Sarah

It just adds to what will be an especially special Games for Marshall, who is joined in the bowls team by his niece Beth Riva.

“It’s a bit nerve-wracking really,” 59-year-old Marshall told BBC Scotland. “It’s not very often I get a bit emotional, but I certainly had a tear in my eye when I came out the lift this morning and all the athletes were there. It’s just a huge honour.”

Resplendent in full kilt on a sweltering day, and proprietorially clutching the flagstick like a child would a favourite toy, the East Lothian bowler was in his element when talking about the news on Wednesday.

Marshall conceded he would have to let it go for the evening before having it returned before the big show.

But he might have to battle with Adlington for first shot of it when that time comes. “And I’d win that fight,” joked the 39-year-old heavyweight.

Adlington, who won judo gold in 2014 and 2022 and is looking to end her career by completing the treble, revealed the two of them have known the news for a few weeks but had been sworn to secrecy.

“That’s been really hard,” she told BBC Sport Scotland. “I was told I could tell my nearest and dearest but for everyone else it will be a massive surprise.

“I’m just so excited. I was so nervous when I woke up this morning, and I think I’ll be even more nervous tomorrow. I might not even sleep tonight but if it’s even half as good as it was in 2014, it will be amazing.”

Coronation Street detective Kit Green may have a surprising plan for nemesis Gary Windass after finding out his partner Sarah Platt is Theo Silverton’s real killer

Kit Green has a plan for Gary Windass on Coronation Street – but it’s not what you might be expecting.

With Kit finding out his partner Sarah Platt is Theo Silverton’s real killer, he has a decision to make. The detective could put his own career on the line to try to save Sarah from prison – but what about Gary, who helped Sarah cover up the crime?

Amid recent hints that Kit would throw Gary under the bus and could frame him for the crime, Kit actor Jacob Roberts has now had his own say. Teasing Jacob may actually try to help Gary, Kit spilled on what was ahead…

How does Kit feel finding out Sarah killed Theo?

He was incredibly shocked, mostly because he’s just been lied to for all this time. As soon as Sarah found the ring, it completely delayed his plan and put a massive dampener on things. I think Kit always suspected she and Gary had something to do with it and he was actively defending her based on that suspicion. But he never, ever expected it to actually be her who did it. He’s just reeling from the fact that it was her all along.

How compromised does Kit feel now that he knows the truth and how far do you think he’d go to protect her?

He will protect her as much as he can, but Kit is ultimately going to protect himself first. He suddenly realises he’s been living with a murderer right under his nose. He isn’t going to be totally selfless here – he will only protect her as long as his own career is safe. His perspective is very much: “If you had told me this straight away, I could have done something about it. Now, I’m just left to pick up the pieces.”

His career means a lot to him, but does his relationship mean more?

No, his career means everything to him. The trust between them is massively gone. He isn’t prepared to lose anything because he had absolutely nothing to do with the crime. What Sarah did was wrong. Kit is a loyal guy – he’s loyal to family and the people he cares about – so he’ll do what he can, but this has simply gone too far.

Kit already disliked Gary. What are his feelings towards him now, especially knowing Sarah turned to her ex in her moment of need rather than him?

He feels incredibly betrayed. Kit knows how to cover things up way better than Gary ever could, so he feels like Sarah just picked the wrong person in a moment of panic. Gary should have honestly just called Kit himself.

Is there a part of Kit that understands why she couldn’t come to him because of his job as a police officer?

No, absolutely not. First of all, she should have never been on that roof in the first place with a guy like Theo. But turning to Gary? No. That’s her ex. Going to an ex for advice or help like that is completely out of order and non-negotiable for Kit. He might sympathise a tiny bit because she was panicking, but he doesn’t think it’s justified at all.

How do you think Kit would have reacted if she had phoned him straight away? Would he have protected her?

Absolutely. He’s done stuff like that before. He’s a bit of a dodgy copper, so he knows exactly how the system works. It was self-defence and he could have handled it. The problem now is that it’s much harder to justify because she kept quiet about Theo’s death for so long and in doing so, she has put Kit in serious jeopardy.

