Sarah

Dame Sarah Storey, Great Britain’s most-decorated Paralympian, has retired from international competition with immediate effect.

The 48-year-old cyclist has opted not to compete at Los Angeles 2028 to focus on helping improve Para-sport.

The 19-time Paralympic champion feels the sport has “stalled somewhat” since the London 2012 Games and that many areas “still need attention”.

“The years between each Games haven’t been utilised well enough to create the momentum that I and others hoped to see,” she said.

“I see this as a critical stage; there are many areas of Para-sport that still need attention, and that is something that has played a big part in my decision.

“I fully believe that I can have a greater impact off my bike, rather than chasing a 10th Games and possibly further titles.

“I’m excited to be part of a future where we inject the momentum that is needed to ensure the future is bright for all Para-athletes.”

Storey started her career as a swimmer and competed at four Games before switching to cycling, winning a total of 30 Paralympic medals across nine Games, including four golds at London 2012.

World Athletics president Lord Coe, who was chairman of London’s organising committee for the Olympic and Paralympic Games, said: “Para-sport was an enormously significant part of London 2012 and I remain extremely proud of what we were able to deliver.

“However, the issues that Dame Sarah raises upon her retirement resonate with me hugely – sport must continue to take those small but steady steps forward to ensure that what has gone before is not wasted.”

The British Paralympic Association has been approached for comment.

Coronation Street’s Sarah Platt has confessed to Todd that she killed Theo but a short time later she was the one who had to deal with a shock truth that came her way

Sarah Platt confessed to Todd Grimshaw that she killed Theo on the latest episode of Coronation Street. The legendary Weatherfield resident, who has been played by Tina O’Brien since 1999, hit the evil scaffolder over the head with a pipe during a confrontation above the builder’s yard – seemingly sending him plunging to his death.

For months, viewers were left guessing as to who had killed Theo, who spent almost a year abusing partner Todd Grimshaw, but Sarah was never one of the official suspects and is yet to even be a person of interest to police, most likely thanks to the fact that on the night in question, she was knocked unconscious in the living room of number eight.

Viewers are aware that Jodie Ramsey (Olivia Frances-Brown) was the mystery attacker who hit her over the head with an ornament that night, but no one else is. Via the medium of a flashback, viewers learned earlier this week that Sarah had killed Theo (James Cartwright) after he insulted her, Todd and the baby they had together more than 20 years ago who died shortly after his birth.

Sarah is currently dating, and looks set to get engaged to DC Kit Green (Jacob Roberts), so she felt it was unwise to involve him. Instead, she roped Gary Windass (Mikey North) into the whole sorry mess, who has been helping her keep the whole thing secret, much to the chagrin of his wife Maria (Samia Longchambon), who thought they had been having an affair.

To make matters even worse, DS Lisa Swain (Vicky Myers), who has a habit of putting innocent people in prison, charged Todd’s adoptive daughter Summer (Harriet Bibby) with murder and, although she was recently released, Sarah said nothing and allowed her to be put behind bars.

Having had enough of Todd constantly blaming Gary for the murder, Sarah finally confessed all to her best friend in Thursday night’s instalment of the world’s longest-running TV soap.

Through tears, Sarah said: “It was me. I knocked Theo off the scaffolding.” as he looked on in shock. “You’re wrong and I’m not even gonna let you think it. He is not corrupt – he wants to marry me!

“Afterwards. I was in shock and…Theo was…dead. And I couldn’t ring Kit, I couldn’t. I didn’t know who else to turn to. “

“He was talking like he’d killed you, and I believed him because why wouldn’t I? You thought he was capable. That’s why you ran.

“Don’t look down your nose at me, Theo ruined your life and then you brought him into mine. I didn’t have the option to run – not when I was 20ft up, on scaffolding on a plank that wide with a psycho waving a bottle in my face. A psycho who was ten times stronger than me and two times the size of me.

“He got in my face and I pushed him away and then he came back at me. All the time, he had this little white fleck in the corner of his mouth when he was ripping into me and I couldn’t take my eyes off it. That I was a sl*g, a w***e, three different kids to three different men and no wonder our baby died because it was an abomination.

“Those were the words he said about an innocent, newborn child. There was a pole. It was just instinct, I closed my eyes and swung and he crumpled.”

Later on, Sarah presumed Todd was going to go to the police but when she found him in the Rovers Return later on, he admitted he just couldn’t do it – even though he angrily told Sarah she had robbed him of the chance to make sure Theo got justice for all the abuse he had subjected him to.

