RIP

FIRST REVIEW CONFESSIONS II

★★★★★

AS one of the most talked-about, celebrated and frequently derided pop stars of all time, returning with her first album in seven years is a high-stakes move for Madonna.

The Queen of Pop has never left it so long between albums in her 43-year career. And she has taken an even bigger risk by recording a ­follow-up to her much-lauded 2005 dance-pop opus, Confessions On A Dancefloor.

But rather than playing it safe, ­Confessions II sees her doing just that — confessing.

She addresses everything from how she failed her eldest daughter Lourdes to her regrets over her relationship with her late brother, Christopher Ciccone.

And also, surprisingly, how her first husband, Sean Penn, 65, made her feel during their short-lived marriage.

The most venom-tongued track is titled Bizarre, in which she squarely attacks the Hollywood A-lister, who she was married to from 1985 to 1989.

She references the 1968 Shelby GT500 convertible she gave him as a wedding gift and his conviction for reckless driving in 1987.

And she also lays into how Penn was “threatened” by her and claims he resented her while they were together.

Madge sings: “Love is the strangest thing. Just when you think you’ve finally let go, it comes back to you.

“Movie star, deep blue eyes. In Hollywood, we’re a perfect prize.

“He drove way too fast, Shelby Cobra wasn’t meant to last.”

Earlier the lyrics had turned to anger, as she sings: “Roll out the carpet for us, but you don’t share it.

“All ’cause you’re threatened by me, you won’t admit it.

“The little things that you do don’t make me want you. Who knew love could be so bizarre?”

And in a later verse, she adds: “I know I left you behind and you resent me.

“A thousand reasons why you could never have me.

“The thought of being with you is so indecent. I guess you’ll never know my dirty little secret.”

Penn isn’t the only subject of her scorn, with Betrayal appearing to be about her stepmum Joan, who died in 2024 while the album was being made. Madonna did not attend her funeral.

The singer was five years old when she lost her mum — who she was named after — to breast cancer. Three years later, in 1966, her dad Silvio married Joan, who worked briefly for the family as a housekeeper.

In the opening verse of Betrayal, Mad­onna sings: “This is a story of betrayal. You couldn’t see your fall from grace.

“So take the hammer, hit the nail. You’ll never take my mother’s place.”

And later in the track, she adds: “You betrayed me, you enslaved me.”

But Madonna, 67, shows her softer side on The Test, which sees her and Lourdes, 29 — the eldest of her six kids — open up about their at-times difficult relationship.

On how her daughter was thrust into the limelight because of her own fame, Madonna sings: “Little star, I tried to put you on a pedestal, you didn’t ask for all the flashing lights.

“I didn’t think of how we could disturb, or how it hurt. I wish I knew the pain I caused.”

She continues: “Sometimes I think you wish I’d go away, but the shadow stays, and it’s OK to be yourself.”

Madge also appears to touch on her 2023 brush with death, when she was found unresponsive at her New York apartment and placed into a coma after suffering from an infection that led to sepsis.

Lourdes, 29, who Madonna had with fitness trainer Carlos Leon, was among those that rallied around her in hospital.

Madonna sings: “You made me whole when I was broken, too. I hope and pray I can do the same for you.”

Paying tribute to her mum, Lourdes sings: “You are my reason to be, what I want or look like, what I wear, all the clothes on my back, and what I attract.

“I trace the line of what you have sewn. Keep my own design. Make it a landscape. Make it alive.”

Elsewhere on the album Madonna makes peace with Christopher, who she was accused of “dropping” as her creative director in the early-2000s, and who later wrote a book titled Life With My Sister Madonna.

The once-close pair never fully repaired their relationship and he died of cancer at the age of 63, in October 2024 although she says he now visits her in her dreams.

On the song Fragile, she sings: “We shared a name, a home. We shared a fragile bond, now you’re gone.

“We laughed, we cried, we held each other’s hands. We had each other’s eyes and they belonged

“This is the time I hate the most, the words inside my heart

“I know you’re fragile ’cause you’ve been hurt, been let down.”

