Robbie

ROBBIE Williams has finally put his feud with Take That bandmate Gary Barlow to bed with a public apology at his War Child gig tonight.

During the intimate concert at Manchester‘s Aviva Studios, Robbie took a moment to reflect on the recent Take That Netflix documentary.

He famously quit the band at the height of their fame in 1995 to pursue a solo career, fed-up of playing second fiddle to the pop group’s leader, Gary.

Years of mud-slinging followed, predominantly from Robbie towards his boyband rival which had a severe impact on Gary’s self-esteem.

Though they quashed their feud for a 2010 reunion tour and album, questions still lingered at just how friendly the pair were.

Today, Robbie did his best to make amends for past behaviours and admitted he was out of order at times to Gary (and Howard Donald and Mark Owen).

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“Did anybody see the Take That documentary?,” he asked the audience. “I have to say I was a bit of a ‘c***’ in the second episode. I don’t think anybody has seen a man smugger than Robbie Williams in the second episode.

“And you know what, I felt really bad. I felt f***ing horrible about it. I’d been horrible to Gary, horrible to Mark, horrible to Howard and I was genuinely thinking about it for days and days and days and I’d go to bed at night and I was thinking I’ve gotta apologise again.

“But just to clarify, I f**king love Gary Barlow now. And he loved me. There’s only so many times I can apologise now.”

He then segued into his 90s track Ego A Go Go, written about Gary, calling it a “horrible song”.

Its chorus goes: “Ego a go go now you’ve gone solo/Living on a memory/Now you’ve gone stately/And yes you do hate me/Could you offer an apology.”

Listening to his band rehearse the track on a previous date, Robbie said he had a revelation.

“I was sat there thinking hang on no one has ever left a boyband and gone ‘they’re a c, they’re a c except me’. But I’m a c***,” he said.

In the three-part Netflix docuseries, Gary talks about his struggle with bulimia, which started following Take That’s split in 1996 and his rivalry with Robbie.

Taunts from Robbie are replayed during, with footage showing him saying: “My problem always was with Gary, I wanted to crush him.

“I wanted to crush the memory of the band and I didn’t let go. Even when he was down I didn’t let go.”

Speaking at the premiere at Battersea Power Station, Gary admitted it was tough to watch.

He said: “It’s a narrative I haven’t thought about for years and years.

“When we had our reunion we spent a lot of time talking about it and I remember leaving on one particular day and we’d discussed everything. And I remember leaving and my shoulders were light.

“And I’d not thought about it since because I’d not needed to. And it brought it all back. Tricky times, they were.”

As well as the tough times, Take That fans get a front seat to the inner workings of the group’s comeback with Robbie in 2011.

Opening up about healing their old wounds, Robbie said: “I needed Gary to listen to my truth.”

Gary continued: “There were things around people not being supportive of his songwriting and his weight.

“I’d called him Blobby rather than Robbie one day, which I shouldn’t have done.

“Then I hit him with things he had done to me that I didn’t like.

“In about 25 minutes we’d put things to bed that had haunted us for years.”

Robbie Williams is set to take to the stage at the Brit Awards to pay tribute to Ozzy Osbourne as the late singer has been honoured with the Lifetime Achievement award

Ozzy Osbourne is set to be honoured at this year’s Brit Awards – with Robbie Williams fronting a super group paying tribute to the star. The ceremony, which is taking place in Manchester for the first time in its history, will see the Prince of Darkness receive the posthumous award for Lifetime Achievement.

It comes seven months after the Black Sabbath frontman died aged 76. Now, to commemorate his outstanding contribution to music, the rocker who is known as the “godfather” of British heavy metal will receive the honour at Saturday’s event.

An all-star rock tribute performance will pay homage to Ozzy as they close the show on the night at Co-Op Live. The performance will be a special arrangement of ‘No More Tears’ – the title track from Ozzy’s multi-million selling 1991 album of the same name.

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It has been curated by Ozzy’s wife, Sharon Osbourne, and will boast a phenomenal line up of British and international musical talent. It will feature musicians that played as part of Ozzy’s band over the years, including Adam Wakeman, Robert Trujillo , Tommy Clufetos and Zakk Wylde.

