rhythm

For more than four decades his voice was embraced by millions, a calming baritone in a sea of Lakers bedlam.

Yet in the most unfair of twists, on the night his career ended he was silent and alone.

Three months ago, Lawrence Tanter was walking through his bedroom when he suddenly collapsed while losing all strength in his arms and legs.

He fell and couldn’t get up. He lives alone, so he couldn’t cry out for help. He was able to secure his phone, but he says he was too stubborn to call 911.

“I wanted to get up by myself,” he said. “I knew I would eventually get up by myself.”

But this 6-foot-7 bear of a man was too weak to get up by himself. Listening to a Lakers road game on a bedside radio, he remained on the floor and eventually fell asleep until finally summoning his oldest friend the next morning.

Lakers star LeBron James salutes public address announcer Lawrence Tanter before the start of a game in 2024.

(Mark J. Terrill / Associated Press)

“I got there and I’m like, why didn’t you call sooner?” Joe Williams said. “I told him, ‘I know you’re a warrior but, c’mon man, this is serious.’”

Serious enough to be diagnosed as a stroke. Serious enough to quietly end the most sonorous, soothing stretch in local sports history.

For 43 years as the Lakers’ iconic public address announcer, Tanter has been the coolest sound in the city, the measured, reassuring voice that decorated the team’s two hype-filled homes with gravitas and grace.

When the Lakers announced his retirement last week as he continues to battle effects from the March 17 stroke, the man known to everyone as simply “LT” closed his career with taciturn perfection, summing up a Lakers lifetime in eight words.

“It’s been a great run,” he intoned this week from a hospital bed, his pipes still the strongest part of him. “I’ve been blessed.”

It is Lakers fans who have been blessed, gifted with a voice that, whenever they attended a game, reminded them they were home.

“LT is in every way a part of Laker history,” said former Laker and current broadcaster Mychal Thompson. “He too is a Laker legend.”

Lakers public address announcer Lawrence Tanter gets set up at the scorer’s table before a game in 2011.

(Gary Friedman / Los Angeles Times)

When the retirement news broke with the Lakers announcing they were moving LT into an advisory role — a classy good-bye — fans everywhere broke out their LT best.

“Toooo many steps.” … “James Woooorthy.” … ”LeBronnnn James.”

And, of course, everybody’s favorite…“Llllaker Girlsss.”

“I always imagine, if he could hear God’s voice, it would sound like LT’s,” Thompson said.

This was never more true than on a somber night in late January in 2020. LT put his giant arms around a grieving city with pregame introductions that will never be forgotten.

“At one guard, number 24, 6-6, 20th year out of Lower Merion High School, Kobeee Bryant.”

The player taking the court was Avery Bradley.

“At the other guard, number 24, 6-6, 20th year out of Lower Merion High School, Kobeee Bryant.”

Lakers public address announcer Lawrence Tanter watches play from his spot at the scorer’s table during a game in 2012.

(Mark J. Terrill / Associated Press)

The player taking the court was Danny Green.

And on it went, all five Lakers introduced as Kobe Bryant before their game against the Portland Trail Blazers, the ultimate tribute before the Lakers’ first game since Bryant’s death.

It might have been LT’s finest hour, and every second of it broke his heart.

“The hardest introductions ever,” he remembered.

LT handled it simply by being LT, a comforting bard who could elicit much emotion with a slight change in cadence or key.

“With his timing, his rhythm, he could get excitement going without raising his voice,” said Bob Steiner, the retired Lakers executive who hired LT in 1982. “Lawrence became a star in the same way Chick Hearn was.”

While working for the Lakers, LT also worked for several jazz and rhythm and blues radio stations in town, most notably KJLH, which gave him built-in credibility in the city.

“If you go around town, you will find that he was known almost as much for his radio work as his public address work,” Williams said.

In combining the rhythm of jazz with the tenor of basketball, LT was the coolest cat at the scorer’s table, a distinctive figure in a white goatee and a newsboy cap who raised the roof while never raising his voice.

“I never tried to be a cheerleader,” said LT, 76. “I just tried to be a public address announcer.”

While many of today’s public address announcers are screamers, LT was so subtle that his most repeated call involved not the action, but the in-game entertainment.

“Everywhere we go, somebody recognizes his voice and does an imitation,” Williams said. “But nothing gets repeated like ‘Llllaker Girlsss.’”

Those two words, uttered at the end of every routine by the iconic dance team, contain the essence of LT’s greatness. He knows what you’re watching doesn’t need any embellishment; he’s capturing the scene with the power of subtlety.

