SALT LAKE CITY — Nick Schmaltz scored his second goal of the game at 1:46 of overtime to give the Utah Mammoth a 4-3 victory over the Kings on Sunday night.
Schmaltz carried the puck in on a two-on-one rush with defenseman Mikhail Sergachev on his left and fired a snap shot between goalie Darcy Kuemper‘s legs.
After the Kings controlled play in the three-on-three overtime and nearly ended it on Alex Laferriere’s shot that went off the right post, Kevin Stenlund won a faceoff against Quinton Byfield to set up Schmaltz’s seventh winning goal of the season.
Artemi Panarin tied it for the Kings with 3:30 left in regulation with his 25th goal of the season. His shot from deep on the far right side eluded goalie Karel Vejmelka.
Schmaltz pushed his career-high goals total to 26 and reached 63 points to match his career high set in 2024-25. Lawson Crouse scored twice in the first period and added an assist, and Vejmelka made 33 saves to help Utah end a four-game home losing streak. The Mammoth hold the first wild card in the Western Conference, five points ahead of Nashville.
Byfield had a goal and an assist, and Laferriere also scored for the Kings. Kuemper stopped 30 shots.
PORTLAND, Ore. — Portland’s Kristoffer Velde scored in the 13th minute and Timbers defender Kamal Miller picked up a red card seven minutes later, but James Pantemis surrendered only a João Klauss goal to help them hold on for a 1-1 draw with the Galaxy on Sunday.
Velde scored for the second time this season to give Portland (1-3-1) a 1-0 lead early. But things became difficult from the 20th minute on when Miller received his card for a foul on Klauss.
Antony Alves Santos notched his first assist this season on the score and Joao Ortiz picked up his second.
Klauss came up with the equalizer in the 30th minute with assists from Marco Reus and Gabriel Pec. It was the fifth goal for Klauss, who has certainly helped ease the loss of superstar Riqui Puig for a second straight season because of injuries. Klauss spent his first three seasons with St. Louis City, where he scored 25 goals in 79 appearances.
Reus earned his first assist this season after posting a career-best nine last year. Pec’s helper was his third to begin the season.
Pantemis totaled six saves for the Timbers, including four in the first half.
JT Marcinkowski stopped two shots in his first start of the season for the Galaxy (1-2-2).
The Galaxy lead the series 14-12-11, but are 5-10-11 in Portland. The two clubs played to a 1-1 draw in Portland last season before the Timbers posted a 4-2 victory on the road.
DETROIT — He’s the hottest player in the NBA. Not even the NBA’s technical foul rule can slow Luka Doncic down.
The NBA rescinded Doncic’s 16th technical foul, the league announced Sunday, allowing Doncic to avoid a mandatory one-game suspension that would have kept him out of Monday’s game against the Eastern Conference-leading Detroit Pistons.
Doncic and the Lakers appealed the call after he was given a technical for taunting against Orlando Magic forward Goga Bitadze in Saturday’s Lakers win. Bitadze’s technical foul was also rescinded after the European players were arguing while Doncic was shooting free throws. Doncic claimed Bitadze made a vulgar comment toward Doncic’s family in Serbian while Bitadze said he first heard inappropriate comments from Doncic and only repeated what he heard the Lakers guard say.
Often criticized for arguing with officials, Doncic remains at 15 technical fouls this season, second in the NBA behind Phoenix’s Dillon Brooks. In 2023, Doncic also had his 16th technical foul rescinded, avoiding a one-game suspension.
Doncic’s historic scoring run has fueled the Lakers’ nine-game winning streak, their best since the 2019-20 season that ended with an NBA championship. Doncic, the NBA’s leading scorer, is averaging 40 points per game during the winning streak while shooting 40.3% from three-point range. His 60-point outburst against the Miami Heat last Thursday was the first 60-point game in Lakers history since Kobe Bryant’s last game in 2016. He was just the seventh Lakers player to record a 60-point game, joining legends Bryant, Elgin Baylor, Wilt Chamberlain, George Mikan, Jerry West and Shaquille O’Neal.
The winning streak has vaulted the Lakers from sixth in the West to third. They have navigated the most difficult stretch of their schedule with seven wins over playoff-bound teams.
The Pistons, poised to earn the No. 1 seed in the Eastern Conference playoffs for the first time since 2007, are without their own star player as guard Cade Cunningham is sidelined for at least two weeks with a collapsed lung. Detroit is 2-0 without him with wins over Washington and Golden State.
Note: Rui Hachimura (right calf soreness), Maxi Kleber (lumbar back strain) and Marcus Smart (right ankle soreness) are questionable for Monday’s game.
Coaching high school basketball since the 1979-80 season and being the second-winningest coach in state history with 1,127 victories, Mike LeDuc is one of those old-school coaches who likes to push his players forward and fade into the background when team success comes.
This season at Damien, LeDuc can take a bow for guiding the Spartans to the state Division I championship with little size but a group of players who loved to shoot threes, never stopped hustling on defense and executed close to perfection on the biggest stage at Golden 1 Center and during his team’s playoff run.
For turning a group of players he fondly called “overachievers” into champions, LeDuc is The Times’ boys’ basketball coach of the year.
Through his many years of coaching at Damien and previously at Glendora, he’s mentored such outstanding players as Tracy Murray, Casey Jacobsen and Cameron Murray. Now Cameron’s sophomore son, CJ, plays for Damien. It’s a full circle moment for LeDuc, who was holding his granddaughter at the awards ceremony in Sacramento.
As the years go by and the game keeps changing, LeDuc continues to adapt, adjust and power on.
LeDuc‘s answer is, “Basketball is a real simple game. It’s a game of repetition and if you do it over and over, you expect it to be done perfectly.”
Kaleena Smith averaged 31 points, seven assists and four steals a game this season while playing for the No. 1 program in the Southland, but her expanded leadership role is what earns her the honor of The Times’ girls’ basketball player of the year.
The 5-foot-6 junior point guard marshaled Ontario Christian to the CIF state championships in Sacramento for the first time in the program’s history and along the way her voice spoke almost as loudly as her game — surprising for someone who is not talkative by nature.
“Her numbers speak for themselves but the biggest difference in Kaleena this season has been her leadership,” Knights coach Aundre Cummings, said. “She’s always coming to practice first and leaving last, which teammates respect, but also knowing when to speak up.”
Smith has been nicknamed “Special K” for her talent and charisma, traits that make her one of the top national recruits in the class of 2027. She is garnering attention from multiple college programs. USC women’s coach Lindsay Gottlieb was even on hand to witness Smith score 23 points and contribute six assists in the Southern California regional semifinals against Etiwanda on March 8 and the state championship game against Archbishop Mitty at Golden 1 Center in Sacramento.
“I’m being more vocal, yes, because I’m gonna have to do that in college,” said Smith, who spent countless hours refining her mid-range jumper this winter. “As captain it’s one of my responsibilities.”
One hundred games into her high school career, Smith is living up to the hype thrust upon her when she was named MaxPreps’ national freshman of the Year in 2024. She passed the 2,000-point plateau when she scored 51 points against Esperanza in November.
Smith paced Ontario Christian to the Southern Section Open Division title as a sophomore and although the Knights were denied a repeat (she had 30 points and five assists in a finals defeat to Sierra Canyon) her stats are better in every significant category. Intertwined with her competitive spirit and winning mindset is the maturity and confidence of an upperclassman.
“Her leadership is what stands out,” sophomore teammate Tatianna Griffin said. “She’s a very quiet person. I’m not sure it comes naturally or not but when she says something we listen.”
Griffin’s own game has blossomed because of Smith’s willingness to give her the ball in clutch situations, and Smith has been a mentor to freshman Chloe Jenkins, who led the team in rebounds (11.3 per game).
Adding leadership to her basketball IQ, court vision, defense, quickness, shooting, passing and dribbling has made Smith a complete player, one who is poised for a senior season worth talking about.
Like the mythical city of Brigadoon, Lisa Kudrow’s “The Comeback” has returned to television after many years away, with the difference that time has not stood still for its inhabitants, older in a changing world that values them less and which they navigate with less assurance.
