season

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell, and I guess Shohei Ohtani is human after all.

I’m writing this on Tuesday evening because my youngest daughter, Hannah, whom I’ve mentioned numerous times in this newsletter, is getting married this weekend. I won’t be able to do a newsletter for next Monday, and I didn’t want everyone to wait a week and a half for the next newsletter.

So, hopefully nothing huge happened on Wednesday. But if it did, and it’s not mentioned here, now you know why.

Heading into Wednesday’s game, Shohei Ohtani was hitless since April 27. That’s a long time without a hit. So what happened?

Our Dodgers beat reporter, Maddie Lee, wrote about this after Monday’s game. Some takeaways from that story, which you can read here:

—At one point, Ohtani was going to hit and pitch Tuesday, but the Dodgers changed their mind Monday and had him only pitch.

—“Definitely not results,” Dave Roberts said of how he made that decision. “It’s a little bit more body language and just watching the player. … We’ve certainly enjoyed the fruits of him doing [both], which he will continue to, at times. But I think for me, it’s a start by start kind of read-and-react situation.”

—Ohtani: “I do feel like over the course of my career it’s just a reality that I’m not exactly hitting at the best of my ability at this time of year,” Ohtani said last week through interpreter Will Ireton. “At the same time, as a player, I do want to be better and get to that position where I’m feeling really good. It’s a balancing act of the two.”

—Ohtani has become pull-happy. He was hitting the ball to the right side 53.4% of the time entering Monday, compared to 43.2% last season, according to Statcast.

—“It’s more about timing and feel for him, backing up the baseball,” hitting coach Aaron Bates said. “When he gathers correctly and hits through the baseball, obviously we’ve seen what he’s capable of doing. But just kind of managing his at-bats right now, trying to get to the big part of the park.”

As of right now, this is Ohtani’s worst offensive season since 2020, when he hit .197. Let’s take a look at his OPS+ numbers since he began playing:

2018: 151
2019: 121
2020: 79
2021: 157
2022: 144
2023: 185
2024: 181
2025: 187
2026: 131

Even in the midst of this slump, Ohtani is 31% better than league average this season. Pretty amazing.

Does Ohtani slump early in the season? Let’s look at his numbers per month in his career:

March/April: .293/.369/.559
May: .261/.355/.541
June: .316/.413/.721
July: .248/.361/.543
August: .272/.365/.537
Sept/Oct.: .294/.391/.582

He usually hits fine this time of year. Of course, this season he is also trying to pitch full time. But he hit fine when he was a full-time pitcher with the Angels. Sometimes, players just go through slumps. There’s no reason to believe Ohtani won’t break out of this slump. And if Ohtani went four for four with three homers Wednesday, then I reverse jinxed him.

Stats explained

Every year I get emails from readers who only follow the Dodgers and not baseball in general. They want to know how to calculate various stats and wondered if I could put together a glossary of terms. This seems as good a time as any to do so. Some of you, maybe most of you, probably already know these things, but there are different levels of baseball knowledge among the subscribers, so let’s put us all on the same page. And if you want, you can save this newsletter to refer back to. These definitions come from mlb.com.

Pitching

GF: Games Finished. The number of times the pitcher was on the mound during the final out.

ERA: Earned Run Average. The number of earned runs times nine then divided by the number of Innings Pitched.

CG: Complete Games. When the pitcher throws the entire game without any relief.

SHO: Shutouts. A complete game thrown by the pitcher where the losing team did not score.

Saves. Earned by a pitcher when a. He is the finishing pitcher in a game won by his team. b. he is not the pitcher who earned the win (W). c. he meets one of the following criteria: 1. He came to the mound with a lead of three runs or fewer and pitches at least one inning. 2. He came to the mound with the tying run on base, at bat, or on deck. 3. He pitches effectively for at least three innings.

IP: Innings Pitched. A pitcher with 4.2 innings pitched had four full innings then retired two batters in his fifth inning of work.

ER: Earned Runs. Earned runs are those which scored without the aid of an error, a catcher’s interference call, or a passed ball.

R: Runs Allowed. A total number of runs, earned or not earned, that scored.

K: A strikeout by the pitcher.

Balks. A call against the pitcher for making an illegal motion that the umpire views as an attempt to deceive a baserunner.

Hold. Awarded to a relief pitcher who enters with the lead, retires at least one batter, and does not relinquish the lead.

K/BB: Strikeouts to Base on Balls Ratio. Strikeouts divided by base on balls.

K/9: Strikeouts per nine innings. The number of strikeouts averaged during every nine innings of work. Strikeouts times nine divided by innings pitched.

BB/9: Walks per nine innings. The number of walks averaged during every nine innings of work. Calculated as walks times nine divided by innings pitched.

ERA+: A pitcher’s ERA adjusted to reflect home ballpark and league average. A pitcher with an ERA+ of 100 is a league average pitcher. An ERA+ of 110 means the pitcher’s ERA is 10% better than the league average. An ERA+ of 90 means that the pitcher’s ERA is 10% worse than the league mean.

FIP: Fielding Independent Pitching. FIP is similar to ERA, but it focuses solely on the events a pitcher has the most control over: Strikeouts, walks, hit-by-pitches and home runs.

For example: If a pitcher has surrendered a high average on balls in play, his FIP will likely be lower than his ERA. Balls in play are not part of the FIP equation because a pitcher is believed to have limited control over their outcome.

The formula: The “FIP constant” puts FIP onto the same scale as the entire league’s ERA: ((HR x 13) + (3 x (BB + HBP)) – (2 x K)) / IP + FIP constant.

Hitting

AB: At-bats. Number of times a player batted, excluding walks, sacrifices, catcher interference, or being hit by a pitch.

Plate appearances: The number of times a player batted.

Runs Batted In. Given to a a batter when a runner scores due to a base hit, a sacrifice, being hit by a pitch, during an infield out (but not during a double play), or a fielder’s choice.

Sacrifice Fly. A fly ball hit with less than two outs, fair or foul, that is caught but allows one or more baserunners to tag up and score.

Batting Average. The player’s total number of hits divided by their total number of at-bats.

OB%: On Base Percentage. Determines what percentage of a player’s plate appearances resulted in him reaching base safely. Calculated by adding hits, walks and hit by pitch then dividing that by the player’s at-bats, walks, sacrifice flies and hit by pitch.

SLG%: Slugging Percentage. Calculated by taking the total bases (singles + 2 x doubles + 3 x triples + 4 x home runs) then dividing it by the number of at-bats.

AB/HR: At-Bats per Home Runs. Calculated by dividing the number of at-bats by home runs.

AB/K: At-Bats per Strikeouts. Calculated by dividing the number of at-bats by strikeouts.

OPS: On-Base Plus Slugging. On-base percentage added to slugging percentage.

OPS+: OPS adjusted to reflect league and ballpark conditions, like ERA+ for pitchers. OPS+ is scaled so that 100 is a league average player. Formula: 100 x (OBP/lgOBP + SLG/lgSLG – 1)

BABIP: Batting Average on Balls in Play. BABIP measures a player’s batting average exclusively on balls hit into the field of play, removing outcomes not affected by the opposing defense (namely home runs and strikeouts).

For example, a hitter who goes two for five with a home run and a strikeout would have a .333 BABIP. He’s one for three on the balls he put in play.

The formula: (H – HR)/(AB – K – HR + SF)

BABIP can be used to provide some context when evaluating both pitchers and hitters. The league average BABIP is typically around .300. Pitchers who have allowed a high BABIP is considered to be pitching with “bad luck.” Over time, they’ll see fewer balls in play fall for hits, and therefore experience better results in terms of run prevention. The same applies for batters who have seen a high or low percentage of their balls in play drop in for hits.

Up next

Friday: Atlanta (*-Chris Sale, 6-1, 2.14 ERA) at Dodgers (Emmet Sheehan, 2-1, 5.23 ERA), 7:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Saturday: Atlanta (Spencer Strider, 0-0, 8.10 ERA) at Dodgers (Roki Sasaki, 1-3, 5.97), 6:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Sunday: Atlanta (JR Ritchie, 1-0, 3.63 ERA) at Dodgers (*-Justin Wrobleski, 5-0, 1.25 ERA), 1:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Shohei Ohtani is mired in a hitless streak. Here’s what the Dodgers are doing to fix it

How a onetime top Dodgers prospect became an advisor to four U.S. presidents

And finally

Vin Scully tells a story about a childhood prank. Watch and listen here.

Until next time…

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Former WNBA MVP Tina Charles has retired after 14 seasons in the league.

“Today, I officially announce my retirement from basketball,” the eight-time All Star wrote in a post shared across her social media accounts Tuesday. “This game gave me everything and I’ll miss it deeply.”

The veteran center — the No. 1 overall draft pick selected by the Connecticut Sun in 2010 — played for six WNBA franchises over the course of her career, including a lengthy stint with the New York Liberty. Named the league MVP during her 2012 campaign, Charles is the WNBA’s leader in career rebounds (4,262), double-doubles (201) and made field goals (3,364), as well as second on the list for career points (8,396) behind Diana Taurasi.

“I’ve experienced the highest highs and the lowest lows, and I’m thankful for all of it,” Charles wrote, reflecting on her professional career and “lifetime of love for this game.” “Growing up in Queens, New York, basketball wasn’t just a game, it was a language, a rhythm, its survival, its expression. It pulled me in early, and I gave myself fully to it. It shaped me into the woman I am today and for that, I wouldn’t change a thing.”

Charles is an expected future Hall of Famer. While a WNBA championship eluded her, her career includes three Olympic gold medals with Team USA, two NCAA championships with the UConn Huskies and a number of titles in leagues overseas. Her individual accolades also include being named to the All-WNBA team nine times, most recently in 2021, and to the league’s All-Defensive team four times. (Charles did not play in the 2020 and 2023 WNBA seasons.)

In a July episode of Sue Bird’s “Bird’s Eye View” podcast, Charles spoke candidly about her thoughts around retiring.

“I thought I was done in 2023 when I didn’t play,” she said. “Then [I] came back, found the joy, love for the game again. But here, I probably think about it every day. … Going in, playing, at this age, in the 30-minute range. Just how you feel physically, and then it’s more games.”

