rock music

A ROCK band member has quit his group after 10 years, six albums and huge sold out arena tours.

Red Rum Club, who formed after sharing a rehearsal space, have confirmed their trumpet player has gone his separate ways.

Joe Corby, who is known for his soaring trumpet solos, has quit the band just weeks before they are set to head off on their big US tour.

Red Rum Club, who now have five members including Fran Doran, Simon Hepworth, Neil Lawson, Michael McDermott and Tom Williams, have confirmed future concerts are going ahead as planned.

The band, who formed in Merseyside, confirmed Joe’s shock exit from the group yesterday, in a sad statement on X.

They said: “It is with great sadness that we are announcing Joe’s departure from Red Rum Club.

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“We want to thank him for the music and the memories we have made over the last 10 years and we wish him all the best for the future.

“All future shows will be going ahead as scheduled.

“Love, Fran, Tom, Mike, Neil and Simon.”

Fans flooded the comments of the post, sharing their thoughts on the sad news.

One fan wrote: “Gutted, for me Joe is Red Rum Club, I have now followed you for the past nine years.”

Another fan penned: “Ahh, so sad to hear this! I hope it’s for a positive reason and no health issues or fall outs. Joe will be such a HUGE miss. As others have said, he’s been such an integral part of your USP.”

Elsewhere under the post, fans were speculating Joe had quit the band to pursue his own solo career.

Red Rum Club burst onto the music scene in January 2019 after releasing their debut album Matador, which reached Top 50 in the UK Album Sales Charts.

The album featured their hit single Would You Rather Be Lonely.

OLIVIA DEAN is preparing to pull out the big guns for the follow-up to her year of triumph — by enlisting the help of hitmaker extraordinaire Nile Rodgers.

She’s become one of the UK’s favourite musicians thanks to the runaway success of her album The Art Of Loving.

Now I’m told Chic great Nile is keen to work with Olivia and personally reached out to her.

Their teams are looking for space in the schedules to go into the studio together.

A source said: “Nile has his finger on the pulse when it comes to music and thinks Olivia is just amazing.

“He was actually aware of her before her album dropped and is really keen to get in the studio with her.

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“She really does have the world at her feet and is pretty honoured that such a star wants to work with her.”

Nile has written, produced and performed on albums totalling more than 750million sales.

He has worked on tracks including David Bowie’s Let’s Dance, Duran Duran’s The Reflex and Like A Virgin by Madonna.

More recently, he has contributed to Beyonce’s albums Renaissance and Cowboy Carter, and Coldplay’s tenth album Moon Music.

But Olivia doesn’t have loads of time in her diary right now, having kicked off a debut arena tour in Glasgow last Wednesday.

She has shows in London this week and will stay on the road across Europe and North America until the end of August, before jetting Down Under in October.

Released last September, The Art Of Loving has turned her into a global star, spawning the singles Man I Need, So Easy (To Fall In Love), A Couple Minutes and Let Alone The One You Love.

She proved to have the Midas touch, because after teaming up with Sam Fender on a version of his song Rein Me In, it spent eight weeks at No1 — and is on course to return there this Friday.

Olivia has also achieved career milestones including performing on Glastonbury’s Pyramid Stage in 2024.

On how to build her career, Olivia previously said: “Make an album, play Jools Holland and play the Pyramid Stage.

“I’ve done them now, I need to figure out some new goals.”

With Nile by her side, I’m sure Olivia will continue to dominate.

MIS-TEEQ confirmed my story that they’re reuniting to celebrate the 25th anniversary of their debut album, Lickin’ On Both Sides.

I revealed in January that Alesha Dixon, Sabrina Washington and Su-Elise Nash were discussing getting back together for a one-off performance.

And now Mis-Teeq’s Instagram page has kicked back into action, with a video showing their performances from 2001 – when the record came out.

The biography on their account reads: “25 Years. One Legacy.”

Watch this space.

COOPER: MY SLIM PICKIN’

COUNTRY singer Cooper Alan wants to do the unthinkable and drag Eminem into the world of cowboy music.

In an exclusive chat with Bizarre, the TikTok sensation – who has racked up 11.5million followers – revealed that the Slim Shady rapper tops his dream collaboration list.

Cooper said: “Eminem has always been my favourite. It would probably never happen, but that’d be really cool.

“Eminem on a country song, I think that would be crazy.”

He’s also got another surprise duet in mind, this time with with Scottish brothers The Proclaimers.

He added: “We’ve been covering their 500 Miles as our encore, so we’ll throw their hat in the ring too. Dream collab, The Proclaimers.”

I caught Cooper live in London last week on his To The Pub Tour, and the show was absolute carnage – in the best way possible.

The singer is wrapping up his first UK shows in Glasgow tomorrow, following the release of latest album Winston-Salem.

The New Normal singer had fans battling it out in a beer-chugging contest before pouring pints straight into the front row from the stage.

Laughing about the stunt, he said: “You’d think I’d be better at pouring the beer.

“But it comes out too fast, it goes all over their face.”

After testing their drinking skills, he was full of praise for our crowds.

Cooper said: “I was impressed with the British drinking ability, especially on a Tuesday night.”

That’s those Americans told.

If you want proper drinkers, come to Britain.

MEGAN DITCHES ‘CHEATER’

MEGAN THEE STALLION has broken up with boyfriend Klay Thompson after accusing him of cheating on her.