Kudrow, who created and writes the series with Michael Patrick King, was in her youth a player in the twilight of network-dominated television, cast in a smart, influential show with wide, multigenerational appeal; in a quantitative sense, at least, everything would be downhill from there, as the medium transformed and transformed again. “The Comeback” premiered in 2005, just a year after the end of “Friends”; the first season addressed the rise of reality TV, and the next season, in 2014, riffed on dark, streaming “prestige” television.
The new (and final) season, which is both timely and speculative, addresses the impact of artificial intelligence on the medium and the industry, hinting at a dystopian future; this gives it a moral, even political component, not to say a sense of urgency. Not surprisingly, “The Comeback,” as a thing made by humans, comes down firmly on their side — it’s a manifesto at times — even as it acknowledges, uncomfortably, that computer-produced content might be “good enough.”
Once again, Kudrow plays Valerie Cherish, who, at 60 — the phrase “of a certain age” repeats throughout the series — still qualifies as a working actor. But she’s been pushed into the further reaches of the profession: Her two-season cozy mystery series, “Mrs. Hatt” (“part-time gardener, solves crime, husband is an ex-police chief”), is on no one’s radar but her own, having shown on Epix. A day’s work on a “no-budget” film is even less rewarding than she had imagined; she lasted all of two episodes on “The Traitors.” Paddling hard to stay current, to improve her brand, she bumbles through a podcast, “Cherish the Time,” without any idea what to do with that time; employs a social media person, Patience (Ella Stiller), with no discernible impact; and posts pictures of herself holding products in hopes of “future collabs.”
Still, she is not poor. Valerie and husband Mark (Damian Young), have moved from Brentwood to a condominium with a view in the (real life) Sierra Towers, overlooking the Sunset Strip, opening the latest “new chapter” in their lives, though just what that chapter for them is hard to say. Mark has lost his job in finance — “You told a joke at work at a time when jokes were illegal,” Valerie says, trying to cheer him, “no one cares now” — but left on a golden parachute; now he builds his day around pickleball. A potential role in a reality show, “Finance Dudes,” isn’t working out to anyone’s satisfaction. He’s on the verge of a three-quarter-life crisis.
When her self-promoting manager/publicist Billy (Dan Bucatinsky) comes to her waving an offer for a new series, for a new network, in which she’ll star, Valerie is more than intrigued, if taken aback when he tells her that it’s being written by AI. (He isn’t supposed to know.) Network head Brandon (Andrew Scott, as blandly discomfiting as his Moriarty on “Sherlock”) assures her that it is “within the Writers Guild agreement,” but that it is also a secret — which will account for a lot of comedy going forward, secrets and lies being the very stuff of the form. “AI is really extraordinary,” he tells Valerie. “After all, it picked you.”
It’s also created a wholly generic multicamera sitcom, “How’s That?,” in which Valerie’s character, Beth, as she describes it, “runs a cute, charming old New England B&B with the help of her hunk nephew, Bo — so Beth and Bo, B&B.” (“Viewers want a break from the complicated confusing storylines of all these dark streaming shows,” says a network exec.) Her eager supporting cast has no idea that the series is being written by anything other than its human faces, unhappily married couple Josh (John Early) and Mary (Abbi Jacobson). Josh, who thinks of himself as “the voice of women of a certain age,” is precious about the jokes he manages to get into the script; Mary couldn’t care less. Untalented writing assistant Marco (Tony Macht) only wants “to get, like, a really nice house.” The AI, meanwhile, is personified to the cast and crew, who know nothing about it, as someone named “Al,” who “works remotely.”
One by one, the old company is introduced into the new season, Valerie finds Jane (Laura Silverman), her former documentarian, working as a cashier at Trader Joe’s, having tired of scuffling as a filmmaker, “begging people to care about the things that I cared about.” When Valerie lets it slip that her new series is AI-generated — “but don’t tell anyone ‘cause that’s a secret” — Jane is inspired to pick up her camera again. Lance Barber will eventually rejoin as screenwriter Paulie G., Valerie’s old nemesis. Robert Michael Morris, who played Mickey, Valerie’s hairdresser and best friend, in earlier seasons, passed away in 2017; Jack O’Brien, as Tommy, occupies a version of that space here.
Valerie may be only moderately successful, but she isn’t a hack. She has an Emmy for “Seeing Red,” the drama at the center of Season 2. She pushes back against the costumer (Benito Skinner) who wants to put her in a caftan. She knows her craft and is nominally proud of belonging to a union. She’s not a diva, but she has her pride. And that she is loyal, even when it does her no good, makes her easy to like. Thrust half-wittingly onto this cutting edge — being the first in an AI comedy, Mark tells her, “is like saying, ‘I was the first one to eat an arm in the Donner Party’” — she is wholly sympathetic, and, eventually, as things bend toward horror in a last-act revelation, a hero.
Though the subject is serious, the approach this time is light and farcical. Partially abandoning the documentary aesthetic of its predecessors — the first season had the look of amateur video, and the second of guerrilla filmmaking — much of this season is shot as a conventional, non-meta television show, allowing us access to private conversations and meetings without having to account for Jane and her crew, or requiring the players to act as if they’re being watched. Paradoxically, without pretending to reality, it makes some things more real.
Playing himself, director James Burrows, whom Valerie convinces to helm her pilot, notes that the jokes AI writes might come fast but are never better than obvious. “Surprising only comes from a group of writers huddled in a corner beating themselves up to beat out a better show,” he says. And just as Valerie is not a character an algorithm could produce, Kudrow is not an actor a machine could ever imagine. She’s no Tilly Norwood, or Tilly Norwood at 60, or Tilly Norwood with quirks applied. There’s no one like her— other than her — for the learning machines to scrape.
You should never settle for “good enough” when better, or best, is available. But that choice is on you.
When you’re already an All-American in high school and several new players show up perhaps as talented as you, the challenge is developing chemistry and seeing who’s going to remain humble and unselfish for the good of the team.
Maxi Adams, Sierra Canyon’s 6-foot-8 senior, was the big man on campus until another All-American, Brandon McCoy, showed up this season, along with Brannon Martinsen, a former Trinity League player of the year. Not only did Adams welcome them, he adjusted his game and changed his role.
“Anything for the win,” he said. “Trust the coach’s game plan.”
Maxi Adams of Sierra Canyon rises to deliver a dunk against Harvard-Westlake in Open Division championship game.
(Steve Galluzzo)
Adams continued to contribute as a scorer, rebounder and defender, and when the games got much more important in the playoffs, he asserted himself and delivered, such as a 26-point performance in the Southern Section Open Division final.
The North Carolina-bound Adams has been selected The Times’ boys basketball player of the year for the 2025-26 season.
Sierra Canyon went 30-1 and won the Southern Section Open Division championship and state Open Division title even though Adams was injured in the first quarter of the state final. He averaged 16 points and 7.2 rebounds with 10 double doubles.
“He’s a great player,” said Harvard-Westlake coach David Rebibo, whose team lost three times to Sierra Canyon.
Adams’ development of his skills and maturity over his four years of high school, first at Narbonne, then Gardena Serra and his final two seasons at Sierra Canyon, have been impressive. He went from being uncomfortable as a freshman to being versatile, confident and a leader as a senior.
His willingness to embrace the changes at Sierra Canyon this season were key.
“It wasn’t hard,” he said. “We played well together and spent a lot of time together. At the next level, you’re going to have to be able to play with great players. I just carry that forward.”
His older brother, Marcus, was a standout at Narbonne and played this past season at Arizona State after previously being at Cal State Northridge. For Maxi to handle things this season with his brother far away showed he’s ready to embark on his own journey in college basketball.
As for his mentality, Adams said, “We come to work every single time. We put in the time.”
Back in 2022 when the Adams brothers played together at Narbonne. Marcus and Maxi. They’ve become pretty good basketball players, Marcus at Arizona State, Maxi at Sierra Canyon then on to North Carolina. pic.twitter.com/l6NhXwKIPL
A look at the Los Angeles Times’ All-Star boys’ basketball team for the 2025-26 season:
Brandon McCoy, Sierra Canyon, 6-5, Sr.: The Mission League co-MVP averaged 19.2 points and 7.4 rebounds while helping his team go 30-1 and win Open Divison championships in the Southern Section and state.
