room

Legendary street artist and activist Shepard Fairey was omnipresent at the High Desert Art Fair, which unfolded in and around Pioneertown over two unseasonably hot days last weekend. Founded more than seven years ago by art dealer Nicholas Fahey and artist manager Candice Lawler, the event has morphed from a few dozen people in Lawler’s living room to a few thousand roaming the dusty, sunny environs of the kitschy Old West town, with ancillary events in Twentynine Palms and Joshua Tree.

Fairey, who bought a home in the area during the COVID-19 pandemic, DJ’d a spirited opening night party at the Red Dog Saloon — spinning punk, post-punk and new wave hits by Joy Division, Fugazi and Black Flag to a packed house of art fans wearing paint-splattered DIY couture — and he spoke during the weekend’s most anticipated panel alongside Devo frontman and gallery owner Mark Mothersbaugh in a conversation moderated by singer-songwriter Harper Simon, son of folk icon Paul Simon.

Artist Shepard Fairey DJ’d the opening night party of High Desert Art Fair at the Red Dog Saloon in Pioneertown. The set was heavy of punk, post-punk and new wave.

(Jessica Gelt / Los Angeles Times)

Fairey was forthcoming about his opinions on art, politics and technology, drawing applause at one point for saying that using AI in art is not something to be afraid of. His assessment came after he lamented the fact that social media algorithms punish “decency” and reward “flamboyant narcissism and controversy.” He then joked that the “algorithm’s gonna love this. S— is gonna go nuts,” before talking about his recent collaboration with the digital artist known as Beeple who’s notorious in the art world for selling an NFT of his art in 2021 for $69.3 million.

The Red Dog Saloon was packed with art and music fans during the Friday night opening party of the High Desert Art Fair, which drew thousands of people to Pioneertown during the last weekend in March.

(Jessica Gelt / Los Angeles Times)

“He’s either the vanguard of a new way of working, and a maverick, a trailblazer, or he’s the worst thing that’s happened to art ever, or in between, or both, or neither,” Fairey said as the crowd laughed. “That’s totally my opinion.”

During a late-March event held in Fairey’s hometown of Charleston, S.C., Beeple Studios presented “Shepard Fairey: Obey and Resist,” which leveraged AI to help guests create their own Fairey-inspired paintings. During the panel, Fairey called the results “almost idiot-proof.”

He then elaborated on his feelings about AI’s encroachment on the art world, saying that if he were part of the “traditional art world thinking” he wouldn’t dare “go over to the dark side of digital art and AI, because that’s cheating.”

“All those same people a few hundred years ago when Da Vinci was using the camera obscura were like, ‘Get your proportions right, just by eye. Don’t use a cheating tool,’” Fairey said before taking the analogy to cave paintings and noting that those same types of naysayers would’ve been unhappy when it was discovered that horse hairs at the end of a stick were useful for distributing pigment and might have said, “That’s not keeping it real, bro. Use bloody elbow like everyone else.”

Fairey called that type of thinking “idiotic.”

“A tool in service of someone with a genuine vision that bends the tool to their will, rather than having themselves bent to the tool — that’s what creativity is about,” Fairey said.

The conversation about AI art started when Mothersbaugh, who was headlining a music set at Pappy & Harriet’s later that night, admitted that he was “fooling around with AI” and “just making myself laugh, like mutating old Devo photos and videos. It cracks me up. … I don’t know what is ever going to happen with it. Maybe they’ll just always live on my phone and eventually get thrown away or lost or something.”

The stage is set for an experimental music show by the General, featuring the stylings of Devo frontman Mark Mothersbaugh.

(Jessica Gelt / Los Angeles Times)

It’s a rock ‘n’ roll art fair

The idea that AI won’t cannibalize artists and their work on a massive scale is refreshingly utopian, but in many ways so was the fair itself. It takes magical thinking to grow anything in the harsh desert environment, which is why artists have been making the trek for decades. There was a youthful, rock ‘n’ roll vibe to the proceedings that was punk in quality but earnest in its quest to be seen.

Mothersbaugh’s gallery, MutMuz, occupied one of 20 rooms reconfigured as show spaces at the Pioneertown Motel, as did Gross!, a Chinatown gallery founded by former Liars drummer Julian Gross and populated with the work of musicians such as Karen O, O’s costume designer Christian Joy and TV on the Radio’s Tunde Adebimpe.

A work of painted fabric by Karen O‘s costume designer Christian Joy hangs in Gross! Gallery at the Pioneertown Motel during High Desert Art Fair. The gallery is owned by former Liars drummer Julian Gross who features plenty of work by fellow artists.

(Jessica Gelt / Los Angeles Times)

Desert pioneers are key to the spirit of the place

The fair featured tours of a number of the most interesting attractions in the area, including the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree and artist Andrea Zittel’s arts outpost and residency program, High Desert Test Sites.

Old computers are stacked at the center of an installation titled “Carousel” (1996) by Noah Purifoy at the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree.

(Jessica Gelt / Los Angeles Times)

Purifoy’s fantastical assemblages made of found objects and unloved detritus provided the most fitting example of the creative desert mindset. Outsider art in every sense of the word, and laden with scathing political and social commentary, Purifoy’s installations morph and change in the elements. A nonprofit exists to preserve them, but tour guide Teri Rommelmann said preservation efforts aren’t meant to alter the course of nature and time, but rather to save the work from sinking into the sand.

Noah Purifoy’s 2001 installation “White/Colored” is the most frequently vandalized piece in the outdoor Joshua Tree museum dedicated to his work.