Charles returned to play with the Sun for the 2025 season, starting 42 of 44 games while averaging 16.3 points and 5.8 rebounds. She received the Dawn Staley Community Leadership Award for the second time during her final season, for her work with Hopey’s Heart Foundation. Charles founded the nonprofit in 2013 in honor of her late aunt, Maureen “Hopey” Vaz, to raise awareness about sudden cardiac arrest and provide automated external defibrillators to schools and recreation centers that need them.

According to the New York Times, Charles is currently pursuing a master’s degree in sports management at UConn and is eyeing the possibility of working in a front office of a WNBA, NBA or college team in the future while continuing her Hopey’s Heart Foundation efforts. She also has plans to get into the beer business.

“There are still dreams in my heart that are waiting to be lived, and I can’t wait to share that journey with you all,” Charles said in her social media post.

Travis d’Arnaud hit a three-run homer, Walbert Ureña threw six innings of two-hit ball, and the Angels defeated the Chicago White Sox 8-2 on Wednesday.

The Angels won a series for the first time since April 10-12 at Cincinnati. The Angels (15-23) are 2-7-2 in series this season.

D’Arnaud’s 396-foot shot off Noah Schultz (2-2), the backup catcher’s first homer of the season, kicked off a five-run second inning for the Halos. After Bryce Teodosio doubled on a ball that got past right fielder Jarred Kelenic, Zach Neto hit a stand-up RBI triple.

Mike Trout brought one more across with an infield popup that second baseman Chase Meidroth lost in the afternoon sun for a single.

Jorge Soler and Jo Adell were hit by back-to-back pitches from reliever Osvaldo Bido with the bases loaded to bring in two runs in the fourth.

Ureña (1-3) allowed one run, struck out five and walked three in his second quality start of the season. Brent Suter, Drew Pomeranz and Chase Silseth completed a four-hitter.

Meidroth had two hits for Chicago (17-20). Standout rookie Munetaka Murakami, who is tied for the major league lead with 14 home runs, struck out four times for the second time this season.

Schultz allowed seven hits and seven runs in 3⅔ innings. He had allowed a total of six earned runs in four previous starts this year.

Up next for the Angels: Open a three-game series at Toronto on Friday with LHP Reid Detmers (1-2, 4.28) facing Blue Jays RHP Dylan Cease (2-1, 3.05).

This story includes spoilers for Episode 8 of “Daredevil: Born Again” Season 2.

By the end of “Daredevil: Born Again’s” first season, showrunner Dario Scardapane knew they were heading toward Matt Murdock’s big reveal in Season 2.

The second season finale of the Marvel series, out now on Disney+, sees Murdock (played by Charlie Cox) declare to the world that he’s the vigilante Daredevil.

“Coming in with Season 1, I wish I could say I knew exactly where we were going,” says Scardapane during a recent video call. “But I knew that moment in the courtroom where Daredevil outs himself, we were definitely heading towards that.”

Iain B. MacDonald, who directed Episodes 7 and 8, said that everybody involved understood that it “was going to be a super significant moment” while they were filming the scene.

“When that’s out, that’s out,” MacDonald says. “That moment clearly has a domino effect for the rest of the episode. … I’m super excited to just to see how that’s received by the fans … because as a director, you want to deal with big moments in what you direct, and that is, for me, one of them.”

A continuation of Netflix’s “Daredevil,” which initially concluded in 2018, “Born Again” has followed Wilson Fisk’s (Vincent D’Onofrio) rise from criminal kingpin to the supposedly reformed mayor of New York. Fisk’s authoritarian tactics and campaign targeting vigilantes pushes Daredevil underground to try to assemble allies in order to bring the Kingpin down.

Matt Murdock (Charlie Cox) returned to the courtroom to make his case.

(JoJo Whilden / Marvel)

Their much anticipated showdown occurs in a courtroom in the season finale during the trial of Karen Page (Deborah Ann Woll).

“Myself and my DP [director of photography], Jeffrey Waldron, looked at a lot of courtroom dramas, just to really think about how we can tell those courtroom stories really well, and do it creatively and imaginatively … and in the language of ‘Daredevil,’ ” said MacDonald. “It was a challenge, for sure, [but] I really, really enjoyed shooting them.”

While Murdock may have triumphed in the courtroom, his revelation has consequences as teased in the episode. Scardapane says those consequences will be explored in Season 3.

“That last scene in Season 2 tells you where we’re going,” says Scardapane. “If the question is, are we doing a specific comic book run that is beloved by all, including me, I think that it’s pretty obvious what we’re doing in that last scene.”

The fallout for Murdock, as seen in the episode, is his arrest and imprisonment. In the final moments of the finale, the Man Without Fear is shown getting locked up at Rikers Island. Murdock appears to have accepted his fate, but a glimmer of smile hints that this is not the end of his story.

“Charlie and I talked about [the scene], and we knew that we wanted to end on that close-up of his face,” MacDonald says. “He said we can do two things here, one which is like acceptance of circumstances, like he’s resigned. He has made the sacrifice of outing himself to the world about who he really is [and] he has put himself away in service of the greater good … as well as have that little moment of a hint of a smile to say, this is a beginning. This is a new adventure. This is a new challenge.”

In a conversation edited for clarity and length, Scardapane discussed Murdock and Fisk’s arcs in Season 2, “Daredevil: Born Again’s” timely political themes and what to expect in Season 3.

Karen Page (Deborah Ann Woll) and Matt Murdock (Charlie Cox) get a chance to celebrate in the “Daredevil: Born Again” Season 2 finale.

(JoJo Whilden / Marvel)

At what point did you know that what you were building toward in Season 2 would end with Matt Murdock in jail?

It’s kind of a process that snowballs. They had started before me. They were doing the Mayor Fisk run. It was much more procedural, much different tone. They did six episodes, and I came in, and we moved it more in line as a continuation of the Netflix series. When Fisk becomes the mayor of New York, you put the villain at a really, really elevated place. So, Season 1 was the rise of Fisk. Season 2 has got to be the rise of that which takes him down — the resistance.

That moment that Matt stands up in court and says, “I am Daredevil,” that’s like the record scratch. Everything has changed from this moment on. At the end of Season 1, beginning of Season 2, we knew we were heading toward that moment. That moment’s consequences, for Matt and for Fisk, are kind of the fodder for Season 3.

There are comic book runs that I shall not name — although they’ve been named — that take that dilemma that Matt put himself in and go to really great places with it. Coming in with Season 1, I wish I could say I knew exactly where we were going. But I knew at the very beginning, that moment in the courtroom where Daredevil outs himself, we were definitely heading toward that.

It felt significant that Matt and Fisk’s big showdown this season happened in a courtroom.

The fun of Daredevil since the comics started is here you have a lawyer who really believes in the justice system who goes out and breaks bones at night. He’s a vigilante lawyer. That’s such a dichotomy. When the villain takes power, when the villain is the police — this situation, the villain is the Anti-Vigilante Task Force — the villain has now become the power structure of New York and has become the justice system. How does Matt fight back? He fights back as a vigilante until it gets to a crucial moment where Karen is pulled into this flawed justice system. Now there’s nowhere he could go. He’s put in this place where both his personas have to integrate, have to kind of collide, for him to beat Fisk. I think that Charlie’s performance in that courtroom scene is his best courtroom performance in any episode of “Daredevil” ever. Building to that moment of Fisk and Matt facing off in court, it was pretty important because all four of them are in court there: Wilson Fisk, Kingpin, Matt Murdock and Daredevil are all there in that scene.

Wilson Fisk’s (Vincent D’Onofrio) ambitions are thwarted in “Daredevil: Born Again” Season 2.

(JoJo Whilden / Marvel)

Fisk, the villain, ultimately loses this battle. Can you speak a bit about his arc this season?

One of the joys of this job is working with Vincent D’Onofrio, full stop. He’s done such a good job of humanizing a monster. I don’t write Fisk as a villain. I don’t think Vincent plays him as a villain. And that’s where the fun comes in.

Building up a man whose appetite, whose isolation, whose just general hunger to dominate, making that character and then giving him this one lifeline to humanity in Vanessa — that’s all calculated. We knew in Season 1 when Foggy was killed that Vanessa was going to be the cost for Fisk. The idea that Vanessa set up Foggy to die using Bullseye, and Bullseye ended up inadvertently killing Vanessa, that was 100% in the DNA from jump. Vanessa passed away in the comic books in two different ways, but that takes Fisk now into a place where, for me, all bets are off. I think that the Fisk that Vincent is playing in Episode 6, 7 and 8 and beyond are a different animal entirely. We just finished a very special episode that is pretty much all Fisk in this new incarnation and it was pretty exciting. Vincent’s in rare form in Season 3.

I understand that the Anti-Vigilante Task Force stuff was shot before the the story and imagery became extremely timely.

It’s really strange because there’s footage in the finale that’s intentionally supposed to reflect certain events. One of the things that I really wanted to do with this story, when you’re dealing with politics and everything, is we’re living in a time where these values of mutual respect, mutual listening, mutual live and let live … what I would say, democratic values are being thrown out the window when you’re dealing with the other side. If somebody doesn’t share your beliefs, it’s free game. And I’ve never really seen a time like that. So we took that story, where the mayor’s side has no quarter for the vigilante side and the vigilante side has no quarter for the mayor’s side. When they storm the rotunda, it looks very familiar. That is intentional. I’m not going to dodge that. Because it’s the idea that everybody sees themselves as a hero of this story, where they’re treating the people on the other side horribly. There’s no lesson there. It’s just the idea that when mobs get involved, when large groups of people get involved, the higher morals and higher sense of humanity falls apart.

You’ve mentioned that in writing and filming this show, you were looking at history. But what was it like when the present started mirroring what you already made based on the past?

The sequence in Episode 2, when the bodega is raided and people are dragged away by the Anti-Vigilante Task Force, that was filmed before Los Angeles, before Minnesota — before all of it. The whole thing got really strange in that the real world started to feel cartoony, and I don’t mean that in a positive way.

