Season

Bob Chesney didn’t have to go far to secure his most important player.

He was already on campus.

Nico Iamaleava has agreed to return to UCLA for next season, giving the Bruins a top-level quarterback as part of their new coach’s bid for a quick turnaround from a 3-9 season under his predecessor and an interim coach.

Iamaleava announced his intentions on Instagram, posting a highlight video alongside a caption reading, “NO PLACE LIKE HOME. Back with my brothers. Same vision. Same goals. Same grind. Locked in. Time to work!”

The possible benefits go beyond improving Iamaleava’s NFL draft stock with a strong season. Another important plus could be the reputational boost associated with staying put after Iamaleava left Tennessee during spring practice in 2025 as part of an emotionally charged falling out with the Volunteers that sparked widespread criticism.

Remaining a Bruin will also allow the redshirt junior to spend at least one more season on the same team as his brother Madden, who will be a redshirt freshman quarterback after appearing at the end of one game last season.

None of UCLA’s struggles in 2025 could be blamed on its starting quarterback. Constantly under duress from a pass rush that met little resistance from his offensive line, Iamaleava was his team’s leading passer and rusher despite being sacked 27 times.

Iamaleava accounted for 17 of his team’s 24 touchdowns and led the Bruins with 10 plays of 20 yards or more, all coming on the ground. Although he wasn’t a prolific passer — his 255 yards through the air as part of a furious comeback against Nevada Las Vegas were a season high — Iamaleava’s ability to produce big plays with his arm and his legs presented a huge problem for opposing defenses.

Iamaleava’s passing accuracy enjoyed a slight uptick from his final season at Tennessee, where he helped the Volunteers reach the College Football Playoff. In his first season as a Bruin after returning home in part to be closer to his family in Long Beach, Iamaleava completed 64.4% of his passes for 1,928 yards and 13 touchdowns with seven interceptions.

Whether he was scrambling out of the pocket or sprinting on designed quarterback runs, Iamaleava might have been hardest to stop when he planted his feet and took off. He led the team with 505 rushing yards and four touchdowns in 112 carries, including 128 yards and three touchdowns during a victory over then-No. 7 Penn State.

Equally important was the leadership of a player who unflinchingly met with the media after losses and challenged others. Amid the team’s 0-4 start, Iamaleava told teammates they could leave if they didn’t want to stay and help spark a turnaround. No one did, and the team went on to win its next three games.

Now Iamaleava is staying put, giving his coach a huge building block as part of his efforts to forge a sturdy foundation.

New York City, United States – Since the recent termination of the nearly decade-old trade rule called “de minimis,” United States consumers and businesses have been exposed to slower shipping, destroyed packages and steep tariff fees on international goods – foreshadowing what could make for a chaotic holiday shopping season.

For major international carrier UPS, navigating the latest regulatory changes has proved more fraught than for its competitors FedEx and DHL.

Matthew Wasserbach, brokerage manager for Express Customs Clearance in New York, a firm that assists importers with documentation, tariff classifications, valuation, and other federal requirements, has witnessed the fallout as UPS customers seek his firm’s assistance to clear packages entering the US.

“Over the last few months, we’ve been seeing a lot of UPS shipments, in particular, becoming stuck and being lost or disposed of … This all stems from the ending of the de minimis,” said Wasserbach. “Their [UPS’s] whole business model changed once the de minimis was ended. And they just didn’t have the capacity to do the clearance … a lot of people are expecting to receive international packages, and they’re just never gonna get them.”

UPS did not respond to Al Jazeera’s request for comment.

Suspending tariff exemptions

Since 2016, the de minimis trade exemption determined that packages worth $800 or less were not subject to taxes and tariffs. According to US Customs and Border Protection (CBP), the number of shipments entering the US claiming the exemption increased by more than 600 percent from 139 million shipments in 2015 to more than one billion in 2023.

In August, this all changed. President Donald Trump signed an executive order suspending de minimis treatment for all countries, spiralling US imports into a new landscape of paperwork and processes, subject to duties and tariffs based on their place of origin.

Just a month after de minimis ended, while shipping products with UPS, Tezumi Tea, an online Japanese tea and teaware company that sells its products online and through meetups in New York City, fell victim to the tariff backlog at US customs. Tezumi lost roughly 150kg (330lbs) of matcha, totalling about $13,000.

“We responded by increasing buffers in our supply planning across the dozen farms that we partner with,” said Ryan Snowden, a cofounder of Tezumi. “Even with those adjustments, the loss had a severe effect on a number of our cafe customers who suddenly needed to switch to another matcha blend.”

Now, UPS is no longer accepting shipments from Japan, and Tezumi has switched to shipping supplies through alternate carriers such as DHL and FedEx.

Disposing shipments

Wasserbach has witnessed similar instances of UPS losing imports.

“When a UPS package goes uncleared, it’s just basically sitting in a UPS facility, uncleared for a certain period of time,” said Wasserbach. “Then UPS indicates in their tracking that they’re disposing of the shipments without making, really, any effort, from what I’ve seen, to contact either the sender or the receiver, to get information they need to do to get the clearance.”

Wasserbach shared email chains with Al Jazeera from UPS customers who looped in his firm to their customs clearance UPS debacles.

In one exchange, UPS customer Stephan Niznik responded to a notice from the UPS Alternate Broker Team that their packages had been “destroyed”.

“The tracking says on multiple instances that UPS attempted to contact the sender (me), but this is false; aside from a request for more information on September 5 (which I responded to immediately), UPS never attempted to contact me,” wrote Niznik. “It is absolutely disgraceful that my package was mishandled – clothes and children’s toys were destroyed at the hands of UPS.”

In another email chain, UPS told customer Chenying Li that their package was released following an email from Express Customs Clearance stating that the shipment was cleared.

A week later, Li’s package was still showing as “Pending Release”, and when they asked for an update on the shipment, UPS responded, “At this time we are unable to provide an ETA,  as volume is currently backed up and awaiting delivery due to the De Minimis impact.”

‘Impose additional pressure’

In addition to the customs backlog, Virginia Tech associate professor David Bieri says cost prevention may provide one explanation for UPS choosing to dispose of packages rejected by US customs rather than return the shipments to senders.

“All these additional rules and regulations impose additional pressure on already relatively tight margins for these companies – UPS, FedEx, DHL and so forth,” said Bieri. “They need to make money, and sometimes it’s easier not to fulfil a service than to take on the additional cost of customs clearance and making sure that it gets to its final destination.”

Bieri added that UPS resorting to package disposal may indicate that they believe themselves to be in “a sufficiently strong monopolistic position that they can do such horrible practice – unilateral nonfulfillment of contract”.

Wasserbach told Al Jazeera that “with FedEx and DHL shipments, we aren’t seeing these problems”.

When asked whether FedEx has disposed of packages stuck in customs, a spokesperson wrote, “If paperwork is not complete and/or rejected by US Customs and Border Protection, FedEx actively works with senders to update paperwork to resubmit to CBP or return shipments to senders. In some cases, shippers can request that packages be disposed of if they would prefer not to pay to return to sender. In those rare cases, recipients are notified at the direction of the shipper. This is not a common practice. We remain business as usual.”

Final cost of delivery at your doorstep

But FedEx and DHL are encountering some of the same challenges as UPS. Since August, when de minimis ended and small packages were suddenly subject to taxes and tariffs, anyone who ordered from abroad was susceptible to unexpected fees on imported goods.

Without de minimis protecting packages worth $800 and less from import fees, the consumer essentially becomes the importer.

“You might order something you find a bargain abroad, and you don’t pay attention to where things are shipped from … and it might be shipped from China, and you might be in for a rude awakening once that thing arrives at your door,” said Beiri. “You paid the price and thought that this was it. But your deliverer is saying, no, actually, we’re passing that cost on to you. Because you’re acting as the importer.”

These fees could cost equal to or more than the item you ordered itself. “You’ve got to pay extra attention to small prints,” said Beiri.

With looming costs and lost packages on the horizon, Beiri says shoppers will likely make “substitution questions” – are you renovating or are you going on vacation? Are you splashing on Christmas gifts, or are you treating yourself to dining out?

“I think these are interesting times of having to make choices and asking yourself what can we do given that we have an affordability crisis, rent, insurance, making ends meet,” said Beiri. “That’s what’s currently going on.”

In order to better handle evolving trade policy, Wasserbach says that UPS will likely aim to hire a massive number of entry writers to assist with necessary documentation for legal transportation of goods across international borders. However, now that it is the busiest time of year in terms of delivering people their Christmas shopping, Wasserbach doubts an influx of hiring could make much of a difference, given the amount of training required.

