1992 and 1993.

Andros launched a website last month charging fans to watch the film Trojan Souls — The Greatest Album That Was Never Made.

The record was to feature Elton John, Stevie Wonder, Janet Jackson, Aretha Franklin, Bryan Ferry, Seal and Sade.

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But the legal team from George’s estate has now lodged a case against him at London’s Intellectual Property and Enterprise Court, claiming its rights have been breached.

Furious Andros, 63, said the legal claim was “a case of sheer greed”.

On George, he said: “Yes, we fell out, but we loved and cared for each other deeply, and I find the baseless claims and the constant attempts to erase me from history both disrespectful and, frankly, a bit desperate.

“The film belongs to me.

“Trojan Souls belongs to me.

“They’ve opened Pandora’s Box.

“They won’t want me on the stand.

“I know way too much.

“Bring it on.”

Andros’s film shows the making of tracks for Trojan Souls: The Voice of Reason, a collaboration album with global superstars.

Pop fans are being asked to pay £4.99 for 48 hours of access to the 90-minute video online.

Tribe Media is also selling £19.99 VIP tiers, promising access to never-before-heard recordings of George’s unreleased songs from the record.

Andros shot the video using a camcorder given to him by Sony while they were in Japan on George’s Faith tour.

Andros said: “First and foremost — my brother in arms, my best friend, George Michael to you, Yog to me — would turn in his grave knowing what Russells (the estate’s lawyers) are attempting — and spending his money to do it.”

He went on: “It is well known Yog and I were working on Trojan Souls through my record label, Hardback Records.

“The film I have released was shot by me, with Yog’s full approval.

“This was a home video leaked over 30 years ago.

“It kept resurfacing on YouTube.

“So I decided, if you can’t beat them, put the film out myself, since others were already profiting from my home video.”

The legal case lists Andros and Tribe Media, the production house distributing the film.

The claimants are Robobuild Limited and Big Geoff Overseas Limited, the holding companies George used to manage royalties and world tours.

Andros and George were estranged before the star’s death on Christmas Day, 2016, but had been planning to reconcile.

They fell out after George’s arrest in an LA public toilet in 1998.

But Andros had spoken to his pal on the phone in the final weeks of his life.

The pair had a close friendship for decades after their fathers moved to the UK from Cyprus together in 1953.

Most of the one-hour 24-minute film shows George playing the piano, performing vocals with backing singers, grabbing a bass and talking to producers about his track list in an LA studio.

George lost interest in the album when his then-partner Anselmo Feleppa’s health declined.

Anselmo, who suffered from Aids, died in March 1993.

George never completed the album.

It can take up to two years for a case at the court to reach trial.

Lawyers for George Michael’s estate were asked to comment.

Spoiler alert: This post contains details from the new film “Spider-Man: Brand New Day.”

Apparently Tom Holland isn’t the only “Spider-Man: Brand New Day” creative with a bad habit of accidentally spoiling movies.

Grammy winner Steve Lacy joined the festivities during the film’s Hollywood premiere on Monday, detailing more than just his original song for the latest “Spider-Man” flick. The “Oh Yeah” and “Bad Habit” singer also allegedly spilled the beans on “Stranger Things” alumna Sadie Sink‘s “Spider-Man” character, which Marvel has kept tightly under wraps. Lacy delivered the accidental reveal while speaking with Twitch star Valkyrae, who hosted the film’s official red carpet stream. During Monday’s carpet, Valkyrae asked Lacy to name his favorite character from the movie “without spoiling anything,” according to video shared on social media.

“Jean. I like Jean,” he responds, “she’s the villain but, like, there’s a reason to her madness.” After Valkyrae asks whether his answer was a spoiler, Lacy seemingly tones down his enthusiasm for the character. “I like her character. I don’t know why.”

Lacy didn’t quite link Sink with this mystery Jean. Still, it’s worth noting that Sink’s role has been the subject of much speculation, with fans suspecting she would play Marvel-verse X-Men telekinetic and telepath Jean Grey. Sink would be the third actress to play the role, after Famke Janssen and “Game of Thrones” alumna Sophie Turner. (Another Marvel universe Jean is Jean De Wolff, a Spider-Man ally who was a police detective and captain.)

“Spider-Man: Brand New Day” will also see Tom Holland, Zendaya and Jacob Batalon reprise their roles and also features Mark Ruffalo and Jon Bernthal among others. Holland recently starred alongside Zendaya and Bernthal in Christopher Nolan’s “The Odyssey.”

The trailer, released in March, shows Peter/Spider-Man (Holland) reeling as he struggles to reconnect with his friends. To his dismay, MJ (Zendaya) has a new man in her life. As in the previous films, Peter attempts to balance his personal woes with superhero struggles — but he’ll have another Avenger in his corner. The clip shows Ruffalo’s Bruce Banner (a.k.a. the Hulk) guiding Peter through an “enormously dangerous” physical evolution and teases several baddies, including Bernthal’s antihero Punisher.

Sink has been all-in on the “Spider-Man: Brand New Day” press tour, managing to keep tight-lipped about her role. Earlier this month, Marvel shared playful videos of Sink somewhat discussing her role to help stave off eager fans’ curiosity. In one clip, she provides “Spider-Man” fans with three incredibly helpful clues: She does not play Spider-Man, she does not play Aunt May (who perished in “Spider-Man: No Way Home”) and she is definitely in the latest movie.