In a statement confirming her split from the NBA basketball player, she said: “I’ve made the decision to end my relationship with Klay.

“Trust, fidelity and respect are non-negotiable for me in a relationship.

“When those values are compromised, there’s no real path forward.

“I’m taking time to prioritise myself.”

The WAP rapper was with Klay – who’s yet to address the claims – for just under a year.

On Instagram she wrote: “Cheating, had me around your family playing house.

“Got ‘cold feet’. Holding you down through all your HORRIBLE mood swings and treatment of me during basketball season  . . .  now you don’t know if you can be ‘monogamous’???”

FOO FIGHTERS celebrated the release of their album Your Favorite Toy with a launch party in London, then performed two new tracks on Saturday Night Live.

But it looks like the band, above, will be prevented from scoring their seventh No1 album, as Noah Kahan’s new record The Great Divide has sold three times more in the UK since they were both released on Friday.

MADGE BASQUES IN GLORY

SHE might be 67, but it’s clear Madonna can still party hard as she leaves a nightclub in bridal lingerie at 2am yesterday.

Madge, in shades and knee-high boots, hosted a bash at The Abbey in West Hollywood, where she played new track I Feel So Free and also premiered an upcoming song, believed to be called Freedom.

That could well be her third track with that title.

She recorded one for her 1994 Bedtime Stories album, though it didn’t make the cut at the time, and made another during sessions in 2014 and 2015, which wasn’t officially released but did leak online.

There was some chaos at the Los Angeles nightspot as fans grappled to get close to the superstar, who was standing behind the DJ decks.

Punters were pushing and shoving, with one woman pouring her drink over a man’s head.

Celeb fans Addison Rae and Julia Fox were also there.

Let’s hope they didn’t have soggy bonces.

BOY GEORGE FACES UP TO EUROVISION

BOY GEORGE is all set to make his Eurovision debut next month – but it sounds like he’s put less thought into his vocals than how he will react when the scores are revealed.

The singer is featuring on San Marino’s entry Superstar, by Senhit.

He said in an exclusive chat at the London Eurovision Party: “I’ve been to so many awards shows where I’ve been nominated, so I will be able to deal with nerves when it comes to the points.

“You have to learn that face where you’re like, ‘I’m so happy for everyone else’.

“But I’ll be so in it. I think Senhit will be more nervous than me.

“I won’t be nervous on the night, not really. There will be nervous energy and excitement.”

The Culture Club frontman joked he better not get stage fright, adding: “Probably on the night, I’ll be like, ‘Argh, this is huge.

“What if I forget to say the right words?’. I won’t have a lot to do, but sometimes not having much to do can be worse. But I think I’ll be fine.”

He has high hopes that San Marino can beat the UK entry Eins, Zwei, Drei by Look Mum No Computer.

George added: “I’d love us to win. San Marino is a small country. Ireland is not doing Eurovision this year so, they can vote for me as I’m Irish.”

THE ROLLING STONES are having fun with the promo for their new album Foreign Tongues.

They have turned their website into a CCTV geek’s heaven with ten cameras showing them at work.

Producer Andrew Watt, who worked on their last No1 album Hackney Diamonds, features in the videos, and helped shape the ten album tracks.

Insiders said there is a top-secret – and random – collab on the new record, out later this year. I’m told no one would ever guess.

SYDNEY CENTRE STAGE

HONKY tonkin’ Sydney Sweeny squeezed into this tiny corset dress to enjoy the world’s largest country music festival.

She was spotted in the crowd during the Stagecoach event in California.

The actress, who seemed to take inspiration from Madonna’s latest corset look, was seen on top of boyfriend Scooter Braun’s shoulders as they watched Ella Langley perform on Friday evening.

She was then back on Saturday for day two and got on the mic herself, inset.

Her lingerie brand Syrn hosted a pop-up where she belted out Sweet Caroline on karaoke and was joined by showbiz pals Diplo and Lance Bass.

Perhaps a music career beckons next . 

MORE than three decades after London helped launch her career, Tori Amos is back in the city, headlining the Royal Albert Hall for a tenth time. 

The US singer is chatty and upbeat despite staying up until 5am, still riding the high of her gig the night before. 

With her striking red hair falling in waves and her vivid green eye make-up, Maryland-raised Tori, who has called Cornwall home since the late Nineties, looks every inch the star. 

“London was the place that gave me my big exposure explosion,” she says.

“It really did shake my life up. And here we are again. 

“London broke Silent All These Years in the autumn of 1991, and then launched [debut album] Little Earthquakes, which rippled out to the States and the rest of the world.

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“America really discovered me through London, and then the UK did, too. From there, it just kept rippling outwards.” 

On her forthcoming 18th album, In Times Of Dragons, Amos turns political dread, female resistance and personal storytelling into something unique and mythic.  

She says: “I’m very reclusive at home and I’m not very sociable there so when I’m on tour I go from this insular life, where I do a lot of reading, music and writing, and step into this much more exposed life.” 

The contrast between Amos’s secluded home life and her role as a performer feeds directly into an album shaped by both personal reflection and political unease. 

The record is a response to the current political climate in America because, as a songwriter “a lot of my work is documenting time,” she tells me. 

“That’s what I did with Little Earthquakes, which followed my time of failure after [her synth band] Y Kant Tori Read when I had to go back to play piano bars.  