I think we were, as writers and directors, tapping into an unease and a malaise that’s just out there. Having it look exactly like things that then happened on the news, that was chilling. It was really hard to get my head around it. It was hard for the people involved, the directors, the fact that some of those sequences in our show, of people being dragged away and thrown into vans, looked exactly like what we were seeing on the news.

There have been other touch points, like the affinity some Task Force officers have for the Punisher logo, that crosses from the fictional into reality.

I’ve been wrestling with this since working on “The Punisher.” The map of what you do when you want to be an autocrat: You form a militia, you empower them beyond, you target a group that you want to make scapegoats, you round them up. When Charles Soule was doing the Mayor Fisk run in the comic books, that’s what he was thinking about. S—, Tony Gilroy did it in “Andor.” When you build any kind of story about an autocrat, it follows the same script. Weirdly, the script’s now playing out outside our door, and that’s become really hard to deal with. The funny thing about this show in these times is, no matter what I say, somebody’s gonna get all like, “Oh, they put politics in our comics” and “they’re trying to teach us a lesson.” Nobody’s trying to teach you a lesson. We’re just laying out a story about a guy who’s a criminal who becomes a mayor and a guy who’s a lawyer who tries to take him down. But does that have echoes in what’s going on outside our window? Yes, it does.

There is a sect of the audience that gets very vocal about the MCU getting ”too woke” or comic books and superheroes ”becoming political.”

One thing that just broke me when we started Season 3, I posted a picture of our writers room, and it’s just some of the best genre writers in the television business. I posted it [on Instagram] and I said “so stoked to get into it with these guys.” The first comment was, “Looks like a pretty woke room. Don’t ruin the show.” How does a room look woke? Oh, so you’re looking at the makeup of the people in that room, and you’re saying that that is something you don’t like? I can’t help you [with that]. I’ve just got to go into that room and write stories.

It’s also not like superhero comic books haven’t had storylines about marginalized communities or interrogating people in power.

Guys, comic books are political. They’ve always been political. The first graphic novel that ever won a Pulitzer Prize was “Maus.”

Jessica Jones (Krysten Ritter) gets in on the action.

(JoJo Whilden / Marvel)

I think I’ve waited long enough to ask about Luke Cage, played by Mike Colter, showing up in the finale. How did all of that come together?

One of the things that I’ve said a bunch about this show is we lean into the idea that these characters have grown up. The time that has passed between the end of the Netflix shows and the beginning of this show, we acknowledge and we lean into. Their lives have matured. As anybody knows, in the comics, Luke and Jessica had a child, Danielle. Now for me, as a writer, that’s just great story. We have a family of two very interesting people who were made iconic by the performances of Krysten Ritter and Mike Colter. What does that little family look like moving forward? So that tease at the end has seeds for acres and acres of stories. There’s a world that I’m super interested in, that a lot of the characters from the Netflix shows live in, that I’d love to see go forward. A lot of that’s out of my hands. But Mike and Jessica and that family are important to these stories.

Can you say anything more about what Luke has been up to since audiences last saw him?

Luke went to do some work for Mr. Charles. That’s a little bit of an Easter egg, a storyline that will play out in the future. Mr. Charles’s interest in alternatively abled people, or people who can do special things, that interest has long tentacles. It touched Luke and Jessica. It touches Bullseye at the end of the season, and that moves forward.

I think everybody’s been curious since Charlie Cox’s return. Matt’s back. Now Jessica and Luke are back. Are we going to see all of the Netflix era heroes assembled?

The best way I can answer that question is that we take comic book runs, fan desires and unfinished business. On “Punisher,” we were planning for a Season 3. I know [“Daredevil” showrunner] Erik Oleson was getting ready to work on a Season 4. That all ended very abruptly. None of the shows really got an ending that brought it all together. I wouldn’t say that “Defenders” was an ending that brought it all together. There’s so much unfinished business in those Netflix shows. We definitely, definitely knew from way back, how the ending of the Mayor Fisk rise and fall, where that was going to go next. And it’s funny because I’m talking to you as we’re trying to end where it goes next, and we’re thinking about, “OK, now what happens after that?”

I’m just going to throw it out there that I’d like to see Misty Knight and Colleen Wing back also.

[Jessica Henwick, who plays] Colleen has already said that she is not in Season 3, and that’s a real sad thing for us. It was not for lack of trying. I want to do Daughters of the Dragon, come on! That was teed up in “The Defenders.”

I wish I could be more forthright, but I have to save some some secrets for Season 3. But I do believe that we set a launching pad at the end of Season 2 that takes us into some pretty fun places that we’re in right now, and I gotta go finish that.

Whitney Leavitt is leaving “The Secret Lives of Mormon Wives.”

The reality star announced the news during her final performance of “Chicago” on Sunday. Leavitt has played tap-dancing murderess Roxie Hart in the Broadway revival since February. TMZ published a video of the moment, in which a Broadway castmate shows Leavitt a newspaper mid-scene. Leavitt, in character as Hart, points to the headline and reads aloud: “Whitney Leavitt announces she’s leaving ‘The Secret Lives of Mormon Wives.’” The audience is heard hollering and cheering.

Leavitt followed the big reveal with an Instagram video Tuesday morning and assured fans that, although the forthcoming season will be her last, she would still appear in Season 5 of the Hulu series.

“It’s honestly so crazy to me looking back on this journey, because I had been trying to get into theater, film, way before ‘Secret Lives’ even came into my life,” she said. “The reality show just fell into my lap organically and I said yes to it. It’s definitely not the path that I had envisioned in my mind to get to where I am today, but I wouldn’t change a thing. I have experienced so much with this group of women, and through that process, I have also learned so much about myself.”

Leavitt continued, saying that the “Mormon Wives” had been through so much together, including more extreme highs and lows than audiences have seen. “No matter what happens with our relationships, that is something that will always be a part of our life, that will always be a part of my life, and I wouldn’t change a thing.”

“The times I’ve walked away from ‘MomTok,’ it came from a place of anger and frustration,” she continued. “But this time, it’s significantly different, because I’m leaving with gratitude. I feel content. I feel like this is a chapter that’s closing in my life, and honestly, I believe that’s how it was always meant to be. I’m so grateful for ‘The Secret Lives of Mormon Wives.’ It’s gotten me where I am today. It’s given me the opportunities that you all have seen. But I’m ready. I’m ready for the next chapter. And I cannot wait to share with you guys what’s next.”

Much like her “Chicago” character, Leavitt’s place in the spotlight has come with less-than-favorable tabloid fodder. She told “Oprah Daily” that, although she doesn’t fully agree that she’s a series “villain,” she’s embraced her on-screen persona. She’s been candid about being a “very ambitious woman” and using “Secret Lives” as a launchpad for a career in Hollywood — and this isn’t the first time she’s departed the show.

“I had walked away from the show,” she told Gayle King about her brief hiatus after Season 2. “I wasn’t enjoying it anymore. I left the show, and then they were almost midway through the season, and I got a call from the producers, and they said, ‘If you come back, we know that you really want this opportunity to go on “Dancing With the Stars,” but the only way that you would get this opportunity is to come back and film.’”

Last year, Leavitt partnered up with pro dancer Mark Ballas and competed on Season 34 of “Dancing With the Stars.” She was eliminated in the semifinals, finishing in sixth place, but her “Cell Block Tango” performance impressed casting directors of the long-running Broadway production. One thing led to another, and the reality star was headed to Broadway.

Although Salt Lake City may not be known for the excitement synonymous with the Big Apple, Leavitt has plenty of drama to keep her busy back in production on “Mormon Wives.”

The show hit pause in March amid a series of domestic violence investigations involving stars Taylor Frankie Paul and her on-again, off-again partner Dakota Mortensen. The Salt Lake County district attorney’s office announced in mid-April that it would not be filing charges against Paul, and shortly after, the Hulu series said it would resume filming Season 5.

In the comments section of Leavitt’s Instagram video announcing her departure, Paul wrote, “You will be missed. Chase those dreams my girl. I’m excited to see your next chapter.”

Mike Trout, Jorge Soler and Zach Neto hit home runs, Ryan Zeferjahn worked out of a bases-loaded jam in the ninth inning and the Angels held on for a 4-3 victory over the Chicago White Sox on Tuesday night.

Zeferjahn hit a batter and walked two in the ninth before retiring Edgar Quero on a groundout for his first save this season and his third in 10 career opportunities. The right-hander struck out rookie home run leader Munetaka Murakami — tied with the Yankees’ Aaron Judge at 14 — with a runner on first to get the final out in the eighth.

Trout hit his 11th homer of the season and the 415th of his career with one out in the first off Erick Fedde (0-4) after Chicago scored two runs off Sam Aldegheri in the top half.

Soler followed with his eighth homer one out later to tie it 2-2.

Neto homered for the first time since April 10, a tiebreaking two-out shot in the fifth for his sixth of the season. Trout walked for the second time before scoring from first on a double by Nolan Schanuel to make it 4-2 and chase Fedde. Trout reached base four times with a single in the eighth.

Neto ended an 0-for-23 slump with a third-inning single before getting picked off.

Chase Meidroth hit his second homer leading off the seventh against Sam Bachman to get Chicago within 4-3. Both Colson Montgomery and Miguel Vargas extended their on-base streaks to 18 games for the Sox.

José Fermin (1-1) pitched a scoreless fifth for the win. Aldegheri gave up two runs on four hits in four innings in his sixth career start.

Fedde yielded four runs on six hits in 4 2/3 innings.

The top four hitters in the Angels’ lineup drove in a run for the first time since June 18, 2021, against the Tigers.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell, and it still amazes me every season how some fans are ready to throw in the towel at the first sign of distress.

So, the Dodgers’ offense has been sputtering as of late. Since April 21, a span of 12 games, they have scored two runs in a game three times, one run in a game twice and have been shut out once. They are 5-7 in that time and lost four in a row before winning Sunday.

Is that good? Of course not, but it’s nothing to get overly concerned about. Every team goes through highs and lows on offense. In that same time, they also scored 12 runs in a game and beat the Chicago Cubs, who had a 10-game winning streak, twice.

