Who knew that by “America First,” President Trump meant all of the Americas?
In puzzling over that question at least, I’ve got company in Marjorie Taylor Greene, the now-former congresswoman from Georgia and onetime Trump devotee who remains stalwart in his America First movement. Greene tweeted on Saturday, just ahead of Trump’s triumphal news conference about the United States’ decapitation of Venezuela’s government by the military’s middle-of-the-night nabbing of Nicolás Maduro and his wife: “This is what many in MAGA thought they voted to end. Boy were we wrong.”
Wrong indeed. Nearly a year into his second term, Trump has done nothing but exacerbate the domestic problems that Greene identified as America First priorities — bringing down the “increasing cost of living, housing, healthcare” within the 50 states — even as he’s pursued the “never ending military aggression” and foreign adventurism that America Firsters scorn, or at least used to. Another Trump con. Another lie.
Here’s a stunning stat, thanks to Military Times: In 2025, Trump ordered 626 missile strikes worldwide, 71 more than President Biden did in his entire four-year term. Targets, so far, have included Yemen, Syria, Iraq, Somalia, Nigeria, Iran and the waters off Venezuela and Colombia. Lately he’s threatened to hit Iran again if it kills demonstrators who have been marching in Tehran’s streets to protest the country’s woeful economic conditions. (“We are locked and loaded and ready to go,” Trump posted Friday.)
The president doesn’t like “forever wars,” he’s said many times, but he sure loves quick booms and cinematic secret ops. Leave aside, for now, the attacks in the Middle East, Africa and the Caribbean and the eastern Pacific. It’s Trump’s new claim to “run” Venezuela that has signaled the beginning of his mind-boggling bid for U.S. hegemony over the Western Hemisphere. Any such ambition raises the potential for quick actions to become quagmires.
As Stephen Miller, perhaps Trump’s closest and most like-minded (read: unhinged) advisor, described the administration’s worldview on Monday to CNN’s Jake Tapper: “We live in a world, in the real world, Jake, that is governed by strength, that is governed by force, that is governed by power. These are iron laws of the world since the beginning of time.”
You know, that old, amoral iron law: “Might makes right.” Music to Vladimir Putin’s and Xi Jinping’s ears as they seek hegemonic expansion of their own, confident that the United States has given up the moral high ground from which to object.
But it was Trump, the branding maven, who gave the White House worldview its name — his own, of course: the Donroe Doctrine. And it was Trump who spelled out what that might mean in practice for the Americas, in a chest-thumping, war-mongering performance on Sunday returning to Washington aboard Air Force One. The wannabe U.S. king turns out to be a wannabe emperor of an entire hemisphere.
“We’re in charge,” Trump said of Venezuela to reporters. “We’re gonna run it. Fix it. We’ll have elections at the right time.” He added, “If they don’t behave, we’ll do a second strike.” He went on, suggestively, ominously: “Colombia is very sick too,” and “Cuba is ready to fall.” Looking northward, he coveted more: “We need Greenland from a national security situation.”
Separately, Trump recently has said that Colombia’s leftist President Gustavo Petro “does have to watch his ass,” and that, given Trump’s unhappiness with the ungenuflecting Mexican President Claudia Sheinbaum, “Something’s going to have to be done with Mexico.” In their cases as well as Maduro’s, Trump’s ostensible complaints have been that each has been complacent or complicit with drug cartels.
And yet, just last month Trump pardoned the former president of Honduras, Juan Orlando Hernández, who was convicted in a U.S. court and given a 45-year sentence for his central role in “one of the largest and most violent drug-trafficking conspiracies in the world.” Hernández helped traffickers ship 400 tons of cocaine into the United States — to “stuff the drugs up the gringos’ noses.” And Trump pardoned him after less than two years in prison.
So it’s implausible that a few weeks later, the U.S. president truly believes in taking a hard line against leaders he suspects of abetting the drug trade. Maybe Trump’s real motivation is something other than drug-running?
In his appearance after the Maduro arrest, Trump used the word “oil” 21 times. On Tuesday, he announced, in a social media post, of course, that he was taking control of the proceeds from up to 50 barrels of Venezuelan oil. (Not that he cares, but that would violate the Constitution, which gives Congress power to appropriate money that comes into the U.S. Treasury.)
Or perhaps, in line with the Monroe Doctrine, our current president has a retro urge to dominate half the world.
Lately his focus has been on Venezuela and South America, but North America is also in his sights. Trump has long said he might target Mexico to hit cartels and that the United States’ other North American neighbor, Canada, should become the 51st state. But it’s a third part of North America — Greenland — that he’s most intent on.
The icy island has fewer than 60,000 people but mineral wealth that’s increasingly accessible given the climate warming that Trump calls a hoax. For him to lay claim isn’t just a problem for the Americas. It’s an existential threat to NATO given that Greenland is an autonomous part of NATO ally Denmark — as Danish Prime Minister Mette Frederiksen warned.
Not in 80 years did anyone imagine that NATO — bound by its tenet that an attack on one member is an attack on all — would be attacked from within, least of all from the United States. In a remarkable statement on Tuesday, U.S. allies rallied around Denmark: “It is for Denmark and Greenland, and them only, to decide on matters concerning Denmark and Greenland.”
Trump’s insistence that controlling Greenland is essential to U.S. national security is nuts. The United States has had military bases there since World War II, and all of NATO sees Greenland as critical to defend against Russian and Chinese encroachment in the Arctic. Still, Trump hasn’t ruled out the use of force to take the island.
He imagines himself to be the emperor of the Americas — all of it. Americas First.
AMANDA Holden has admitted her boobs have grown and shared the very unusual reason why.
Standing in the shade in Corfu with her close pal Alan Carr for their BBC series Amanda and Alan’s Greek Job, Amanda’s chest became the topic of conversation.
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Amanda Holden has revealed why her boobs have got biggerCredit: GettyThe TV star credits an unusual food with bolstering her bustCredit: Instagram
Alan says: “Your breasts have got bigger since the last one.”
Amanda, wearing a low-cut summer dress, replies: “They have. It’s because of the Saganaki cheese.”
Funnyman Alan quickly quips, “Have you just been rubbing it straight in?,” prompting Amanda to burst out laughing.
One viewer wrote on Instagram: “Amanda’s laugh is pure filth and I’m here for it.”
Another posted: “Love these two, and Amanda’s cackle cracks me up.”
A third said: “Love these 2 and their renovations. Just what we all need – love and laughter!”
Just days ago Amanda, 54, wowed in a plunging dress, alongside Alan, as they rang in the New Year in Scotland with her husband Chris and lookalike daughters Lexi and Hollie.
Ageless Amanda wowed in the figure-hugging navy frock that showed off her cleavage and cinched at the waist.
She wore her hair down in her signature curly waves and beamed from ear to ear.
Daughters, Lexi, 19, and Hollie, 13, dressed up in sparkly gold and silver dresses which they both paired with matching boots.
Meanwhile, proud dad Chris stood with his family and opted for an all-black suit with a black shirt.