(Jessica Gelt / Los Angeles Times)

Another aspect of the preservation work is erasing vandalism, which happened most during the pandemic, and was quite telling in its main target: An installation featuring a water fountain marked “White” next to a toilet affixed with a water fountain mouthpiece and labeled “Colored.”

Noah Purifoy’s sculpture “Ode to Frank Gehry” (2000) stands in the sand as part of the Noah Purifoy Desert Art Museum of Assemblage Art. The piece was once featured in a show at the Los Angeles County Museum of Art, and transporting it can be quite tricky.

(Jessica Gelt / Los Angeles Times)

At High Desert Test Sites, Zittel’s famous A-Z West escape pods are no longer used for camping after the city said the nonprofit would have to attain a commercial camping permit to continue. Nonetheless, the organization’s 80 acres are home to a variety of artist residencies, which use the windswept isolation of the desert to activate dormant ideas. It was just announced that environmental artist Lita Albuquerque will have a residency at the site.

Andrea Zittel’s famous A-Z West escape pods at High Desert Test Sites can no longer be used for camping, but they still dot the nonprofit’s 80 acres of land as an example of the creativity that the desert environment unleashes.

(Jessica Gelt / Los Angeles Times)

The tiled kitchen that artist Andrea Zittel designed for the main residence at High Desert Test Sites, which she lived in for nearly 20 years and can now be rented by artists in residence.

(Jessica Gelt / Los Angeles Times)

Art is everywhere in the desert — and growing

The success of this year’s High Desert Art Fair bodes well for the future of the area as a cultural destination.

Next year will see the return of Desert X, which for the first time will keep its large-scale, site-specific installations up for six months, timed to coincide with other SoCal cultural happenings including the Coachella Valley Music & Arts Festival and Frieze. There are also semi-permanent art installations everywhere in the area, including along driveways and the roadside. This includes a hair salon and museum in Joshua Tree, and the recently opened Reset Hotel in Twentynine Palms features dozens of rooms in retrofitted shipping containers, some with outdoor bathtubs and firepits. The hotel has also carved desert trails in its backyard, with plans to build an art park filled with installations.

The shipping container rooms at the new Reset Hotel in Twentynine Palms feature outdoor living spaces with firepits and bathtubs. Some overlook trails that will lead to a planned art park on the property.

(Jessica Gelt / Los Angeles Times)

An influx of artists, collectors and art fans will surely have an impact on an area that is already wary of gentrification and the rising cost of living that accompanies it. But there will be no stopping progress, only a utopian, Fairey-like hope that those who come will be inspired to keep and nurture the magical qualities of the place.

I stayed in a chocolate themed hotel suite that was full of delicious treats – but what surprised me the most wasn’t the edible chocolate in the bathroom.

Hidden away, just an hour from the UK, is a hotel suite completely draped in chocolate. This is accommodation that money simply cannot buy, but no, you don’t need a golden ticket – you merely have to be the world’s kindest person.

Tony’s Chocolonely has teamed up with the Social Hub in Amsterdam to offer a select few people an overnight stay in this extraordinary, chocolate-themed room. And I was fortunate enough to become the first guest to experience it.

From the cupboards and shelves brimming with chocolate, the overwhelming chocolate aroma, and the inspirational messages scattered throughout, this suite was a remarkable space I won’t forget in a hurry.

However, it wasn’t just the edible chocolate in the bathroom that surprised me the most: it was the deeper meaning behind the competition.

What to expect

I stepped into the room through enormous red curtains to find a personal bartender, who prepared a beverage of my choosing. I opted for the Salted Caramel Espresso Martini, which was incredibly tasty and decadent. The bartender was welcoming, considerate and engaging.

I was then given free rein to discover the suite’s three spaces: the principal red one, a concealed blue room, and an upstairs monochrome room.

Each space conveyed its own theme and function: the red for community and connection, the blue for self-reflection, and the black and white for gratitude and recognition.

In the red room, I discovered a self-contained kitchen featuring a functioning hob, coffee maker, sink, microwave, a create-your-own ice-cream sundae station, a well-stocked fridge containing various beverages, and (crucially) cabinets brimming with chocolate.

Every visitor receives a shelf packed with chocolate which they can take away, to share with the loveliest people in their lives (or someone less lovely, should they wish). Messages about kindness and connection were dotted throughout. There was even a chocolate Jenga available with questions printed on the wrappers.

The blue room features a fortune slot machine, which requires finding tokens scattered around the suite to operate. Within it, you can collect chocolates and discover self-reflective questions. I invited my brother along, who was posed the question: “What’s one belief you have changed your mind about?”

He answered: “That I’m not good enough.” This wasn’t something I anticipated him revealing or knew he’d struggled with, because to me, my older brother is nothing short of perfect.

Finally, we entered the black-and-white room, where visitors can leave a message of kindness for the team or the following guest. Charlie Ayres, head of brand at The Social Hub, commented: “We wanted every part of the room to spark togetherness and encourage kindness, using chocolate to create opportunities to share, interact and above all, be sweet to one another.

“This is a one-off, limited experience designed to celebrate some of the world’s sweetest people, while also telling a more important story. Through our partnership with Tony’s Chocolonely, we hope to spark conversation around exploitation in the chocolate industry, showing how experiences can be both joyful and meaningful.”

My night in the chocolate ‘red room’

The red room, along with the black and white room, was our accommodation for the evening, and the space is, quite frankly, enchanting.

Upon entering, I was met with a delightful chocolate aroma that wasn’t overly sweet but rather nutty and creamy. Everything appears extraordinary, and just when you think you’ve discovered all the chocolate, you open a new cupboard or area, and there’s even more.