Is Kit happy to send an “innocent-ish” man like Gary to prison just to save Sarah?

Ideally, he would try to get them both off. But if it comes down to a direct choice between Sarah and Gary, he is always going to choose Sarah.

Can Kit get his head around why Sarah is so dead-set on protecting Gary? Do you think it makes him doubt their relationship?

It makes him doubt it massively. He’s clever enough to know there’s a lot of history there and that they’ve probably protected each other over the years, but it’s still a huge dint to his pride. He doesn’t think she’s physically cheating on him, but in a way, an emotional affair can be worse. You just don’t go to your ex for help with something this massive. It’s totally out of order.

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

New Coronation Street spoilers for next week’s episodes have teased murder secrets are exposed, with exits hinted at and there’s an update on Betsy Swain’s health

There’s some huge moments ahead on Coronation Street next week, new spoilers have revealed.

Sarah has nowhere left to hide as her killer secret is exposed. Kit tries to quiz McLaughlin about Theo’s murder case, but McLaughlin gives nothing away.

Sarah is worried about her outfit from the night Theo died, which is with forensics, while Kit thinks Gary will be arrested. As the evidence all points to Sarah, she is arrested.

Sarah feigns innocence at the station, while Lisa warns Kit that he too is under suspicion. Warning him to stop protecting Sarah, Lisa tells Kit they are going to charge Sarah with murder.

Back on the street, Maria confides in Gary that she’s worried sick the police will release Sarah and come after him instead. She’s left even more concerned when at the salon, Maria clocks Sally’s screensaver which is a picture from Carla’s wedding.

Maria notices Gary is in the background, before telling Gary it will prove he was lying about being at the builder’s yard all evening. Kit tries to get Sarah to confess to Gary’s involvement, before Kit lashes out at Gary for playing happy families while Sarah rots in a cell.

Adam offers to help Kit look after Harry, while Maria is conflicted about her future with Gary, so she goes to visit Sarah. As the week draws to a close, Sarah finally confesses to killing Theo.

Sarah tells Kit it was Jodie who attacked her, leaving him stunned. Brody rounds on Dylan for spreading lies about him, while Ryan tells Dylan some home truths which make him question his part in what happened to Betsy. Dylan visits Betsy and tells her that he accepts that he’s responsible for what happened to her.

When a police officer arrives, what will Betsy tell them? Christina is forced to admit to Todd that she’s still not got a grip on her spending, so Todd covers for her to George.

Summer warns Todd that covering for Christina will end in disaster. Todd confides in James that he plans to give Theo’s life insurance away, only for Christina to believe Todd is planning on giving George some money.

Lauren’s left saddened when Ollie reveals he’s been offered a job in Brighton. Soon, Leanne offers Ollie the job of chef at Speed Daal and he gratefully accepts.

So it’s safe to say it’s another big week with twists ahead on the cobbles. Stay tuned for much more as there’s lots to come.

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Dame Sarah Storey, Great Britain’s most-decorated Paralympian, has retired from international competition with immediate effect.

The 48-year-old cyclist has opted not to compete at Los Angeles 2028 to focus on helping improve Para-sport.

The 19-time Paralympic champion feels the sport has “stalled somewhat” since the London 2012 Games and that many areas “still need attention”.

“The years between each Games haven’t been utilised well enough to create the momentum that I and others hoped to see,” she said.

“I see this as a critical stage; there are many areas of Para-sport that still need attention, and that is something that has played a big part in my decision.

“I fully believe that I can have a greater impact off my bike, rather than chasing a 10th Games and possibly further titles.

“I’m excited to be part of a future where we inject the momentum that is needed to ensure the future is bright for all Para-athletes.”

Storey started her career as a swimmer and competed at four Games before switching to cycling, winning a total of 30 Paralympic medals across nine Games, including four golds at London 2012.