When they opened the season 15-4, they were averaging almost six runs a game. No one was bowing down and handing them the World Series trophy just for that, just like no one should write them off because of a bad stretch of games.

Let’s look at the Dodgers’ offense each year since 2017, with the number of times the team scored two runs or fewer in a game each season.

2026
Two runs: 6 times
One run: 3 times
No runs: 1 time
Season record: 21-13
Average runs per game: 5.15
Longest losing streak: 4 games

The Dodgers project to score two or fewer runs 47 times this season, which is higher than the last few seasons, but it’s a relatively small sample size and projections are a bit wonky this early. This is looking more and more like a repeat of last season. Streaky offense, erratic bullpen, solid (for the most part) starting pitching.

2025
Two runs: 13 times
One run: 16 times
No runs: 8 times
Season record: 93-69
Average runs per game: 5.09
Longest losing streak: 7 games

2024
Two runs: 15 times
One run: 14 times
No runs: 5 times
Season record: 98-64
Average runs per game: 5.20
Longest losing streak: 5 games

2023
Two runs: 12 times
One run: 14 times
No runs: 4 times
Season record: 100-62
Average runs per game: 5.59
Longest losing streak: 4 games

2022
Two runs: 12 times
One run: 13 times
No runs: 7 times
Season record: 111-51
Average runs per game: 5.23
Longest losing streak: 4 games

2021
Two runs: 22 times
One run: 14 times
No runs: 5 times
Season record: 106-56
Average runs per game: 5.12
Longest losing streak: 4 games

2020
Two runs: 7 times
One run: 2 times
No runs: 0 times
Season record: 43-17
Average runs per game: 5.82
Longest losing streak: 2 games

2020 was the COVID-shortened season.

2019
Two runs: 22 times
One run: 11 times
No runs: 6 times
Season record: 106-56
Average runs per game: 5.47
Longest losing streak: 6 games

2018
Two runs: 19 times
One run: 17 times
No runs: 8 times
Season record: 92-71
Average runs per game: 4.93
Longest losing streak: 6 games

2017
Two runs: 14 times
One run: 20 times
No runs: 8 times
Season record: 104-58
Average runs per game: 4.75
Longest losing streak: 11 games

So, there’s nothing really unusual going on so far this season. Now, if we reach May 20 or so and they still are slumping, then we can worry more. At some point, this team will age out. Mookie Betts seems to be injury prone, and Freddie Freeman has slowed some. At some point, this team will fail to make the postseason. But not this season.

The biggest obstacle this team faces is expectations. Some in the media proclaimed this the best offense in history. It was never going to be that. But it raised expectations, making them almost impossible to beat.

Heck, last season’s Dodgers went 0-6 against the Angels. They went 3-6 in one stretch, losing one of those games 16-0. They went through another stretch of the season in which they went 2-10, scored two or fewer runs seven times and averaged 3.5 runs per game. And last time I checked, they won the World Series.

So, this is nothing new.

When will Blake Snell be back?

Blake Snell, whom the Dodgers should start encasing in bubble wrap when he’s not pitching, is on a rehab assignment. In three games (two for class-A Ontario, one for triple-A Oklahoma City) he has pitched eight innings, giving up six hits, four runs and two walks while striking out 10. If all goes well, he will be back in mid-to-late May.

And who goes out of the rotation when he comes back? Yoshinobu Yamamoto, Shohei Ohtani and Tyler Glasnow aren’t going anywhere, so that leaves Emmet Sheehan, Justin Wrobleski and Roki Sasaki. If you go by results, then it has to be either Sheehan or Sasaki. How these guys pitch over the next couple of weeks will solidify that answer, but as for now, I’d remove Sasaki from the rotation.

Justin Turner, manager?

With three World Series titles, Dave Roberts will be Dodgers manager for a long time. But when he does step down, could Justin Turner be next?

Turner’s wife, Kourtney, recently appeared on the “Foul Territory” podcast and had this to say when asked if she believes Justin will become a manager after retiring.

“I do. I think it will be more nerve-wracking than his playing days for me, though, because I think it’s a tough job. Because if things are going well, not everyone looks to the manager. But then if there’s a decision that doesn’t pan out, I think it falls back on the manager.

“So I’ll have to stay off Twitter and all the comments for that one. I think he has such a good understanding of the game. I think he has good feel. I think he does a really good job.

“I’m always in awe when he goes to these new teams. And then I see him in the dugout the first or the second game of the season, and he’s already meshing so well. He just has that ability to reach, I think, every single guy there. And I think that’s what makes him so special.”

Turner is currently playing for Tijuana in the Mexican League.

These names seem familiar

How notable players who were with the Dodgers the last couple of seasons are doing with their new teams. Click on the player’s name to be taken to their full stats page:

Anthony Banda, Twins: 1-0, 9.00 ERA, 14 IP, 16, hits, 5 walks, 13 K’s, 50 ERA+

Austin Barnes: out of baseball (released by Mets in spring training)

Cody Bellinger, Yankees: .275/.373/.483, 142 PA’s, 8 doubles, 1 triple, 5 homers, 20 RBIs, 137 OPS+

Walker Buehler, Padres: 1-2, 5.40 ERA, 25 IP, 27 hits, 12 walks, 24 K’s, 78 OPS+

Mike Busch, Cubs: .218/.317/.339, 145 PA’s, 7 doubles, 1 triple, 2 homers, 17 RBIs, 92 OPS+

Michael Conforto, Cubs: .300/.321/.433, 38 plate appearances, 4 doubles, 5 RBIs, 150 OPS+

Caleb Ferguson, Reds: on the IL

Jack Flaherty, Tigers: 0-2, 5.90 ERA, 29 IP, 27 hits, 25 walks, 32 K’s, 74 OPS+

Jason Heyward: retired

Justin Dean, Cubs: in the minors

Tony Gonsolin: out of baseball

Kenley Jansen, Tigers: 0-2, 6.14 ERA, 6 saves, 7.1 IP, 8 hits, 4 walks, 9 K’s, 74 OPS+

Craig Kimbrel, Mets: 0-1, 4.26 ERA, 6.1 IP, 6 hits, 3 walks, 8 K’s, 100 OPS+

Michael Kopech: out of baseball

Gavin Lux, Rays: on the IL

Dustin May, Cardinals: 3-3, 5.15 ERA, 36.2 IP, 47 hits, 9 walks, 25 K’s, 75 ERA+

Zach McKinstry, Tigers: .209/.261/.326, 46 PA’s, 2 doubles, 1 homer, 5 RBIs, 62 OPS+, on the IL

James Outman, Twins: .129/.182/.194, 33 PA’s, 2 doubles, 4 OPS+

Ben Rortvedt, Mets: in the minors

Corey Seager, Rangers: .213/.315/.410, 143 PA’s, 6 doubles, 6 homers, 17 RBIs, 113 OPS+

Chris Taylor, Angels: in the minors

Justin Turner, Tijuana (Mexican League): .276/.344/.448, 32 PA’s, 2 doubles, 1 homer, 3 RBIs

Trea Turner, Phillies: .243/.304/.375, 148 PA’s, 6 doubles, 4 homers, 11 RBIs, 86 OPS+

Miguel Vargas, White Sox: .220/.359/.424, 145 PA’s, 4 doubles, 1 triple, 6 homers, 17 RBIs, 119 OPS+

Kirby Yates, Angels: on the IL

Up next

Monday: Dodgers (Yoshinobu Yamamoto, 2-2, 2.87 ERA) at Houston (TBA), 5:10 p.m. PDT, Sportsnet LA, AM 570, KTNQ 1020

Tuesday: Dodgers (Shohei Ohtani, 2-1, 0.60 ERA) at Houston (Peter Lambert, 1-2, 3.52), 5:10 p.m. PDT, TBS, Sportsnet LA, AM 570, KTNQ 1020

Wednesday: Dodgers (Tyler Glasnow, 3-0, 2.56 ERA) at Houston (Lance McCullers Jr., 2-2, 6.32 ERA), 11:10 a.m. PDT, Sportsnet LA, AM 570, KTNQ 1020

*-left-handed

In case you missed it

Why Dodgers pitcher Emmet Sheehan has ‘K ALS’ stitched into his glove

‘We’re in a little funk’: Dodgers fizzle at plate, suffer third straight loss

Ex-Dodger Alex Cora’s wild roller-coaster departure from the Red Sox explained

Shaikin: The Dodger hosting a comedy show? Stoic Will Smith. No joke

McCourt Foundation’s L.A. Marathon to city: Can you save us half a million dollars?

What Shohei Ohtani’s start against Marlins says about how Dodgers are handling his workload

And finally

Vin Scully tells a story on how a player’s career was influenced by … well, you have to see it to believe it. Watch and listen here.

Until next time…

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Captain Virgil van Dijk says Liverpool‘s season has been “unacceptable” after Arne Slot’s side fell to an 18th defeat in all competitions when they were beaten by Manchester United.

The Dutch defender has also stressed the need for “a lot of work to be done behind the scenes” to avoid a repeat of their disappointing Premier League title defence.

“I’m not here to make excuses,” Van Dijk said.

“It’s been a very disappointing season, an unacceptable season, and it’s tough. We shouldn’t feel sorry for ourselves whatsoever.

“We have to work and turn this around and make sure that next season these things don’t happen. It’s not Liverpool.”

Liverpool may still require four points from their remaining three games to confirm Champions League qualification.

The 3-2 defeat against Michael Carrick’s side at Old Trafford came after a three-game winning run in the Premier League, but it was the 11th loss of Liverpool‘s title defence.

The last reigning champions to lose more league games were Leicester (18) in 2016-17.

“I think it’s unacceptable that we have lost too many times as defending champions of the Premier League and we shouldn’t accept it,” said Van Dijk.

“There will be a lot of work that has to be done going into next season. When I am back from the World Cup I will go into it, but there is a lot of work to be done behind the scenes.”

The 34-year-old added: “I care so much about this club. I know that it has been a tough season, but I will always be there in good and lesser good days.

“But we have three games left and the realisation has to come from ourselves, as a group and as players, to make sure that we are in the Champions League because of the impact of it for the financial side for the club. But also because we want to be playing against the best teams in Europe.