The bed felt like sinking into a cloud, complete with a soft mattress and a thick duvet. Personally, I would have preferred the room to be a tad warmer, as it was a large area with only air conditioning and no heating.

However, there were ample blankets available, which kept me snug and warm. One minor issue was the television, which we couldn’t seem to get working, but this encouraged my brother and me to continue conversing.

I awoke feeling incredibly refreshed. We indulged ourselves with a scrumptious sundae before receiving a heartwarming and delightful wake-up call that encouraged us to share the kindness we’d experienced with the wider world.

Reflecting on his time there following the visit, my brother remarked: “Sweetness and warmth even down to the scent wafting throughout the rooms. It had a spacious bathroom, a comfortable bed and an abundance of chocolate as a treat at hand, anywhere you looked. Thought and caring touches sprinkled throughout promoting mindfulness and a reminder that peace doesn’t happen in a vacuum.”

The chocolate-themed room will remain available for the next three days. Enthusiasts in Amsterdam can also visit the space on March 29 from 1 pm.

The message

When the world requires a touch of kindness, this partnership seeks to inspire people to engage with family, friends, and even complete strangers, and to appreciate the significance of making decisions that benefit those in their community.

Trix van der Vleuten, chief marketing officer at The Social Hub, explained: “The world feels increasingly divided. We’re more digitally connected than ever, yet loneliness is rising. We wanted to come together with Tony’s to showcase that sweetness, simple, human kindness, matters more than ever, and that people can enjoy our products while positively impacting society.”

Through this launch, Tony’s Chocolonely aims to spotlight its commitment to aiding approximately 40,000 cocoa farmers in achieving a sustainable income. The firm’s head of global brand and communications, Sadira E. Furlow, stated that the brand’s goal is to eradicate exploitation within the cocoa industry by demonstrating that chocolate can be produced more ethically.

The Social Hub has locations in Glasgow, Amsterdam, Paris, Rome and more. Discover more about how you can stay at the Social Hub here.

THERE’s a pretty hotel hidden in amongst the Buckinghamshire countryside which is perfect for a staycation.

Read on to find out more about Burnham Beeches Hotel and the nearby known for its royal connections that’s just a 15-minute drive away.

Where is the Burnham Beeches Hotel?

Tucked down narrow and windy roads in Buckinghamshire is this beautiful countryside escape.

The huge mansion was once a private Georgian home – and, quite frankly, I’d even go as far as to call it one of the county’s best-kept secrets.

You would never realise it’s there until you turn into the driveway and it opens up to the sprawling hotel with manicured gardens and a tennis court.

Burnham Beeches Hotel is a short drive away from Windsor, Slough and Maidenhead, but its location completely out of the way means you won’t hear any traffic.

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In fact, I couldn’t hear much aside from gentle cooing of pigeons, and the hoot of an owl after nightfall.

What is the hotel like?

The main building at the Burnham Beeches Hotel is grand, kept in the style of a manor home.

Inside, there’s a huge contrast in room design, each varying from deep blues with thick orange velvet curtains in the Arden dining room, to light and airy spaces like the pretty Evergreen Tea Room.

On the more modern side of the building, the first thing you’ll notice is the calming scent, which makes sense as it’s where you’ll find the main spa area.

The reception has modern check-in tablets that are very easy to use – but there is always staff around if you need any help.

What is there to do there?

Thanks to its location, the hotel is a great base for those wanting to see more of Windsor which is a 15-minute drive away.

Here, you can see the castle and take a stroll down The Long Walk. The pretty village of Burnham is just down the road as is Ascot Racecourse and Legoland.

Guests can also make the most of the facilities in the hotel too. Use of the Temple Spa is included with an overnight stay, and guests get complimentary robes, towels and slippers.

The spa has a gym, small pool, steam room, sauna and jacuzzi.

Spa treatments are available too from 30-minute relaxing massages to hour-long facials, manicures and pedicures. 

You can also hire out equipment to have a go in the tennis and pickleball court.

Or borrow one of the bikes free of charge, to explore the grounds and surrounding countryside.

What is there to eat and drink there?

When it comes to dining, eat in the plush Arden Room. Here, I tried the sharing Gambas al Ajillo, which is Spanish-style prawns, followed by a crispy duck salad.

The king prawn and chorizo linguine (which has a slight chilli kick) and smooth coconut and lime panna cotta was also delicious.

Whether you’re a pre-dinner drinker, or fancy a post-dining tipple, the sleek Verdure Lounge Bar is where you want to be.

There’s a huge range of drinks from cocktails to wine and a refreshing pint of Mahou on draught.

In the morning, find your way to the Brasserie where there’s a generous breakfast buffet waiting for you.

It has everything you could want, from continental options like yogurt and fruit, along with classic English breakfast offerings.

At each table was a Tiptree jam stand, and I’d recommend enjoying a pot with a thick slice of sourdough. You can refill your juice, tea, and coffee as often as you’d like, too.

A traditional afternoon tea is popular here, where guests can sample a selection of sandwiches, cakes, and scones alongside a cup of tea, or upgrade for a glass of Prosecco or champagne.

What are the rooms like?

There are 79 rooms and suites at the hotel all varying in size and design. Each comes with free Wi-Fi, heating, a hair dryer, television, tea & coffee making facilities and an ensuite.

I was lucky enough to stay in one of the beautifully designed Oak Character Rooms, which had nature-inspired wallpapers with an enormous dark blue velvet headboard with green cushions and a burnt orange throw.

Its two large windows looked out onto the gardens and let in lots of natural light.

The modern ensuite had a large shower with White Company toiletries.