“I have a history of documenting things — my miscarriage in 1998 and that journey, then my 2002 album Scarlet’s Walk which documented 9/11 when I actually wrote some of it on the tour bus.” 

The idea for In Times Of Dragons came through the muses — otherworldly entities — that Amos believes bring her music.  

She has spoken widely about these guiding forces, which she says have inspired her songwriting since childhood.

And last year she published children’s book Tori And The Muses, all about them. 

She says: “This message came to me through the muses that I needed to document America at this pivotal time in history. 

“And I had to personalise this.

“It came to me a year ago that I needed to be me in the story and be closely connected to one of these people, and what that would look like, because they are personally affecting us. 

“I had to turn the volume on that to create this narrative, whatever turning into a dragon looks like.” 

The album follows the story of Tori trapped in a world run by billionaire tech moguls and lizard dragons, who threaten democracy through corporate greed and authoritarianism. 

Amos says: “Jane Mayer writes about the genesis of this in Dark Money, which is one of the most important books people need to read if they’re asking, ‘How did we get here?’. 

“This has been going on since the Seventies.

“As Mayer documents, figures like the Koch brothers — and I use that as an umbrella term for a wider movement — helped shape it, along with super PACs [organisations that spend millions supporting political candidates] and all the rest. 

“It seems there was an understanding that progressive teaching in universities had to be excavated, cut back and penetrated by a very tight right-wing philosophy that is now upon us. 

“And I’m not just talking about Republicans and Democrats. I’m talking about tyranny versus democracy.

“If you had asked me about this even around the Scarlet’s Walk era, I was already going after it through that record, and then through [2007 album] American Doll Posse during the Bush-Cheney administration with the wars, the manipulation, all of that. 

“Then there was a period of relief, when a different, more inclusive philosophy came in, whatever your politics are. 

“For me, it’s about the philosophy.

“As a songwriter, I’ve been tracking that through my career. 

“On this record, I had to take a personal journey and look at the effects of what this very small cabal of men is doing — and there are women involved too, we can’t get confused about that. 

“There’s Cambridge Analytica, the involvements of the Mercers, Rebekah Mercer [the right-wing US heiress and political donor] and all those interconnections.” 

The album’s story sees Amos’s character flee and reunite with her daughter.

This part is played by her real-life daughter Natashya, who co-wrote tracks Veins, Strawberry Moon and Stronger Together — the latter of which she also sings backing vocals on, and is one of the most emotional songs on the record. 

“She was in DC at the time, in law school, and she graduates in a few weeks,” says Amos proudly.  

“She’s going into criminal law and really had her finger on the pulse. 

“On a daily basis she’s seeing things that the wider public probably isn’t, unless you’re a political journalist. 

“We’re so inundated that the little freedoms being quietly taken away can be missed. 

“Criminal law is her calling.

“So, writing these songs with her, with her understanding of what’s happening in the field she’s chosen, and her exposure to the shock of what is being torn to pieces, was hugely important. 

“She says we are past constitutional crisis and what’s going on is absolutely shocking.” 

The final song, written last- minute for the album, is Ode To Minnesota — a response to the deaths caused by ICE agents there. 

She says: “Heinous, atrocious crimes are being committed and so this is the world of the record.”  

Amos, 62, has a long history of addressing America in song, and In Times Of Dragons continues that while exploring wider patterns of male power. 

It’s also a reminder of her role as a feminist icon and the influence she’s had on artists such as Lady Gaga, Florence Welch and St Vincent (real name Annie Clark).  

“Annie’s one of my dear friends,” she says of St Vincent.

“She’s fabulous. We have a giggle and I’m thrilled for her, for her art, and for the way she’s balancing motherhood so beautifully. 

“It’s lovely to see people who came to my shows when they were younger. 

“She’s talked to me about Choirgirl [Tori’s 1988 album From The Choirgirl Hotel] and what it meant to her when she first heard it, and we’ve had laughs about that. 

“And it’s the same with the guys too. 

“I’m off to an event later and the guy doing the Q&A used to stand by the stage door as a teenage gay kid.  

“To see these people grow up, and to still be able to bask in their creativity and development, is a beautiful thing to witness.” 

But while Amos is moved by the artists and fans who have grown up with her work, she is hesitant to define her own feminist legacy. 

She says: “It’s not for me to say, that’s more for other people to decide. 

“Believe it or not, I’m a bit introverted about that.

“What I think I’ve tried to do, and what I have done, is there for those who know it. 

“What’s important to remember is that there was no social media then.

“When people ask, ‘Was it easier back then?’, well, in some ways no, and in others yes. 

“We did have a music business with a few women in record companies, though only a few in executive positions.

“One or two could balls their way through, but you really had to.

“And if you didn’t have that tenacity in the Nineties — especially to get played on radio — it was tough. 

“At an alternative station in the States, they might add two women out of 64 slots, and the other 62 would be men.  

“I’ve spoken about that with some of my contemporaries over the years, Alanis [Morissette] being one of them, and it was not a good feeling — knowing that talented women with very good records were simply not being added to the station. 

“And touring took money. 

“That’s why I never had tour support.

“In the early days, I went out with just a piano, my tour manager and a sound guy. That was it. 

“We kept the costs down, and luckily the shows sold out, because the Press had really got behind me.” 