World Athletics president Lord Coe, who was chairman of London’s organising committee for the Olympic and Paralympic Games, said: “Para-sport was an enormously significant part of London 2012 and I remain extremely proud of what we were able to deliver.

“However, the issues that Dame Sarah raises upon her retirement resonate with me hugely – sport must continue to take those small but steady steps forward to ensure that what has gone before is not wasted.”

The British Paralympic Association has been approached for comment.

Coronation Street’s Sarah Platt has confessed to Todd that she killed Theo but a short time later she was the one who had to deal with a shock truth that came her way

Sarah Platt confessed to Todd Grimshaw that she killed Theo on the latest episode of Coronation Street. The legendary Weatherfield resident, who has been played by Tina O’Brien since 1999, hit the evil scaffolder over the head with a pipe during a confrontation above the builder’s yard – seemingly sending him plunging to his death.

For months, viewers were left guessing as to who had killed Theo, who spent almost a year abusing partner Todd Grimshaw, but Sarah was never one of the official suspects and is yet to even be a person of interest to police, most likely thanks to the fact that on the night in question, she was knocked unconscious in the living room of number eight.

Viewers are aware that Jodie Ramsey (Olivia Frances-Brown) was the mystery attacker who hit her over the head with an ornament that night, but no one else is. Via the medium of a flashback, viewers learned earlier this week that Sarah had killed Theo (James Cartwright) after he insulted her, Todd and the baby they had together more than 20 years ago who died shortly after his birth.

Sarah is currently dating, and looks set to get engaged to DC Kit Green (Jacob Roberts), so she felt it was unwise to involve him. Instead, she roped Gary Windass (Mikey North) into the whole sorry mess, who has been helping her keep the whole thing secret, much to the chagrin of his wife Maria (Samia Longchambon), who thought they had been having an affair.

To make matters even worse, DS Lisa Swain (Vicky Myers), who has a habit of putting innocent people in prison, charged Todd’s adoptive daughter Summer (Harriet Bibby) with murder and, although she was recently released, Sarah said nothing and allowed her to be put behind bars.

Having had enough of Todd constantly blaming Gary for the murder, Sarah finally confessed all to her best friend in Thursday night’s instalment of the world’s longest-running TV soap.

Through tears, Sarah said: “It was me. I knocked Theo off the scaffolding.” as he looked on in shock. “You’re wrong and I’m not even gonna let you think it. He is not corrupt – he wants to marry me!

“Afterwards. I was in shock and…Theo was…dead. And I couldn’t ring Kit, I couldn’t. I didn’t know who else to turn to. “

“He was talking like he’d killed you, and I believed him because why wouldn’t I? You thought he was capable. That’s why you ran.

“Don’t look down your nose at me, Theo ruined your life and then you brought him into mine. I didn’t have the option to run – not when I was 20ft up, on scaffolding on a plank that wide with a psycho waving a bottle in my face. A psycho who was ten times stronger than me and two times the size of me.

“He got in my face and I pushed him away and then he came back at me. All the time, he had this little white fleck in the corner of his mouth when he was ripping into me and I couldn’t take my eyes off it. That I was a sl*g, a w***e, three different kids to three different men and no wonder our baby died because it was an abomination.

“Those were the words he said about an innocent, newborn child. There was a pole. It was just instinct, I closed my eyes and swung and he crumpled.”

Later on, Sarah presumed Todd was going to go to the police but when she found him in the Rovers Return later on, he admitted he just couldn’t do it – even though he angrily told Sarah she had robbed him of the chance to make sure Theo got justice for all the abuse he had subjected him to.

He added: “The most annoying thing about all of it is the fact that I love you…so much. And I can’t see you go to prison.” Todd and Sarah were teenage sweethearts amid the programme’s first coming out story in 2004 and, even after Todd came out as gay, the pair have remained close.

Initially, Sarah threw her arms around Todd as she thanked him, but he then dealt the final blow as he vowed to cut her out for good.

He said: “Listen to me Sarah, this is it, for you and me. We’re done. I don’t want you in my life anymore,” leading Sarah to march back into the pub and continue to drink as she she stumbled round to Whitney Houston’s I Wanna Dance With Somebody before her family escorted her out.