The makeshift group will be fronted by Robbie Williams, who was invited personally by Sharon to be part of this special moment. The invite comes as the former Take That man is a long-standing fan of the music, and is also a friend of the Osbourne family.

As well as being one of the most influential music figureheads and rock icons of all time, Ozzy hosted The BRIT Awards in 2008 along with his family Sharon, Kelly and Jack.

Speaking of the accolade, the Chair of the 2026 BRIT Awards Committee and Co-President of RCA Records at Sony Music UK, Stacey Tang, said: “Ozzy Osbourne has been a mighty force in modern music. Possessing an unmistakable voice and unique presence, he reshaped the sound and spirit of rock, inspiring generations of artists who followed.

“This Lifetime Achievement Award recognises a remarkable legacy built on originality and enduring influence, that continues to connect with fans worldwide.”

Among the accolades Ozzy won during his career that spanned over five decades included five Grammy awards, induction into both the UK Music Hall of Fame and the Rock and Roll Hall of Fame (both with Black Sabbath and as a solo artist, in separate years) and the Ivor Novello Award for Lifetime Achievement (with Black Sabbath).

Last year saw him take to the stage for the final time just weeks before his death. His Back To The Beginning concert at his beloved Villa Park saw celebrities from across the globe unite to give Ozzy the perfect send off.

At the end of the day, which saw the likes of Steven Tyler of Aerosmith, YungBlud and Guns N Roses take to the stage, Ozzy reunited with his old bandmates to bring the house down one last time. Despite concerns over whether he would make the show, a determined Ozzy gave fans a show to remember. Sadly, he died just weeks later.

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ROBBIE Williams will pay tribute to late rocker Ozzy Osbourne at the Brit Awards. 

The singer, 52, will perform a special arrangement of Ozzy’s 1991 track No More Tears alongside some of the Black Sabbath rocker’s former bandmates and musician pals. 

It will celebrate the posthumous Lifetime Achievement award being made to Ozzy, who died in July aged 76, at tomorrow night’s ceremony. 

His wife, Sharon, 73, will be in the audience at Manchester’s Co-Op Live Arena.

A source said: “Sharon personally asked Robbie to perform the tribute to Ozzy. He is a huge Ozzy fan and has been a friend of the family for decades. 

“For Sharon, Robbie seemed the perfect person to perform this song for him. She has curated the special arrangement for No More Tears. It will be a performance that goes down in the Brits’ history books and will be a very special moment.” 

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A Brits insider added: “Robbie’s performance with some of Ozzy’s closest friends will celebrate his legacy as one of the most influential rock icons of all time. 

“The Brits have a special relationship with Ozzy. He hosted the ceremony with Sharon and his children Jack and Kelly in 2008. 

“This will be an incredibly emotional and fitting way to celebrate the impact he had on not only British music, but globally, too.” 

Others who died in the past year will also be remembered during an In Memoriam segment. They are expected to include Stone Roses bassist Gary “Mani” Mounfield. 

Ozzy, who died just five days after after giving his final concert, joins music royalty John Lennon and Freddie Mercury in being posthumously honoured. 

The awards will be hosted by Jack Whitehall and will air on ITV and ITVX from 8.15pm. 

Harry Styles, Olivia Dean, Raye, Wolf Alice, Sombr, Alex Warren and Mark Ronson will perform. 

ANT McPartlin says he and co-presenter Declan Donnelly never want to host the Brits again because: “Everybody in the room just wants to get drunk.” 

IT’S FAIR to say that Robbie Williams’ iconic song Angels is the most famous of his back catalogue and always gets everyone singing.

However, the man who claims to have originally wrote the song almost 30 years ago has reignited the decades old feud this week as he gave fans the inside story in a slew of new TikTok videos.

Irish singer-songwriter Ray Heffernan has always maintained that he wrote the first version of Angels in 1996.

However, although former Take That star Robbie confirmed that he recorded a demo with Ray, he has maintained he rewrote it significantly with Guy Chambers.

The singer also bought the rights to Angels from Ray for £7,500 before it was released in 1997.

However, over the years there has been a lot of bad blood between the two men concerning the song, and this week the feud over the iconic tune was reignited.

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It came when Robbie appeared on Radio 2 to talk about his debut album, and said: “I spoke a lot about the album I wanted to make, but the one I did make was Life Through A Lens.

