record

Pikachu? More like Pi-ka-ching.

A rare Pokémon card owned by wrestler and social media personality Logan Paul sold for $16.5 million on Monday, setting a new record for the auction price of a trading card. Paul had acquired the Pikachu Illustrator card in a trade worth $5.275 million in 2021 — the most expensive Pokémon trading card sold at a private sale at the time.

The retail price for a standard pack of Pokémon cards is usually around $5 for 10 cards — though, much like hunting for shiny Pokémon, successfully purchasing a new pack may require some luck, strategy and patience as the cards have exploded in value in recent years. Paul, who began unboxing Pokémon cards on video during the COVID-19 pandemic, is often credited with helping propel the boom.

Described as an “unimaginable Holy Grail piece,” the card Paul sold features beloved Pokémon mascot Pikachu holding a pen and feather sweeper. The art on the card is by Atsuko Nishida — the graphic artist who designed a number of popular Pokémon, including Pikachu. It is believed only around 40 were ever printed, and they were given out as prizes for an illustration contest in the late 1990s.

The Pikachu Illustrator Pokémon trading card once owned by Logan Paul.

(Goldin)

Paul’s card was graded 10 by Professional Sports Authenticators, or PSA, a third-party service that authenticates and grades trading cards and other collectibles. According to Goldin, the auction house that organized the trading card auction, Paul’s is the only Pikachu Illustrator card to achieve that “virtually perfect” PSA grading.

On top of its rarity and quality, this Pikachu Illustrator card had been placed in a bejeweled case on a diamond necklace and was worn by Paul at WWE WrestleMania 38 in 2022. The card was also featured in Season 3 of Netflix’s “King of Collectibles: The Goldin Touch.”

The winning bid for the rare card was placed by venture capitalist AJ Scaramucci, the son of former White House communications director Anthony Scaramucci.

According to People, AJ Scaramucci is on a quest of “collecting the uncollectable.” He reportedly also hopes to eventually buy “a T-Rex dinosaur fossil” and the Declaration of Independence on his “planetary treasure hunt.”

Online sales of South Korean products in overseas markets rose for the third consecutive year to a record high in 2025, government data showed Monday.

Outbound online sales by South Korean businesses reached 3.02 trillion won (US$2.09 billion) last year, up 16.4 percent from a year earlier, according to the data from the Ministry of Data and Statistics. The figure has been on a steady increase since 2023.

By region, sales increased by 26.3 percent on-year in the United States and 10.9 percent in China, while sales to the 10 member countries of the Association of Southeast Asian Nations (ASEAN) fell 4.4 percent.

By product category, food and beverage sales surged 49.2 percent to 112.9 billion won, the highest level since the statistical standards were revised in 2017.

Sales of cosmetics rose 20.4 percent, while those of albums, videos and musical instruments increased 7 percent.

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

Johannes Hoesflot Klaebo, Norway’s king of cross-country skiing, became the Winter Olympics’ outright most successful athlete with a record ninth gold medal.

Klaebo led his nation to the top of the podium in the men’s 4×7.5km relay – alongside team-mates Emil Iversen, Martin Loewstroem Nyenget and Einar Hedegart – for his fourth title of the Milan-Cortina Games.

At 29 years old, it adds to the three golds he won in Pyeongchang in 2018 and two in Beijing four years later, while he is also a 15-time world champion.

His medal haul could yet grow further, with two further opportunities for gold in the men’s team sprint on Wednesday and 50km classic race on Saturday.

In Sunday’s relay, the Norwegian quartet won by a 22.2 second margin, with France and hosts Italy winning silver and bronze respectively.

MILAN — Before the final competitors hit the last turn, Jordan Stolz’s coach was already unfolding a U.S. flag.

The 21-year-old speedskating star won his second Olympic medal of the Milan-Cortina Games, setting an Olympic record in the 500 meters on Saturday at 33.77 seconds. He edged out the Nedtherlands’ Jenning de Boo, who was paired with Stolz and finished 0.11 seconds behind the U.S. star. Canada’s Laurent Debreuril took bronze at 34.26 seconds, which also stood as the Olympic record for three pairs before Stolz blazed through Milano Speed Skating Stadium.

Stolz is attempting an ambitious four-event program at the Milan-Cortina Games and already won the 1,000-meter gold medal this week. He will also compete in the 1,500 meters and the team pursuit.

Stolz is the first U.S. man to win the 500 meter at the Olympics since Joey Cheek in 2006. He is the first U.S. man to win gold in the 500 and 1,000 at the same Olympics since Eric Heiden in 1980.

He took a victory lap around the arena as red, white and blue-clad fans chanted “U-S-A!” Even the Dutch fans, forming a wall of bright orange all around the racing oval, clapped in admiration as Stolz held the U.S. flag above his head.

Gold medalist Jordan Stolz of the United States, center, celebrates on the podium with silver medalist Jenning de Boo of the Netherlands, left, and bronze medalist Laurent Dubreuil of Canada after the men’s 500 meters in speedskating at Winter Games on Saturday.

(Robert Gauthier / Los Angeles Times)

The tunnel will become the world’s longest underground railway connection at 64km long when it opens

The Brenner Base Tunnel is presently being built to link Austria and Italy. This remarkable tunnel, destined to become the world’s longest, is due to open in 2032.

The railway tunnel will join the Austrian city of Innsbruck with Franzensfeste/Fortezza in Italy, connecting two nations across different time zones. Construction expenses are projected at 8.54billion euros (£7.4billion). The extraordinary BBT will stretch for 55km (34 miles) as a cutting-edge railway tunnel.

BBT explained: “In May 1994, a railway bypass was opened south of Innsbruck, known as the Inn valley tunnel. This 12.7 km tunnel links to the Brenner Base Tunnel.

“Passenger and freight trains along this stretch will therefore not only travel through the Brenner Base Tunnel, but for a few kilometres, through the Inn valley tunnel as well. This line, totalling 64 kilometres, will become the longest underground railway connection in the world.”

