rock music

AN X Factor star has mysteriously pulled out of a major festival gig for “unforeseen” reasons.

The 30-year-old shot to fame on The X Factor in 2012 and went on to enjoy huge success as a musician.

The In It Together festival, which takes place this month in Wales, has announced that X Factor star Ella Henderson will not be appearing this year.

Taking to social media they said: “We’re very sorry to share that Ella Henderson has unfortunately been forced to cancel some of her upcoming appearances due to unforeseen circumstances, and as a result will no longer be appearing at In It Together Festival this year.

“We completely understand and support Ella’s decision, and we want to send our love and very best wishes to Ella and her entire team at this time.

“We sincerely hope to welcome Ella to In It Together in the near future.”

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The statement continued: “While we know many of you will be disappointed, we’ve worked tirelessly behind the scenes at the last minute to secure a huge replacement artist and someone you absolutely do not want to miss.

“Join us on Sunday at 2PM on the Together Stage for the official reveal. Trust us… this is BIG.”

Ella found fame on the ITV talent show in 2012 aged 16 where she wowed judges with her rendition of Cher’s Believe before reaching the live finals.

But she finished in sixth place behind winner James Arthur.

Following her stint on the show, Ella went on to sign with Simon Cowell’s label Syco Music and released her first studio album, Chapter One, with the music mogul in 2014.

During her time with label, Ella scored several hits with her single Ghost, which she wrote with the American writer producer Ryan Tedder, and emotional ballad Yours.

She went on a four-year hiatus in 2015, and released her second studio album, Everything I Didn’t Say, in 2022. It became her second top 10 album in the UK.

Ella has received the Brit Billion Award, and nominations for four Brit Awards and an Ivor Novello Award.

MUSIC fans were divided after Oli Sykes slammed them for leaving his band’s gig early.

Oli, 39, fronts the massive band Bring Me The Horizon and went on the rant at their recent gig in Nashville, USA.

Kneeling on the stage wearing a large cowboy hat with a pink feather hem, Oli angrily pointed in the direction of the crowd in a video posted to TikTok by user @professionalconcertgoer.

“Now I start seeing t***s leaving early to beat the traffic… I can see one there, that c***t and he’s a VIP one too,” Oli said looking into the audience.

“Why did you pay all that money for?”

Fans of the band explained their reasons for needing to leave gigs before they finished and also slammed Oli’s attitude.

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“I always think it’s wild when artists talk about the fans that lined their pockets like this. I thought better of Oli,” wrote one person in the comment section of the TikTok.

Another added: “Oli my brother in Christ the last bus / train home is like 10:45 we have to leave early or we’re sleeping on the street.”

But a third commented: “I’ll never understand why people leave early. I’ve done it a couple of times and have regretted it every time.”

While a fourth posted: “He said this in toronto too, i felt bad but he’s gotta take it up with go transit 😭 if i miss my train i’m stranded in the city, i don’t have money or a credit card to get a hotel for the night.”

Bring Me The Horizon formed in 2004 and have released six studio albums.

They have been nominated for two Grammys and this year won a Brit for Best Rock/Alternative Act. They’ve also scooped seven Kerrang! gongs in a career that dates back 20 years.

There was no greater sign of a mainstream breakthrough than when they collaborated with Ed Sheeran for a souped-up version of his hit Bad Habits at the Brit Awards in 2022.

Adding rocky riffs and synths to the catchy pop tune, the heavier element clearly thrilled Ed who performed the collab with a big grin.

Last year, Oli officialy became a dad after his Brazilian model wife Victoria Alissa Salles Silva announced she had given birth to twins.

In an Instagram post, she shared an image of the tots – writing, “amor infinito,” which translates to “infinite love”, adding, “grey & zélia.”

IN northern Arkansas on the banks of South Fork Spring River in the region known as the Ozarks, you’ll find a tiny settlement called Saddle.

Today, it comprises a modest Baptist church, an old timber-clad general store turned events venue (now up for sale) — and very little else.

Not so far away, out in the wilds, is the farm where country star Ashley McBryde grew up.

It is the place where she first picked up a guitar and discovered her passion for music, the starting point of her journey to the world stage.

Along the way, she rebelled against her strict preacher father, sang in biker bars, acquired the striking collection of tattoos adorning both arms and fought alcohol addiction.

Yet her inspirational climb has taken her to country music’s spiritual home, the Ryman Auditorium in Nashville and the O2 Arena in London for the C2C festival.

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And next month she will support a titan of the genre, Garth Brooks, at Hyde Park in front of 65,000 people.

Since becoming sober in June 2022, Grammy-winning McBryde is making some of the best music of her life, and she’s doing it by returning to her roots.

On one of the rousing songs on her fifth studio album, the aptly titled Wild, she sings these lines with mighty conviction…

“It’s in my throat, it’s in my bones, it’s on my boots and in my blood. That Ozark streak sureе runs deep and it sticks to me like that Arkansas mud.”

I tell her that my only experience of her childhood stomping ground is the TV series Ozark about a Chicago family who decamp to the area, for money- laundering reasons as you do, where they encounter small-time hillbilly criminals.

“Yeah, I’ve known some characters like those,” says McBryde with a knowing smile. “They did a great job on Ozark.”

She is one of a new breed who has learned to accept “the Nashville machine” while remaining true to themselves.

“I’ve done a good job, not a perfect one, of being inside the machine but also sticking to my guns,” she affirms.

“It’s an industry that asks the brunette to be blonde and the girl that’s 5ft 3in to be 6ft.”

At times, McBryde felt she was “falling short of being shinier, blonder, skinnier” but, she adds hand on heart: “You’re just not getting rid of what’s in here.”

In the same bracket, you will find two big bearded male artists keeping it real — Luke Combs and Chris Stapleton, who are among America’s biggest selling artists right now.

These are the natural successors to the original country “outlaws,” who include McBryde’s hero Kris Kristofferson, fellow Arkansawyer Johnny Cash and last man standing Willie Nelson.

She delivers kick-ass songs, drawing on rock and roll as much as anything, but she can also turn her intuitive talents to tear-stained balladry or a country-pop masterclass like recent single What If We Don’t.

I’m meeting the vivacious 42-year-old during her whistle- stop visit to London, and we find ourselves beside a picture window overlooking Kensington Gardens filled with people catching the glorious spring sunshine.

I can’t help sensing the contrast between the swish hotel suite in a teeming capital city and Ashley McBryde’s isolated upbringing that is, in part, the inspiration for her new album.

Taking my cue from the name of her album, I ask her if she was a “Wild” child.

“I think I was a good kid but I was also in trouble a lot,” she replies.

“I asked a lot of questions that people didn’t want to answer. They didn’t care for a child who wanted to know why things had to be a certain way.

“But I was always out in the woods, dreaming up this or that. I would be one of the X-Men, making swords and guns out of sticks.”

The youngest of six, she paints a picture of her childhood that conjures up classic American literature — Little Women, Tom Sawyer or Little House On The Prairie.

In fact, every night her “angel” of a mother would read her a chapter of the latter book as well as one from the Bible.

“I didn’t own shorts until I was an adult,” continues McBryde.

“Because my legs would get so ate up with tick bites from being out in the briars and thorns. It was a very physical existence.

“We worked real hard. We had cows, chickens and horses but my favourite thing about it was I could go wherever I wanted.

“I could go out walking for a whole day. I remember one time I asked mom if I could camp out for the night.

“She said, ‘Why would you want to do that?’ And I said, ‘I just want to cook my soup on a campfire’.

“She was like, ‘Well, knock yourself out’.”

But there was a duality to life in this rustic idyll because McBryde’s farmer and preacher father, William, imposed his strict religious beliefs at home.

This perhaps explains why she has been singing the late Randall Clay’s storming Rattlesnake Preacher live for several years and why, finally, her studio version opens Wild in such uncompromising fashion.

“There was freedom even though we lived in a very, very rigid household,” says McBryde.

“It was all right as long as what you wanted to do was within the parameters of what was considered to be right.

“So there was nothing wrong with going for a walk or riding a horse or digging a hole or learning to play a guitar. Those things were totally OK.

“But it was very much a case of the man being the head of the family, the way Christ is the head of the church — and anything that went against that could go to hell. There was no break.”

Although she was generally expected to attend church on “Wednesday night, Sunday morning and Sunday night,” sometimes even that was off-limits “if they were doing something that my father deemed not in alignment with his book”.

This brings McBryde to an extraordinary revelation: “To my knowledge, my father has still not listened to my music.”

That said, she admits that he had to hear one of her songs, Bible And A .44, written about him and appearing on her debut EP in 2016, Jalopies & Expensive Guitars.

It includes the lines: “He taught me how to hunt and how to love the Lord/He carried a Bible and a .44/And they just don’t make ’em like that no more.”

McBryde says: “I sang it to him after I wrote it. He told me, ‘You painted me in an awful nice light. I wish all of it could be true.’

“And I said: ‘You don’t see what I see because you’re not looking at what I’m looking at.’

“It was a nice way to give him a break from being the villain because a lot of the time he was. There were really great qualities about him, too.”

As for her beloved mother Martha, she says: “She’s an absolute angel. I don’t think she’s ever done anything wrong.

“She can make you an outfit right now while she’s making you a casserole while she’s praying for someone who has lost a limb.”

It was in this old-school world that McBryde developed her love of making music, becoming enchanted by the songs of the rugged Kristofferson and the more polished John Denver.

“I knew I wanted to be a singer and a songwriter from a really young age, even before I was a teenager.”

She knew she was on the right path when, after leaving home, she “started making enough playing in bars not to wait tables anymore and to keep the lights on in my apartment”.

A rebel at heart, McBryde recalls playing biker dives and, like the clientele, she got tattoos, wore leather and drank heavily.

As she tried to get a foothold in the country music scene, there wasn’t much hope “for a non-blonde who was covered in tattoos”.

“I did meet a lot of friction,” she says. “Some labels were not in any way interested.”

But her irresistible talent was spotted by, among others, Eric Church, another country star who likes to say it how it is.

“He was a great champion,” says McBryde. “A great name to be associated with because of the way he makes records and the way he approaches music.

“For him to say, ‘I like this songwriter’ does open a door.”

Evidence of that door being opened arrived in 2018 when McBryde’s major label debut, Girl Going Nowhere, was released on Warner Nashville, including one of her signature songs, A Little Dive Bar In Dahlonega.

It’s about resilience in the face of a break-up and, among its references to drinking is the line, “We’ve all got a number we don’t wanna drunk dial.”

I guess it alludes to another aspect of McBryde’s life because, running parallel to her early years in the business, was a dependence on alcohol, which she’s finally coming to terms with.

One of her new album’s most captivating songs is the beautifully sung ballad Bottle Tells Me So.

“I didn’t want to have a problem with alcohol but, like it or not, it’s part of my story,’ admits McBryde. “And I didn’t want to talk about it for a long time.

“I was either drinking, drunk or hung over at all times – and that’s really tough.”

In 2022, matters came to a head when, on the advice of her team, McBryde went into rehab.

Now proudly four years sober, she says: “Writing Bottle Tells Me So was a way to acknowledge it without saying, ‘I’m sober and you should be too.’

“You don’t want to preach but life is so much better for me now that I don’t drink.

“In that song, I’m not saying I’m never going to drink again. There’s no shame involved.”

In explaining why a habit that began while “acting cool and hanging with friends”, McBryde says: “I’ve heard it said that the addicts of all types aren’t addicted to any substance.

“They’re addicted to not feeling their feelings. I would say that is spot on for me.

“Not consuming alcohol anymore is probably the simplest part of becoming sober. You have to completely re-meet yourself and rewire everything.”

McBryde says she feels “1000 per cent” better, both physically and mentally. “I look better and I feel better. Despite still feeling anxious, I’m stronger than I knew and that makes me happy.”