For those who are bringing fluffy members of the family, you can book for your dog to come along too, from £35 (max weight of 15kg per room).

Is Burnham Beeches Hotel family-friendly?

Yes. The Hive Family Rooms can sleep two adults and either two children under 10 years, or two adults and one child over 10. You get all the normal amenities, as well as 24-hour room service.

Children are allowed in the swimming pool but must be accompanied by an adult if under 16.

Is there access for guests with disabilities?

The hotel offers accessible ground floor rooms, and while the spa facilities are not currently wheelchair accessible, a selection of treatments can be brought directly to the room.

To book an accessible room, call the hotel in advance.

Room rates start from £149 B&B based on two sharing. 

See here for more.

Fans now know when they can look forward to the new adaptation

Fans of Harry Potter admit that they are ‘dancing in their room’ after the first ‘incredible’ trailer finally landed for the upcoming HBO series.

We have known for some time now that a new adaptation based on the series of books written by J.K. Rowling has been on the way. Most have welcomed the news with cautious optimism. Some have said to be unsure we need another version after the much admired film series.

This new iteration is set to be a faithful adaptation of the iconic novels, with the author credited as an executive producer. Each season of Harry Potter will be introduced to both new and existing fans, exclusively streaming on HBO Max which finally launches in the UK this month.

The original classic films will continue to be accessible for viewing globally. While fans should be able to stream the new series on HBO’s dedicated platform, Sky and NOW users should also have access providing they have the correct subscription.

It’s been previously suggested that the studio is optimistic about the series being as successful and well-received as the films, with hopes of it running for a minimum of 10 years. The series is penned and executive produced by Francesca Gardiner, known for her work on Killing Eve and His Dark Materials. Multiple episodes will be directed by Mark Mylod, renowned for directing several episodes of the HBO hit series Succession.

Last year it was confirmed that emerging talents, Dominic McLaughlin, Arabella Stanton, and Alastair Stout, will take on the legendary roles of Harry Potter, Hermione Granger, and Ron Weasley, respectively. We now have a first glimpse of their much anticipated performances.

That also includes the new portrayals of other beloved characters. This includes Hagrid played by Nick Frost and Professor Dumbledore, with Hollywood star John Lithgow taking on the responsibilities of the role.

Fans now also know when they can expect to start watching the series and it is sooner than many think. The caption for the video as shared on YouTube states: “A new era of Hogwarts begins. The HBO Original series Harry Potter and the Philosopher’s Stone premieres this Christmas.”

As expected, fans were quick to share their thoughts and opinions on the first footage shared from the series. Many were actually surprised at how much they enjoyed it.

One person replied: “This actually looks incredible! I love that they’re going to show more of Harry’s life with the Dursleys!” Another added in a similar vein: “THIS LOOKS INCREDIBLE!!! God Bless HBO!! THIS CHRISTMAS.”

Someone else confessed: “I’m dancing in my room right now.” While one person noted: “I actually love the take on Harry trying to be a muggle student at a school.”

Surprised by how the first episode seems to be approaching faster than first anticipated, one said: “Also, Christmas??? YESSS!!! I thought we’d have another year!!”

Plenty of others recognised that the series will allow them to explore more events of the book and reflect on characters more deeply. Some fans even admitted that they were left emotional and even in tears at the thought that the series could allow them to relive their childhoods. One person commented: “I shed a tear…my childhood is coming back to me again.”

One person posted: “I’m sobbing this is incredible” and another “I’m literally crying.”

Harry Potter is streaming on HBO Max this Christmas.

Replacing Griffith Park’s historic but idle swimming pool is likely to take at least three years and cost $40 million while delivering a competition pool, a neighboring recreational pool and a rehabilitated pool house with a gender-neutral bathhouse facility, city officials and designers told Los Feliz residents at an open house meeting Thursday night.

“The pool is being completely replaced. It leaks like a sieve,” said Stephanie Kingsnorth, principal of the architecture firm Perkins Eastman, addressing about 50 community members in a room next to the park’s visitor center.

Perkins Eastman, which is leading the design of the pool site, also worked on the renovation and expansion of Griffith Observatory from 2002 to 2006, when the firm was known as Pfeiffer Partners.

While neighbors look on, an artist’s rendition shows the proposed replacement of the Griffith Park Pool and rehabilitation of the pool house. The meeting was held at the Griffith Park Visitor Center Auditorium.

(Gina Ferazzi / Los Angeles Times)

The pool and pool house at Riverside Drive and Los Feliz Boulevard date to 1927, long before Interstate 5 was routed just east of the site in 1964. After decades as a popular spot for children’s swim lessons and recreational lap swimmers, the pool was shut down amid COVID-19 pandemic measures in early 2020. When the city tried to refill the pool, workers found that it no longer held water.

At one point early in planning to replace it, the city Bureau of Engineering forecast construction costs of $28 million. City officials say the project is complicated because of the nearness of the freeway and the Los Angeles River.

Kingsnorth said the project is nearing the end of its design development stage, with many details still under discussion.

In place of the existing seasonal pool, schematic drawings now show a new year-round competition pool, 50 meters long, 25 yards wide and from 3-foot, 6-inches to 12-foot, 9-inches deep.

Next to it, drawings show a training pool 25 yards long and 50 feet wide, with an ADA-compliant gentle slope down to about 4 feet deep.

The two-story pool house’s red tile roof, wooden trellises and Spanish Colonial Revival features will look roughly the same on the outside, Kingsnorth said, and the rehabilitation will comply with federal standards for historic structures.