Jason Crowe Jr., Inglewood, 6-3, Sr.: The Missouri commit is the state’s all-time scoring leader with 4,718 points and averaged 43.6 points this season to become the first four-time All-Star selection.
Drew Anderson, Santa Margarita, 6-10, Sr.: The Oregon State commit was co-MVP of the Trinity League while averaging 20 points and 10 rebounds.
Joe Sterling, Harvard-Westlake, 6-4, Sr.: The Texas commit has been one of the state’s best three-point shooters, averaging 21.4 points and 5.8 rebounds for the Open Division finalists.
Maxi Adams, Sierra Canyon, 6-8, Sr.: The North Carolina commit averaged 16 points and 7.2 rebounds per game, including 26 points against Harvard-Westlake in the Open Division regional final.
Christian Collins, St. John Bosco, 6-9, Sr.: The McDonald’s All-American and USC commit averaged 25 points, 12 assists and four assists per game.
SJ Madison, Redondo Union, 6-5, Sr.: The Nevada commit and Bay League MVP led the Sea Hawks to a 27-5 record, averaging 18 points and 6.1 rebounds.
Maxwell Scott, Corona del Mar, 6-2, Jr.: The Sunset League MVP averaged 21.7 points after leading his team to a 27-1 regular-season record and averaged 24.5 points in three Open Division games.
Will Conroy Jr., Village Christian, 6-0, Fr.: He burst onto the scene as the best first-year freshman player in the state, averaging 26.7 points.
NaVorro Bowman Jr., Sherman Oaks Notre Dame, 6-3, Jr.: He shared Mission League MVP honors, averaging 22.5 points as one of the top juniors in the state.
AUSTIN, Texas — Hugo Lloris finished with two saves for LAFC in a record fifth straight shutout to begin a season, and Brad Stuver stopped the only shot he faced for Austin FC in a scoreless draw on Saturday night.
Lloris and LAFC (4-0-1) began the season with four shutout victories, just one of four teams in league history to accomplish the feat. His scoreless stretch of 450 minutes is the longest in league history to begin a season.
Lloris nearly surrendered his first goal of the season in the 63rd minute, but a Myrto Uzuni netter off a corner kick by Facundo Torres was disallowed after Ilie Sánchez was charged with a foul following a video review — and that led to a yellow card on Uzuni.
Neither keeper faced a shot on goal in a scoreless first half.
Austin (1-2-2) swept LAFC last year during the regular season but couldn’t get past the Western Conference stalwarts in the playoffs. Both of the club’s losses this season have come on the road.
LAFC eliminated Alajuelense on Tuesday to advance to the quarterfinals of the CONCACAF Champions Cup. The club is 7-0-2 so far through all competitions.
LAFC began the day tied with the Vancouver Whitecaps for first place in the hotly contested West.
Up next for LAFC: vs. Orlando City at BMO Stadium on April 4.
Jordan Chiles captured the Big Ten all-around crown with her seventh perfect score of the season, leading UCLA to its second straight Big Ten championship gymnastics title on Saturday.
“Our team is just going up from here,” Chiles told Big Ten Network after the meet. “We haven’t hit our peak yet.
“Obviously, there are still things that we can work on as individuals, but I think the team environment is definitely there. I couldn’t be more proud of each and every single athlete that went up today and stepped in as well.”
UCLA opened with Chiles scoring a 9.925 on beam. Tiana Sumanasekera scored a 9.925, and Katelyn Rosen, Sydney Barros and Mika Webster-Longin each scored a 9.850. Rosen managed to achieve the feat after missing the last few weeks with a foot injury.
UCLA closed the first rotation in second place, 0.125 behind Michigan.
With Chiles leading the way on floor, Webster-Longin posted a 9.925, tying her career high. Sumanasekera had the same score and Ashlee Sullivan had a 9.950.
Riley Jenkins led UCLA in the vault with a 9.950. Webster-Longin celebrated her 9.875 routine with splits. Sumanasekera had a 9.850 in the event and Sullivan received a 9.850 on her Yurchenko. Chiles closed out the vault with a 9.925, keeping the Bruins in first place ahead of Michigan State by 0.325.
Chiles and Barros each had scores of 9.950 in the uneven bars — the best mark of the season in the discipline for Barros. Webster-Longin performed some celebratory splits again when she tied her season high with a 9.900 on the uneven bars. Sumanasekera and Nola Matthews each had a 9.875 in the event.
“We are coming for y’all,” Chiles said. “This is our year and I’m very proud to say that we are the Bruins.”
After the puck was cleared off the goal line behind goalie Vitek Vanecek, the Ducks’ Beckett Sennecke ended up with it on the left side and slipped a pass to Killorn for a shot before Vanecek was set. Killorn also had two assists.
Ryan Poehling, Cutter Gauthier and Mikael Granlund also scored to help the Ducks — playing without suspended defenseman Radko Gudas — rebound from a 3-2 overtime loss to Philadelphia on Wednesday night at home. They moved three points ahead of Edmonton in the division.
Gudas served the fourth game of a five-game suspension for kneeing Auston Matthews in a loss at Toronto on March 12. Matthews tore the medial collateral ligament in his left knee and will miss the rest of the season.
Poehling tied it with 6:23 left in the first, beating Vanecek with a nifty move on a shorthanded break. Poehling took a pass from Killorn, sped down the left side, cut right and shot against the grain to the left.
The Ducks (38-27-4) put it away with two empty-net goals, with Gauthier scoring his 36th goal on the first.
Dylan Guenther scored his 34th goal of the season for Utah — at 1:48 of the first of the Mammoth’s second shot on goal.
Utah remained six points ahead of the Kings for the first wild-card spot in the Western Conference.
The Mammoth (36-28-6) opened a four-game homestand. They had won two straight on the road, beating Dallas 6-3 on Monday night to snap a four-game losing streak and topping Vegas 4-0 Thursday night.
Up next for the Ducks: vs. Buffalo at Honda Center on Sunday.
This is the question on everyone’s mind of “The Bachelorette’s” producers, ABC, Hulu and the Disney legal team.
On Thursday, ABC announced that the heavily promoted new season of “The Bachelorette,” scheduled to premiere Sunday, would not be moving forward “at this time.” Why not? Well, the Bachelorette in question, “The Secret Lives of Mormon Wives” star Taylor Frankie Paul, was the subject of a second domestic assault investigation as a damning video from her first, in which she pleaded guilty to aggravated assault, made the rounds courtesy of TMZ. Filming for Season 5 of “Mormon Wives,” which Paul executive produces, was also abruptly halted.
The disturbing video is hard to watch. Not so much because Paul puts on-again, off-again partner Dakota Mortensen into a headlock and then pelts him with metal bar stools — sadly, this is a scene that would not be out of place on many reality shows — but because a small child is in the room. After one of the stools bounces toward the camera, Paul’s then-5-year-old daughter Indy begins crying and Mortensen later says “help your child.” Even as the child cries “Mommy,” Paul continues on her rampage. When Mortensen belatedly attempts to help Indy, Paul screams at him to “get away from my child.”
And while “Bachelorette” producers and Disney lawyers may not have seen the video, which was introduced in the 2023 court case, the police report makes it clear that Indy was injured during the incident, noting a “goose egg” on the child’s head. Paul was charged with aggravated assault, child abuse and domestic violence in the presence of a child. Paul, who said she had been drinking before the incident, pleaded guilty to one count of aggravated assault, a third-degree felony. The other charges were dismissed and Paul, who was put on probation, submitted a plea of abeyance. In August 2026, a court will review the assault charge and, if Paul complies with the terms of her probation, could lessen it to a misdemeanor.
Should a new criminal charge be made after the current investigation, all bets are off.
So was it the emergence of the video or the possibility of a felony conviction that caused ABC to put this season of “The Bachelorette” on ice? Does the reason matter?
ABC knew that Paul had been charged in a domestic violence incident that led to the injury of her child and somehow thought she would make an excellent Bachelorette anyway.
What were they thinking?
“The Bachelorette” Season 22 billboard starring Taylor Frankie Paul is seen on Thursday — the day her season was axed.