She recalls her first show after leaving after getting sober: “I left treatment on Tuesday, got in the bus on Wednesday and was on the stage on Thursday.

“It was my first time being more than 30 days dry and it was the most terrifying, coolest thing I will ever experience.

“I was worried and asked myself, ‘What if I can’t do this?’ But I got out there and was spot on. Bullseye! Now I’m at the top of my game.”

McBryde is undoubtedly dialled in on Wild, produced with sparkle and empathy by John Osborne of country duo Brothers Osborne.

“John’s magical, playful and curious,” she says. “When I try something, he will say, ‘If you love it, we keep it. If you hate it, we toss it.”

It’s a healthy state of affairs for an artist who is increasingly cherished by the country music establishment in Nashville.

She says: “My friends and I always joke, ‘You can never change where the machine is headed unless you climb inside the machine.’

“I want to make music that people will hear. I like being able to make your guts hurt.

‘And the only way to get it heard is to abide by certain rules.”

One her proudest achievements is becoming a member of Grand Ol’ Opry, showcase for the greats from Hank Williams (even if he did get banned) and Patsy Cline onwards.

“I love it,” says McBryde. “Just thinking about it now, I smile so big. My face is complete cheese.”

And there we have it. Ashley McBryde, force of nature, born and raised in the Arkansas Mud but reaching for the stars.

ASHLEY McBRYDE Wild

4.5 STARS

THE Beatles and the Rolling Stones both launched their latest albums yesterday – on separate continents. 

It was a case of let’s attend the knights together in honour of British rock royalty, Sir Paul McCartney and Sir Mick Jagger. 

At London’s fabled Abbey Road Studios, where the Fab Four recorded nearly all their songs, Macca held a lunchtime listening party for his latest LP, The Boys Of Dungeon Lane (out May 29). 

Then, in New York City hours later, Sixties chart rivals Jagger and Keith Richards as well as the later arrival to the ranks, Ronnie Wood, were seen strolling out of a Brooklyn theatre at the launch of their album, Foreign Tongues (out July 10). 

In a neat twist, Sir Paul plays bass on new Stones track Covered In You, recorded at the same session as his contribution to Bite My Head Off from 2023’s Hackney Diamonds. 

And BOTH albums were produced by American hotshot producer Andrew Watt, known for work with Ozzy Osbourne and Lady Gaga. 

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Before a select audience of fans and “my lovely son James” in Studio No2, McCartney, 83, introduced all fourteen tracks on his heartfelt 21st studio effort. 

For nearly two hours, he filled the time with fascinating anecdotes, playing select chords on his acoustic guitar and even mouthing some of the lyrics.  

Many songs have nostalgia-filled backstories, including As You Lie There about unrequited love for a girl called Jasmine. 

The “trippy” Mountain Top recalls Glastonbury, where he headlined in 2022, while Down South is about hitchhiking trips to Wales with George Harrison. 

Elsewhere, there’s a first-ever duet with fellow Beatle Ringo Starr on new single Home To Us, also featuring Chrissie Hynde and Sharleen Spiteri. Salesman Saint is a moving tribute to Macca’s parents, Jim and Mary. 

Meanwhile, the Stones also heralded their album with the release of a single, In The Stars, the follow-up to Rough & Twisted, a limited edition vinyl single which appeared under a pseudonym, The Cockroaches. 

Then Oscars host Conan O’Brien hosted a Q&A session with Mick and Keith, both 82, and Ronnie, 78. 

Besides McCartney, other guests on Foreign Tongues (also 14 songs) include The Cure’s Robert Smith on three tracks and Steve Winwood. 

SIMON Cowell has revealed he is thinking of bringing back The X Factor, nearly eight years after the ITV talent contest was axed.

Over its 14-year run the show discovered huge acts including One Direction, Little Mix, Leona Lewis and Olly Murs.

And now the music mogul is considering a revival for the Gen Z years, following the success of his Netflix show The Next Act, which spawned rising pop stars December 10.

Simon told TV presenter Jamie East on his new podcast Tales From The Celebrity Trenches: “Do you bring it back as X Factor or do you bring it back as the Z Factor? We talk about it a lot.

“There’s still no question — the power of TV in terms of getting people to know an artist.

“It is so important if you are not writing your own material.

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“There is something about being on a big screen.

“You do hear about these artists who break online, but so rarely.

“We could have made [The Next Act] online.

“I just don’t think it would have had the same effect.

“The truth is, thank God, people like being on TV.”

Running such a huge talent show is not always plain sailing, but Simon had a distinctly New Age solution when the stresses got just too much while filming The Next Act.

He turned to crystals.

Simon recalled: “We were running out of money so I did have a little mini meltdown.

“And then I just sat with my crystals and they just comforted me.

“I can feel the energy.

“I thought it was kind of comforting having the crystals rather than everyone in my ear driving me crazy.”

He added: “I definitely believe in the powers of the universe.

“I feel that if you can harness the power of the universe to try and make your mind just calm down for a moment . . . ”

I don’t think I’ll be swapping a medicinal glass of rosé for rose quartz any time soon, but each to their own . . . 

Kylie in Michael tribute

Kylie Minogue will pay tribute to late boyfriend Michael Hutchence in her new self-titled Netflix documentary.

She confirmed yesterday that the Inxs frontman will be included.

In a first-look trailer, Kylie shared photographs of them together while they dated between 1989 and 1991.

Despite splitting, Kylie stayed close to fellow Aussie Michael until his death aged 37 in 1997,

She said previously: “He was a dark bad boy and I was the pure good girl.

“He opened up a whole new world for me.”

The three-parter will also feature Kylie’s friends and family talking about highs and lows she has faced, including her breast cancer diagnosis in 2005.

Kylie is heard saying off camera: “I felt removed from my body.

“I was so scared of what was ahead.”

Her sister Dannii can then be seen welling up as she says: “We didn’t know if she was ever going to well again.

“I just wanted to be with my sister.

“Music kept us going.”

Fans will have to wait until May 20 to watch the series in full.

Hol lotta Caity

Caity Baser was hostess with the mostess as she opened a beach club in the back garden of her seaside home.

She squeezed into a tight blue dress and posed with bunting and flowers at the party to mark the release of new single Holiday Song this Friday.

The singer’s pal Joel Corry was drafted in as DJ for the bash in Brighton.

She ordered a tonne of sand to turn her garden into a beach – but revealed to TikTok followers that she ordered builders’ sand by mistake.

She referred to her makeshift club as Ibiza Crops – a reference to Ibiza Rocks on the White Isle – but was dreading the prospect of clearing it all up afterwards.

If the release of the single goes as well as her party, she’ll have a very fun summer.

Jack Cullen began his first headline European solo tour in Bristol last night, and has a long slog in front of him.

The musician, who released single Face To Face on Friday, will play across the UK in the next few days then head to Brussels, Cologne, Amsterdam and Berlin.

He’ll then Run 22 marathons in 22 days – back from the German capital to London for the tour’s final night, headlining Oslo in Hackney on June 12.

Live gigs in Dolldrums

Pussycat Dolls, Post Malone and Zayn Malik have all cancelled North American tours in the past week – and it’s the clearest sign yet the live music economy is about to turn.

Last summer was one of the best-ever for gigs, with Oasis, Dua Lipa and Coldplay selling out stadiums, while Radiohead, Lewis Capaldi and Tate McRae played to packed arenas.

But ticket prices have only continued to rise since live shows returned after Covid, and now it’s clear punters have had enough of greedy artists taking advantage.

Shows are already hugely expensive in the UK, but over in the US, the prices are even higher.

Suki Waterhouse, Ella Mai and Logic and G-Eazy’s tours there later this year are also struggling to shift tickets, with fears they could be axed too. It’s only a matter of time before we see a similar knock-on effect in the UK.

Even some major tours here this summer are yet to sell out, after insatiable promoters added strings of dates and pushed artists into bigger and bigger venues.

As you know from this column, I love a good concert.

But at a time when everyone is strapped for cash, paying through the nose for a couple of hours of singing is just not an option for many.

So if the music industry keeps moving like it is at the moment, it’s only going to turn people off altogether.

It’s a three-horse race to the No1 album spot this Friday, with Mel C, Michael Jackson and Kneecap all battling it out for the prime position.

Just under 3,000 chart units separate third place from the top spot, so it’s all to play for.

Kneecap are currently at No1 with Fenian, closely followed by Mel’s Sweat and MJ’s 2005 compilation album The Essential, which is back in demand after the Michael biopic.

Pete aims for Kyle collab

Pete Doherty is recruiting The View’s frontman Kyle Falconer to collaborate on songs for his next solo album.

They previously worked together on Pete’s track Midas Touch, on Kyle’s recent LP Lovely Night Of Terror.

Now Kyle has revealed he visited Pete’s home in the South of France and will return soon to work with the Libertines rocker, right, again.

He said: “I was just over in France to see him, we’re talking about loads of stuff.

“It was all very arty. We were painting together, and talking about films.”

Pete’s last solo effort was 2025 album Felt Better Alive, while the last Libertines record was 2024’s All Quiet On The Eastern Esplanade.

Two years ago Kyle moved to Alicante in Spain with his wife Laura and their four kids.

He now runs songwriting camps from his La Sierra Casa studio, and said: “The camp is getting bigger and better every year, and we’ve just moved to a new place.”

Celebrity treasures on sale

War Child is back with its Spring Clean auction – packed with some of the most random and brilliant celebrity treasures going.

Fans can get their hands on Alan Carr’s Isabell Kristensen blazer from RuPaul’s Drag Race, and even a signed Devil Wears Prada 2 script donated by Stanley Tucci.

There’s a Fantastic Four script signed by Vanessa Kirby, plus one of the strangest items on offer – the infamous radish prop from Netflix’s Beef, signed by the cast.

You can also win a private film screening and lunch with Simon Pegg.

Meanwhile, sci-fi lovers can snap up a personalised photo signed by X-Files co-stars Gillian Anderson and David Duchovny.

Music lovers are also in for a treat, with signed setlists and memorabilia from Robbie Williams, The 1975 and Coldplay all among items up for grabs.

It runs until May 27, and will raise money to support children in war zones. See springclean.charitystars.com to get involved. Prize draw entries start at £10.

Liz up to sun-thing

Lizzo is lapping up as much sun as she can before she kicks off the promo for her new album, Bitch.

The Truth Hurts singer shared this snap with her 11million Instagram followers with the caption: “Best Birthday Ever”.

Lizzo turned 38 last week and used her special day to announce the record, which is the follow-up to her 2022 album, Special.

Teasing what Bitch has in store, Lizzo said: “I think it’s always going to be the Lizzo sound.

“I posted a snippet of one of my new songs that’s coming out very, very soon and somebody was like, ‘The Nineties are back’.

“I love constructing and producing and creating just well-crafted music and songs.

“I hope everyone likes it.”

As a massive Lizzo fan myself, I am sure I’m going to love it.

They are one of the most in-demand couples in ­Hollywood, so what do Gen Z heartthrobs ­Zendaya and Tom Holland do in their spare time?

The British actor, above with his other half, said: “So we have been ­crocheting at home. I absolutely love it.”

“I just find it turns my brain off. I can’t do anything else and do it. I have to be lasered in.”

I’m sure he still has Zendaya in stitches . . . 

THE Rolling Stones have teamed up with The Cure’s Robert Smith for their new album Foreign Tongues.

Insiders told The Sun that Friday, I’m In Love singer Robert, 67, had recorded three tracks in secret with Sir Mick Jagger, Keith Richards and Ronnie Wood in London.

Tonight, The Stones will unveil the details of Foreign Tongues, out July 10, at a party in New York .

Sir Paul McCartney, who played bass on Bite My Head Off from The Stones’ 2023 No1 album Hackney Diamonds, is also on the new record.

A source said: “Robert secretly recorded with The Stones in Metropolis Studios in London.

“He plays guitar and synth, and did backing vocals for three of the tracks.