An unusual characteristic of the Brenner Base Tunnel is the “exploratory tunnel running from one end to the other”.

“This tunnel lies between the two main tunnels and about 12m below them and with a diameter of 5m is noticeably smaller than the main tubes.

“The excavations currently underway on the exploratory tunnel should provide information on the rock mass and thereby reduce construction costs and times to a minimum.

“The exploratory tunnel will be essential for drainage when the BBT becomes operational.”

Additional remarkable railway projects include the globe’s lengthiest train route, which links three nations spanning eight time zones.

Published on
12/02/2026 – 14:57 GMT+1

European shares extended gains to new highs by early afternoon on Thursday, as strong corporate earnings from luxury and industrial groups fuelled a broad rally across the region’s equity markets.

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The pan-European STOXX 600 was up about 0.5% to 624.67 points by midday, holding near the all-time high level as investors digested a heavy slate of earnings updates.

Major benchmarks also hovered near record levels, with France’s CAC 40 up more than 1.4% on the day and London’s FTSE 100 trading around a record intraday high near 10,535 points.

Luxury stocks were among the biggest drivers of gains, with the sector rising about 1.5%.

Shares in Hermès climbed to a near one-month high after the French fashion house reported stronger-than-expected quarterly sales, backed by robust demand in the United States and Japan.

The results helped lift sentiment across the high-end consumer segment, which has faced concerns over slowing growth in China and more cautious spending among middle-income shoppers.

AI-adjacent industries jump

Industrial companies linked to artificial intelligence and data-centred demand were another key pillar of the rally.

French electrical equipment maker Legrand jumped about 5.8% after reporting strong demand tied to data-centre projects.

German engineering giant Siemens also rose sharply, climbing more than 6% after raising its full-year profit outlook, citing strong orders linked to AI-driven automation and digital infrastructure.

Analysts say the surge in AI-related industrial stocks reflects expectations that global spending on data centres, automation and electrification, will continue to accelerate as companies invest heavily in artificial intelligence capacity.

Stronger-than-expected corporate earnings updates were seen as the main catalyst for the rally.

Broader market sentiment was also supported by a robust US jobs report, which eased concerns about a slowdown in the world’s largest economy and reinforced expectations that growth will remain steady.

Published on
11/02/2026 – 17:52 GMT+1

Spotify stocks spiked 6% higher at market opening this Wednesday, later paring down some of its gains, after the company released its earnings report on Tuesday.

The popular music platform closed 2025 with a little over €2.2bn in net profits which represents a 94% increase, almost double what was achieved the year prior.

The positive result reinforced the historic turnaround the firm accomplished since 2024, when it became profitable on the year for the first time. Before then, Spotify operated at a loss for almost two decades after being founded in 2006.

Last year, the music streaming platform grew in users by 11% and in paying subscribers by 10%. Additionally, Spotify also cut costs and increased prices in several markets achieving a 33.1% profit margin, the highest in its history.

A substantial part of the success in 2025 occurred towards the end of the year, when the company hit a total of 751 million monthly active users (MAUs), after its biggest quarterly increase in activity.

For the first quarter of 2026, Spotify is projecting a continuation of this trajectory. The report points to around €4,5bn in revenue and 759 million MAUs.

The Swedish executive chairman and founder, Daniel Ek, who resigned from the CEO position last month, stated in the earnings call that Spotify has “built a platform for audio but increasingly to all other ways in which creators connect to the public”.

The new CEO, Alex Norström, also declared that “after a year of execution, 2026 will be the year of elevating ambition”.

Music industry and AI

The impact of Spotify’s growth in 2025 was also felt outside the company, in the music industry as a whole.

The firm paid out more than €11bn to artists last year which the earnings report states is “the largest annual payment to music creators by any platform in history”.

Moreover, the Swedish company stated that “we also helped artists generate over one billion dollars in ticket sales, connecting fans to live events”.

Going forward, one of Spotify’s biggest bets is on AI integration, as is the case for most tech companies.

The firm has accelerated the launch of tools such as a playlist generator based on prompts, and a personalised agentic DJ, which have already been used by millions of paying subscribers.

However, artificial intelligence is also presenting new problems for Spotify such as AI-generated music. In the earnings call, the co-CEO, Gustav Söderström, stated that “the issue isn’t new but it has scaled”.

Söderström added that the company is working closely with the music industry to allow artists and record labels to include disclaimers specifying the production methods.

In a historic gain, Spotify saw a record increase of 38 million monthly active users at the end of 2025.

According to the streamer’s fourth-quarter earnings report released Tuesday, the Sweden-based company reported an 11% increase in monthly active users, bringing the total to 751 million. It’s the biggest net add in the company’s history. There was similarly a 10% increase in paid subscribers, rising to 290 million. Spotify’s total revenue also topped $5.3 billion, up 7%.

The company credits much of last quarter’s success to what it says was its biggest Wrapped campaign yet, which engaged 300 million users globally and had 630 million shares in 56 different languages. Spotify also expanded and enhanced tech features globally, like adding music videos and more access to audiobooks, for both premium and free subscribers.

“Today, what we’ve really built is a technology platform for audio — and increasingly, for all the ways creators connect with audiences. And this identity will matter even more going forward,” said Daniel Ek, Spotify’s founder and executive chairman, in a press release.

“The next wave of technology shifts — AI, new interfaces, wearables, new ways of interacting with content — these will reshape how people discover and experience audio and media. The hard problems ahead — in music, in podcasts, in books, in video, in live, and in things we haven’t built yet — we’re going to keep building the technology to solve them.”

The company’s operating income rose 47% to $834 million. At the end of the fourth quarter, there were 7,323 full-time employees globally.

Spotify’s ad-supported revenue was down 4%, with the company looking at a partial “offset by softness in pricing” for its music advertising. Its podcasts’ expansion was led mostly by sponsorships. But the revenue was similarly “offset by optimization of our podcasting inventory.”

