WASHINGTON — President Trump is undergoing what he has described as a “semiannual physical” at Walter Reed National Military Medical Center on Friday.
The visit, which the White House announced earlier this week, comes as Trump is preparing to travel to the Middle East on the heels of a ceasefire deal in the Israel-Hamas war. White House press secretary Karoline Leavitt described it as a “routine yearly checkup,” although Trump had his annual physical in April.
The White House declined to explain why Trump was getting a yearly checkup six months after his annual exam. But in an exchange with reporters Thursday, he said it was a “semiannual physical.”
“I’m meeting with the troops, and I’m also going to do a, sort of, semiannual physical, which I do,” Trump told reporters in the Oval Office. “I think I’m in great shape, but I’ll let you know.”
The president is scheduled to return to the White House after his visit to Walter Reed, which is located in Bethesda, Maryland.
Trump’s April physical found that he was “fully fit” to serve as commander in chief. The three-page summary of the exam done by his doctor, Navy Capt. Sean Barbabella, said he had lost 20 pounds (9 kilograms) since a medical exam in June 2020 and said he has an “active lifestyle” that “continues to contribute significantly” to the well-being of the president, who’s 79.
In July, the White House announced that Trump recently had had a medical checkup after noticing “mild swelling” in his lower legs and was found to have a condition common in older adults that causes blood to pool in his veins. Tests by the White House medical unit showed that Trump has chronic venous insufficiency, which occurs when little valves inside the veins that normally help move blood against gravity gradually lose the ability to work properly.
At the April physical, Trump also passed a short screening test to assess different brain functions.
Oct. 9 (UPI) — The White House announced Wednesday that President Donald Trump will travel to the Walter Reed National Military Medical Center in Maryland for his routine yearly checkup — his second health screening in six months.
Trump is scheduled to visit Walter Reed on Friday morning for a planned meeting and remarks with troops, followed by what the White House press secretary Karoline Leavitt called in an emailed statement to UPI “his routine yearly checkup.” He will then return to the White House, she said.
The 79-year-old commander in chief last underwent an annual physical physical examination at Walter Reed in April.
After the examination, White House physician reported Trump “exhibits excellent cognitive and physical health and is fully fit to execute the duties of the commander in chief and head of state.”
In July, Trump was diagnosed by the White House physician with chronic venous insufficiency, which was causing swelling in his legs.
Concern over Trump’s health has been repeatedly raised, with the president over attempts to cover apparent bruises with what appears to be makeup.
Leavitt attempted to assuage worries over Trump’s physical well-being, stating the bruises were the product of “frequent handshaking and the use of aspirin.”
Alix Lapri, who portrayed Effie Morales on the Starz show “Power,” was arrested last week in Atlanta on suspicion of cruelty to children in the third degree and disorderly conduct, according to county records.
The actor, whose full name is Alexus Lapri Geier, was released the following day. Details on the circumstances surrounding the Aug. 17 arrest were not immediately clear.
The 28-year-old actor appeared in several episodes of “Power” as well as its sequel, “Power Book II: Ghost.” She also had a role in the film “Den of Thieves.” But Lapri hit the limelight as a singer.
She released an EP in 2012 titled “I Am Alix Lapri.” Lapri also appeared on BET’s sitcom “Reed Between the Lines” alongside Tracee Ellis Ross and Malcolm-Jamal Warner.
The state of Georgia considers cruelty to children in the third degree to be a misdemeanor.
It occurs when a person “intentionally allows a child under age 18 to witness the commission of a forcible felony, battery, or family violence battery,” according to Child Welfare.
Lapri’s manager did not respond Tuesday to a request for comment by The Times. Calls to the DeKalb County Sheriff’s Office were not immediately returned.
CANTON, Ohio — Trey Lance welcomes any opportunity that comes his way — a vexing four NFL seasons have only made him more eager — so Thursday night felt especially good.