“It’s not easy. But we keep going.”

This time last year, Swansea had built significant momentum under former boss Alan Sheehan, who had inspired an upturn in form to ward off relegation concerns after the Luke Williams era ended on the back of a worrying slump.

In the previous campaign, Williams was the man who masterminded the turnaround in fortunes after Michael Duff’s forgettable stint in charge.

Matos’ challenge is to change the record at Swansea, who will begin 2026-27 with an eye on the play-offs, as was the case at the start of the season which ended with Saturday’s win over Charlton Athletic.

There is likely to be a little more expectation next time around given that the teams finishing seventh and eighth will secure play-off places in a year’s time.

Yet it is worth remembering that aside from their two play-off campaigns under Steve Cooper – when parachute payments still offered a helping hand – the best finish Swansea have managed since dropping out of the top flight is 10th, first Graham Potter in 2019 and then Russell Martin three years ago.

Matos’ team finished 11th, just as Sheehan’s side did last year, although Swansea had three more points this time around.

Ultimately, they were nine points short of Hull City, who claimed the last of this season’s play-off places, and five adrift of Derby County, who ended in eighth.

EXCLUSIVE: American star Hemky Madera has opened up about joining the Emmy-winning HBO series, Euphoria.

Euphoria’s latest season has certainly got audiences talking after featuring a huge time-jump and some new characters.

Now, one of the stars of Euphoria has teased working on the new season and starring opposite singer and lead Zendaya.

In an exclusive interview with Reach Plc, the publishers of the Mirror, Hemky Madera has spoken about his mysterious new character Jimenez and joining the show.

The 49-year-old star, who is best known for Queen of the South, said: “Being part of this cast is amazing, from the crew, for [creator] Sam [Levinson] all the way to Zendaya and all between, so it was a great experience to be part of this show.”

He went on to tease: “I can’t say much about his character but his moral compass is in a certain way.” Adding: “But it’s a fun, whacky character.”

Although not much is known about Madera’s character, he is set to be playing a key role and will be appearing in six out of the eight episodes of season three.

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He said: “Zendaya’s character Rue and my character through many episodes together, working together. So it’s pretty cool.”

On working with the 29-year-old Spider-Man: Homecoming star, Madera said it was “amazing”.

He elaborated: “She’s such a pro. She was very welcoming and she was on from the emotional to the action to everything in between was pretty cool to work with.”

He went on to tease the third season, saying it was a “more mature flavour” and the characters were now adults and “no longer under the blanket of high school”.

He added: “They’re making their mistakes and learning from them.”

Madera admitted that although he’d been familiar with the series, it wasn’t until he started auditioning for Euphoria that he became a fan and binged the first two seasons.

“I’m very honoured to be a part of the show,” he said.

Madera said about the audition process that it was “tricky” because it was his second in-person audition in eight years. Due to shooting Queen of the South, the actor would have to send off self-tapes.

“It was nerve-wracking in the sense of being back in a room, but at the same time very exciting to be part of the room,” Madera explained.

Along with Euphoria season three, Madera has a long list of upcoming projects, including Star Wars: The Mandalorian and Grogu.

He is also going to be appearing in Victor, The Last Horseman, La Máquina, and El Secreto del Retrato.

Euphoria season 3 airs on HBO Max and NOW in the UK on Mondays

For Russell, this cannot be an easy moment in his career. A Mercedes protege himself, he has waited eight years for this moment – the best car, with Mercedes.

Last year, he was comfortably the better driver of the two; only rarely did Antonelli get the better of him. So he earned his status as pre-season championship favourite.

The Briton, 28, lived up to that when he won the first race of the season in Australia from pole position, but since then things have gone against him.

A technical problem almost certainly robbed him of pole in China and handed it to Antonelli, who converted it into a maiden win. A safety car intervened to hand the victory in Japan to Antonelli, when without it most likely either McLaren’s Oscar Piastri or Russell would have won.

But there was no doubt about the Miami win. Antonelli put it on pole. Russell was fifth on the grid, behind upgraded cars from the Red Bull, McLaren and Ferrari teams.

Antonelli made a sixth bad start in a row and lost ground. But he stayed calm, fought back, and grabbed the win from McLaren’s Lando Norris over the pit stop period.

Norris initially thought that was all about McLaren making a mistake by letting Mercedes pit first, not wanting to go too early with rain threatening.

But McLaren team principal Andrea Stella said the team still had the margin to stay ahead of Antonelli when they did stop three laps after him, but that a series of events conspired against them.

First, there was the time gained by what Stella called a “huge” first lap out of the pits by Antonelli after his stop. That risked overheating his tyres, which he would have to deal with later, but ensured he was still within striking range of the McLaren.

Then Norris made a couple of errors on his in-lap and had a slow stop. Combine all that, and it was enough to put Antonelli right on Norris’ tail when the McLaren came out of the pits. The Mercedes quickly swept past, and Antonelli held Norris off for the rest of the race.

Russell is keeping things in perspective, recognising there are still 18 races to go, and a lot can happen.

“Clearly he’s in a very good place at the moment and momentum is with him,” Russell said. “But, having got enough experience myself in championships I’ve won and how momentum swings throughout the year, and looking at the championship last year, to be honest, I’m not even considering it.

“It’s just that I want to get back on to the top step of the podium. The first three races, I had the performance to do that, but this weekend I absolutely did not have the performance to do that.

“So, I could be standing here now with three very different results in previous races, with this one being a bit of a one-off, but obviously things worked out differently in Japan and China, but that’s Formula 1 sometimes.”

Russell admitted that the “pace was really, really poor on my side”, and that he has never gelled with the Miami circuit and its low-grip surface and slow corners.

But Hill said: “You can’t have that, you can’t have a track that you don’t gel with. You’ve got to be good across everything. George now has to regroup, has to look at where he is at and what the new paradigm is.”

Captain Paige Cronin delivered a pinpoint cross onto Cloé Lacasse’s head for the game’s only goal in the 32nd minute, giving Utah (4-2-1) a win over Angel City at BMO Stadium. It was the Royals’ fourth straight victory.

In first half stoppage time, Maiara Niehues received a direct red card for violent conduct towards Lacasse. It was the first red card in club history for Angel City FC, who played down a player the entirety of the second half.

Royals goalkeeper Mandy McGlynn started her first match of the 2026 season and earned the clean sheet with four saves.

After starting the season with three consecutive wins, Angel City FC (3-3-0) have now lost three straight.

SAN DIEGO — Ryan Hollingshead scored his first goal this season in the 14th minute of stoppage time and Denis Bouanga added a goal for LAFC on Saturday night in a 2-2 tie with San Diego FC.

Mathieu Choiniere’s soft header off a corner kick played to the back post by David Martinez bounced in front of the goal and Hollingshead slammed home the finish to cap the scoring.

Marcus Ingvartsen scored two goals — his first career multi-goal game in MLS — for San Diego.

Anders Dreyer played a corner kick to the near post and Ingvartsen headed home the finish to open the scoring in the seventh minute.

On the counter-attack, Dreyer played a cross from the right side to Ingvartsen, who knocked down the ball with his first touch and then blasted a shot from the center of the area inside the left post and into the side-net to make it 2-0 in the 71st minute.

Ingvartsen has seven goals and two assists this season. The 30-year-old had two goals and one assist in eight appearances, five starts, in 2025, his first season in MLS.

Denis Bouanga scored in the 82nd minute, LAFC’s first shot on goal. Bouanga, who has scored at least 20 goals in each of the last three seasons, has five goals this season.

LAFC (6-2-3) beat Minnesota 1-0 last time out to snap a three-game winless streak.

San Diego (3-5-3) snapped a five-game losing streak.

CJ Dos Santos made his season debut and had three saves for San Diego but left due to injury in stoppage time and was replaced by Duran Ferree. The 24-year-old Dos Santos, who had 10 shutouts last season, suffered a fractured cheekbone and orbital floor fracture in a playoff loss at Portland on Nov. 1.

For Blake Bowen and his JSerra High baseball teammates, their final week of the high school baseball season could not have gone any better.

The 6-foot-4 senior hit three home runs during a three-game sweep of Santa Margarita. But the Lions finished their season on Friday with an 11-17 record, which means there will be no postseason.

“Too little, too late,” coach Brett Kay said.

Bowen came on strong, finishing with nine home runs and a .360 batting average. His ability to hit the ball hard and far should make him a high draft pick this summer.

“It’s the best power I’ve ever seen for a high school player,” Kay said.

Bowen is a former football player who began focusing only on baseball after transferring to JSerra from Riverside King. He plays baseball like he did in football — with an aggressiveness.

“Once he comes into his own, he’s going to be special,” Kay said.

The Lions had a young team that was hurt by injuries. One of the impressive young players was freshman Joey Koenig, who showed he can hit and will get a chance to pitch in the future.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com

In the end, it wasn’t to be for Wrexham.

And perhaps a quartet of consecutive promotions was asking too much for even a club touched by Hollywood.

It is four years since the last time the final game of the season wasn’t one of jubilant scenes.

Those in red immediately fell to the turf after referee Oliver Langford blew his whistle to bring the contest with Middlesbrough to an end.

Amid the disappointment, there would still have been plenty to smile about for supporters making their way out of Stok Cae Ras.

After all, this was still the north Wales club’s highest-ever league finish in their history.

Co-chairman Ryan Reynolds’s summary was apt.

“I am completely gutted by today’s result but incredibly proud of our season,” he wrote on social media.

“We’ve come a long way in five years and this was the best result in our 150+ year history. More to do. But for now, we have so much to be proud of. Reds.”

Director Shaun Harvey had already reminded all that the season would be viewed as a success, saying the campaign was one of “nearly” making it rather than “we just missed out”.

Swiftly after the match, manager Phil Parkinson said he expects the club to be stronger next season – with Wrexham likely to be serious contenders for promotion.

But, to do that, they will analyse how, why and where they fell short this term.

Just as fans may wonder whether their club might have missed an opportunity to rewrite the record books all over again.

It’s officially May, which means summer vacation season is upon us. If you’re planning a trip to the beach, just make sure it’s got cell service (don’t say we didn’t warn you).