But there was another twist in store back at number eight when Sarah, sat stroking David the dog, was having a conversation with Jodie. Without realising what she was saying, Jodie said: “It’s not easy to get over an attack like that – it takes time. Maybe this wasn’t the best place to bring you to, it must be triggering.”

As Jodie stroked the dog, she said: “At least you’re not barking your head off, this time, eh?” and Sarah immediately began to put two and two together as she said: “How did you know he was barking that night?”

Jodie tried to play the whole thing down but the cogs were already turning for Sarah, who has seemingly worked out that it was Shona’s mysterious long-lost sister all along.

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and is available to stream from 7am on ITV X.

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Few people do simmering panic as nimbly as Sarah Goldberg.

In her role as Dr. JoAnne Felder, a performance psychologist tending to the mercurial psyches of the billionaire man-children of Silicon Valley on the new AMC satire “The Audacity,” Goldberg careens from serene to slapstick as she tries to keep a lid on her increasingly unruly life.

It is the latest in a string of enviably layered characters for the Vancouver native, including her Emmy-nominated breakout turn as aspiring actor Sally Reed on the HBO contract killer dramedy “Barry” and the coolly calculating portfolio manager Petra Koenig on the network’s drama “Industry.”

“I’m definitely learning some large tech and finance words that I didn’t know,” she says with a laugh about her recent wealth-adjacent roles on a Zoom from London, where she makes her home. “I’m not sure if I’ll retain them.”

Given the accolades, it seems likely Goldberg only needs to memorize her lines and the rest will follow.

While she has given a distinctive performance in each of her roles, one of several threads tying the characters together is a moment when fear, rage, excitement, ambition or all of the above collide but must be contained. While that discipline sometimes devolves into delicious displays of apoplexy — witness Goldberg’s incredible, expletive-littered elevator meltdown in “Barry” — the 40-year-old actor is more often the face of diplomacy while telegraphing cortisol levels in the red beneath her placid exterior.

“As a blond Canadian, I really ran the risk of being the girl next door,” she says of her attempt to dodge typecasting onscreen after cutting her teeth onstage in London and New York in the mid-2010s. “I didn’t want to be the girl next door … maybe the girl next door with bodies in the basement.”

While the only bodies to be found in JoAnne’s basement on “The Audacity” are her eavesdropping son and his friends, the London Academy of Music & Dramatic Art (LAMDA) graduate has accomplished the mission of subverting what might have been a perky ingenue image with the role. (One she will continue, since the series has already gotten a Season 2 order.)

When the ethically challenged therapist starts dabbling in insider trading thanks to info gleaned from her patients — including bold tech names Duncan Park (Billy Magnussen) and Carl Bardolph (Zach Galifianakis) — the slippery slope awaits.

Goldberg with “The Audacity” co-star Billy Magnussen.

(Ed Araquel / AMC)

“I think that she started her career with a desire to help people and somewhere along the line she’s become incredibly jaded and she’s exhausted by being the most intelligent person in the room and yet having no material wealth to show for it,” says Goldberg of her character, whose struggles extend to motherhood of son Orson (Everett Blunck) and marriage to child psychologist Gary (Paul Adelstein).

It does not help that JoAnne is surrounded by people who have no trouble sliding headfirst down the slope as if it were an Aspen trail.

“She’s working with people who have so many houses that if one burns down, it doesn’t matter, and yet she’s struggling to keep the roof over her own head. So somewhere along the line she starts making these little contracts with herself thinking, ‘In this sea of moral bankruptcy, is my tiny little transgression really so bad? Or is it even justified?’ But these little small pacts start to snowball. You can see somebody torn between their better judgment, their core instinct, their humanity, and someone who is so frustrated that they’re stepping toward a kind of nihilism.”