Today, Amos points to Dolly Parton as proof that women can keep evolving, performing and owning the stage on their own terms as they get older.

“She is fantastic and she’s aware we are a different generation that played this game and played it well,” says Amos.

“There are women who are still playing the game beautifully, and they still have the physicality and the health to do it.  

“I used to have a three-and-a-half octave range when I was doing those one-woman shows.

“But with the change of life — becoming a dragon, if that’s the menopause analogy — you adapt or you collapse.

“For me, it wasn’t a crisis in the way it has been for some women we’ve read about in the Press, and I have huge empathy for that.

“But vocally, I did have to make changes. 

“I didn’t want to alter the top lines of songs with those very high, wide-ranging melodies, so on the last tour I simply didn’t play them.  

“Then I thought, ‘No, that isn’t what I want.

“I want the whole catalogue available to me as a storyteller’. 

“So, I decided to bring in backing singers who could hit those notes.

“It was a strategic, compositional choice.

“I didn’t want to be in a position where I could only perform 40 per cent of my catalogue because of range. 

“And we’re having a blast. 

“They’re amazing singers. 

“I’ve gained four notes at the lower end and I feel like I’m down there rocking with Nick Cave, but that’s the trade-off. 

“I gained more on the lower end, while recognising that if I want to play those songs, you can only transpose them down so far before they lose their essence. 

“I have so much respect for Nick Cave.

“I used to run into him in the early Nineties.

“His work has always been a beacon of beauty and darkness — expansive work that makes you think.” 

Like Cave, Amos remains restlessly creative, and she is already thinking about where to go next.  

“After something as demanding as this, I’m doing a prequel to children’s book Tori And The Muses — that will be out next year,” she says.

“Her journey as a little girl with her muses.  

“It’s due next April — and there may be music to go with it too.” 

•  In Times Of Dragons is out on May 1. 

TORI AMOS 

In Times Of Dragons 

★★★★☆

ED Sheeran is in the middle of a short break from his Loop World Tour, but he’s certainly not resting on his laurels.

I can reveal he is about to drop a new single that’s been more than a decade in the making, after he teamed up with Dutch dance great Martin Garrix to make Repeat It.

Ed and Martin first hit the studio together in 2014 – with the British megastar confirming he was taking a step into dance music.

Martin then premiered the song live at Miami’s Ultra Music Festival the following summer.

Insiders said the track would finally be officially released next month, adding: “Repeat It has taken 12 years to officially see the light of day but finally Ed and Martin’s collaboration is coming out.

“The song has been reworked slightly from the version played at Ultra back in 2015 to make it more radio friendly.

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“Initially it was called Rewind, Repeat It.

“But now the song is simply titled Repeat It.

“Lyrically, it’s a classic Ed love song set to a dance beat.”

Ed first teased making the song more than a decade ago and said on Instagram: “Finished up my very first EDM song with Martin Garrix, brilliant experience, looking forward to you all hearing it.”

Now the wait is almost over.

My music moles shared lyrics to the track with me, and Ed has stayed true to form, with the lyrics steeped in romance.

Ed sings: “Stay for a night, call it what you want.

“And I’ll compromise. To have you in my arms.”

He adds: “Don’t fight the feeling. Rewind, repeat it.

“If the world ends tonight. You’ll be in my arms.

“We will be frozen in time, underneath the stars.”

Ed isn’t scheduled to play any shows in the UK this year, although there is no doubt in my mind his Loop Tour will reach the UK come 2027.

His last album Play went straight to the No1 spot when he released it in September, and I bet Repeat It will also fly up the charts.

It’s a nailed-on summer banger.

NATALIE Appleton’s son Ace looked every inch the grown-up rockstar as he attended a new Bowie exhibition with his famous Mum.

​The pair posed on the red carpet at the opening night of David Bowie: You’re Not Alone at The Lightroom in London.

Ace is the son of the All Saints star and her husband, The Prodigy’s Liam Howlett.

​Natalie is around 5’5″, while her famous other half, Liam, is 6’1″, and it looks like Ace certainly inherited his Dad’s lofty genes.

The 22-year-old towered over his Mum as the mum-and-son duo posed for photographers at the showbiz event.

​Liam Howlett and Natalie have been together for 25 years after they met at V Festival in 2000.  They married in 2002, and Ace was born in 2004.

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​Natalie also has an older daughter, Rachel, 33, from a previous relationship with Dreamboys stripper Carl Robinson.

Despite their fame, Natalie and Liam have kept their family life relatively private, choosing to let their son carve out his own path.

And it seems that approach has paid off, with Ace now making a name for himself on the London music scene in his own right.

​Following in the footsteps of his musical parents, Ace is bass guitarist for the Camden-based group, Pedestrian Band, with his proud Mum known to plug his music on her socials.

Ace’s band Pedestrian are still emerging on the London indie scene, but they’re already turning heads with their experimental sound.

The trio have released their debut EP and built a cult following, earning a reputation as one of Camden’s most exciting up-and-coming acts.

​

While he isn’t relying on his famous surname, Ace is well-connected in music, with cousin Gene Gallagher, son of Nicole Appleton and Liam Gallagher.

Meanwhile, Natalie and her sister Nicole shot to fame in 1996 alongside Shaznay Lewis and Melanie Blatt in the girl band All Saints.