Amanda captioned the post: “Happy New year. From our family to yours…”
Her loyal followers flocked to the comments section to wish her and her family an early happy New Year.
Amanda also took to her stories to reveal that the family were joined by Celebrity Traitors winner Alan.
The pair posed for pictures, with Amanda planting a kiss on her pal’s cheek and the pair clinking champagne flutes.
Her hubby Chris’ arm was visible in the shot as she jokingly captioned: “Me and my husband, oh whoops, we managed to cut him out!”
Amanda and Alan are TV gold togetherCredit: BBC
Amanda and Alan host their own BBC travel show together which sees them travel to different locations including Italy, Spain and Greece and renovate a house from scratch.
The Sun previously revealed that ten well-known faces had been selected by the BBC to undergo look tests, with Alan, Bradley Walsh and Alex Jones being the frontrunners.
IOWA CITY, Iowa — As I sat at a corner table inside another Courtyard by Marriott over the weekend, a floor-to-ceiling window protecting me from the 25-degree chill on a dreary morning, it struck me how much easier this would all be to do from home.
Nap until game time. Pick up the remote. Get a closeup view of every play.
Of course, that approach would also have deprived me — and Times readers — of so much over the last 10 years of being the only full-time traveling beat writer with the UCLA men’s basketball team.
Feeling a piece of stray confetti float against my cheek inside Lucas Oil Stadium after the Bruins reached the Final Four.
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Seeing Prince Ali bound down a hallway inside Oregon’s Matthew Knight Arena while yelling, “This is highway robbery, baby!” after the Bruins came back from nine points down with 51 seconds left.
Chatting with master storyteller Hep Cronin inside Kentucky’s Rupp Arena the day before an NCAA tournament game.
Interviewing Jaime and Angela Jaquez poolside in Maui before their son and daughter became on-campus celebrities.
People like to say they have the best seat in the house. Mine has often been 11F, window, on a United Airlines flight to some far-flung game that has made me cherish this decade of memories inside arenas all over the country.
There’s been so much more besides the palpable tension one can only feel sitting courtside, or in one of the media seats increasingly far removed from courtside in recent seasons. I caught a glimpse of Jake Kyman’s teammates dousing him with water after he made seven three-pointers against Washington and assistant coach Rod Palmer obligingly pushed the locker room door open a little wider than usual on his way out. Scanned cardboard cutouts of fans and pets inside San Diego State’s Viejas Arena. Wrote on deadline at Colorado while a trash collector roamed the stands blaring old Pink Floyd favorites from his boom box.
Yes, there have been annoying travel delays, crummy hotels and way too much time spent away from home. (A quick check of my Lifetime Titanium Elite status with Marriott shows 1,592 nights — the equivalent of nearly 4½ years — since 2003 while traveling for The Times in a variety of roles.)
But this is something I’m thrilled just to have the chance to do.
It takes an incredible financial commitment in a time of shrinking media resources to send someone on the road for every game with a college basketball team in 2026. That’s why I’m so grateful to my bosses for letting me take all these trips over the years.
Fortunately, I’m not the only one who realizes how special this is. Every time he sees me at a road game, Chris Carlson, UCLA’s longtime associate athletic director, has made a point to thank me for being there. He did it again Saturday, inside a club room deep within Iowa’s Carver-Hawkeye Arena, after UCLA’s frantic rally had fallen short against the Hawkeyes.
Fans often ask me if I travel on the team plane. That would be a resounding no, leading to innumerable layovers at Chicago O’Hare on the way to somewhere else in Big Ten country while the Bruins travel nonstop via charter. I don’t mind in the least.
Life on the road with the Bruins always packs a wallop, even during down seasons. A few years ago, during coach Mick Cronin’s only losing season with the team, it had just snowed in Pullman, Wash., when I exited a regional jet onto an icy outdoor ramp. I took two steps and fell backward onto my head with such a violent thud that my glasses flew back into the cabin. (I survived, or you wouldn’t be reading this.)
Along the way, there’s been far more laughter than frustration, let alone the need to Google “subdural hematoma.”
I’ve enjoyed every destination in an old conference (Pac-12) without truck stops and a new one (Big Ten) with plenty. I’ve sparked a Twitter war with the Memphis International Airport over a baggage office being closed shortly after sundown. I’ve stood in a hallway when coach Steve Alford threw his players under the bus at Cincinnati — “If you lose,” Alford said, “you get in the gym on your day off and you figure things out, not wait and get in the gym when we meet with you” — not long before the firing of Alford led to the hiring of Cincinnati’s coach.
I’ve heard that new coach — Cronin — yell at his team from two rooms over inside T-Mobile Arena after a loss to Baylor. I’ve also heard Cronin’s teams silence arenas with huge early runs against Stanford, Marquette, Maryland and San Diego State.
Traveling to cover the Bruins has had its side benefits, of course. I’ve seen family in Portland, visited wine country in the Willamette and Napa valleys and taken memorable trips to Arizona and the Bay Area during the COVID-19 season in 2020-21. The enduring image from those trips was the bizarre game against Stanford in Santa Cruz (because of health restrictions in Palo Alto), which featured an equally bizarre ending on an inbounds pass to Cardinals forward Oscar da Silva for a buzzer-beating layup.
There have been white-knuckle prop plane flights from Seattle to Pullman and white-knuckle drives across the Bay Bridge thanks to gephyrophobia. Tense drives from Spokane to Pullman because of the dreaded Colfax speed trap and walls of fog that can blindside you like a fearsome backcourt press.
Including stints covering USC basketball and an additional UCLA season under coach Ben Howland, I’ve logged three trips to the Maui Invitational — including one played in Honolulu — one to the old Great Alaska Shootout and one to Mexico for an exhibition game. The one trip that I really wanted to take — to China in 2017 — and was told no because a boss didn’t think it would be worthwhile ended in an international ordeal. Maybe it was the basketball gods’ way of telling him to keep me on the road.
As the pandemic made the prospect of taking flights seem perilous during the 2020-21 season, I covered a handful of road games off television. Admittedly, it was great to get replays and instant injury reports before hopping on a Zoom for postgame interviews.
But something just didn’t feel right. It wasn’t until the Bruins made the NCAA tournament and I accompanied them for every game on that unforgettable run in central Indiana that I fully understood one of the most important rules of quality coverage.
Being there matters.
Olympic sport of the week: Women’s gymnastics
Jordan Chiles helped UCLA rally to win the Best of the West Quad in Seattle by placing first in all four events.
(Courtesy of Jamie Mitchell)
Trailing California after two rotations in its season-opening meet, the UCLA women’s gymnastics team could rely on something else no one had in its comeback bid.
Jordan Chiles.
Predictably, the Olympic gold medalist helped the fourth-ranked Bruins rally to win the Best of the West Quad at Alaska Airlines Arena in Seattle by placing first in all four events.
