As a community and cultural center of Boyle Heights, Mariachi Plaza would be an obvious place for families to gather on Father’s Day.
But the normally bustling plaza was all but deserted when Mayor Karen Bass visited Sunday morning.
More than a week after President Trump’s immigration raids first instilled terror in Los Angeles communities, the federal sweeps have had a profound chilling effect in the overwhelmingly Latino, working-class neighborhood just east of downtown.
“Mariachi Plaza was completely empty. There was not a soul there,” Bass recalled a few hours later. “One restaurant, there were a handful of people. The other restaurant, there was literally nobody there.”
Bass visited a number of small businesses in Boyle Heights with Assemblymember Mark Gonzalez (D-Los Angeles), including Casa Fina, Distrito Catorce, Yeya’s and Birrieria De Don Boni, as well as the Estrada Courts public housing project, where Bass and Gonzalez both said residents were reluctant to come outside of their homes for a Father’s Day celebration.
“It’s the uncertainty that continues that has an absolute economic impact. But it is pretty profound to walk up and down the streets and to see the empty streets, it reminded me of COVID,” Bass told The Times on Sunday afternoon.
Bass said restaurant operators in Boyle Heights told her current circumstances were actually worse than what they had faced during COVID-19, because unlike during the pandemic, there had been no ensuing bump in to-go orders. She hypothesized that the issue was compounded by the fact that many people were not going in to work, meaning they didn’t have disposable income to eat out.
“They said people aren’t ordering, and people probably aren’t ordering because they’re not working,” Bass said.
Gonzalez said the proprietor of one of the restaurants they visited was crying.
“He said, ‘It’s so empty. I’ve never seen it like this, and I don’t know how we can survive this,’ ” Gonzalez recalled.
Asked about his message to Trump, Gonzalez spoke about the centrality of immigrants to California’s economy.
“For somebody who’s supposed to be business oriented, he sure is allowing local businesses to sink and have the effect that these raids are having,” Gonzalez said.
Entire sectors of the city’s economy cannot function without immigrant labor, Bass said, citing the Fashion District in downtown Los Angeles, where raids have instilled acute fears and muffled business.
Bass also said she worried about how the disquiet would affect rebuilding in the fire-ravaged Pacific Palisades, if a significant quotient of the immigrant-heavy construction workforce is scared to show up to job sites.
In a post on X, she urged Angelenos to visit small businesses like those in Boyle Heights, writing, “Let’s show up, support them and send a message: LA stands with you.”
The aftereffects of the ensuing mass protests have also pummeled restaurants and bars in the downtown area, with widespread vandalism in the Civic Center and Little Tokyo areas.
WASHINGTON — The Trump administration directed immigration officers to pause arrests at farms, restaurants and hotels after the president expressed alarm about the impact of his aggressive enforcement, an official said Saturday.
The move marks a remarkable turnabout in Trump’s immigration crackdown since he took office in January. It follows weeks of increased enforcement since Stephen Miller, White House deputy chief of staff and main architect of Trump’s immigration policies, said U.S. Immigration and Customs Enforcement officers would target at least 3,000 arrests a day, up from about 650 a day during the first five months of Trump’s second term.
Tatum King, an official with ICE’s Homeland Security Investigations unit, wrote regional leaders on Thursday to halt investigations of the agricultural industry, including meatpackers, restaurants and hotels, according to the New York Times.
A U.S. official who was not authorized to comment publicly and spoke on condition of anonymity confirmed to the Associated Press the contents of the directive. The Homeland Security Department did not dispute it.
“We will follow the president’s direction and continue to work to get the worst of the worst criminal illegal aliens off of America’s streets,” Tricia McLaughlin, a Homeland Security spokesperson, said when asked to confirm the directive.
The shift suggests Trump’s promise of mass deportations has limits if it threatens industries that rely on workers in the country illegally. Trump posted on his Truth Social site Thursday that he disapproved of how farmers and hotels were being affected.
“Our great Farmers and people in the Hotel and Leisure business have been stating that our very aggressive policy on immigration is taking very good, long time workers away from them, with those jobs being almost impossible to replace,” he wrote. “In many cases the Criminals allowed into our Country by the VERY Stupid Biden Open Borders Policy are applying for those jobs. This is not good. We must protect our Farmers, but get the CRIMINALS OUT OF THE USA. Changes are coming!”
While ICE’s presence in Los Angeles has captured public attention and prompted Trump to deploy the California National Guard and Marines, immigration authorities have also been a growing presence at farms and factories across the country.
Farm bureaus in California say raids at packinghouses and fields are threatening businesses that supply much of the country’s food. Dozens of farmworkers were arrested after uniformed agents fanned out on farms northwest of Los Angeles in Ventura County, which is known for growing strawberries, lemons and avocados. Others are skipping work as fear spreads.
ICE made more than 70 arrests Tuesday at a food packaging company in Omaha. The owner of Glenn Valley Foods said the company was enrolled in a voluntary program to verify workers’ immigration status and that it was operating at 30% capacity as it scrambled to find replacements.
Tom Homan, the White House border advisor, has repeatedly said ICE will send officers into communities and workplaces, particularly in “sanctuary” jurisdictions that limit the agency’s access to local jails.
Sanctuary cities “will get exactly what they don’t want, more officers in the communities and more officers at the work sites,” Homan said Monday on Fox News Channel. “We can’t arrest them in the jail, we’ll arrest them in the community. If we can’t arrest them in the community, we’re going to increase work-site enforcement operation. We’re going to flood the zone.”