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“The Stones were really pleased with how the songs came out.

“Paul will appear on the album again too. They’ve had this album wrapped for a while now and The Stones are excited about releasing it to their fans.”

This afternoon, the British music legends released the first single from Foreign Tongues, In The Stars.

Hackney Diamonds, which was The Stones’ first original studio album in 18 years when it was released back in 2023, went straight to the top spot.

And Mick and co have been working hard to make sure there is just as much of a buzz around Foreign Tongues.

They kicked off their campaign by reverting back to being The Cockroaches- a moniker they used for surprise, intimate performances in the Seventies and Eighties – and dropped a track called Rough And Twisted last month.

The Stones released a limited number of vinyl copies of the song, which are so rare they’re now being flogged for over £1000 online.

And they pulled in the big guns for their first music video for the record, by enlisting Hollywood rising star Odessa A’Zion to appear in the production.

This evening, Oscars host Conan O’Brien hosted a Q and A session with Mick and Keith, both 82, and Ronnie, 78, in New York.

THE black leather biker jacket George Michael wore for the music video of 1987 hit Faith fetched £176,400 at auction.

Organisers said “a fan” bought the item, made by London fashion brand La Rocka, and confirmed it would remain in the UK.

The jacket, which George also wore on his 1988 Faith tour, features a BSA logo on the back embellished with crystals.

When first sold in La Rocka’s London shop, the jackets cost £290.

Also sold at the Propstore auction in London was a Gibson Les Paul ’59 once owned by Slash of Guns N’ Roses.

It fetched £233,100, a record for a guitar at auction.

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It was one of 327 rare instruments, handwritten lyrics, stage-used pieces, and iconic personal artefacts sold at the event, which achieved an auction total of £1.9m.

Further success came from the sale of Peter Hince’s Queen collection, which realised a total of £350,000.

Lots from the former roadie for the legendary rock band were led by Freddie Mercury’s Gold Shure 565 SD Microphone Award, the first of his microphones with direct provenance to come to market, which sold for £151,200.

Peter Hince said: “I’m absolutely thrilled with how the auction has turned out, especially seeing Freddie’s gold microphone achieve such a strong price.

“It means a lot to know these pieces are going to fans who truly appreciate what Queen meant and still means today.”

A poster signed by John Lennon, one of the last four items he signed, was sold for £75,600 and Oasis hitmaker Noel Gallagher’s Les Paul Custom 20th Anniversary Guitar also sold for £34,650.

The fedora worn by Michael Jackson in his 1987 Pepsi commercial sold for an eye-watering £34,650.

SHE’S been branded arrogant, entitled and irritating by people who’ve watched her growing up on The Kardashians.

And as I braced myself to listen to North West’s debut EP N0rth4evr, I was expecting to absolutely hate it. But in all honesty, I love it.

The six-track record proves that the 12-year-old daughter of Kanye West and Kim Kardashian does actually have talent.

She mixes heavy-metal guitar riffs with rage-rap and a flavour of the Japanese culture she loves so much.

Critics will argue that having two of the most famous people on the planet as parents would mean she couldn’t produce something that’s utterly rubbish.

But I’d argue North has a flair of originality and authenticity on all the tracks.

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She samples Mumford & Sons’ 2009 track Little Lion Man on punchy and pacy Th!s t!me, and the final 28 seconds of W0ah crunching has an electric guitar solo.

For a child who has grown up knowing only fame and privilege, North carries the expectations on her shoulders in her lyrics.

No doubt she’s had a big helping hand, working with American rock siblings Meg and Dia Frampton, but it opens your eyes to what life might really be like as a kid everyone thinks they know.

On How I Feel, North sings: “In the back of the Lamb’, it get lonely, they be all up in my comments like they know me.

“If they approach me no phones please, lot of eyes on me that I don’t need.”

While on Th!s t!me, she raps: “They hear the name, they don’t hear what I’m sayin’.

“They want the fame, but you know I ain’t playin’.”

North4evr links to Kanye’s 2018 track Violent Crimes, where he rapped about protecting daughter North from danger.

On it, she sings: “So much people ’round me, but I know they all fake, so much goin’ in my head that I can’t say.

“Know my minds in a place that is not safe.”

She balances the pitfalls with plenty of not-so- humble brags though, and on D!e boasts about her influence on fashion and culture.

The track, which contains some influences of Post Malone, has her rapping: “How am I younger than you, but I’m who you look up to?

“Once they on trend, I’m already off it.

“I’m a rock star, you could tell by my closet. Once they on trend, I’m already off it.”

The apple hasn’t fallen far from the tree, clearly.

But North West, she’s definitely on to something.

Beyonce rocks

BEYONCE’s next era is just around the corner – and she’s dropped yet another hint that her new rock-inspired album is waiting.

The singer removed all the country- inspired Cowboy Carter merchandise from her website last night as she prepares to start promoting the record.

Bey also dropped another big clue about the direction she is heading by posting a video on her website of Destiny‘s Child hanging out with Fleetwood Mac singer Stevie Nicks on the set of their Bootylicious video from 2001.

As I told you last week, Beyonce is planning to reveal all about her new record around the Met Gala in New York on Monday.

The album, believed to be called Betty Black, is the third in a trilogy of records following on from 2022’s Renaissance and Cowboy Carter in 2024.

We first revealed in July that Beyonce was working on a rock-themed album.

She hinted the record could be called Betty Black in a reclaiming of the African-American work song Black Betty which was remade in 1977 by rock group Ram Jam.

ZAYN MALIK has cancelled shows in Glasgow and Birmingham after telling fans he was ill.

He has also rescheduled the Manchester AO Arena gig to May 24.

His concert at London’s O2 Arena is still planned to take place on May 23.

Zayn said he was recovering and wanted to come back “stronger”.

Roses taxman tussle

THE STONE ROSES have been locked in a secret 13-year battle with the taxman involving their failed touring company.

HMRC has been fighting the indie rockers – who made £26million from two huge reunion tours – over an unpaid £127,000 corporation tax bill from BMSW Ltd.

Over the years, the figure has risen to £158,000. The touring firm collapsed and went into liquidation.

Documents filed at Companies House reveal the Roses tried to close down BMSW Ltd in July 2013 after the end of the first tour, with £10million being distributed to the band after paying a £3.1million tax bill.

But there was a change in HMRC policy, which meant liquidators asked the group – late bassist Gary Mounfield, singer Ian Brown, guitarist John Squire and drummer Alan Wren – for £32,000 each.

That was received badly by the lads, below, who felt “extremely aggrieved” after signing an indemnity protecting them from such a liability.

It meant the firm moved from a member’s voluntary liquidation into a creditor’s voluntary liquidation in 2022 . . .  and the battle is still going on.

Graham: Traitors turn-off

GRAHAM NORTON has ruled himself out of Celebrity Traitors – because he fancies the gossip, not the graft.

The chat show host said he would happily take a seat at the famous round table, where contestants accuse each other of back-stabbing.

Graham revealed: “I would say yes to the round table. That looks fabulous.”

But the thought of lugging barrels, climbing hills and wading through muddy missions was clearly a step too far.

He added: “I don’t want to carry s**t up a hill. So for that reason, I’m out.”
Fair play.

Betrayal is glamorous, cardio is not.

Ash African wounds all heeled

ASHLEY ROBERTS has a spring back in her step, after fearing she’d get a whack during the mad I’m A Celebrity live final.

The Pussycat Dolls singer headed home in shades and killer heels after hosting the Heart Breakfast Show in London.

Following her stint in the All Stars version of I’m A Celeb, Ash is getting ready to start rehearsals for the upcoming PCD tour.

She will hit the road with Nicole Scherzinger and Kimberly Wyatt next month, kicking off the North America tour in California.

The group will head back to the UK in September, playing nine shows.

Clues to Tay Story film tune

TAYLOR SWIFT could be heading to infinity . . .  and beyond.

The singer appears to have got a track on Toy Story 5, if you follow the trail of clues that have been dropped.

Her website was running a countdown set against the franchise’s famous cloud wallpaper, while the film’s initials just so happen to match her own.

If that wasn’t enough, she was snapped this week dressed head to toe in the classic Toy Story colours of blue, yellow and red. Subtle, Tay.

The timing is just as telling. The movie is due out on June 19, exactly 20 years after she released her first single.

It would also make sense given her close ties with Disney, after striking a deal to stream her Eras Tour film.

Fans will hear the track for the first time today.

False teeth for Harry Potter

DANIEL RADCLIFFE has revealed there was more wizardry behind the scenes of Harry Potter than fans ever clocked – as the young stars had fake teeth.

Movie bosses hired a specialist dentist for him, Emma Watson and Rupert Grint after realising their baby gnashers would start falling out.

Daniel, who was 11 when he was cast, said: “We had a prosthetic dentist who would basically knock up a fake tooth in a day and put it in.

“We could keep filming without missing anything.”

He added: “There’s various points in the first two movies where me, Rupert and Emma all have little fake teeth.”

Cameras could keep rolling without any awkward gaps appearing in the smiles.

Forget spells and potions, the real hero of Hogwarts was clearly the tooth fairy.

“I WAS a bit of a Duracell bunny,” confesses Iron Maiden’s irrepressible Bruce Dickinson. 

“To some extent, I still am — much to the dismay of people around me! They’re like, ‘Don’t you EVER stop?’” 

Dickinson is reflecting on the manic energy he brought to the heavy metal titans after replacing original singer Paul Di’Anno. 

In 1981, he was a 22-year-old member of hard-rocking fellow travellers Samson when Maiden’s manager Rod Smallwood came calling.

Unlike many of his peers, including his predecessor, Dickinson didn’t have to rely on drugs and booze to fuel his high-octane performances. 

He continues: “I discovered that having these amazing, ecstatic, endorphin-filled moments — being in front of people and singing with a group in total sync — was way more uplifting than any drugs on offer.” 

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One of the great spectacles in rock is a sweat-soaked Dickinson running and jumping around on stage with audiences in the palms of his outstretched hands. 

Match his physical presence to a rich operatic tenor and an iconic catchphrase, “Scream for me!”, and you have a powerful combination.  

The songs that stretch his vocal cords aren’t too shabby either — many filled with intriguing historical references.

Run To The Hills deals with European colonisation of Native American territory, The Trooper visits the Crimean War’s Charge Of The Light Brigade and Aces High is a pilot’s eye-view of the Battle Of Britain — not your average metalhead subject matter.  

What about the 14-minute Rime Of The Ancient Mariner, based on Samuel Taylor Coleridge’s poem and written by Maiden founder and leader Steve Harris? 

“It’s just epic,” says Dickinson of the closing track on the band’s fifth album Powerslave, released in 1984.  

“It’s one of my favourites to perform.

“I love the storytelling aspect and we’ve got huge screens now to tell the whole story.” 

Let’s also not forget the enduring core band which today comprises bassist and chief lyricist Harris, three virtuoso guitarists in Dave Murray, Adrian Smith and Jannick Gers, mighty drummer Nicko McBrain (now retired from touring after a stroke in 2023) — and, of course, Dickinson.

The singer remembers Maiden’s gruelling, breathless climb to metal’s summit in the Eighties, when he was “run ragged but young enough to handle it”. 

Now 67, he accepts that his unfettered antics have taken their toll on his body, but insists: “Damaging it and knackering it by doing things on stage is a relatively easy fix — drugs take away your soul.” 

I’m speaking to Dickinson to mark the arrival in cinemas next Thursday of Iron Maiden: Burning Ambition, a riveting film documenting their 50-year rollercoaster ride with insightful interviews, live footage and unguarded offstage moments. 

Through the prism of band members past and present, and superfans including Metallica’s Lars Ulrich, Public Enemy rapper Chuck D and actor Javier Bardem, it is 106 minutes of pedal to the metal. 

The movie is the first milestone in a momentous year for the band formed in Leyton, East London, by Harris in 1975. 