Just in the last few months, Spotify has focused heavily on its podcasting services — in part by opening a new Hollywood studio, expanding creator monetization programs and premiering select video podcasts on Netflix in a new partnership.

On the music side, the streaming platform previously reported that it paid out more than $11 billion to the music industry last year. That sum was the “largest annual payment to music from any retailer in history,” according to Spotify.

When the music streaming business model was first introduced, there was controversy about how much artists would earn from streams. But the company said independent artists and labels accounted for half of all royalties.

Founded in 2006, the company maintains a large presence in L.A.’s Arts District. Over the last two decades, it has become the world’s most popular audio streaming subscription service. Beyond its music library, it now reports having more than 530,000 video podcasts and over 500,000 audiobooks in English-language markets.

Starting this month, Spotify also raised its prices for premium users to $12.99. For the first quarter of 2026, the company expects an increase of 8 million monthly active users, bringing its total closer to 759 million users and a smaller, 3-million bump in paying users. The company projects total revenue to stay consistent at around $5.3 billion.

SEOUL, Feb. 10 (UPI) — South Korea’s Mirae Asset Securities said it posted a record bottom line last year, based on solid performances across its business sectors, including brokerage, wealth management and trading.

The Seoul-based company said Monday it netted $1.1 billion in the 2025 profit, up 72% from a year earlier, as assets under management rose 25% to $410 billion. Among them, 14% was operated in the global markets.

The pretax profit from its brokerage business jumped 43% year-on-year thanks to a bullish stock market, which saw the country’s benchmark KOSPI surge more than 75% last year.

Those from its wealth management and trading divisions rose 21% and 14%, respectively.

Another key contributor to the results was its global business, of which pretax profit doubled to $342 million. Mirae Asset Securities noted that its investments in such innovative companies as SpaceX and xAI boosted profitability.

“Since our founding, we have strategically reinvested capital secured through globally diversified investments, building a virtuous circle that has led to meaningful achievements,” Mirae Asset Securities said in a statement.

The share price of Mirae Asset Securities climbed 11.25% on the Seoul bourse Monday before dipping 2.43% Tuesday.

The largest brokerage house of South Korea is a representative subsidiary of Mirae Asset Group, one of the country’s leading financial conglomerates.

Lindsey Horvath will not run for Los Angeles mayor, becoming the latest political heavyweight to decide against a challenge to incumbent Karen Bass.

Horvath, who as an L.A. County supervisor represents 2 million people in a sprawling Westside and San Fernando Valley district, ended weeks of speculation about her political intentions, saying her work in the county “is not finished.”

“Over these past few months, you have shown me all the reasons you love Los Angeles —and why it’s worth fighting for,” Horvath said Friday in a statement. “I am grateful to the many leaders, organizations, and every single Angeleno who urged me to run for Mayor of Los Angeles.”

Horvath’s announcement, issued the night before the deadline for candidates to file, comes days after former L.A. schools superintendent Austin Beutner ended his mayoral campaign, citing the death of his 22-year-old daughter. Real estate developer Rick Caruso also removed himself from contention, saying for a second time Thursday that he would not run.

The filing period for mayoral candidates in the June 2 primary closes at noon on Saturday.

Horvath, 43, has been one of the mayor’s most outspoken critics over the past year, assailing her record on homelessness and last year’s Palisades fire, which destroyed thousands of homes and left 12 people dead. On social media, Horvath stoked speculation about her political future while calling the city’s record on homelessness “indefensible.”

Bass, in turn, has criticized county officials for pulling hundreds of millions of dollars out of a city-county agency on homelessness — a move spearheaded by Horvath — and into a new county agency. More recently, the mayor spoke out against the county’s plan to cut $200 million in homeless services.

Bass, 72, still faces several other challengers from across the political spectrum.

Reality TV star Spencer Pratt, a Republican, has received praise from an array of Trump supporters, including Riverside County Sheriff Chad Bianco and U.S. Sen. Rick Scott, of Florida. Pratt has focused heavily on the city’s handling of the fire, which destroyed his home.

Democratic socialist Rae Huang is running against the mayor from her political left. Huang has called for more public housing and for a reduction in the number of police officers, with the cost savings poured into other city services.

Brentwood tech entrepreneur Adam Miller, who describes himself as a lifelong Democrat, said the city is on a downward trajectory and needs stronger management. The 56-year-old nonprofit executive plans to tap his personal wealth to jump-start his campaign.

Also in the race is Asaad Alnajjar, an employee of the Bureau of Street Lighting who sits on the Porter Ranch Neighborhood Council. Alnajjar, who has already loaned his campaign $80,000, said he would do a better job than Bass at running the city.

“I’m a leader. She’s a manager. That’s the difference,” said Alnajjar, 61.

With so many candidates in the mix, Bass and her political team do not expect she will clear the 50% bar to avoid a November runoff.

Bass has been running on her record, touting a major drop in homicides and reductions in street homelessness since she took office in 2022. She has talked up her efforts to speed up the approval of affordable housing and permits for rebuilding projects in Pacific Palisades.

The mayor has positioned herself as a check on Trump’s agenda. During last summer’s immigration raids in Los Angeles, she regularly called on the president to end the crackdown and remove the California National Guard from the city.

From the beginning, a mayoral run would have been a risky move for Horvath, who is not expected to face any major challengers to her own bid for reelection.

Horvath would have had to forfeit her seat to run against Bass, while facing a tight timeline for fundraising. Her campaign had already scheduled a reelection fundraiser for next week — after the filing deadline for mayoral candidates.

In political circles, Horvath is viewed as a strong candidate in 2028 for county chief executive, an elected office created through a ballot measure that Horvath championed.

The will-she-or-won’t-she events of the past week elevated Horvath’s political profile, as she aired her criticisms of the mayor on CNN and other news shows.

Relations between Bass and Horvath have been chilly at least since the Palisades fire broke out. The two were at odds over the press conferences that were held to update the public on the disaster and on efforts to reopen the burn area to traffic.