Madhani and Spagat write for the Associated Press.
On a game night in Los Angeles, 10-year-old Boomtown Brewery in the Arts District can host 500 fans just five minutes walking distance from the Dodger Stadium shuttle at Union Station.
With the Dodgers hosting its archrival San Francisco Giants over the weekend, one might expect the cavernous brew hall with giant projection screens to be packed with revelers.
But ever since Tuesday, the only long line was the stretch of unused parking meters that formed a perimeter around the brewery.
Now, instead of customers belting out their favorite songs at Friday karaoke, the establishment is shuttered while city officials prepare for a day of widespread protests against Trump administration policies Saturday.
The curfew covers most of Chinatown, Skid Row and the Fashion and Arts districts from the 5 Freeway to the 110 Freeway, and from the 10 Freeway to where the 110 and 5 freeways merge.
Along with area bars and restaurants, civic institutions and art organizations have also been affected. The Los Angeles Philharmonic’s Seoul Festival canceled its final performance on Tuesday and the Mark Taper Forum canceled productions of Hamlet on Tuesday and Wednesday.
Chris Dombos, left, and Sarah Carmean enjoy a beer and a bit of solitude at Boomtown Brewery in the Arts District on Wednesday. The brewery is located inside the curfew zone established by the city of Los Angeles.
Iconic Angels Flight, the over 100-year-old funicular cable car, is moving its final service from 10 p.m. to 8 p.m. until the curfew ends.
Inside Boomtown, marketing manager Nick Gingold was pleased to see a gathering of about 20 regulars who stopped by Wednesday at 6 p.m.
The brewery became aware of the curfew via social media and Mayor Bass’ televised announcement Tuesday, shortly after 4 p.m.
“I don’t think we actually received an official notice from the city, as far as I know,” Gingold said.
The mayor’s office did not respond to questions about whether it provided curfew notices.
The brewery amended its closing time to 7:30 p.m., meaning it shuttered two and a half hours early on Tuesday and Wednesday. That same early closing bell will cut the brewery operating time in half on Thursdays and leave only four and a half of the regularly-scheduled 11 hours for business on Fridays.
Gingold said the closure would sting Boomtown but didn’t want to speculate on revenue losses.
Boomtown is not alone in changing its hours.
Angel City Brewery, also located in the Arts District, has amended its normal 4 p.m. to midnight weeknight schedule. The brewery posted on Instagram that it was closing Wednesday and Thursday at 7 p.m. though it opened at 1 p.m. on Thursday.
Chinatown’s Melody Lounge went one step further, announcing on Instagram that it was temporarily closing its doors throughout the curfew’s duration.
“It’s been a rough few years for Los Angeles with the pandemic, the shutdown, film industry strikes and now this,” Gingold said. “Let me be clear, we support our Latino community throughout this time and stand with them.”
Boomtown posted on Instagram on Tuesday that the store promised to stay open “as long as it’s safe to do so” to serve as a meeting place for the community.
“We celebrate diversity and reject divisiveness. We celebrate immigrants and reject hate and we support our neighbors,” one post noted.
Chris Dombos, a special effects artist who lives in the Arts District, found his way into Boomtown, appreciative of the brewery’s solidarity.
“This is a time of rising fascism where a city like Los Angeles, built by immigrants, is under attack and needs allies,” said Dombos, 44, who has observed some of the protests.
Dombos, 44, described the curfew as a political stunt and called on the mayor’s office to investigate the “brutal tactics” by Los Angeles police officers. He said constant flyovers by authorities have been “terrorizing” the neighborhood.
Sarah Carmean, who enjoyed a light draft at Boomtown, lamented with service-industry employees missing tips or hours.
“These are the people who really lose out with the curfews,” she said. “They are dependent on that money to pay bills.”
Chef Genevieve Gergis, owner of acclaimed restaurants Bestia and Bavel in the Arts District, called the curfew “a broad and vague overreach” and criticized city leadership.
She said neither of her restaurants were anywhere near protests and she only heard of the curfew from television.
“The lack of guidance for small businesses and those who work in the area are being swept up in this blanket policy with no explanation or details,” she wrote in an email. “This sudden, unexplained action feels like it was enacted without any care or consideration.”
Mina Park, co-owner and chef at Baroo, the Los Angeles Times 2024 Restaurant of the Year, said she closed her modern Korean eatery on Wednesday in the wake of the curfew and was still trying to plan out what to do.
“We have a lot of cancellations and concerns because of the protests and the curfew,” she said. “It’s hard to run a business with this uncertainty.”
Park said she’ll likely have to throw out some fresh food, but also didn’t feel she could complain much.
“Having to close for a couple of days is nothing compared to what so many families are going through,” she said of the ICE raids. “It’s really hard to see what’s happening with the community.”
At the end of a nearly two-week trip to Melbourne, Australia, early last month, I drove with a friend 50 miles outside the city to a rural town with the amazing name of Cockatoo.
A once-in-a-lifetime Korean meal in Australia
She teetered her pickup truck at the edge of a steep driveway, double-checking the address to make sure we were in the right place. She inched her way down to park and we walked the short path to a house nestled in the woods. Yoora Yoon greeted us at the door and welcomed us inside. We had made it to our Saturday lunch destination: Chae, a six-seat restaurant centered on the talents of Jung Eun Chae, to whom Yoon is married.