He added: “The most annoying thing about all of it is the fact that I love you…so much. And I can’t see you go to prison.” Todd and Sarah were teenage sweethearts amid the programme’s first coming out story in 2004 and, even after Todd came out as gay, the pair have remained close.

Initially, Sarah threw her arms around Todd as she thanked him, but he then dealt the final blow as he vowed to cut her out for good.

He said: “Listen to me Sarah, this is it, for you and me. We’re done. I don’t want you in my life anymore,” leading Sarah to march back into the pub and continue to drink as she she stumbled round to Whitney Houston’s I Wanna Dance With Somebody before her family escorted her out.

But there was another twist in store back at number eight when Sarah, sat stroking David the dog, was having a conversation with Jodie. Without realising what she was saying, Jodie said: “It’s not easy to get over an attack like that – it takes time. Maybe this wasn’t the best place to bring you to, it must be triggering.”

As Jodie stroked the dog, she said: “At least you’re not barking your head off, this time, eh?” and Sarah immediately began to put two and two together as she said: “How did you know he was barking that night?”

Jodie tried to play the whole thing down but the cogs were already turning for Sarah, who has seemingly worked out that it was Shona’s mysterious long-lost sister all along.

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and is available to stream from 7am on ITV X.

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Few people do simmering panic as nimbly as Sarah Goldberg.

In her role as Dr. JoAnne Felder, a performance psychologist tending to the mercurial psyches of the billionaire man-children of Silicon Valley on the new AMC satire “The Audacity,” Goldberg careens from serene to slapstick as she tries to keep a lid on her increasingly unruly life.

It is the latest in a string of enviably layered characters for the Vancouver native, including her Emmy-nominated breakout turn as aspiring actor Sally Reed on the HBO contract killer dramedy “Barry” and the coolly calculating portfolio manager Petra Koenig on the network’s drama “Industry.”

“I’m definitely learning some large tech and finance words that I didn’t know,” she says with a laugh about her recent wealth-adjacent roles on a Zoom from London, where she makes her home. “I’m not sure if I’ll retain them.”

Given the accolades, it seems likely Goldberg only needs to memorize her lines and the rest will follow.

While she has given a distinctive performance in each of her roles, one of several threads tying the characters together is a moment when fear, rage, excitement, ambition or all of the above collide but must be contained. While that discipline sometimes devolves into delicious displays of apoplexy — witness Goldberg’s incredible, expletive-littered elevator meltdown in “Barry” — the 40-year-old actor is more often the face of diplomacy while telegraphing cortisol levels in the red beneath her placid exterior.

“As a blond Canadian, I really ran the risk of being the girl next door,” she says of her attempt to dodge typecasting onscreen after cutting her teeth onstage in London and New York in the mid-2010s. “I didn’t want to be the girl next door … maybe the girl next door with bodies in the basement.”

While the only bodies to be found in JoAnne’s basement on “The Audacity” are her eavesdropping son and his friends, the London Academy of Music & Dramatic Art (LAMDA) graduate has accomplished the mission of subverting what might have been a perky ingenue image with the role. (One she will continue, since the series has already gotten a Season 2 order.)

When the ethically challenged therapist starts dabbling in insider trading thanks to info gleaned from her patients — including bold tech names Duncan Park (Billy Magnussen) and Carl Bardolph (Zach Galifianakis) — the slippery slope awaits.

Goldberg with “The Audacity” co-star Billy Magnussen.

(Ed Araquel / AMC)

“I think that she started her career with a desire to help people and somewhere along the line she’s become incredibly jaded and she’s exhausted by being the most intelligent person in the room and yet having no material wealth to show for it,” says Goldberg of her character, whose struggles extend to motherhood of son Orson (Everett Blunck) and marriage to child psychologist Gary (Paul Adelstein).

It does not help that JoAnne is surrounded by people who have no trouble sliding headfirst down the slope as if it were an Aspen trail.

“She’s working with people who have so many houses that if one burns down, it doesn’t matter, and yet she’s struggling to keep the roof over her own head. So somewhere along the line she starts making these little contracts with herself thinking, ‘In this sea of moral bankruptcy, is my tiny little transgression really so bad? Or is it even justified?’ But these little small pacts start to snowball. You can see somebody torn between their better judgment, their core instinct, their humanity, and someone who is so frustrated that they’re stepping toward a kind of nihilism.”

That sense of inner conflict appeals to Goldberg, who says she knew instantly that she had to play JoAnne when she read the script by showrunner Jonathan Glatzer. “It’s rare for me to go out and be like, ‘I have to play this role!’” she says, adding with a laugh, “I can be quite passive. I can be quite Canadian in the American market. I felt like he’d found this incredible line of satire with pathos, which is my favorite kind of style.