That sense of inner conflict appeals to Goldberg, who says she knew instantly that she had to play JoAnne when she read the script by showrunner Jonathan Glatzer. “It’s rare for me to go out and be like, ‘I have to play this role!’” she says, adding with a laugh, “I can be quite passive. I can be quite Canadian in the American market. I felt like he’d found this incredible line of satire with pathos, which is my favorite kind of style.

“I’m always interested in playing characters on the precipice of losing their moral compass and which way they decide to go,” she continues. “And if JoAnne has anything in common with Sally from ‘Barry,’ because they’re such different characters, it’s that. … I love that Jonathan’s given JoAnne very mundane relatable problems in a world where the scale is so off and there’s a lot that the average person can’t relate to in that bubble.”

Goldberg has also been busy creating her own bubble, writing, producing and starring in the Canadian-Irish series “Sisters” — which just concluded its second season on AMC — with Irish actor Susan Stanley, her best friend since their LAMDA days. The odd couple sibling comedy finds Goldberg playing Sare, a buttoned-down Canadian who goes to Ireland to find her long-lost biological father (Donal Logue) and discovers shambolic half-sister Suze (Stanley).

“I was pretty shocked at how hard it is to get something made,” she says of the series’ six-year journey to screen. “And then to be in a leadership position where you’re inviting everyone to dinner and you’ve got to make sure there are three courses and being responsible for everybody’s well-being — it was wildly challenging, but absolutely thrilling.”

While she prepares to return to JoAnne’s world in Palo Alto — her hometown of Vancouver serving as a double — Goldberg feels very fortunate about where she’s landed.

“I’ve been so lucky at this stage in my career to work on scripts that I feel are really saying something and characters that I feel are morally complex and also to be in the business at a time where female characters are more complicated.”

BROADWAY’S biggest night turned into a full-blown fashion parade as Hollywood heavyweights, theater legends and music royalty stormed the 2026 Tony Awards red carpet in jaw-dropping style.

From Rose Byrne serving her signature sleek sophistication to Sarah Paulson embracing bolder glam, Sunday night’s carpet outside New York City’s iconic Radio City Music Hall was packed with headline-making looks.

The 79th Annual Tony Awards, hosted for the first time by pop superstar Pink, celebrated the best of Broadway while also doubling as one of the year’s flashiest celebrity fashion events.

Pink arrived ready to command the stage in a dramatic black gown featuring oversized petal-inspired ruffles and a blue floral hairpiece.

The host brought along husband Carey Hart and their children for her major Tony debut.

Meanwhile, Rose Byrne, who is nominated this year for her Broadway debut in Fallen Angels, stunned in a monochromatic coordinated look alongside longtime partner Bobby Cannavale.

The Bridesmaids star’s polished ensemble leaned classic Old Hollywood while still keeping things modern and sharp.

Sarah Paulson also turned heads with a colorful fashion-forward ensemble that instantly became one the favorites from fans. 

But one of the biggest buzz moments came courtesy of Aubrey Plaza, who officially debuted her pregnancy on the red carpet while attending with her partner, Christopher Abbott. 

The White Lotus alum showed off her baby bump in a black-and-white striped gown while Chris kept things classic in a velvet black suit.

Elsewhere on the carpet, stars including Julia Louis-Dreyfus, Queen Latifah, Leslie Odom Jr., Adrien Brody, Maya Rudolph and Bernadette Peters all brought Broadway-worthy glamour to the arrivals line.

Rachel Zegler also made a dramatic entrance ahead of her upcoming Broadway run in Evita, rocking a daring plunging brown gown that quickly lit up social media.

Julianne Hough floated onto the carpet in a draped white gown that hugged her frame before cascading into a Grecian-inspired silhouette.

The DWTS host completed the ethereal look with sleek black heels and a sharp bob.

Maya Rudolph embraced glamour in a flowing dark ensemble with dramatic tailoring following her record-breaking run as Mary Todd Lincoln in the critically acclaimed Oh, Mary! 

Drew Barrymore brought classic movie-star energy to Broadway’s biggest night, dazzling in a whimsical gown complete with soft waves and sparkling jewels. 