When it comes to spoiling “Spider-Man” and other Marvel films, it often seems like the call is coming from inside. Over the years, Holland has gained a reputation for his loose lips, spoiling plot details from “Spider-Man” and “Avengers” films.

Maybe accidental spoilers are just par for the course?

“Spider-Man: Brand New Day” hits theaters, with showings on Thursday leading into Friday’s release.

As performers protest and studios sue in their war on artificial intelligence, the entertainment industry is deepening its dependence on it.

Although few places are better than Hollywood at crafting a narrative and concealing what happens off-frame, a Los Angeles Times survey of job postings sheds light on what is happening offstage.

Among hundreds of job postings in late June, more than one in 10 was likely connected to AI. The top studios’ public postings suggest they have been recruiting people to build AI tools. They are also recruiting teams to defend their intellectual property against unauthorized AI use.

“There are plenty of studios that are hiring [for AI] but never talk about it in public,” said Yoland Yan, a co-founder of ComfyUI, a company that helps studios juggle different AI tools.

Companies have been hesitant to detail how they use generative AI in film production — partly because they are concerned about consumer and union backlash.

The Walt Disney Studios complex on May 3 in Burbank.

(Eric Thayer/Los Angeles Times)

Some in Hollywood described AI use as the new cosmetic surgery, where everyone knows it is happening, but few will admit to it.

Recent want ads show Amazon MGM Studios trying to find a principal AI executive and Walt Disney Studios advertising for a production innovation technologist job.

“What you’re seeing in those job postings is that adoption is already happening,” said Bryn Mooser, chief executive of Asteria, an AI film studio.

Netflix recently posted a job that didn’t exist a year ago.

The streamer was hiring for the role of “Manager, Generative Workflows,” a job to help integrate more AI into Netflix films. It promised hands-on experience with the cutting-edge technology.

“The industry is flooded with speculative GenAI roadmaps, but few are battle-tested in production,” the post said, referring to generative AI. The post said the role will work on introducing AI into Netflix’s slate of films being released in the U.S. and Canada.

Although some companies may be shy about sharing their AI plans, big stars who don’t have to answer to others have been more open about their embrace of the new technology for storytelling.

An exterior view of the Netflix sign at Netflix on Vine in Hollywood in 2025.

(Allen J. Schaben/Los Angeles Times)

Rejecting AI is like picking a horse and buggy over a car, said “Star Wars” creator George Lucas.

“Artificial intelligence means it’s much easier for us to make movies,” he told a trade magazine earlier this year. “There’s nothing you can do about it. That’s progress. It’s the future.”

Some in Hollywood have a softer stance on artificial intelligence, with studios cutting deals with AI companies, and filmmakers like Martin Scorsese backing AI companies.

Ben Affleck launched an AI film tech company then sold it to Netflix for half a billion dollars.

When launching InterPositive, Affleck said he wanted to keep “storytelling human” by building AI tools that could fix lighting, generate missing shots and other things while “keeping creative decisions in the hands of artists.”

The Times’ survey turned up two senior InterPositive roles to update the programming to apply AI to visual effects .

The Culver Studios on Feb. 12 in Culver City.

(Kayla Bartkowski/Los Angeles Times)

To gauge what is happening behind the scenes, The Times used Claude Code to build a scraper to identify job postings at Disney, Universal, Paramount, Warner Bros., Sony, Netflix and Amazon MGM. It found around 250 film studio job postings that were still public as of late June. Around 30 of those seemed to be connected to AI.

Disney, Netflix and Amazon had job postings that were about using AI on the creative side of the business. Universal, Paramount, Warner Bros. and Sony had job ads suggesting they were also using AI but for marketing, distribution and audience analytics.

The postings suggest the Disney, Netflix and Amazon studios are building repeatable AI workflows for visual effects, animation, sound and dubbing. The companies also seem to be building in-house teams to develop custom generative-AI models, while also using third-party software.

None of the jobs advertised were to create AI that wrote scripts or created AI actors.

Disney’s ten or so AI jobs showed the century-old studio building out its AI research and production muscle, while protecting its vault of beloved characters.

Mouse House is hiring PhD-level talent to study “computer graphics and AI” for Pixar and Disney films, people to “bridge the gap between research and practical studio application.”

Industrial Light & Magic, the Disney-owned visual effects shop, was searching for supervisors to “explore emerging technologies (including AI/Machine Learning)” to develop new production workflows.

The company’s audio post-production unit, Skywalker Sound, seemed to be recruiting to build proprietary AI models for soundtracks, voice separation, and voice transfer, the process of taking a speaker’s tone and pitch, and applying it to new content.

Disney was also hiring to defend itself. Three of its jobs were for “content security” to assess AI tools and guard against piracy, watermarking and rights-protection work.

The company’s public posture has so far been pursuing lawsuits against AI companies for inappropriate use of copyrighted material, and it pulled out of its plans to invest $1 billion in an equity investment deal with OpenAI.

Netflix’s posts suggested it is bringing more AI to the creative side of its business.

Netflix’s senior director of creative innovation, Girish Balakrishnan, outlined at the Runway AI film festival how AI was used to create soccer fans in “Brazil ’70” and establish shots for fight scenes in “Glory.”

Amazon, an early adopter, was hiring a principal AI executive to drive AI-tool adoption across production, plus roles in operations automation and LLM content classification, the listings revealed.