At the end of the track, she adds: “Late last night I was fast asleep, you came to me in a dream.

“You said don’t forget about me, don’t forget to be happy.

“So I hope you found a higher ground.”

The 16-track album clocks in at almost 64 minutes, and is a metaphor for a night out, starting with the heavy, pulsating beats of a club.

Then the final five songs represent the evening winding down, with Madonna spilling out her deepest feelings with the bravery and vulnerability that comes from a night of loud, messy partying.

When she reaches the last track L.E.S. Girl — about her life pre-fame on the Lower East Side of New York — you can hear traffic beeping, signalling she is finally on her way home as the morning rush hour starts.

It’s a neat arc for the ambitious album, which she once again made with English producer and songwriter Stuart Price, who she teamed up with on the first Confessions album.

But this record is much darker, heavier and grown-up.

And as well as being symbolic of a single night out, Madonna uses it to represent key parts of her life and the moments that have made her.

The most brilliantly bombastic highlight comes in Danceteria — named after the New York nightclub where she found her friends in the industry and where DJs played her music for the first time.

It’s a feel-good number with a Vogue-style rap and namechecks for everyone from her pal Debi Mazar to artist Jean-Michel Basquiat and even The B-52s.

Another highlight comes with Love Sensation, which appears to be a tribute to her boyfriend, Akeem Morris, 30.

She started dating the former football player in 2024, two years after ending a three-year romance with dancer Ahlamalik Williams, 31, and they now live together in London.

Madonna sings: “When I feel alone I always want to bring you near ’cause you bring a smile right here. You chase away my darkest hours.”

And in the chorus she continues: “Baby, come and get with me, there’s something that I gotta do.

“Baby, when you’re here with me, there’s nothing that we cannot do.”

So far in her career Madonna has sold 450million albums, and counting.

And with this project, she proves there is still plenty of passion, ambition and talent.

Undoubtedly it is her most cohesive and accomplished album since the original Confessions, 21 years ago.

And long may the Queen of Pop ­continue to reign.

LOVE, BETRAYAL AND ECSTASY ON SWEET 16

I Feel So Free: The opening track, released in April, is a throbbing song with breathy vocals and a sample of the 1989 Lil Louis acid house track French Kiss, complete with orgasm. It’s a statement of what’s to come as she says: “On the dancefloor, I feel so free.”

Good For The Soul: Heavy-sounding verses make way for a buoyant and optimistic pop chorus, all about how important letting your hair down is. It was written on her first session for the record.

One Step Away: Madonna dives headfirst into house music on this pulsating track about the release she feels in a nightclub. Over the beat, she utters: “The dance floor is not just a place, it’s a threshold. A ritualistic space where movement replaces language.”

Bring Your Love: The credibly cool lead single features Sabrina Carpenter, uniting two generations of pop stars who are resolute in their determination not to be swayed by naysayers. In the chorus they say: “Bring your love ’cause you cannot shake me. Bring your love ’cause you’ll never break me.”

Danceteria: “Everyone here is a work of art,” Madonna sings on this wonderfully poppy single, inspired by the New York nightclub she went to as a youngster.

Read My Lips: Spanish guitar and a guest appearance from Colombian singer Feid give this a different feel, though there’s a Latin trap beat to keep the party going. It’s clear Madge isn’t happy on it, though, singing: “You cut me with your lies, ’cause you hurt me with your kiss.”

Everything: It opens with strings reminiscent of her 1992 track Deeper And Deeper, but evolves to have regular house music breakdowns fit for a packed Ibiza dancefloor. And she’s worked up, spitting: “It’s not OK, I don’t f*** with it.”

Love Sensation: Pop makes a return on this heart-warming crowd-pleaser. “There’s nothing that we cannot do,” she repeats as the track builds to euphoric choruses. This is destined to be a future single.

Love Without Words: An ode to partying, starts with the sound of smoke being pumped on to a dance floor. “Call it trance, call it house, call it love without words,” she sings.