Yoon stood at the crook of the L-shaped counter where the diners had settled and introduced Chae as she quietly glided between tasks in the open kitchen we sat facing. Then he left the room. Chae placed pots of ginseng tea on burners in front of us. We were in her hands.
A plate of jeok and jeon (Korean meat or vegetable fritters) at Chae, a six-seat restaurant run by Jung Eun Chae in Cockatoo, Victoria, Australia.
(Bill Addison / Los Angeles Times)
A trio of bites comprised the first of seven courses. Sanjeok can refer to skewered meats and vegetables; Chae reconceived the dish as minced chicken marinated in ganjang (the Korean version of soy sauce that Chae makes herself) and pan-fried. She hid a lightly candied walnut half in its center for crunch. It was flanked by two jeon, or fritters. One was a loose ball of shrimp and julienned king oyster mushrooms nipped with spring onion and chile, flattened where it had browned in the skillet. The other was a zucchini coin cooked in translucent egg batter.
Each was a microcosm of mixed textures and savory flavors. I looked over with “ok, wow” raised eyebrows at the friend next to me, Besha Rodell. Longtime food-obsessed Angelenos will remember Besha as the last food critic for L.A. Weekly, from 2012 to 2017. She’s currently the chief restaurant critic for the Age and Good Weekend in Melbourne, and this month her memoir “Hunger Like A Thirst” was published.
We’ve been close for 20 years and shared many exceptional meals. Chae was shaping up to be one of them.
Jung Eun Chae at her six-seat restaurant Chae in Cockatoo, Victoria, Australia.
(Bill Addison / Los Angeles Times)
A stone bowl filled with more diverse tastes arrived next. Pyeonyuk, striated pork meat and fat pressed into square slices for satisfying chew. Yukhoe, a tangle of chopped raw beef glossed with just-made sesame oil. The dish often includes Asian pear; Chae spritzed it instead with a fermented apple extract she had concocted. Cilantro leaves dressed in nutty perilla oil acted as mulchy contrast against poached octopus and a ojingeo-jeot, squiggly fermented squid.
In the center of the plate, to season and balance the tastes, was a dense pool of cho-gochujang, a vinegared variation on the ubiquitous Korean chile paste. Chae had made this, too, from the very building blocks of Korean cuisine: She ferments her own meju, the bricks of crushed soybeans also used to craft ganjang and doenjang, the paste analogous to miso.
A platter of meat, seafood and vegetables that’s part of a multi-course meal at Chae, the six-seat restaurant run by chef Jung Eun Chae in Cockatoo, Victoria, Australia.
(Bill Addison / Los Angeles Times)
I’m generally a fast eater. This collage of small dishes, where every element felt so considered, managed to slow me way down.
Something beautifully simple followed: chicken noodle soup, its poultry-intense broth sharpened only by thin triangles of radish kimchi.
Chae, who was born in Seoul, had been working in Melbourne fine dining when she injured her ankle in a motorcycle accident, forcing her to step away from the extreme demands of kitchen work. She was considering her next move when she watched the season-three episode of “Chef’s Table” on Netflix about Buddhist nun-chef Jeong Kwan, who lives and teaches at the Baegyangsa temple in South Korea. Moved by the clarity of her philosophy and relationship to nature, Chae went to study with her. It set the path for her tiny home-based restaurant, where she would make her own jangs — as she remembered her mother doing in her childhood — and serve meals only two days a week.
What we have (and don’t have) in Los Angeles
I read up on all this after my meal with Besha, but aspects of the cooking registered as familiar even in the moment.
Kwang Uh, the chef and co-owner of extraordinary Baroo in Los Angeles, also studied with Jeong Kwan; he met his wife and business partner Mina Park at the temple. With a couple of day’s notice, Uh will make a vegetarian or vegan version of Baroo’s set menu. When I think of its bowls of wondrous, seaweed-seasoned rice and banchan of seasonal vegetables, and treasures like dried acorn jelly with the thick chew of cavatelli, I can trace the through-line of Jeong Kwan’s influence to both chefs. I’m remembering Chae’s finale of rice crowned with spinach and mushrooms and sides of kimchi and spicy radish salad; she served it alongside jeongol (hot pot) of mushrooms and croquettes of minced beef and tofu.
Los Angeles, we all know, is blessed with one of the world’s great Korean dining cultures. If I’m hungry for jeon of many shapes, I can head to HanEuem in Koreatown. For soup that seemingly heals all ills, we have Hangari Kalguksu. For chefs that turn the essence of Korean cuisine into personal, meditative tasting menus, we have Uh at Baroo and Ki Kim at his new Restaurant Ki.
And still: How rich to have a meal, on the opposite side of the world, that expressed another side of the culinary Korean diaspora unlike anything I’ve experienced. The economics of a small operation like Chae‘s must sometimes feel precarious. But the impressive structure and flow of the meal, balanced with a forested home environment in a room full of honeycomb-colored woods, was singular. Would a chef anywhere in the Los Angeles area be able to age meju, produce their own jangs and serve meditative meals to a tiny number of people?
Unlikely, but if nothing else, it reminds me that the Korean dining possibilities here are inexhaustible.
A centered shot of ginseng tea at six-seat restaurant Chae in Cockatoo, Victoria, Australia.
(Bill Addison / Los Angeles Times)
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Curtis Stone’s Malibu work retreat
I’ll be writing more in detail about my time eating in and around Melbourne in the coming months. Australia is on our minds at the Food section this weekend since the Times and Tourism Australia will present the 2nd Annual Great Australian Bite on Saturday, featuring chefs Curtis Stone of Gwen and Pie Room and Clare Falzon visiting from Staġuni above Adelaide in South Australia. The event has sold out, but food reporter Stephanie Breijo wrote about the Malibu property where Stone will host the event — and where he’s building a new lifestyle empire.