The company’s revenue has already taken a hit on account of Trump’s policies. Tariffs on China and the elimination of the de minimis rule saw imports from China, UPS’s most profitable route, drop reportedly 35 percent earlier this year.

“I would assume it’s gonna get better next year,” said Wasserbach. “But as for solving this problem before Christmas, I don’t think that that’s gonna happen.”

Nothing but dirt and dry, brown chaparral rolled beneath skis and snowboards dangling from a chairlift at Big Bear Mountain Resort on Friday, as forlorn adventure seekers joked they should rename the place “Big Bare.”

Unseasonably high temperatures even left the impressive array of high-tech artificial-snow makers below mostly useless, their fans spinning idly in the warm breeze.

“The word I’ve been using is “abysmal,” said Cameron Miniutti, 29, who was riding the lift in a light cotton shirt, with the hot sun glinting off his ski goggles. “This is, for sure, the toughest start [to a season] I’ve seen.”

Similarly bleak panoramas can be found at ski areas across the American West so far this year, but especially in California, where a wet November gave way to one of the driest Decembers in recent memory.

People visit Big Bear Village on Sunday, with no snow in sight.

As of Friday, the state had only 12% of the snow that’s normal for this time of year, and only 3% of what water managers hope for in an average year, according to the California Department of Water Resources.

Which is why water managers — and skiers — are hoping for a Christmas miracle as an enormous atmospheric river takes aim at California this week. The soaking rains may threaten coastal cities with flash floods and nightmarish traffic, but they promise sweet relief for snow-starved thrill seekers from Lake Tahoe to the San Bernardino Mountains in Southern California.

Mammoth Mountain, the tallest commercial ski resort in California, could get up to 7 feet of snow this week, according to On the Snow, a website that tracks conditions at ski areas.

Resorts on the north end of Lake Tahoe could see up to 5 feet, and even Big Bear could get 3 feet, assuming the temperature stays below freezing, according to the website.

That’s important to everyone, even nonskiers, because roughly a third of the water California relies on each year for drinking, farming and fighting wildfires accumulates as snow in the mountains during the winter and then gradually melts through the spring and summer, when the state can otherwise be bone dry.

Many California ski areas were forced to delay opening this year, and even those that got the lifts spinning have had to confine skiers to only a handful of runs, often on man-made snow.

That has been this case at Big Bear, where a thin strip of artificial snow snakes from the 8,440 top of the Bear Mountain Express chairlift to the base at just over 7,000 feet. While crews worked diligently to rake the fake snow over exposed rocks and patches of bare dirt on Friday, skiers and boarders scraped by like traffic on the 405 Freeway.

“It’s crazy,” Miniutti said, “I mean, I can’t even imagine what this is like on a weekend.”

And the range of abilities of people crammed onto the same run creates its own, unique kind of “obstacle course,” Miniutti said.

You have to concentrate on not crashing into people in front of you — many of whom are absolute beginners, tumbling to the snow for no apparent reason — while praying the very good skiers and snowboarders you can hear racing up behind you will somehow avoid mowing you down.

People ski and snowboard at Big Bear Mountain Resort on man-made snow on Sunday.

“There’s, like, the best snowboarders in the world and people on their first day right next to each other,” Miniutti said.

But under the circumstances, Miniutti had nothing but admiration for the mountain staff for keeping the run open despite the seemingly impossible weather.

“I’m still having a blast,” he said, “it’s absolutely worth coming up.”

Devon James, 24, from Pasadena, felt the same way. He was warm in long sleeves, which he took to wearing after wiping out in short sleeves a week ago and “getting cut up.”

One day lift tickets at Big Bear cost more than $150 this season. At fancier resorts, like Mammoth Mountain, they can easily climb to more than $200 per day. So most serious skiers buy season passes for just under $1,000 that are good at many mountains across the country and around the world.

But that means they feel compelled to get their days in, no matter the conditions.

“I mean, that’s kind of the whole game, right,” James laughed. “I’ve got to get at least eight or nine days to get back to even.”

Skiers and snowboarders navigate bare areas at Big Bear Mountain Resort.

Miniutti, who is originally from Massachusetts, and learned to snowboard on the freezing, icy hills of New England, still prefers the alpine experience on the West Coast.

Even when there are legitimate winter conditions at Big Bear, he loves hopping in his car at the end of the day and driving home to Los Angeles, where it’s seemingly always 70 degrees and sunny.

“I can’t really beat that,” he said, “I’m not complaining.”

ARLINGTON, Texas — The Chargers won Sunday, and now they wait.

After their 34-17 victory over the Dallas Cowboys on Sunday, the Chargers can secure a spot in the postseason with a loss or tie by Houston or Indianapolis.

The Texans play host to Las Vegas in an afternoon game, and the Colts play host to San Francisco on Monday night.

It was the seventh win in eight games for the Chargers, who are on a season-long, four-game winning streak. Sunday marked the third time they have topped 30 points this season.

Chargers quarterback Justin Herbert turned in another gritty performance, throwing for two touchdowns and plunging over the goal line for a third.

A pivotal play by Herbert came on third-and-seven early in the fourth quarter, he kept the ball and scrambled for 34 yards. At the end of that run, his surgically repaired left hand collided with the helmet of his Cowboys tackler. The quarterback briefly writhed on the turf, but didn’t come out of the game.

Late in the game, as rookie Omarion Hampton ran for a touchdown, Herbert joined him in the end zone and exchanged high-fives with teammates, careful to protect his casted left hand.

Although the Cowboys came into Sunday’s game eliminated from postseason contention, they still had the NFL’s No. 1 offense and a potent passing attack led by Dak Prescott. He effectively neutralized the Chargers defense in the first half, with touchdown passes in the first and second quarters.

The Chargers close the regular season with a home game Saturday against Houston and a finale at Denver.

A worried mother working miles away from her family frantically tries to get her three children out of harm’s way as an out of control fire ravages their community. Firefighters do everything they can, but strong winds are working against them to make the destruction go from bad to worse.

This scenario is reminiscent of the heroics that are portrayed weekly on the CBS firefighter television drama “Fire Country,” which follows the dedicated Cal Fire station in Northern California where an abundance of wooded areas make fire a common hazard. However, this particular story is very real and comes from actor Diane Farr, who plays Cal Fire Division Chief Sharon Leone and mother to firefighter Bode Leone (Max Thieriot, also a co-creator and executive producer) on the series. Farr remembers how in January she was on the show’s set in Vancouver while the wildfires were wreaking havoc in Los Angeles.

“My house was inside the evacuation order and I had to start flying my children out as fast as I could from L.A.,” she says of her La Cañada Flintridge home, which survived. “We were evacuated for eight days and the wind just went toward Altadena as opposed to coming toward our house. It was terrifying and was very eye opening for us.”

The horrific Los Angeles fires were eventually contained after catastrophic damage to the city, with some heroic firefighters leaving with jarring stories they were able to share with the “Fire Country” cast and crew. “Two of our consultants are L.A. firefighters, Matty and Marty Mullen, who had shown me a lot of videos of real firefighting of what was going on in L.A. that we were able to infuse into our [Season 3] finale,” says executive producer Tia Napolitano. “It felt important that we could show real authenticity inspired by the L.A. fires that we all lived through. I can’t believe it’s only been a year.”

Diane Farr as Sharon Leone in “Fire Country.” The actor’s home was in the evacuation zone during the L.A. wildfires in January.

(Sergei Bachlakov / CBS)

That dedication to authenticity has helped “Fire Country” become one of the sturdiest series on CBS’ prime-time schedule since premiering October 2022. Currently in its fourth season, “Fire Country” has won its time slot every week this season except when it aired against Game 6 of the World Series. It is now the veteran drama on Friday nights sandwiched between two new successful procedurals, “Sheriff Country” starring Morena Baccarin at 8 p.m. and “Boston Blue” starring Donnie Wahlberg at 10 p.m. Pacific, both spinoffs that have quickly caught the attention of audiences since their October debuts.

Farr believes the success of these shows is akin to the huge popularity of genres like true crime and their basic storytelling structure. “There is a good guy and a bad guy that’s very clear and very binary,” she says. “If you can create a situation that feels a little bit unsafe, if you can show me how people would make me safe in it, how they would solve the problem, it’s slightly relieving on a nervous system level.”

“Fire Country” delivers on all those components with the Station 42 crew performing regular acts of heroism as they keep their community safe, a reflection of real-life firefighters, says Thieriot. “People who have to do this job day in and day out are really a special breed. For me, a big thing has always been trying to capture that and trying to portray that the best way possible,” he says. “It’s television, so obviously there are more moments when we’re trying to find the drama, but at the end of the day, it’s really important that we focus on the real and we find the real in there.”

