Renewal

Argentina’s spunkiest duo Ca7riel & Paco Amoroso have checked themselves into a wellness center for their latest album, “Free Spirits.”

Out Thursday, the LP pushes the limits of the duo’s experimentation, combining unpredictable blends of trap, rock and pop while still maintaining their raunchy sense of humor and musicianship. The 12-track project features collaborations with British musicians Sting and Fred Again, as well as California’s very own Anderson .Paak and Jack Black.

It’s been a busy year for the avant-garde pair, who won their first Grammy in February for their nine-track EP, “Papota.”

At the ceremony, they hinted at a rebrand for the upcoming album; both appearing on the red carpet wearing matching tan robes — a look far less flashy than the custom Versace outfits they wore at the Latin Grammys in November.

“We are trying to heal that velocity that we had in the past year. If you go so fast, you’re going to crash,” Paco Amoroso told Billboard in February. “We are healing ourselves now.”

Following their Tiny Desk performance in Oct. 2024 — which has reached over 27 million views to date — the Buenos Aires singers have etched an unpredictable, kooky path in the crazed music industry, often by criticizing it.

First, their 2025 EP “Papota” humorized their rapid ascent to stardom and poked fun at how artists must dilute their image to fit the mainstream.

Now through their LP “Free Spirits,” they continue to comment on the trope of the burned-out, exhausted artist who through a soul-stripping retreat can find renewal once again.

That purported healing is taking place at “Free Spirits Wellness Center,” a mock-up clinic led by Sting dedicated to advance physiological and cognitive expansion for people working under intense pressure.

In a music video released Wednesday, Ca7riel & Paco Amoroso checked themselves in after taking home five gramophone trophies at the 26th Latin Grammys.

Among the 12-step treatments are skin-changing artotherapy, where patients endure a painful micro-needling session combined with a non-goal-oriented painting session; cryo cerebral rebirth, where the brain regresses to its early developmental stages; and temperature contrast celibation, where they receive an ice bath combined with sexual arousal restrain.

None of these treatments make clear sense — mainly because they aren’t real — but that’s exactly Ca7riel & Paco Amoroso’s point: Fame is all make-believe pandemonium and there is no real recovery from it.

Jennifer Hudson raised more then a few eyebrows in 2022 when she was close to realizing her dream — becoming a daytime talk show host.

At the time, she had just become the youngest member of the small elite group of artists who are EGOT — Emmy, Grammy, Oscar and Tony award — winners. She was also aware that the highly competitive daytime talk show arena had been a notorious minefield for several top stars, leading to quick failure.

But she was unfazed. Just days before the premiere of the “Jennifer Hudson Show,” she called it the perfect birthday present.

“This is going to be such a gift,” she said near the set of the show at Warner Bros., which produces the series. “If I were not working on my birthday, that is what I would be wishing for — performing on a stage or a platform … I love a challenge … It is a difficult arena. You will always see me try.”

The entertainer expressed even more excitement Thursday after her syndicated show was renewed for a fifth season, bringing some welcome sunlight to the afternoon landscape which has been shaken in the last several weeks by the upcoming departures of popular hosts Kelly Clarkson and Sherri Shepherd.

Hudson and Drew Barrymore, who has hosted her own eponymous show since 2020, are now the sole survivors in the celebrity-oriented afternoon talk genre. (The talk show hosted by Tamron Hall is more focused on topical issues and trends.)

Insiders say the continuing economic difficulties in Hollywood and the explosion of video podcasts hosted by stars such as Amy Poehler, Conan O’Brien, Dax Shepard and the “Smartless” trio consisting of actors Jason Bateman, Will Arnett and Sean Hayes has substantially crippled the traditional daytime talk format.

Shock waves have resonated through the daytime TV industry since early February when Clarkson said she would be ending her Emmy-winning talk show at the conclusion of its current seventh season for personal reasons. Just hours later, producers of “Sherri” announced they were pulling the plug on that series, attributing the cancellation to “the evolving daytime television landscape.” Shepherd in recent days has said she was fighting to save the show.

Rumors about the future of Hudson’s show have been circulating since those announcements. Although some insiders considered Hudson an unlikely entrant in daytime, she has established herself as an engaging and warm host, connecting with her enthusiastic studio audience and highlighting the show with musical performances and duets with her guests.

The show has also aggressively employed social media to promote its “Spirit Tunnel,” where staff members lining a corridor greet celebrities with chants on their way to the stage. Producers say the ritual has surpassed 6 billion views.

“The Jennifer Hudson Show” replaced Ellen DeGeneres’ talk show, which ended in 2022, had run for nearly 20 years and was produced by Warner Bros.

Experts say the current landscape is indicative of the cyclical nature of daytime talk, recalling the era of “trash talk” during the 1990s when afternoon talk shows such as “Sally,” “Jerry Springer” and others emphasized fierce confrontations and provocative, often sexually oriented topics.

“Daytime has always gone through these cycles, so this is nothing new,” said Rachel Schwartz, head of the Daytime Emmys and Children & Family Emmy. And video podcasts appear to be part of this latest cycle.

“Now audiences are proving that they are really hungry for podcasts, which is impacting the landscape of daytime TV,” she said. “The podcast can be narrowly focused on one celebrity. It’s like the listener is sitting down with a friend. And the guest can be more comfortable.”

Pamela Rutledge, director of the Media Psychology Research Center, which explores the psychology of human interaction with media and technology, said that while daytime talk shows offer familiarity with the same host, tone and daily presence, podcasts give celebrities more control, intimacy and influence without the constraints and pressures of broadcast TV.

“Podcast hosts tend to be partners in conversation, not ‘hosts’ or moderators,” she said. “Talk shows are in the middle of the voyeurism spectrum — too curated by time, pacing and commercial interruptions to feel really intimate and too restrained to be thrilling.”

Rutledge added that maintaining TV studios, crews and accommodating large audiences is becoming increasingly costly for producers, who are looking more to other types of digital and social platforms that are more attractive to advertisers.