radio

Radio Free Asia says halting news operations due to Trump admin cuts | Donald Trump News

Announcing the move, staff at the outlet said ‘authoritarian regimes are already celebrating’ its potential demise.

Radio Free Asia (RFA) will shut down its news operations on Friday, citing the government-funded news outlet’s dire financial situation caused by funding cuts under President Donald Trump’s administration and the ongoing US government shutdown.

Bay Fang, RFA’s president and CEO, said in a statement that “uncertainty about our budgetary future” means that the outlet has been “forced to suspend all remaining news content production”.

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“In an effort to conserve limited resources on hand and preserve the possibility of restarting operations should consistent funding become available, RFA is taking further steps to responsibly shrink its already reduced footprint,” she said on Wednesday.

Fang added that RFA would begin closing its overseas bureaus and would formally lay off and pay severance to furloughed staff. She said many staff members have been on unpaid leave since March, “when the US Agency for Global Media [USAGM] unlawfully terminated RFA’s Congressionally appropriated grant”.

On March 14, Trump signed an executive order effectively eliminating USAGM, an independent US government agency created in the mid-1990s to broadcast news and information to regions with poor press freedom records.

Alongside RFA, USAGM also hosts sister publications Radio Free Europe/Radio Liberty (RFE) and Voice of America (VOA).

Following March’s executive order, RFA was forced to put three-quarters of its US-based employees on unpaid leave and terminate most of its overseas contractors.

Another round of mass layoffs followed in May, along with the termination of several RFA language services, including Tibetan, Burmese and Uighur.

Mass layoffs also took place at VOA in March when Trump signed another executive order placing nearly all 1,400 staff at the outlet – which he described as a “total left-wing disaster” – on paid leave. It has operated on a limited basis since then.

Trump has said operations like RFA, RFE/Radio Liberty and VOA are a waste of government resources and accused them of being biased against his administration.

Since its founding in 1996, RFA has reported on Asia’s most repressive regimes, providing English- and local-language online and broadcast services to citizens of authoritarian governments across the region.

Its flagship projects include its Uighur service – the world’s only independent Uyghur-language outlet, covering the repressed ethnic group in western China – as well as its North Korea service, which reports on events inside the hermit state.

An announcement penned by RFA executive editor Rosa Hwang, published on the outlet’s website on Wednesday, said, “Make no mistake, authoritarian regimes are already celebrating RFA’s potential demise.”

“Independent journalism is at the core of RFA. For the first time since RFA’s inception almost 30 years ago, that voice is at risk,” Hwang said.

“We still believe in the urgency of that mission – and in the resilience of our extraordinary journalists. Once our funding returns, so will we,” she added.

RFE/Radio Liberty, which went through its own round of furloughs earlier this year, said this week that it received its last round of federal funding in September and its news services are continuing for now.

“We plan to continue reaching our audiences for the foreseeable future,” it said.

It’s not immediately clear why RFA and RFE/Radio Liberty – which share the same governing and funding structure, but are based in the US and Europe, respectively – are taking different approaches.

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Legendary UK band cancel Radio 1 event as member battles mystery illness

AN ICONIC British pop band has been forced to scrap an upcoming performance amid one member’s battle with a mystery illness.

The Year 3000 hitmakers were due to take to the stage in Bradford for the Radio 1 Anthems show in the Yorkshire city.

An iconic Brit band have pulled out of a Radio 1 eventCredit: BBC
Busted will no longer perform at the Radio 1 Anthems event in Bradford next monthCredit: Getty
It comes as founding member James Bourne battles a mystery illnessCredit: Getty

Yet even though the gig isn’t until next month, Busted have revealed they’ve pulled out already.

It comes amid founding member James Bourne‘s ongoing, but as yet not disclosed, medical battles which have left the guitarist “really f**king sick.”

On a message posted to Busted’s official Instagram page, the band wrote: “We are sorry to say that we will no longer be performing at Radio 1’s Anthems Live in Bradford on November 15.

“James’ health is our priority and having discussed as a band we agree it wouldn’t feel right to do this without him.

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“We love Radio 1 and thank them very much for their understanding.”

They added: “We look forward to being back performing as a full band when the time is right.”

SHOW GOES ON

Just days before the arena run of tours was due to begin, James announced that he had been forced to pull out due to a health issue.

None of the boys wanted to let fans down and so they decided to push ahead with a replacement on guitar.

At the time, bassist Matt told the Birmingham crowd: “You may have noticed our best friend is not here tonight.

“James Bourne is really f***ing sick and we love him and we miss him.

“This is the first show we’ve ever played without him and it’s really weird but we’re going to do the best we can.

“This happened really fast, y’know, health is wealth.”

He explained how they asked James whether or not they should continue and he told them: “You should totally do it”.

They then introduced a familiar face to the stage.

Matt said: “You might recognise this little guy from the Year 3000 video. This is James’s brother Chris Bourne.”

Chris then appeared from the wings and was greeted by cheers.

During another show, Matt choked back tears on-stage as fan concern grew.

JAMES’ SAD STATEMENT

In a message to fans, James admitted he “wasn’t in good enough health” to perform on tour, in a series of gigs where the band had scheduled to teamed up with McFly.

The current run of live shows will wrap at the Motorpoint Arena, Nottingham on November 8.

In his statement, James cited health problems and said he “hoped to come back further down the line”.