Eve (Jules Latimer) and Bode (Max Thieriot) in “Fire Country.” “People who have to do this job day in and day out are really a special breed. For me, a big thing has always been trying to capture that and trying to portray that the best way possible,” Thieriot says. (Sergei Bachlakov/CBS)

Part of the real comes in knowing that where there are heroes, there are also villains and, as its midseason finale is set to air on Friday, “Fire Country” currently has a frightening one in the form of Landon (Josh McDermitt). Initially seen as meek and even-tempered, the layers have been pulled back to show something different.

“Landon is a threat to our people and that’ll go forward for a few episodes,” teases Napolitano. “You feel like this guy is out there and he has nothing to lose.”

That’s because Landon has already lost the trust of his girlfriend Chloe (Alona Tal) and her teenage son Tyler (Conor Sherry), who recently revealed to Bode that Landon set the tragic Zabel Ridge Fire. That’s the L.A.-inspired blaze from the third-season finale that not only destroyed homes and land but also took the life of Cal Fire battalion chief Vince Leone (Billy Burke), Sharon’s husband and Bode’s father.

In Friday’s episode, a vengeful Landon isn’t happy about being investigated or the fact that Bode and Sharon have made sure that Chloe and Tyler are staying away from him. “Landon’s a small man with a very big ego and a big victim complex and that’s going to manifest in a scary way,” Napolitano says.

It also may not help matters that Chloe and Bode were once romantically involved and a spark may still exist, especially since Bode has been mentoring the troubled Tyler. Is the single Bode’s heart open to a second chance at love? “He’s getting there,” says Thieriot. “Leading up to this season, Bode had so many obstacles and I think this journey with Tyler [as mentor] is a big part of that.”

Bode (Max Thieriot) and Chloe (Alona Tal) were once romantically involved. (Sergei Bachlakov/CBS)

Hearts are also healing on the show in the aftermath of Vince’s shocking death, an event that was never in the show’s plan to quickly sweep under the rug. “We really want to be the show that everyone knows and loves, which is a comfort to a lot of our viewers,” says Napolitano. “It’s a show of joy and levity but also honors the fact that we are missing a core character who did die a hero’s death and honoring him by keeping his memory alive.”

That memory exists for Farr in several rings she regularly wears representing Sharon’s marriage and family with Vince, but she added another piece this season based on a suggestion from director Sarah Wayne Callies.

“Vince’s bracelet is heavy and regularly bumps the smaller bones in my hand,” Farr says. “Just like my former scene partner Billy, who would debate any word or line or blocking or intention with me to get to the truest take on anything we did together. Losing him is always going to be loss.” Farr said she doesn’t want to play grief forever but upcoming episodes will continue to show Sharon “trying to figure out who she is as a ‘one’ instead of a ‘two.’”

Though everyone hopes Los Angeles won’t see more fires like the ones from nearly a year ago, “Fire Country’s” creators and cast will continue to shine a light on firefighters and all the life-and-death work they do on a daily basis and, above all else, entertain.

“It’s not always easy to continue to surprise the audience and come up with this stuff that’s just really captivating and fresh and new but I believe that we can,” Thieriot says. “I’m really eager to accomplish that.”

Clipper Kris Dunn grabs Laker Maxi Kleber ‘s jersey in front of a ref Saturday at the Intuit Dome.

(Ronald Martinez / Getty Images)

The Lakers have been assessed five technical fouls in the last two games because of conduct with officials as frustration over inconsistent calls is starting to boil over. After Doncic, Jaxson Hayes and Marcus Smart were all given technical fouls in the third quarter of Thursday’s win over Utah, Doncic and Smart were T’ed up again Saturday in the first and third quarters, respectively.

“I think if any coach, any player, what we ask for is consistency,” Redick said. “And that’s not to single any official out or any crew out, it’s not about that. We need to know what it is night to night.”

Smart also drew a technical foul against Utah after attempting to talk to an official at halftime. When Smart walked away frustrated, he raised his middle finger toward the official, a gesture that got him fined $35,000 Saturday, the NBA announced.

“Sometimes you got to take the hit to get your point across,” Smart said Saturday.

Redick expressed additional frustration with the lack of transparency in the replay system and murky communication with officials. He said he has not received any feedback when he requests it and the distinction between plays that can and can’t be challenged appears to change every night.

The lack of communication has been frustrating for players as well, Smart said, who met with referees before the Utah game as a team captain, but still had his questions dismissed.

“The captain should be able to come talk to them,” Smart said. “They still don’t want to hear it. So control what you can control. They don’t want to talk, you know, you try and you move on. But it definitely is frustrating when you pour your heart out to this game and the feedback is literally waving you off, telling you to get out your face, and then giving you a tech because you’re asking a simple question.”

It’s odd the moments you remember after someone’s gone.

Scrolling through a seemingly infinite number of clips featuring Rob Reiner being compassionate and kind, scenes from his movies that feature a bone-deep empathy for the ways human beings struggle and strive to be better, I kept thinking back to a little wink in “This Is Spinal Tap,” the 1984 mockumentary Reiner directed and co-starred in, playing filmmaker Marty DiBergi.

I’ve seen this movie so many times that I could probably act out the whole thing upon request. It provided a soundtrack to a family trip to Stonehenge several years ago. But thinking about Reiner in the wake of the horrible news that he and his wife, Michele Singer Reiner, were found dead in their home on Sunday night, their son Nick subsequently charged with their murders, I randomly landed on the scene where DiBergi talks with Spinal Tap lead singer David St. Hubbins (Michael McKean) after guitarist Nigel Tufnel (Christopher Guest) leaves the band.

St. Hubbins blithely insists he won’t miss Nigel any more than insignificant band members who played briefly in the group. DiBergi is stunned. He loves Spinal Tap and fears for its future. Reiner plays the moment with such sincere heartbreak, partly in character, but mostly I think because that’s who he was. Reiner couldn’t help it. He felt things deeply and spent much of his life working to make things better for those on society’s margins. He will be missed in so many ways.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. How to describe this week? None more black will do. But Christmas is coming, and that Vince Guaraldi song never fails to make me smile. Let’s look at some good news for those who made the Oscar shortlists this week.

Voters, consider these

The film academy announced shortlists for 12 categories at the 98th Oscars, whittling down the list of contenders and offering a few indications about what films are scoring early points with voters.

Ryan Coogler’s critically acclaimed, genre-defying blockbuster “Sinners” picked up eight mentions, as did “Wicked: For Good.” Both movies placed two songs on the original song shortlist and both were cited in the newly created casting category.

Guillermo del Toro’s “Frankenstein” followed with six mentions, and “One Battle After Another,” “F1” and “Sirât” each scored five.

The bounty for “Sirât,” the Oliver Laxe thriller that is unquestionably one of the most memorable movies of the year, offered an indication that the word of mouth on this movie is strong enough to land it a spot among the nominees for international feature.

Can it do better than that? It should. Here are five suggestions for voters, including “Sirât,” as the lists are narrowed ahead of Oscar nominations on Jan. 22.

Cinematography: ‘Sirât’

“Sirât” contains so many surprising twists and turns that when asked to describe the plot, I simply tell people that it’s about a father who shows up at a rave in southern Morocco with his young son looking for his missing daughter. The long desert journey they end up taking is astonishing, and cinematographer Mauro Herce, shooting on 16mm film, captures every treacherous mile in dramatic detail.

Original score: ‘Marty Supreme’

Voting with the Los Angeles Film Critics Assn., I cast my ballot for Kangding Ray’s hypnotic score for (you guessed it) “Sirât.” But that was just one of many soundtracks that found its way into my life this year. Hans Zimmer’s synth-heavy “F1” score makes for propulsive listening while pedaling on an exercise bike and ranks among the celebrated composer’s best work. And I share Times film editor Josh Rothkopf’s enthusiasm for Daniel Lopatin’s throwback electronic beats in “Marty Supreme,” a delight for anyone who grew up listening to the ethereal soundscapes created by Tangerine Dream.

Casting: ‘Weapons’

I’m highlighting Zach Cregger’s horror-mystery “Weapons” here partially because of its inexplicable absence in the makeup and hairstyling category. I guess voters knew it was Amy Madigan in that bright red wig all along. That omission aside, “Weapons” is a prime example of what a great casting director can do, making use of familiar faces (Josh Brolin, Julia Garner, Madigan) in unexpected ways, finding the right child actor (Cary Christopher) to deliver big emotional moments and elevating emerging talent (Austin Abrams) to unexpected heights. Allison Jones, one of the greats, belongs among the casting category’s inaugural set of nominees.