But some formerly open-air areas will now be covered. An elevator and second set of stairs will be added inside, along with features to boost energy sustainability and meet modern accessibility laws. The site’s open-air showers will be rinse-only.

On the ground floor, the building’s open-air male and female changing rooms will merge into one larger indoor gender-neutral area with private changing rooms and toilet stalls, Kingsnorth said.

“Every single toilet room and dressing room is an individual room,” Kingsnorth said.

Kingsnorth said the gender-neutral dressing room design was not mandated by state or federal restrictions but was a priority for the city’s Recreation and Parks Department. On projects like this, Kingsnorth said, “this is something that’s more common for equity and inclusion.”

Questions from the community focused on features of the pool, public access, cost and effects of the construction work.

“We’re very anxious to have the school come back, so that the kids can learn to swim,” said Marian Dodge, a longtime area resident and past president of the Los Feliz Improvement Assn.

The Griffith Park Pool, seen here in 2023, has been closed since 2020, when city workers found major leakage problems.

(Dania Maxwell / Los Angeles Times)

The pool site is within City Council District 4, represented by Nithya Raman, who was not present. Her staffers organized the meeting and urged residents to send questions and comments to griffithparkpool@lacity.org.

The next steps, a handout from the city and design firm read, include creation of construction documents (estimated at six months), obtaining city permits (five months), selecting a construction contractor (five months), construction (18 months), and “project close-out” (six months). If that schedule is met, completion would come in a little over 40 months, around July 2029.

“This is ambitious, but we’re confident that we can get there,” Kingsnorth said.

In an hourlong presentation, followed by about a dozen questions and answers, Kingsnorth was joined by city officials, including Ohaji Abdallah, assistant division head of the Bureau of Engineering’s architectural division, and
Maha Yateem, the Recreation and Parks Department’s principal recreation supervisor for citywide aquatics.

The plan calls for three rows of shaded concrete bleachers for spectators alongside the competition pool. Yateem said the competition pool will include a diving board, adding that “we’re working on a location for that now.”

Because the project means removing tons of existing pool materials and bringing in new ones, “the construction here is going to be quite intense,” Abdallah said. He and Kingsnorth said the “haul route” of construction trucks has not been decided, and Abdallah said he and other officials are discussing the plan’s possible impact on Los Feliz Nursery School, which stands near the pool.

When considering construction costs and “soft costs” like design and environmental review, “I expect this to be about $40 million,” Abdallah said, adding that the project will be vying with other city priorities for dollars from the general fund. He also noted that current estimates were made “before the war started” in Iran and gas prices surged.

After the meeting, Kingsnorth said, “We’re ready to pause if we need to because of the outlying state of the world.”

Former Ryanair flight attendant Eleanor has shared her top seating recommendations for passengers, including the best rows for extra space and which seats to avoid on your next flight

When reserving a flight with Ryanair, many of us will steer clear of selecting our own seat, primarily due to the extra charge. However, a former cabin crew member with the budget carrier has identified the best row to reserve if you’re seeking optimal space and comfort for a specific journey.

Eleanor was based in Marseille, France, and logged countless hours traversing the globe alongside her cabin crew colleagues. She has now highlighted the seats that could enhance your trip considerably.

Speaking to us about her top travel tips, she explained: “I would say usually it’s better to sit at the emergency exits in the middle of the aircraft, usually around row 17 for safety reasons.

“You have more space and also because children under 16 can’t sit at the emergency exits and infants under two can’t even be in the two rows before and ahead of the emergency exits. So these and row 1 are basically the only seats where you can be sure you won’t be spending your flight with crying babies next to you.”

Nevertheless, while row 17 might be the most tranquil, according to Eleanor, there are particular seats passengers may also want to steer clear of.

The content creator, 25, revealed to us: “I can only say to avoid 11A. That’s supposed to be a window seat – but it doesn’t have a window! You won’t be able to see outside.”

This seat has previously been labelled “Europe’s most hated” because it’s notorious for being the sole ‘A’ seat on a Boeing 747 that lacks a window to peer through. And having urged travellers to reserve row 17, she also pointed out the row that might be worth avoiding.

She elaborated: “Also avoid row 32 on the 737 MAX, an aircraft that Ryanair has only in some bases. That has emergency exits at the wings, and a crew seat near them that faces the passengers.

“So, if you sit in that row, you’ll have the flight attendant stare at you during take off and landing, and you’ll have to move every time they have to pass. It was very uncomfortable as a flight attendant, I imagine it is as a passenger also.”

She emphasised that securing your seat on Ryanair wasn’t absolutely critical, especially since flights are generally brief and there’s no complimentary meal service, which means your location won’t determine whether you’re served first or last, as it might on other carriers.

The Italian ex-Ryanair employee said it ultimately boiled down to individual preference but she did provide one final recommendation.

She stated: “Another thing I can say is to avoid sitting at the rear of the aircraft, mostly because sometimes, although not often with Ryanair, only in some airports, you will have a bridge from the front and you’ll be the last one to disembark if you’re sitting at the back.

“And also because in case of ditching (controlled emergency landing onto water), that’s the first part that goes in the water, and you won’t be able to open the doors at the back, so you’re less likely to make it in case of a landing in water.”

IN A new twist in the Beckham family feud, it has been revealed how Brooklyn “lay by an LA pool just metres from dad David’s hotel room”, as they avoided seeing each other in the US.

The Sun were first to reveal how the estranged father and son were staying near to each other in America earlier this week.

We revealed on Monday, how David, 51, was in LA to shoot a commercial, after spending time with middle son Romeo, 23, skiing in Canada.