“I’m always interested in playing characters on the precipice of losing their moral compass and which way they decide to go,” she continues. “And if JoAnne has anything in common with Sally from ‘Barry,’ because they’re such different characters, it’s that. … I love that Jonathan’s given JoAnne very mundane relatable problems in a world where the scale is so off and there’s a lot that the average person can’t relate to in that bubble.”

Goldberg has also been busy creating her own bubble, writing, producing and starring in the Canadian-Irish series “Sisters” — which just concluded its second season on AMC — with Irish actor Susan Stanley, her best friend since their LAMDA days. The odd couple sibling comedy finds Goldberg playing Sare, a buttoned-down Canadian who goes to Ireland to find her long-lost biological father (Donal Logue) and discovers shambolic half-sister Suze (Stanley).

“I was pretty shocked at how hard it is to get something made,” she says of the series’ six-year journey to screen. “And then to be in a leadership position where you’re inviting everyone to dinner and you’ve got to make sure there are three courses and being responsible for everybody’s well-being — it was wildly challenging, but absolutely thrilling.”

While she prepares to return to JoAnne’s world in Palo Alto — her hometown of Vancouver serving as a double — Goldberg feels very fortunate about where she’s landed.

“I’ve been so lucky at this stage in my career to work on scripts that I feel are really saying something and characters that I feel are morally complex and also to be in the business at a time where female characters are more complicated.”

BROADWAY’S biggest night turned into a full-blown fashion parade as Hollywood heavyweights, theater legends and music royalty stormed the 2026 Tony Awards red carpet in jaw-dropping style.

From Rose Byrne serving her signature sleek sophistication to Sarah Paulson embracing bolder glam, Sunday night’s carpet outside New York City’s iconic Radio City Music Hall was packed with headline-making looks.

The 79th Annual Tony Awards, hosted for the first time by pop superstar Pink, celebrated the best of Broadway while also doubling as one of the year’s flashiest celebrity fashion events.

Pink arrived ready to command the stage in a dramatic black gown featuring oversized petal-inspired ruffles and a blue floral hairpiece.

The host brought along husband Carey Hart and their children for her major Tony debut.

Meanwhile, Rose Byrne, who is nominated this year for her Broadway debut in Fallen Angels, stunned in a monochromatic coordinated look alongside longtime partner Bobby Cannavale.

The Bridesmaids star’s polished ensemble leaned classic Old Hollywood while still keeping things modern and sharp.

Sarah Paulson also turned heads with a colorful fashion-forward ensemble that instantly became one the favorites from fans. 

But one of the biggest buzz moments came courtesy of Aubrey Plaza, who officially debuted her pregnancy on the red carpet while attending with her partner, Christopher Abbott. 

The White Lotus alum showed off her baby bump in a black-and-white striped gown while Chris kept things classic in a velvet black suit.

Elsewhere on the carpet, stars including Julia Louis-Dreyfus, Queen Latifah, Leslie Odom Jr., Adrien Brody, Maya Rudolph and Bernadette Peters all brought Broadway-worthy glamour to the arrivals line.

Rachel Zegler also made a dramatic entrance ahead of her upcoming Broadway run in Evita, rocking a daring plunging brown gown that quickly lit up social media.

Julianne Hough floated onto the carpet in a draped white gown that hugged her frame before cascading into a Grecian-inspired silhouette.

The DWTS host completed the ethereal look with sleek black heels and a sharp bob.

Maya Rudolph embraced glamour in a flowing dark ensemble with dramatic tailoring following her record-breaking run as Mary Todd Lincoln in the critically acclaimed Oh, Mary! 

Drew Barrymore brought classic movie-star energy to Broadway’s biggest night, dazzling in a whimsical gown complete with soft waves and sparkling jewels. 

Cole Escola, who is never one to play it safe, once again stole the show in hot pink balloon-style jumpsuit that felt ripped straight from an avant-garde stage production.

Secret Lives of Mormon Wives star Whitney Leavitt, who was also part of the night’s Chicago anniversary tribute lineup, sparkled in a shimmering silver look with sheer detailing. 

Live with Kelly and Mark hosts, Kelly Ripa and Mark Consuelos, stepped out for a date night as they were both dressed to the nines to support this years’ Tony nominees.

Broadway darling Lea Michele looked stunning in a multi-colored dress with a white top and sequin-black skirt.