Cole Escola, who is never one to play it safe, once again stole the show in hot pink balloon-style jumpsuit that felt ripped straight from an avant-garde stage production.

Secret Lives of Mormon Wives star Whitney Leavitt, who was also part of the night’s Chicago anniversary tribute lineup, sparkled in a shimmering silver look with sheer detailing. 

Live with Kelly and Mark hosts, Kelly Ripa and Mark Consuelos, stepped out for a date night as they were both dressed to the nines to support this years’ Tony nominees.

Broadway darling Lea Michele looked stunning in a multi-colored dress with a white top and sequin-black skirt.

This year’s ceremony honored the best productions from the 2025-26 Broadway season, with musicals The Lost Boys and Schmigadoon! leading the pack with 12 nominations each. 

The revival of Ragtime also emerged as a major contender, while Death of a Salesman dominated the play categories with nine nominations.

Big acting nominees this year included Rose Byrne for Fallen Angels, Daniel Radcliffe for Every Brilliant Thing, Carrie Coon for Bug and Christopher Abbott for Death of a Salesman.

The awards ceremony aired live on CBS and streamed on Paramount+, with Pink opening the show in an elaborate musical performance featuring more than 170 Broadway performers.

GERMANY is pinning its Eurovision hopes on one of the country’s best-known entertainers.

Sarah Engels will fly the flag for the nation in the Grand Final with her empowerment anthem Fire.

Who is Germany’s Eurovision entrant Sarah Engels?

Sarah Engels, 33, is a German singer and TV personality of Italian descent who has been a household name in her homeland for more than a decade.

She first burst onto the scene in 2011 when she finished as runner-up on the eighth season of Deutschland sucht den Superstar (DSDS) – Germany’s equivalent of The X Factor.

Her debut single Call My Name reached number two in the German charts and earned her an Echo Award nomination.

Engels, who was previously known by her married name Sarah Lombardi, has carved out an incredibly successful career on German reality TV.

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She finished second on Let’s Dance – Germany’s answer to Strictly Come Dancing.

The multi-talented star went on to lift the trophy on Das große Promibacken – the German version of The Great Celebrity Bake Off – as well as The Masked Singer Germany and Dancing on Ice.

She also works as a presenter, actress and voice artist.

Since November 2025, Sarah has been playing the lead role of Satine in the Cologne production of hit musical Moulin Rouge!

In her personal life, Sarah married fellow DSDS star Pietro Lombardi – who won the show the same year she came second – in March 2013.

The couple welcomed son Alessio in 2015, but split a year later.

She later tied the knot with former footballer Julian Büscher in May 2021, with the groom taking her surname.

Their daughter Solea was born later that year.

What is her Eurovision song ‘Fire’ about?

On February 28, Sarah was crowned Germany’s Eurovision pick after winning the national final Berlin.

She pipped wavvyboi’s Black Glitter and Molly Sue’s Optimist (Ha Ha Ha), with 38.3% of the public vote.

Fire was written by Sarah alongside Dario Schürmann, Luisa Heinemann, Raphael Lott and Valentin Boes.

On the surface, it is a punchy synth-pop banger about a lying, two-faced ex.

In the lyrics, Sarah brands a former flame a “vampire” who only comes out at night, telling him to stop denying his deceit and saying: “Boy, I’m out of your league”.

But the song’s deeper message is one of empowerment, solidarity and self-determination.

These themes are close to Sarah’s heart thanks to her foundation Stiftung Starke Mädchen, or Strong Girls, which she set up to inspire young women.

Sarah said taking part in Eurovision was a chance to share her message, “which comes deep from my heart”.

She added: “My motto for Vienna is: I’m on fire. I truly have no fear at all – I’m just incredibly excited.”

As one of Eurovision’s Big Four, Germany has automatic qualification to Saturday’s Grand Final at Vienna’s Wiener Stadthalle.

The country has won the contest twice – in 1982 with Nicole’s Ein bißchen Frieden, and also in 2010 with Lena’s Satellite.