The relationship deteriorated further after Horvath and her colleagues voted to shift hundreds of millions of dollars out of the Los Angeles Homeless Services Authority, a city-county partnership, and into a new county agency on homelessness.

Horvath, on social media, accused Bass of putting out “misinformation” about the new county agency. Bass, in turn, warned the county’s actions could cause the city to backslide in its fight against homelessness.

Horvath has been in elected office on and off since 2009, when she joined the West Hollywood City Council. She left the council in 2011, then rejoined in 2015, staying for about seven years.

In 2022, Horvath won her supervisorial seat, defeating former Assembly Speaker Bob Hertzberg, a political veteran.

Had she entered the race, Horvath would have faced questions about an array of issues bedeviling the county, including a $4-billion legal payout over sexual abuse that was later marred by allegations of fraud.

She was also a major force behind Measure G, a 2024 ballot measure that will expand the number of county supervisors and create the county CEO position but also is on track to inadvertently repeal a criminal justice reform measure passed by voters in the wake of the police murder of George Floyd in Minneapolis.

The president of the United States posted a racist video Thursday night depicting Barack and Michelle Obama as apes. On Friday, the White House dismissed criticism — but the president deleted the post. Was this episode disappointing? Yes. Surprising? Not anymore.

Last spring, after Pope Francis had died, Donald Trump posted an AI image of himself as the pope just days before cardinals convened to elect a successor.

So, no — it is not surprising that the president would choose to post virulent anti-Black imagery during Black History Month.

But it is disappointing here in 2026 that an occupant of the Oval Office is still thinking like that.

Back in 1971, the president of the United States laughed when the governor of California referred to the African delegates at the United Nations as monkeys. Less than 10 years later, that governor became the president of the United States. And here we are, half a century later, and yet another president has amplified that racist trope.

Meaning white supremacy is still on the ballot.

That Nixon-Reagan-Trump throughline isn’t tightly wound around policy or principle, but simply that shared worldview. After all, Nixon created the Environmental Protection Agency and Reagan offered amnesty to immigrants — highly un-Trump-like moves. No, their commonality is best revealed in the delight each man took in an old racist attack against Black people.

For Americans who are 50 and older — roughly a third of the nation — this worldview has been the architect responsible for White House policy for most of our lives. And yet, when Kamala Harris lost the 2024 election, the forensic investigation focused on grocery prices and her absence from Joe Rogan’s podcast. Some — in trying to explain why Harris lost — mischaracterized her role at the border or inflated her influence on the war in Gaza.

For some reason, race did not seem to receive the same level of scrutiny.

This factor was slighted despite decades of data, such as the wave of white nationalists endorsing Harris’ opponent and the birther movement questioning President Obama’s citizenship. The trio of presidents who are on the record as enjoying depictions of Black people as monkeys — Nixon, Reagan and Trump — all used racist dog whistles in their combined 10 presidential campaigns. Their administrations have tended to be more anti-civil-rights movement than post-civil-rights movement.

Our nation’s attempts at understanding ourselves are continuously undercut by the denial that for some single-issue voters, race is their single issue. Not the price of bacon or their religious convictions. Not Gaza. Just the promise of having a safe space for prejudice. And when the president of the United States entertains racist jokes as Nixon did in the 1970s or shares racist videos as Trump continues to do, undoubtedly there is a sense among the electorate that such prejudice has a home in the White House.

Before Trump used social media to push yesteryear’s ugliness, earlier in the week Harris relaunched her 2024 social media campaign account, calling it a place where Gen Z can “meet and revisit with some of our great courageous leaders, be they elected leaders, community leaders, civic leaders, faith leaders, young leaders.” She exhorted: “Stay engaged. I’ll see you out there.”

Whether she plans to run again in 2028 is unclear. What we do know is she would not have posted an AI picture of herself as the new pope while Catholics were mourning Francis (or any other time). We know she would not have advocated for immigration officers to racially profile Black and brown Americans or disregard the 14th Amendment to detain children. We do not know how many of her policy proposals she would have been able to get across the finish line in Congress, but we do know her record of public service to the American people, in contrast with the current president who is suing the American people for $10 billion.

There is nothing wrong with revisiting Harris’ missteps on the campaign trail or debating her electability as she reemerges in the public spotlight. But now that Trump has resorted to posting monkey jokes about Black people, perhaps updated forensics will consider our well established history of racism among the factors in the 2024 election.

It is not a shock that a president of the United States thinks poorly of Black people. Not when you know that more than 25% of those who have held the office were themselves enslavers. But it is disappointing that 250 years into our nation’s story, some of us still deny the role that racism plays in shaping our politics and thus all of our lives.

YouTube: @LZGrandersonShow

The adage that records are made to be broken definitely applies to the TV ratings for the Super Bowl.

For three straight years, the game deciding the champion for the NFL season has set new viewing records, including last year’s Philadelphia Eagles crushing victory over the Kansas City Chiefs 40-22 that scored an average audience of 127.7 million viewers on Fox.

Both the 2024 and 2025 games had the benefit of the pop culture sizzle generated by Chiefs tight end Travis Kelce’s romance with pop superstar Taylor Swift, bringing in more casual fans.

This season, the Chiefs won’t be in the game for the first time in three years as NBC will have the Seattle Seahawks facing off Sunday against the New England Patriots in Super Bowl LX, not the match-up experts predicted for this year.

But that doesn’t mean it can’t set another ratings record.

Kansas City tight end Travis Kelce and Taylor Swift celebrate the Chiefs’ victory over the Buffalo Bills in the AFC Championship on Jan. 26, 2025, in Kansas City, Mo.

(Charlie Riedel / Associated Press)

“I believe it can,” said Lee Berke, president of LHB Sports, Entertainment & Media, noting the lift the NFL ratings have seen this season as viewing information from set-top devices and internet connected televisions in 45 million households are now included in Nielsen’s audience measurement.