The Seattle-based streamer has been the most aggressive AI adopter in studios, and commissioned three AI animation series through its GenAI creator fund in May. Amazon has also bankrolled a Manhattan Beach production services company, Innovative Dream.

Even as studios build bigger AI teams, many in the industry are resisting, and some film fans are concerned.

The actors’ guild SAG-AFTRA in June ratified a new four-year contract with special protections against synthetic performers, and the union has backed a national bill designed to protect individuals from unauthorized, AI-generated digital replicas.

Studios have met with the union twice a year since 2023 to provide a confidential report on their AI-related activities. The studios tell the union they aren’t yet using AI that would entirely replace humans, said a person familiar with the discussions.

The union says it has no evidence that generative AI is being used to create performances, and the studios are supposed to notify the union if that happens.

Actors, writers, production staff and movie fans are still resistant to the overuse of AI and defining when and where it is acceptable, so studios are treading lightly, said AI film studio CEO Mooser.

“It’s been really a challenging thing to adopt both socially, ethically and legally, but we are seeing more adoption of it than we’ve ever seen before,” he said.

As a special tribute celebrates the extraordinary 50-year career of Bonnie Tyler, the Mirror takes a look at the Total Eclipse of the Heart icon’s wild life behind the scenes, including the accident that changed everything

With her unmistakable husky voice and theatrical music videos, there was nobody quite like Bonnie Tyler.

Her unexpected death earlier this month at the age of 75 came as a great sadness to those who’ve followed her distinctive work over the decades.

A legend of ’80s power ballads, many a fan has attempted a karaoke version of Holding Out for a Hero or Total Eclipse of the Heart. But few could hope to hold a candle to Bonnie’s signature rasp and melodramatic stage presence.

The Welsh singer’s extraordinary 50-year career will be celebrated this weekend in a special tribute compilation aired on BBC Two. And it will perhaps surprise no one that magnetic Bonnie’s personal life was every bit as explosive as her musical output.

Little-known real name

While the name Bonnie Tyler may adorn her Platinum-status records, it wasn’t actually the singer’s real name, and it took some time for her to find one that fit.

Britain’s First Lady of Rock was originally christened Gaynor Hopkins, a name she never much cared for as a budding star growing up in the sleepy village of Skewen, near Swansea.

In the early days of her career, young Bonnie began trying out the name Sherene Davies as a stage name, hoping to distinguish herself from the celebrated Welsh folk singer-songwriter, Mary Hopkin, who was just one year her senior.

Speaking with the Leicestershire Press in 2023, Bonnie revealed: “I never really liked my name, so it was a lovely opportunity to change it. My sister had a little girl called Sherene, and I loved that name – it was my name for seven years.”

It wasn’t to stick, however, and after being signed by RCA Records – Elvis Presley’s old label – Bonnie was told that Sherene just wouldn’t do, as it sounded, to their ears, “like a belly dancer”. A search began for a third moniker, with Bonnie taking a creative approach.

She remembered: “I bought two broadsheet newspapers, and I made a list of all the Christian names in one list and all the surnames in another list, and I matched them up until I came up with Bonnie Tyler. It’s been a great name for me, I reckon Steven Tyler must’ve been in the paper that day.”

Scream injury

She is often referred to as ‘the female Rod Stewart’, but the vocal similarities only became apparent after a grim post-surgery accident.

Speaking with the Mirror in 2023, the It’s a Heartache songstress shared how, as her star began to rise in the glitzy ’70s era, belting out ballads began to take a strain. And in 1977, she had to undergo surgery.

Bonnie said: “I started to get a sore throat because all the singing was taking its toll. A doctor discovered that I had nodules on my vocal cords. The only option was for them to be surgically removed. After the procedure, I was told by my surgeons not to talk, let alone sing, for six weeks.”

Unfortunately, after realising she’d forgotten to take strawberries to her brother, Lynn, who was hospitalised with a leg injury, Bonnie momentarily forgot about the doctor’s warning and let out a scream of frustration.

Detailing the incident in her 2023 memoir Straight from the Heart, Bonnie recalled: “I was so frustrated that I’d have to drive all the way back home, I let out an ‘Oh no!’ scream. When I went for a check-up with the specialist, he looked at me and said, ‘You could have done permanent damage’.”

While medics weren’t best pleased, Bonnie’s producer, David Mackay, was impressed by the gravelly sound her vocals produced, once healed. Bonnie said: “I’d always had quite a husky tone to my voice anyway, but as David joked, I now sounded like a female Rod Stewart!”

Marriage to Olympic athlete

Bonnie may have sung about doomed love affairs, but her marriage to a former Olympic judo athlete Robert Sullivan was a long and happy one. The couple first locked eyes back when Bonnie was still singing in Swansea nightclubs, and Robert was a nightclub manager. They tied the knot on July 4, 1973, with Bonnie officially becoming Mrs Gaynor Sullivan – her fourth name.

In a 2012 interview with The Guardian, Bonnie spoke fondly of those early days together, and it appeared the pair were just as smitten as they were as twentysomething newlyweds just starting out. She shared: “I married Robert, my first serious boyfriend, in 1973, when I was 22. I am still very much in love with him and he with me. We never fall out. He is very easy on the eye, which helps.”

And speaking to the Times about Robert, who went into property development after hanging up his judo belt, she said, “I think the secret to our success is that we met before I was famous.

“We don’t have children because we left it too late to stop taking precautions, and then I had a miscarriage when I was 40. I was unlucky, but I love all my nieces and nephews. Our house in Mumbles is like Paddington Station because everyone wants to come and visit Auntie Gaynor.”