This week, Apple TV released the first two episodes of “Widow’s Bay,” a horror comedy that takes a closer look at those cozy seaside vacation towns and what might be beneath the surface. Katie Dippold, the creator of the series, which stars Matthew Rhys, Stephen Root and Kate O’Flynn (Jeff Hiller, one of my faves, also has a nice supporting role), stopped by Guest Spot to talk more about the genesis of the show and why it bends genres — more on that below.

Also in this week’s Screen Gab, we recommend a documentary film (and an animated short) that looks at the musical legacy of the King of Pop, and a recent docuseries about the FLDS community. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Quincy Jones, left, Michael Jackson and Lionel Richie in Netflix’s “The Greatest Night in Pop.”

(Netflix/Courtesy of Netflix)

‘The Greatest Night in Pop,’ ‘Sing: Thriller’ (Netflix)

I don’t know whether the release of “Michael,” the Michael Jackson biopic, had anything to do with “I Want You Back,” the greatest single of all time, playing in my dentist’s office today, but MJ is definitely in the air, posthumously pelleting us with his fantastic music and permanently controversial self. Somewhat in that spirit, I offer Bao Minh Nguyen‘s 2024 documentary “The Greatest Night in Pop,” about the recording of the 1985 super-duper star charity single “We Are the World,” co-written by Jackson and Lionel Richie and featuring the oddest assortment of singers ever to be gathered into a single studio — a congregation including Tina Turner, Bob Dylan, Steve Perry, Huey Lewis, Stevie Wonder, Willie Nelson, Dionne Warwick, Cyndi Lauper, Ray Charles, Bruce Springsteen and Harry Belafonte, among others. (Richie, Springsteen, Lauper, Lewis and Sheila E. sit for new interviews.) Jackson fans will get a glimpse of him at work like a normal musician, albeit one dressed as the General of Neverland. Dylan watchers will see a fish far out of water. Local historians will enjoy footage of L.A. in the ‘80s. On another, quite delightful note, “Sing: Thriller,” also from 2024, is a 10-minute cartoon take on Jackson’s video of the same name, starring the cast of the “Sing” movies, zombified and, naturally, dancing. — Robert Lloyd

Christine Marie in Netflix’s “Trust Me: The False Prophet.”

(Netflix)

‘Trust Me: The False Prophet’ (Netflix)

Mormonism has been under the spotlight lately, with reality series and documentaries taking a closer look at the religious group. But one particular sect, the Fundamentalist Church of Jesus Christ of Latter-day Saints, has long come under scrutiny for its practices and allegations of cult-like behavior, child marriage and child sexual abuse. This four-part series from director Rachel Dretzin is a continuation of her work documenting the FLDS community (she previously directed 2022’s “Keep Sweet: Pray and Obey,” also for Netflix). It follows cult expert Christine Marie and her husband Tolga Katas, who moved to Short Creek, Utah, where the community previously led by Warren Jeffs, the former FLDS leader and convicted felon, is based. Marie befriends the women in the community, gaining their trust, only to find out that another man, Samuel Bateman, is claiming to be a prophet. What she uncovers is a web of abuse and crimes. The series is riveting and disturbing, culminating with Bateman’s arrest and eventual conviction. — M.G.

Guest Spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Matthew Rhys and Stephen Root in Apple TV’s “Widow’s Bay,” now streaming.

(Apple)

Have you ever taken a vacation to a nice place but then see or experience something that just feels off? Apple TV’s new series, “Widow’s Bay,” tries to capture some of that feeling, where a seemingly quaint town hides dark secrets.

Matthew Rhys plays Tom Loftis, the mayor of Widow’s Bay, an island 40 miles off the New England coast. He’s attempting to save the region from economic slump — there’s no WiFi, cell phone service is spotty, the streets need repaving — by trying to make it a tourist destination. He manages to get a New York Times travel writer to visit, who writes a story that seems to turn the town’s fortunes. But much to Tom’s chagrin, the locals — particularly Wyck, played by Stephen Root — say the island is cursed and it has been awakened to unleash a “haunt.”

Creator and showrunner Katie Dippold’s fascination with such places began at an early age, growing up in New Jersey, where her family would take trips to the shore. She began writing the series more than 10 years ago, and it’s evolved over the years. “Believe it or not, this was originally a ‘Parks and Recreation’ sample for me when I got that writing job,” says Dippold, whose writing credits also include “The Heat” and “Ghostbusters.” “But it was very different, it was more comedic.”

While the show incorporates some comedic elements, it very much has moments of horror and dread that might make you gasp when something unexpected happens. Some of that feeling is thanks to director Hiro Murai (“Atlanta,” “Mr. & Mrs. Smith”), who directed the first three episodes and the final two. “Sometimes it’s like a ‘blink and you miss it’ kind of moment, which I love for this show,” Dippold says, even if it meant losing some of the humor they’d written in the scripts.

The creator spoke over a video call to dissect the characters and series, and explained whether or not we would see Willy the clown from Episode 2 again. This conversation has been edited for length and clarity. — M.G.

You’ve worked on a number of comedic projects, and this show has comedy elements. But horror is definitely a part of this show. Have you always been into horror, and why mash up these genres?

I’m a comedy writer, first and foremost, but I’m also the biggest horror fan. I like watching horror more than I like watching comedy. I just wanted to try to create a world where you could play with both of those things. But I should say that I actually don’t like most horror comedies. The ones that do it well are some of my favorite movies, like “American Werewolf in London,” “Cabin in the Woods” or “Shaun of the Dead,” and even the three of those are very, very different.

Especially in a TV show, I didn’t want it to feel like constant horror and dread. I like having those moments with a surprise laugh … or just something completely absurd. But, to that point, it was also a constant tonal tightrope walk from beginning to end because … I never wanted to undercut the tension. As a horror fan, I wanted to take it very seriously, and so that was a challenge from the scripts to production to casting to the edit to the score, just every step of the way.

The show is set in a small island town that’s trying to become the new “it” destination — comparable places like Bar Harbor, Maine, and Cape Cod are mentioned — except the townsfolk say it’s cursed. What about these communities intrigues you and why set the story in that location?

I grew up in New Jersey, and I always loved going to the Jersey Shore, and I always talk about this haunted house on the boardwalk that I used to always go to, and I just love that seaside haunted house vibe. I think I always romanticized it … that atmosphere is my dream. A couple years ago, I went to a diner in Marblehead, Mass., and it’s called the Driftwood, and it was just so perfect … in the sense that it was so cozy and lived in. You could see the ocean outside. It was a gray, cloudy day and there was a cemetery that was not that far away. There’s something about it that I found so special, and I never wanted to leave that place. And so I just wanted to get that feeling and get it on the screen.

Unique places have unique people like Wyck, who is trying to warn Tom about the fog that’s rolled in. Wyck is an oddball — every town seems to have one. Was that rooted in anyone or anything?

I was just trying to think of who would be the best thorn in Loftis’ side, and Stephen Root is so great at everything he does, and he’s so funny, but then so heartbreaking the next. When I was young, my dad had his drinking buddies, and Wyck doesn’t seem that far off from that kind of person, so I kind of relate to that. He represents the voice of the people of the islands, the real islanders, the real locals that take it all very seriously, and so he’s just the constant menace to Loftis.

And poor Tom is so practical. He’s worried about keeping the town afloat and literally keeping the lights on. But he also kind of believes the stories. How does this character and his contrasts help illustrate the story?

I think Loftis, in the beginning of the story, is at a place of determination and optimism. He cannot accept that this is his life and he cannot accept that this is the life of his teenage son [Evan, played by Kingston Rumi Southwick]. So he’s really trying to bring what he can to the island through tourism and what that would do for the town. But there’s some stuff that he needs to reckon with — he will throughout the season. I think I can be very optimistic, and so when you learn the hard truths of life, I always take that very hard myself.

Is this related to his wife being dead?

I think that’s a huge part of it. There’s a lot of what happened with his wife that he hasn’t fully reconciled. There’s stuff he needs to come to terms with … if he keeps repressing it, it’s just going to destroy him.

You set some ground rules or parameters of the world we’re in: First the quake, the fog and so forth. How did you come up with it?

In the writer’s room, we spent so much time thinking of the history of this town and different eras of leadership. …Because the more that we fleshed out this world since 1681, the funnier it was to us when something would pop out that’s ridiculous, you know what I mean? Like, then the ludicrous is more fun, if everything else feels real. It’s so important that you buy everything that’s happening, because it’s very easy to go off the rails. Once you start not buying it, it’s very hard to get back to ever feeling the tension.

The other thing I would say about the mythology, the rules … Loftis could dismiss it. Like the examples the [New York Times] reporter gives at the restaurant [of islanders going to the mainland and dying], those are weird. It’s weird that those things happen to people, but it’s also not like they all went on a boat and blew up. It’s just weird enough that I know I would take it seriously but still murky enough to give a little bit of room for Loftis to dismiss it and not be a complete lunatic.

They’re plausible enough to have happened.

But deep down, I think it scares him very much and that’s why he’s putting in all the effort.

In Episode 2, we see Willy, a creepy, fast-moving clown. Will we see him again?

Oh, possibly. Because I think for some things on the island, if you’ve heard about it before, it’s existed before and it’s come back, so it’s probably not completely gone.

Hiro Murai directed the first three episodes and he has a couple more at the end of the season. I feel like we see his stamp on the show. Was he someone you wanted to work with? How did he help bring your vision to life?

He was my dream director for it because I love “Atlanta” so much. I think Hiro is so fantastic at creating a very grounded world, a grounded scene and then still surprising the hell out of you with some absurd moment.

“Atlanta” was very inspiring to me. I had written this long before, and I was rewriting throughout the 10 years or so. But TV changed in the process, from the time I wrote the pilot to now, and that was very helpful. I think he’s so good with specifics and little nuances, and we have a very similar sense of humor. … I just knew this show would never be corny if [Hiro] was directing it.

Last thing, what are you watching right now that you’d recommend to others?