“It’s definitely showing up and bumping up ratings throughout the year for the NFL,” Berke said.

A recent report from the Video Advertising Bureau found that the new measurement from Nielsen has boosted ratings for prime time NFL games in the mid-to-high single digit percentages.

Other changes to Nielsen’s measurement in recent years have given the Super Bowl a boost. While surpassing 100 million was once a reasonable goal, the numbers started climbing above that threshold since out-of-home viewing was added in 2021.

History is on the side of a robust audience number this year. The last time the Patriots faced the Seahawks in 2015, the NBC telecast set a viewership record at the time of 114.4 million. Fans watching Sunday can expect to see clips of Malcolm Butler’s interception at the goal line that helped give Tom Brady’s Patriots the win that year.

But NBC doesn’t need a record audience number for the Super Bowl to be a financial success. A robust TV advertising marketplace helped the network sell out the game at a record average of $8 million per 30-second spot, with some going for $10 million.

NBC has also sold spots that will air only on its Peacock streaming platform. The network pulled in the range of $3 million a spot, significantly above the $2 million Fox took in for ads last year when the game was streamed on its Tubi service.

This year NBC was able to use Super Bowl LX to drive ad sales for its coverage of the Winter Olympic Games in Milan that begin Friday and run through Feb. 22, (which is also sold out). The network also has the NBA All-Star Game at the Intuit Dome in Inglewood on Feb. 14, which is why Mike Cavanaugh, co-chief executive of NBCU parent Comcast, recently described February as “the most consequential month in live sports history.”

In 2022, NBC’s combination of both the Winter Olympics and the Super Bowl, accounted for $1.5 billion in revenue according to Comcast’s earnings report, a number the company will likely surpass this year. The company isn’t commenting on revenue but has said it expects to set a record for Super Bowl ad revenue.

Mark Marshall, chairman of global advertising sales and partnerships for NBCUniversal, said 70% of the companies in the Super Bowl are also running commercials in the Olympics.

In previous decades, a Super Bowl commercial was an event in itself with the reveal happening on the telecast. But Marshall noted that, as part of a larger marketing effort, advertising campaigns are now introduced with teasers ahead of the telecast and many get a full preview online.

This year, NBCU was able to offer the Olympics to help marketers connect with more consumers.

“We told advertisers ‘you’re going to spend eight figures (on producing a commercial) — extend the reach of that,” Marshall said.

Technology companies make up the largest share of advertisers. Several AI companies, including Anthropic and Genspark, will be first-time Super Bowl ad buyers. Viewers will also see returning entries from Google, Meta, Wix and Amazon, which will air a spot for its Alexa device.

While there are the usual array of snack food and soft drink companies that will appearin the commercial breaks, viewers will also see a spurt in pharmaceutical ads. Marshall said the category has increased its presence on NFL games. The Super Bowl spots will focus on a message of “wellness,” rather than straight ahead product spots with disclaimers listing unpleasant drug side effects.

Marshall said NBCU does not expect the announced alternative halftime show presented by Turning Point USA to have an impact on the ratings. A concert featuring Kid Rock and lesser known country artists Brantley Gilbert, Lee Brice and Gabby Barrett, will stream on YouTube, X, Rumble and several right-wing TV channels.

The concert promoted by the right-wing group founded by the late Charlie Kirk and now run by his widow Erika is in response to conservatives outraged over the NFL’s selection of Grammy-winning music superstar Bad Bunny, who sings primarily in Spanish, as the halftime act. (President Trump called the decision “terrible” and is skipping the game.)

But the league has not wavered for a moment amid the blowback, as it seeks to expand its global reach by having the most streamed artist in the world on the stage of its marquee event.

The only effective counter-programming gimmick against the Super Bowl halftime show came in 1992. Fox, still an upstart network, ran a live edition of its sketch comedy show “In Living Color” against the halftime of the CBS telecast of Super Bowl XXVI, which featured ice skaters Dorothy Hamill and Brian Boitano.

The pronounced dip in viewership prompted the NFL to sign Michael Jackson as the halftime act in 1993. The game saw a significant ratings boost and the league has booked contemporary music acts for the game ever since.

“People joke that I only did it because he didn’t do his homework,” says former Premier League referee Jon Moss about the time he sent off James Milner.

Twenty-four years after making his debut, Milner, 40, will equal the record for most Premier League appearances if he features for Brighton against Crystal Palace on Sunday.

A stellar career spanning more than two decades, six top-flight clubs, 652 Premier League appearances, 61 England caps, three Premier League titles, two FA Cups and one Champions League triumph has also delivered some unexpected moments.

Like the time Milner – known as ‘Millie’, external by those close to him – was sent off by Moss, his former teacher at Westbrook Lane Primary School in Horsforth, Leeds, while playing for Liverpool against Crystal Palace in 2019.

“He said I couldn’t wait to get my card out,” laughs Moss about dismissing his former pupil after switching careers.

“People say I’m the only teacher to send off one of his pupils in a Premier League game. We can both laugh about it now.”

Milner is set to go level with Gareth Barry, who played 653 times, at the top of the all-time Premier League appearance list some 8,491 days after making his debut for hometown club Leeds United soon after leaving school in 2002.

“I think that will be a special thing for him but he is focused on top of that on the ambitions from the club as well. He wants to be always successful like he was his whole life,” said Brighton manager Fabian Hurzeler.

“He is a driver of this winning mentality and I think it’s very important to have these kind of players in the squad.

“They know how to win, they know what it needs to win, how you need to prepare a game, how you react in bad phases like on bad runs we have at the moment.”

Alan Shearer, who played with Milner at Newcastle, describes him as a model professional and a “manager’s dream”.

“You would do well if you had him in your squad because you knew exactly what you were going to get,” adds former England captain Shearer.

This is the story about a young lad from Leeds who evolved to set standards for hard work, professionalism and longevity – and earn respect from fans all over the world.

SAN FRANCISCO — Matthew Stafford’s name is already all over the NFL record book.