Original song: ‘I Lied to You’

I mean, you saw that scene in “Sinners,” right?

Documentary: ‘My Undesirable Friends: Part 1 — Last Air in Moscow’

Julia Loktev’s five-hour chronicle of the chilling Russian crackdown on independent journalists has won documentary honors from both the Los Angeles and New York film critics. The doc begins in 2021, when the journalists, mostly women, are forced to label themselves as “foreign agents” simply for doing their jobs, covering Putin’s regime in a factual manner. Things intensify after Russia’s invasion of Ukraine, turning “My Undesirable Friends” into a cautionary tale about the perils of bending to an autocrat. It goes without saying, but this is essential viewing.

The Rams have lost four games this season, three resulting in part from special teams breakdowns.

In the aftermath of their defeat by the Seattle Seahawks, coach Sean McVay made a significant move.

Chase Blackburn, the Rams’ special teams coordinator for the last three seasons, has been fired, a team official said Saturday.

Assistant Ben Kotwica remains on the staff.

Earlier this month, Blackburn said, “The job of a special teams coach is to be able to adapt and overcome on all things.”

That proved a challenge for a team that features a high-powered offense, and an at-times dominating defense.

On Thursday night in Seattle, the Rams led by 16 points in the fourth quarter when they allowed Rashid Shaheed to return a punt 58 yards for a touchdown. The play sparked the Seahawks’ comeback that sent the Rams to a 38-37 overtime defeat.

The loss dropped the Rams’ record to 11-4, and knocked them out of the No. 1 seed in the NFC and first place in the NFC West.

The breakdown was the latest in a series of special teams issues that have plagued the Rams.

In September at Philadelphia, the Eagles blocked two field-goal attempts by Joshua Karty, returning the second for a winning touchdown on the final play of regulation.

Two weeks later, in a 26-23 overtime defeat by the San Francisco 49ers, Karty missed a long field-goal attempt and had an extra-point attempt blocked. Karty’s kickoff in overtime did not reach the landing zone, giving the 49ers the ball at the 40-yard line.

Before their Week 10 game against the 49ers, the Rams signed kicker Harrison Mevis to replace Karty and signed veteran snapper Jake McQuaide to replace Alex Ward.

The kicking game solidified. Mevis made all eight of his field-goal attempts, including three against the Seahawks, before he missed a 48-yard attempt with just over two minutes left in regulation.

The Rams, who clinched a playoff spot, play the Atlanta Falcons on Nov. 29 in Atlanta and then conclude the regular season at home against the Arizona Cardinals.

ARLINGTON, Texas — The NFL regular season is turning down the stretch and the playoff picture is coming into focus, and that means not just the teams but the league’s scheduling crew is hard at work.

The Chargers, who play at Dallas on Sunday, can secure a postseason berth with a victory and some help from a team or two. Coupled with a win over the Cowboys, the Chargers need Las Vegas to win at Houston (unlikely) or San Francisco to win at Indianapolis (more likely) so they can rest easy knowing they’re at least in the playoffs for the second consecutive season under Jim Harbaugh.

Although the Rams have already qualified for the playoffs, they need to regain their balance after a spirit-snapping loss at Seattle on Thursday that likely cost them a chance at the NFC’s No. 1 seed.

Here’s a look at the upcoming schedule for the end of this season and beginning of next, along with decisions that need to be made:

— Why did the league schedule Houston at the Chargers for Saturday of Week 17?

The game was always a candidate for that 1:30 p.m. slot on NFL Network, and Seattle at Carolina was also under consideration.

The league liked Texans-Chargers on Saturday because both of those clubs likely will be playing in January — maybe against each other again — and if that game were moved to Sunday afternoon, it would be going head-to-head against Fox’s national game, Philadelphia at Buffalo, a potential Super Bowl preview.

So the NFL wanted to do the Texans and Chargers a solid and give them the national stage to themselves.

— Rams at Atlanta in Week 17 isn’t a fantastic Monday night game for Week 17, especially with the Falcons currently at 5-9. But with all the games spread throughout the week of Christmas, there weren’t a lot of great replacement options.

The league didn’t move Texans-Chargers into that slot for good reason. Because whoever plays in that “Monday Night Football” slot — it’s staying Rams-Falcons — won’t be a candidate for a Saturday game in the final weekend.

So by moving Texans-Chargers to Saturday, both those teams are in play for the two Saturday spots in Week 18. The Chargers finish at Denver, and the Texans play host to Indianapolis. Either or both of those games could wind up on ESPN for those finishing Saturday games.

— The NFL originally slated Cincinnati at Miami for this week’s Sunday night game but last week decided to move New England at Baltimore into that time slot. That’s notable because it’s the first flex of the season, which is an unusually low number. Typically, there have been three or four flexes to this point.

Why only one? There are multiple reasons. First, the league’s scheduling crew had a pretty clear crystal ball in May, a good idea for which teams would still be in the mix. Credit to those folks.

But the bar for flexing games is also a little higher than it used to be. The NFL is cautious about inconveniencing 75,000 fans for a relatively small bump in viewership. What’s more, with all the new windows and partners — Netflix, Amazon Prime, Peacock, Paramount+ — there are fewer games to go around. Even if the league wanted to flex, there are fewer options. The traditional Sunday inventory is a lot thinner than it used to be.

— It’s worth noting that the league’s philosophy on moving games around is it flexes out of a game that’s falling apart, it doesn’t flex into a better game because the network or streaming service doesn’t happen to like the game it has.

Cincinnati-Miami was a no-brainer flex candidate back in October when both teams were reeling. But then Joe Burrow came back for the Bengals, and the Dolphins started winning, and it got interesting for a while. But then Cincinnati got shut out last week by Baltimore, and Miami just benched its quarterback. Flex was back on.

So what to flex into? The thought was, yes, the NFL can move Patriots-Ravens into that Sunday window for NBC, and at least it can leave behind Kansas City-Tennessee for CBS. Everybody figured the Chiefs would be fighting for their postseason lives. That wasn’t the case. Kansas City was eliminated last week and lost Patrick Mahomes to a season-ending knee injury. Chiefs-Titans isn’t nearly as interesting as anticipated.

It could have been an ugly Sunday for CBS, but the network wound up with Pittsburgh-Detroit for its national game. That very easily could have been the far-less-tantalizing Buffalo at Cleveland.

— We’re heading into a postseason with no Kansas City, no Dallas, maybe no Baltimore or Pittsburgh — one of them is going to miss out — and with the rise of Chicago, possibly no Green Bay or Detroit.

A lot of those traditional anchor teams could be watching from their couches.

That means the NFL will have to make some new decisions about who to prioritize in postseason scheduling, perhaps looking with fresh eyes at clubs such as Seattle, Tampa Bay, Carolina, Jacksonville and others. Who are the ones with the most national appeal?

And that rolls into next season. How does the league dole out those big national windows. With Kansas City missing the playoffs, and Mahomes recovering from a major knee injury, do the Chiefs recede into the background after a decade of division titles and deep playoff runs?

Have the Bears broken through? They’re 10-4. At 12-2, Denver looks to be back and set up to keep it going. Heading into Thursday night’s game, the Rams were as hot as any team in the league, and the Chargers could finally get Justin Herbert that inaugural playoff victory.

The Steelers have won two in a row, and could wind up making a postseason run. If so, what does Aaron Rodgers do next season, and how will the club move forward?

The NFL leaned heavily into Washington after one outstanding season, giving them eight nationally televised games this season. That bet didn’t pay off; the Commanders are 4-10.

It’s the game behind the games, and those decisions are taking shape.

Bowen Yang, a fan-favorite cast member of “Saturday Night Live,” is leaving the series after this week’s episode.

Representatives for Yang and “Saturday Night Live” did not comment on the move Friday. However, on Saturday, he confirmed his upcoming departure via a post on his Instagram account. “i loved working at SNL, and most of all i loved the people. i was there at a time when many things in the world started to seem futile, but working at 30 rock taught me the value in showing up anyway when people make it worthwile,” he wrote. “i’m grateful for every minute of my time there.”

Yang also thanked Ariana Grande, this week’s host and his “Wicked” co-star,” for “sending me off in the dreamiest way I could imagine.” The pair, alongside musical guest Cher, were seen in promos for Saturday’s episode.

There has been recent speculation about whether Yang would finish the current season of the show. He has appeared on “SNL” since Season 45 after a year of working on the writing staff.