Bonnie and Robert owned at least 25 properties together, including 22 homes across Berkshire and London, plus a sizeable farm in New Zealand. However, their seaside home in Mumbles and their villa in Albufeira proved to be their favourites, and it was between these two much-loved residences that they split their time.

Bonnie Tyler at the BBC airs July 25 at 8:30 pm on BBC Two.

Do you have a story to share? Email me at julia.banim@reachplc.com.

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SCOTT Thomas has revealed a secret row between him and brother Ryan that led to the two not speaking to each other for six months.

Former Love Island star Scott and his actor twin Adam, 37, are the younger brother of ex-Coronation Street actor, Ryan, 42.

All three Thomas siblings joined Sam Thompson on his Staying Relevant podcast, where he asked the trio questions that had been sent in.

They addressed how long they’d gone without speaking to each other after an argument.

Turning to Scott, Ryan said: “You can answer that one, can’t ya?”, while Adam added: “They fell out for a while.”

Scott elaborated: “Me and Ryan didn’t speak for six months. This was back in the day.”

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He further explained how Ryan “used to be really stubborn” regarding arguments.

Continuing, Scott added: “There was one time… he was playing a charity football game.

“I was just meant to come down and mind Scarlett while you were playing the game.

“Bearing in mind, he had other people there, but wanted me there.

“I was so hungover. And I couldn’t get there. So next minute, we didn’t speak for six months.”

Ryan jokingly quipped: “You let the family down.”

Scott said: “He was punishing for me for going on a night out basically and being hungover.

“Bearing in mind, now I never drink, I don’t punish you.”

IT was seen as total madness by many and a charade by others.

But pop duo Wham!’s 1985 trip to China for two special concerts in the newly opened communist state turned out to be a stroke of genius.

The gruelling ten-day trip saw Wham! become the first Western band to perform in Communist China, and helped fast-track school pals George Michael and Andrew Ridgeley, now 63, to superstardom.

During their illustrious time together they sold more than 25 million records worldwide and clocked up five UK No1 singles including Wake Me Up Before You Go-Go, I’m Your Man and Last Christmas.

Crucially the trip helped the duo crack America and, armed with their catalogue of hits and flanked by a camera crew, it was filmed for what would have been a gritty documentary about the band leading a Western revolution in the country.

Speaking in the documentary, George, who died on Christmas Day 2016, recalls: “It was historic. There were only a few things that you can do as a pop band that haven’t been done before.

“It was a great privilege being the first people to play real Western pop music to those people.

“I wouldn’t have missed it for anything. It’s just that it was a pretty hard couple of weeks.”

Wham!’s manager, Simon Napier-Bell, initially believed that getting renowned British director Lindsay Anderson on board to make the film was a massive coup which would add credibility.

But, it quickly became apparent they had completely different visions for the documentary.

George and Andrew just wanted to make a glossy concert film, while Lindsay, who openly criticised the group, was focused on a hard-hitting documentary about the westernization and opening up of Communist China.

And due to these creative differences the documentary was never shown and the tapes were archived.

Now, for the first time, the incredible footage has been unearthed and the historic trip is told in George and Andrew’s own words in the 90-minute film, Wham! 10 Days In China.

While often unpredictable, the late singer was by all accounts far better at playing the media game than his bandmate.

At a VIP screening at Soho House in London, Andrew told The Sun: “Frankly, I behaved like a bit of a t**t, honestly.

“We were relatively young, but we had also had a good two or three years worth of experience with the press.

“We knew the game. We knew what was at stake. We knew how to behave and how not to — but I just chose not to.”

The band had formed just four years earlier, releasing their debut single Wham Rap! (Enjoy What You Do) in June 1982.

Andrew knew going to China was a “risky” move for the famous duo, who had experienced phenomenal success but were yet to reach the international stardom they eventually went on to achieve.

He adds in the film: “Wham! In China . . .  I was cynical. Untried. Untested. Risky.

“I didn’t really like it. Landing in China, I felt we were there on false pretences. It was a circus. Wham! in China was more than just the shows.

“A show had to be made of Wham! in China and that meant official events, interacting with our hosts. It was just part and parcel of being there.

“Being dragged around to contrived scenes was not something either of us was particularly comfortable with.”

However they took the risk, determined to break the US market as quickly as possible.

Andrew continued: “To break the States was a huge ambition for any act — and George’s ambition overrode everything.

“However, he had suffered with his voice breaking down.

“He had undiagnosed polyps on his vocal cords at that point and so he didn’t want to spend months touring small venues. We wanted to fast-track Wham! straight to the top. Something was going to have to be done.”

Run like a royal tour, as well as the two concerts in Beijing and Guangzhou, the trip included a number of photo opportunities and government-organised events.

The whole tour was masterminded by Napier-Bell, who saw the opening of China as a way to make history and fast-track the boys to the top.

In return, China got foreign investment.

Alongside the more obvious choices, such as a trip to the Great Wall of China, Wham! were guests of honour at a State Dinner and a garden party at the Ambassador’s house inside the British Embassy.

Publicly, the pair put on a great show, making small talk and mingling with dignitaries.

But amusing new footage reveals the stars oscillated from finding the whole thing hilarious to being sick to death of being wheeled out to all and sundry.