In late May, Maiden continue the Run For Your Lives world tour, including a monster outdoor event, Eddfest (named after their shape-shifting undead mascot Eddie), at Knebworth on July 10 and 11. 

Then, in November, they join Oasis, Phil Collins and Billy Idol, among others, in being inducted into the Rock & Roll Hall Of Fame in the US. 

Dickinson says: “We’re about to do the biggest tour of our lives, playing to 2.5million people in six months. 

“People might say, ‘How the hell did that happen?’ to which I answer, ‘Have a look at the film — that is how’. 

“We’ve had lots of tidal waves and earthquakes in our career.”

Crucial to the upward trajectory has been the sense of community around Maiden and their fans, which Dickinson believes is only rivalled by “a very different kind of band, the Grateful Dead and their Deadheads”. 

He says: “We’ve never compromised and have grown on our own terms, creating our own universe. 

“You reach those millions one person at a time,” he adds. “Look them in the eyes — although that is a lot easier in a pub than in a 50,000-seat arena!” 

Though the upcoming tour will send Maiden through Europe, then on to North, Central and South America, Australia and Japan, Dickinson spares a thought for the places they can’t visit “because of the chaos in the world”. 

“There are huge pockets of fans in Iran,” he affirms.

“And in Israel, Ukraine and Russia — all these wonderful people who just want to love everybody else who loves Iron Maiden. It’s tragic.” 

This is cue for him to trawl through the mists of time to the early days again and it’s clear that, above all, it is Steve Harris’s band. 

Referred to as “the boss”, he formed Maiden just before punk upended the music scene. 

Dickinson says: “Steve felt very strongly about punk because many in the media decided it was the ‘acceptable face of heavy metal’ — and that enraged him. 

“Frankly, the first LP wasn’t that well produced so it actually sounded like a crap punk album.

“Steve has always said, ‘My God, I wish I could have remade it with Martin Birch [who produced their next eight records].” 

In the Burning Ambition film, we see the struggles of original singer, the late Paul Di’Anno, who embraced rock and roll excesses to the full, prompting Harris and Smallwood to search for a replacement. 

“Paul was very charismatic with a characterful voice,” says his successor. “He was a bit of a pirate . . . like Adam Ant or a member of band I loved, Johnny Kidd & The Pirates.  

“His look was different to the rest of the metal world — and that was cool.” 

With a rueful expression, Dickinson remembers being described as a “human air-raid siren” after his first gig with Maiden. 

He says: “They were obviously big fans of Paul who came to see me at the [now defunct] Rainbow and one of them sent a letter to a music magazine, Melody Maker maybe. 

“It said what a terrible disaster the show was, like ‘hearing my favourite songs being sung from inside a cement mixer by an air-raid siren’. 

“Even though someone was trying to be insulting, Rod Smallwood took the attitude, ‘When life throws lemons, make lemonade’. 

“He nicked the idea and turned the whole thing on its head, which actually made me laugh.” 

ON EDDIE: ‘EASTWOOD OF ZOMBIES’

MENACING mascot Eddie is an Iron Maiden icon.

Illustrated in numerous guises by Derek Riggs, the shape-shifting creature has appeared on every album cover and in every outlandish stage set. 

He inspired the name of the band’s outdoor shindig Eddfest at Knebworth in July and features in new animated sequences for the Burning Ambition movie. 

Bruce Dickinson calls Eddie the “Clint Eastwood of zombies” and says: “He has a Dirty Harry type of morality about him. 

“You think he’s evil but he’s ambivalent, so you don’t know exactly where you stand with him,” he explains. 

“If you’re basically a good person, you’re probably going to be OK – but he’ll blow you away if you’re not!” 

Dickinson believes Eddie has a future beyond Maiden. “One day, inevitably, we’ll stop playing live. 

“The great thing about Eddie is that he’s eternal. He can have a whole career on his own. We could even write albums for him.  

“In fact, there’s so much you could do with him, whether it’s movies, animation, or an Eddie avatar show. All these things are up for grabs.” 

To Dickinson, sharing the stage with Eddie is a rite of passage. 

“He’s an extension of our world but you just can’t pin him down.” 

A fascinating aspect of Maiden has been Dickinson’s relationship with Harris, not always plain sailing but one that created undeniable chemistry. 

And surely Harris accepts that the flamboyant singer helped propel his band to stadium-slaying proportions. 

“When I was in Samson, people were calling Steve ‘the Ayatollah’,” says Dickinson. “He had a reputation for being uncompromising and rigid. 

“But, as we’ve got older, he’s been much more amenable to ideas that might broaden the vision.” 

However, Dickinson had to set one thing straight from the start.  

“When I first did shows with Maiden, I was thinking, ‘Why am I standing on one side of the stage? I’m the singer’. 

“The answer was because Steve would go running down front and centre playing the bass. Suddenly I would have this big old lump of wood thrust in my ear. I nearly lost a couple of teeth because of it!” 

Dickinson insisted that, as lead singer, he was going to “stand at the front, in the middle — and I wasn’t going to back down”. 

Iron Maiden’s third album, The Number Of The Beast (1982), was Dickinson’s first and its songs including the title track, Run To The Hills and Hallowed Be Thy Name took the band to the next level. 

For the new recruit, making the album was the calm before the storm.  

He says: “It was like 1939 when Britain was at war but everybody was still out sunbathing and reading the papers because nothing bad had happened.  

“Then we hit the road and, wow, we had a No1 album, the single was going crazy and we were doing seven, eight, nine shows in a row. Even our day off was travelling.” 

Despite the overwhelming demands, Maiden enjoyed a rocket-fuelled rise to the crest of the New Wave Of British Heavy Metal (NWOBHM), a movement that included Def Leppard, Saxon and Motörhead. 

Dickinson says: “The albums we were producing in the Eighties were phenomenal. We created a style with The Number Of The Beast and it continued with Piece Of Mind and Powerslave. The trajectory was fantastic.” 

As the Burning Ambition movie attests, the band began building a devoted following in all corners of the globe. 

In August 1984, Iron Maiden ventured behind the Iron Curtain to play five shows in Poland, much to delight of fans starved of music from the West. 

In January the following year, the band went nuclear in South America by playing Rock In Rio to a 300,000-plus crowd.  

ON FLYING: ‘I HAD ROAD TO DAMASCUS MOMENT’

ANYONE who follows the life less ordinary of Bruce Dickinson will know there’s a lot more to him than just being the singer in Iron Maiden.

At school, he took up boxing but he “wasn’t very big” and people “would beat the crap out of me”.

So he took up fencing instead, inspired by a metalwork teacher who brought in a “full-on, two-handed sword like Excalibur”.

Not one to do things by halves, he became a champion – so good that he reached the UK top ten, trained with the Olympic squad and is still a member of fencing clubs in London, Paris and LA.

Dickinson harboured other dreams, too. “I was really into aviation and wanted to be an astronaut or a pilot,” he says.

This helps explain how he qualified as an airline pilot and ended up flying Iron Maiden on three world tours, firstly in a Boeing 757 dubbed Ed Force One and then, in 2016 for the Book Of Souls tour, a jumbo jet.

He says: “My love of flying came from my great uncle who was in No. 200 Squadron RAF in the Second World War. When I was five, he’d tell me all these stories.

“But I was rubbish at maths in school and you need to be a rocket scientist to be a pilot so I became a rock star instead.

“Then, in the Nineties, I took a trial flying lesson in Florida for 30 bucks, just to see. It was a road to Damascus moment.”

The next step for Dickinson was training with British Airways, flying a 757. Picking up the story, he says: “From 2000 to 2011, I was a pilot for UK company Astraeus, flying people around the world on holiday. I had to take unpaid leave to go on tour with Iron Maiden.

“You would probably have had no idea I was your captain because no one listens to captain’s announcements!”

During this time, Dickinson hatched the idea to extend his flying exploits to his other job as a member of Iron Maiden.

“I thought, ‘Wouldn’t it be cool if we put all the equipment, the band and the crew on one airplane?’ To my surprise, our manager Rod thought it was a great idea. Normally, I get told to p*** off!

“So we did three world tours. It was brilliant calling it Ed Force One – I think that was an invention by the fans.”

Dickinson remembers his initial horror when American secret servicemen boarded the plane in Chicago. “I went, ‘Oh s**t! What have we done wrong?’ Turned out Obama was coming in the next day on Air Force One and the men just wanted to have a look at Ed Force One.

“I’ve still got Air Force One-branded M&Ms, matches and a bottle opener somewhere.

“So, I’m thinking, ‘What’s going on in the President’s plane?’ They’re cracking open beer bottles, smoking themselves to death and taking all the red Smarties.”

As the Eighties progressed and the Nineties dawned, the pace rarely slackened and, as we witness in unvarnished detail in Burning Ambition, “the wheels eventually fell off”.  

Guitarist Smith quit in 1990 over “creative differences” and an exhausted Dickinson dropped a second bombshell by leaving in 1993 to pursue his solo career, much to the consternation of his bandmates, notably McBrain. 

“It was a sudden burst of artistic integrity of my own invention,” confesses Dickinson. 

“I knew Maiden were great, but they didn’t allow me to do anything a bit out there.  

“I was still in my thirties and the thought of leaving momentarily terrified me. But then I read Henry Miller’s quote, ‘All growth is a leap in the dark, a spontaneous unpremeditated act without the benefit of experience’. 

“It hit me like a ton of bricks. I thought to myself, ‘If you don’t jump, you’ll never find out’.” 

As for the reaction to his departure in the Maiden camp, Dickinson says: “The only person I told was the manager, Rod. I don’t know what got said between him and the guys but Nicko got upset about it. And fair enough.” 

He sees what became a five-year absence as part of “a real story of real people”.  

He adds: “We’re a bunch of bizarre brothers who got stuck together. In the end, we had to make it work.” 

So it was in 1999, after Wolfsbane singer Blaze Bayley had gamely attempted to hold the fort, that guitarist Smith and singer Dickinson returned to the fold — for good. 

“To use a football analogy, Blaze had been passed a ball which was a ticking timebomb,” says Dickinson, before recalling his bizarre meeting with Harris and Smallwood to discuss his return. 

They convened in secret at a yacht club in Brighton, entered by a special code — an occasion Dickinson likens to a scene from a John Le Carré novel. 

“Part of me was thinking, ‘This is ridiculous’. It felt like going through Checkpoint Charlie in The Spy Who Came In From The Cold,” he says. 

“But I looked at Steve and realised he’d been through the ringer with all kinds of things. I decided that if he’s up for it, then we should get on with it. 

“I told him, ‘I am the one guy on the planet you can trust. When I say we’ll make a great new album together, we will’. And we did [Brave New World]. 

“Steve and I are very different individuals — but that’s our strength. 

“I’ve certainly grown to respect him. Has he grown to respect me? I don’t want to put words into his mouth.” 

Dickinson signs off with a heartfelt statement: “The music is the thread that holds us in Maiden together. Whatever we started, we started well — and when eventually we finish, we will finish well.” 

TAYLOR SWIFT is proving she doesn’t just top the charts – but is also helping pay the bills of thousands of artists in the industry.

Insiders said the pop powerhouse could be behind a payday worth up to $800million for fellow musicians, thanks to a savvy little move she tucked into her record deal years ago.

When Taylor signed with Universal Music Group in 2018, she had assurances that if the label ever cashed in its Spotify shares, the artists had to get a slice of the pie.

Now UMG is preparing to flog part of its multi-billion-pound stake in the streaming giant, and a chunky wedge of that cash could be heading straight to the people making hits.

It is thought between $500million and $800million could be shared out, meaning a serious payday for everyone from global superstars to artists still making their way up.

Drake, Billie Eilish, Ariana Grande and Kendrick Lamar are all in the mix.

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Taylor won’t be out of pocket either, as this will only add another layer to her $1.8billion empire.