(HIGHFIVE / Bauer-Griffin / GC Images via Getty Images)
They were thinking that audiences like messy “authenticity,” and it doesn’t get any more authentically messy than 31-year-old Paul, who climbed to social media fame by founding MomTok, a TikTok community of married Mormon women dancing, joking and pushing against the traditions and restrictions of their faith. Pretty and profane, funny and frank, Paul amassed a large following. After Paul discussed the “soft swinging” she and her husband engaged in with other Mormon couples, the group went viral and led to the creation of “The Secret Lives of Mormon Wives,” the first episode of which was titled “The First Book of Taylor.”
Chronicling the fallout from the “soft-swinging” scandal, the first season built on Paul’s frank discussions of her chaotic life; it was Hulu’s most-watched unscripted season premiere of 2024. The subsequent three seasons, in which the MomTokers deal with the pressures of fame, their romantic relationships and all manner of internal “Mean Girls” drama, have continued to grow the show’s audience even as ratings for “The Bachelor” franchise flagged.
To the algorithm, or a numbers cruncher, the hopes that Paul could bring some of the “Mormon Wives” magic to “The Bachelorette” might make sense.
Except Paul isn’t magic; she waves her red flags high and proud, and the good folks at ABC, Hulu and Disney charged at them with the oblivious desperation of so many trapped, maddened bulls. (It usually does not end well for the bulls either.)
The “soft swinging” led to her divorce from first husband, Tate Paul, with whom she has two children, including Indy. As chronicled on “Mormon Wives,” she began her turbulent relationship with Mortensen, with whom she shares a young son, Ever. Her 2023 arrest was a storyline — she called it one of the rock bottoms of her life, though in a recently resurfaced TikTok video, she brags about throwing things and being arrested — and in Season 4 she was found in bed with Mortensen, with whom she had allegedly broken up, on the morning she was supposed to fly to L.A. to film “The Bachelorette.” (She caught a later flight.) The season finale ended with the possibility that Paul might be pregnant.
Reality cross-pollination has become so increasingly popular — ABC’s “Dancing With the Stars” couldn’t live without it, and Peacock’s hit show “The Traitors” is built on it — that there seems to be little thought given to the apples-versus-oranges fact that not every reality show is the same. “Bachelorette” producers not only ignored the misgivings voiced by their own fans, many of whom did not think Paul would be approaching the show as a truly single woman searching for love, they reportedly extended her many freedoms denied other participants, including unmonitored use of her phone during filming.
They clearly wanted the ratings miracle that Paul’s unvarnished wildness had lent “Mormon Wives.”
Casting for maximum drama is a driving force in many reality shows. Even if one accepts that perfectly reasonable people are happy to live in a bubble with strangers for months in hopes of achieving love, fame or a cash prize, someone inevitably is cast to bring the crazy, er, conversation-sparking personality. And like all of television, reality is facing splintered and waning audiences so the decibel level of that conversation-sparking is often dialed way up.
Hence the ascendancy of Taylor Frankie Paul, queen of MomTok and “Mormon Wives,” a woman known for her lack of filter and habit of putting it all out there. For the purposes of our entertainment.
There is, of course, no point in mentioning the many past, and often show-derailing, scandals of the genre — the suicides, the racism, the sexual assault, homophobia, bullying, pedophilia, infidelity and just general ghastliness that has arisen from the popularity of people sharing their “real” lives. Audiences connect with these shows, the messier the better.
But, as it turns out, some messes are too big to leverage even for forgiving eyeballs of reality fans.
“The Bachelor” franchise should have known better. It’s been around for almost a quarter-century and has suffered its fair share of scandals during those years. But drafting a woman who was convicted of assault in an incident that harmed her own child, well, “The Bachelorette” knew it was playing with fire.
Clearly they hoped she would rekindle the dying embers of the show.
The WNBA will likely get an injection of UCLA talent. One of the players most equipped to make an impact right away, it turns out, might be Kiki Rice.
Some mock drafts have the senior guard as high as being picked No. 5 overall after concerns she might fall out of the first round entirely before this season.
After a career-best season, though, Rice is one of the top prospects in a loaded class. That wasn’t a given after taking a step back in all statistics other than shooting last season.
The No. 1 seed Bruins are hoping to ride that to a national title, with the next step coming Saturday against No. 16 seed California Baptist in the first round of the NCAA tournament. Tipoff is at 7 p.m. at Pauley Pavilion.
UCLA guard Kiki Rice shoots over Ohio State guard Jaloni Cambridge during the semifinals of the Big Ten tournament on March 7 in Indianapolis.
(Michael Conroy / Associated Press)
WNBA scouts are hoping Rice proves she can be one of the best early first-round investments in the league.
“The work she did on her mentality, film study, with leadership, using her voice, working on her handles, I just think it’s her commitment to the details,” UCLA coach Cori Close said. “I’m not surprised that she’s playing this way because of the intentional work that she puts in.”
A Big Ten All-Defensive Team and unanimous All-Big Ten First Team selection this season, Rice is averaging career highs in points (15.3), rebounds (6.0) and shooting percentage (50.4%). Her assist numbers have dropped since the addition of Charlisse Leger-Walker, but that’s allowed Rice to create her own offense.
“I think one of the things that Kiki’s been able to do is have different kinds of scoring catches this year because of Charlisse’s presence on our team,” Close said. “But I do think the biggest thing has probably been her passing, her facilitation, as well as her ability to shoot.”
WNBA scouts have taken notice, too. One evaluator said her ability to play with a “group of weapons” has set herself up to be taken seriously for a larger role even as a rookie. For a long time, among those scouting in the league, she was viewed as a potential backup point guard, but her shooting ability and defensive consistency has made her a more complete prospect.
Her 2.2 defensive win shares are third in the Big Ten and her 83.0 defensive rating is seventh.
“I worked a ton of [defense] in the offseason and really stepped up to the challenge of guarding the other team’s best perimeter player,” Rice said. “I think me being challenged in that way, it’s been a really great area of growth, and that’s probably the area that I’m most proud of.”
Rice’s improvement from the three-point line is a big one for WNBA scouts. She improved her deep shot from 21.7% to 38.1% across four seasons.
UCLA guard Kiki Rice steals the ball from Washington guard Chloe Briggs at Pauley Pavilion on Feb. 19.
(Gina Ferazzi/Los Angeles Times)
That, plus her defensive prowess and ability to play point guard and more of a loose guard role, have helped her WNBA stock rise tremendously.
“Defensively has been probably the most impactful growth thing that she’s had,” Close said. “But Kiki — people don’t realize she was out for six months. She had surgery on April 15th last year and was out for six months.”
Rice was injured at the start of last season and then underwent right shoulder surgery right after the Final Four. Despite the injury, she played in 34 games last season, averaging 12.8 points and 5.0 assists per game.
Rice won the Big Ten tournament’s most outstanding player award after UCLA thrashed Iowa by 51 points in the championship. She averaged 16.6 points and 5.3 assists during three Big Ten tournament games.
Her numbers might be even better if she were the team’s top offensive option, like Hannah Hidalgo with Notre Dame. Instead, she is sharing time with other top WNBA prospects such as Lauren Betts, Gianna Kneepkens and Leger-Walker.
“What I love most is she’s one of the most selfless people I’ve ever played with,” Betts said of Rice. “She really could [not] care less about all of the attention. She just wants to win games. She’s always there for her teammates. I’m so grateful I get to be her teammate and her friend. She’s amazing.”
In addition to her three-point shot improvement, around 60% of her points still come in the paint from driving to the basket, making her a threat all over the floor.
“There were lots of times in previous years where Kiki could get downhill, but we didn’t have the court spacing because we didn’t have the quality of shooting that allowed those driving lanes to take place,” Close said.
UCLA guard Kiki Rice shoots over USC guard Malia Samuels at Pauley Pavilion on Jan. 3.
(Eric Thayer/Los Angeles Times)
The biggest question with Rice is whether her three-point shooting can scale to a higher volume in the WNBA, where guards are more likely to shoot from deep than be relied on in the post. She has never taken more than 2.7 attempts per game.
Part of that is because there are so many options from three-point range that Rice doesn’t have to be the primary shooter. Kneepkens is making 44.2% of her three-pointers and Gabriela Jaquez has hit 41.1% while Leger-Walker is shooting 36.4% from range.
That hasn’t affected Rice’s efficiency, though.
“I think this year the way that we moved the ball and everyone gets touches is so important for everyone and allows me to be successful,” Rice said.