“You’re sitting in the stands and when the dancers finish dancing, you say to your friends out loud, ‘Llllaker Girlsss,’ and everybody laughs,” said Pete Arbogast, who was the master of ceremonies when LT was inducted into the Southern California Sports Broadcaster Hall of Fame last year.

LT’s speech that afternoon was dominated by individual thank-yous to his many friends who attended the ceremony, typical LT humility.

“From my nose to my toes, I say thank you,” he concluded.

Lakers public address announcer Lawrence Tanter is given brownies by actress Dyan Cannon before the start of a game in 2011.

(Los Angeles Times)

Today it is the Lakers who are thanking him.

“Since the 1980s, LT has narrated every chapter of Lakers basketball, connecting generations of fans, players, coaches and staff while becoming a trusted and unforgettable part of the Lakers experience,” Lakers governor Jeanie Buss said in a statement. “I am incredibly grateful for everything he has given to this franchise.”

His next stop should be the Naismith Memorial Basketball Hall of Fame, where he deserves to be enshrined as a contributor, becoming the first public address announcer to receive such an honor.

What other PA voice defined a franchise like LT? Who else missed just two games in 43 years? Name another PA announcer who accumulated nine championship rings yet refuses to wear any of them, ever, because it was never about him?

“It’s high time the Hall of Fame inducts him as a valuable and legendary contributor to the game,” Thompson said.

And if he is one day inducted, how would he introduce himself?

“At one forward, number 43, 6-foot-7, from Thornton Township High School, Llllawrence TAN-ter …”

LT laughed at the thought. He never actually would say that. But wouldn’t you like to hear it? Just once?

“Laker games,” Thompson said, “will never sound the same again.”

Colombian folk music icon Totó La Momposina, known as the “Queen of Cumbia,” has died. She was 85.

The Colombian Ministry of Culture announced the lauded vocalist’s death Tuesday morning.

“Today we bid farewell to the eternal Totó. (1940-2026) To the eternal teacher who traveled the entire world to the rhythm of cumbias, porros, mapalés, and bullerengues born in the heart of our land,” the ministry wrote in an X post. “To the eternal Momposina who spoke of the traditional music of the Caribbean, empowered it, and enriched it for decades to write an entire chapter in the cultural history of our country.”

In an Instagram post from the artist’s official account, her children provided a cause of death.

“With profound sorrow, we, her children Marco Vinicio, Angelica Maria, and Euridice Salome Oyaga Bazanta, announce the passing of our mother, Sonia Bazanta Vides, better known as Totó la Momposina, surrounded by her family in Celaya, Mexico, on Sunday, May 17. Cause of death: myocardial infarction,” the post read.

The children also touched on the enduring legacy that their mother left behind.

“Totó was a woman who, with her voice and extraordinary dedication, carried the culture and memory of the Colombian people to the far corners of the world. Her joy, light, wisdom, talent, generosity, and many other virtues touched the lives of countless people,” they continued in the post. “She shared with the world the music, culture, dances, and essence of Colombia’s Caribbean coast. Her name will forever remain in the memory of those who admired her, accompanied her and loved her.”

Born Sonia Bazanta Vides in 1940 in the Colombian town of Talaigua Nuevo, Totó la Momposina was born to a family with Afro-Colombian and Indigenous roots. Her music was renowned for incorporating the percussive and melodic instruments unique to her cultural identity. Both of her parents were amateur musicians and she began performing on stage at the age of six.

Her musical taste and sound was informed by the Afro-Indigenous rhythms of the traditional mapalé, chalupa, porro, bullerengue and cumbia genres that originated in Columbia and which she studied by visiting musicians in neighboring villages throughout her youth.

After moving to the Colombian capital of Bogotá in the 1960s, she immersed herself in the city’s music scene and began performing as part of a group. Totó la Momposina moved to Paris in the 1980s to study music at the Sorbonne University.

When Colombian author Gabriel García Márquez received the Nobel Prize in literature in 1982, she accompanied him to Stockholm and was among several Colombian artists to perform at the ceremony.

Hot on the heels of some international recognition, Totó la Momposina released her debut solo album “La Verdolaga” in 1983. She would later catapult to greater worldwide fame after she formed an artistic relationship with English musician Peter Gabriel. Under Gabriel’s Real World Records label, Totó la Momposina released her 1993 album “La Candela Viva,” which received international acclaim and a formative text in the cumbia and bullerengue genres.

In 2011, she was award record of the year at the 12th annual Latin Grammy Awards, alongside Calle 13, Susana Baca and Maria Rita for the track “Latinoamérica.” The singer also received a Latin Grammy lifetime achievement award in 2013.