Yang took on a variety of roles in the NBC sketch comedy series, including impersonating Vice President J.D. Vance, Fran Lebowitz and pygmy hippopotamus Moo Deng. Yang received his fifth Emmy nomination for his work on “SNL’s” historic 50th season.

Outside of “SNL,” Yang has appeared in several other projects recently. He co-hosts the popular podcast “Las Culturistas,” with fellow comedian Matt Rogers, and their seminal Las Culturistas Culture Awards was televised for the first time this year, airing on Bravo and streaming on Peacock. Yang also appeared in the “Wicked” film and its recent sequel, “Wicked: For Good,” and has starred in several other feature films, including “The Wedding Banquet,” “Fire Island” and “Dicks the Musical.”

In early December, Yang confirmed he and Rogers would be co-writing and starring in an untitled comedy for Searchlight Pictures. The movie will reportedly follow two Americans who fly across the world to try to get into the exclusive Berghain nightclub in Berlin.

Yang is not the first “Saturday Night Live” cast member to leave midseason — he joins the company of past “SNL” greats like Cecily Strong, Molly Shannon, Amy Poehler and a handful of others who exited the show outside of the traditional period for departures while the show is on summer hiatus.

Prior to the start of Season 51, NBC and executive producer Lorne Michaels made some major cast changes, adding five featured players after a series of departures. Ego Nwodim, Heidi Gardner, Michael Longfellow, Devon Walker and Emil Wakim exited the series before the season premiere in October.

Tommy Brennan, Jeremy Culhane, Ben Marshall, Kam Patterson and Veronika Slowikowska joined the cast for the current season. Marshall was previously on the “SNL” writing staff and is known for his on-camera appearances as a part of the Please Don’t Destroy comedy trio.

The 51st season of “Saturday Night Live” will continue in early 2026 and run through the end of the television season in May.

It’s a testament to the coaching of Jim Harbaugh that the Chargers have been decidedly un-Charger-like this season, continuing to win games despite a slew of pivotal injuries. They’re coming off back-to-back victories over the two teams in last season’s Super Bowl, Philadelphia and Kansas City.

Their challenge Sunday is beating the Cowboys, who went 3-1 in November but began this month with consecutive losses.

The Cowboys lead the league in offense, rolling up nearly 400 yards per game, but they’re 29th in total defense and last against the pass. Facing Justin Herbert is not a favorable matchup for them.

Dallas was eliminated from postseason contention with a Week 15 loss to Minnesota.

The Chargers can clinch a playoff berth with a win and a loss or tie by Indianapolis (versus San Francisco) or Houston (vs. Las Vegas).

How the Chargers can win: If Herbert has time, he should be able to dissect a suspect Cowboys secondary and relies heavily on zone coverage. That has led to a bunch of explosive plays. The Cowboys are vulnerable to the run, as well, and a balanced attack by the Chargers will take them a long way. Get another strong performance from the defense.

How the Cowboys can win: Be aggressive and play to win, not to protect leads. That means outscoring the Chargers, not settling for field goals because Brandon Aubrey is such a weapon. It would help the Cowboys to take some risks and go for it on fourth down more frequently. They can put points on the board, but more often they move the ball well between the 20s. Even a small improvement on defense would help.

Emily in Paris is back for even more drama, this time around though, one of its key stars was missing.

Emily in Paris season five has dropped but subscribers have been left scratching their heads over the whereabouts of Emily’s friend and rival, Camille deLalisse.

From the get-go of the Netflix rom-com drama, Camille deLalalisse (portrayed by Camille Razat) played a pivotal role, forming part of the love triangle with Emily ( Lily Collins ) and Gabriel (Lucas Bravo).

So when fans noticed that Camille was absent from all 10 new episodes, it sparked speculation about her fate and potential return.

Camille’s journey in Emily in Paris seemed to reach a natural end in season four after she called off her wedding to Gabriel, but her story wasn’t quite finished.

She soon found out she was pregnant, only to later discover it was a false positive. However, Camille kept this secret for a while, hoping to keep Gabriel in her life.

At the same time, Camille was navigating a budding relationship with artist Sofia, but due to lingering feelings for her ex-fiancé, things didn’t pan out.

Eventually, she revealed the truth, and the entire ordeal made Camille realise her desire for a family, leading her to announce plans to adopt a baby on her own.

Season four concluded with Camille moving into a new flat, complete with nursery space, leaving behind her tumultuous past with Emily and Gabriel.

While Camille was noticeably missing from season five, this doesn’t necessarily rule out her return in future series.

Taking to Instagram to discuss her departure from the programme, Razat revealed: “After an incredible journey, I’ve made the decision to step away from Emily in Paris.

“It has been a truly wonderful experience, one filled with growth, creativity, and unforgettable memories.

“I’m deeply grateful to @starmandarren and the entire team at @netflix and @paramountpics for their trust and for giving me the opportunity to bring Camille to life and leaving the door open for her return, as she will always be a part of Emily In Paris world.”

However, Razat has numerous other ventures lined up, revealing she’s wrapped filming on Nero The Assassin for Netflix and The Lost Station Girls for Disney+.

The 31-year-old also disclosed that she’s launched her own production company Tazar Production, which will concentrate on developing music videos and short films, though has already begun work on a feature film.

Wrapping up her Instagram message, Razat noted: “This character has meant a lot to me, and I feel that her storyline has naturally come to an end. It felt like the right moment to explore new horizons.

“I leave the show with nothing but love and admiration for the cast, crew, and fans who have supported us along the way. Thank you for the beautiful ride.”

Emily in Paris is available to stream on Netflix.

After Friday afternoon’s practice, USC football coach Lincoln Riley said he had no update on D’Anton Lynn, who has been the target of Penn State’s defensive coordinator search.

Penn State showed interest in Lynn last year before he received a contract extension from USC. Lynn was hired by the Trojans after a successful season as the defensive coordinator at UCLA.

“This is what happens this time of year, especially when you have a really good staff and are doing a lot of positive things,” Riley said. “We’re excited about having the opportunity to keep continuity but if there is turnover, not just with that position but any position, these are coveted jobs. It’s just part of the world we live in.

“Obviously, D’Anton has done a really good job here and we’ll see how it turns out.”

Being prepared for change is a must in the current college football climate, Riley said.

“Contingency plans for coaches, players, staff, everyone because so much can and does change,” Riley said. “Our job is to be prepared and have flexibility. You can’t always predict everything that’s going to happen but you have to be ready to adjust. Yeah, every team goes through it on some level and you try to handle it as well as you can.”

Riley has liked what he has seen in practice as USC (9-3) prepares for its Alamo Bowl matchup against Texas Christian on Dec. 30.

“We’ve done a really good job the last couple of years of going to work and we’re not thinking about what players or coaches are here or aren’t here,” Riley said. “It’s all about trying to maximize this time and build for the future.”

USC announced Tuesday that redshirt junior quarterback Jayden Maiava had re-signed for the upcoming season and is not joining Makai Lemon and Ja’Kobi Lane — USC’s two best receivers — in declaring for the 2026 NFL draft.

“It’s great. Anytime you can get a returning guy like that who has played a good amount of football, it’s important,” Riley said of Maiava. “He’s also become a good leader in this program and I’d expect that to continue to improve. The majority of this team has already re-signed, we know those guys are going to be here and it’s cool for those guys to show how much they believe in this place and what we’re doing.

“The exciting thing is you look ahead and you start to imagine pairing what we have coming back with what’s going to be walking through the door here in three weeks or so, but it starts with your veterans who have been through the fire and we have a lot of them back.”

Maiava, one of the last players to leave the practice field Friday, made it clear why he chose to stay.

“Coach Riley,” Maiava said. “Of course, the staff too and my brothers. I’m super grateful to be back out here. I’m focused on a day at a time, staying level-headed, making the right decisions and just taking care of the ball.”

Maiava is happy for Lemon, who won the Biletnikoff Award as college football’s top receiver after catching 79 passes for 1,156 yards and 11 touchdowns as a junior this season.

“It was awesome, everybody was there in the lobby when we found out … it’s well-deserved,” Maiava said. “He and Ja’Kobi set the standard for everyone. He won the award, so I’d say we had pretty good chemistry even off the field going out to eat and places. I had to do my job, but he did his job, too, as best he could.”

Defensive end Braylan Shelby also is grateful to be back with the Trojans for another season.

“I always knew I wanted to be here, he said. “Bowl games mean a lot and it’s a time for the team to put it all together and play together one last time.”