During the dinner, they were presented with an intricate tapestry, prompting George to whisper to the camera like a naughty schoolboy: “It’s a bath mat. We will cut it down the middle. My mum can have one half and Andrew’s mum can have the other half.”

The long, drawn-out trip to the Ambassador’s house almost pushed them too far.

Andrew recalls: “Our schedule was such that we were being pulled in a variety of different directions.

“The Ambassador’s residence was a bit of 1930s Blighty transported into Peking. They seemed to exist in this colonial microcosm. It’s quite strange.

“There was nowhere to hide in there. I thought I would be polite and play the game, but Yog [George’s nickname] didn’t feel the same way. He thought it was an utter charade.”

George was so fed up with parts of the trip that he upped sticks and left Andrew in the middle of a cassette signing with fans.

His bemused bandmate was forced to make up excuses that George was feeling sick and needed a lie-down to cover up the fact the star had simply had enough.

In historic footage of the moment, seen for the first time, a baffled Andrew says: “He’s left me in the lurch before, but once bitten, twice aware — or twice as aware.”

Grilled as to how he would describe his partnership with George, he added: “Stormy, but mostly on the fair side. He’s a nice enough chap.”

While the band split in 1986, the pair went way back before fame, having known each other since 1973, after meeting on their first day at Bushey Meads School, Herts.

Asked if he found watching footage of his late friend difficult, Andrew added to The Sun: “Sometimes it catches me out.

“The moments that really appeal to me are scenes like the one where we are bickering in the back of the car — just two youngsters, two friends.

“They are the ones where you can see the essence of real friendship. They are the things I miss, as we are unable to share them now.

“Anyone who had his company and his friendship for an extended period of time will know he was a deeply caring chap, and we all miss him. To have lost the best friend I have ever had is difficult, as they are irreplaceable. A childhood friend who you have spent all those years with.”

The trip wasn’t without drama.

During an internal flight, one of the band’s trumpet players suffered a breakdown — stabbing himself in the stomach and forcing his way into the cockpit.

For the first time, backing singer Shirlie Kemp — who went on to become one half of Pepsi & Shirlie along with Helen DeMacque — speaks about how she was left terrified and covered in her bandmate’s blood.

Shirlie said: “It was one of the most scary experiences of my life.”

Despite the mile-high terror, Wham!’s trip was hailed a success, both in terms of winning over the Chinese with their music and cracking America.

Chatting to The Sun, Andrew says he believes his late pal would be most proud of the fact the gigs helped inspire a generation of children in China to get into music, many of whom had never even danced in public before attending the Wham! gig.

Andrew told us: “I think George would feel very much the same way as I, in that the legacy that exists for the Chinese people who were at the show is the most meaningful and substantial of all the legacies.

“It achieved what it was supposed to. The trip was designed to raise our profile in the US, as we didn’t want to do a long tour. Yog didn’t like being away from home for extended periods.

“He would find the fact that there are Chinese artists whose careers may exist only because they saw Wham! incredible.”

• Wham! 10 Days In China will be in cinemas from July 28 and will then air on BBC Two and BBC iPlayer in August.

TOURS are now available of a secret network of rivers located under a major UK city.

However, adventure-seekers will want to be quick as tickets are selling out fast.

The Sheaf & Porter Rivers Trust have officialled launched its summer Megatron tours, which run for 16 weeks.

These tours will be run by volunteers, who will take explorers on twice-daily trips around Sheffield’s underground.

Dating back to the mid-1800s, the Megatron is a large maze of tunnels located under various parts of the city, including the railway station, BBC Sheffield, the Sheffield Archives, and Red Tape Studios.

The extravagent system was originally constructed to contain the overflow from the rivers Sheaf, Porter, and the Don.

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However, the system of rivers eventually became polluted and even covered over the years.

Now, the Trust is working to uncover and restore these historic features, even taking those who dare venture into the depths of the Megatron on tours in order to fund the project.

On these tours, volunteers share their passion for the ecology of the city’s waterways and other interesting facts as they guide you on the two-mile water walk.

Ticket prices help to fund everything from river clean-ups to the installation of “light wells”, which cast some light onto the hidden rivers for the first time in 150 years.

If you’re looking to participate, make sure you have the proper attire before you embark on this underground adventure.

Varying water depths throughout the tour mean waders and sturdy footwear are recommend.

You will also want to be fairly agile for this experience, with lots to navigate, from slippery algae-covered rocks to tight gaps that require crouching.

This tour also provides glimpses into the city’s industrial past, with aged grindstones, crucible caps, even some tools found along the way.

You may also spot some stalactiteshanging from the tunnels, but make sure you don’t touch these.

And Broad Street West, the culvert transforms into a large single looming arch, named “Megatron” by urban explorers.

The name was chosen in response to Manchester’s “Optimus Prime” culvert, both of which took inspiration from after the comic and movie series “Transformers”.

While the first section of the culvert is built from huge stone blocks from the old Castlefolds Wholesale Market, a shorter stretch of blue brick under Exchange Street was built around 1890 to serve as a ramp for electric trams travelling from Rotherham to central Sheffield.

You may also spot some wildlife on your tour, with a variety of birds, invertebrates, and even the Daubenton’s bat taking up residence.

The public is advised that points of the water can reach chest height on this tour, with rainfall impacting both the current and depth.

While the Sheaf and Porter River Trust Megatron Tour has sold out for July, more information on ticket releases for August and September can be found here.

A BRIT R&B singer has quietly welcomed her second child with her music producer husband.

