A lawsuit filed in Northern California federal court by former high school football player Dominik Calhoun against the California Interscholastic Federation was dismissed for a second time on Thursday after a hearing held by Magistrate Judge Laurel Beeler, who granted an 84 motion.
The judge will allow the plaintiff to file an amended complaint by Sept. 10. There’s also the chance to appeal.
Calhoun has been challenging CIF rules on high school transfers and NIL.
The CIF had stopped considering possible changes in several policies, including transfers, while the lawsuit played out.
DENVER — The Dodgers are putting closer Edwin Díaz on the injured list for the second time this season, this time with inflammation on the right side of his neck, manager Dave Roberts said before the game against the Colorado Rockies on Tuesday.
The Dodgers are going to have Dr. Robert Watkins, who specializes in spine injuries, examine at Díaz’s neck in L.A. on Wednesday morning, Roberts said. He’s set to undergo imaging.
“It’s something he felt [Monday] night,” Roberts said before the Dodgers’ 7-6 win against the Rockies on Tuesday. “We don’t know if it’s something that has been there the last, call it, week or whatever but it showed its head last night. So we’re going to address it.”
The move comes after Díaz gave up nine runs and recorded three blown saves in a span of six appearances.
“I know Edwin is — I don’t know if it’s encouraged, but just know that there could be a reason why the stuff is not playing like it has in the past,” Roberts said. “And the neck, obviously, there’s ties with the whole body, the arm, and all that stuff matters. So I’m personally excited to kind of find something that kind of make us understand what’s going on.”
“We’ll know more after seeing Dr. Watkins,” Roberts said, “but given where he’s at, I don’t see a situation where he’d be out for the year.”
Díaz has only made 16 appearances for the Dodgers this season, recording an 11.85 ERA and 6.01 FIP. He spent three months on the IL after undergoing surgery to remove loose bodies from his elbow in late April.
After collecting a save in a 4-2 win over the Seattle Mariners on July 29 in his first appearance back, Díaz was unable to show command in subsequent outings. He blew saves on consecutive days against the Arizona Diamondbacks on Aug. 7-8, and then blew a 4-2 lead last Thursday against the Milwaukee Brewers — which proved critical for the Dodgers in losing the head-to-head tiebreaker against the Brewers as the division leaders jostle for playoff seeding.
During the Dodgers’ 11-5 victory over the Colorado Rockies on Monday night, Díaz pitched the ninth inning and gave up three runs and four hits.
With Díaz no longer an option in save situations, left-hander Tanner Scott is set to slide into that role.
“I just wait for the phone to ring, I don’t care when,” Scott said after a four-out save Tuesday. “You get the adrenaline rush when your name’s called and just go out there and pitch.”
On Tuesday, Roberts turned to Scott to get the final out of the eighth inning, with runners on first and second in a two-run game. He induced left-handed pinch hitter Brett Sullivan to ground out to third.
Back out for the ninth he gave up a one-out double to Jake McCarthy’s and a two-out RBI single to Willi Castro. But the run was of no consequence.
“He’s been great,” Roberts said of Scott’s contributions this year, in multiple roles. “Tanner doesn’t complain. He’s always ready, wants to pitch, wants to help his teammates, his team. And certainly, given how last year went, for him to come back and right the ship, he’s been our most consistent reliever by far. I trust him, and I feel like you can use him in any situation.”
The Dodgers also recalled right-hander Emmet Sheehan on Tuesday as a multi-inning option out of the bullpen. Sheehan, optioned to triple A at the trade deadline for a reset, made two starts for Oklahoma City.
“I got the hang of it a little bit last year in the playoffs,” Sheehan said of pitching in relief. “I have the routine that I would have for starting, and that I have for coming out of the bullpen. So comfortable doing either one or whatever they want me to do.”
Ohtani may be ready for next step
Dodgers two-way player Shohei Ohtani appeared to throw two simulated innings in his bullpen session on Tuesday, for a total of about 45-50 pitches.
When Roberts asked how it went, he said Ohtani gave him a thumbs up.
Roberts did not rule out the possibility of Ohtani throwing live batting practice back in Los Angeles as his next step.
“I could see that,” Roberts said.
Serving as the designated hitter Tuesday, Ohtani hit a two-run homer in the third inning. It was his third homer in two games and his 30th of the season. He’s reached the 30 home-run mark in six straight seasons.
“You’ve got to be available, you’ve got to be a high-performer,” Roberts said of the feat. “And Shohei this series is back to being who he is. I like the at-bat quality. I like the swing decisions. And obviously he’s hitting homers out with breaking balls, fastballs, a curveball tonight. When he goes, it certainly adds a lot of energy to our offense.”