Regarding the new NFL model for announcing re-signings, Shelby said: “Some people love it, some hate it. … USC is a step ahead of the game and I think it’s the right step. In this NIL era, it helps fans know who’s returning.”

Having re-signed, junior safety Christian Pierce is excited about being a potential starter next fall.

“The bowl game is a huge start going into next season in terms of building the culture,” Pierce said. “My focus is on trying to understand the defense even more and the skills and techniques I’ll need to get better at. The talk after re-signing was more on the coaching staff and the program.”

Riley praised offensive lineman Tobias Raymond on his willingness and ability to play multiple positions on the front line.

“He was one of the most important players on the entire team,” Riley said. “His toughness was off the charts, his versatility with all the different lineups we played, being able to physically and mentally handle that. He was just a steadying presence. He’ll be a huge key coming back as a captain, a leader and a player. As many of those guys as you can have in a locker room — you’ll be a lot closer to winning.”

Much to his coach’s liking, Raymond has embraced his leadership role.

“I’ve just tried to be more vocal, set an example and hold other people to the standard our coaches have put out for us,” said the 6–foot-6, 315-pound redshirt sophomore out of Ventura. “Pick people up when things are low and when things are high making sure we’re keeping level-headed.”

Regarding the transfer portal, Riley said he plans to be less reliant on it than in previous years.

“The number we’re talking about is so much less than before, so moving forward we’ll be able to zero in on what we’re going to go after. So the picture is starting to become clearer on what we’ll be targeting.”

Welcome to Screen Gab, the newsletter for everyone who wants to spend some time revisiting Rob Reiner’s indelible mark on pop culture.

For many of us, it was already that time of year when we pop in our DVD of “When Harry Met Sally…” or figure out which streaming service has it in its library (or digitally rent it, if none do), and passively recite every quotable moment until Harry’s breathless declaration of love on New Year’s Eve necessitated our full performance. It was a comfort watch in the best sense because of how joyous and hopeful it left so many of us, even cynics, feeling. This year, as the tradition now becomes layered with sadness following the tragic deaths of Reiner and his wife, Michele Singer Reiner, there’s at least comfort in knowing all the Hollywood magic he brought to life (whether he was directing, or starring in a production) that was full of humanity, humor and heart, and accompanied us at different stages of our lives, can continue to do so. Members of our film team took a look at some of Reiner’s best films, many of which can be streamed. And TV critic Robert Lloyd reminded us of Reiner’s contributions to television, particularly through shows like “All in the Family” and “New Girl” (“Lettuce, tomato, lettuce, meat, meat, meat, cheese, lettuce” — iykyk).

But if it’s all too soon, we get it. Maybe our other streaming recommendations can provide an escape — one is a TV drama about a disillusioned Broadway director returning home to his amateur community theater, and the other is a mystery thriller with an unlikely duo teaming up to investigate the case of a missing girl.

Also in this week’s Screen Gab, “Emily in Paris” actor Samuel Arnold stops by Guest Spot to tell us about the behind-the-scenes adventures of the show’s Italian-set fifth season.

ICYMI

Must-read stories you might have missed

Julianne Hough near the Dolby Theatre at the 97th Academy Awards earlier this year. The Oscars are moving to YouTube, sending shock waves through Hollywood.

(Robert Gauthier / Los Angeles Times)

What the Oscars moving to YouTube means for broadcast TV: The Academy Awards will stream on YouTube beginning in 2029, ending a more than five-decade run on broadcast television and marking the show’s biggest distribution shift in its history.

How do Lifetime and Hallmark keep Christmas movies fresh? Pickleball and the NFL: For the two cable networks, tapping into niches, hobbies and sports teams allows them to invite new audiences in, while keeping loyal viewers satisfied with a break in formula.

Diversity and representation of women on streaming TV series in sharp decline, UCLA study shows: The latest edition of the Hollywood Diversity Report released Tuesday determined that the top shows in 2024 were less culturally diverse than the previous year.

Hollywood was built on movie stardom. AI is changing the rules: Synthetic performers are forcing Hollywood to rethink how fame works and who gets to claim it. Even as the technology races ahead, legal concerns are mounting.

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Recommendations from the film and TV experts at The Times

Harry McNaughton as Charlie Summers, a disillusioned Broadway director returning home to his amateur community theatre in “Happiness.”

(Andi Crown Photography / PBS)

“Happiness” (PBS app, pbs.org)

What could be better, at this festive time of year, or any other time, than a backstage musical comedy set in an amateur theatrical company in New Zealand’s fifth-largest city? Harry McNaughton plays Charlie Summers, whose Broadway dream dies when he’s fired as the director of a “Cats” revival and, losing his work visa, returns home to New Zealand for what he hopes will be only a couple of days. Naturally, it turns out otherwise, with Charlie drawn reluctantly into the production of a new musical, “The Trojan Horse,” at the Pizazz theater, run by his mother (Rebecca Gibney) and stocked with a original twists on classic characters: a dictatorial director, the always-cast leading lady, a talented ingénue, a buff electrician with a great voice and the shy high school music teacher who wrote it, making themselves and their desires quickly felt. (There’s a feminist thrust to the plot.) The songs are tuneful and witty, the performances fun, the atmosphere charged but charming. Presented in six 20-minute episodes as part of “Masterpiece Theater.” — Robert Lloyd

Emma Thompson as private investigator Zoë Boehm and Ruth Wilson as art conservationist Sarah Trafford in “Down Cemetery Road.”

(Matt Towers / Apple TV)

“Down Cemetery Road” (Apple TV)

Nothing says the holidays like a gripping crime drama where everyone’s a suspect! Apple TV’s smart and unvarnished British series follows Zoë Boehm (Emma Thompson), a private investigator who hasn’t the time or bandwidth for social niceties, shows of emotion or combing her hair. She’s thrown together with homemaker and art restorer Sarah Tucker (Ruth Wilson), a passive suburbanite who likes 4 Non Blondes.

Their sparring personalities create the undeniable chemistry that’s at the heart of this eight-part series, while the drama’s unexpected turn of events and fast pacing make it hard to hit pause. The two women are connected when a deadly residential explosion rocks Sarah’s neighborhood. A woman was killed, but her young daughter, who made it out alive, has mysteriously disappeared. The quest to find the girl pulls the odd-couple investigators into a complex and dangerous cover up by the Ministry of Defense, and they discover the explosion was in fact an orchestrated assassination.

Morwenna Banks’ adaptation of Mick Herron’s debut novel of the same name, “Down Cemetery Road” also features the PTSD-plagued Downey (Nathan Stewart-Jarrett), the villainous Amos (Fehinti Balogun), bumbling agent Hamza Malik (Adeel Akhtar) and his sociopathic boss, C (Darren Boyd). But it’s Thompson’s gruff character who gets the best lines, such as the one she says to a potential client: “I don’t drink Prosecco and I don’t bond emotionally.” The show has already been renewed for a second season. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Samuel Arnold as Julien in Season 5 of “Emily in Paris.”

(Netflix)

Every office needs a deliciously snarky employee who is too fabulous to work, but still manages to grace the room with their presence to boost the vibe. In “Emily in Paris,” that person is Julien. The quippy, sharply dressed and gossip-loving character, played by Samuel Arnold, has been a bright spot in the series over its run. Initially the guy who liked to remind Emily she was une ringarde American, he’s softened his stance on his fish-out-of-water colleague. But as the Agence Grateau luxury marketing team ventures to Italy this season, which is now streaming, his side eye shifts focus to a new co-worker. Over email, Arnold shared what it was like shooting outside their usual setting and the animated series he returns to over and over. — Yvonne Villarreal

The Grateau team spent time in Italy this season. Some filming took place in Rome and Venice. What’s a memory or experience that stands out from filming there? Did any place there become a go-to spot for you when you weren’t shooting?

Rome was incredible, both on and off screen. One moment that really stands out is when Ashley Park and her choreographer, Carlye Tamaren, taught us one of Ashley’s dance routines. Everyone did so well — and Bruno Gouery was absolutely hilarious. When we weren’t filming, one of our favorite meeting spots was the rooftop at the Minerva Hotel. It’s stunning. In Venice, we would all gather in Bruno Gouery’s room and play a pirate dice game that Lucien Laviscount introduced us to. The city itself felt like a dream.

The series revolves around Emily and her fish-out-of-water experience of building a new life in Paris. How would this series look if it were titled “Julien in Paris”? Five seasons in, what would a slice of his life look like if you could pitch it to Darren Star?

If the show were called “Julien in Paris,” it probably wouldn’t be very exciting — Julien is a Parisian. He has Paris on lock. I like to think he sees himself as the prince of the city. Now, Julien in New York City — opening his own marketing firm there — that’s a different story. I can already feel the drama.