Sticking her double layout dismount on the uneven bars, Chiles scored a 9.925 to help UCLA overtake the No. 20 Golden Bears and move into third place after the third rotation. Chiles topped herself with maybe her best beam performance at the college level, earning a 10 from one of the two judges and a 9.975 score.
UCLA senior Ciena Alipio contributed a 9.925 on the beam, helping her team edge Cal, 196.875 to 196. Host Washington finished third with 195.625 and No. 19 Oregon State was fourth with 195.550.
The Bruins next face No. 1 Oklahoma, No. 2 LSU and No. 5 Utah on Saturday at the Sprouts Farmers Market Collegiate Quad in West Valley City, Utah. The meet will be televised live on ABC at 1 p.m. PST.
Opinion time
With two months left before the NCAA tournament, UCLA men’s basketball is teetering on the bubble, with bracketmatrix.com — an aggregator of bracket projections — listing the Bruins as a No. 9 seed before they lost to Iowa on Saturday. Where do you think UCLA finds itself on Selection Sunday?
An elite finish leads to a protected seed
A solid Big Ten run puts it in Nos. 5-7 range
The Bruins just barely make it into the tournament
They’re left out for the second time in three years
We asked, “What was your favorite UCLA sports moment of 2025?”
After 453 votes, the results:
The women’s basketball team’s trip to the Final Four, 49% The men’s water polo team’s national championship, 21% The football team’s three-game winning streak, 19% The baseball team makes the College World Series, 9% The softball team makes the Women’s College World Series, 2%
Do you have a comment or something you’d like to see in a future UCLA newsletter? Email me at ben.bolch@latimes.com, and follow me on X @latbbolch. To order an autographed copy of my book, “100 Things UCLA Fans Should Know & Do Before They Die,” send me an email. To get this newsletter in your inbox, click here.
It’s nothing new or extraordinary to remake a foreign TV show for a different country.
“All in the Family” was modeled on the British series “Till Death Us Do Part,” as “Steptoe and Son” became “Sanford and Son.” The popular CBS sitcom “Ghosts” comes from the show you can find retitled as “U.K. Ghosts” on American Netflix. The British mysteries “Professor T” and “Patience” (from Belgian and Franco-Belgian productions, respectively), have been successful on PBS. And there is, of course, “The Office,” which outlasted its original by many, many seasons and nearly 200 episodes. It doesn’t always work out (“Life on Mars”; “Viva Laughlin,” from “Blackpool,” which lasted a single episode despite starring Hugh Jackman; “Payne” and “Amanda’s,” two failed stabs at adapting “Fawlty Towers”), but there’s nothing inherently wrong with the practice.
The new Fox series “Best Medicine,” arriving Sunday as an advance premiere before its time slot premiere on Tuesdays, remakes the U.K. “Doc Martin,” previously adapted in France, Germany, Spain, Greece, the Netherlands and the Czech Republic. For better or worse, I have a long, admiring relationship with the original, having signed on early and attended every season in turn — and interviewed star Martin Clunes three times across the run of the series (10 seasons from 2004 to 2022). And I am surely not alone. Unlike with most such remakes, whose models may be relatively obscure to the local audience, “Doc Martin” has long been widely available here; you can find it currently on PBS, Acorn TV and Prime Video, among other platforms — and I recommend that you do.
In “Doc Martin,” Clunes played a brilliant London surgeon who develops a blood phobia and becomes a general practitioner in the Cornwall fishing village where he spent summers as a child. He’s a terse, stiff, antisocial — or, more precisely, nonsocial — person who doesn’t stand on ceremony or suffer fools gladly, but who time and again saves the people of Portwenn from life-threatening conditions and accidents or, often, their own foolishness. A slow-developing, on-again, off-again love-and-marriage arc with schoolteacher Louisa Glasson, played by the divine Caroline Catz, made every season finale a cliffhanger.
Obviously, the fair thing would be to take “Best Medicine” as completely new. But assuming that some reading this will want to know how it follows, differs from or compares to the original — which was certainly the first thing on my mind — let us count the ways.
Josh Segarra, Josh Charles and Abigail Spencer in “Best Medicine.”
(Francisco Roman / Fox)
The names have mostly not been changed. For no clear reason — numerology, maybe? — Martin Ellingham is now Martin Best (Josh Charles); Aunt Joan is Aunt Sarah (Annie Potts), a fisherwoman instead of a farmer. Sally Tishell, the pharmacist in a neck brace, has become Sally Mylow (Clea Lewis); and distracted receptionist Elaine Denham has been rechristened Elaine Denton (Cree). Keeping their full names are Louisa Gavin (Abigail Spencer), father and son handymen Bert (John DiMaggio) and Al Large (Carter Shimp), and peace officer Mark Mylow (Josh Segarra). Portwenn has become Port Wenn, Maine. (Lobsters are once again on the menu.)
As in the original, Martin is hounded by dogs (no pun intended, seriously), to his displeasure; teenagers are rude to him, because they are rude teenagers. Mark Mylow is now Louisa’s recently jilted ex-fiance. Liz Tuccillo, who developed the adaptation, has added a gay couple, George (Jason Veasey) and Greg (Stephen Spinella), who run the local eatery and inn and have a pet pig named Brisket (sensitive of them not to name it Back Ribs); and Glendon Ross (Patch Darragh), a well-to-do blowhard who bullied Martin in his youth. Apart from the leads Charles and Spencer, few have much to do other than strike a quirky pose, though Segarra, recently familiar as school district representative Manny Rivera on “Abbott Elementary,” makes a meal of Mark’s every line, and Cree, who gets a lot of scenes and a personal plotline, makes a charming impression. Spencer is good company; Potts, whom I am always happy to see, is more an instrument of exposition than a full-blown character, and it feels a little unfair.
The first episode is modeled closely on the “Doc Martin” pilot, from Martin and Louisa’s antagonistic meet cute — in which he offends her, leaning in unannounced to examine her eye — to the episode’s main medical mystery (gynecomastia), a punch in the nose for our hero. Other details and plotlines will arrive, but there has been an attempt to give “Best Medicine” its own identity and original stories.
On the whole, it’s cuter, milder, more cuddly (multiple vomit jokes notwithstanding), more obvious and more whimsical, but less real, less intense and less sharply written than “Doc Martin.” The edges and angles have been sanded down and polished; tonally, it resembles “Northern Exposure” more than the show it’s adapting. Port Wenn (represented by the coincidentally named Cornwall, N.Y., with a wide part of the Hudson River subbing for the Atlantic Ocean) itself comes across as comparatively upscale; the doctor’s office and quarters are here plushly appointed, rather than spare, functional and a little shopworn.
As Martin, Charles stiffens himself and keeps his facial expressions generally between neutral and annoyed, though he’s softer than Clunes, less a prisoner of his own body, less abrasive, less otherworldly. Where Dr. Ellingham remained to a large degree inexplicable — the series expressly refused to diagnose him — Tuccillo has given Dr. Best a quickly revealed childhood trauma to account for his blood phobia and make him more conventionally sympathetic.