Chef Curtis Stone examines new growth in his vineyard at Four Stones Farm.
(Juliana Yamada / Los Angeles Times)
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Is a restaurant worth a visit simply because it’s been around longer than that bottle of yellow mustard in your refrigerator? Longer than your oldest living relative? Maybe. Proper respect should be paid to an institution.
Los Angeles is home to restaurants celebrating a century in business. About 36,500 days in operation. The feat alone is something to marvel at.
What is Hollywood without the martini culture built around Musso & Frank Grill? The Long Beach bar scene without the Schooners of cold beer and pickled eggs at Joe Jost’s? A South Pasadena stretch of Route 66 without milkshakes and phospate sodas at Fair Oaks Pharmacy? Over decades in business, these restaurants have become landmarks synonymous with the cities themselves.
Some of L.A.’s most popular attractions are our food halls, with Grand Central Market in downtown and the Original Farmers Market in Fairfax drawing millions of visitors each year. Grand Central Market opened in 1917 with nearly 100 food merchants. Its oldest running restaurant is the China Cafe, with a 22-seat counter that’s been around since 1959. In 1934, about a dozen farmers and other vendors started selling produce at the corner of 3rd Street and Fairfax Avenue, where the Original Farmers Market still operates today. Magee’s Kitchen, its oldest restaurant, began when Blanche Magee started serving lunch to the farmers in the ‘30s.
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1.El Coyote founder Blanche March.(El Coyote)2.The counter at Fugetsu-Do in 1904.(Fugetsu-Do Bakery Shop)3.Alicia Mijares, left, daughter of Mijares founder Jesucita Mijares, with Maria Guzman in 1984.(Mijares Restaurant)
Many of the restaurants on this list were built by immigrants from every corner of the world, their American dreams realized in a mochi shop in Little Tokyo, a French restaurant in downtown L.A. and a taste of Jalisco, Mexico, in Pasadena.
If you’re looking for the oldest restaurant in Los Angeles County, you’ll find it in Santa Clarita, a city about 30 miles northwest of downtown. Originally called the Saugus Eating House when it opened as part of a railway station in 1886, the Saugus Cafe boasts a history rich with Hollywood film stars, U.S. presidents and a train network that helped establish towns across the state.
In 1916, the cafe moved across the street to where it sits now, one long, narrow building that includes a dining room and a bar. It has closed, reopened and changed hands numerous times over the last 139 years. Longtime employee Alfredo Mercado now owns the restaurant.
It’s a place that exists in a cocoon of nostalgia. The history embedded in the walls, the decor and the friendly staff are the main draw. If you’re searching for the best breakfast in town, you may want to keep looking.
The following are decades-old restaurants that have stood the test of time, shrinking wallets and fickle diners. In operation for 90 years or longer, these 17 destinations (listed from oldest to newest) are worth the trip for both the history, and whatever you decide to order.
A POPULAR burger branch has finally reopened its doors after nearly two years – and locals couldn’t be happier to see it back.
Wimpy has returned to Tufton Street in Ashford, Kent, after shutting in late 2023 when the previous franchisee stepped down following 30 years in charge.
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The branch is back in business, with customers already queuing up for their fix of Wimpy classicsCredit: Alamy
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Several residents said the restaurant had been a regular haunt in their youth, and they were eager to return with their own childrenCredit: Getty
The iconic burger spot was originally expected to reopen at the start of 2024, but a series of delays, including unforeseen issues before Christmas, left customers fearing the restaurant might never return.
Now, to the delight of fans, the branch is back in business, with customers already queuing up for their fix of Wimpy classics.
The company, famous for menu staples like the Bender in a Bun and thick shakes, confirmed: “Wimpy Ashford is now open under new ownership with a fresh team and great vibe.
“We will still be serving your favourite Wimpy burgers, chips and thick shakes.”
News of the reopening has spread quickly among locals, with many taking to social media to share their excitement and memories of the eatery.
Several residents said the restaurant had been a regular haunt in their youth, and they were eager to return with their own children.
One customer wrote: “So glad Wimpy is back! Nothing beats a proper burger and chips with that classic taste. We’ve really missed it.”
Another added: “Ashford just hasn’t been the same without it. It’s not just the food, it’s the memories that come with it.”
Wimpy, once a major player on the UK’s fast-food scene, has been undergoing a gradual revival in recent years, with several branches refurbished or reopened under new management.
The Ashford branch’s relaunch is seen as a positive step for the town centre, which has faced a number of retail closures in recent years.
The new owners say they’re committed to maintaining the traditional feel of the restaurant while bringing in modern touches to enhance the customer experience.
Early visitors have already praised the updated décor and friendly atmosphere, saying it retains the charm of the old Wimpy while feeling fresh and inviting.
Staff say they’ve been overwhelmed by the warm welcome and steady flow of diners since opening, and hope to build on that momentum in the months ahead.
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The Ashford branch’s relaunch is seen as a positive step for the town centre, which has faced a number of retail closures in recent years
More than 20 easy takeout ideas from chefs and food pros for your next potluck. Plus, Curtis Stone grows a lifestyle empire in Malibu wine country, the return of Miya Thai and making chicken in a rice cooker. I’m Laurie Ochoa, general manager of L.A. Times Food, with this week’s Tasting Notes.