UCLA guard Kiki Rice celebrates with teammates as she’s handed the Big Ten tournament most outstanding player trophy on March 8 in Indianapolis.
(Michael Conroy / Associated Press)
With the way the draft order falls, Rice is likely to end up with either an expansion team or a team that struggled last season, such as Washington or Chicago. That might mean she’ll need to step in and produce in her first season as a pro.
That is why her stock has risen so much this season — she’s shown she has the versatility to do what is needed.
“Kiki has been playing the best basketball of her career,” Close said. “I think she has put in the work. She knows what she’s earned, and she’s sort of ‘that girl’ for us.”
“State programs cannot simply substitute for the kind of global, federal and competitive tax incentives that are needed to bring production back to American soil and stop its offshoring,” U.S. Sen. Adam Schiff (D-Calif.) said during a news conference Friday morning.
“We must act, and the urgency could not be greater,” he said. He revealed he is working on a bipartisan federal film incentive proposal that would be competitive with what other countries are offering for film productions.
He said the program isn’t about Hollywood’s stars; it’s about the jobs that productions create, including roles for set designers, carpenters and lighting crews.
“These are the people who make that magic happen. We want to keep those jobs here, and many of us are deeply concerned about what this potential merger will do to those jobs,” Schiff said.
Earlier this week, the California Film Commission revealed that 16 shows had recently received tax credits for filming in the state. The projects represent $871 million in qualified in-state spending and are expected to generate $1.3 billion in economic activity in California. Schiff said the state tax credit has generated more than $29.1 billion in motion picture production wages and supported more than 220,000 jobs.
Even as shows start to see gains in Southern California, Los Angeles film activity was still down 13.2% from July through September when compared with the same period in 2024. The downward trend extends the loss of 42,000 jobs in L.A. between 2022 and 2024, the continued suffering of local sound stages and the offshoring of productions internationally.
“Federal policymakers must act to level the playing field and make the U.S. film and television industry more competitive on the global stage,” said Matthew Loeb, the president of the International Alliance of Theatrical Stage Employees. “A globally competitive labor-based and tax incentive is. For us, production that supplements state incentives is essential to return and maintain film and television jobs in America.”
HBO Max’s medical drama “The Pitt” is filmed at one of Warner Bros. soundstages in Burbank and it’s one of the shows benefiting from California’s tax incentive.
Noah Wyle, the star and executive producer of the show, said during the news conference that “it’s really hard to shoot a TV show in Los Angeles, and it’s really expensive, prohibitively” — so adopting an economic model that allows productions to take full advantage of the California tax incentive was essential to “The Pitt” filming in L.A.
“As an Angeleno with generational roots to this city and as a seasoned member of its creative community, advocacy for Los Angeles-based production is something that is very close to my heart,” Wyle said.
“‘The Pitt’ has blessedly become proof of that speculative concept. I’m happy to report we’ll commence shooting season three this summer, and that a rising tide has indeed lifted all boats in season one under the 3.0 tax program,” he added.
The show received a 20% tax rebate on many above-the-line costs. The budget for one episode was approximately $6.6 million, so the show received a rebate of about $760,000 per episode. By the end of season one, the production was able to save over $11 million. Wyle estimated that the first season of “The Pitt” contributed around $125 million toward California’s gross domestic product.
Rep. Laura Friedman (D-Glendale), who is working with Schiff on production tax incentives, said that because California is already seeing benefits from the current program, there’s no reason it wouldn’t work nationally. Friedman added that tax incentives are a common practice among many industries in the U.S.
“Hollywood is not asking for special treatment. Whether it is computer chips, the energy sector or pharmaceuticals, this is something that is standard in the United States,” said Friedman. “In terms of our nation, Hollywood and its ability to tell the story of America, it is something worth saving.”
Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. Today we continue our series looking at the NL West, position by position.
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NL West, the third basemen
Let’s look at the third basemen and shorstops, ranked from best to worst. Click on the player’s name to be taken to their full stats page.
San Diego Manny Machado Last season: .275/.335/.460, 33 doubles, 27 homers, 95 RBIs, 118 OPS+ Career: .279/.338/.486, 94 OPS+, 124 OPS+
Though, as Yogi Berra famously said, “Nobody likes Manny Machado,” you have to give the devil his due. Machado is one of the best third basemen in the game, not just the NL West. He hits for average and power and is a defensive stalwart at third. It has already been eight years since he was with the Dodgers.
San Francisco Matt Chapman Last season: .231/.340/.430, 23 doubles, 21 homers, 61 RBIs, 120 OPS+ Career: .240/.330/.458, 119 OPS+
Similar to Max Muncy offensively, Chapman gets the nod because he is a five-time Gold Glove winner at third and stays in the lineup more consistently.
Dodgers Max Muncy Last season: .243/.376/.470, 10 doubles, 19 homers, 67 RBIs, 136 OPS+ Career: .229/.354/.474, 124 OPS+
There will come a time this season when Muncy will go on one of his notorious cold streaks. Some will say the Dodgers should dump him. Nonsense. He is one of the 10 best third basemen in the league and is a steal at only $10 million this season.
Yes, he’s the son of former Dodger Eric Karros. Don’t let those offensive numbers fool you, they were in limited playing time. He is one of the Rockies’ top prospects and has a bright future. He is only 23.
I’ve been writing this newsletter for 12 seasons now, and sometimes I get things very, very wrong. I was against moving Betts to short. But I was wrong. He’s already Gold Glove level there, and here’s guessing his bat rebounds to elite levels this season, because one thing I have learned is to not bet against Mookie Betts.
If his new level of offense reached last season is for real (his previous high in homers was six), then he could easily move up to No. 1 on this list.
San Francisco Willy Adames Last season: .225/.318/.421, 22 doubles, 30 homers, 87 RBIs, 111 OPS+ Career: .244/.321/.440, 109 OPS+
He signed a seven-year, $182-million deal with the Giants before last season, then got off to a horrible start, dampening his overall numbers, which were pretty good despite that. There are a lot of good shortstops in the NL West.
San Diego Xander Bogaerts Last season: .263/.328/.391, 30 doubles, 11 homers, 53 RBIs, 99 OPS+ Career: .287/.350/.446, 114 OPS+
Still a good fielder, but his offense has regressed, as he has been below average the last two seasons.
Colorado Ezequiel Tovar Last season: .253/.294/.400, 18 doubles, 9 homers, 33 RBIs, 83 OPS+ Career: .258/.291/.429, 88 OPS+
Tovar has never met a pitch he wouldn’t swing at, but when he does connect he hits it hard. He won the Gold Glove in 2024, but last season was a setback for him, in part due to injuries.
Max Muncy hits an important home run in Game 7 of the 2025 World Series. Watch and listen here.
Until next time….
Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.
Despite the show’s approach to make their actors unrecognisable you might remember some from big series
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A Prime Video series that was dubbed ‘best show ever’ is finally returning with a whole new cast and approach, although there are still some faces that you might recognise.
According to its synopsis, Jury Duty Presents: Company Retreat is a comedy series that captures a corporate offsite event at a family-owned hot sauce company from the perspective of Anthony, a recently hired temporary worker.
Unbeknownst to Anthony, the entire experience is staged. Every colleague around him is performing a role and each moment whether in conference rooms or during downtime has been meticulously orchestrated. As the founder prepares to step down, the getaway transforms into a clash between big corproate ambitions and small business values, with control of the company hanging in the balance.
While the premise of the show means that all the actors involved have to be unrecognisable to the one non-actor, there are actually a few faces you may have seen before. But who are they and what have they starred in that you may remember them from? Here’s all you need to know.
Jerry Hauck plays Doug, the CEO of Rockin Grandma’s Hot Sauce. He’s described as “a lovable papa bear with Big Dad Energy who cares deeply about the company he’s built and the people that work for it.” Hauck has had memorable small roles on huge shows including ER, Seinfeld, It’s Always Sunny in Philadelphia and Paradise.
Alex Bonifer stars as Doug’s son and heir apparent to the business, Dougie Jr. He is “well-meaning but directionless” who is suddenly handed huge responsibilities. Eagle-eyed viewers will recognise Bonifer from Kevin Can F*** Himself where he played the role of Neil.