Bizarre: Madonna teamed up with super-producer Martin Garrix for this revenge track about her ex Sean Penn. The melody, complemented by strings and hints of EDM production, is enough to have people throwing their hands in the air.

School: “I can make moves on the dance floor, I can make love on a man’s floor,” she breathlessly coos on this track, on which her vocals are heavily distorted. It’s one of the weaker songs.

Fragile: There’s a major change of pace with break beats and strings, as she sweetly sings about her late brother Christopher. Her voice truly takes centre stage here.

My Sins Are My Savior: She is joined by Belgian rapper Stromae on this dark and moody track, which wouldn’t sound out of place on 1992’s Erotica album. Reflecting on the criticism in her career, she sings: “I was not lost, I was just broken. They tried to take me down, they tried to take my crown.”

Betrayal: She teams up with producer Mirwais, who she first worked with in 2000, on this 90s-inspired track, featuring brass and piano over bleak and mournful vocals.

The Test: Madonna has said Lourdes approached her about working together to heal their rift, and it certainly sounds cathartic. Her daughter’s voice here is far smoother, but they blend exquisitely.

L.E.S GIRL: It’s the end of the night, Madonna is on her way home and she’s reflecting on when she was a “Lower East Side girl, lost in a fragile world.” It’s a tear- jerker, and triumphant look back at how far she has come. The perfect ending.

Dutton Ranch viewers have been left confused after it was suggested one of the main stars was gearing up for an exit.

Dutton Ranch fans are frantically searching for answers after a major exit was implied.

Fans of the record-breaking and critically-acclaimed Yellowstone spin-off, Dutton Ranch, have been left with many questions after it was implied one of the show’s best-loved characters was leaving.

The Yellowstone sequel sees Kelly Reilly and Cole Hauser reprise their roles as Beth Dutton and Rip Wheeler as they build a new life for themselves in Texas.

Following a series of devastating events, Rip was forced to take up a job at the rival ranch, the 10 Petal, owned by Beulah Jackson (played by Annette Bening), in order to earn money.

He and Beth hoped to work together to find out what they could about Beulah and prevent her from being a potential threat.

However, reports after the latest episode have left fans wondering whether Rip Wheeler had been forced out.

WARNING: THIS STORY CONTAINS SPOILERS

Is Rip leaving Dutton Ranch?

The answer is no, Rip Wheeler is not leaving Dutton Ranch, despite what some headlines have suggested.

Reports of ‘Rip’s replacement’ have taken viewers down a misleading path, as there is no-one lined up to take over the lead role.

Equally, actor Cole Hauser is not stepping down from the role, it is simply that his character has taken on a slightly new position in the series.

While Rip has been busy running the 10 Petal Ranch, his ranch hands, Zachariach (Marc Menchaca) and Azul ( J.R. Villarreal), have been handling his duties at the Dutton Ranch.

He hopes his work there will be temporary, until they can figure out what to do about their own cattle-less ranch.

In the most recent episode, Beulah announced that her addict son, Rob-Will (Jai Courtney), would take over running the 10 Petal.

As Rob-Will and Rip had a previous run-in at the gas station, fans are predicting Rip will be driven out, or worse – killed by Rob-Will.

With the finale just over a week away, anything could happen, but at this moment in time, Rip is staying put and there is no evidence to suggest he is leaving.

The series is yet to be renewed for another season, but following its record-breaking debut, there are high hopes for its return.

Dutton Ranch airs on Fridays on Paramount+

Victor Wembanyama scored 33 points to lead the San Antonio Spurs in a 103-82 rout of Oklahoma City and level the NBA Western Conference Finals at two games each.

The 22-year-old French 7-foot-4 (2.24m) centre shot 11-of-22 from the floor, 3-of-7 from three-point range, and added eight rebounds, five assists, three blocked shots, and two steals in 31 minutes for the Spurs on Sunday.

“I need to find ways to impact the game in many areas,” said Wembanyama. “I have a lot of responsibilities, but I’m here for it. All of us, we’re going to have to do things we didn’t sign up for.”