When chefs don’t cook
Azizam’s “kuku sandevich,” house-leavened flatbread with herb-and-leek frittata, yogurt, cucumber, tomato and radish.
(Laurie Ochoa / Los Angeles Times)
The invitation via text message was brief: “Having a ‘potluck’ at my house next Sunday. Bring your favorite takeout food.”
I looked at the sender’s name: Nancy Silverton.
I’ve been to Nancy Silverton’s house for parties many times. I co-wrote her bread book and first got to know her while writing a story for this paper on the making of Campanile, the restaurant she and her late ex-husband Mark Peel opened in the complex that is now Walter and Margarita Manzke‘s Republique. So the idea of Silverton throwing a party with only takeout food — nothing cooked by her or any of her chef or food-obsessed friends — was surprising.
It’s not that Silverton favors complex dishes. One of her lesser-known cookbooks is “A Twist of the Wrist,” with simple recipes made from jarred, tinned or boxed ingredients. And she sometimes augments her party menus with food from some of her favorite takeout spots like Burritos La Palma.
But Silverton is obsessed with details, even at a burger party where the patties are hand-shaped with a custom-blend of meat (20% to 28% fat, as writer Emily Green once described in a story on the chef’s hamburger process), and she only assigns grill duties to trusted cooks (frequently Elizabeth Hong, culinary director of Silverton’s many Mozza restaurants, or Jar restaurant owner-chef Suzanne Tract). Even the burger toppings and condiments are precisely arranged. Her avocados, for instance, are almost always halved, loosened from the skin, which remains to protect the fruit, then sliced, drizzled with lemon or lime juice and seasoned with salt, pepper and often chopped chives.
I wondered how Silverton would react to the chaos that can ensue at potluck gatherings. What if everyone showed up with Burritos La Palma? (Well, maybe that wouldn’t be so bad.)
Of course, Silverton and her partner, former Times reporter Michael Krikorian, eliminated some of the event’s wildcard nature by making gentle inquiries over text to find out what people were bringing.
It was clear from the start that one of my favorite foods to bring to a party would not be an option: the football-shaped Armenian flatbread from Glendale’s Zhengyalov Hatz — filled with more than a dozen different herbs, as writer Jessie Schiewe described in our recent guide to “15 L.A. restaurants where ordering the house specialty is a must.” Krikorian was already bringing some.
Oh, and Silverton also arranged for Frutas Marquez (phone: 909-636-1650) to set up an umbrella-shaded cocos frios and cut fruit stand.
Fruit cup from Frutas Marquez.
(Laurie Ochoa / Los Angeles Times)
So before the first guest turned up, there was enough food for a hungry crowd. Then the chefs and other food pros started to arrive with food from all over city.
Chef Chris Feldmeier of the sorely missed Bar Moruno in Silver Lake and now back in the kitchen at Love & Salt in Manhattan Beach gave Silverton’s guests a chance to try some of the Southland’s greatest Indian cooking from Quality of Bombayin Lawndale. He brought goat biryani, butter chicken and palak paneer, with large pieces of curd cheese mixed into the gently seasoned spinach. People were raving over the butter chicken and I was so taken with the goat biryani that I stopped into the unassuming storefront this week and picked up some lamb biryani as well as two of the restaurant’s naans, one flavored with green chile and one, Peshawari naan, baked with ground nuts and raisins. Feldmeier also brought crispy rice salad with Thai sausage from North Hollywood’s Sri Siam, a place I recently rediscovered.
Another hit from the party came from Jar’s Suzanne Tract, who brought spicy shrimp dumplings and kimchi dumplings from Pao Jao Dumpling House started by Eunice Lee and Seong Cho in the food court of the Koreatown Plaza on Western Ave. In the dumpling season of Jenn Harris’ video series“The Bucket List,” she finds out that Cho developed the recipe for the spicy shrimp dumpling and isn’t sharing the secret to its deliciousness — which will make you all the more popular when you show up with a batch at your next potluck.
Photographer Anne Fishbein brought many delicious things from chef Sang Yoon‘s Helms Bakery, including doughnuts and gorgeous breads with different schmears and butters, including the sweet black garlic butter that Harris included in her story about the Helms’ foods that got her attention when the marketplace opened in Culver City late last year.
Times contributor Margy Rochlin arrived with swaths of the pebbly Persian flatbread sangak, so fresh from the oven at West L.A.’s Naan Hut the sheets of sesame-seeded bread burned her arm when she picked up her order. (Read Rochlin’s 2015 story for Food for more on how sangak is baked on hot stones.) She then went to Super Sun Market in Westwood for French feta cheese, fresh herbs and the shallot yogurt dip mast-o musir, arranging everything on a wood board.
The shallot yogurt dip mast-o musir with fresh herbs and French feta from Super Sun Market in Westwood and a basket of the Persian flatbread sangak from Naan Hut in West L.A.
(Laurie Ochoa / Los Angeles Times)
Silverton’s daughter, Vanessa Silverton-Peel set out an impressive array of flaky borekas from the always-busy Borekas Sephardic Pastries in Van Nuys with various fillings. These included cultured cheese and za’atar; potato and brown butter; mushroom, caramelized onion and truffle; spinach and cheese, plus carrots and hot honey, which is an occasional special. With them, came pickles, tomato sauce and jammy eggs. And because she is everywhere, Harris has written about her love for this place too.