The group proved a massive hit and brought fans songs like Pure Shores, Black Coffee, and Never Ever.

The foursome became huge stars, with Nicole and Natalie going on to date some big celebrities, before settling down with Liam.

Nicole once had a high-profile with Robbie Williams between 1997 and 1999, which included an engagement and a terminated pregnancy.

Natalie and Ace attended the launch of Lightroom’s latest exhibition of immersive Bowie content projected onto it’s 11-metre-high walls and floor.

​The hour-long experience features live recordings, interviews and unseen footage from the David Bowie Archive.

​With a huge sound system and Bowie as narrator, it’s considered the closest to experiencing the late icon live.

​David Bowie: You’re Not Alone will run at Lightroom near King’s Cross from 22nd April 2026.

Tickets are priced from £25 for adults and £15 for students and concessions.

A BRIT rock back have been forced to cancel an impending gig after an “unexpected medical situation”.

Enter Shikari were due to play a gig at Dublin Academy in Ireland this evening but have been forced to withdraw.

The band kept details sparse but confirmed a “medical reason” was behind their decision to pull the plug on the gig in the Irish capital city.

Issuing a statement, the band revealed they were gutted to be unable to complete the concert as planned.

The band said: “Due to a medical situation both unexpected and beyond our control, we’re sad to have to say we’re having to postpone tonight’s Dublin Academy show.

“If you know anything about us, you know that cancelling/postponing shows is always the absolute last resort once all other options have been exhausted, especially at this short notice.

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“We’re very sorry for any inconvenience this causes anyone.

“We’re in conversation with our Irish promoter and will immediately start looking at potential date to reschedule to.

“Thank you in advance for your understanding, and we hope we can see you as soon as possible. ES x.”

Their fans were quick to issue their well-wished amid the uncertain situation.

One penned: “Sending you guys so much love hope you’re all ok.”

Another went on to write: “Hope all is ok – let us know when you’re planning to be back in Ireland!”

A third then said: “Absolutely gutted as flew here solo from Brighton especially *but* sending everyone so much love and hope, and thank you for still being the reason I finally visited Ireland!”

Before a fourth commented: “Sending love as this can’t have been an easy decision, get well soon.”

Whilst a fifth comment read: “Health first always. Hope all is ok. We go again even harder on the rescheduled show to make up for this. Grá mór.”

The band were first formed in 1999 and adopted their current identity in 2003.

Their debut album, Take to the Skies, was eventually released in 2007 and reached number four on the UK Albums Chart.

Their seventh record, released in 2023, became their first chart-topper.

The group’s latest record, surprise released earlier this month, managed to chart at number 16.

ROBBIE WILLIAMS could be getting back in the studio — this time with boyband Blue.

It comes after Rob wrote the lads’ new single Flowers, which is on the setlist for the UK leg of their 25th Anniversary world tour.

Biz on Sunday’s Emily caught up with Blue members
Antony Costa, Simon Webbe, Lee Ryan, and Duncan James at the Eventim Apollo in Hammersmith, West London, this week.

The band are on their milestone tour following the release of seventh studio album Reflections.

Antony said: “We would love to work with Robbie’s people and that is the conversation that is happening.

“Karl Brazil (Robbie’s music director) is very much on our side.

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“He is championing Blue and us and the lads have spoken to Karl separately and together.

“You never know, watch this space.”

Antony revealed that Robbie reached out to the band after watching their story on the BBC documentary Boybands Forever.

He said: “It resonated with him because we were all young and he was a young lad in Take That.

“Take That went on a different journey than us, but we still wanted that same goal.

“Robbie has always been there and he’s been a big supporter of me and the boys.”

Duncan said: “We’re so lucky that after 25 years we’re still getting to sell out gigs, still touring around the world and we’ve got the adoration from the fans.

“We’ve had the nod from Robbie to write that song for us, so it’s almost like the industry is opening the door again and we’re feeling the love.”

Of their new hit Flowers, Duncan added: “A lot of people have said it sounds like a Robbie song as well.”

Blue are one of the few bands still touring with an original line-up.

Simon said: “One of the reasons we have stood the test of time is all four of us wanted to be in a boyband.

“Most are full of members who want to be solo artists but weren’t good enough.

“So all of a sudden you’ve got egos.

“We don’t understand why bands argue or why they don’t get on because when you’re a team, you’re a team player.”

The boys are playing at London’s Royal Hospital Chelsea on June 11.

I will get my prosecco and picnic blanket ready.

Tickets are on sale at myticket.co.uk.

Meanwhile, the band revealed Ellie Goulding got them to perform at her 70s-themed baby shower in January, ahead of the birth of her daughter Iris.

The boys sang their 2002 track One Love with Ellie.

Duncan added: “We didn’t realise she was a big fan of our music.”

SAM THOMPSON is stepping down from his role on Love Island: Aftersun.

The 2023 I’m A Celeb winner has been a panel regular on the spin-off since his stint in the jungle.

But an insider revealed: “Sam’s schedule is jam-packed and producers are going in a different direction so there’ll be a bit of a shake-up on Aftersun.

“ITV is really keen on harnessing new talent, especially plucking from its pool of influencers and TikTokkers to boost ratings.

“Sam may well return as a guest, but he won’t be a regular.”