I’m rewatching “Game of Thrones” [HBO Max]. Me and my boyfriend … make breakfast every Saturday morning and rewatch an episode from the series. And it’s such a fun rewatch because the first time, I had not read the books. It’s so fascinating to rewatch again, now that you understand what the hell is happening.

I’m also watching “Hacks’” [HBO Max] final season, which I always love. In terms of movies … we were in production and then I was in post, so I didn’t get to see a ton of new stuff, but I loved “Weapons” [HBO Max]. I know it’s now a year old … but that’s my honest answer.

ICYMI

Must-read stories you might have missed

Wrexham’s dream of reaching the Premier League is over, for this season anyway.

And for Ryan Reynolds, it was tough to stomach.

“I am completely gutted by today’s result but incredibly proud of our season,” the actor wrote on X after the Welsh club he co-owns missed out on a place in the playoffs in the second-tier Championship by drawing 2-2 with Middlesbrough in a dramatic final round of the regular season on Saturday.

That allowed Hull to jump ahead of Wrexham and into sixth place — the fourth and final spot in the playoffs — courtesy of a 2-1 win over Norwich in a match played at the same time.

The winning goal for Hull, by Oli McBurnie in the 67th, appeared to be scored from an offside position but there are no video reviews in the English Football League.

It ended Wrexham’s unprecedented run of three straight promotions under its famous owners — a streak that began by getting out of the fifth tier in the 2022-23 season and has been documented in the globally popular, Emmy Award-winning “Welcome to Wrexham” series.

Still, seventh place marked the Wrexham’s highest finish in its history, bettering the 15th position it achieved in the second tier in the 1978–79 season.

“We’ve come a long way in five years and this was the best result in our 150+ year history,” Reynolds wrote alongside a graphic that showed how Wrexham has risen from the National League. “More to do. But for now, we have so much to be proud of, Reds.”

Elsewhere, Ipswich secured the second automatic promotion spot behind champion Coventry — and an immediate return to the Premier League — by beating Queens Park Rangers 3-0.

Ipswich is owned by U.S. investment group Gamechanger 20 Limited and counts pop star Ed Sheeran as a minority shareholder.

Joining Hull in the playoffs, which begin next week and are over two legs, are Millwall, Southampton and Middlesbrough.

Millwall will face Hull, and Southampton will meet Middlesbrough.

Best-ever finish by Wrexham

It was a memorable campaign by Wrexham in its first season in the second tier since the 1980s.

However, the short-term pain was acute, and Wrexham’s players sat on the ground and looked disconsolate after the final whistle — even though the Hull-Norwich match hadn’t finished.

Wrexham started the day in sixth place, ahead of Hull on goal difference, and conceded in the fourth minute to Middlesbrough, only to score through Josh Windass and Sam Smith for a 2-1 lead by the 41st.

Middlesbrough hit back immediately with a 43rd-minute equalizer but Wrexham finished the stronger, squandering a string of great late chances for a winner that would have secured a playoff place on goal difference.

Wrexham’s Josh Windass squats on the field and looks dejected following a draw with Middlesbrough on Saturday.

(Michael Steele / Getty Images)

In the end, Wrexham finished two points behind Hull.

“This squad as it stands, with a preseason together, will be even stronger next year,” said Wrexham manager Phil Parkinson, who oversaw a summer spend of around $40 million last year.

“Of course we’ll always look to add to that to try and give ourselves an even better chance … we know where we’d like to strengthen and what we need to improve on. We’ll do that and we’ll make this squad as strong as we possibly can to mount a challenge next year.”

Douglas writes for the Associated Press.

ANAHEIM, Calif. — When Joel Quenneville took over the long-suffering Ducks nearly a year ago, the veteran head coach cautiously said he hoped to get his new team into contention this season for its first playoff spot since 2018.

His young, hungry Ducks made it to the playoffs, all right — and they’re clearly not just happy to be here.

After nearly winning the Pacific Division in a surprisingly strong regular season, these Ducks ended the franchise’s eight-year postseason drought — and now they’ve eliminated Connor McDavid, Leon Draisaitl and the two-time defending Western Conference champion Edmonton Oilers with a six-game series victory in the first round.

Anaheim finished it off with a 5-2 victory in Game 6 on Thursday night, calmly dispatching its more experienced opponents with the poise and potency that this team has shown for long stretches this season. Quenneville could only applaud as his team took the next step on its journey.

Ducks center Leo Carlsson celebrates with left wing Chris Kreider after scoring an empty net goal during Game 6 of their Stanley Cup playoff series against the Edmonton Oilers on Thursday in Anaheim.

(Mark J. Terrill / Associated Press)

“It’s a huge win,” Quenneville said. “I’m happy for the players. I’m happy for the fans. And now we’ve got a taste of playoff hockey, and I think we can feel at this moment that it’s so much fun playing games that have the meaning, and the building being as loud and excited as it is. It seems to grow from this level on.”

The future has finally arrived in Orange County, and the raucous sellout crowds that have supported this team all season long are loving the return of playoff hockey for the team that won California’s first Stanley Cup in 2007.

The Ducks also had one of the NHL’s best teams while winning five straight division titles through the middle of the 2010s, but those teams twice lost in the Western Conference finals before Anaheim fell into a rut of seven straight years without a playoff berth.

Those years of high draft picks have led to a roster with impressive high-end talent in its young core, and general manager Pat Verbeek added a slate of veteran signees to bolster it. Quenneville was the next huge piece of the puzzle, and the three-time Stanley Cup winner as a head coach has guided the Ducks to a first-round postseason upset.

“We know that (at) our best is a really good team when we’re playing the right way,” said Troy Terry, the longest-serving Ducks player since 2018. “We proved it to ourselves that we can do it consistently in a series, and our group should have a lot of confidence going forward in what makes us a good team.”

After stumbling into a 2-6-2 slump down the stretch and blowing the division lead, the third-place Ducks drew the playoff-tested Oilers in the first round. It looked like a nightmare matchup for an inexperienced team — but the Ducks were ready.

Anaheim stormed to a 3-1 series lead while pumping 20 goals past the Oilers, who looked slower and creakier than the Ducks. Edmonton showed off its postseason poise in Game 5, throttling the Ducks in a 4-1 victory and putting the onus on their inexperienced opponents to finish off the series.

And that’s exactly what the Ducks did: They scored three goals in the first period, jumped to a 4-1 lead after two, and never allowed the Oilers to get up enough momentum to seriously threaten a comeback.

“I’m just proud with the maturity level of that game,” Terry said. “For how inexperienced and young our team is, it’s exciting moving forward.”

Anaheim also got a star-making performance from defenseman Jackson LaCombe, who led the team with nine points while also leading its defensive effort against McDavid and Draisaitl. LaCombe, a late addition to the U.S. Olympic team last winter, led the Ducks with a plus-6 rating while playing 22 1/2 minutes per game and taking just one penalty.

“A lot of us young guys are learning a lot as we go along, and I thought we got better throughout the series,” LaCombe said. “It means a lot for us.”

The Ducks have extended their breakthrough season for at least another couple of weeks, and they’re relatively healthy. Their next opponent will be the Vegas Golden Knights — another experienced playoff team loaded with veterans.

The Ducks and their fans are thrilled to take the next step on this unlikely journey.

“Now we get to experience another round, and I think this is healthy for us,” Quenneville said. “We’ve got a young group that … you don’t know how they’re going to play, but you’re certainly excited what the upside is.”

Beacham writes for the Associated Press.

“Who would be a football manager, eh?

It has been quite the season for Declan Caddell as Crusaders manager, who has successfully secured the north Belfast side’s Premiership status for next season after a penalty shootout victory over Annagh United.

The Crues had a one goal lead after the first leg, but Philip Donnelly’s penalty levelled the aggregate score after just five minutes before Lee Upton edged Annagh ahead.

In the 71st minute Stewart Nixon equalised in the play-off and sent the game to extra time, but neither side were able to find a goal.

During the penalty shootout, Musa Dibaga saved two penalties as the Crues sealed their survival and avoided what would have been just their second relegation in the club’s history.

“Credit to Annagh, they put it up to us,” Caddell told BBC Sport NI.

“For me, that game summarised our whole season in terms of a wee bit of bad luck, not playing for a full 90 minutes, injuries, everything relying on a last gasp, last minute, and credit to Dibaga as well for stepping in and making a difference.

“I’m just relieved to get over the line because it’s been a difficult year. Who would be a football manager, eh?”

It has been reported that EastEnders legend Ross Kemp has ‘signed up’ for Celebrity Traitors season 2, following the huge success of last years show.

Ross Kemp has reportedly signed for The Celebrity ­Traitors and is set to join Claudia Winkleman in Ardross Castle in Scotland for filming this weekend.

The actor and documentary-maker, 61, is best known for playing Grant Mitchell in the East London soap and now has decided to set his sights on a new challenge.

This comes as a surprise move from the star who has refused other reality TV show competitions, but reports suggest he was intrigued by the “psychological” nature of The Traitors.

An insider told The Sun: “He loves Traitors and thinks it’s a programme on another level, which is why he really wanted to take part.

“Ross loved the mix of psychological intrigue paired with some of the very physical trials that the group have to complete – both suit him perfectly.

The source added that he wanted to take part as he’s at a “point in his life” where he “wants to try new things and continue to challenge himself.”

They also suggested that this could be an opportunity for the star to appeal to the younger generation, after a decades-long career and an older fanbase.

“Plus he knows The Celebrity Traitors won’t just be watched by people who are familiar with his work, but by younger viewers who may be less familiar with Ross, and this opens him up to a whole new audience. He’s also a very BBC name and this is another big BBC show.”

Last year, the first ever celebrity version of The Traitors was an enormous success and captivated the country. The show had huge UK names including; Stephen Fry, Jonathan Ross, Alan Carr, Celia Imrie, Cat Burns, Tom Daley, Charlotte Church, and comedian Nick Mohammed.

The BBC has remained tight-lipped about which celebrities are set to appear in the second season of the show, with a spokesperson for the broadcaster telling The Sun: “We are not commenting on speculation, and details for The Celebrity Traitors series 2 will be announced in due course.”