Add another milestone to the Rams quarterback’s achievements.

On Thursday night, Stafford was announced as the NFL most valuable player during NFL Honors at the Palace of Fine Arts.

The 17-year veteran finished ahead of New England quarterback Drake Maye in balloting by a panel of 50 journalists who regularly cover the NFL. The panel is assembled by the Associated Press. Los Angeles Times reporters do not participate in voting for awards.

During his acceptance speech, Stafford thanks his wife, Kelly, and daughters along with teammates, who he pointed at some in the audience and said he looked forward to playing with them again next season.

Stafford, who turns 38 on Saturday, passed for a league-best 46 touchdowns and 4,707 yards.

Stafford led the Rams to a 12-5 record and directed an offense that led the league in scoring and yards per game. He was voted first-team All-Pro.

“He’s the epitome of an igniter,” Rams coach Sean McVay said this week. “He’s just this incredibly humble superstar that has the ability to make everybody feel better when you’re around him. … I know I’m biased, but I can remove my bias and say I think he was the best player in the NFL this year.”

Stafford also engineered late winning drives in playoff victories over the Carolina Panthers and the Chicago Bears before the Rams suffered a 31-27 defeat by the Seahawks in the NFC championship.

Stafford, the top pick in the 2009 draft, played 12 seasons for the Detroit Lions before he was traded to the Rams in 2021 for Jared Goff, two first-round draft picks and a third-round pick.

In his first season with the Rams, Stafford led them to victory in Super Bowl LVI at SoFi Stadium.

Stafford ranks sixth all-time in completions (5,562), yards passing (64,516) and is seventh in touchdown passes (423).

Maye, 23, is a second-year pro who will play against the Seahawks on Sunday in Super Bowl LX. Maye led the Patriots to a 14-3 record — including an 8-0 road mark — and completed a league-leading and franchise record 72% of his passes. He passed for 31 touchdowns, with eight interceptions, and also rushed for 450 yards and four touchdowns.

Feb. 4 (Asia Today) — Kakao Bank posted record earnings last year as growth in non-interest income offset pressure on lending revenue caused by tighter household loan regulations, the company said Tuesday.

The internet-only bank said net profit for 2025 reached 480.3 billion won ($348.6 million), up 9.1% from a year earlier. Fourth-quarter net profit rose 24.5% year over year to 105.2 billion won ($76.3 million), marking the first time quarterly earnings topped 100 billion won.

The results exceeded market expectations despite stricter government oversight of household lending in the second half of the year, which forced Kakao Bank to cut its loan growth target by half.

Interest income, still the bank’s largest revenue source, fell under regulatory pressure. Loan interest income declined 2.9% to 1.99 trillion won ($1.45 billion) from 2.05 trillion won ($1.49 billion) in 2024.

By contrast, non-interest income – including fees, platform revenue and fund management gains – jumped 22.5% to 1.08 trillion won ($790.6 million), surpassing 1 trillion won for the first time. Non-interest income accounted for 35.3% of total operating income, up about 5 percentage points from a year earlier.

Fund management performance was a major contributor. Kakao Bank said profits from the segment climbed about 28% to 670.8 billion won ($487.2 million), aided by expanded bond purchases in a high-interest-rate environment and a more diversified investment strategy.

Fee and platform revenue also continued to rise. Despite lower merchant fees for check cards, advertising revenue and loan comparison service income increased 54% and 37%, respectively. Total fee and platform revenue reached 310.5 billion won ($225.5 million), up 2.9% from a year earlier.

Looking ahead, Kakao Bank said it plans to further strengthen non-interest income this year by expanding products and services and by seeking growth opportunities in global and artificial intelligence-related businesses. The bank also signaled interest in mergers and acquisitions involving payment and capital companies to broaden its business scope into areas such as infrastructure and equipment finance.

An industry source said sustaining growth in non-interest income will be critical as lending expansion remains constrained, adding that the success of new business lines will play a key role in shaping future performance.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260205010001717

History was made in more than one way at Sunday night’s 68th Grammy Awards.

Bad Bunny’s “Debí Tirar Más Fotos” won album of the year — the first Spanish-language LP to take the Recording Academy’s highest honor. Kendrick Lamar and SZA’s “Luther” was named record of the year, making Lamar the winningest rapper in Grammy history (and just the fourth artist to go back-to-back for the record prize). Then there were Billie Eilish and her brother, Finneas O’Connell, who took song of the year with “Wildflower”; they’re now the only songwriters with three wins in that prestigious category.

To go by demographics, the ceremony clearly embodied the diversity gains the academy has been saying proudly are happening among its 15,000 voting members. But if new kinds of faces are becoming Grammy darlings, the music they’re being recognized for still upholds many of the academy’s old values. A night for making history was also a night for reveling in it.

Take “Luther,” a soulful hip-hop slow jam built on a prominent sample of Luther Vandross and Cheryl Lynn’s 1982 rendition of a love song Marvin Gaye and Tammi Terrell recorded in the late 1960s — an intricate piece of lineage-making meant to bridge multiple generations.

Olivia Dean performs.

(Myung J. Chun / Los Angeles Times)

“First and foremost, let’s give a shout-out to the late, great Luther Vandross,” the producer Sounwave said as he, Lamar, SZA and the song’s other creators accepted their award at Crypto.com Arena. (Before they made it onstage, Cher misread the card identifying “Luther” as record of the year and said that Vandross himself had won.) Lamar added, “This is what music is about,” and expressed his gratitude for being allowed “the privilege” to use Vandross’ music as long as he and SZA promised the singer’s estate not to curse on their record.

You can hear a similar reverence for those who came before in Olivia Dean, the 26-year-old British singer named best new artist on the strength of her hit “The Art of Loving” LP, which looks back to the gleaming pop-soul of Diana Ross and Whitney Houston.