“My memories of making it are, it took me less than two weeks with Guy Chambers to write the whole album.

“That didn’t necessarily mean that it was going to be a success. My album came out and it sold 33,000 copies in three months and that is not what EMI expected to do.”

Continuing with his story, the singer said: “I was about to be dropped and then fortunately I dropped The Angels, didn’t I?

“And it gave me the career that I’ve got today. I’m incredibly grateful for that song.”

But it was this last comment that appeared to really annoy Ray.

Sharing a POV video, the songwriter was seen on his couch reacting in response to Robbie’s comment about Angels, as he wagged his finger at the video and tutted with disapproval.

Since then, Ray has been dropping videos on TikTok, where he has been talking about Angels and how he “signed his rights away” to the song.

He also posted a throwback video of Robbie from 1997 where the singer talked about how he “wrote Angels in a couple of hours”.

Ray captioned the short clip with: “Body language never lies.”

The Sun has reached out to representatives of Robbie Williams for comment.

The last time the pair’s Angels feud was reignited was three years ago – again following Rob’s comments about writing the song.

It came after Ray was left incensed after listening to a Gary Barlow podcast in 2023 where the subject of who wrote Angels popped up again.

Robbie told his former Take That bandmate: “I was off my head basically, the record company has spent a lot of money signing me.

“I made a big song and dance about leaving Take That and wanting to do my own thing, and I hadn’t done anything.

“I thought I’d better get down to it, figure out my voice, and whether I can actually do this … I was at my sister’s house in the garden with a pen and a paper and I thought, right then, I’d better come up with something..(so I wrote) ‘I sit and wait .”…

Robbie then reportedly branded Ray a “fantasist” in the comments section of the podcast, after the songwriter revealed he was unhappy with what had been said.

Ray told The Irish Sun at the time: “How can Robbie Williams call me a fantasist?

“I have always maintained that as a young man, I wrote a song with Robbie, that went on to become his hit song Angels and my story of how that came about has never changed.

“Robbie now says publicly that I’m a fantasist. My question is what part of this am I making up?”

Ray also previously shared with The Irish Sun a picture featuring himself, Robbie and his family on the day he says they wrote the song together.

It was during Christmas 1996 when he met the singer in Dublin’s Globe pub.

Later the same evening, Ray claims that he invited Robbie around to his mum’s place to hear a song he’d just written.

Ray recalled: “We didn’t waste any time, starting that night where I got the guitar out in my mum’s house and played him this song I had been working on.

“This picture was taken the next night day when we played this new song. Robbie loved the song so much, he booked a studio to record his own version the next day.”

A few months later, Ray found out that Robbie was going to record Angels for his next album.

“I contacted Robbie’s management and his people said they would give us an amount of money if I signed a waiver denouncing any rights I had to the song,” he told us.

Robbie later worked on the song Angels with songwriter Guy Chambers.

The song went on to become the singer’s biggest selling single to date AND one of the biggest songs of the 90s.

Speaking about selling the rights to the song, Ray said: “I accepted a deal worth £7,500 to pay me for ‘all and any creative input’ into the song.

“I have the legal documents to prove it. So I am not making this up. You could certainly call me a dreamer in life but not a fantasist. I have never lied about this story, and every part of it is true”.

Back in 2017, Robbie defended the decision to pay Ray for Angels.

“We could have gone to court, and it all would have been down to whether what way the judge wakes up that day out of bed … So I gave him some money, and he went away,” the singer said.

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OVER the past four years, I have lived in the ‘danger zone’ of Infernos nightclub in South London yet somehow managed to avoid visiting it.

But this past weekend, in the name of journalism (and perhaps self-sabotage) I finally crossed the threshold after Hollywood royalty, Margot Robbie, confessed her love for the venue.

In fact, the actress – who is currently celebrating the release of her latest film Wuthering Heights – admitted to signing the lease on a house just down the road from Infernos, because it was close to the club.

Infernos has welcomed partygoers since the 1980s, previously named Cinatra’s, before it became the famous Infernos in the 90s.

Since then, it has become somewhat of an institution for London newbies moving to Clapham, with other young celebs even including Lola Tung being spotted inside (as well as the lads from Inbetweeners after it doubled as Malia in the movie).