Amy, of customer relations is played by Emily Pendergast who has a lot of experience in comedy TV. She starred in multiple episodes of Veep and Netflix sitcom Leanne. Meanwhile the eventually nicknamed Other Anthony, who is he company’s Assistant Sourcing Manager, is played by Rob Lathan who previously appeared in Inside Amy Schumer and has served as a writer on other sketch shows.
Comedian Rachel Kaly plays remote worker and web designer Claire. While her character might be obsessed with the series Bones, she herself has appeared on animated comedy Digman! and High Maintenance.
Straight talking Helen, from accounting who has been at the business from the very beginning alongside Doug, is played by Stephanie Hodge. She is one of the most experienced cast members with past credits including NCIS, Young Sheldon and Scandal. She also had starring roles in the 90s on Nurses and Unhappily Ever After.
Jackie, who works in distribution and logistics when not taking charge of her kids at home, is played by LaNisa Renee Frederick. She’s previously appeared in smaller roles on Brooklyn Nine Nine, The Goldbergs and Mom.
Jim Woods, who was a writer on The Last O.G. starring Tracy Morgan, and starred on Reno 911!. takes on the role of warehouse manager Jimmy. He may have once been the non P.C. employee but he’s working maybe a bit too hard to be a better version of himself.
Erica Hernandez plays Kate from sales and marketing, who often gives the impression she should have a leadership role herself. Hernandez previously starred in the drama series True Lies, based on the 1994 Arnold Schwarzenegger film as well as New Amsterdam.
The other half of Team Skate (Steve & Kate), Steve is a “confident salesman that plays the calmer yin to Kate’s high-strung yang.” He is played by Warren Burke who has appeared in 13 episodes of Family Reunion and eight episodes of Bigger.
Snack obsessed receptionist PJ, is played by Marc-Sully Saint-Fleur who you may have seen before in Steve Carrell starring Netflix comedy Space Force or his brief appearances in Curb Your Enthusiasm and The Good Place. There’s also HR manager Kevin who is the one who seemingly hires Anthony to be his assistant.
He is played by Ryan Perez. Perez is actually a seasoned comedy actor, writer and director. He has written for Saturday Night Live and The Tonight Show with Jimmy Fallon while he has also directed Funny or Die shorts with Will Ferrell and Kevin Hart.
Ranch manager Marjorie who is looking after the company workers while on retreat is played by Blair Beeken. She most recently appeared in Apple’s hit sci-fi series Pluribus.
Jury Duty Presents Company Retreat is streaming on Prime Video.
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website
While the Europa League will continue to offer respite from an otherwise difficult season for Forest, the additional games present challenges.
Forest will take on Porto in the quarter-final on 9 and 16 April, welcome Aston Villa to the City Ground in between the two legs and then host Burnley the following weekend.
Winning games means positive momentum and that can only be a help when it comes to fighting to stay in the league.
But it also means more games and Pereira, who is set to take charge in his first European quarter-final, must find the balance between keeping his side in the top flight and managing the demands of competing in Europe.
“When we win it’s different,” Pereira said.
“The spirit is different, the energy is different and the boys deserve it because they are a fantastic group, very good players and with team spirit, character – we showed everything today.
“I don’t have any doubt that we have the quality and we will compete to achieve our targets.”
Yates added: “That winning feeling is special, you want to keep that momentum going.
“Momentum at this stage of the season is huge. We’re not going to get ahead of ourselves. Recover now, focus on Tottenham now and keep building, keep getting those wins.
“The best way I can describe it is, it’s an addiction,” says Taylor Frankie Paul.
The star of “The Secret Lives of Mormon Wives” is seated by a window in an empty Starbucks within a downtown Salt Lake City hotel, reflecting on her relationship troubles in an interview Feb. 19. Followers of Paul’s screen life are all too familiar with the drama. Now, others can’t escape knowing about it too.
Days later, a dispute with her on-again, off-again partner would lead to an investigation by police that surfaced in multiple news reports this week, and on Thursday, the release of a video recording of a separate dispute in 2023 would lead to a pause on “The Bachelorette,” her latest starring role on reality TV, three days before it was set to premiere.
Her brush with fame began with #Momtok, as the self-proclaimed founder of the Utah-based group of Mormon moms that spawned the so-called corner of TikTok where they shared choreographed dance videos and light lifestyle content. But in 2022, she rose to notoriety after revealing in a TikTok Live session details about an arrangement she had with her then-husband Tate Paul to pursue intimate relations with other consenting couples (without having extramarital sex); she confessed to violating their agreement by having an emotional affair. The salacious revelation, which became known as the “soft-swinging” scandal, lit up social media and, eventually, led to the creation of Hulu’s breakout hit “The Secret Lives of Mormon Wives.” Much of Paul’s story across the show’s four seasons has revolved around her rocky relationship with Dakota Mortensen, the man she began dating following her divorce.
Dakota Mortensen and Taylor Frankie Paul in a scene from “The Secret Lives of Mormon Wives.” The pair share a 2-year-old son.
(Fred Hayes / Disney)
Even as the show documented the lead-up to Paul becoming the new face of “The Bachelorette,” her biggest screen opportunity yet, the pair’s on-again, off-again dynamic remained as turbulent and confusing as ever, down to the “Mormon Wives” season’s final minutes. A despondent Paul nearly upended the start of production on ABC’S dating series when she missed her flight to Los Angeles after sleeping with Mortensen, who is the father of her youngest son, Ever, the night prior. (She took a later one.)
“I was just still stuck in the cycle,” she says, noting she hasn’t watched the “Mormon Wives” finale. “That’s why I knew I had to leave [to do ‘The Bachelorette’], if that makes sense … I can’t help people understand it because my own brain doesn’t understand it. The only thing I can relate it to is, it is a drug; the toxicity is a drug. It’s always a mind game and I fall for it every time, and I cave and it’s just so dumb. I get exhausted saying it to people because I’m like, ‘I don’t blame you guys. I’m mad at me.’”
The hook of a 31-year-old mother of three trying to find love — who unapologetically wears her troubles on her sleeve — was supposed to be what made her a desirable candidate for the latest crossover experiment to hit Disney’s reality TV universe. But in the week leading up to Sunday’s Season 22 premiere of “The Bachelorette,” reports surfaced detailing allegations of domestic violence involving Paul and Mortensen. Utah’s Draper City Police Department confirmed there is an open investigation involving the pair; a spokesperson for the department declined to share more details amid the ongoing investigation. But according to a person familiar with the situation, allegations were made by both parties involving incidents on Feb. 24 and Feb. 25, less than a week after our interview. No charges have been filed in the case.
Taylor Frankie Paul in a promotional still from ABC’s “The Bachelorette,” now on pause.
(Sami Drasin / Disney)
Paul was previously arrested and charged in 2023 for a separate dispute involving Mortensen, eventually pleading guilty to one count of aggravated assault; other charges were dropped. Part of that incident was documented in the first season of “Mormon Wives.” On Thursday, TMZ published a video of the incident, leading Disney Entertainment Television to hit pause on the planned premiere of “The Bachelorette.” “In light of the newly released video just surfaced today, we have made the decision to not move forward with the new season of ‘The Bachelorette’ at this time, and our focus is on supporting the family,” the statement from Disney read. Whether the season will be released at a later time or be re-edited remains to be seen, according to a person familiar with the matter.
“Taylor is very grateful for ABC’s support as she prioritizes her family’s safety and security,” read a portion of a statement provided by a representative for Paul. The statement went on to say Paul suffered “extensive mental and physical abuse as well as threats of retaliation.”
While Season 5 of “The Secret Lives of Mormon Wives” began production in January, cameras were not following Paul during the time of the recent incidents; Paul was focused on publicity commitments for “The Bachelorette.” Hulu and ABC declined to comment on the ongoing investigation. Mortensen could not be reached for comment. Production on “Mormon Wives” is currently on pause and a decision on Paul’s status as a cast member has not been made, according to a person briefed on the situation.
Paul’s chaotic reality now casts a shadow on both shows. The programming experiment aimed at expanding and blending the audiences of ABC’s veteran dating series and Hulu’s budding answer to the “Real Housewives” franchise now becomes an example of too much of a good thing — in this case, overextending a breakout hit early in its run — and how it can backfire. And it puts a spotlight on the discourse surrounding vetting failures and oversights in reality TV, as well as the compulsion or limits by viewers to rubberneck, particularly by savvy viewers of a genre that thrives on sordid personal drama.