Even Bad Bunny, the Puerto Rican rapper and singer who became a superstar at the bleeding edge of reggaeton and Latin trap, achieved his Grammy breakthrough with something of a throwback move: “Debí Tirar Más Fotos” is an exactingly arranged tribute to his native island, with elements of Puerto Rican folk styles such as bomba and plena and more hand-played instrumentation than he utilized for 2022’s sleek “Un Verano Sin Ti,” which scored a Grammy nomination for album of the year but lost to “Harry’s House” by Harry Styles (who, as it happens, presented the album prize Sunday).

Part of Bad Bunny’s success this year can be attributed to the fact that he’s a far bigger celebrity than he was three years ago; indeed, his Grammy triumph impressively sets up the halftime performance he’ll give this coming weekend at Super Bowl LX. But not unlike Beyoncé’s rootsy “Cowboy Carter,” which finally brought her a win for album of the year in 2025 after a number of outrage-inducing defeats, “Debí Tirar Más Fotos” is also primo Grammy bait: a work steeped in tradition from a natural innovator.

SZA backstage.

(Allen J. Schaben / Los Angeles Times)

For years, the Grammys’ rearview gaze used to bum me out — and, to be honest, as lovely as Eilish’s “Wildflower” is, her song of the year win with the tender acoustic ballad felt like a failure of imagination among voters I wish had recognized the hurtling exuberance of “Golden,” from Netflix’s “KPop Demon Hunters.” (“Golden” did take the prize for song written for visual media, which made it the first K-pop tune to win a Grammy.)

Yet something about Sunday’s ceremony made it hard to get too worked up about all the historicizing. Perhaps it was how plainly yet passionately many artists used their time onstage to speak about the issues pressing on us right now. “Before I say thanks to God, I’m gonna say: ICE out,” Bad Bunny told the crowd as he accepted an award for música urbana album. “We’re not savage, we’re not animals, we’re not aliens. We are humans, and we are Americans.”

Lady Gaga on the red carpet.

(Christina House/Los Angeles Times)

Eilish said, “No one is illegal on stolen land.” Dean pointed out that she’s the granddaughter of an immigrant and that “those people deserve to be celebrated.”

I was also moved by how personal so much of the music felt — a cry of imperfection like Lola Young’s “Messy,” for instance, which she performed by herself on piano and which won pop solo performance in an upset over the likes of Lady Gaga and Sabrina Carpenter. “I don’t know what I’m gonna say because I don’t have any speech prepared,” she yelled into the microphone as she received her trophy. “Obviously, I don’t — it’s messy, do you know what I mean?”

Weirdly for a show with yesterday so heavily on its mind, a tribute to the late R&B trailblazers Roberta Flack and D’Angelo was a disappointment, with Lauryn Hill as bandleader moving way too quickly (in way too short an allotted time) through songs that require real space to unfurl.

That’s what Justin Bieber had for the evening’s most striking performance: a slow and radically stripped-down rendition of his song “Yukon” that he sang wearing only boxer shorts and socks, accompanying himself with a scratchy electric guitar riff he fed through a looping station.

“Yukon” is from Bieber’s impressive “Swag” album, which he released last year after a lengthy stretch in the pop-star wilderness; it’s an LP, kind of like “Messy,” about learning to forgive yourself for your flaws, and here he sang “Yukon” like a guy who’d figured out — maybe a guy figuring out — how to build a life outside the punishing expectations of celebrity. The music had the past in it, of course, but didn’t feel constrained by it.

Justin Bieber performs.

(Myung J. Chun / Los Angeles Times)

NEW YORK — Lakers star LeBron James made the NBA All-Star team for a record 22nd time Sunday after being selected as a Western Conference reserve by NBA coaches.

James had been selected as an All-Star starter 21 consecutive times, an NBA record, but fans didn’t choose him this season. The 41-year-old James is just the second player to earn multiple All-Star selections after the age of 40, joining Lakers legend Kareem Abdul-Jabbar.

Minnesota’s Anthony Edwards, Denver’s Jamal Murray, Oklahoma City’s Chet Holmgren, Houston’s Kevin Durant, Phoenix’s Devin Booker and Portland’s Deni Avdija also were named Western Conference reserves.

The Eastern Conference reserves are Cleveland’s Donovan Mitchell, Atlanta’s Jalen Johnson, New York’s Karl-Anthony Towns, Indiana’s Pascal Siakam, Miami’s Norman Powell, Toronto’s Scottie Barnes and Detroit’s Jalen Duren.

Clippers star Kawhi Leonard, seventh in scoring at 28.7 points per game and first in steals (2.1), could be chosen by commissioner Adam Silver to replace Milwaukee’s Giannis Antetokounmpo, who’s a starter but is injured.

James was averaging 21.9 points, 6.6 assists and 5.8 rebounds over 33.1 minutes per game. He was shooting 50.2% from the field and 34.9% from three-point range through 30 games.

James missed the first 14 games because of sciatica and started slowly when he returned, but has been playing at a higher level recently.

In January, James scored 109 fourth-quarter points, tied with Durant for the most in the NBA. James helped the Lakers post a league-best 14-2 record in clutch games entering Sunday’s game at New York.

James will join Lakers teammate Luka Doncic, who had the most All-Star votes, in the Feb. 15 game at the Clippers’ home arena, Intuit Dome.

The new All-Star format will be a three-team tournament that features two U.S. teams and one world team. The U.S. teams will have 16 players and the world will have eight. Doncic, who is from Slovenia, will play for the world team.

The teams play a round-robin of 12-minute games, with the top teams advancing to the final 12-minute championship.

Kendrick Lamar and SZA’s “Luther” was named record of the year at Sunday night’s 68th Grammy Awards, giving Lamar his second straight win in the category after he took it in 2025 with his smash-hit Drake diss, “Not Like Us.”

The Compton-born rapper is one of only four acts in Grammy history who’ve gone back to back in record of the year, along with Billie Eilish, U2 and Roberta Flack.