Lance, the onetime third overall pick of the San Francisco 49ers, is battling for the Chargers’ backup quarterback job, and he made a compelling case in the Hall of Fame Game against the NFC darling Detroit Lions.
Although he didn’t put up gaudy numbers — completing 13 of 20 passes for 120 yards and two touchdowns — he was as relaxed and at ease in front of the crowd of 18,144 at Tom Benson Stadium, as refreshing as the gentle evening breeze after a day of sprinkling rain.
“I was excited that we got this fourth preseason game,” Lance said after the 34-7 victory. “If I could play four games I’d be fired up about that.”
Lance, competing with Taylor Heinicke for the backup job to Justin Herbert, is on his third NFL team since being drafted in 2021. He was sidelined by injuries with the 49ers, then unseated by Brock Purdy. After that, Lance was a third-stringer for two seasons in Dallas. And keep in mind, he only played one full season at North Dakota State.
NFL analyst Sam Monson crunched the numbers and came up with this forehead-slapping stat: Lance has thrown a total of 781 pass attempts since he was 16. Kansas City’s Patrick Mahomes, for instance, had 664 last season alone.
“He had the same kind of composure and poise and was just in control,” Chargers coach Jim Harbaugh said of Lance after the game. “There’s a presence that I’ve been seeing all camp. He’s had a heck of a camp, and then he went out in the game and did that. Just the feeling of — he needs game reps, and you know he’s going to get them. It’s a great start for him tonight.”
Chargers quarterback Trey Lance passes in the first half of the Hall of Fame Game on Thursday.
(David Richard / Associated Press)
As for that relatively minuscule number of pass attempts since high school?
Lance just turned 25 in May.
“Gosh, to be 25 again,” the coach said. “Wow, that’s the fat part of the bat, you know, for a quarterback. Excited about where he’s headed, happy to be in the middle of that story too. Just keep rolling. More reps next week.”
Here are five observations from the Chargers’ preseason opener:
“The Fantastic Four: First Steps” slots into summer blockbuster season like a square peg in a round popcorn bucket. Prestige TV director Matt Shakman (“WandaVision”) isn’t inclined to pretzel himself like the flexible Reed Richards to please all four quadrants of the multiplex. His staid superhero movie plays like classic sci-fi in which adults wearing sweater vests solemnly brainstorm how to resolve a crisis. Watching it, I felt as snug as being nestled in the backseat of my grandparents’ car at the drive-in.
This reboot of the Fantastic Four franchise — the third in two decades — is lightyears closer to 1951’s “The Day the Earth Stood Still” than it is to the frantic, over-cluttered superhero epics that have come to define modern entertainment. Set on Earth 828, an alternate universe that borrows our own Atomic Age decor, it doesn’t just look old, it moves old. The tone and pace are as sure-footed as globe-gobbling Galactus, this film’s heavy, purposefully marching into alt-world Manhattan. Even its tidy running time is from another epoch. Under two hours? Now that’s vintage chic.
“First Steps” picks up several years after four astronauts — Reed (Pedro Pascal), his wife, Sue (Vanessa Kirby), his brother-in-law Johnny (Joseph Quinn) and his best friend Ben (Ebon Moss-Bachrach) — get themselves blasted by cosmic rays that endow them with special powers. You may know the leads better as, respectively, Mr. Fantastic, the Invisible Woman, the Human Torch and the Thing. For mild comic relief, they also pal around with a robot named H.E.R.B.I.E., voiced by Matthew Wood.
Skipping their origin story keeps things tight while underlining the idea that these are settled-down grown-ups secure in their abilities to lengthen, disappear, ignite and clobber. Fans might argue they should be a bit more neurotic; screenplay structuralists will grumble they have no narrative arc. The mere mortals of Earth 828 respect the squad for their brains and their brawn — they’re celebrities in a genteel pre-paparazzi time — but these citizens are also prone to despair when they aren’t sure Pascal’s workaholic daddy will save them.