Cleo Sol, 38, surprised fans when she revealed she had given birth to another baby, after keeping her pregnancy a secret.

The singer revealed that she and her record producer husband Inflo, real name Dean Josiah Cover, are now settling into life again as parents with a newborn.

Cleo, who shot to fame in the noughties, revealed her happy news on Instagram.

She posted a slew of photos which started with her pregnancy bump, and ended with her holding her newborn baby.

Cleo captioned the sweet snaps with: “Out of words right now, but grateful.”

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The star’s fans rushed to share their joy at her happy news, with one writing: “Congratulations Angel!!”

Another said: “Happy for you sista!! Blessings to your beloved family!!”

A third commented: “Omg omg! Congratulations the family is growing!”

The singer and husband Inflo first became parents in 2021, when they welcomed their first baby.

Cleo shot into the spotlight in the noughties, and was known for hits like When I’m In Your Arms, Promises, Why Don’t You, and Life Will Be.

Before finding fame, the singer would upload her music to MySpace.

In 2008, Cleo got her big break when Tinie Tempah asked her to sing the chorus on his song Tears

Following this, she got a record deal and started making music of her own.

However, by 2013, Cleo decided she no longer wanted to be in the spotlight and retreated from fame.

“I wasn’t happy,” she admitted in an interview in 2019, when she returned to music.

“And I was attaching my happiness to my music, so I wanted to quit music completely.

“Which still makes me sad when I think about it.” For four years, she retired from music entirely.

“I wasn’t being true to myself, and I was listening to everyone else’s advice on my career other than myself.

“I had lost faith in myself. I didn’t know how to pick myself up again.”

However, after returning to the R&B scene seven years ago, Cleo continues to make music with her husband and also perform.

LOST Property, part of Hilton’s fancy Curio Collection, has a very specific theme: the lost history of London.

Read on to find out everything from the restaurant menu to room prices.

Where is Lost Property hotel?

The Lost Property St Paul’s London hotel is in the heart of the city of London, and just a few minutes from it all.

There’s St Pauls Underground Station which takes you to all of the top attractions, and of course the stunning St Paul’s Cathedral right outside.

It is also right by the City Thameslink line which takes you directly to both London Gatwick and London Luton Airport.

What is the hotel like?

While unassuming from the outside, the interiors are a glam slap in the face.

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From the Murano glass lights casting a cosy glow in the lobby, to the fun herringbone carpets throughout, it’s almost tempting you to take pictures of it.

You may not even notice the image of Winston Churchill or the inspiring quotes subtly emblazoned on the wall in reception.

But take a closer look at and you’ll find little treasures hidden all over this 145-bedroom hotel.

Make sure to look down when heading to the lift, for some fun photo-taking opps…

What are the rooms like?

Ranging from Queen and King rooms to Junior Suites, the rooms are drenched in rich jewel tones of burgundy and navy.

The herringbone patterned carpets and red marble countertops were a masterclass in luxury, with gold fittings and mood lighting for when the sun goes down.

The marble bathroom was just as impressive, with fancy Urban Apothecary toiletries.

The rooms have it all – delightfully squishy beds, a stocked mini bar and some even come with a view of St Paul’s Cathedral.

Don’t want to be disturbed? Hang on your door the “Kindly Get Lost” sign for some peace and quiet.

Rooms start from £184 a night. See hilton.com.

What is there to eat and drink there?

A dinner at the hotel’s Found Bar is a must.

Combining French and British classics, the watermelon vichyssoise was the perfect dish to cool me down in the heat.

The beef ribeye was cooked to perfection, while the zesty lemon posset cut through it perfectly.

Ask for the cocktail menu too, which leans into it’s theming of being lost – complete with am ’empty’ menu and a laser pen to help you find the cocktails.

For breakfast, head to the front of the hotel to Tattle Coffeehouse.

Drinks are made with Monmouth coffee, some of the best in London (and best chased by a freshly baked and flakey croissant…)

What else is there to do there?

For those that fancy a workout, there’s a very nice gym with Peloton bikes and treadmills.

They sit under large windows in the ceiling so you can soak up the natural light while you cycle.

The hotel is a short stroll from some top tourist attractions like the Tate Modern (15-minutes walk), the London Eye (30-minutes walk) and Somerset House (18-minutes walk).

Is the hotel family friendly?

There’s everything from kids menus at the restaurant to connecting family rooms and cribs on request – so definitely family friendly.

Is there access for guests with disabilities?

There is lift access to all floors as well as step-free access to the restaurant and accessible adapted rooms.

Looking for another place to stay? For more hotel inspiration click here.

Emmerdale’s Serena Sugden’s secret was exposed to her cousin Robert by his ex Kev Townsend on Monday’s episode of the ITV soap, and it might not end well for some characters

Serena in Emmerdale seems to have finally been exposed, as her secret career was revealed.

Kev Townsend finally remembered where he knew Serena from, and he wasted no time in telling her cousin Robert Sugden. Kev shocked Robert as he outed Serena as a copper.

If he’s correct, this explains her shifty behaviour and her constant interrogations. But why is she asking questions about her killer cousin John Sugden and his victims?

Moira Dingle, Vanessa Woodfield and Aaron Dingle had all been suspicious of Serena as she quizzed them about John’s killer actions. While Robert wasn’t concerned, he was warned by Moira on Monday.