Built on a prominent sample of Luther Vandross and Cheryl Lynn’s 1982 duet “If This World Were Mine” (itself a cover of the song Marvin Gaye and Tammi Terrell introduced in 1967), “Luther” is from Lamar’s sixth studio album, “GNX,” which came out in November 2024.

“Luther forever,” Lamar said while accepting the speech. Cher announced the winner after accepting the Lifetime achievement award, at first just reading off Vandross’ name.

The song — which was produced by Jack Antonoff, Bridgeway, M-Tech, Roselilah, Sounwave and Kamasi Washington — spent 13 weeks atop Billboard’s Hot 100, longer than any other single in 2025. On Spotify, “Luther” has been streamed more than 1.3 billion times.

The other songs nominated for record of the year were Bad Bunny’s “DTMF,” Sabrina Carpenter’s “Manchild,” Doechii’s “Anxiety,” Billie Eilish’s “Wildflower,” Lady Gaga’s “Abracadabra,” Chappell Roan’s “The Subway” and “Apt.” by Rosé and Bruno Mars.

VICTORIA Beckham was in the biggest girl group of all time but her son Cruz is taking inspiration from another brilliant British band for his debut album — The Beatles.

The budding musician’s close friend Luke Pritchard has unofficially helped guide the project thanks to years of experience in the industry, along with his ten UK Top Ten singles with his band The Kooks.

In an exclusive chat, Luke revealed Cruz was heavily influenced by the Fab Four’s ninth record, The White Album, which gave us iconic songs including Ob-La-Di, Ob-La-Da and Blackbird.

“He’s brilliant. He’s got all the right things,” Luke told me at the Iconic Images Gallery in London, where we were invited to celebrate a new exhibition of The Cure ahead of their headline slot at Isle of Wight Festival.

“I think he’s a rockstar, I really do.

“It’s got a kind of White Album psychedelia sound, with warm tones.

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“I think he’s a great guitar player – it’s kind of what I want to hear in my head.”

In March, Cruz took to social media to tease a self-penned track inspired by his love for The Beatles.

In the short clip, he sang: “I wanna be John Lennon.”

Last week, as the showbiz world imploded thanks to his brother Brooklyn’s bombshell statement hammering his family, Cruz was locked away in a north London studio putting the finishing touches to the record.

As speculation about the family rift circulated the globe, Cruz took to Instagram to reshare a shot from the studio with the words “Loneliest Boy” along the top of a song sheet, leading some fans to wonder if it will be about his estranged brother.

Luke, who has released a new live version of The Kooks’s 2014 song See Me Now today, explained: “We were actually in the studio with him.

“His album sounds so good, so authentic. It’s really refreshing.

“You know, he’s recording everything completely authentically and trying to pick up that magic to some parts. I think that’s amazing.”

And he is determined to prove himself as an artist in his own right, breaking free from the nepo baby label.

Luke continued: “He’s the real deal. He wants to do things properly and he wants to gather his fan base the right way and he wants to go out and just play. It’s been a mad few days for him.”

Cruz has sold out his first headline show in London in March and has announced a UK tour with his band The Breakers which went on sale on Friday.

As well as their own tour this year, The Kooks are performing at Isle of Wight Festival alongside The Cure, Calvin Harris and Lewis Capaldi.

To say that DeAndre Cole inherited a difficult challenge when he became the boys’ basketball coach at Compton Centennial this season would be an understatement. The team went 1-23 last season and had a streak of seven consecutive losing seasons since finishing 13-13 in 2017-2018.

“The expectation was to bring the winning culture, to bring some excitement,” the 44-year-old Cole said.

Incredibly, Centennial has already finished its regular season with a 12-12 record and represents one of the biggest turnaround stories in Southern California. The .500 record means Centennial is eligible for a Southern Section at-large playoff berth.

This is a program where UCLA assistant coach Rod Palmer once had teams competing against the best when alumnus Arron Affalo was bombing in threes and delivering dunks before going on to UCLA and the NBA. Centennial won the 2004 state Division III championship. This year’s team went 1-6 in the Ocean League, where Inglewood and high-scoring Jason Crowe Jr. won the league title.

Cole once served as an assistant coach at Washington Prep and Manual Arts. He was set to be head coach at Morningside until the school closed last year.

He’s a Crenshaw grad who says he was kicked off the basketball team by legendary coach Willie West. Asked what he learned, Cole said, “It takes hard work and being dedicated buying into the program and no player is bigger than the program.”

He said his problem was not listening to West and thinking he was the next Stephen Curry.

Even though Centennial had only six players available much of the season for varsity action, Cole created a junior varsity team, so help is on the way if the team gets a playoff spot. The team’s best two players have been guards Jaden McDonald, a transfer from Detroit, and Edward Johnson, who used to be home-schooled.

Five of the six players have played football, including Joshua Crathers, who was the school’s quarterback for two years.

Asked what he learned after winning one game last season, Crathers said, “Don’t give up. When you lose, you get better.”

Cole had to be creative when he lost a player against St. Bonaventure, leaving the Apaches with four players. A student who was a friend of a Centennial player with minimal practices was asked to join the team for a single game.

“We need you to show up,” Cole told the student.

Cole remembers him being so out of shape that he needed a water break after the first play of the game. Centennial won 63-58.

McDonald said the team has no choice but to be in their best shape knowing players have to play the entire game.

“I feel everything that comes to us is deserving, but we have to work hard,” McDonald said.

There’s no reason the program can’t continue to grow considering the Compton area is filled with talent. Remember the city is where DeMar DeRozan, Patrick Christopher, Tyson Chandler and Corey Benjamin once played. It’s about keeping the neighborhood kids home and showing players can develop and explore their basketball dreams.

Considering how far Centennial plunged, a 12-12 record at this point is a stunning reward for the school, players, parents and fans. Let’s see where Cole can take them.

The school is about to go through a rebuilding phase, with the gym being torn down and replaced on a whole new campus.

The straight outta of Compton story is in its beginning stage, but it sure looks like things are changing fast.