On Sunday night he checked into the Beverly Hills Hotel, which wasn’t far from where son Brooklyn, 27, and his wife Nicola, 31, were spotted at Sir Elton John’s Aids Foundation Oscars viewing party.

But in a new twist that has just emerged, it has been revealed that both David and Brooklyn were “just metres from each other” on two occasions at the five-star hotel.

It came when Brooklyn was spotted at his dad’s five-star hotel on Monday morning for breakfast after Elton’s Oscars party, according to the Daily Mail.

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David, had reportedly only just left the hotel to film five miles away in Santa Monica to record an advertisement for Lays crisps.

Insiders then said, Brooklyn stayed at the hotel all day to enjoy a “chill day by the pool“, and was seen sunbathing at around 3pm. close to where his dad’s room was.

Just three hours later David arrived for dinner at the hotel’s famous Polo Lounge restaurant at 6pm.

This means there were two occasion where the estranged father and son could have seen each other.

A source told the Mail: “David was totally in the dark about where Brooklyn was and had no idea that he had just missed him, not just once, but twice.

“Brooklyn was with Elton when David arrived to check in on Sunday night, didn’t get there before David left on Monday morning and then had gone before he arrived back.

“There is absolutely no contact between Brooklyn and his parents and there hasn’t been for some time, it is desperately sad but that is how Brooklyn has chosen to live his life with Nicola.

“Brooklyn also probably had no idea that his father was staying in a room just yards away from where they were having their breakfast.”

The insider added: “David looked like he was having a great time when he was at dinner, you wonder if that would have been different if he had known he had missed his son.”

Meanwhile, a source told The Sun earlier this week: “David was in Los Angeles for a new ad campaign, but given Brooklyn’s decision to cut off his family, there was no meeting between them.

“David had just come back from a skiing trip with Romeo and friends in Canada when he flew to Los Angeles for work.

“Brooklyn would have just been miles away from him in the house he shares with Nicola.”

The Sun first revealed last year how Brooklyn had cut off his family.

In October, insiders confirmed that the eldest Beckham boy had no interest in making amends with his family.

By January, he was communicating with them through lawyers.

Days later, Brooklyn released a bombshell statement confirming the story.

He went on to make allegations against his family, including claiming fashion designer Victoria, 51, had “hijacked” his first dance with Nicola at their wedding in 2022.

As well as cutting off his famous parents, Brooklyn is no longer in contact with his brothers Romeo and Cruz, 21, and sister Harper, 14, after blocking them on social media.

An Oscars slugfest for the ages ran its course, with “Sinners” and “One Battle After Another” duking it out and tallying up wins while the low but steady hum of host Conan O’Brien’s patented brand of weirdness tied the room together. A few unnecessarily curt speech interruptions threatened the calm, but mainly, this was a smoothly run machine of a show, devoid of mishaps. Even the rare circumstance of a tie was handled expertly by live-action-short award presenter Kumail Nanjiani, never bringing to mind the immortal confusion of “Moonlight” vs. “La La Land.”

But what didn’t make it to the telecast? Here are some flavorful takeaways — small yet memorable — that stick in mind from our several reporters in the room on Sunday.

A parade of praise for Jessie Buckley

Jessie Buckley arrives on the red carpet at the 98th Annual Academy Awards.

(Myung J. Chun / Los Angeles Times)

As she strode through the lobby of the Dolby Theatre pre-show, Jessie Buckley, nominated for lead actress for her role in “Hamnet,” was fanned with praise by other attendees. Even in the restroom, she couldn’t escape the well-wishers. On her way back to the buzzing lobby, she held the train of her red and pink Chanel gown graciously saying, “Thank you, thank you.” — Brittany Levine Beckman

The pressure’s off for stars during commercial breaks

Elle Fanning and Demi Moore hug during the 98th Academy Awards.

(Robert Gauthier / Los Angeles Times)

During the telecast’s first commercial break, supporting actress nominee Elle Fanning of “Sentimental Value” took her loss in stride and leaned over her seat to chat with former “A Complete Unknown” costar Timothée Chalamet, nominated this year for “Marty Supreme,” and his partner, Kylie Jenner.

Across the aisle, “One Battle After Another’s” Leonardo DiCaprio stood up and reached over to lock fingers with Benicio Del Toro. — Yvonne Villarreal

The Oscars address inflation with a goodie box

A note from Conan O’Brien left for attendees in snack boxes.

(Jessica Gelt / Los Angeles Times)

Each year, guests at the Academy Awards are given a small cardboard box of snacks left beneath their seats to get them through the always lengthy ceremony. A note from the host is generally inside. This year’s note, signed by Conan O’Brien, read, “I hope you enjoy this Conan O’Brien ‘Moderately Happy Meal’ ™. These snacks may not look like much but in any movie theater they would run you $85.” The snacks in question were a box of Junior Mints (Times reporter Josh Rottenberg got Raisinets), a small bag of Skinny Pop and a tin bottle of water. — Jessica Gelt

Jesse Plemons won’t succumb to ‘peer pressure’

Kirsten Dunst and Jesse Plemons arrive at the 98th Academy Awards at the Dolby Theatre in Hollywood.

(Myung J. Chun / Los Angeles Times)

“Bugonia” star Jesse Plemons stood near the main lobby bar talking with friends and posing for pictures with fans while finishing the dregs of a drink. A server approached him and asked if he’d like another. Plemons politely declined and the server laughed, saying, “Sorry, I didn’t mean to give you any peer pressure.” — Jessica Gelt

Amy Madigan inquires about press room rules; ‘Is it like bingo?’

Amy Madigan after winning the Oscar for supporting actress for “Weapons.”