Julien is very discerning and could spot the games Genevieve was playing. How do you think he handled her, and the position he was in, knowing this secret could damage Emily and Mindy’s friendship?

I think Julien handled it pretty well. It’s not a great position to be in. When one friend hurts another, the right thing to do is to encourage the person at fault to do the right thing. And when someone like Genevieve — played by the absolutely lovely Thalia Besson — tries to stir up trouble, Julien definitely knows how to deal with that in the best possible way.

With all the love triangles (and squares), who would you, Samuel, pick for Emily — Gabriel or Marcello? And for Mindy — Nicolas or Alfie?

I don’t think I should be picking men for those women. What I can say is that they should follow their hearts and embrace whatever comes with that. Honestly, we should all try to do the same.

What have you watched recently that you’re recommending to everyone you know?

I recently watched “Safe House” [Netflix], with Lucien Laviscount as a badass action hero. The casting is great, the ending really catches you off guard, and Lucien does his own stunts — which makes it even more impressive.

What’s your go-to comfort watch — the movie or TV show you always come back to?

“Rick and Morty” [Hulu]. It never gets old. It’s funny, packed with pop-culture references — which I love — and the voice acting is just incredible.

Through a near-perfect nonconference slate, no matter what was thrown USC’s way, whether injuries or other unforeseen circumstances, the Trojans had never lacked for life on the court. It was that endless energy that had helped power them to a 10-1 start.

But for a while Wednesday, that vigor was conspicuously absent against Texas San Antonio, a team that lost four of its last five. Maybe it was the setting, in a mostly empty and eerily quiet Galen Center. Maybe it was the “devastating” news from earlier in the day, as USC announced that point guard Rodney Rice would undergo shoulder surgery and miss the rest of the season.

Whatever it was, USC was eventually able to shake it off Wednesday night, turning a deficit late in the first half to a convincing, 97-70 victory over San Antonio in the second.

The blip, however brief, would beg questions of how a short-handed roster might handle the brutal Big Ten slate that awaits USC in two weeks’ time. The Trojans start that stretch with an especially savage span that includes three top-10 teams in No. 2 Michigan, No. 9 Michigan State and No. 6 Purdue. Whether they can weather that stretch without three players coaches expected to be top contributors should say a lot about where the Trojans are headed this season.

Chad Baker-Mazara reacts after scoring on an offensive rebound in the first half.

(Gina Ferazzi / Los Angeles Times)

“Without them, we’re going to have to grind and play so hard to win games,” coach Eric Musselman said. “We have a lot to clean up, and we have to exceed the opposition from a playing-hard standpoint. We’re undermanned. We don’t have Alijah Arenas. We don’t have Rodney Rice. And we don’t have Amarion Dickerson. That’s a lot.”

That grind was the focus of Musselman’s message to his team at halftime Wednesday, after USC had come out looking unusually lifeless. Through the game’s first 15 minutes, the Trojans were outhustled and outworked on the glass as the Roadrunners drew fouls, forced turnovers and racked up seven early offensive rebounds.

With 3:38 remaining in the first half, they were still trailing the 4-6 Roadrunners, who in their last two had lost to Alabama by 42 and Colorado by 24.

But when the Trojans finally turned it on, in the final minutes of the first half, there was no stopping the onslaught. Ryan Cornish hit a jumper. Ezra Ausar took a steal to the hoop. Chad Baker-Mazara dunked home a missed three. USC finished the first half on a 13-0 run and took control from there.

It did so in the same fashion it had in pretty much every game since Rice went down, by leaning on Baker-Mazara and Ausar, who are averaging a combined 38 points per game.

Both emerged like a shot of adrenaline after halftime. Mazara poured in 17 second-half points to give him 20 total for the game, while Ausar, the nation’s leader in free-throw attempts, continued bullying defenders in the paint.

Ausar finished with a game-high 22 points and added 10 rebounds, giving him his first double-double of the season.

“My energy is contagious, and humbly, once I’m going, everybody is going,” Ausar said. “If my energy ain’t right, my team’s energy ain’t right.”

He’ll be especially critical next month, with a series of bruising Big Ten frontcourts awaiting the Trojans.

“Ezra is going to keep getting better,” Musselman said. “His basketball future is so bright. He hasn’t even tipped what he’s going to be. … We’re gonna rely on Ezra to keep this group together and be a leader, and he’s done that.”

Arenas returns to practice in the coming days and will hopefully be ready to go by mid-January. Others will have to make the mark, until then, if USC hopes to survive that stretch short-handed.

Against San Antonio, it was Cornish who answered the call. The Dartmouth transfer had played more than 15 minutes in a game just once this season before Wednesday. But in his first start at point guard, Cornish came alive with 18 points, including four three-pointers.

“He was at the bottom of the roster almost, and he’s earned what he’s getting,” Musselman said. “We need people to step up, and we need to develop our roster the best that we possibly can, and Ryan’s a great example of someone stepping up.”

The crowd couldn’t believe what it had just witnessed.

Donovan Dent’s crossover move left a helpless defender watching from behind as he accelerated toward the basket, fans unleashing audible admiration even before the UCLA point guard completed the play with a driving layup.

Poor Noah Meeusen and everyone else who tried to stop Dent.

They were overmatched by the finishing ability and fearlessness of a player who had not shown much of either over the season’s first month, hardly resembling the star the Bruins thought they were getting.

On a revelation of a Wednesday night inside Pauley Pavilion, Dent finally looked like someone who could carry a team.

He did exactly that, the transfer from New Mexico helping the Bruins fend off Arizona State during a 90-77 victory that had his handprints all over it.

There were blow-by layups, floaters, a rare three-pointer and an old-fashioned three-point play on a jumper he threw up while getting fouled and falling down along the baseline. Dent unveiled a full array of moves on the way to scoring 20 points while making nine of 17 shots.

Dent’s understudy also came up huge. After the Sun Devils made things uncomfortably close midway through the second half, pulling to within five points, UCLA reserve guard Trent Perry made sure they would get no closer.

Perry rose for a three-pointer and then after teammate Brandon Williams made an energizing block at the rim, triggering a fast break, Perry found Skyy Clark for a three-pointer that extended the Bruins’ advantage to double digits.

Clark finished with 18 points on the strength of six three-pointers and Tyler Bilodeau added 18 points to help UCLA (8-3) bounce back from its loss to Gonzaga by holding off an old Pac-12 rival. Guard Anthony Johnson led Arizona State (9-3) with 20 points.

Dent’s final highlight came on a pass in transition to an open Clark, who rose for a three-pointer that gave UCLA a 12-point lead. In perhaps the only blemish on his night, Dent logged just four assists to go with his four turnovers.

It was an ensemble performance for the Bruins. UCLA coach Mick Cronin inserted backup center Steven Jamerson into his lineup to start the second half and Jamerson quickly rewarded him by chasing down an offensive rebound in the corner and adding two putback dunks.

But the big story was one of redemption.

It picked up momentum late in the first half when Dent rose without hesitation for a three-pointer. It was only Dent’s second made three-pointer of the season and his first since the season opener after a string of 12 consecutive misses dropped his accuracy from beyond the arc to 7.7%.

It was a stunning dropoff for someone who had made 40.9% of his three-pointers last season at New Mexico. His second make of the season from long distance increased his accuracy to 14.3%, still unsightly but at least no longer in single digits.

What was perhaps most pleasing about Dent’s performance in the first half was his heightened confidence level. He repeatedly beat his defender for driving layups, his aggressiveness an equal asset to his speed in rolling up 13 points on six-for-eight shooting by the game’s midpoint.

Hardy Nickerson, a Verbum Dei grad who played linebacker at Cal, made the Pro Bowl five times, coached in college and the NFL and did two stints as head coach at Bishop O’Dowd in San Jose, has been named head football coach at JSerra.

Nickerson, 60, becomes the first Black head football coach in the Trinity League since it was formed in 2008.

JSerra is hoping to strike gold like Santa Margarita did in hiring Heisman Trophy winner and 15-year NFL quarterback Carson Palmer, who delivered a Southern Section Division 1 championship and CIF state championship Open Division bowl win this year in his rookie season as head coach. Palmer used his NFL connections to put together a top-notch group of assistant coaches.

Nickerson also has lots of NFL connections and far more coaching experience than Palmer. He once was defensive coordinator at Illinois, served as an NFL assistant with the 49ers, Bears and Buccaneers and and has been head coach at Bishop O’Dowd from 2010-13 and from 2022 through this season, when his team won a state Division 5-AA championship.