I freely admit that in judging “Best Medicine,” my familiarity with “Doc Martin” puts me at a disadvantage — or an advantage, I suppose, depending on how you look at it. But taken on its own merits it strikes me as a rather obvious, perfectly ordinary example of a sort of show we’ve often seen before, a feel-good celebration of small-town values and traditions and togetherness that will presumably improve the personality of its oddball new resident, as the townspeople come to accept or tolerate him anyway in turn. In the first four episodes, we get a celebration of baked beans, a town-consuming baseball championship and a once-a-year day when the women of Port Wenn doll themselves up and go out into the woods to meet a jacked, shirtless, off-the-grid he-man, right off the cover of a romance novel, who steps out of the forest, ostensibly to provide wilderness training. It’s like that.
All in all, “Best Medicine” lives very much in a television reality, rather than creating a reality that just happens to be on television. To be sure, some will prefer the former to the latter.
Real Madrid’s Kylian Mbappe is out of Sunday’s Real Betis clash in La Liga, but could be fast tracked for return in Atletico Super Cup derby.
Published On 3 Jan 20263 Jan 2026
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Real Madrid forward Kylian Mbappe will miss Sunday’s La Liga home game against Real Betis due to a knee injury but is pushing to be available for next week’s Spanish Super Cup semifinal against Atletico Madrid, manager Xabi Alonso has said.
The 27-year-old France captain, who equalled Cristiano Ronaldo’s club record of 59 goals in a calendar year for Real in their 2-0 La Liga win over Sevilla on December 20, has a sprain in his left knee.
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The initial assumption was that such an injury would mean a spell of at least three weeks on the sidelines.
“We’ll definitely miss Kylian,” Alonso told reporters on Saturday. “We have to have a lot of faith in those who are going to play tomorrow.
“Now we’ll see. We have to wait and see how things develop, and we’ll do everything we can to get him back as soon as possible.
“We’re going to be pushing the deadlines; it’s very much a matter of feelings. When is as soon as possible? That’s the question. I don’t know. The Super Cup? We hope.”
Alonso’s men were five points clear at the top before their form took a downturn in November. They drew three league games in a row before suffering a shock loss to Celta Vigo at home in December, allowing defending champions Barcelona to surge four points ahead in the title race.
Real’s dip in form has coincided with a goalless run for forward Vinicius Jr. The 25-year-old Brazilian winger, who scored 22 goals last season, has struck just five times across all competitions this term and has not found the net since October.
When asked how Vinicius is doing after being booed by a section of fans in their last match against Sevilla at the Bernabeu, Alonso said: “Vini looks fine to me, cheerful and smiling. The break has been good for all of us to recharge our batteries.
“Tomorrow, we are the ones who have to give in order to receive, to spread that enthusiasm and rhythm that we need. If that flows in both directions, we will enjoy ourselves.”
It was abundantly clear to actor-director Bradley Cooper that if “Is This Thing On?,” his comedy-drama set in New York’s stand-up scene, lacked authenticity, the film would fail. With the iconic Comedy Cellar at its heart, he found the key to unlocking that — by casting several of the real-life comedians who regularly take the stage there. Among them were two women at the top of their game right now with sold-out shows and substantial social media followings: Chloe Radcliffe and Jordan Jensen.
“Bradley fell in love with the Comedy Cellar and the relationships that go on there,” Jensen recalls.
“Is This Thing On?” is based on an anecdote from the life of British comedian John Bishop, whose career started when he stumbled into an open-mic night in Manchester, England, while temporarily separated from his wife. In the film, Will Arnett plays a fictionalized version of Bishop, Alex Novak, a finance guy, and the narrative shifts to New York.
“The idea was, ‘If we use people who aren’t comics to play comics, there’s not going to be a juxtaposition between Arnett and this super-tight group of people,’” Jensen says. “His character is this stuffy, bored guy, and he enters into this world of people who have day jobs just like him, but they step into this room, and it’s all dirty humor and busting each other’s balls.”
Radcliffe realized early on that Cooper, who also produced and co-wrote the film, understood the level of commitment required to portray the stand-up world realistically. She saw the first signs of him getting it when he screened 10 minutes of test footage for the comedians at his home, just a few blocks from the Greenwich Village club.
Comedian Chloe Radcliffe on stage as her character, Nina, in “Is This Thing On?”
(Jason McDonald / Searchlight Pictures)
“The second the test footage started, I immediately felt so confident that we are in the right hands,” she recalls. “Any lingering doubt or trepidation was totally washed away immediately, because Bradley just has such clarity of vision and taste. It was clear that he and Will had both embedded themselves deeply in the world of stand-up. Bradley wanted to capture what is real, and he was like, ‘If that means going off script, do it. If that means going to a weird place, do it.’”
Jensen adds, “I don’t think I said one actual line from the script. I would improvise something, and along the way, as I got the point across, it was OK. He might occasionally tell us to say a line, but it was in between 100% moments of improvisation, and he would be rolling camera.
“When I saw the movie, it was really moving. The way he showed it reintroduced me to it and made me be like, ‘Oh yeah, this place is f— magical.’”
Cooper wanted to capture what goes on offstage as well as on, and a significant part of that happened around a particular table at the Olive Tree Cafe, which sits above the underground comedy club. It’s where the acts gather before, after and in between their sets.
“We shot a scene around the comics’ table on the very first day,” Radcliffe says. “About a week or 10 days later, Bradley wanted to reshoot it because he looked at the footage and realized that it looked like a movie. He wanted to make something that looked like the real environment. I admire that so much. Not only is he willing to ask us for our input, but he’s also willing to go back and make new decisions based on new information.”
According to Jensen, in another scene in the cafe, the filmmaker asked whether the comedian’s coats, which PAs had removed from the shot, would be there, and when he was told they would, ordered them to be put back. The level of detail even extended to whether the comics would share fries from a single plate or have their own. It all mattered.
Comedian Jordan Jensen was used to riffing through her scenes on camera while playing her character, Jill, in “Is This Thing On?”
(Jason McDonald / Searchlight Pictures)
Radcliffe describes Cooper’s reverence for the Comedy Cellar and the comics as an appreciated display of “humility and willing” that extended to both the filmmaker and Arnett, asking for their input on techniques that would improve Novak’s set.
“We wound up chatting about things like where the funny idea is in a punch line, so you might rearrange the sentence so that the most surprising part of it comes at the end. That’s an unnatural way of delivering that sentence,” she reveals. “I would see Will running the set at the Cellar before the shoot, and he is so naturally funny that even if he went off script and started riffing, he instinctively hits punch lines. He has this natural sense of rhythm.”
However, neither the actor nor the director, who also plays Novak’s best friend, Balls, rested on their laurels. To gauge real audiences’ reactions to the material, they ran it multiple times in rooms for months before filming started. It’s something Jensen calls “the ballsiest thing I’ve ever seen a person do.”