(Kayla Bartkowski / Los Angeles Times)

After taking the stage to accept her first Oscar win for “Weapons” on Sunday, Amy Madigan paused operations in the press room to ask how moderators decide who gets to ask questions of the night’s winners.

“Is it like bingo?” the actor asked. As laughter swelled across the crowd in response, she clarified hers was a “serious question.” — Malia Mendez

After a loss, Stellan Skarsgård knows the meaning of ‘Sentimental Value’

Megan Everett-Skarsgård and Stellan Skarsgård at the 98th Annual Academy Awards.

(Myung J. Chun / Los Angeles Times)

Stellan Skarsgård, of “Sentimental Value,” enjoyed a cocktail in a VIP room just off the main auditorium fresh off of losing the Oscar for supporting actor to Sean Penn for his performance in “One Battle After Another.”

Fans rushed Skarsgård anyway, shaking his hand and telling him how much his performance as a troubled alcoholic father and artist resonated with them. “We had four actor nominations on an international film,” Skarsgård told one of them. “That’s never happened before.” — Jessica Gelt

Two of this Oscar season’s tallest figures share a moment

During a commercial break, 6-foot-5 “Frankenstein” star Jacob Elordi and 6-foot-6 Oliver Laxe, director of international feature nominee “Sirāt,” greeted one another at the lobby bar. The pair, who have been impossible to miss as two of the tallest people at various events throughout awards season, shared a warm, high-altitude embrace and Elordi introduced the French-born Laxe to his date for the Oscars: his mother, Melissa. — Josh Rottenberg

‘The Singers’ and ‘Two People Exchanging Saliva’ winners are happy to share their Oscars success

From left, producer Jack Piatt and director Sam A. Davis, makers of “The Singers,” pose with Natalie Musteata and Alexandre Singh, co-directors of “Two People Exchanging Saliva.” All of them won Oscars for live-action short.

(Kayla Bartkowski / Los Angeles Times)

Gasps erupted in the press room after presenter Kumail Nanjiani announced the seventh-ever tie in Academy Awards history Sunday evening, between live-action shorts “The Singers,” directed by Sam A. Davis and produced by Jack Piatt, and “Two People Exchanging Saliva,” directed by Alexandre Singh and Natalie Musteata.

Speaking to the press room after the ultra-rare event, Piatt was unbothered and even enthused by the outcome, saying he wished there could be a “five-way tie” among all the category’s nominees.

Davis agreed, confiding that he’d previously told the “Two People Exchanging Saliva” team “in confidence, that if we lost, I hope we lost to them.”

Shortly thereafter, Musteata said tying with “The Singers” folks was “such a dream.”

“Someone on Reddit asked us if we would be happy to share the award, and we were like, ‘Heck yeah, we would love to share it with another film that is equally beautiful and totally different.’ ” — Malia Mendez

Elle Fanning soothes Timothée Chalamet after lead actor Oscar goes to Michael B. Jordan

Elle Fanning talks with Stellan Skarsgård during the 98th Academy Awards. Timothée Chalamet was seated in front of Fanning during the show.

(Robert Gauthier / Los Angeles Times)

When Michael B. Jordan walked off stage and the show went to commercial break, Timothée Chalamet, who was up against Jordan in the lead actor category, took a sip of his drink as Elle Fanning, sitting behind him, gave him a pat on the back.

Fanning talked to her “A Complete Unknown” co-star throughout the night, who barely turned around to look at her. Kylie Jenner kept rubbing and patting Chalamet’s hand while he nervously jiggled his right leg. — Yvonne Villarreal and Jessica Gelt

Autumn Durald Arkapaw receives standing ovation in press room after historic win

Autumn Durald Arkapaw accepts the Oscar for cinematography for “Sinners” — the first woman to win the award.

(Robert Gauthier / Los Angeles Times)

“Sinners” shooter Autumn Durald Arkapaw on Sunday became the first woman to win the Oscar for cinematography. As she arrived backstage following her historic win, the press room erupted into applause, with many reporters delivering a standing ovation.

Arkapaw was equally thrilled, telling the room, “A lot of little girls that look like me will sleep really well tonight.”

“I heard Karen O say once at a concert… ‘You have to see you to be you,’” she said. “Ryan gives us, the women on this film, and our heads of department, he gives us those opportunities to shine and be ourselves and work in a creative environment where we’re leading.”

Such trust is rarely extended by directors, Arkapaw said, and she is grateful. — Malia Mendez

Kidlington in Oxfordshire was declared a town last month after almost 40 years, and boasts scenic walks, cosy pubs and is the perfect base for visiting Blenheim Palace and Harry Potter locations

Britain has officially gained a new town, boasting welcoming pubs, a delightful tearoom, picturesque riverside strolls and a vibrant community spirit.

Located to the north of Oxford, Kidlington features a busy high street and an expanding population. However, until recently, it held the distinction of being one of Britain’s largest villages.

The Oxfordshire settlement is home to nearly 14,000 people and exceeds the size of several of England’s more established towns. Kidlington previously sought to upgrade its designation from village to town status back in 1988, though the bid was unsuccessful at that time, with locals continuing to embrace their preferred classification.

Yet after nearly four decades, Kidlington was officially granted town status last month, after Parish Council members backed the move unanimously. The council highlighted that it possesses the “population, services, and infrastructure of a town”, with the reclassification bringing certain advantages.

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Under the government’s revised National Planning Policy Framework and National Policing Guarantee introduced last year, towns benefit from enhanced safeguards, especially concerning planning and policing matters. The settlement has ambitions to construct additional housing and increase its population beyond 30,000, reports the Express.