Taylor Parsons, once declared L.A.’s best sommelier when he was at Republique by former L.A. Weekly restaurant critic Besha Rodell, and Briana Valdez, founder of the growing Home State mini-chain of Texas-style breakfast tacos and more, brought cheesy Frito pies and tacos from Valdez’s restaurant. And Pasquale Chiarappa, a.k.a. the sometime actor Pat Asanti, a.k.a. Patsy to his pals, brought his own Della Corte Kitchen focaccia, which he supplies to Pasadena’s Roma Deli among other places.
Pizza and cake from another Addison favorite, Aaron Lindell and Hannah Ziskin‘s Quarter Sheets in Echo Park went fast, though I’m not sure who brought them since at this point it was getting hard to keep track of all the incoming food. The same goes for the bucket of Tokyo Fried Chicken that was quickly gobbled up. Jazz musician and composer Anthony Wilson had the good taste to bring a whole duck from Roasted Duck by Pa Ord, which I wrote about in this newsletter recently because I think it might be the best duck in Thai Town.
A platter from Thai Town’s Roasted Duck by Pa Ord with boxes of pizza from Quarter Sheets in the background.
(Laurie Ochoa / Los Angeles Times)
Claudio Blotta, founder of All’Acqua in Atwater Village and Silver Lake’s Barbrix, which is undergoing rennovations at the moment, tapped his Argentine roots by bringing empanadas. I missed the name of the place he bought them, but a good bet if you’re looking for some to bring to a party is Mercado Buenos Aires in Van Nuys.
Erik Black, founder of the recently revived Ugly Drum pastrami, broke the rules a bit by actually cooking something — spiced caramel corn from recipe in “Nancy Silverton’s Sandwich Book.” And Mozza’s Raul Ramirez Valdivia made tortilla chips, guacamole and wonderful salsa verde. Of course, Burritos La Palma showed up thanks to Mozza’s Juliet Kapanjie.
I ended up bringing a tray of fresh Vietnamese spring rolls, a party offering that has never failed me, from Golden Deli in San Gabriel. There were three kinds: shrimp and pork, beef and tofu for vegetarians.
And just when it seemed that the party could not take one more food offering, in walked former L.A. Times restaurant critic S. Irene Virbila and photographer, wine aficionado and cook Fred Seidman with a box of burgers from In-N-Out. Because no matter how full you are, there’s always room for In-N-Out.
Cheeseburgers from In-N-Out.
(Laurie Ochoa / Los Angeles Times)
Curtis Stone’s work retreat
Chef Curtis Stone examines new growth in his vineyard at Four Stones Farm.
(Juliana Yamada / Los Angeles Times)
Food reporter Stephanie Breijo got a look at the inner workings of Curtis Stone‘s Four Stones Farm in the Santa Monica Mountains, where the Australian chef of Hollywood’s Gwen and the Pie Room in Beverly Hills has established a base for his burgeoning lifestyle empire. This includes TV-ready testing and production kitchens for taping live HSN cooking demos promoting his cookware, plus a winery that uses grapes grown on the property’s vineyards and a set up for events, including the upcoming Great Australian Bite in collaboration with the L.A. Times and Tourism Australia. On May 31, Stone and visiting chef Clare Falzon of Staġuni in South Australia’s Barossa Valley are teaming up to prepare a multicourse meal in the area becoming known as Malibu wine country. Tickets cost $289 and are on sale now.
Altadena check-in
Thai fried chicken with papaya salad at Miya Thai restaurant in Altadena.
(Laurie Ochoa / Los Angeles Times)
Regular readers of this newsletter know that I have been keeping watch in my Altadena neighborhood for signs of recovery following the firestorm that destroyed so much of the area. I’m thrilled to report that Miya — David Tewasart and Clarissa Chin‘s Thai restaurant, which survived in the section of Lake Ave. that saw major destruction — has quietly reopened and is happily busy. We ran into friends from the neighborhood and sat with them at a table to catch up. It felt like home. And the fried chicken with hand-pounded papaya salad? It’s as good as ever.
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Easy rice cooker chicken
A whole chicken is cooked in the rice cooker and served alongside a condiment made with ginger and scallions.
(Jenn Harris / Los Angeles Times )
Have you seen that woman who cooks an entire chicken in a rice cooker?” style pro Joe Zee asked columnist Jenn Harris recently, as she wrote in our most recent Cooking newsletter. He was referring to the Instagram video made by London content creatorShu Lin, who showed her followers how to make Hakka-style salt-baked chicken with not much more than a seasoning packet sold in most Asian supermarkets and a rice cooker, plus ginger, green onions, shallots and oil. The technique isn’t new, but Lin’s recipe is very simple and inspired Harris to try it.
Coffee generation
Gefen Skolnick, owner of Couplet Coffee in Echo Park.
(Chiara Alexa / For The Times)
Gefen Skolnicktells Food contributorJean Trinh that she wanted a “fun and funky” Gen Z-friendly space when she opened Couplet Coffee in Echo Park this year. That means “limited-edition product drops, community-building, storytelling and social media.” As Skolnick put it to Trinh, “There needs to be great coffee made more approachable.”
Also …
Writer Lina Abascal asks, “Is the teahouse the future of nightlife in L.A.?” She describes Jai in Koreatown, Tea at Shiloh in the Arts District, the invite-only tea purists haven NEHIMA in Los Feliz and Chinatown’s Steep LA, which is one of my favorite spots.
Frequent contributor Tiffany Tse says zhajiangmian, or “fried sauce noodles” is having a well-deserved moment. She selected 11 L.A. places to eat the comforting noodles, including traditional and creative interpretations and jjajangmyeon, a Korean-Chinese adaptation.