Hosts San Antonio pulled level at 2-2 in the best-of-seven playoff series, with Game Five on Tuesday in Oklahoma City and Game Six back in San Antonio on Thursday.

“This was our first deficit in the playoff series. We just responded,” Wembanyama said. “It was nothing amazing. It wasn’t magic. We just did what we needed to do. The series is far from over.”

Wembanyama knows what the Spurs must do to win the NBA title.

“We’ve got six more wins before we can rest,” he said.

The Spurs seek their first trip to the NBA Finals since winning the crown in 2014, while the Thunder hope to become the NBA’s first back-to-back champions since Golden State in 2017-2018.

Spurs coach Mitch Johnson said Wembanyama was aggressive to try and keep San Antonio from falling into a 3-1 series hole.

“Our competitive response all year has been pretty good, and he has been at the forefront of that,” Johnson said.

“Tonight he felt an obligation to set a tone for us in a variety of ways. The aggressiveness was a reflection of that… I think he wants that responsibility. He’s built for it.”

The Thunder had been unbeaten on the road in this year’s playoffs but were foiled in a bid to reach 6-0 by a strong Spurs defensive effort.

“Any time we can turn defence into offence, turnovers and rebounding, that’s when we’re at our best,” Johnson said.

“We can get out and run and play and get out in pace. Our activity was great tonight, and we’re going to need to get better at it as the series moves on.”

The Spurs stretched their lead as large as 25 points, while the Thunder were only ahead by a single point.

“I’m not going to get into details, but in general, being more disciplined and just trusting the game plan even more,” Wembanyama said of the secret behind the Spurs’ defensive effort.

The NBA Defensive Player of the Year also cited coming together defensively as the Spurs forced 17 turnovers and made 11 steals.

“That’s super important,” said Wembanyama. “We’ve got good individual defenders, and when we connect, we’re able to hold teams to low scoring numbers.”

NBA Most Valuable Player Shai Gilgeous-Alexander led the Thunder with 19 points.

Oklahoma City won an NBA-best 64 games this season, with the Spurs second on 62 victories.

Wembanyama sank a half-court shot at the buzzer – the longest made basket of his career – to give the Spurs a 50-38 half-time lead and himself 22 first-half points.

“I was just thinking shoot to score,” Wembanyama said. “I wasn’t messing around.”

The Spurs opened the third quarter with a 15-5 run to seize their biggest lead to that point at 65-43, and Oklahoma City could not catch San Antonio from there.

“We needed that momentum going into the second half,” San Antonio’s Devin Vassell said of the half-court “Wemby” hoop.

Vassell and Stephon Castle each scored 13 points for the Spurs, while De’Aaron Fox added 12 points and 10 rebounds.

WASHINGTON — President Trump was preparing to take the stage at the White House Correspondents’ Assn. dinner Saturday night, eager — by his own account — to “let it rip” before a room of Washington’s elite and reporters he has spent years calling the enemy of the people.

Then shots were heard. Secret Service agents rushed him off the stage. And within hours, the president was at the White House calling for unity, offering overtures to a press corps that he had long clashed with.

“I just want to say you did a fantastic job, what a beautiful evening and we are going to reschedule,” Trump told Weijia Jiang, the president of the White House Correspondents’ Assn., at a news briefing after the shooting at the dinner.

His magnanimity did not last long. On Sunday night, sitting down for an interview with Norah O’Donnell of CBS’ “60 Minutes,” Trump reacted with fury to her reading of the suspected shooter’s manifesto, calling her a “disgrace.”

The manifesto characterized his targets as rapists and pedophiles.

“You’re horrible people. Horrible people,” Trump said. “He did write that. I’m not a rapist. I didn’t rape anybody.

“I’m not a pedophile. You read that crap from some sick person? I got associated with all — stuff that has nothing to do with me,” he added. “You should be ashamed of yourself reading that because I’m not any of those things.”

It marked a return to the familiar dynamic between the president and the press after a night of shared crisis and purpose — raising doubts about how long the goodwill would last.