A spokeswoman for Sam said: “He absolutely loved his time as part of the Love Island team and the show will always have a special place in his heart.”

NOEL SHOWS HIS SCENTS OF STYLE

NOEL GALLAGHER might have a thing for cigarettes and alcohol – but he also likes more refined smells, too.

The Oasis great shares the same taste in scent as suave Thirties and Forties playwright and composer Noel Coward.

He visited bespoke perfumer Azzi Glasser at her London studio.

Azzi, who has created scents for Kylie Minogue, Tom Hardy And Jude Law, charges £1,500 for a “fragrance workshop” to create a one-off scent to match your personality.

Noel spent £400 on candles and chose Vetiver scent by Floris London – favoured by Noel Coward.

Azzi revealed that Noel is also a fan of her £259 Mystere Vetivert.

She said: “It smells like you’re wearing a million dollars.”

IS THAT MADGE? CORSET IS

MADONNA returned to Coachella in the same jacket and corset she performed in 20 years ago as she joined Sabrina Carpenter for her headline set on Friday.

The sparkling duo performed the Queen of Pop’s hits Vogue and Like A Prayer before launching into a new song, I Feel So Free, from Madonna’s long-rumoured new album, Confessions II, set for release on July 3.

Madonna was delighted to stand four inches taller than Sabrina, who is just under 5ft.

She told the crowd: “The other thrilling thing I need to point out to everybody right now is this is probably the first time I’ve ever performed with someone who’s shorter than me.

“So, thank you for giving me that experience.”

In response, Sabrina shouted, “Amen!”.

Cute as a button.

’ROACHES ROLLING OUT AGAIN?

ROLLING STONES fans reckon there could be live dates on the horizon under their alias, The Cockroaches.

Rumours started after the rockers updated their website to include a poster of a 1977 surprise gig at El Mocambo Club in Toronto, attended by Princess Margaret , which was billed as a gig by The Cockroaches.

Keith Richards also posted a cryptic comment saying: “Great fun though huh?

A good rhythm section, a couple of mates, where else can you go.”

A source said: “There is a lot of buzz about this as next year it will be 50 years since the Stones last played live as The Cockroaches.”

TALIA MAR is hoping to work with DJ Sigala again.

The pair collaborated on 2022 dance track Stay The Night.

Asked if she would like to work with him this year, Talia told me: “Oh my God, yes. I was talking to him the other day. He is summer. I was like, ‘Can we get some new music please, because it is summer?’.”

Talia who has released new track Lady, will play at London’s Courtyard Theatre on May 16.

She said: “I want it to be really casual, I don’t want it to be glitz and glamour.

“Stripping it down is a really lovely moment.”

TIM’S CHILL TIME DOWN TO A TEE

TIMOTHEE CHALAMET has been enjoying some chill-out time on the beach.

After watching Justin Bieber at Coachella with his girlfriend Kylie Jenner last weekend, he headed for Miami to relax.

The Marty Supreme actor paid homage to his movie with a “Supreme” Wu-Tang Clan tee.

Tim was later seen catching some rays shirtless and sipping on a Coke.
Lovely.

AFTER the whirlwind success of No1 hit Stick Season, Noah Kahan didn’t rush back into the studio.

In fact, he stopped completely. Facing writer’s block and still processing everything that had happened, he stepped away for six months, forced to rethink not just the music, but what success meant.

His 2022 album Stick Season — rooted in Vermont and exploring mental health, identity and small-town life — transformed the singer from a cult folk artist into a global name.

Topping the charts in the UK, the record was also certified multi-platinum in the US, where it sold over four million copies and had billions of global streams.

Kahan was nominated for a Grammy for Best New Artist and the emotionally raw, nostalgic and deeply personal record was widely seen as one of the defining albums of the decade.

“I just couldn’t write for a while,” he confesses. “When I first got off the road, I didn’t make any music in a long time.

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“I spent months not doing anything and it was painful because I like to be busy.

“It took so much strength for me to push that feeling away.

“I’m aware of how rare the moment was, how big the moment was and how lucky and fortunate I was, but my whole life I was trying to prove to people that I had a place here. So when the huge moment was happening, instead of being like, ‘Yeah, I made it’, I was like, ‘Oh my god, how am I going to stay here?’.”

That pressure quickly took its toll. Kahan said: “Writer’s block is such a lonely feeling — it makes you feel like your value’s been taken away. I felt completely unable to open up about it, but I ended up reaching out to friends.

“Marcus Mumford really helped. He understood what it’s like to be under a lot of pressure and afraid of failing and gave me great advice.”

Kahan also had to redefine success. It was not chasing numbers — just being able to make music was enough.

He says: “I learned the hard way about burnout. Success is a double-edged sword. I’ve always said if I had any, or if my tour sells out, I’d be happy. But the second it sells out, you’re looking at the next thing to achieve.

“Starting off this new album was really scary. I had to realise I didn’t need to be the biggest artist in the world or where Stick Season took me. I didn’t need to be successful to be loved.”

Kahan is in London for a few days to promote The Great Divide, his fourth studio album, which is out next Friday.

Taking time off to reset both mentally and emotionally was essential to writing again.

“I’ve struggled with my mental health,” he says candidly.

“But I was struggling more than anybody knew. I’ve struggled with anxiety, depression and body dysmorphia, but it was the OCD that I hadn’t figured out.