From reclaiming her masters to reshaping how streaming pays out, she’s made a habit of shaking up the system.

And this might just be her most generous plot twist yet.

LEO IS LORD OF THE GRINS

ONE Day and Bridget Jones actor Leo Woodall is on to a grinner as he spends an evening with girlfriend Meghann Fahy.

The smiling couple put on a united front at The King’s Trust annual gala in New York on Wednesday, proving they’re still very much an item.

Brit Leo and the US actress fell for each other after meeting on the set of The White Lotus in 2022, and now live together in the Big Apple.

We’ll soon be able to see plenty more of him on screen, as he has landed a major role in The Lord Of The Rings: The Hunt For Gollum, which hits cinemas next year.

BREAK-UP AND BABY BATTLE IN NEW JESY DOCUMENTARY

JESY NELSON is making a documentary about her battle to overhaul baby screening laws.

The former Little Mix singer will launch an hour-long film at Sheffield Docfest on June 11, in which she is shown coming to terms with her twin girls’ diagnosis with SMA type 1.

It will also show her dealing with the breakdown of her relationship with rapper Zion Foster.

Jesy revealed in January that daughters Ocean and Story had the genetic disorder, which results in muscle degeneration.

She said the impact could have been prevented if it had been detected earlier, leading to her fight to get heel prick tests for all newborns.

The film is said to be “raw and powerful”.

Its rundown adds: “The documentary follows Jesy as she comes to terms with what the diagnosis means for her girls, adapts to the everyday challenges of their conditions, and finds her footing as a single mother after the break-up of her relationship.

“It’s a portrait of motherhood, resilience and the fierce determination that comes from knowing that a simple change in the system can save lives.”

The documentary follows on from Jesy Nelson: Life After Little Mix, which aired on Prime Video earlier this year, although no date has been set for its release.

OLIVIA IN A BUNNY MOOD

OLIVIA RODRIGO is ready to get back in the swing of things by announcing a massive tour, less than a year after headlining Glastonbury.

The singer, who posed in a flowing dress and bunny shoes for Cosmopolitan magazine, will hit the road for her third run of headline shows, called The Unraveled Tour, in September.

UK fans might face a scrap for tickets when they go on pre-sale next Tuesday ahead of a general sale on Thursday.

Her only dates in Blighty so far are four shows at London’s O2 Arena, in April next year.

It comes ahead of the release of her third album, You Seem Pretty Sad For A Girl So In Love, on June 12.

She told Cosmo of the record: “I was really excited to write about joy, love, and passion in a way that I had never really done.

“Most of my big songs are about being sad, angry, heartbroken.

“Sometimes I listen back to it and I cringe.

“It’s cringier to be happy.

“I cringe, but I’m free.”

MADONNA and Sabrina Carpenter have dropped the biggest release of the week with their collaboration Bring Your Love.

The pair finally put the song out this morning, a fortnight after performing it at Coachella festival in the US.

Also back today is Becky Hill with Hands On Me, while Bleachers have released I’m Not Joking from their fifth album Everyone For Ten Minutes, which will be out on May 22.

I also recommend Sunderland artist Tom A. Smith’s six-track EP Put On A Record Tommy, featuring Happy Mondays collaborator Rowetta on the title track.

KRIS JENNER is so paranoid, she can’t go for a walk without security by her side.

On her daughter Khloe Kardashian‘s podcast, Khloe In Wonderland, Kris said she lives “crime stories” in her head every day.

Kris said: “I was on vacation and I felt like taking the bicycle out in front of the villa and riding down to the restaurant.

“I thought, no, because what if I’m riding the bike and somebody jumps out of the bushes, grabs the bike, throws me in the back of a van and takes off?”

Khloe added: “My mom won’t go on a walk in the neighbourhood without security following her in a vehicle.”

A BRIT rock star has revealed how he has become a dad for the first time.

Royal Blood’s guitarist Ben Thatcher, 38, also thrilled fans when he announced his newborn son’s unusual name.

The Brit Award-winning musician revealed that he and his longterm partner Becca had welcomed a baby boy named Phoenix.

The star took to Instagram this afternoon to announce the news and also shared a glimpse of his new arrival with his army of followers.

Writing alongside an adorable snap of the newborn baby, which shows the rocker cradling his son, the proud dad wrote: “Introducing my little boy, Phoenix Rue Thatcher.

“He has stolen my heart. @beccamcginty_ thank you for growing this little miracle.

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“I love you, you’re already the greatest mum to our wee lad. And thank you to @nhssurreysussex for delivering our little boy safely into the world.”

Ben’s friends and followers including some of his celebrity pals were quick to congratulate him on the news.

Strictly Come Dancing star, and fellow new dad, Joe Sugg was one of the first to send well wishes, penning: “Congrats to you both!”

While Radio 1 host Jack Saunders said: “Congratulations to you both. What a gorgeous boy.”

Brit actress Emma Laird gushed: “Congratulations oh my gosh.”

Ben along with his bandmate Mike Kerr formed Royal Blood back in 2011.

They have since gone on to make history after their first four albums all hit the No. 1 spot in the charts.

They aren’t just famous in the UK, Royal Blood have also achieved global success and played sold out shows and festivals across the world.

They have also performed with fellow rock icons including Muse and Foo Fighters, who both personally invited them to support them on their stadium tours.

Previously speaking to The Sun about performing with these huge bands, Ben told us in 2023: “Muse are a fantastic band for us to open up for because our fans kind of have the same DNA.

“So, for us to go out into those stadiums is like playing to a lot of our fans really, but in places where we wouldn’t be able to play normally.

“Like the Stade de France in Paris, which was amazing.

“You forget how many hits Muse or Coldplay have.

“They’re both made for stadium shows. Muse really is an unbelievable band.”

A ROCK band member has quit his group after 10 years, six albums and huge sold out arena tours.

Red Rum Club, who formed after sharing a rehearsal space, have confirmed their trumpet player has gone his separate ways.

Joe Corby, who is known for his soaring trumpet solos, has quit the band just weeks before they are set to head off on their big US tour.

Red Rum Club, who now have five members including Fran Doran, Simon Hepworth, Neil Lawson, Michael McDermott and Tom Williams, have confirmed future concerts are going ahead as planned.

The band, who formed in Merseyside, confirmed Joe’s shock exit from the group yesterday, in a sad statement on X.

They said: “It is with great sadness that we are announcing Joe’s departure from Red Rum Club.

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“We want to thank him for the music and the memories we have made over the last 10 years and we wish him all the best for the future.

“All future shows will be going ahead as scheduled.

“Love, Fran, Tom, Mike, Neil and Simon.”

Fans flooded the comments of the post, sharing their thoughts on the sad news.

One fan wrote: “Gutted, for me Joe is Red Rum Club, I have now followed you for the past nine years.”

Another fan penned: “Ahh, so sad to hear this! I hope it’s for a positive reason and no health issues or fall outs. Joe will be such a HUGE miss. As others have said, he’s been such an integral part of your USP.”

Elsewhere under the post, fans were speculating Joe had quit the band to pursue his own solo career.

Red Rum Club burst onto the music scene in January 2019 after releasing their debut album Matador, which reached Top 50 in the UK Album Sales Charts.

The album featured their hit single Would You Rather Be Lonely.

OLIVIA DEAN is preparing to pull out the big guns for the follow-up to her year of triumph — by enlisting the help of hitmaker extraordinaire Nile Rodgers.

She’s become one of the UK’s favourite musicians thanks to the runaway success of her album The Art Of Loving.

Now I’m told Chic great Nile is keen to work with Olivia and personally reached out to her.

Their teams are looking for space in the schedules to go into the studio together.

A source said: “Nile has his finger on the pulse when it comes to music and thinks Olivia is just amazing.

“He was actually aware of her before her album dropped and is really keen to get in the studio with her.

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“She really does have the world at her feet and is pretty honoured that such a star wants to work with her.”

Nile has written, produced and performed on albums totalling more than 750million sales.

He has worked on tracks including David Bowie’s Let’s Dance, Duran Duran’s The Reflex and Like A Virgin by Madonna.

More recently, he has contributed to Beyonce’s albums Renaissance and Cowboy Carter, and Coldplay’s tenth album Moon Music.

But Olivia doesn’t have loads of time in her diary right now, having kicked off a debut arena tour in Glasgow last Wednesday.

She has shows in London this week and will stay on the road across Europe and North America until the end of August, before jetting Down Under in October.

Released last September, The Art Of Loving has turned her into a global star, spawning the singles Man I Need, So Easy (To Fall In Love), A Couple Minutes and Let Alone The One You Love.

She proved to have the Midas touch, because after teaming up with Sam Fender on a version of his song Rein Me In, it spent eight weeks at No1 — and is on course to return there this Friday.

Olivia has also achieved career milestones including performing on Glastonbury’s Pyramid Stage in 2024.

On how to build her career, Olivia previously said: “Make an album, play Jools Holland and play the Pyramid Stage.

“I’ve done them now, I need to figure out some new goals.”

With Nile by her side, I’m sure Olivia will continue to dominate.

MIS-TEEQ confirmed my story that they’re reuniting to celebrate the 25th anniversary of their debut album, Lickin’ On Both Sides.

I revealed in January that Alesha Dixon, Sabrina Washington and Su-Elise Nash were discussing getting back together for a one-off performance.

And now Mis-Teeq’s Instagram page has kicked back into action, with a video showing their performances from 2001 – when the record came out.

The biography on their account reads: “25 Years. One Legacy.”

Watch this space.

COOPER: MY SLIM PICKIN’

COUNTRY singer Cooper Alan wants to do the unthinkable and drag Eminem into the world of cowboy music.

In an exclusive chat with Bizarre, the TikTok sensation – who has racked up 11.5million followers – revealed that the Slim Shady rapper tops his dream collaboration list.

Cooper said: “Eminem has always been my favourite. It would probably never happen, but that’d be really cool.

“Eminem on a country song, I think that would be crazy.”

He’s also got another surprise duet in mind, this time with with Scottish brothers The Proclaimers.

He added: “We’ve been covering their 500 Miles as our encore, so we’ll throw their hat in the ring too. Dream collab, The Proclaimers.”

I caught Cooper live in London last week on his To The Pub Tour, and the show was absolute carnage – in the best way possible.

The singer is wrapping up his first UK shows in Glasgow tomorrow, following the release of latest album Winston-Salem.

The New Normal singer had fans battling it out in a beer-chugging contest before pouring pints straight into the front row from the stage.

Laughing about the stunt, he said: “You’d think I’d be better at pouring the beer.

“But it comes out too fast, it goes all over their face.”

After testing their drinking skills, he was full of praise for our crowds.

Cooper said: “I was impressed with the British drinking ability, especially on a Tuesday night.”

That’s those Americans told.

If you want proper drinkers, come to Britain.

MEGAN DITCHES ‘CHEATER’

MEGAN THEE STALLION has broken up with boyfriend Klay Thompson after accusing him of cheating on her.

In a statement confirming her split from the NBA basketball player, she said: “I’ve made the decision to end my relationship with Klay.

“Trust, fidelity and respect are non-negotiable for me in a relationship.

“When those values are compromised, there’s no real path forward.

“I’m taking time to prioritise myself.”

The WAP rapper was with Klay – who’s yet to address the claims – for just under a year.

On Instagram she wrote: “Cheating, had me around your family playing house.

“Got ‘cold feet’. Holding you down through all your HORRIBLE mood swings and treatment of me during basketball season  . . .  now you don’t know if you can be ‘monogamous’???”

FOO FIGHTERS celebrated the release of their album Your Favorite Toy with a launch party in London, then performed two new tracks on Saturday Night Live.

But it looks like the band, above, will be prevented from scoring their seventh No1 album, as Noah Kahan’s new record The Great Divide has sold three times more in the UK since they were both released on Friday.