Lore has it Stan Lee was a married, middle-aged father aging out of writing comic books when his beloved spouse, Joan, elbowed him to develop characters who felt personal. The graying, slightly boring Reed was a loose-limbed version of himself: the ultimate wife guy with the ultimate wife.
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But Hollywood has aged-down Lee’s “quaint quartet,” as he called them, at its own peril. Make the Fantastic Four cool (as the movies have repeatedly tried and failed to do) and they come across as desperately lame. This time, Shakman and the script’s four-person writing team of Josh Friedman, Eric Pearson, Jeff Kaplan and Ian Springer valorize their lameness and restore their dignity. Pascal’s Mr. Fantastic is so buttoned-down that he tucks his tie into his dress shirt.
The scenario is that Sue is readying to give birth to the Richards’ first child just as the herald Shalla-Bal (Julia Garner), a.k.a. the Silver Surfer, barrels into the atmosphere to politely inform humanity that her boss Galactus (voiced by Ralph Ineson) has RSVP-ed yes to her invitation that he devour their planet. In a biologically credible touch, the animators have added tarnish to her cleavage: “I doubt she was naked,” Reed says evenly. “It was probably a stellar polymer.”
Typically, this threat would trigger a madcap fetch-this-gizmo caper (as it did in the original comic). Shakman’s version doesn’t waste its energy or our time on that. Rather, this a lean showdown between self-control and gluttony, between our modest heroes and a greedy titan. It’s at the Venn diagram of a Saturday morning cartoon and a moralistic Greek myth.
The film is all sleek lines, from its themes to its architecture to its images. The visuals by the cinematographer Jess Hall are crisp and impactful: a translucent hand snatching at a womb, a character falling into the pull of a yawning black hole, a torso stretched like chewing gum, a rocket launch that can’t blast off until we get a close-up of everyone buckling their seatbelts. Even in space, the CG isn’t razzle-dazzle busy. Meanwhile, Michael Giacchino’s score soars between bleats of triumph and barbershop-chorus charm, a combination that can sound like an automobile show unveiling the first convertible with tail fins.
There is little brawling and less snark. No one comes off like an aspiring stand-up comic. These characters barely raise their voices and often use their abilities on the mundane: Kirby’s Sue vanishes to avoid awkward conversations, Moss-Bachrach’s Ben, in a nod to his breakout role as the maître d’ on “The Bear,” uses his mighty fists to mash garlic. Johnny, the youngest and most literally hotheaded of the group, is apt to light himself on fire when he can’t be bothered to find a flashlight. He delivers the meanest quip in a respectful movie when he tells Reed, “I take back every single bad thing I’ve been saying about you … to myself, in private.”
Yes, my audience giggled dutifully at the jiggling Jell-O salads and drooled over the groovy conversation pits in the Richards’ living room, the only super lair I’d ever live in. The color palette emphasizes retro shades of blue, green and gold; even the extras have coordinated their outfits to the trim on the Fantasticar. Delightfully, when Moss-Bachrach’s brawny rock monster strolls to the deli to buy black-and-white cookies, he’s wearing a gargantuan pair of penny loafers.
If you want to feel old, the generation of middle schoolers who saw 2008’s “Iron Man” on opening weekend are now beginning to raise their own children. Thirty-seven films later, the Marvel Cinematic Universe has gotten so insecure about its own mission that it’s pitching movies at every maturity level. The recent “Thunderbolts*” is for surly teenagers, “Deadpool & Wolverine” is the drunk, divorced uncle at a BBQ, and “First Steps” extends a sympathetic hand to young families who identify with Reed’s frustration that he can’t childproof the entire galaxy.
Here, for a mass audience, Kirby gets to reprise her underwatched Oscar-nominated turn in “Pieces of a Woman,” in which she extended out a 24-minute, single-take labor scene. This karaoke snippet is good (and even a little operatic when the pain makes her dematerialize). I was as impressed by the costumer Alexandra Byrne’s awareness that even super moms won’t immediately snap back into wearing tight spandex. (By contrast, when Jessica Alba played Sue in 2007’s “Fantastic Four: Rise of the Silver Surfer,” the director notoriously asked her to be “prettier” when she cried.)