“I would be on a show months before the movie was happening,” she says. “They’d be like, ‘Here’s Alex Novak,’ and I was like, ‘Who is that?’ I would see that it was Will Arnett and then I’d be like, ‘F—, he’s bombing. Oh, this is the movie.’”
However, the bombing was intentional, and things would change as the set progressed. She continues, “What I realized is they had written it so that the first chunk in the movie, he doesn’t do so great, the second chunk he does a little better, and the last chunk he does the best, which is how comedy works. I can’t imagine in a million years doing that and not breaking at some point, and being like, ‘Hey, by the way, I’m actually doing this for a movie.’”
While Arnett was on stage, Cooper would stand in the back of the room, taking notes, making changes and doing research. However, Jensen says watching Arnett tank, even on purpose, was “brutal.”
Will Arnett with director Bradley Cooper on the set of “Is This Thing On?”
(Jason McDonald / Searchlight Pictures)
“These were not open mic nights; they were real shows. It was Will Arnett’s reputation, and he was bombing on purpose, but it totally worked out in the long run. He was operating like a real comic up there.”
There were also little things that Arnett did, sometimes by accident, that made his delivery next-level. One example is when he breathes into the microphone.
“It was totally an improvised thing,” Jensen enthuses. “It was this moment of awkwardness that is so authentic that it makes you immediately empathize with him. You’re like, ‘Oh, man, I know that feeling of the air leaving your mouth, hitting the mic, and now everybody has heard that you’ve let out a sigh of grief.’”
Radcliffe, who plays Nina, and Jensen, who plays Jill, are close friends in real life and read for each other’s roles. Aside from being able to take Cooper and Arnett behind the curtain of the comedy scene, their relationship added an extra level of authenticity to the film and to each other’s performances.
“We’ve been really close since pre-pandemic, and she and I have a lot of similar energies,” Radcliffe muses. “We can both be trashy little gremlins. She has a level of aggression that I don’t quite step into, and I think I have a level of exasperation that she doesn’t quite step into. We play off each other really well. She’s so subversive and transgressive, and she’s got such a magnetism in where she is willing to go on stage that I think is unmatched in a lot of other comics working right now.”
Jensen, who is a big fan of Cooper’s work, recalls being starstruck when he first opened the door to his home when the cast came over to read the script for the film. “He opened the door and said, ‘Hi, I’m Bradley.’ I just looked at Chloe over his shoulder, beelined right to her, and snuggled up next to her on the couch, because I was so intimidated,” she said. “It would have still been great if she weren’t there, but having her there was the best. It’s one of those things where when I’m really old, I’ll tell people, and they won’t believe me.”
Real Madrid and Brazil forward Endrick has agreed to join French side Lyon on loan until the end of the season.
The highly-rated 19-year-old signed for the Spanish giants in the summer of 2024 from Palmeiras after winning back-to-back Brazilian league titles.
However, after making 37 appearances in the 2024-25 campaign he has seen his opportunities limited at the Bernabeu this term under Xabi Alonso, featuring on just three occasions.
The teenager has scored three goals in 14 matches for Brazil but his last international cap came in March during a 4-1 World Cup qualifying defeat against Argentina in Buenos Aires.
Endrick will be hoping that his switch to Ligue 1 allows him to impress and force his way back into the Brazil squad in time for next summer’s World Cup in the United States, Canada and Mexico.
Real Madrid star forward scores his 59th goal in a calendar year to equal Cristiano Ronaldo’s record tally at the club.
Published On 21 Dec 202521 Dec 2025
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Kylian Mbappe has equalled Cristiano Ronaldo’s club record of 59 goals in a calendar year for Real Madrid with a late penalty in his side’s 2-0 home win over Sevilla in La Liga, with the French forward celebrating his 27th birthday in style.
Mbappe missed several earlier chances before getting his opportunity from the spot four minutes from time on Saturday, and he made no mistake to net his 59th goal in as many games across all competitions in 2025 to level Ronaldo’s 2013 haul.
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“Today, and because of the record, it’s incredible, in my first year to be able to do what Cristiano did,” Mbappe told RMTV.
“My idol, the best player in the history of Real Madrid and a reference in world football. It’s an honour for me.”
Jude Bellingham put Real in front in the opening half, and Sevilla went down to 10 men with 22 minutes remaining after Marcao received a second booking, but the hosts had goalkeeper Thibaut Courtois to thank for keeping them ahead.
Real are second in the La Liga standings on 42 points, one behind Barcelona, who are away to third-placed Villarreal on Sunday, while Sevilla are ninth on 20 points.
Xabi Alonso’s side were looking to end the year on a high note after losing top spot in November with three consecutive draws, and they saw out 2025 with three successive wins in all competitions, but it was far from a straightforward success.
Sevilla created plenty of problems early on, with Isaac Romero chipping a shot narrowly wide when sent through on goal, bringing whistles from the home crowd with Real under pressure.
Mbappe sent a snap shot wide, as the hosts struggled to find a clear-cut chance, and Sevilla’s Lucien Agoume put another strike wide for the visitors before Real went in front seven minutes before the break.
Rodrygo put a free kick into the box, and Bellingham rose to power a header into the far corner to settle Real’s nerves at the break.
Mbappe scores Real’s second goal in the 86th minute, equalling Ronaldo’s record of 59 goals in a calendar year [Oscar Del Pozo/AFP]
Mbappe made to wait
Mbappe sent an effort straight at the keeper and dragged another shot wide, while at the other end, Courtois twice denied Alexis Sanchez and Romero with Real all too easy to open up at the back.
From a corner, Mbappe hit the crossbar with a header, and after Marcao’s sending off, Rodrygo struck a beautiful shot on the turn, but Sevilla keeper Odysseas Vlachodimos touched it onto the bar.
Real were hanging on for the win with Mbappe still labouring to find the net when Juanlu Sanchez fouled Rodrygo in the box and the birthday boy stepped up to score before pulling out Ronaldo’s celebration.
“I wanted to give him a little nod because he has always been affectionate with me,” Mbappe added.
“Normally, I have my own celebration, but I wanted to share that with him, and like I said, he’s been my idol since I was a kid. I have a very good relationship with him; he’s a friend now.”
Mbappe thought he had been gifted the perfect chance to score again when the referee pointed to the spot two minutes later, but the official changed his mind after a VAR check, and the Frenchman had to settle for a share of the record.
ZOE Ball has bid her final farewells to her BBC Radio 2 show today.
The radio presenter, 55, announced she would be leaving her beloved Saturday show earlier this month, with today being her final time on air.
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Zoe Ball is leaving her BBC Radio 2 Saturday showCredit: BBCRadio presenter Zoe outside BBC Broadcasting House ahead of her final showCredit: PAZoe was greeted by fans outside the studio before going on airCredit: PA
She was greeted by fans outside Broadcasting house before taking to the airwaves.
It comes just a year after Zoe stepped down from her breakfast programme on the same station, after hosting it for six year.
Though Zoe won’t be completely absent from the airwaves – continuing to host specials on the station less frequently.
Presenter Romesh Ranganathan today handed over to Zoe before her show kicked off at 1pm.