MADGE BASQUES IN GLORY

SHE might be 67, but it’s clear Madonna can still party hard as she leaves a nightclub in bridal lingerie at 2am yesterday.

Madge, in shades and knee-high boots, hosted a bash at The Abbey in West Hollywood, where she played new track I Feel So Free and also premiered an upcoming song, believed to be called Freedom.

That could well be her third track with that title.

She recorded one for her 1994 Bedtime Stories album, though it didn’t make the cut at the time, and made another during sessions in 2014 and 2015, which wasn’t officially released but did leak online.

There was some chaos at the Los Angeles nightspot as fans grappled to get close to the superstar, who was standing behind the DJ decks.

Punters were pushing and shoving, with one woman pouring her drink over a man’s head.

Celeb fans Addison Rae and Julia Fox were also there.

Let’s hope they didn’t have soggy bonces.

BOY GEORGE FACES UP TO EUROVISION

BOY GEORGE is all set to make his Eurovision debut next month – but it sounds like he’s put less thought into his vocals than how he will react when the scores are revealed.

The singer is featuring on San Marino’s entry Superstar, by Senhit.

He said in an exclusive chat at the London Eurovision Party: “I’ve been to so many awards shows where I’ve been nominated, so I will be able to deal with nerves when it comes to the points.

“You have to learn that face where you’re like, ‘I’m so happy for everyone else’.

“But I’ll be so in it. I think Senhit will be more nervous than me.

“I won’t be nervous on the night, not really. There will be nervous energy and excitement.”

The Culture Club frontman joked he better not get stage fright, adding: “Probably on the night, I’ll be like, ‘Argh, this is huge.

“What if I forget to say the right words?’. I won’t have a lot to do, but sometimes not having much to do can be worse. But I think I’ll be fine.”

He has high hopes that San Marino can beat the UK entry Eins, Zwei, Drei by Look Mum No Computer.

George added: “I’d love us to win. San Marino is a small country. Ireland is not doing Eurovision this year so, they can vote for me as I’m Irish.”

THE ROLLING STONES are having fun with the promo for their new album Foreign Tongues.

They have turned their website into a CCTV geek’s heaven with ten cameras showing them at work.

Producer Andrew Watt, who worked on their last No1 album Hackney Diamonds, features in the videos, and helped shape the ten album tracks.

Insiders said there is a top-secret – and random – collab on the new record, out later this year. I’m told no one would ever guess.

SYDNEY CENTRE STAGE

HONKY tonkin’ Sydney Sweeny squeezed into this tiny corset dress to enjoy the world’s largest country music festival.

She was spotted in the crowd during the Stagecoach event in California.

The actress, who seemed to take inspiration from Madonna’s latest corset look, was seen on top of boyfriend Scooter Braun’s shoulders as they watched Ella Langley perform on Friday evening.

She was then back on Saturday for day two and got on the mic herself, inset.

Her lingerie brand Syrn hosted a pop-up where she belted out Sweet Caroline on karaoke and was joined by showbiz pals Diplo and Lance Bass.

Perhaps a music career beckons next . 

MORE than three decades after London helped launch her career, Tori Amos is back in the city, headlining the Royal Albert Hall for a tenth time. 

The US singer is chatty and upbeat despite staying up until 5am, still riding the high of her gig the night before. 

With her striking red hair falling in waves and her vivid green eye make-up, Maryland-raised Tori, who has called Cornwall home since the late Nineties, looks every inch the star. 

“London was the place that gave me my big exposure explosion,” she says.

“It really did shake my life up. And here we are again. 

“London broke Silent All These Years in the autumn of 1991, and then launched [debut album] Little Earthquakes, which rippled out to the States and the rest of the world.

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“America really discovered me through London, and then the UK did, too. From there, it just kept rippling outwards.” 

On her forthcoming 18th album, In Times Of Dragons, Amos turns political dread, female resistance and personal storytelling into something unique and mythic.  

She says: “I’m very reclusive at home and I’m not very sociable there so when I’m on tour I go from this insular life, where I do a lot of reading, music and writing, and step into this much more exposed life.” 

The contrast between Amos’s secluded home life and her role as a performer feeds directly into an album shaped by both personal reflection and political unease. 

The record is a response to the current political climate in America because, as a songwriter “a lot of my work is documenting time,” she tells me. 

“That’s what I did with Little Earthquakes, which followed my time of failure after [her synth band] Y Kant Tori Read when I had to go back to play piano bars.  

“I have a history of documenting things — my miscarriage in 1998 and that journey, then my 2002 album Scarlet’s Walk which documented 9/11 when I actually wrote some of it on the tour bus.” 

The idea for In Times Of Dragons came through the muses — otherworldly entities — that Amos believes bring her music.  

She has spoken widely about these guiding forces, which she says have inspired her songwriting since childhood.

And last year she published children’s book Tori And The Muses, all about them. 

She says: “This message came to me through the muses that I needed to document America at this pivotal time in history. 

“And I had to personalise this.

“It came to me a year ago that I needed to be me in the story and be closely connected to one of these people, and what that would look like, because they are personally affecting us. 

“I had to turn the volume on that to create this narrative, whatever turning into a dragon looks like.” 

The album follows the story of Tori trapped in a world run by billionaire tech moguls and lizard dragons, who threaten democracy through corporate greed and authoritarianism. 

Amos says: “Jane Mayer writes about the genesis of this in Dark Money, which is one of the most important books people need to read if they’re asking, ‘How did we get here?’. 

“This has been going on since the Seventies.

“As Mayer documents, figures like the Koch brothers — and I use that as an umbrella term for a wider movement — helped shape it, along with super PACs [organisations that spend millions supporting political candidates] and all the rest. 

“It seems there was an understanding that progressive teaching in universities had to be excavated, cut back and penetrated by a very tight right-wing philosophy that is now upon us. 

“And I’m not just talking about Republicans and Democrats. I’m talking about tyranny versus democracy.

“If you had asked me about this even around the Scarlet’s Walk era, I was already going after it through that record, and then through [2007 album] American Doll Posse during the Bush-Cheney administration with the wars, the manipulation, all of that. 

“Then there was a period of relief, when a different, more inclusive philosophy came in, whatever your politics are. 

“For me, it’s about the philosophy.

“As a songwriter, I’ve been tracking that through my career. 

“On this record, I had to take a personal journey and look at the effects of what this very small cabal of men is doing — and there are women involved too, we can’t get confused about that. 

“There’s Cambridge Analytica, the involvements of the Mercers, Rebekah Mercer [the right-wing US heiress and political donor] and all those interconnections.” 

The album’s story sees Amos’s character flee and reunite with her daughter.

This part is played by her real-life daughter Natashya, who co-wrote tracks Veins, Strawberry Moon and Stronger Together — the latter of which she also sings backing vocals on, and is one of the most emotional songs on the record. 

“She was in DC at the time, in law school, and she graduates in a few weeks,” says Amos proudly.  

“She’s going into criminal law and really had her finger on the pulse. 

“On a daily basis she’s seeing things that the wider public probably isn’t, unless you’re a political journalist. 

“We’re so inundated that the little freedoms being quietly taken away can be missed. 

“Criminal law is her calling.

“So, writing these songs with her, with her understanding of what’s happening in the field she’s chosen, and her exposure to the shock of what is being torn to pieces, was hugely important. 

“She says we are past constitutional crisis and what’s going on is absolutely shocking.” 

The final song, written last- minute for the album, is Ode To Minnesota — a response to the deaths caused by ICE agents there. 

She says: “Heinous, atrocious crimes are being committed and so this is the world of the record.”  

Amos, 62, has a long history of addressing America in song, and In Times Of Dragons continues that while exploring wider patterns of male power. 

It’s also a reminder of her role as a feminist icon and the influence she’s had on artists such as Lady Gaga, Florence Welch and St Vincent (real name Annie Clark).  

“Annie’s one of my dear friends,” she says of St Vincent.

“She’s fabulous. We have a giggle and I’m thrilled for her, for her art, and for the way she’s balancing motherhood so beautifully. 

“It’s lovely to see people who came to my shows when they were younger. 

“She’s talked to me about Choirgirl [Tori’s 1988 album From The Choirgirl Hotel] and what it meant to her when she first heard it, and we’ve had laughs about that. 

“And it’s the same with the guys too. 

“I’m off to an event later and the guy doing the Q&A used to stand by the stage door as a teenage gay kid.  

“To see these people grow up, and to still be able to bask in their creativity and development, is a beautiful thing to witness.” 

But while Amos is moved by the artists and fans who have grown up with her work, she is hesitant to define her own feminist legacy. 

She says: “It’s not for me to say, that’s more for other people to decide. 

“Believe it or not, I’m a bit introverted about that.

“What I think I’ve tried to do, and what I have done, is there for those who know it. 

“What’s important to remember is that there was no social media then.

“When people ask, ‘Was it easier back then?’, well, in some ways no, and in others yes. 

“We did have a music business with a few women in record companies, though only a few in executive positions.

“One or two could balls their way through, but you really had to.

“And if you didn’t have that tenacity in the Nineties — especially to get played on radio — it was tough. 

“At an alternative station in the States, they might add two women out of 64 slots, and the other 62 would be men.  

“I’ve spoken about that with some of my contemporaries over the years, Alanis [Morissette] being one of them, and it was not a good feeling — knowing that talented women with very good records were simply not being added to the station. 

“And touring took money. 

“That’s why I never had tour support.

“In the early days, I went out with just a piano, my tour manager and a sound guy. That was it. 

“We kept the costs down, and luckily the shows sold out, because the Press had really got behind me.” 

Today, Amos points to Dolly Parton as proof that women can keep evolving, performing and owning the stage on their own terms as they get older.

“She is fantastic and she’s aware we are a different generation that played this game and played it well,” says Amos.

“There are women who are still playing the game beautifully, and they still have the physicality and the health to do it.  

“I used to have a three-and-a-half octave range when I was doing those one-woman shows.

“But with the change of life — becoming a dragon, if that’s the menopause analogy — you adapt or you collapse.

“For me, it wasn’t a crisis in the way it has been for some women we’ve read about in the Press, and I have huge empathy for that.

“But vocally, I did have to make changes. 

“I didn’t want to alter the top lines of songs with those very high, wide-ranging melodies, so on the last tour I simply didn’t play them.  

“Then I thought, ‘No, that isn’t what I want.

“I want the whole catalogue available to me as a storyteller’. 

“So, I decided to bring in backing singers who could hit those notes.

“It was a strategic, compositional choice.

“I didn’t want to be in a position where I could only perform 40 per cent of my catalogue because of range. 

“And we’re having a blast. 

“They’re amazing singers. 

“I’ve gained four notes at the lower end and I feel like I’m down there rocking with Nick Cave, but that’s the trade-off. 

“I gained more on the lower end, while recognising that if I want to play those songs, you can only transpose them down so far before they lose their essence. 

“I have so much respect for Nick Cave.

“I used to run into him in the early Nineties.

“His work has always been a beacon of beauty and darkness — expansive work that makes you think.” 

Like Cave, Amos remains restlessly creative, and she is already thinking about where to go next.  

“After something as demanding as this, I’m doing a prequel to children’s book Tori And The Muses — that will be out next year,” she says.

“Her journey as a little girl with her muses.  

“It’s due next April — and there may be music to go with it too.” 

•  In Times Of Dragons is out on May 1. 

TORI AMOS 

In Times Of Dragons 

★★★★☆

ED Sheeran is in the middle of a short break from his Loop World Tour, but he’s certainly not resting on his laurels.

I can reveal he is about to drop a new single that’s been more than a decade in the making, after he teamed up with Dutch dance great Martin Garrix to make Repeat It.

Ed and Martin first hit the studio together in 2014 – with the British megastar confirming he was taking a step into dance music.

Martin then premiered the song live at Miami’s Ultra Music Festival the following summer.