However, it has been reported that this years cast includes; actors Richard E Grant, Michael Sheen, comedians James Acaster and Joanne McNally, academic Hannah Fry, and University Challenge presenter Amol Rajan.

Filming is set to begin very soon and take place in the next two to three weeks. The show will likely broadcast later this year.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Tennessee told Nico Iamaleava to go fly a kite, so UCLA said come fly it here.

That alleviated some homesickness, but it didn’t get Iamaleava’s career up off the ground. Of course, the conditions in Westwood last season weren’t ideal for takeoff.

But now they are.

Here comes Bob Chesney’s rebuild. And Iamaleava’s redemption. An exceptional head coach and an exciting quarterback, with the wind at their backs, racing toward a relatively breezy schedule?

USC defensive tackle Carlon Jones grabs UCLA quarterback Nico Iamaleava during a game on Nov. 29.

(Kyusung Gong / Associated Press)

Sky’s the limit, man.

Watch them dip and dance and make defenders miss all the way to New York. Watch the cautionary tale about the perils of the transfer portal turn into a fairy-tale comeback.

No, that’s not me building castles in the sky.

Consider the unprecedented heights to which Chesney took tiny James Madison, and think of the places he can go with a junior QB whose trajectory had him headed toward Heisman Trophy hopefuldom before turbulence hit.

Iamaleava arrived in Knoxville, Tenn., with more hype than any quarterback since Peyton Manning. The 6-foot-6 Long Beach native, with an outside hitter’s rocket arm and the gazelle-like gait, was considered the nation’s No. 2 overall recruit out of Warren High in Downey. As a redshirt freshman in 2024, he won 10 games and led the Volunteers to the College Football Playoff.

Heisman buzz was building. Until it wasn’t, deadened last spring by the contract dispute that was debated ‘round the college football world. There was disagreement between Iamaleava’s camp and Tennessee — which was reportedly paying him more than $2 million per season, less than the going rate for some comparable quarterbacks and more than the Bruins reportedly offered.

UCLA — 3-9 last season and with only two bowl appearances in eight years — isn’t anyone’s idea of a shortcut back to glory. But there is this: The Bruins seem really to have Ted Lasso’d a certain energy these days. A can-do frequency. Joy and positivity are in.

The women’s basketball team danced its way through the Big Dance and emerged as national champs.

UCLA coach Bob Chesney leads the Bruins through their first spring football practice at Spaulding Field on April 2.

(Robert Gauthier/Los Angeles Times)

Alysa Liu, the figure-skating psychology-student Olympic champion? She said there’s a new golden rule: Am I having a good time?

And mercy, the No. 6-ranked softball team — whose silly postgame interviews have gone viral — is having a record-smashing season.

Now we also have Chesney extra-cheesing out here, showing up with free pizzas at fraternities, outreach to get the bros out to the Bruins’ spring game Saturday at the Rose Bowl.

But how does Iamaleava fit into this bright motif?

Perfectly, actually. When I asked him last year what he was telling his teammates after head coach DeShaun Foster was fired three weeks into the season, sky falling, wheels falling off, Iamaleava smiled his easy smile: “Man, just keep the belief.”

If that reads like a cliché, imagine the coolest guy in school saying it, and meaning it.

Iamaleava has a Long Beach lean, laid back and comfortable in his skin. He’s super-tight with his seven siblings, and super-proud of their Samoan heritage. And even though he and his younger brother Madden, a backup UCLA quarterback, were always “the toughest dudes on the field,” former Warren coach Kevin Pearson said, “they are the nicest, sweetest off of it.”

But wasn’t Nico the villain? The bad guy? That disloyal, greedy kid at the center of college football’s first apparent holdout?

The criticism was so loud — and so wrong, Pearson said — it had the man stressing. “It made my stomach hurt,” he said, “what people were saying about Nico.”

Pan out and Nico is a face in a crowd. For example, of the top 600 football prospects in the class of 2021, more than 60% of them transferred at least once, and 42 of the top 50 quarterbacks changed schools, according to the Athletic.

And he was about the only thing that was good about last season’s Bruins.

UCLA quarterback Nico Iamaleava passes the ball during an upset of Penn State at the Rose Bowl on Oct. 4.

(Gina Ferazzi/Los Angeles Times)

He was their leading passer and rusher. Of UCLA’s 24 touchdowns, he accounted for 17, including five in the Bruins’ 42-37 victory over No. 7 Penn State, which earned him a slew of national weekly honors, including Big Ten Offensive Player of the Week.

But the Bruins won only three games. The whole season was a hot mess, though you wouldn’t have known it, talking to Nico.

He seemed to get it. Not like he understood the assignment of rehabilitating his image, but with the sincerity of someone who appreciates what’s actually hard.

You might remember, his mom, Leinna, was diagnosed with breast cancer when he was 14.

“She definitely opened my eyes, just as a young kid growing up,” said Iamaleava, noting that she is OK now, busy traveling all over the country with his younger volleyball-playing sisters.

“She got diagnosed my freshman year and it was just kind of time to grow up and take care of the little ones. That changed my mindset and my perspective on life. Life’s short, you know? And we’re very blessed to be here and wake up every day.”

Nico could have been defensive in the face of criticism and failure, but he never was. Could have disappeared after defeats as some quarterbacks have, but he didn’t.

His mantra: “That’s on me, man.” Even when it wasn’t.

Despite everything, he was overly accountable, gracious under pressure, upbeat.

“Think about what he had to go through last year,” Chesney said. “He got the preseason, had a couple weeks with the guys, then he got into season, had a couple weeks with the guys, and then all hell broke loose, right?

UCLA offensive linemen Garrett Digiorgio, left, and Sam Yoon, right, help quarterback Nico Iamaleava up after he ran for extra yards against Penn State at the Rose Bowl on Oct. 4.

(Gina Ferazzi/Los Angeles Times)

“To be able to stick with it and stay through that, you’re just probably trying to keep your head above water. And a lot of our conversations are about that, ‘Hey, this is different this time around.’”

Way different. Chesney has revamped UCLA’s roster with 40-plus transfers, including several key contributors from the JMU team that made the College Football Playoff.

And then there’s Nico, looking like everybody’s big brother at spring practices, smack-talking and celebrating the guys, as engaged as Chesney but easier to spot because his golden helmet glistens above everyone else’s.

“We did a leadership vote,” Chesney said, “and it was undeniable, [Nico] was the No. 1 vote on this entire team to be the leader. And I wanted to just share that with him and make sure he didn’t have to wonder, ‘Do these guys respect me?’ They do. And not only by the position you play, but by the way you play it. By the way you handle it off the field.”

By smiling through it all, even in the immediate aftermath of the Bruins’ loss to New Mexico, their third loss in as many weeks, when it looked like UCLA might not win all season.

“This is a game that as a little kid you loved to play,” Nico said that night. “A lot of [us] are treating this like a job. We gotta get back to having fun.”

And now that Nico and the new-look Bruins have that kite in the air, watch them run with it.

In a hearing about competing protective order filings from reality TV star Taylor Frankie Paul and her ex-boyfriend Dakota Mortensen, a Utah judge granted Thursday that both orders go into effect, though he delayed making a decision on a custody arrangement.

The orders, which were issued by third district court commissioner Russell Minas, are in place for three years and require Paul and Mortensen to stay at least 100 feet away from each other. He also warned that they both could be subjected to criminal charges if there’s a violation of the orders.

“I do think it’s important that there be mutual orders,” Minas said. “I am just concerned that if I don’t order both of them to stay away from each other, there’s going to be some additional problems.”

Addressing Paul and Mortensen, Minas said: “I’m hoping that you’re not people who just thrive on the drama and the conflict … I do want to work with both of you to try to restore some sense of normalcy. I just think right now, you two need to stay away from each other and there needs to be orders that will result in consequences if you attempt to try to engage each other because I still think you have this attraction to each other, physical or otherwise.”

“The Secret Lives of Mormon Wives” star, 31, and Mortensen, 33, both appeared in Utah court for the hearing, which was livestreamed, the first time they’ve been seen in the same room together since news broke last month that they were involved in domestic violence investigations involving multiple allegations.

In the weeks leading up to the ruling, the judge had granted Mortensen custody of their son, with up to eight hours per week of supervised visitation for Paul, known as one of the stars of Hulu’s “The Secret Lives of Mormon Wives.” That arrangement will stay in place until the judge offers his recommendation on parent time on or before May 11.

Dakota Mortensen in the courtroom on Thursday.

(Bethany Baker / Associated Press)

A review hearing is set for June, once mental health and domestic violence assessments of Paul and Mortensen ordered as part of the safety plan by child protective services have been completed and processed.

Paul’s attorney, Eric M. Swinyard, described the hearing as a “significant step forward.”

“Taylor was incredibly candid with the Court that she is not perfect and owned her faults,” read part of his statement. “She looks forward to continuing to cooperate with the Court to make progress in the custody case.”

The Times also reached out to Mortensen for comment.

Paul and Mortensen had been under investigation by both the Draper City Police Department and West Jordan Police Department regarding a series of allegations each made that the other had acted violently during altercations in February, as well as an incident that took place in 2024. After the February allegations made headlines, a video of Paul in 2023 that led to her arrest was leaked; it showed the reality star throwing bar stools at Mortensen while her daughter was present. (Paul pleaded guilty in abeyance to aggravated assault following that incident and her probation in that case will be up in August.) Amid the investigation, Mortensen and Paul filed competing protective orders against each other.

The Salt Lake County district attorney’s office and the Draper City prosecutor both declined to file charges against Paul in April, citing insufficient evidence to prove allegations beyond a reasonable doubt.

The situation between the embattled exes also resulted in the pausing of filming of “Mormon Wives” Season 5. The show has documented the pair’s tumultuous relationship since it’s launch in 2024. It also led to the shelving of Season 22 of ABC’s “The Bachelorette,” which featured Paul as its heroine.

But Thursday’s ruling on the orders comes a week after reports surfaced that “Mormon Wives” has resumed production on its fifth season, without Paul and Mortensen’s involvement — though, Paul reportedly has the option to return. The fate of the unaired season of “The Bachelorette” remains unclear.

Alexandra Del Rosario contributed reporting.