Romesh compared Zoe leaving to a “death in the family” and shared heartfelt messages from fans, before adding: “It’s your last show! I’m gonna miss seeing you every Saturday.
“How are you feeling?”
Zoe replied: “It’s my last Saturday show … I’m feeling like everybody else is feeling at this time of year …
He said: “Is it true you’re leaving your Saturday show because of …”
He then quipped: “Sally on traffic, it’s that, let’s put that down now.”
Zoe played along and said: “Sally and I have been in love with each other for a long time and we’ve decided we can’t possibly work in the same building anymore because the magnetism is too much.”
Zoe’s announcement comes after she was included in the BBC’s “Golden Ten” shortlist of presenters tested for the perfect on-screen partnership to replace Claudia Winkleman and Tess Daly.
The news has sparked excitement that Ball could be in the running to replace Tess and Claudia as Strictly Come Dancing host.
The 55-year-old is a frontrunner to host Strictly after previously presenting It Takes TwoCredit: GettyClaudia and Tess revealed in October the bombshell news they were leavingCredit: PAZoe happily stopped for snaps with fans outside Broadcasting HouseCredit: PAZoe has quit her Saturday afternoons slotCredit: Instagram/@bbcradio2
PLODDING down the steep cobbled ramp, I was already starting to believe that I was stepping into a fairytale.
The boat, bobbing on the water, was the start of my journey to another world.
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The Scottish island of Eilean Shona was the inspiration behind Peter Pan’s NeverlandCredit: @goodcompany.group/@konrad.j.borkowskEilean Shona is a rugged tidal island in Scotland’s Inner Hebrides which is only accessible by boatCredit: @goodcompany.group/@konrad.j.borkowsk
And, as I drew closer to my destination — a small, mist-shrouded island that was the inspiration for Neverland in JM Barrie’s Peter Pan stories — the storybook setting felt even more real.
Eilean Shona is a rugged tidal island in Scotland’s Inner Hebrides.
“Hidden gem” is an apt description of the place, with visitors having to drive down a long and winding road on the mainland before they even reach the boat taxi that will ferry them to the island.
Boats aren’t on a regular schedule either — the island, and its manor house, Eilean Shona House, is privately owned by Sir Richard Branson’s sister Vanessa, who transformed the destination into a luxury eco-friendly retreat in the 1990s.
I really did feel like Wendy when I spotted Neverland for the first time, hidden beneath the clouds.
Just like JM Barrie’s mythical land, the island is covered in thick green woodland.
But this is far from your typical island retreat. Don’t expect speedy wifi, shops and roads, because Eilean Shona is completely car-free, has no shops and only nine people live here.
Instead, you can expect whimsical walks, white sand beaches and a cosy Scottish atmosphere.
The best way to get your bearings is with a refreshing walk to the summit of the island, 265 metres above sea level, which boasts spectacular views over Loch Moidart and the small isles of Rum and Eigg, as well as the Isle of Skye.
You can reward your hiking efforts with a slurp of vodka, because while whisky is the spirit more typically associated with Scotland, this island is where the premium spirits brand Sapling began.
Sat on a bench near the water’s edge in 2018, the brand’s founders, Ed Faulkner and Ivo Devereux, came up with the idea for a climate-positive spirit.
Sapling vodka and gin was formed — spirits that didn’t mess with the environment. In fact the firm gives back to it, by planting a tree each time a bottle is sold.
It was the perfect tipple to accompany me as I sat back and took in the calm of the starlit sky overhead, after retreating back to the manor house where I was staying.
Roaring fireplaces
There are a number of smaller cabins and cottages for those who are travelling solo or in a smaller group, but the manor house offers a more grand experience.
It’s a bit like a miniature version of The Traitors castle, with roaring fireplaces, ornate bathtubs, high ceilings and a grand staircase.
The 19th-century property was originally owned by Captain Swinburne, a Royal Navy seafarer, and it started out as a hunting lodge.
Swinburne went on to develop a great love for the pine trees that he saw on his travels and ended up transforming the landscape of Eilean Shona into one of the most diverse pine collections in Europe.
However these spectacular trees are only part of what makes the island’s surrounding so breathtaking.
My mornings consisted of refreshing plunges off the manor’s pontoon into chilly water, followed by dashes into the sauna afterwards.
You can follow it up with a hike or kayaking, or head to the other end of the island to see a gorgeous beach, which is like nowhere else in the UK, where soft, sugar-like sand meets serenely calm waters.
Eilean Shona House is the island’s main accommodation, sleeping up to 18 people, with a dining room that can host up to 20.
There is a library as well, with a full-sized billiards table, dartboard and a large collection of board games, while in the drawing room sits a grand piano, a cosy seated alcove and views of the loch.
The house can be booked either self-catering or fully catered, with a minimum stay of three nights.
Other options include the Shepherd’s Cottage, which sleeps two people, and the Old Schoolhouse, which sleeps four.
On Eilean Shona I could exchange the real world for Captain Hook’s imaginary version — and for a short time, I didn’t need to worry about growing up.
GO: Eilean Shona
GETTING THERE: The closest airport is Inverness, which is around three hours from the island.
Flights cost from £23.99 each way from London Gatwick. See easyjet.com.
Or the Caledonian Sleeper from London Euston Station costs from £59 each way, then it is just over an hour’s drive to Eilean Shona.
Kylian Mbappe scored two goals to help Real Madrid overcome a stubborn challenge from third-division side Talavera.
Published On 18 Dec 202518 Dec 2025
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Kylian Mbappe scored twice and Real Madrid beat third-division club Talavera 3-2 in the round of 32 of the Copa del Rey on Wednesday.
Mbappe converted a 41st-minute penalty and sealed the victory late in the second half with a shot from outside the area for his 10th goal in his last six matches in all competitions with Madrid. The French forward was also involved in the play that led to an own-goal by Manuel Farrando in first-half stoppage time.
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“He was decisive,” Madrid coach Xabi Alonso said. “Kylian has that knack for scoring. The third goal was key, which is why we kept him on the pitch and why he started.”
Talavera cut Madrid’s lead with goals by Nahuel Arroyo in the 80th and Gonzalo Di Renzo in second-half stoppage time, but Madrid held on to avoid the upset that would have put Alonso under increased pressure following a series of disappointing results recently.
A tough save by Madrid goalkeeper Andriy Lunin in the final minute was key to securing Madrid’s win.
Madrid struggled late but had been in control from the start despite playing without a few regular starters.
“In the first half, we controlled the game well and took the lead, but not making it 3-0 left the game open, and it remained that way until the end,” Alonso said. “The second half was competitive. We looked for the third goal earlier and had chances, but it wasn’t to be. It was an exciting tie. It’s a special competition. Objective achieved, and on to the next game.”
Madrid closes 2025 at Sevilla in the Spanish league on Saturday.