He takes over a program that went 3-7 last season and cut ties with former Azusa Pacific head coach Victor Santa Cruz. Nickerson will soon learn that coaching in the Trinity League is similar to college and the NFL, where teams expect to win or there is little assurance of keeping a job for long.

With a dominant performance on both sides of the court, including 46 rebounds and 19 steals, the UCLA women’s basketball team beat Cal Poly 115-28 on Tuesday at Pauley Pavilion.

The UCLA (10-1) defense held the Mustangs (2-8) to three points in the second quarter and forced 31 turnovers and single digit scoring in the last three quarters. The Bruins scored 59 points off turnovers. Senior Lauren Betts earned her third double-double of the season with 20 points and 10 rebounds.

Freshman Sienna Betts, the No. 2 recruit from the 2025 class, played her first minutes with the Bruins, sharing the court with her sister for the first time for UCLA. She scored her first field goal in the fourth to give the Bruins their first 100-point game since December 2024 against Long Beach State, which they will face on Sunday.

Sienna earned her first assist in the first quarter with a pass to, who else but, Lauren as she was driving to the basket. Sienna grabbed her first points in her collegiate career off the free-throw line and finished the game with five points and two assists while playing under restricted minutes after missing the first part of the season with a leg injury.

The No. 4 Bruins closed the second quarter with 27 unanswered points, punctuated by a three-pointer by Angela Dugalić at the buzzer.

The Bruins finished the game with five players scoring in double digits. By the end of the third quarter, UCLA held a 70-point lead.

It was déjà vu for the Mustangs, who lost to the Bruins, 69-37, exactly a year ago. Cal Poly was without leading scorer Vanessa McManus.

USC’s starting quarterback is returning for another season in 2026.

Jayden Maiava made it official Tuesday as the school announced that he had re-signed with the program for the upcoming season, his third with the Trojans.

Maiava led USC to a 9-3 record in his first full season as starter after taking over the job during the final month of the 2023 season. He threw for 3,431 yards, 23 touchdowns and eight interceptions. He also added six scores on the ground.

That strong performance led to questions of whether Maiava might declare for the NFL draft. Some prognosticators viewed Maiava as one of the better potential quarterback prospects in a draft especially thin on passers.

Instead, Maiava will run it back at USC, where the Trojans are set to return most of their dynamic 2025 offense in 2026 — the exception being their top two wideouts Makai Lemon and Ja’Kobi Lane, who both declared for the draft. USC announced earlier this week that it had re-signed No. 1 running back Waymond Jordan and receivers Tanook Hines and Zacharyus Williams for the 2026 season.

Maiava’s return now turns the attention to five-star backup Husan Longstreet, who will have a decision to make about his future at USC. It’s unclear if Longstreet would be willing to wait another season behind Maiava.

FROM snowy countrysides to festive city spots, Christmas movies have taken inspiration from a variety of UK locations.

And while the North Pole may be far out of the way, you can get into the spirit by visiting these iconic film spots a little closer to home.

Before you snuggle up to watch your go-to Christmas classics, why not go one step further and visit the exact spot where it was filmed this festive season?

A variety of festive favourites were shot on-site here in the UK, from the star-studded Love Actually to Christmas comedy Nativity!

If you find yourself near any of these famous film locations, celebrate the Christmas season by stepping into the shoes of your favourite festive characters.

Shere, Surrey

This picturesque village hit the big screen when it was featured in The Holiday back in 2006.

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The quaint area consists of historic timber-framed buildings and medieval charm, nestled in the idyllic Tillingbourne Valley.

It played home to Kate Winslet’s Iris who famously swaps homes with Los Angeles resident Amanda, played by Cameron Diaz.

Shere provides the romantic backdrop for Diaz as she finds love with Jude Law during her festive getaway.

And the village also featured in the Bridget Jones franchise, which is often considered another Christmas classic for Brits.

Snowshill, Cotswolds

The quintessential Cotswolds village also featured in Bridget Jones Diary, the first installment of the hit series.

In fact, the film and the entire franchise opens with with Bridget turning up at her parent’s house in Snowshill on a wintry New Year’s Day.

And it is in the same town where the quirky protagonist has her first on-screen encounter with her eventual husband Mark Darcy.

Due to the film’s success and the idyllic scenery, many people now stop for a photo outside the village church or one of the quaint houses that appear in the film.

As a result, Snowshill has established itself as one of Britain’s most popular Christmas film locations.

Brighton Pier

While the iconic seaside attraction may be associated with summer fun, it also has ties to the festive season.

Fans of the animated film The Snowman may recognise the historic pier from the famous Walking In The Air scene.

The main characters can be seen flying over the historic pier as they make their way to the North Pole.

While the sequence may be brief, it is perhaps one of the most famous associated with the beloved classic.

Hogwarts Great Hall

Another children’s classic is of course Harry Potter, a film series often associated with and watched around Christmas.

And while witches and wizards may be akin Halloween characters, the cosy grounds of Hogwarts are perhaps the most enticing when they are decked out for the festive season.

Now fans of the film can step into the magic by visiting the Warner Brothers Studio in Watford.

A quick trip from London, this studio tour offers a stunningly detailed look into the making of the movies, and what better time to visit than in the lead up to Christmas when the Great Hall set is adorned with decorations?

Covent Garden

And in the heart of London is of course the famous Covent Garden, which many argue is the home to the city’s best Christmas tree.

While it is already on most tourist lists, the festive season marks the best time to visit this popular spot.

With a famous Christmas market and choir performances, there’s plenty to get you in the spirit at this time of year.

And fans of the 2019 rom-com Last Christmas are sure to spot many filming spots inside this famous square, which feature heavily in the film.

Emilia Clarke’s Kate works as an Elf in a fictional year-round Christmas shop at this location, while the famous karaoke scene was shot at nearby pub The Harp.

St Luke’s Mews, Notting Hill

And if you’re a fan of Christmas rom-coms, you’ll want to pop over to Notting Hill too.

The beautiful cobbled street of St Luke’s Mews plays the backdrop to arguably the most famous scene from the festive flick Love Actually.

Whether you lap up Mark’s (Andrew Lincoln) cue card love confession to his friend’s new wife, played by Kiera Knightly, or cringe at the iconic scene, you’re sure to recognise this famous street.

While this street it located just off Portobello Road, home to the world’s largest antique market, it is still a residential area so remember to be respectful when visiting.

Coventry Cathedral Ruins

Another British Christmas classic is of course Nativity!, which primary school teacher Mr Maddens, played by Martin Freeman, as he attempts to stage a production of the Nativity.

After telling a white lie to impress his ex, Maddens soon finds himself in the midst of a media storm surrounding the school play.

The mayor even allows the class to perform the highly-anticipated show at the historic ruins of Coventry cathedral in an atmospheric climax to the film.

Paddington Station

And who can talk about beloved British festive flicks without mentioning Paddington?

The iconic bear famously made his way from Peru to the Paddington area of London, after which he was named.

Visitors can visit a statue of the bear at his namesake station, which provided the backdrop for one of the most important scenes in the 2014 film.

Elm Hill, Norwich

The picturesque area of Elm Hill in Norwich features heavily in Netflix’s Jingle Jangle: A Christmas Journey.

Snowy scenery provides a backdrop for the adventure of an old toy maker and his granddaughter.

The cobbled streets, multi-coloured houses, and quaint shops of the town provide the perfect setting for movie magic.

And they also ensure the perfect shot on Instagram, whether you’re a fan of the film or not.

Birdsall House

And finally, this Malton mansion plays home to the Christmas family in 2021’s Father Christmas Is Back.

Kelsey Grammer plays James, the father of Joanna, played by Elizabeth Hurley, who he abandoned years ago.

The festive family flick follows them as they attempt to navigate Christmas together, with many scenes set at the stunning Birdsall House.

This beautiful country house is surrounded by glorious Yorkshire countryside and is a popular wedding venue, with private guided tours of the property are available.

The new rule is based on the Wet Bulb Globe Temperature (WBGT), which measures heat stress in direct sunlight. It involves observing temperature, humidity, wind speed, sun angle, and cloud cover.

If the WBGT reaches 30.1C or higher during the first two sets of a best-of-three match, either player can request a break of 10 minutes to cool off.

Under the supervision of ATP medical staff, players can hydrate, change clothing, shower and receive coaching.

Play will be suspended when the WBGT exceeds 32.2C.

“The new heat rule provides a structured, medically supported approach to managing extreme heat, with the objective of safeguarding player health, while also improving conditions for spectators, officials, ball persons and tournament staff,” the statement added.