And with the weather heating up, many diners are looking for rooftop dining. Food’s senior editor Danielle Dorsey updated our guide to 50 of the best rooftop restaurants and bars to soak in city views, with Butterfly, Tomat, Lost, Sora Temaki Bar and Level 8 among the additions.
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Chefs who behave badly get their own show. Also, pink Champagne cake at Madonna Inn plus more road food favorites. And can fish be too fresh? I’m Laurie Ochoa, general manager of L.A. Times Food, with this week’s Tasting Notes.
Too hot in the kitchen
Some of the contestants in the NBC competition show “Yes, Chef!” From left, Michelle Francis, Katsuji Tanabe, Jake Lawler, Peter Richardson, Christopher Morales and Julia Chebotar. Martha Stewart and chef José Andrés host.
(Pief Weyman / NBC via Getty Images)
“For far too long,” Martha Stewart says into the camera during the opening moments of NBC’s new “Yes, Chef!” cooking competition show, “the pressure of the kitchen has been an excuse for out-of-control behavior.”
“That kind of behavior doesn’t make a great chef,” adds her co-host, chef José Andrés. “It holds them back.”
Stewart and Andrés are correct. And yet, that kind of behavior — yelling at fellow chefs, throwing pans in frustration, undermining colleagues and sometimes inflicting more harmful abuse — has been the roiling soup that has fed reality TV cooking competitions for more than 25 years. It’s also been the kind of behavior that restaurant workers have tried, with varying degrees of success, to root out as cheffing became an aspirational profession instead of disrespected grunt work.
You can read about the pain as well as the allure of working in and around restaurant kitchens in several recent memoirs, including Laurie Woolever’s “Care and Feeding,” which restaurant critic Bill Addisonpraised in this newsletter last month, Hannah Selinger’s “Cellar Rat: My Life in the Restaurant Underbelly” and books by two chefs and reality TV cooking show insiders, Tom Colicchio’s “Why I Cook” and Kristen Kish’s “Accidentally on Purpose,” which I wrote about last week.
If you’ve watched even a few minutes of a reality TV cooking competition — from “Hell’s Kitchen’s” Gordon Ramsay angrily dumping out a contestant’s overcooked steak to even the sweet contestants on “The Great British Baking Show” expressing frustration — chances are good that you’ve seen how the kitchen pressure Stewart talks about often does lead to bad behavior.
So can a reality TV cooking competition really help chefs become better people — and better bosses?
Possibly. But three episodes into the inaugural season of “Yes, Chef!” — a show cast with “12 professional chefs, each with one thing standing in their way: themselves,” Stewart says — it looks as though the cards are stacked against redemption.
“In our kitchen,” Stewart tells viewers about the chefs, “it takes a lot more than good food to win. They’ll need to figure out how to work together.”
Andrés and Stewart have a lot of life experience and advice to offer, with Stewart admitting, “I have been known to be a perfectionist. And that kind of holds you back sometimes.”
But when it comes down to which team wins and which team loses, it turns out that good food does matter more than bad behavior. (Note that there are spoilers ahead if you haven’t watched the show yet.)
After TV competition show veteran and designated villain Katsuji Tanabe (“Top Chef,” “Chopped”) takes all the eggs in the kitchen so that the opposing team has none to work with, he and his teammates are rewarded with a win. The reasoning: The losing chefs struggled to, in the language of the show, “pivot.”
Even worse for the development of the chefs, the decision of who stays and who goes at the end of each episode is not made by Andrés or Stewart. Instead, a one-on-one cook-off is set up between the contestant deemed to be the Most Valuable Chef (MVC) and another contestant that the MVC strategically chooses to go up against. If the MVC wins, the challenger chef goes home. But if the challenger chef beats the MVC, the challenger becomes the decider. So far, this has led to one of the better chefs, Torrece “Chef T” Gregoire, being booted largely to reduce the competition, followed by the executioner of that decision, Michelle Francis, getting axed in the next episode, possibly comeuppance for sending home a popular player the week before and partly because of her dish — even though she was handicapped by the egg theft.
The sharp edges and head games almost feel retro, closer to the template set 25 years ago this month when “Survivor” first aired and popularized the whole “I’m not here to make friends” trope that was common in sports and then became emblematic of reality TV posturing.
We’ll see as the season progresses whether the chefs can turn around the bad attitudes and insecurities that led to them being cast on the show. I certainly hope Andrés and Stewart are given more time to guide the chefs toward their better selves in future episodes.
But if you want to watch a show where the chefs are modeling kitchen behavior we’d like to see more of in our star chefs, may I suggest the current season of Bravo’s “Top Chef.”
Both “Yes, Chef!” and “Top Chef” are made by the production company Magical Elves, but “Top Chef,” now in its 22nd season, is showcasing a group of chefs who actually seem to care about each other. Yes, there are big personalities on the show, notably Massimo Piedimonte, who often generates eye rolls by the other chefs when his bravado goes overboard. But he is seen in quieter moments trying to tame his impulses and become a better person. And there is genuine emotion displayed when chef Tristen Epps gets word right before a big challenge that his father-in-law has died and his mother encourages him to continue competing. The entire show, from the production staffer who takes him off the set to his fellow competitors seem to support him.