This reboot’s boldest stride toward progress is that it values emotionally credible performances. Otherwise, Pascal aside, you wouldn’t assemble this cast for any audience besides critics and dweebs (myself included) who keep a running list of their favorite not-quite-brand-name talents who are ready to break through to the next level of their career while yelling, “It’s clobbering time!”
Still, this isn’t anyone’s best role, and it’s a great movie only when compared to similarly budgeted dreck. Yet it’s a worthy exercise in creating something that doesn’t feel nostalgic for an era — it feels of an era. Even if the MCU’s take on slow cinema doesn’t sell tickets in our era, I admire the confidence of a movie that sets its own course instead of chasing the common wisdom that audiences want 2½ hours of chaos. Studio executives continuing to insist on that nonsense deserve Marvel’s first family to give them a disappointed talking-to, and send them to back their boardrooms without supper.
‘The Fantastic Four: First Steps’
Rated: PG-13, for action/violence and some language
Patrick Reed beat three opponents in a play-off to claim his first win on the LIV Tour at the Dallas event.
The 34-year-old American had finished on six under alongside England’s Paul Casey, South African Louis Oosthuizen and Japan’s Jinichiro Kozuma.
Reed, who switched to LIV from the PGA Tour three years ago, holed a testing putt for a birdie on the first play-off hole to seal victory.
He held a three-shot lead going into Sunday but was three over for his final round of 75.
England’s Tyrrell Hatton briefly held the lead on the back nine but a double bogey on the 12th hole scuppered his chances and he finished in a group one behind on five under.
Five-time major champion Brooks Koepka withdrew from the event on Friday after hitting a tee box marker into the crowd.
He smashed his club into the ground then struck the marker on the left of the tee towards a small group of fans after a poor tee shot on the ninth hole.
Koepka pulled out, citing illness, after a bogey on that hole put him on seven over.
US golfer Patrick Reed holes a shot from 286 yards for only the fourth-ever three-under-par albatross at a US Open Championship, at the Oakmont Country Club.
Netflix Chairman Reed Hastings is joining the board of San Francisco-based artificial intelligence company Anthropic.
Anthropic, valued at $61.5 billion after its most recent funding round in March, is known for its AI chatbot model Claude.
“Anthropic is very optimistic about the AI benefits for humanity, but is also very aware of the economic, social, and safety challenges,” Hastings said. “I’m joining Anthropic’s board because I believe in their approach to AI development, and to help humanity progress.”
Hollywood is grappling with the implications of generative artificial intelligence, which studios believe could save money and time, but also comes with downsides. Labor groups fear job displacement, and there are also concerns about the use of copyrighted material when training AI models.
Hastings was selected by Anthropic’s Long Term Benefit Trust, which the company describes as “five financially disinterested members” that can select and remove a portion of the board.
The group selected Hastings because of his leadership experience, philanthropic work and “commitment to addressing AI’s societal challenges makes him uniquely qualified to guide Anthropic at this critical juncture in AI development,” said Buddy Shah, chair of Anthropic’s Long Term Benefit Trust, in a statement.
Hastings will join the company’s five-member board, which includes Anthropic Chief Executive Dario Amodei, President Daniela Amodei, investor Yasmin Razavi and Jay Kreps, CEO of Mountain View-based data streaming firm Confluent.
Hastings served as CEO or co-CEO of Netflix for 25 years until 2023. He currently serves on the boards of other organizations including Bloomberg, the financial data and media company.
He has donated money to charter school networks serving low-income U.S. communities and recently gave $50 million to Bowdoin College to establish the Hastings Initiative for AI and Humanity that aims to help the school provide ethical frameworks for AI and examine AI’s impact on work and education.