“I was diagnosed with OCD last year. It’s not about washing my hands a thousand times — it’s obsessive thinking. I was struggling with a lot of self-esteem and confidence issues, but I’d never dealt with anything so acutely like OCD. I’m supposed to be the singer who’s open about his mental health, but I felt so much shame.

“I needed medical intervention and therapy, and I didn’t want to be open about that because I was afraid. It was frightening as I’d been stripped of

this thing I loved.

“I couldn’t express myself through music any more, and so I didn’t tell anybody and it came to a breaking point.”
Through help and time, Kahan started to recognise his disorder in ways he hadn’t before.

“Now I wake up knowing my day is not going to be decided by what I see on my phone,” he says when discussing how therapy has helped him.

“Before, I’d have 700 brilliant words of praise, but it would be the one negative word that would shatter me. For a long time, I thought I was crazy.”

In August 2025, Kahan married his longtime partner Brenna Nolan, bringing a new sense of stability to his life.

The singer has also made a Netflix documentary — Noah Kahan: Out Of Body. It captures this difficult period, which he sees as part of his healing.

He says: “Making the film was a strange but amazing process. Having people follow you around took time to get used to, but they captured a really honest moment for me. Watching it back with my family was emotional. It showed how we really are.

“It was hard seeing how unhappy I was then, but in the end, it told a beautiful story.”

He adds: “My family are on the new record. I love the song American Cars. It’s about my sister.

“Whenever things were tough at home, she’d drive up from New York in a rental car, sunglasses on, just a total badass.

“She’s a surgeon, she just gets things done. She’d come back and help us through it, and the song came from that. Like, you need to come home and help fix this.”

The Great Divide is an album about friendship, miscommunication, regret and personal growth, and the title track became the guiding, emotional “north star” of the record.

He says: “Yeah, The Great Divide is really about a friendship that didn’t work out — one where I wasn’t able to express myself.

“And then there’s a song, Dan, which is about the opposite — being open, telling each other how much you care, facing hard truths. It ends in a way that really encapsulates the whole record. It’s probably my favourite song we made.

“There are a lot of stories,” he adds.

“It’s very emblematic of my childhood and a lot of people’s, young men in particular. Talking about feelings or asking difficult questions can feel like more discomfort than it’s worth, but the consequence is you don’t really know someone as well as you think you do.”

It’s an expansive album with 17 tracks, including the gorgeous We Go Way Back, Willing And Able, Haircut and Porch Light.

He adds: “I can’t wait to see crowds singing back Willing And Able, and Haircut started from that idea of someone coming back to town changed — like they’ve outgrown it. I felt like I’d become that person, only going home for inspiration instead of really being there.

“The song is almost someone singing to me, saying, I’m glad you’ve figured things out, but at least I’m still here and still real. You’ll leave again, and we’ll still be here. That’s what it’s about.

“Then, Porch Light is really about my biggest fear — how I’ve changed.

“I worry about going home and feeling like people see me differently, like I’ve become this ‘Hollywood’ version of myself, too big for where I’m from. That my relationship with Vermont has been changed by success and leaving Vermont for Nashville.

“But my family has always kept me grounded. They’re so happy for me. I wanted to write about that fear you have in your head before you even pick up the phone.

“You’re always anticipating what people might think. But there’s a silver lining in Porch Light. It’s about people saying, ‘We still care about you, we’ll still be here — but you need to figure things out first’.”

And that sense of place runs throughout the album.

“Yeah, the first and last songs really frame the album — I wanted them to feel like an intro and an outro,” Kahan says.

“The first track, End Of August, is this big, building track about that time of year in Vermont . . . It’s that moment when the tourists leave and the people who live there can finally come out of hibernation — like, ‘They’re gone’.”

He’s been working with Stick Season collaborator Gabe Simon, The National’s Aaron Dessner — best known for his work with Taylor Swift, Bon Iver and, more recently, Gracie Abrams — plus Ed Sheeran and Mumford & Sons.

Kahan says: “Gabe and I are really close — we went through a lot making Stick Season, so on this album we leaned on each other. He’s like a brother and the perfect person to go through this with.”

Aaron Dessner brought calm, structure and creative balance to the process.

“Aaron came in early on, but I was intimidated at first,” admits Kahan. “I looked him up on Wikipedia and was terrified of his success. This guy’s a legend.

“This was where Taylor Swift writes and Justin Vernon (Bon Iver), who works with Aaron, is my hero. Aaron has a magic to his music — a real understanding of what an artist is trying to say. But he’s a sweet, calm man who lives a very humble life in upstate New York on a farm.

“I needed him to stabilise me creatively. He is regimented in how he makes music and I need a routine. He is an amazing producer and this album sounds so f*****g cool because of what Aaron did.”

The sound on the new album is more expansive than Kahan’s earlier music and includes horns, guitar and richer production.

He says: “Honing on a sound and a theme started the process. Aaron’s place had dirt bikes, fishing rods and skeet shooting — all the things that I grew up doing.

“We couldn’t make the music in Vermont this time and the setting was really important, feeling connected to nature and beauty.

“It’s hard for me to make music in a city. Whenever I’m in a city, all I write is, ‘Get me out of the city’ songs.”

He adds: “We were also still in the middle of touring and I was over the Stick Season songs.