There is even camaraderie among the losing contestants who try to work their way back into the competition through the spin-off “Last Chance Kitchen,” judged solo by Colicchio showing his mentoring skills. When Chicago’s North Pond chef César Murillo is pitted against three-time “Last Chance” winner Katianna Hong, co-owner of the recently closed Arts District restaurant Yangban, there is support and respect shown for both talented competitors by the eliminated chefs watching the proceedings, including chef Kat Turner of L.A.’s Highly Likely.
“Top Chef” contestants Katianna Hong, left, and Cesar Murillo before the judges.
(David Moir / Bravo via Getty Images)
“Top Chef” used to have a lot more hotheads. “I’m not your bitch, bitch,” was a catchphrase in the show’s early years when one chef pushed another too far. But the new season, which has just a few more episodes to go, is proving that you can cool down the temperature in the kitchen and still entertain.
Think pink
The very pink dining room at San Luis Obispo’s Madonna Inn; inset, the Inn’s pink Champagne cake.
Food’s Stephanie Breijo spent time at the very pink San Luis Obispo landmark, the Madonna Inn, and says that the “maze-like, kaleidoscopic lair of chroma and whimsy is home to some of the most iconic food on the Central Coast.” She came away with insider knowledge of the red oak grills at Alex Madonna’s Gold Rush Steak House and of the Inn’s famed pink Champagne cakes — made in the hundreds each week. But the pink cake recipe remains a secret. Breijo did, however, get the recipe for the Inn’s Pink Cloud cocktail — topped with whipped cream and a cherry.
This week, the paper introduced a new feature, L.A. Timeless, which highlights stories from our archives. The first two stories this week come from former L.A. Times restaurant critic Ruth Reichl, who wrote about learning to shop for fish at L.A. supermarkets with Jon Rowley, the man Julia Child once called “the fish missionary.” I got to go along on that reporting trip all those years ago and I’ll never forget the lessons Rowley taught us. Her companion story on Rowley went into one of his obsessions: “[T]hat fish can be too fresh … a fish coming out of rigor mortis five or six days after harvest (in ice, of course) can be far better eating than a fish less than one day out of the water.”
Great Australian Bite
Chef Curtis Stone poses at his Four Stones Farm in Agoura Hills.
(Juliana Yamada / Los Angeles Times)
Tickets are on sale for our second-annual Great Australian Bite. Last year, we were on the Malibu Pier. This year, chef Curtis Stone is hosting the event with Tourism Australia on his Four Stones Farm. He’s partnering with chef Clare Falzon of the restaurant Staġuni in South Australia’s Barossa. Read more about the event and how to get tickets here.
Also …
On Pasjoli’s bar menu, the dry-aged beef burger is topped with white cheddar, red onion “au poivre” and a marrow aioli on a brioche bun.
(Myung J. Chun / Los Angeles Times)
Jenn Harris reports on the reasons behind the upcoming two-week closure (starting May 31) of Dave Beran’s Pasjoli, the Santa Monica restaurant that, she writes, “has undergone a series of changes to its menu and format, ever striving to embody the spirit of the neighborhood French bistro.” Now that Beran has Seline as an outlet for his fine-dining tendencies, he can relax more at Pasjoli. When it reopens June 12, the restaurant should be, Harris writes, “more approachable, more interactive and a lot more fun.”
Stephanie Breijo reports that after a health department shutdown, AC Barbeque restaurant, owned by comedians Anthony Anderson and Cedric the Entertainer, has reopened in Century City.
Breijo also reports that Michelin is adding three L.A. restaurants to its 2025 California guide with a full new list to be revealed June 25.
And, for good measure, Breijo also has restaurant opening news on Anthony Wang’s recently opened Firstborn, “one of L.A.’s most exciting new Chinese restaurants,” a Brentwood outpost of Beverly Hills’ steak-focused Matu called Matu Kai, sandwich shop All Too Well, the Pasadena branch of Sarah Hymanson and Sara Kramer’s Kismet Rotisserie, Kristin Colazas Rodriguez’s Colossus in San Pedro and details of Dine Latino Restaurant Week.
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La Super-Rica is a California original, a culinary mecca in a taco shack setting devoted to chile, cheese, charred meat and masa. It’s true that there are other Santa Barbara taquerias with more inventive salsas (pistachio at Mony’s) or adventurous cuts of meat (beef head, cheek or lip tacos at Lilly’s, with eye and tripas on weekends). And, yes, you will be standing in the fast-moving line with other out-of-towners who may have read about the long-ago accolades from Julia Child or spotted a replica of the white-and-aqua stand in Katy Perry’s “This Is How We Do” video. Yet as an Angeleno with hometown access to some of the world’s best tacos from nearly every Mexican region, I rarely pass the Milpas Street exit off the 101 without joining the crowd. My late husband and this paper’s former restaurant critic, Jonathan Gold, was a Super-Rica partisan, and both of my now-grown children remain loyal to the restaurant founded in 1980 by Isidoro Gonzalez. But it’s not nostalgia that brings me back. I’m here for the tacos de rajas, strips of pasilla chiles, onions and cheese melded onto tortillas constantly being patted and pressed from the snow drift of masa behind Gonzalez as he takes your order; for the crisp-edged marinated pork adobado, either in a taco or in the Super-Rica Especial with pasillas and cheese; for the chorizo, sliced and crumbled into a bowl of queso; or for the tri-tip alambre with sauteed bell peppers, onion and bacon. It’s never easy to decide, especially with Gonzalez’s board of specials. But I never leave without Super-Rica’s soupy, smoky pinto beans with charred bits of chorizo, bacon and chile.