Insiders said the track would finally be officially released next month, adding: “Repeat It has taken 12 years to officially see the light of day but finally Ed and Martin’s collaboration is coming out.

“The song has been reworked slightly from the version played at Ultra back in 2015 to make it more radio friendly.

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“Initially it was called Rewind, Repeat It.

“But now the song is simply titled Repeat It.

“Lyrically, it’s a classic Ed love song set to a dance beat.”

Ed first teased making the song more than a decade ago and said on Instagram: “Finished up my very first EDM song with Martin Garrix, brilliant experience, looking forward to you all hearing it.”

Now the wait is almost over.

My music moles shared lyrics to the track with me, and Ed has stayed true to form, with the lyrics steeped in romance.

Ed sings: “Stay for a night, call it what you want.

“And I’ll compromise. To have you in my arms.”

He adds: “Don’t fight the feeling. Rewind, repeat it.

“If the world ends tonight. You’ll be in my arms.

“We will be frozen in time, underneath the stars.”

Ed isn’t scheduled to play any shows in the UK this year, although there is no doubt in my mind his Loop Tour will reach the UK come 2027.

His last album Play went straight to the No1 spot when he released it in September, and I bet Repeat It will also fly up the charts.

It’s a nailed-on summer banger.

NATALIE Appleton’s son Ace looked every inch the grown-up rockstar as he attended a new Bowie exhibition with his famous Mum.

​The pair posed on the red carpet at the opening night of David Bowie: You’re Not Alone at The Lightroom in London.

Ace is the son of the All Saints star and her husband, The Prodigy’s Liam Howlett.

​Natalie is around 5’5″, while her famous other half, Liam, is 6’1″, and it looks like Ace certainly inherited his Dad’s lofty genes.

The 22-year-old towered over his Mum as the mum-and-son duo posed for photographers at the showbiz event.

​Liam Howlett and Natalie have been together for 25 years after they met at V Festival in 2000.  They married in 2002, and Ace was born in 2004.

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​Natalie also has an older daughter, Rachel, 33, from a previous relationship with Dreamboys stripper Carl Robinson.

Despite their fame, Natalie and Liam have kept their family life relatively private, choosing to let their son carve out his own path.

And it seems that approach has paid off, with Ace now making a name for himself on the London music scene in his own right.

​Following in the footsteps of his musical parents, Ace is bass guitarist for the Camden-based group, Pedestrian Band, with his proud Mum known to plug his music on her socials.

Ace’s band Pedestrian are still emerging on the London indie scene, but they’re already turning heads with their experimental sound.

The trio have released their debut EP and built a cult following, earning a reputation as one of Camden’s most exciting up-and-coming acts.

​

While he isn’t relying on his famous surname, Ace is well-connected in music, with cousin Gene Gallagher, son of Nicole Appleton and Liam Gallagher.

Meanwhile, Natalie and her sister Nicole shot to fame in 1996 alongside Shaznay Lewis and Melanie Blatt in the girl band All Saints.

The group proved a massive hit and brought fans songs like Pure Shores, Black Coffee, and Never Ever.

The foursome became huge stars, with Nicole and Natalie going on to date some big celebrities, before settling down with Liam.

Nicole once had a high-profile with Robbie Williams between 1997 and 1999, which included an engagement and a terminated pregnancy.

Natalie and Ace attended the launch of Lightroom’s latest exhibition of immersive Bowie content projected onto it’s 11-metre-high walls and floor.

​The hour-long experience features live recordings, interviews and unseen footage from the David Bowie Archive.

​With a huge sound system and Bowie as narrator, it’s considered the closest to experiencing the late icon live.

​David Bowie: You’re Not Alone will run at Lightroom near King’s Cross from 22nd April 2026.

Tickets are priced from £25 for adults and £15 for students and concessions.

A BRIT rock back have been forced to cancel an impending gig after an “unexpected medical situation”.

Enter Shikari were due to play a gig at Dublin Academy in Ireland this evening but have been forced to withdraw.

The band kept details sparse but confirmed a “medical reason” was behind their decision to pull the plug on the gig in the Irish capital city.

Issuing a statement, the band revealed they were gutted to be unable to complete the concert as planned.

The band said: “Due to a medical situation both unexpected and beyond our control, we’re sad to have to say we’re having to postpone tonight’s Dublin Academy show.

“If you know anything about us, you know that cancelling/postponing shows is always the absolute last resort once all other options have been exhausted, especially at this short notice.

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“We’re very sorry for any inconvenience this causes anyone.

“We’re in conversation with our Irish promoter and will immediately start looking at potential date to reschedule to.

“Thank you in advance for your understanding, and we hope we can see you as soon as possible. ES x.”

Their fans were quick to issue their well-wished amid the uncertain situation.

One penned: “Sending you guys so much love hope you’re all ok.”

Another went on to write: “Hope all is ok – let us know when you’re planning to be back in Ireland!”

A third then said: “Absolutely gutted as flew here solo from Brighton especially *but* sending everyone so much love and hope, and thank you for still being the reason I finally visited Ireland!”

Before a fourth commented: “Sending love as this can’t have been an easy decision, get well soon.”

Whilst a fifth comment read: “Health first always. Hope all is ok. We go again even harder on the rescheduled show to make up for this. Grá mór.”

The band were first formed in 1999 and adopted their current identity in 2003.

Their debut album, Take to the Skies, was eventually released in 2007 and reached number four on the UK Albums Chart.

Their seventh record, released in 2023, became their first chart-topper.

The group’s latest record, surprise released earlier this month, managed to chart at number 16.

ROBBIE WILLIAMS could be getting back in the studio — this time with boyband Blue.

It comes after Rob wrote the lads’ new single Flowers, which is on the setlist for the UK leg of their 25th Anniversary world tour.

Biz on Sunday’s Emily caught up with Blue members
Antony Costa, Simon Webbe, Lee Ryan, and Duncan James at the Eventim Apollo in Hammersmith, West London, this week.

The band are on their milestone tour following the release of seventh studio album Reflections.

Antony said: “We would love to work with Robbie’s people and that is the conversation that is happening.

“Karl Brazil (Robbie’s music director) is very much on our side.

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“He is championing Blue and us and the lads have spoken to Karl separately and together.

“You never know, watch this space.”

Antony revealed that Robbie reached out to the band after watching their story on the BBC documentary Boybands Forever.

He said: “It resonated with him because we were all young and he was a young lad in Take That.

“Take That went on a different journey than us, but we still wanted that same goal.

“Robbie has always been there and he’s been a big supporter of me and the boys.”

Duncan said: “We’re so lucky that after 25 years we’re still getting to sell out gigs, still touring around the world and we’ve got the adoration from the fans.

“We’ve had the nod from Robbie to write that song for us, so it’s almost like the industry is opening the door again and we’re feeling the love.”

Of their new hit Flowers, Duncan added: “A lot of people have said it sounds like a Robbie song as well.”

Blue are one of the few bands still touring with an original line-up.

Simon said: “One of the reasons we have stood the test of time is all four of us wanted to be in a boyband.

“Most are full of members who want to be solo artists but weren’t good enough.

“So all of a sudden you’ve got egos.

“We don’t understand why bands argue or why they don’t get on because when you’re a team, you’re a team player.”

The boys are playing at London’s Royal Hospital Chelsea on June 11.

I will get my prosecco and picnic blanket ready.

Tickets are on sale at myticket.co.uk.

Meanwhile, the band revealed Ellie Goulding got them to perform at her 70s-themed baby shower in January, ahead of the birth of her daughter Iris.

The boys sang their 2002 track One Love with Ellie.

Duncan added: “We didn’t realise she was a big fan of our music.”

SAM THOMPSON is stepping down from his role on Love Island: Aftersun.

The 2023 I’m A Celeb winner has been a panel regular on the spin-off since his stint in the jungle.

But an insider revealed: “Sam’s schedule is jam-packed and producers are going in a different direction so there’ll be a bit of a shake-up on Aftersun.

“ITV is really keen on harnessing new talent, especially plucking from its pool of influencers and TikTokkers to boost ratings.

“Sam may well return as a guest, but he won’t be a regular.”

A spokeswoman for Sam said: “He absolutely loved his time as part of the Love Island team and the show will always have a special place in his heart.”

NOEL SHOWS HIS SCENTS OF STYLE

NOEL GALLAGHER might have a thing for cigarettes and alcohol – but he also likes more refined smells, too.

The Oasis great shares the same taste in scent as suave Thirties and Forties playwright and composer Noel Coward.

He visited bespoke perfumer Azzi Glasser at her London studio.

Azzi, who has created scents for Kylie Minogue, Tom Hardy And Jude Law, charges £1,500 for a “fragrance workshop” to create a one-off scent to match your personality.

Noel spent £400 on candles and chose Vetiver scent by Floris London – favoured by Noel Coward.

Azzi revealed that Noel is also a fan of her £259 Mystere Vetivert.

She said: “It smells like you’re wearing a million dollars.”

IS THAT MADGE? CORSET IS

MADONNA returned to Coachella in the same jacket and corset she performed in 20 years ago as she joined Sabrina Carpenter for her headline set on Friday.

The sparkling duo performed the Queen of Pop’s hits Vogue and Like A Prayer before launching into a new song, I Feel So Free, from Madonna’s long-rumoured new album, Confessions II, set for release on July 3.

Madonna was delighted to stand four inches taller than Sabrina, who is just under 5ft.

She told the crowd: “The other thrilling thing I need to point out to everybody right now is this is probably the first time I’ve ever performed with someone who’s shorter than me.

“So, thank you for giving me that experience.”

In response, Sabrina shouted, “Amen!”.

Cute as a button.

’ROACHES ROLLING OUT AGAIN?

ROLLING STONES fans reckon there could be live dates on the horizon under their alias, The Cockroaches.

Rumours started after the rockers updated their website to include a poster of a 1977 surprise gig at El Mocambo Club in Toronto, attended by Princess Margaret , which was billed as a gig by The Cockroaches.

Keith Richards also posted a cryptic comment saying: “Great fun though huh?

A good rhythm section, a couple of mates, where else can you go.”

A source said: “There is a lot of buzz about this as next year it will be 50 years since the Stones last played live as The Cockroaches.”

TALIA MAR is hoping to work with DJ Sigala again.

The pair collaborated on 2022 dance track Stay The Night.

Asked if she would like to work with him this year, Talia told me: “Oh my God, yes. I was talking to him the other day. He is summer. I was like, ‘Can we get some new music please, because it is summer?’.”

Talia who has released new track Lady, will play at London’s Courtyard Theatre on May 16.

She said: “I want it to be really casual, I don’t want it to be glitz and glamour.

“Stripping it down is a really lovely moment.”

TIM’S CHILL TIME DOWN TO A TEE

TIMOTHEE CHALAMET has been enjoying some chill-out time on the beach.

After watching Justin Bieber at Coachella with his girlfriend Kylie Jenner last weekend, he headed for Miami to relax.

The Marty Supreme actor paid homage to his movie with a “Supreme” Wu-Tang Clan tee.

Tim was later seen catching some rays shirtless and sipping on a Coke.
Lovely.

AFTER the whirlwind success of No1 hit Stick Season, Noah Kahan didn’t rush back into the studio.

In fact, he stopped completely. Facing writer’s block and still processing everything that had happened, he stepped away for six months, forced to rethink not just the music, but what success meant.

His 2022 album Stick Season — rooted in Vermont and exploring mental health, identity and small-town life — transformed the singer from a cult folk artist into a global name.

Topping the charts in the UK, the record was also certified multi-platinum in the US, where it sold over four million copies and had billions of global streams.

Kahan was nominated for a Grammy for Best New Artist and the emotionally raw, nostalgic and deeply personal record was widely seen as one of the defining albums of the decade.

“I just couldn’t write for a while,” he confesses. “When I first got off the road, I didn’t make any music in a long time.

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“I spent months not doing anything and it was painful because I like to be busy.