“There’s a lot of electric guitar on the new record, and bouzouki and mandocello, instruments we haven’t really used before. It’s a new confidence, but having spent three years on the road, I just want to make music that’s exciting to play live.”

It’s the connection with his audience that remains key.

He says: “I love it when I see fans singing back my songs as it means they’re feeling it.

“I’m always honoured when someone says my music has helped them to reach out for help. Though it can be overwhelming when people tell me they’re struggling with difficult thoughts.

“I don’t always feel equipped to handle that and I worry I’m not helping in the way they need. It’s hard when you feel you’re letting someone down.”

Now, his attention is focused on bringing the album to the stage.

He says: “I’m looking forward to playing these new songs. This record tells a story, so we’re working on the stage design, setlist and lighting to tell that story. We’re playing stadiums now, but I want fans to still have an intimate experience.”

Kahan returns to historic Boston baseball stadium Fenway Park, the home of the Boston Red Sox, for four nights this July.

He will also be back in the UK, including three nights at London’s O2 in November.

He says: “I’m excited about those dates, but my dream is to play Stamford Bridge.

“It’s my favourite sport and I love Chelsea FC. But I was told you can’t play there. I’ve achieved so much already, but that is my ultimate dream.”

• The Great Divide album is out next Friday, April 24.

NOAH KAHAN – The Great Divide

★★★★★

SHE was 35 and in her prime when Smash Hits magazine published images of her parading the stage in a skimpy bra – and scoffed: “Calm down, grandma!”

But the cutting headline, which accompanied a review of her Girlie Show tour in 1993, did nothing to deter the uniquely stylish Madonna.

In a career spanning more than 40 years, she became the hottest female singer in the world, selling over 400million records.

But through it all, the Queen of Pop faced intense backlash over her appearance.

Critics have judged everything from her cone bra in 1990 to her Met Gala “bondage”-style outfit in 2016, when she was 57.

But now, as Madge prepares to return to the spotlight with her 15th studio album, she has done what many thought would never be possible.

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Aged 67, she is finally cool again.

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

Now, Confessions On A Dance Floor: Part II is promising to be a continuation of the project.

And Madonna is still not letting her age define her fashion, posing in a blue leotard, fishnets, a silver jacket and shades in a defiant photo to promote the record.

A music insider said: “Madonna has locked in for this project and it’s not at all what you’d expect from any other woman who is nearly 70.

“It has roots in New York house music and rave culture and her record label believes it will usher in a whole new generation of fans.

“Confessions 1 showed Madonna at her coolest and, after straying into other genres on her last few albums, this feels wonderfully authentic.”

Madge is yet to release the album’s first single, but she has been steadily building a Gen Z fanbase, who have been discovering her back catalogue.

Last month, her 1985 chart-topper Into The Groove returned to the Top 20 after going viral on TikTok.

Cruz Beckham, KSI, Aitch and Sam Thompson were among those who shared videos of themselves dancing to the song 41 years after it was a No1 hit.

And she is heavily tipped to make a live return tonight at the buzziest festival of the year alongside one of the world’s hottest young pop stars, Sabrina Carpenter, 26.

The Espresso singer will headline the second weekend of Coachella in California and has extended her set by ten minutes, further fuelling industry whispers that Madge may join her on stage.

It would be the veteran pop star’s first performance there in 20 years. She delivered a memorable set in 2006 following the release of her first Confessions album.

Sabrina idolises Madonna as a blueprint for pop music — and there are suggestions they may have collaborated on a song.

In 2024, she paid tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and so exactly how you expect her to be — just, like, so magnetic.”

Many of the current crop of pop starlets have named Madonna as their top inspiration.

Dua Lipa has said her 2020 No1 album Future Nostalgia was heavily influenced by Madge, and she worked with her on a remix of her song Levitating.

Jade Thirlwall said last year: “She is one of the best pop stars we will ever get.”

In fact, Madge has such pulling power, supermodel Kate Moss, plus film stars Benedict Cumberbatch and Gwendoline Christie, are set to have cameos in her comeback music video.

It is a sea-change from previous generations who used Madge as a verbal punching bag.

When asked to name the most overrated person in pop, Lily Allen once said: “Madonna. She might have meant something once, but I don’t know many people my age who care.”

And Lady Gaga insisted she could not be compared to the megastar, explaining: “I play a lot of instruments. I write all my own music . . .  I’m a producer. I’m a writer. What I do is different.”

On Wednesday, Madonna released a snippet of upcoming track I Feel So Free, which heavily samples the 1989 house tune French Kiss by Lil Louis.

The original features more than two minutes of sex noises — something which seems fitting for pop’s most notorious provocateur.

For Confessions II, Madonna has teamed up again with British producer Stuart Price, who was musical director on her 81-date Celebration Tour in 2023 and 2024.

Meanwhile, her boyfriend, former footballer Akeem Morris, 29, is regularly seen dancing and larking around with her in videos on TikTok, where her clips have been liked over 45million times.

Last month, Madonna was in Venice shooting for the second series of the Apple TV show The Studio, in which she will appear opposite Julia Garner.

But now it is full steam ahead with her music, after re-signing with Warner Records — her label for the first 24 years of her career.

Madonna said of her new album: “When Stuart Price and I first started working on this record, this was our manifesto: We must dance, celebrate and pray with our bodies . . .  To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people.”

Gen Z will not know what has hit them . . .