Earlier this year, Colman Domingo devoted a portion of his monologue on “Saturday Night Live” to a few things he is famous for. One example? “When you come to my house, the vibes are spectacular.”
Those vibes must have transitive properties: On a recent morning in a borrowed backyard in Santa Monica, the vibes were as impeccable as one of the actor’s famously natty red-carpet looks. Posing for photos poolside, Domingo was the picture of laid-back charm, chatting with the crew in that commanding leather-and-gravel voice and flashing a toothsome smile.
With four projects in 2026 alone and more than 100 credits across film, television and the stage dating back to 1994, you definitely know Domingo from something. Increasingly, people recognize him from several things. Or, as the case may be with a performer of his caliber, they don’t — and that has been the highest compliment of all for the 56-year-old Philly native.
“It is the wildest thing,” says Domingo, stretched out on a sectional in the shade. He recounts how people have approached him about his role as Danny, the elegantly snarky architect on the Netflix comedy “The Four Seasons,” and were flummoxed to discover that he also plays the tightly wound Ali, he of shaken faith and sawed-off shotgun, on the recently concluded HBO drama “Euphoria.” “I’ve had so many people who saw me as one character, but they didn’t know I played the other character, even if they watched both. They’re like, ‘Wait a minute, that’s the same guy?’”
Domingo in “Euphoria.”
(Patrick Wymore / HBO)
That’s the same guy. Familiarity has bred respect as Domingo nabbed Emmy nominations for both roles for the second time — supporting actor in a comedy for “The Four Seasons” and guest actor in a drama for “Euphoria,” a trophy he took home in 2022.
“I get the yin and yang,” he says of the pleasure and challenge of inhabiting men from such different worlds.
Domingo credits “Euphoria” creator Sam Levinson with the complexities of Ali’s journey, which were showcased in the finale in breathtaking extremes of violence and grace and included a poignant monologue about the limits of empathy as he grieved the loss of his sponsee Rue (Zendaya). “It was so beautiful,” says Domingo of the conclusion of his arc. “Sam gave me words that are not just for Rue. They’re like a prayer for the world, sitting down at tables and having the hard conversations and trying to get people to come to their personal truths. To have a breakthrough in their lives. That’s how he’s been utilizing me for the series.”
(Evan Mulling / For The Times)
Conversely, Tina Fey and the writing staff of “The Four Seasons” have been using Domingo’s Danny as, among other things, a brutally effective vehicle to deploy acidic one-liners. (A favorite: “This the town Tracy Chapman sped away from.”)
“He is fictitious, but in many ways there’s a lot more of me in him than I personally have seen [in my previous characters],” he says of the man whose bravado masks an unsettled energy as he encounters the challenges of midlife. “Even in my notes to Tina and the showrunners, I started to craft a character that was closer to myself. I’m like, ‘I don’t see the mes in the world, queer men who are mostly in heteronormative worlds and how we activate and how we love and our friendships that are not just based on the fact that we are queer.’”
Domingo’s own midlife — conversations about fiber and the proliferation of readers in every room aside — is enviable. In addition to the two series, he appeared in two of the most talked-about films of the year, the blockbuster Michael Jackson biopic “Michael” and Steven Spielberg’s sci-fi thriller “Disclosure Day.” In another instance of playing a set of disparate characters, he was the imperious patriarch Joe Jackson in the former and the rebellious, empathetic whistleblower Hugo Wakefield in the latter.
“I wanted to challenge myself in different spaces,” says Domingo with gratitude for those roles as well as other 2026 opportunities, like his “SNL” appearance — which brought him back to his “Big Gay Sketch Show” days — and his recent guest-hosting stint on “Jimmy Kimmel Live!” “I never want to get caught up just doing the same thing.” He recalls a time when he played a couple of villains in a row and similar offers poured in. “I thought, ‘Oh no, I’ve done that.’ I knew it was time to move on to something else. And even ‘The Four Seasons,’ when that came along, I had been going back to back with dramatic roles — ‘Sing Sing,’ ‘The Color Purple,’ ‘Rustin.’ It takes a little toll on you.”
Domingo with Marco Calvani in “The Four Seasons.”
(Emily V. Aragones / Netflix)
Fortunately, all of that work has helped Domingo amass a very comfy set of laurels (upon which he refuses to rest). While his success has been a slow burn, including years of work on Broadway as an actor and playwright — Domingo co-wrote the book for “Summer: The Donna Summer Musical” as well as several straight plays — and his stint as a series regular on “Fear the Walking Dead” the last five years lighted the fuse on the rocket.
In that time, Domingo has won four NAACP Image Awards, been nominated for back-to-back lead actor Oscars, Golden Globes and BAFTA awards, and received a second Tony Award nomination, this one for best play as a co-producer of the “Hamlet” adaptation “Fat Ham.” (His previous Tony nod came in 2011 for featured actor in a musical for “The Scottsboro Boys.”)