This year’s ceremony honored the best productions from the 2025-26 Broadway season, with musicals The Lost Boys and Schmigadoon! leading the pack with 12 nominations each. 

The revival of Ragtime also emerged as a major contender, while Death of a Salesman dominated the play categories with nine nominations.

Big acting nominees this year included Rose Byrne for Fallen Angels, Daniel Radcliffe for Every Brilliant Thing, Carrie Coon for Bug and Christopher Abbott for Death of a Salesman.

The awards ceremony aired live on CBS and streamed on Paramount+, with Pink opening the show in an elaborate musical performance featuring more than 170 Broadway performers.

GERMANY is pinning its Eurovision hopes on one of the country’s best-known entertainers.

Sarah Engels will fly the flag for the nation in the Grand Final with her empowerment anthem Fire.

Who is Germany’s Eurovision entrant Sarah Engels?

Sarah Engels, 33, is a German singer and TV personality of Italian descent who has been a household name in her homeland for more than a decade.

She first burst onto the scene in 2011 when she finished as runner-up on the eighth season of Deutschland sucht den Superstar (DSDS) – Germany’s equivalent of The X Factor.

Her debut single Call My Name reached number two in the German charts and earned her an Echo Award nomination.

Engels, who was previously known by her married name Sarah Lombardi, has carved out an incredibly successful career on German reality TV.

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She finished second on Let’s Dance – Germany’s answer to Strictly Come Dancing.

The multi-talented star went on to lift the trophy on Das große Promibacken – the German version of The Great Celebrity Bake Off – as well as The Masked Singer Germany and Dancing on Ice.

She also works as a presenter, actress and voice artist.

Since November 2025, Sarah has been playing the lead role of Satine in the Cologne production of hit musical Moulin Rouge!

In her personal life, Sarah married fellow DSDS star Pietro Lombardi – who won the show the same year she came second – in March 2013.

The couple welcomed son Alessio in 2015, but split a year later.

She later tied the knot with former footballer Julian Büscher in May 2021, with the groom taking her surname.

Their daughter Solea was born later that year.

What is her Eurovision song ‘Fire’ about?

On February 28, Sarah was crowned Germany’s Eurovision pick after winning the national final Berlin.

She pipped wavvyboi’s Black Glitter and Molly Sue’s Optimist (Ha Ha Ha), with 38.3% of the public vote.

Fire was written by Sarah alongside Dario Schürmann, Luisa Heinemann, Raphael Lott and Valentin Boes.

On the surface, it is a punchy synth-pop banger about a lying, two-faced ex.

In the lyrics, Sarah brands a former flame a “vampire” who only comes out at night, telling him to stop denying his deceit and saying: “Boy, I’m out of your league”.

But the song’s deeper message is one of empowerment, solidarity and self-determination.

These themes are close to Sarah’s heart thanks to her foundation Stiftung Starke Mädchen, or Strong Girls, which she set up to inspire young women.

Sarah said taking part in Eurovision was a chance to share her message, “which comes deep from my heart”.

She added: “My motto for Vienna is: I’m on fire. I truly have no fear at all – I’m just incredibly excited.”

As one of Eurovision’s Big Four, Germany has automatic qualification to Saturday’s Grand Final at Vienna’s Wiener Stadthalle.

The country has won the contest twice – in 1982 with Nicole’s Ein bißchen Frieden, and also in 2010 with Lena’s Satellite.

Bern has scored two tries in each of England’s wins over Scotland and Ireland in the opening two rounds of the Six Nations.

She believes adding more try-scoring threats to England’s attack can be key to fuelling record crowds in the absence of opposition who can threaten their winning streak.

Ten of England’s 16 tries in the knockout stages of last year’s World Cup came via their forwards as they leaned on the power of their pack and set-piece en route to glory.

Lou Meadows, England’s attack coach at the time, had had some success with a more expansive gameplan,, external but left her post after the tournament.

Emily Scarratt, the Red Roses’ all-time leading points scorer, has since taken up the role.

“Where we’re trying to evolve to now is being threats from anywhere,” said Bern.

“We recognise that we won a World Cup, and it was great, but we definitely could have made improvements in our attack.

“We always talk about how even if something’s not broken, we can break it and start again. Just because it worked doesn’t mean we can’t change anything.

“We want people to come to the stadium and see something different every week.

“We want to be entertaining. We want to show that all of our Red Roses have amazing abilities to carry, fend and play an exciting style of rugby to showcase to the world.”

England face Wales, who have lost 11 of their past 12 Tests, at a sold-out Ashton Gate in Bristol on Saturday (14:15 BST kick-off).