Mbappe puts Real Madrid 3-1 up against Talavera in the 88th minute [Susana Vera/Reuters]
This lesser-known village features in All Creatures Great and Small, which is set in the 1930s Yorkshire Dales, and offers a ‘true taste of rural England’ with cobbled market squares and beautiful walks
08:00, 18 Dec 2025Updated 08:12, 18 Dec 2025
It’s a former lead-mining village with a rich history(Image: Peter Harbour – North Yorkshire Live)
All Creatures Great and Small captivated viewers when it debuted on our screens in 2020, with its delightful period Northern England backdrop – and it transpires the historic town is nearer than you might imagine.
Envision cobblestone market squares, quaint cottage-style shops, and panoramic vistas of the Yorkshire Dales. This perfectly describes Grassington, both in reality and on television. The village provides a charming shopping experience featuring handicrafts, art exhibitions and regional products all curated by independent artisans, plus welcoming establishments for refreshments. Among these establishments is The Hutch Handmade Gift Shop, adored by residents and highly rated amongst Grassington’s attractions.
A visitor described the shop as a “gorgeous spot”, noting on TripAdvisor: “A treasure trove of handmade gifts. Lots of colourful, unique, one-off gifts made by small independent artists, designers and crafters…mostly from Yorkshire.” Another popular attraction that attracts numerous visitors is Grassington Folk Museum. It showcases a fascinating collection of historical artefacts unearthed locally, transporting visitors through time via medical equipment, vintage garments, household objects, geological samples and agricultural keepsakes.
Many regard it as a “lovely museum”, with one recent visitor saying: “We stopped by on a whim and were so glad we did! Lovely collection of items, and the delightful volunteer in the museum was so friendly and knowledgeable! I wish I had gotten her name. Well worth a visit.”
The settlement provides a “true taste of rural England”, which is precisely why it served as the perfect backdrop for a popular television programme. The plot centres around three veterinarians operating in the Yorkshire Dales during the 1930s and draws inspiration from novels penned by writer Alf Wight.
The village serves as an excellent base for outdoor enthusiasts eager to discover the surrounding countryside. Numerous walking and cycling trails await exploration, including a brief circular route connecting Grassington with neighbouring Dales settlement Hebden. Another pathway offers a seven-mile return journey from Kettewell to Grassington.
Home to approximately 1,000 residents, this peaceful location provides genuine serenity. Nowhere captures this tranquil atmosphere better than the town’s Linton Falls, where the River Wharfe tumbles dramatically over spectacular limestone formations. The area’s natural splendour attracts countless visitors. One recent reviewer said: “This place is magnificent! Standing on the bridge as the water thunders beneath is breathtaking. We were even able to have a little paddle upstream.” For those yearning for more natural beauty, Widdop Reservoir is equally stunning and provides a tranquil atmosphere throughout the year. The secluded moorland presents a delightful walk that spans approximately three miles around the reservoir.
Jake and his team are hoping for a lot of things. Hoping AJ is underestimating him, hoping AJ is shot, hoping AJ’s inactivity will cost him, hoping AJ is low in confidence, hoping AJ’s chin isn’t what it once was.
But, unfortunately for them, AJ is super switched on. He’s had a camp and he’s training like he’s fighting Oleksandr Usyk or in a Daniel Dubois rematch.
I expect my fighter to win inside two rounds with a devastating knockout.
He could hit Jake to the body and he would break his ribs and he wouldn’t be able to get up.
If he hits him clean, he will knock him spark out. Or the referee could jump in.
We don’t know how it could play out but with the way AJ punches – with the speed and destruction – as soon as Jake is hit on the chin, the fight is over.
Then we go back to AJ’s two goals he wants to achieve in the time he has left in this sport – to fight Fury and to become a three-time world heavyweight champion.
Eddie Hearn was speaking to BBC Sport’s Kal Sajad.
Actress Lily Collins, 36, plays the central character, Emily Cooper, in comedy drama series Emily In Paris, the fifth season of which drops on Netflix on Thursday
02:30, 17 Dec 2025Updated 02:31, 17 Dec 2025
Lily Collins is pictured at the premiere for Emily in Paris(Image: WireImage)
Lily Collins admitted she might “not have been on her game” during the filming for the fifth series of Emily in Paris.
The actress gave birth to her daughter Tove earlier this year ahead of the recording for the comedy drama programme. Lily, 36, had to alter her schedule ahead of preperation for Emily in Paris, in which she players central character Emily Cooper.
And, as a result, the star believes her performance may have suffered — although previews have been positive ahead of the new series. In a candid interview, the mum said: “I took my hands off perfectionism. You cannot focus on perfectionism when your focus is on all these other hats you’re wearing.
“I said to everyone this year, ‘I’m really good with memorisation, I’m really good with knowing my lines, but this year give me some grace. I’ve not slept, I’m very tired and I may not be on my game.’
“And you know what? Who was in the blooper reel more this year? Me. Who had more fun this year? Me, because I let go of perfectionism and I was so grateful.”
The fifth series drops on Netflix on Thursday, around 15 months after the fourth season aired on the platform. The programme, which also stars Philippine Leroy-Beaulieu and Ashley Park, has been widely praised.
Lily, daughter of singer Phil Collins, has balanced work and motherhood since welcoming Tove in January via surrogacy. She returned to work with little Tove when filming for Paris in Emily commenced in June.
Speaking to The Sun, Lily said: “When we started shooting this season my daughter was about three and a half months. How does she change my approach to filming? I mean, schedule!
“You have a different purpose and it’s really tough. I have a greater purpose now and I miss her so much. She visited the set but I’m still figuring it out in real time. It’s a struggle and I’m just so grateful to be able to do both.”
Emily in Paris has attracted a huge global audience that has continued to grow since it launched in 2020. The central character moves from Chicago to Paris for a temporary social media strategy job and becomes a fashionista.
Lily, from Guildford, Surrey, was cast in April 2019 after impressing in the miniseries of Les Misérables. She also was in crime drama, Extremely Wicked, Shockingly Evil and Vile, another Netflix hit, which starred Zac Efron.
Alongside the usual drama, Emily in Paris fans can also look forward to a host of new actors signing on for Emily’s Roman adventure. These include Bryan Greenberg, best known for his part in HBO’s How to Make It in America and more recent role in Suits LA. He plays Jake, an American living in Paris.
On December 3, Israel announced that the Rafah border crossing with Egypt would reopen “in the coming days”, allowing Palestinians to leave Gaza for the first time in months. The statement was, of course, framed as a humanitarian gesture that would allow those in urgent need to travel for medical care, education or family reunification to leave.
However, Israel’s announcement was met almost immediately with Egypt’s denial, followed by a firm rejection from several Arab and Muslim states.
To the rest of the world, this response may seem cruel. It may seem like Arab states want to forcibly keep in Gaza Palestinians desperate to evacuate to safety. This fits right into the Israeli narrative that neighbouring Arab countries are responsible for Palestinian suffering because they would not “let them in”.
This is a falsehood that has unfortunately made its way into Western media, even though it is easily disproved.