How the ‘Mormon Wives’ crossover took shape
At a time when the traditional television landscape faces steep challenges, accelerated by a radical shift in viewing habits spurred by streaming and social media, Disney has been blurring the lines between its linear and streaming properties — ABC and Hulu — to maximize the reach of its unscripted assets. “Mormon Wives,” which has released four seasons in less than two years, has become a key player in that effort. Earlier this year, two of its cast members, Jen Affleck and Whitney Leavitt, competed against each other on “Dancing With the Stars.” And Paul’s casting as “The Bachelorette” makes her the first heroine who was not a contestant on a previous season of “The Bachelor.”
Prior to the reports about Paul, The Times spoke to Robert Mills, who leads Walt Disney Television Alternative, as well as show producers, about collaboration efforts within the company’s broadcasting universe as a way to expand and reward viewer curiosity.
Mills, a veteran ABC unscripted executive, said it was a way the company can distinguish itself from its competitors, particularly as it seeks to build Hulu’s unscripted slate against streaming rivals with deeper benches. And the possibilities on how to apply it to “Mormon Wives” began the summer ahead of its launch. As “Dancing With the Stars” producers were in the final stretch of casting the show’s 33rd season, Mills says there was talk of having one of the women be a contestant on the competition that fall, to coincide with the new show’s arrival.
“I do remember saying, ‘If it’s not this season, I know we’re going to have somebody next season because you can just feel this,” he says, referring to the energy surrounding “Mormon Wives.” “When the show took off, then it became, ‘OK, now we know we’re doing it.’”
And while having a cast member compete on “Dancing With the Stars” may, on its own, create a curiosity factor for audiences of both shows, the added layer of having the journey play out on “The Secret Lives of Mormon Wives” had the potential to heighten the story and viewing experience. And why not have two “Mormon Wives” cast members in the same season to see how their competitiveness plays out? So they did.
Dancer Jan Ravnik with partner Jennifer Affleck on “Dancing With the Stars.” (Eric McCandless/Disney)
Mark Ballas and Whitney Leavitt, who reached the semi-finals on the dancing competition series. (Eric McCandless/Disney)
The casting process for “DWTS” was documented in the third season of “Mormon Wives,” with Affleck and Leavitt pitching themselves to ABC executives. And their journey on the competition, including moving their families to Los Angeles and their eventual falling out, is featured in Season 4.
Corporate synergy within the Disney portfolio is nothing new, particularly on “Dancing With the Stars.” Disney Night is a recurring themed episode on the competition show, with contestants dancing to Disney, Pixar and Marvel tunes. And the series has featured stars from “Bachelor” nation before. But navigating the ins and outs of stories that intertwine without overstepping has required nimbleness.
“We basically carved out times where they [the ‘Mormon Wives’ crew] could film rehearsals and we always had a producer present just in case something happened that was dramatically important for our show,” says Conrad Green, the showrunner of “Dancing With the Stars.” “It’s like a gentleman’s agreement — we’re borrowing talent off another show so we have to work together and it works for everyone’s benefit.”
Stretching out a successful series typically leads to spin-offs — and yes, Mills says, those conversations are happening with “Mormon Wives” — at least at the time of the interview. In the meantime, the crossover strategy has become its key feature. Its third season featured the fallout from an explosive crossover with Hulu’s “Vanderpump Villa,” which follows Lisa Vanderpump, a former Bravo star, and her staff at various luxury European estates. MomTok stars Demi Engemann and Jessi Ngatikaura were guests on that show’s second season and got embroiled in drama with staff member Marciano Brunette, who alleges he had intimate connections with both women. The recent fourth season of “Mormon Wives” revisits the crossover, with some of the women’s spouses partaking in their own “Villa” getaway that fuels more drama.
Layla Taylor, left, Jessie Ngatikaura, Mikayla Matthews and Demi Engemann of “The Secret Lives of Mormon Wives” at the castle in “Vanderpump Villa.”
(Andrea Miconi / Disney)
Paul’s casting in “The Bachelor” universe continues the long-running franchise’s efforts to revamp as it ages, to mixed results. In 2021, the franchise cast its first Black male lead; last year, it entered the senior citizen dating space with spin-off “Golden Bachelor.”
After Paul posted a TikTok in June 2025 jokingly announcing her “bid” as a single mother looking for love, members of the company’s publicity department took notice and, before long, discussions began. When the idea to bring on a star outside the franchise was presented to”The Bachelorette” showrunner Scott Teti, he did some homework.
“Of course, I had heard of her — it’s hard not to hear of that name,” he says. “But I had to familiarize myself with it because I hadn’t watched her show. Instantly, you realize how honest and truthful she is, almost to a fault. Although she’s unrelatable in a lot of ways, with the attention she gets from media and social media … she has a layered story that I think is very relatable to a lot of people — being a single mother and not having success in past relationships and still really wanting to find love.”
He adds that though she was a “fish out of water” the first night, she found her way. “She made herself vulnerable and she finally let her walls down and made herself open to being in a relationship, finding someone,” he says. “At the same time, because she is used to doing things her own way, and not really caring what anybody thinks, that is what made it interesting. That is why this season is so big, and there are so many pivotal points in the season that will leave you on the edge of your seat.”
At least that was the plan.
Dressed in beige lounge pants and an oversize T-shirt adorned with mushrooms when we meet, Paul is affable despite her sluggish demeanor as she navigates the schedule demands in this window between “Mormon Wives” Season 4 and her debut as “The Bachelorette.” She pulls out her phone to share a series of TikTok videos that capture what she says is her current mental state — one features a man sarcastically talking about how he’d rather be petty than regulate his emotions. No stranger to finding a wide audience with viral videos, Paul sees the crossovers as “genius marketing.” But also acknowledged their potential challenges to #MomTok.
“I think it’s really cool to see all the different opportunities you can venture off into,” she says. “I think the con of that, with #MomTok, is that with all the opportunities, it kind of spreads us apart. We’re doing our own thing. It could break friendships. You’re getting envious. You get competitive.”
As the cast’s fame and opportunities grow, whether across Disney or outside of it — Leavitt, for example, is starring as Roxie Hart in “Chicago” on Broadway — the way to keep the series interesting is to incorporate all those moments into the show rather than pretend they live outside of it.
“We have not shied away from breaking the fourth wall,” says “Mormon Wives” showrunner Andrea Metz. “We have not shied away from talking about what is really happening with them. And I think that people like that. The trajectory of their fame and their stars rising has been very quick, but it’s also been really exciting.”
And the highs and lows are in full view, as this week proves.
Was she ready for ‘The Bachelorette’?
How all this might impact #MomTok — the power of their clique to withstand the various in-fighting and drama has become a perennial concern each season — is already playing out in the headlines.
Before recent allegations against Paul threatened the outcome of “The Bachelorette,” Paul’s entanglement with Mortensen had already cast doubt for some viewers of both franchises about whether she went into the dating series with any seriousness. The break between wrapping “Mormon Wives” and starting filming on “The Bachelorette” was one day. Paul admits she isn’t sure she was ready for the experience.
“I might not have been ready, but ready is a decision — just do it,” she says. “It was like a rehab, almost. It’s full detox. I had no contact — in no world does it happen with the co-parent. Whether or not I was ready, it was what was so needed for me, at the very least to just get away from it. And I wanted to find someone and love.”
“‘The Bachelorette’ is one of the hardest things I ever did,” she continues, “but also the most amazing things I ever did. I have my kids back home. I’m not just here looking for me. The emotional exhaustion was a lot. I’m dating 20-something guys. I am putting my all into one conversation after the other, every single day, all day. Your brain is just kind of fried.”
Then she considers a question that didn’t feel as prescient then: Does she feel like it broke the cycle she’s had with Mortensen?
“Yeah, I feel like it helped,” she says. “Obviously things — [we’re] within the process of the show, I can’t speak on it yet. But you’ll see it all unravel.”
Noah Cates scored on a deflection off goalie Lukas Dostal’s skate at 2:17 of overtime and — after a review for offsides on the play — the Philadelphia Flyers beat the Ducks 3-2 on Wednesday night.