Just hours before, at the briefing, Trump expressed dismay at the violent outburst at the Washington Hilton, where the black-tie event has been held for more than 50 years.

“I will tell you, I fought like hell to stay, but it was protocol,” the president said. On Sunday he repeated his desire to reschedule the event, telling Fox News that he is committed to attending it in the near future, even proposing to do it within 30 days.

Trump appeared to be enjoying himself moments before Cole Tomas Allen, a 31-year-old tutor from Torrance, allegedly ran past a security checkpoint at the hotel and fired off two shots. Oz Pearlman, a mentalist and the entertainer for the night, seemed to be doing a trick for the president and the first lady when the shots were fired, videos show.

Trump was preparing to deliver remarks at the end of the night. His team was excited about it, and the president had been making tweaks to his speech on Air Force One up until Saturday morning.

“It will be funny. It will be entertaining,” White House Press Secretary Karoline Leavitt said at a red carpet event ahead of the dinner.

The speech was going to mark Trump’s first at the White House correspondents’ dinner. He told Fox News on Sunday that he was “really going to let it rip,” and that he had considered the moment an “important event” until it came to a halt.

Trump said he would like to reschedule the event within the next month, adding that he will make an “entirely different speech” — one that he said will be focused on “love.”

It is unclear how long Trump’s media-friendly tone will last, but some Republicans continued to blame reporters for the violent act. Kari Lake, the senior advisor to the U.S. Agency for Global Media, said some reporters attending the event “have spent a decade spreading absolute lies” about Trump.

Trump, for his part, used the security breach at the event to make the case for his White House ballroom project, claiming that the Washington Hilton is “not a particularly secure building” and is a prime example of why legal challenges holding up its construction need to be dismissed.

“We need the ballroom,” Trump told reporters. “Today, we need levels of security that probably nobody’s ever seen before.”

However, the annual dinner’s venue is picked not by the White House, but by the White House Correspondents’ Assn., an independent organization of journalists who cover the president.

Trump has vowed to return to the event in the near future, and has called for it to take place within the next month to show that “bad people” cannot “change the course of the country.” But the ballroom project could not be ready that quickly.

It remains under construction and “ahead of schedule,” Trump has said. Earlier this month, a federal appeals court allowed construction on the project to continue through early June, as legal challenges remain ongoing.

The construction of the $400-million ballroom on the White House grounds has come under searing scrutiny. The National Trust for Historic Preservation, which sued last year to stop the project, has argued that Trump lacked authority to make architectural changes to the White House grounds.

Carol Quillen, president and chief executive of the National Trust for Historic Preservation, has argued the White House is “the most evocative building in our country” and any changes should go through a review process, including a public comment period. Trump on Sunday described the lawsuit as one brought by a “woman walking a dog.”

The attempted attack, which marks the third time in less than two years that Trump has faced the threat of a gunman, has reignited questions about the tense political environment besetting the United States.

Trump, for his part, called his job a “dangerous profession” and said he believed he has become the target of attacks because of his presidency’s own consequence.

“The people that do the most, the people that make the biggest impact, they are the people that they go after,” Trump told reporters at the White House after being rushed out of the hotel.

In an interview with Fox News on Sunday, he added: “If you’re a consequential president, you’re in much more danger than if you’re not a consequential president.”

As an example, Trump pointed to his war in Iran, a conflict that recent polling shows has contributed to his approval rating falling to around 40%. The president said the war “should’ve been done by previous presidents … but nobody did anything about it.”

At Saturday night’s dinner, people infiltrated the hotel to protest the Iran war and Defense Secretary Pete Hegseth.

Two demonstrators, wearing suits, crashed a red carpet photo shoot in the hotel lobby and called for Hegseth to be arrested for war crimes, underscoring how the foreign conflict is fueling the political rhetoric at home.

In the hours after the shooting, Trump remained defiant. In an interview, he said he was determined to show a unified front and not let “one nut” derail his agenda or events.

“I hate it when a sick, bad person,” he told Fox News on Sunday. “I hate someone like that changing the course of our country.”