Moira told him how she’d been looking into Nate’s death at the hands of John, and she warned him not to tell Serena about how John died. It seems Moira could have been right to be so worried.

Kev then let himself into Robert’s house, leaving Robert stunned. But he was even more shocked when Kev dropped the bombshell that Serena “is police”, branding her a “copper”.

So is Serena a police officer, and is Kev right? He did say he never forgets a face and he’s rarely every wrong so it seems Serena has been sussed.

But what will Robert do with this information, and what is Serena up to? Of course Robert knows his sister Victoria Sugden, Serena’s other cousin, killed John in self-defence.

So Serena being a police officer could be bad news for them as they are covering up a crime. It comes as Aaron is set to make a discovery about his partner Robert’s cousin Serena, after he continues to be concerned about her presence.

When Robert is knocked unconscious by a runaway trailer on the farm, Serena helps him. But after she calls Aaron and tends to Robert’s injuries, Aaron shares his concern about Serena.

He questions the fact that Serena just happened to be at the right place at the right time. But spoilers could explain what really caused the incident with Robert, and it might have nothing to do with Serena.

A spoiler about a scene involving Mackenzie Boyd and Ross Barton, who are at the farm that same week, mentions a trailer. Is it just a coincidence, or is it linked?

So the spoiler reads: “A simmering tension from Mack towards Ross builds as they load bags from a trailer.” It’s at this point that the pair end up fighting, and Mack attacks Ross.

So what happens with the trailer? Is it the same trailer that ends up “running away’ and colliding with poor Robert on the farm?

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

KATIE Price has revealed an explicit photo confession during a chat with Love Island Aftersun host Joe Baggs. 

The former glamour model, 48, was speaking to Joe, 29, to promote her Sky documentary series Nothing To Hide. 

Former Gogglebox star Joe fired off a series of 90s trends to Katie and asked her if she would bring them back or ditch them. 

When he suggested disposable cameras, the mum-of-five suggested she’d used them to snap naughty photos back in the day. 

She said: “Nowadays, because you’ve got your phone, I think people take more explicit photos. 

“With a disposable, you have to be careful and remember you have to take them somewhere like Boots. 

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“So someone is going to look at your pictures. So someone like me is definitely not having a disposable. 

“I don’t want to bring them back.”

It comes after Katie revealed she’ll be starring in a reality show with fourth husband Lee Andrews.

Katie married self-proclaimed millionaire Lee in Dubai in January, just days after meeting him in person.

She stood by her man when he recently spent time in Dubai’s Al Awir jail, where he was held over unpaid debts. Katie said on the Reign podcast this week: “There will be a documentary coming out about Lee, and he knows it.

“He’ll be appearing in it and yes, there is scandal around me — there always is. Not only now, there’s years of it.”

Christina Boyd on Coronation Street could face an uncertain future on the ITV soap, as her shocking secret has finally been exposed to several Weatherfield residents

Christina in Coronation Street may need to watch out, after making an enemy of two characters.

Her secret was finally exposed during Friday’s episode, after weeks of shifty behaviour. There’s been mystery meet-ups, secret messages and cryptic phone calls.

George Shuttleworth feared his partner might be cheating on him, while his sister Glenda Shuttleworth told him that Christina was conning him and others. She’d found some credit card statements in Christina’s handbag.

In a twist though, they were not cards that belonged to her. Christina had taken out credit cards in the names of Mary Taylor and Christina’s ex-husband Lenny.

On Friday, George prepared to confront his partner, while he also followed her, after she claimed she had to pop out again. When George tracked her down he saw her with a man, and demanded answers.

Christina explained that the man was Lenny, her ex, and Lenny had found out that Christina had taken out a credit card in his name. Lenny found this out on the night that Theo Silverton died, and this is why Christina lied about her alibi, because she was meeting with Lenny.

It was Lenny she had been messaging too. That’s not all though, as Christina confessed she’d also got a credit card in Glenda’s name. George demanded answers and Christina finally confessed to the credit cards, before explaining she had a spending addiction.

George was unsympathetic at first, as Christina claimed it was “a disease”. As she detailed the addiction and the impact it had on her life, she revealed that Lenny had asked her to go a support group.

Christina confirmed she had attended the meetings before, as the addiction was something she had battled previously before managing to overcome it. Recent stress led to a relapse, she claimed, with her spending so much money, she felt she had no alternative but to get credit cards to continue her sprees.

Christina begged George not to leave her, and he attended the meeting with her where she explained her addiction further. George encouraged Christina to take ownership as he vowed to stand by her.

But other characters were not so forgiving. Glenda blurted out to Todd Grimshaw and Mary that Christina was a scammer, before she exposed what Christina had done. Christina then explained the full story, and opened up about her addiction.

As everyone listened, Glenda fumed at George for forgiving Christina, before making it clear she did not buy her story. She tried to get the others to agree, but Mary was trying to process it all.

Then, Mary told Christina that she would not take legal action against her, as Christina vowed to fix things. Mary did say Christina had broken her trust however, and that she did not accept her apology.

So with Mary and Glenda refusing to forgive her, and Glenda not saying she would not call the police, does this mean Christina could face legal action? Could it also force her to leave the cobbles for good after her betrayal, and will George really stand by her?

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

JOHN Bishop has revealed that he and wife Mel have secretly renewed their wedding vows after “tough times’ in his marriage.

The comedian, 59, admitted that his marriage had “failed” and “everything had gone s***” before he found a particular musician that helped him heal the problems in his relationship.