The Pacific Division-leading Ducks forced overtime on Leo Carlsson’s goal with 1:54 left in regulation.
Dan Vladar made 34 saves to help Philadelphia rebound from a 2-1 shootout loss to Columbus at home Saturday night. The Flyers are six points behind Boston and Detroit for the two Eastern Conference wild-card spots.
Luke Glendening had his first goal of the season and Owen Tippett also scored for Philadelphia. Trevor Zegras was held off the scoresheet in his first game in Anaheim since his offseason trade. He scored twice in Philadelphia’s 5-2 home victory over the Ducks on Jan. 6.
Cutter Gauthier also scored for the Ducks, and Dostal stopped 24 shots. The Ducks beat Montreal 4-3 on Sunday night to finish 2-2 on a Canadian swing.
Ducks defenseman Radko Gudas served the third game of a five-game suspension for kneeing Auston Matthews in a loss at Toronto on March 12. Matthews tore the medial collateral ligament in his left knee and will miss the rest of the season.
Defenseman John Carlson played his second straight game for the Ducks after a trade-deadline deal with Washington. His debut was delayed by a lower-body injury.
Glendening opened the scoring at 2:50 of the first period, his first goal in 57 games this season with New Jersey and Philadelphia. Tippett made it 2-0 at 7:53 of second with his 23rd of the season. Gauthier cut it to 2-1 on a power play with 38 seconds left in second with his 35th goal of the season.
Philadelphia’s Nick Seeler fought Jansen Harkins in the third period.
Phoenix — A sparse crowd braved the heat, which was approaching 100 degrees when Dodgers right-hander Shohei Ohtani walked off the mound at Camelback Ranch. But those who did were treated to a dominant pitching performance from the four-time MVP in his first start of spring training.
They repaid the favor with a standing ovation.
Ohtani limited the San Francisco Giants to one hit and overshot the innings goal manager Dave Roberts laid out Wednesday morning by pitching to one batter in the fifth inning. Ohtani didn’t give up a run in those 4 ⅓ innings, and the only other blemishes on the performance were a pair of walks and a hit batter.
“I was pretty happy with the pitch count today,” Ohtani said through interpreter Will Ireton. “In terms of the next outing, I do want to be better at executing in two-strike counts. I just didn’t finish off hitters as much as I wanted to.”
Ohtani is scheduled to make a start in the Freeway Series against the Angels before his first start of the season. If the rest of spring training goes smoothly, Roberts said he expects Ohtani to be ready to throw about five innings in his first regular-season start.
At that length, the Dodgers won’t need to designate long relievers to piggyback Ohtani’s starts. But Roberts stressed the importance of still carrying relievers who can throw multiple innings as the starters continue to build up early in the season.
“Once the season starts you’ve got to see how he’s feeling, how his stuff looks, how he’s throwing the baseball,” Roberts said after the Dodgers’ 5-1 win that was stopped after the eighth inning due to the heat.
Most of Ohtani’s build-up has taken place outside of competition, as he balanced playing in the World Baseball Classic for Team Japan as a position player, and addressing pitching on the side. By last week, he’d ramped up to a four-inning live batting practice session against his teammates on the national team in Miami.
“It actually didn’t feel like it was my first spring training outing,” Ohtani said. “I do see this as more of an extension of a live BP situation. So it didn’t feel too bad going into this game.”
Ohtani didn’t hit on Wednesday. With the heat and his unique spring, the team wanted to let him focus on pitching. He’s expected to be the designated hitter in Cactus League play Friday.
“In terms of the hitting, it did help that I played in an atmosphere that was pretty intense and competitive,” Ohtani said. “So the fact that I had to get things going earlier in the offseason maybe was the only thing that really affected my preparation. But I think it helped me more so than it hurt me, as I played through these meaningful games in the World Baseball Classic.”
Ohtani used a wide range of his arsenal Friday, landing an especially effective curveball for a called third strike against Heliot Ramos in the fourth inning.
“Never really surprised with him,” catcher Dalton Rushing said. “Everyone knows what he’s capable of. Everyone knows his main goal when he goes out there. He expects perfection every single time. And I think he was very, very close to it today.”
Ellis has been a hit for Channel 5 and one star has opened up about returning for a potential third series
22:40, 18 Mar 2026Updated 22:56, 18 Mar 2026
An Ellis star has opened up about returning for a potential third series (Image: Press Enquiries: press@channel5.com NOTE: Paramount images are for the use of Press outlets only. Any blogs requesting access to these images are required to seek approval from Paramount directly. Contact press@channel5.com
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Channel 5’s Ellis has been a huge hit with viewers and as series two of the gripping drama comes to an end, fans have been left wondering if it will return for another series.
Season 1 first appeared on our TV screens back in 2024 and at the time it became a hit with detective drama fans, who couldn’t get enough of the drama.
It was a hit after featuring the UK’s first black solo female-led as award-winning actress Sharon D Clarke led the cast. After the success of Series 1, Channel 5 viewers were treated to another season that aired last week.
Fan once again saw DCI Ellis (Sharon D Clarke) and DS Harper (Andrew Gower) investigate the disappearance of a local boy, a murder that brought up a lot of old grudges and the death of a student who was found crushed underneath scaffolding. As the show came to an end tonight, everyone has been left wondering if Ellis and Harper make a return to our screens again.
As of now, Channel 5 are yet to confirm whether the show will continue, however, the good news as Andrew Gower, who plays DS Harper, is very keen to return to his role and the show.
When speaking to Radio Times on the idea of him filming the show again, he said: “Oh yeah, that’s a very easy ‘yes’. To work with Sharon and to keep giving life to Harper and Ellis.”
He continued: “I’ll keep reiterating this but it’s the audience, they always say it’s all about the audience, right? If we can keep entertaining audiences and they keep wanting more, then that’s what we’ll do with Ellis.
“I think the more series we have or the more episodes we have – films, whatever people call them – then that means that we’re doing something right and that means that this relationship can grow.”
The star added: “At some point maybe grow apart to come together, whatever. That’s the exciting thing about British detective shows, there’s scope where you can build from one series to however many. Long may it continue.”
Talking about the legacy of the detective drama, co-star Sharon D Clarke previously said: “The thing I love the most about Ellis is that she is on our screens! I love playing Ellis because I didn’t grow up seeing anybody like her on my television screen.
“So that is my joy, that this is a first, and I am getting to lead that brigade and hopefully pass that baton on to people coming behind me. We’ve waited a long time, but we’re here, and we’re here to stay.”
Channel 5 has since confirmed what show will be replacing Ellis next week in the 9pm slot on Tuesday night. On Tuesday, (March 24) the network will air Power: The Downfall of Huw Edwards, a feature-length drama starring Martin Clunes, Osian Morgan, Sian Reese Williams, and Jason Hughes.
Channel 5 said: “Power: The Downfall of Huw Edwards is a major, feature-length factual drama exploring the story of how a vulnerable 17-year-old boy was groomed by one of the most powerful figures in television – Huw Edwards.
“Starring Martin Clunes (Doc Martin, Wuthering Heights, Manhunt) as Edwards, the drama explores the newsreader’s double life as it spirals out of control, leading to his total exit from public life following his conviction for making indecent images of children.”
Despite that uncertainty, Davies is already laying the foundations for the club’s long-term direction, with a major emphasis on building a high-performance environment both on and off the field.
“A big part of what I’m doing is making sure we’re high-performance across the board,” he added.
“There’s a huge amount of work in aligning our style of play – our Scarlets DNA – with the processes that support that, the coaching roles, the player profiles, the conditioning programmes and the skill sets.
“It’s about putting the right processes and metrics in place so we can drive things forward, understand where we are and measure progress.”
Davies also confirmed he has yet to hold any discussions about extending his stay, although he is leading a significant structural reset behind the scenes.
“A lot of this is about evolving the environment,” he said.
“There will be robust processes and a clear structure in place for the future, whoever is involved.”
The review has already led to changes in the backroom team, and more could follow, with defence coach Jared Payne leaving at the end of the season.
Davies says further backroom adjustments are likely as the club looks to rebuild.
“In any organisation, if you want to move forward, you have to continually assess, re-evaluate and evolve,” he said.