“It took so much strength for me to push that feeling away.

“I’m aware of how rare the moment was, how big the moment was and how lucky and fortunate I was, but my whole life I was trying to prove to people that I had a place here. So when the huge moment was happening, instead of being like, ‘Yeah, I made it’, I was like, ‘Oh my god, how am I going to stay here?’.”

That pressure quickly took its toll. Kahan said: “Writer’s block is such a lonely feeling — it makes you feel like your value’s been taken away. I felt completely unable to open up about it, but I ended up reaching out to friends.

“Marcus Mumford really helped. He understood what it’s like to be under a lot of pressure and afraid of failing and gave me great advice.”

Kahan also had to redefine success. It was not chasing numbers — just being able to make music was enough.

He says: “I learned the hard way about burnout. Success is a double-edged sword. I’ve always said if I had any, or if my tour sells out, I’d be happy. But the second it sells out, you’re looking at the next thing to achieve.

“Starting off this new album was really scary. I had to realise I didn’t need to be the biggest artist in the world or where Stick Season took me. I didn’t need to be successful to be loved.”

Kahan is in London for a few days to promote The Great Divide, his fourth studio album, which is out next Friday.

Taking time off to reset both mentally and emotionally was essential to writing again.

“I’ve struggled with my mental health,” he says candidly.

“But I was struggling more than anybody knew. I’ve struggled with anxiety, depression and body dysmorphia, but it was the OCD that I hadn’t figured out.

“I was diagnosed with OCD last year. It’s not about washing my hands a thousand times — it’s obsessive thinking. I was struggling with a lot of self-esteem and confidence issues, but I’d never dealt with anything so acutely like OCD. I’m supposed to be the singer who’s open about his mental health, but I felt so much shame.

“I needed medical intervention and therapy, and I didn’t want to be open about that because I was afraid. It was frightening as I’d been stripped of

this thing I loved.

“I couldn’t express myself through music any more, and so I didn’t tell anybody and it came to a breaking point.”
Through help and time, Kahan started to recognise his disorder in ways he hadn’t before.

“Now I wake up knowing my day is not going to be decided by what I see on my phone,” he says when discussing how therapy has helped him.

“Before, I’d have 700 brilliant words of praise, but it would be the one negative word that would shatter me. For a long time, I thought I was crazy.”

In August 2025, Kahan married his longtime partner Brenna Nolan, bringing a new sense of stability to his life.

The singer has also made a Netflix documentary — Noah Kahan: Out Of Body. It captures this difficult period, which he sees as part of his healing.

He says: “Making the film was a strange but amazing process. Having people follow you around took time to get used to, but they captured a really honest moment for me. Watching it back with my family was emotional. It showed how we really are.

“It was hard seeing how unhappy I was then, but in the end, it told a beautiful story.”

He adds: “My family are on the new record. I love the song American Cars. It’s about my sister.

“Whenever things were tough at home, she’d drive up from New York in a rental car, sunglasses on, just a total badass.

“She’s a surgeon, she just gets things done. She’d come back and help us through it, and the song came from that. Like, you need to come home and help fix this.”

The Great Divide is an album about friendship, miscommunication, regret and personal growth, and the title track became the guiding, emotional “north star” of the record.

He says: “Yeah, The Great Divide is really about a friendship that didn’t work out — one where I wasn’t able to express myself.

“And then there’s a song, Dan, which is about the opposite — being open, telling each other how much you care, facing hard truths. It ends in a way that really encapsulates the whole record. It’s probably my favourite song we made.

“There are a lot of stories,” he adds.

“It’s very emblematic of my childhood and a lot of people’s, young men in particular. Talking about feelings or asking difficult questions can feel like more discomfort than it’s worth, but the consequence is you don’t really know someone as well as you think you do.”

It’s an expansive album with 17 tracks, including the gorgeous We Go Way Back, Willing And Able, Haircut and Porch Light.

He adds: “I can’t wait to see crowds singing back Willing And Able, and Haircut started from that idea of someone coming back to town changed — like they’ve outgrown it. I felt like I’d become that person, only going home for inspiration instead of really being there.

“The song is almost someone singing to me, saying, I’m glad you’ve figured things out, but at least I’m still here and still real. You’ll leave again, and we’ll still be here. That’s what it’s about.

“Then, Porch Light is really about my biggest fear — how I’ve changed.

“I worry about going home and feeling like people see me differently, like I’ve become this ‘Hollywood’ version of myself, too big for where I’m from. That my relationship with Vermont has been changed by success and leaving Vermont for Nashville.

“But my family has always kept me grounded. They’re so happy for me. I wanted to write about that fear you have in your head before you even pick up the phone.

“You’re always anticipating what people might think. But there’s a silver lining in Porch Light. It’s about people saying, ‘We still care about you, we’ll still be here — but you need to figure things out first’.”

And that sense of place runs throughout the album.

“Yeah, the first and last songs really frame the album — I wanted them to feel like an intro and an outro,” Kahan says.

“The first track, End Of August, is this big, building track about that time of year in Vermont . . . It’s that moment when the tourists leave and the people who live there can finally come out of hibernation — like, ‘They’re gone’.”

He’s been working with Stick Season collaborator Gabe Simon, The National’s Aaron Dessner — best known for his work with Taylor Swift, Bon Iver and, more recently, Gracie Abrams — plus Ed Sheeran and Mumford & Sons.

Kahan says: “Gabe and I are really close — we went through a lot making Stick Season, so on this album we leaned on each other. He’s like a brother and the perfect person to go through this with.”

Aaron Dessner brought calm, structure and creative balance to the process.

“Aaron came in early on, but I was intimidated at first,” admits Kahan. “I looked him up on Wikipedia and was terrified of his success. This guy’s a legend.

“This was where Taylor Swift writes and Justin Vernon (Bon Iver), who works with Aaron, is my hero. Aaron has a magic to his music — a real understanding of what an artist is trying to say. But he’s a sweet, calm man who lives a very humble life in upstate New York on a farm.

“I needed him to stabilise me creatively. He is regimented in how he makes music and I need a routine. He is an amazing producer and this album sounds so f*****g cool because of what Aaron did.”

The sound on the new album is more expansive than Kahan’s earlier music and includes horns, guitar and richer production.

He says: “Honing on a sound and a theme started the process. Aaron’s place had dirt bikes, fishing rods and skeet shooting — all the things that I grew up doing.

“We couldn’t make the music in Vermont this time and the setting was really important, feeling connected to nature and beauty.

“It’s hard for me to make music in a city. Whenever I’m in a city, all I write is, ‘Get me out of the city’ songs.”

He adds: “We were also still in the middle of touring and I was over the Stick Season songs.

“There’s a lot of electric guitar on the new record, and bouzouki and mandocello, instruments we haven’t really used before. It’s a new confidence, but having spent three years on the road, I just want to make music that’s exciting to play live.”

It’s the connection with his audience that remains key.

He says: “I love it when I see fans singing back my songs as it means they’re feeling it.

“I’m always honoured when someone says my music has helped them to reach out for help. Though it can be overwhelming when people tell me they’re struggling with difficult thoughts.

“I don’t always feel equipped to handle that and I worry I’m not helping in the way they need. It’s hard when you feel you’re letting someone down.”

Now, his attention is focused on bringing the album to the stage.

He says: “I’m looking forward to playing these new songs. This record tells a story, so we’re working on the stage design, setlist and lighting to tell that story. We’re playing stadiums now, but I want fans to still have an intimate experience.”

Kahan returns to historic Boston baseball stadium Fenway Park, the home of the Boston Red Sox, for four nights this July.

He will also be back in the UK, including three nights at London’s O2 in November.

He says: “I’m excited about those dates, but my dream is to play Stamford Bridge.

“It’s my favourite sport and I love Chelsea FC. But I was told you can’t play there. I’ve achieved so much already, but that is my ultimate dream.”

• The Great Divide album is out next Friday, April 24.

NOAH KAHAN – The Great Divide

★★★★★

SHE was 35 and in her prime when Smash Hits magazine published images of her parading the stage in a skimpy bra – and scoffed: “Calm down, grandma!”

But the cutting headline, which accompanied a review of her Girlie Show tour in 1993, did nothing to deter the uniquely stylish Madonna.

In a career spanning more than 40 years, she became the hottest female singer in the world, selling over 400million records.

But through it all, the Queen of Pop faced intense backlash over her appearance.

Critics have judged everything from her cone bra in 1990 to her Met Gala “bondage”-style outfit in 2016, when she was 57.

But now, as Madge prepares to return to the spotlight with her 15th studio album, she has done what many thought would never be possible.

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Aged 67, she is finally cool again.

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

Now, Confessions On A Dance Floor: Part II is promising to be a continuation of the project.

And Madonna is still not letting her age define her fashion, posing in a blue leotard, fishnets, a silver jacket and shades in a defiant photo to promote the record.

A music insider said: “Madonna has locked in for this project and it’s not at all what you’d expect from any other woman who is nearly 70.

“It has roots in New York house music and rave culture and her record label believes it will usher in a whole new generation of fans.

“Confessions 1 showed Madonna at her coolest and, after straying into other genres on her last few albums, this feels wonderfully authentic.”

Madge is yet to release the album’s first single, but she has been steadily building a Gen Z fanbase, who have been discovering her back catalogue.

Last month, her 1985 chart-topper Into The Groove returned to the Top 20 after going viral on TikTok.

Cruz Beckham, KSI, Aitch and Sam Thompson were among those who shared videos of themselves dancing to the song 41 years after it was a No1 hit.

And she is heavily tipped to make a live return tonight at the buzziest festival of the year alongside one of the world’s hottest young pop stars, Sabrina Carpenter, 26.

The Espresso singer will headline the second weekend of Coachella in California and has extended her set by ten minutes, further fuelling industry whispers that Madge may join her on stage.

It would be the veteran pop star’s first performance there in 20 years. She delivered a memorable set in 2006 following the release of her first Confessions album.

Sabrina idolises Madonna as a blueprint for pop music — and there are suggestions they may have collaborated on a song.

In 2024, she paid tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and so exactly how you expect her to be — just, like, so magnetic.”

Many of the current crop of pop starlets have named Madonna as their top inspiration.

Dua Lipa has said her 2020 No1 album Future Nostalgia was heavily influenced by Madge, and she worked with her on a remix of her song Levitating.

Jade Thirlwall said last year: “She is one of the best pop stars we will ever get.”

In fact, Madge has such pulling power, supermodel Kate Moss, plus film stars Benedict Cumberbatch and Gwendoline Christie, are set to have cameos in her comeback music video.

It is a sea-change from previous generations who used Madge as a verbal punching bag.

When asked to name the most overrated person in pop, Lily Allen once said: “Madonna. She might have meant something once, but I don’t know many people my age who care.”

And Lady Gaga insisted she could not be compared to the megastar, explaining: “I play a lot of instruments. I write all my own music . . .  I’m a producer. I’m a writer. What I do is different.”

On Wednesday, Madonna released a snippet of upcoming track I Feel So Free, which heavily samples the 1989 house tune French Kiss by Lil Louis.

The original features more than two minutes of sex noises — something which seems fitting for pop’s most notorious provocateur.

For Confessions II, Madonna has teamed up again with British producer Stuart Price, who was musical director on her 81-date Celebration Tour in 2023 and 2024.

Meanwhile, her boyfriend, former footballer Akeem Morris, 29, is regularly seen dancing and larking around with her in videos on TikTok, where her clips have been liked over 45million times.

Last month, Madonna was in Venice shooting for the second series of the Apple TV show The Studio, in which she will appear opposite Julia Garner.

But now it is full steam ahead with her music, after re-signing with Warner Records — her label for the first 24 years of her career.

Madonna said of her new album: “When Stuart Price and I first started working on this record, this was our manifesto: We must dance, celebrate and pray with our bodies . . .  To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people.”

Gen Z will not know what has hit them . . .