Let us be clear: No, Arab states are not keeping us against our will in Gaza, and neither is Hamas.
They want to make sure that when and if some of us evacuate temporarily, we are able to come back. We want the same – a guarantee of return. Yet, Israel refuses to grant it; it made clear in its December 3 announcement that the Rafah crossing would be open only one way – for Palestinians to leave.
So this was clearly a move meant to jump-start forced displacement of the Palestinian population from their homeland.
For Palestinians, this is not a new reality but part of a long and deliberate pattern. Since its inception, the Israeli state has focused on the dispossession, erasure, and forced displacement of the Palestinians. In 1948, 750,000 Palestinians were expelled from their homes and were not allowed to return. My 88-year-old grandfather was among them. He still keeps the Tabu (land registry document) for the dunams of land he owns in his village of Barqa, 37km (23 miles) north of Gaza, where we are still not allowed to return.
In 1967, when Israel occupied Gaza, it forbade Palestinians who were studying or working abroad from returning to their homes. In the occupied West Bank, where colonisation has not stopped for the past 58 years, Palestinians are regularly expelled from their homes and lands.
In the past two years alone, Israel has seized approximately 55,000 dunams of Palestinian land, displacing more than 2,800 Palestinians. In Jerusalem, Palestinians whose families had lived in the holy city for centuries risk losing their residency there if they cannot prove it is their “centre of life”. In the past 25 years, more than 10,000 Palestinian residencies have been revoked.
Since October 2023, Israel has repeatedly attempted to engineer forced mass displacement in Gaza – dividing the Strip into isolated zones separated by military corridors and “safe” axes and launching successive operations to push residents of the north towards the south. Each wave of mass bombing carried the same underlying objective: to uproot the people of Gaza from their homes and push them towards the border with Egypt. The most recent push occurred just before the latest ceasefire took effect.
According to Diaa Rashwan, chairman of the Egyptian State Information Service, Cairo rejected Israel’s proposal because it was an attempt to shun its commitments outlined in the second phase of the ceasefire. That phase requires Israel to withdraw from Gaza, support the reconstruction process, allow the Strip to be administered by a Palestinian committee, and facilitate the deployment of a security force to stabilise the situation. By announcing Rafah’s reopening, Israel sought to bypass these obligations and redirect the political conversation towards depopulation rather than reconstruction and recovery.
That Israel wants to create the conditions to make our expulsion inevitable is clear from other policies as well. It continues to bombard the Strip, killing hundreds of civilians and terrorising hundreds of thousands.
It continues to prevent adequate amounts of food and medicines from getting in. It is allowing no reconstruction materials or temporary housing. It is doing everything to maximise the suffering of the Palestinian people.
This reality is made even more brutal by the harsh winter. Cold winds tear through overcrowded camps filled with exhausted people who have endured every form of trauma imaginable. Yet despite hunger, exhaustion, and despair, we continue to cling to our land and reject any Israeli efforts to displace and erase us.
We also reject any form of external guardianship or control over our fate. We demand full Palestinian sovereignty over our land, our resources, and our crossings. Our position is clear: the Rafah crossing must be opened in both directions; not as a tool of displacement, but as a right to free movement.
Rafah must be accessible for those who wish to return, and for those who need to leave temporarily: students seeking to continue their education abroad, patients in urgent need of medical treatment unavailable in Gaza, and families who have been separated and long to be reunited. Thousands of critically ill Palestinians have been denied life-saving care due to the siege, while hundreds of students holding offers and scholarships from prestigious universities around the world have been unable to travel to pursue their education.
Rafah should also be open to those who simply need rest after years of trauma – to step outside Gaza briefly and return with dignity. Mobility is not a privilege; it is a basic human right.
What we demand is simple: the right to determine our future, without coercion, without bargaining over our existence, and without being pushed into forced displacement disguised as a humanitarian project.
The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.
French superstar Kylian Mbappe scores on his return from injury to help Real Madrid to a crucial 2-1 win at Alaves.
Kylian Mbappe’s and Rodrygo Goes’s goals earned Real Madrid a tense 2-1 win at Alaves in La Liga to potentially keep coach Xabi Alonso in his job.
Madrid, second, reeled league leaders Barcelona’s advantage back to four points and recorded only their third victory in the last nine games across all competitions.
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After a home defeat by Manchester City in the Champions League on Wednesday, Spanish media reported that anything but a victory would cost Alonso his position.
Following Mbappe’s superb opener on Sunday, Carlos Vicente pulled Alaves level in the second half, but Rodrygo secured the visitors a much-needed victory at Mendizorrotza Stadium.
Alonso was able to bring his key player, Mbappe, back into the side after he could only watch the defeat by City from the bench due to knee discomfort.
The coach also handed a debut to Victor Valdepenas at left-back, with both Alvaro Carreras and Fran Garcia suspended, and Ferland Mendy being one of several players out injured.
Mbappe appeared to be feeling his knee and hobbling in the first few minutes, but despite that, he was the game’s most influential player.
The forward had a shot deflected wide and then fired narrowly over as Alaves sat deep and tried to keep the 15-time European champions at bay.
By the time Mbappe opened the scoring in the 25th minute, his discomfort seemed to have cleared up.
Released by Jude Bellingham, Mbappe drove towards goal at full tilt and whipped a shot into the top right corner for his 17th league goal of the campaign.
England international Bellingham then blasted home from close range, but his strike was ruled out for a handball, as the ball had struck his arm.
Needing to fight back, Alaves moved onto the front foot and took control of the game before the break, almost pulling level.
Madrid goalkeeper Thibaut Courtois made a fine save with his head, even if he knew little about it, to deny Pablo Ibanez from close range.
Los Blancos were dangerous again soon after the interval, with Alaves goalkeeper Antonio Sivera saving well from Mbappe and then Vinicius Junior.
They came to rue those misses when Vicente pulled Alaves level after 68 minutes.
The forward got in behind Antonio Rudiger, controlled former Madrid midfielder Antonio Blanco’s chipped pass, and whipped a shot past Courtois.
Eduardo Coudet’s side almost took the lead when Vicente’s low cross from the right was nudged wide by Toni Martinez, who was shifted off-balance as he shot by Raul Asencio’s pressure.
Instead, Madrid pulled back in front, with Vinicius breaking in down the left and crossing for Rodrygo to finish from 6 yards out.
It was the Brazilian’s second goal in two games after going the previous 32 matches without finding the net, and Alonso celebrated vehemently, knowing his future could depend on it.
Vinicius had appeals for a penalty turned down, and Bellingham came close in stoppage time as Madrid tried in vain to put the game to bed and ease their nerves.
Third-place Villarreal’s visit to face Levante was postponed due to a weather warning in the Valencia region. Real Oviedo, 19th, sacked coach Luis Carrion after a 4-0 hammering at Sevilla.
On Saturday, champions Barcelona beat Osasuna 2-0 to win a seventh straight La Liga game and ensure they will lead the table into 2026, regardless of what happens in the final round of fixtures before the winter break.