Colman Domingo.
(Evan Mulling / For The Times)
“I’m very happy that this has happened the way it has,” he says of this golden period of work and creativity in his 50s. It’s not that he wouldn’t have appreciated or been ready for it in his youth, he says, but he has seen the pitfalls of success that happens too young. “At this age, I know myself. I know what I need. I have boundaries. I know how to still be a person in the world. And that’s the part that’s important to me, which is not being so isolated.”
There’s little danger of that given how often he is now stopped on the street. But he is cheered by the interactions because, whether fans love him as a good guy, a bad guy or a character in between, they all want the same thing. “Whatever I’ve done, people always ask, ‘Can I have a hug?’” Maybe the vibes are not about the house, but Domingo himself.
NICE, France — Dutch rider Demi Vollering won the Women’s Tour de France for the second time and in style by winning Sunday’s ninth and final stage to extend her overall margin of victory.
The 2023 champion raised her bike in the air moments after crossing the finish line in Nice comfortably ahead of Polish rider Katarzyna Niewiadoma-Phinney, the 2024 champion. Niewiadoma-Phinney started Sunday’s stage eight seconds behind Vollering, who got a time bonus for winning the stage.
Knowing that she was well clear of her rival, Vollering began to celebrate as the line approached, raising her arm in triumph and then tapping her head with her finger to show her mental strength.
She finished the stage 1 minute, 4 seconds ahead of Spaniard Paula Blasi Cairol and Niewiadoma-Phinney and, after collecting the time bonus, ended up 1:18 clear of Niewiadoma-Phinney overall.
Former Giro d’Italia champion Elisa Longo Borghini of Italy was third overall in the Tour — 4:29 behind — after Marlen Reusser lost valuable time after crashing going downhill after the second of the day’s four climbs.
Niewiadoma-Phinney had it all to do on the final climb, especially with her rival sitting on her wheel, and was unable to pressure Vollering.
Vollering attacked about 800 meters from the top and dropped Niewiadoma-Phinney — as she did when winning Saturday’s eighth stage to take the overall lead from her rival.
Two years ago, Vollering missed out on Tour victory after finishing an agonizing four seconds behind Niewiadoma-Phinney on the last stage.
She made full amends this time.
The 29-year-old Vollering has now won five Grand Tours, including two Spanish Vuelta titles and the Giro d’Italia secured in June to join countrywoman Annemiek van Vleuten as the only other female cyclist to have won all three Grand Tours.
Four climbs
Each of the first three climbs on Sunday was 7.7 kilometers long with a 5.9% average gradient. But the final ascent branched off onto a slightly different route which, even though it was shorter at 6 kilometers, had a steeper average gradient of 7.6% with one portion stretching to a grueling 12%.
It made little difference.
After winning Friday’s seventh stage with an impressive solo attack of her own up the iconic Mont Ventoux, Niewiadoma-Phinney seemed short of energy and Vollering’s lead was never under threat.
For the second time in as many weeks, a leading California-based thoroughbred has been retired.
Nysos, who would have been favored in the $1-million Pacific Classic later this month at Del Mar and was a top early contender for the $5-million Breeders’ Cup Classic this fall, won’t race again, Coolmore America announced Monday.
The 5-year-old son of Nyquist is headed to stallion duty next year at Coolmore’s Ashford Stud in Versailles, Ky., the same farm where Journalism, another horse who was being pointed for those two races, was sent last month after his retirement because of injury.
In a statement, Coolmore said Nysos is sound and uninjured but “the decision was made following a routine diagnostic evaluation that revealed subtle imaging changes on a scan.” Trainer Bob Baffert and Nysos’ owners, Baoma Corp. and Coolmore, “unanimously agreed to take a strict precautionary approach, prioritizing the horse’s long-term health and safety above all else.”
Said Baffert: “Nysos is not hurt or injured, but taking a precautionary approach is strictly about doing what is right for the horse. With the minor changes shown on the evaluation, we simply don’t have the time needed to prepare him for the Breeders’ Cup the way we would want to. He has given us everything and retiring him completely sound and at the top of his game is the proper decision.”
Nysos retires after eight wins and two seconds in 10 lifetime races, with earnings of nearly $5.3 million. He was considered a top prospect for the 2024 Kentucky Derby but was injured that winter and didn’t race again for 15 months.
He returned in May 2025 and won four of five starts last year, including the Breeders’ Cup Dirt Mile at Del Mar. This year Nysos finished second to Forever Young in the Saudi Cup before defeating Journalism in the Met Mile in June at Saratoga, which turned out to be his last race.