John, who has been married to Mel for 33 years, said he really connected to artist David Gray’s music during his lowest times.

Speaking on stage at Silver Clef on Thursday, John said: “Tonight I could never imagined that I’d get the opportunity to say thank you to this artist.

“My marriage had failed, everything had gone s*** and like most men I had no-one to talk to, and the magic of songs is that you listen to them and you hear what that artist is feeling and you hear what that artist thinks of the world.”

John said he was introduced to the singer’s 1998 album White Ladder, which is David’s fourth studio album.

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The stand-up comic said that the Babylon singer became a “constant part of his life” and pulled him through some difficult times.

John continued: “Somebody gave me White Ladder and I listened to it and I realised sometimes there’s an artist that sings songs that tells you what you are thinking and feeling of the world, so when I was at my lowest I was introduced to David Gray and he’s been a constant part of my life ever since.

“I would say 90 per cent of the gigs that I do afterwards I get in the car, I put my headphones on and I listen to David Gray.”

John then dropped the news that he secretly renewed his wedding vows with Mel and even played one of the artist’s biggest tracks, Sail Away

“He [David] was there at the lowest point of my life but then when me and my wife reconciled and then went on to renew our wedding vows we played Sail Away as we walked down the aisle,” John added.

“He’s been there at the highest point of my life.”

John married Melanie in 1993 and they had three boys — Joe, now 29, Luke, 27 and Daniel, 25. But the stresses of life led the couple to split up for 18 months — and they almost signed their divorce papers in 2000.

While performing at an open night, John made a gag about missing his soon-to-be former wife so much that he kept her “severed head in the fridge”.

But unbeknown to the Liverpool-born comedian, she was right there in the audience.

The remarkable tale of John’s stand-up career and marriage inspired a movie directed by Hollywood star Bradley Cooper, which was released in January.

John said about his marriage: “There was no huge fight or a revelation about someone else. We just grew apart.

“Maybe it had something to do with having three kids so quickly.

“For six years there was always someone in the house in nappies. Our marriage just faded.”

Feeling “depressed”, he went to the Frog And Bucket Comedy Club in Manchester, which has helped launch the careers of acts including Peter Kay and Jack Whitehall.

He did not want to pay the £4 entrance fee, so put himself down on the list of comedians for the open mic night.

John recalled: “I clambered up on stage, picked up the microphone and thought, what on Earth am I doing here? I had no jokes, and ­absolutely no material. I just talked about life.”

The audience laughed as he riffed on his marriage woes, so John was invited back to perform again.

One of the routines would make the audience go, “Aww!” — when he spoke about splitting up from his wife. He would then tell them: “Don’t worry, we haven’t divorced — I’ve just killed her.

“But I knew I would miss her so I’ve kept her head in the fridge for three months.”

Melanie turned up with ­workmates for one of those gigs in 2000, and when John saw her ­afterwards he started to apologise for his jokes.

To his surprise, she said: “The man I saw on stage was the man I married. Where did he go?”

The couple went for marriage counselling at Relate and are still together today, 25 years later.

John said: “The pain we had in our relationship, it sounds cliched but it made us stronger.”

It then took John another six years to give up his job in pharmaceutical sales in order to become a comedian full-time at the age of 40.

The decision was the right one because he is now one of the nation’s most popular funnymen.

AFTER their star-studded wedding in New York last week, Taylor Swift and Travis Kelce’s secret honeymoon location has finally been revealed.

Fans have of course been desperate to know where the newlyweds will be taking their post-wedding vacation.

The couple’s wedding was kept well under wraps and it seems the honeymoon has been no different.

In a bid to keep the location locked down, it’s been revealed that Taylor and Travis took different planes and airports to reach their destination.

NFL star Travis and pop queen Taylor are keen to enjoy their “newlywed bubble,” a source told the Mail.

They claim the A-listers hunkered for a few nights together before jetting off on their lavish getaway.

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Taylor and Travis were spotted at the ultra-exclusive Yellowstone Club in Big Sky, Montana, in the days following their nuptials at Madison Square Garden, according to the Mail’s source.

The smitten couple have been seen in the resort before and it’s quickly become somewhat of a quiet and private place for them to spend time.

Over the July 4 weekend, Taylor’s jet was loaned to family friends, who were spotted at her bougie $30 million holiday home in Rhode Island.

Flight paths show her plane then return through Nashville before it finally landed at Bozeman International Airport in Montana – a stones throw away from the Yellowstone Club.

To be granted a membership at the club, guests must own property on the site and pay the initial eye-popping membership fee of approximately $500,000, plus the yearly cost of $78,000.

Yellowstone Club features jaw-dropping mountain views, multiple pools including an infinity, rustic yet modern interiors and 15,200 acres of land.

Travis and 14-time Grammy Award winner Taylor have been to the luxury hideaway multiple times over the past few years with no snaps of the pair inside the gates ever surfacing online.

Last July, there was chatter they spent Independence Day weekend at the retreat and it was later confirmed by Travis himself as he donned a Yellowstone Club t-shirt in an episode of his podcast.

The resort is so exclusive that no one can enter without an invite.

Bill Gates, Tom Brady and Mark Zuckerberg are known members of the club.

Travis and Taylor tied the knot in front of 1000 of their closest family and celebrity pals on Friday July 3.

It was announced to the world at 7:30pm as the words “JUST&T MARRIED” flashed up on screens around MSG.