Despite only opening on Friday and Saturday nights, it has remained one of London’s most popular clubs – so what is it really like inside?

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The Sun’s Travel team have spent their own time there – Deputy Travel Editor Kara Godfrey said: “I lived in South London for more than eight years, so that included a trip to the famous nightclub.

“It’s safe to say I only went a few times. Call it a ‘rite of passage’ if you will, it’s the kind of place where you go in with great intentions, and come out with a drained bank account, wet hair from thrown drinks, missing half your friends and a shoe, before passing out at one of the few kebab shops still open at 3am”.

Assistant Travel Editor Sophie Swietochowski echoed this: “Infernos is like Disneyland for 20-somethings.

“I’m a terrible dancer, but here no one cares. The only rule is make sure you’ve fuelled well at pre-drinks and come with an anything-is-possible attitude.

“You don’t need to be cool to visit. And there are no hard rules. Want to let loose? Go for it. After a dancefloor snog? So is everyone else. Tight for cash? Brian, who you met just five minutes ago will probably buy you a drink – because that’s just the type of friendly and deliriously happy environment this club fosters.”

Now, myself – I hate clubbing. I don’t like the crowds, the cost of it or the conversations that feel more like talking to your deaf grandmother.

And one thing you should probably know about Infernos is that most nights, its queue snakes down Clapham High Street, as it tries to fit in as many as the 1,500 capacity allows.

And that’s before you fork out as much as £20 for entry.

My night started off pretty well – not only did the queue move pretty quickly even at 11pm, but I was left disappointed by the lack of sticky carpets I was so-warned about.

There are two rooms to choose from – the main club and the 70s vibe ‘Discotheque’.

I squeezed past finance bros chugging VKs to the massive dancefloor, where hundreds of mid-twenty-somethings danced to noughties throwbacks like Beautiful Girl by Sean Kingston and Black Eyed Peas’ I Gotta Feeling.

It has all the makings of a cheesy nightclub from the discoball DJ booth to the dancing podiums on either side.

Waiting my turn from the revolving wannabe-dancers of the podiums, I took to one myself.

Any embarrassment I thought I would feel from essentially dancing on a table top in front of the club was quickly gone.

For a few minutes, I scream-sing, becoming feral and questionably moving to the music.

I hopped off on a buzz, before being replaced by another woman wearing an outfit much more appropriate for the dancing occasion.

The debauchery continues over at the two ‘Kissing Corners’.

I watched clubbers linger as if they were auditioning to be on Love Island – just Clapham’s own version.

My courage did fail me here, having never aspired to become a Love Islander, although I may have yelled “I’ve got a text” just to get away from it all.

Not that anyone would have believed me – the lack of mobile phone service in Infernos means you have no hope of contacting any lost members of the group.

If you feel you have swayed too close to the dark side, then tucked away in another corner of the vast club is, bizarrely, a confessional booth.

I lined up to confess to the ‘priest’ although sadly my sin was not sin-worthy enough. If it had been, I’d have been rewarded my own sacramental wine in the form of a shot.

It’s here I spotted a Blue Plaque too – Margot’s very own shrine installed about six months ago.

My plans to leave the club by 1am had already been thwarted by this point, but there were more surprises in store.

If you manage to stay until 1:30am, you’ll be there for the balloon drop too, another nod to teenage nostalgia.

After venturing around every corner of this chaotic club, why Margot loves Infernos became clear.

In a world of nights out curated for Instagram, Infernos is unapologetically itself and invites everyone who visits to be the same.

It’s a fever dream experience where unseriousness is celebrated and you become just another member of the crowd.

Most people say Infernos is grotty, unhinged, sticky-floored and expensive (a double G&T is £12, while cloakrooms are £3.50 per item).

Though they all come to the same conclusion that it is a great night out.

Will I return soon? Let’s not be dramatic.

But if Margot Robbie felt even the slightest bit of liberation that came with being unashamedly yourself, then I finally understand the appeal.

Staggering out at 3am – I think I did Margot proud. Even I didn’t get thrown out like she did…

In other travel news, here are the 50 best bars around the UK.

Plus, here’s a very extensive list of London’s 35 best pubs – by the locals who drink in them.