Yet, some locals remain unconvinced about its elevated status as a town, with one resident telling the Metro: “I would prefer it to be a village – it just got more of a community feel to it. A town to me seems something that it’s not. I don’t know what it represents, being a town.”

They continued: “I can’t see by being a town it’s going to improve.” Meanwhile, others feel disappointed about losing its claim as one of Europe’s largest villages.

However, politics aside, Kidlington boasts a stunning location, close to the beautiful Cotswolds, nestled between the River Cherwell and the Oxford Canal. The town offers numerous picturesque walks, and sits conveniently less than half an hour’s drive from Oxford city centre.

It serves as a perfect base for Oxford commuters, with the neighbouring Parkway railway station providing access to the city in less than 10 minutes. For those exploring the town itself, there’s the 13th-century church featuring an impressive 220-foot spire, and the high street, brimming with shops and welcoming pubs, including The King’s Arms and The Boat Inn, positioned along the river.

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Making the most of its setting, visitors can find the Thrupp Canoe and Kayak Hire Centre for leisurely river trips, followed by a visit to the delightful Annie’s Tea Rooms. There’s also the Thrupp Community Forest providing woodland walks, and close by sits Willowbrook Farm for days of adventure.

The town is also in close proximity to the market town of Bicester, renowned for its popular outlet village, offering discounted brands. Meanwhile, less than 10 minutes away lies Blenheim Palace, the distinguished birthplace of Sir Winston Churchill and home to acres of tranquil grounds to explore.

Nearby is also the iconic Harry Potter tree, featured in the franchise films, which is definitely worth a visit after a wander around Kidlington.

At the Basement, a haunted escape room experience in Sylmar, patrons attempt to evade a deranged serial killer by solving puzzles.

Now the actors, who work as game masters and perform as distressed abductees at the venue, will be frightening their guests while under union protection.

This week, the Basement’s union voted unanimously to ratify its first working contract, making it the first and only escape room to have a union and operate under a collective bargaining agreement. The group is recognized as part of the Actors’ Equity Assn., which represents more than 51,000 actors and managers in live entertainment.

Jenna Wagner, an actor at the Basement, said the new contract, bargained by a dozen employees including herself, will “improve general unit morale.” It addresses higher wages and greater safety provisions as well as scheduling and media protections.

The Basement’s workers are the first escape room actors to successfully unionize.

(THE BASEMENT: A Live Escape Room Experience and Elwood Walker)

“It’s, of course, setting a precedent. A lot of people don’t see working at an escape room as something worthy of being recognized. Sometimes when you say, ‘I’m an actor at an escape room.’ People just say ‘Oh, OK,’” Wagner said. “It feels very validating [to unionize like this] because we are actors. We are performing every day.”

The Basement’s union was formed two years ago. Management, led by founder and chief executive Kayden Ressel, voluntarily recognized its workers’ efforts to join Actors’ Equity. Ressel said he used to work as a scare actor at haunted attractions so he understood where his employees were coming from.

“Their values seemed to be in alignment with what I really wanted my business to be in the first place. So, we were excited” about the union efforts, Ressel said. He’s hoping the finalized contract “will raise the bar” for other escape rooms.

The Sylmar attraction first opened in 2014 and employs 15 people. Across 3,000 square feet, it offers four interactive room choices where groups get to decide between escaping different areas of the haunted house. Live actors are involved in three of the four experiences. (The Basement is one of the few escape rooms to hire actors.) Two other Basement locations can be found in Las Vegas and Kansas City, Mo.

Ressel said he’s considering offering a discount of 10% to 20% for customers who belong to unions.

The popularity of escape rooms in the U.S. goes back to the early 2010s, when interest in interactive experiences was at an all-time high. Today, there are around 75 escape rooms in the L.A. area and more than 2,000 across the country. According to data from the media company Room Escape Artist and the escape room app Morty, the industry stabilized at the current facility count in 2022, after shrinking more than 10% during the pandemic.

The Basement’s workers are the first escape room actors to successfully unionize.

(THE BASEMENT: A Live Escape Room Experience and Elwood Walker)

Noah Nelson, a professor at the California Institute of the Arts and founder of immersive arts publication No Proscenium, said Actors’ Equity’s recognition of the Basement’s workers is a step in the right direction as the union welcomes more nontraditional units.

“There’s something to be said about the value of live entertainment being recognized. It goes beyond the venues that people would traditionally associate with that whether that is a regional theater, a Broadway house or a concert venue,” Nelson said. “There is an industry here that stretches beyond just the big houses, and at the end of the day, I view the signs of organizing in these spaces as nothing but a good sign for the overall health of the industry.”

The Actors’ Equity Assn. was founded in 1913 and is known for representing live performers typically in theatrical productions. In recent years, the definition of live entertainment has expanded, and Actors’ Equity has recognized performers at the Griffith Observatory, Drunk Shakespeare companies and even the dancers at the Star Garden Topless Dive Bar in North Hollywood. There also are ongoing negotiations for Disneyland’s cast members and the entertainers at the Casa Bonita restaurant in Denver.

Stefanie Frey, the director of organizing and mobilization at Actors’ Equity, said in a statement that the union views “escape rooms and similar immersive entertainment experiences as another live stage.” She also said the union expects “others in this growing community will seek out our union for representation.”

Actress Brooke Shields, the president of Actors’ Equity, said, “Negotiating a first contract is always a challenge, and in this case, we had no other unionized escape rooms to use for a model.”

“These workers stuck together through a long process, and seeing what they’ve achieved, I’m sure they agree it was worth it,” she said in a statement. “They have made history for a swiftly growing sector of our industry.”