He wrote: “The VS tour kicks off tomorrow night in Birmingham and as excited as I’ve been all year for this tour to begin, I’m really sorry to say that over the last 8 days it has become clear that I am not in good enough health to play these shows,”

Although he didn’t disclose what the health issue is, James said: “There’s a lot of information I still don’t have about my condition but my bandmates, management and I are unanimous in deciding that I should focus on medical stuff for now.

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“I really hope I can be in a position to come back further down the line.

“It’s still going to be an amazing show and I will miss being there!”

Busted released a statement saying it ‘wouldn’t feel right’ to perform at the gig without JamesCredit: Rex
Busted are currently on the McBusted UK tour with McFlyCredit: handout
Matt Willis, right, previously told how his bandmate was ‘really f**king sick’Credit: Getty – Contributor

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Howard Stern’s top staffers ‘asking around for new jobs’ as they believe SiriusXM show ‘will be canceled in December’

HOWARD Stern’s top staffers are asking around for new jobs at SiriusXM, as they believe the show will be canceled in December.

The U.S. Sun can exclusively reveal the private conversations being had at the streaming radio provider, as Stern‘s $100 million contract – which has yet to be renewed – inches closer to an end. 

Howard Stern’s staffers have been asking around for jobs as the shock jock’s contract comes to an endCredit: Getty
Stern’s staffers are starting to look for new jobs (here in studio with Jennifer Lopez earlier this month)Credit: Getty

An eyewitness at SiriusXM’s offices this week claimed they overheard Stern show radio personality Fred Norris pitching himself for a new gig. 

“Fred was walking with another guy at Sirius and said to him, ‘Let me know, because I don’t know what’s going to happen come January, I might be looking for a job,’” the eyewitness claimed. 

Meanwhile, the source was also told that staff members are expecting the show to officially end at the end of the year.  

“After conversations with [Stern show producer] Gary Dell’Abate and others, it sounds like they aren’t expecting to re-sign with Sirius,” the insider said. 

The U.S. Sun reached out to the Howard Stern show for comment.

INSIDE STERN & SIRIUS’ NEGOTIATIONS

Stern has notably been broadcasting from his sprawling Hamptons home since the pandemic, with some occasional exceptions.

As The U.S. Sun was the first to exclusively report, the 71-year-old shock jock and his superiors at SiriusXM were not expected to find common ground when his $100 million-a-year contract concludes this year. 

In August, sources informed The U.S. Sun that Stern’s SiriusXM program seemed to be facing cancellation. 

The satellite broadcaster was unlikely to meet Stern’s financial demands when his current five-year contract expires.

An insider revealed, “Stern’s contract is up in the fall, and while Sirius is planning to make him an offer, they don’t intend for him to take it.

“Sirius and Stern are never going to agree on the money he is going to want. It’s no longer worth the investment.”

The source also noted at the time that SiriusXM was expected to pursue a separate agreement to maintain control of Stern’s extensive show archive.

“But as far as him coming back to doing the show, there’s no way they can keep paying his salary,” they clarified.

Referencing the difficulties within the media sector, the insider remarked, “After you saw what happened with Stephen Colbert, it’s like they just can’t afford to keep him going.”

STERN FINALLY RESPONDS

In September, Stern addressed The U.S. Sun’s report about 45 minutes into his show.

The shock jock had been on an extended summer break, after he blamed a cold for missing the prior week’s show, despite SiriusXM heavily promoting his return and that he would address the speculation that his show was done for. 

Far into his return to the air, Stern addressed The U.S. Sun’s report that his show was headed for cancellation this year.

“Here’s the truth. Sirius XM and my team have been talking about how we go forward in the future,” he stated. 

“They’ve approached me, they’ve sat down with me, like they normally do, and they’re fantastic.”

Stern recounted that SiriusXM executives asked him, “Howard, would you stay? Under what conditions do you want to stay? How often do you want to do a show?”

“And you know, we’ve been talking. We’ve been talking,” he added, confirming that a contract for him to continue had not yet been signed.

The radio icon then read directly from The U.S. Sun’s initial report, appearing to validate its accuracy.

He quoted, “Stern’s contract is up in the fall and while Sirius is planning to make him an offer, they don’t intend for him to take it,” before adding, “Which is weird. Well, fine, whatever. I might not have, but now I have to take it.”

Howard Stern’s Career

Howard Stern has had a prolific radio career, but he’s also had success in film, books and TV.

Stern’s love affair with radio began when he was a student at Boston University, where he worked at the school’s radio station before graduating in 1976.

After college, he had a series of on-air jobs in Hartford, Connecticut, Detroit, Michigan and then Washington D.C., where he met his eventual sidekick Robin Quivers.

It was in D.C. where Stern began honing his shock jock schtick.

They were fired and the pair landed at WNBC in New York City in 1982.

In a few short years at WNBC, Stern butted heads with management and was ultimately axed.

The duo joined WXRK-FM in New York in 1985 and they were there until 2004 when they joined SiriusXM.

Howard has been at SiriusXM since, with his contracts estimated to be between $80 million and a $100 million a year over the last two decades.

He also starred in and was the executive producer of his autobiography and blockbuster movie Private Parts, which debuted in 1997.

He’s also authored several books and was a judge on America’s Got Talent for three seasons.

-By Jessica Finn, Exclusives and Investigations 

SIRIUSXM EXECS WEIGH IN

A week before Stern’s belated return, SiriusXM’s Chief Content Officer, Scott Greenstein, commented at a conference. 

He said that while they would “love for Stern to stay,” nothing was confirmed at that point.

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“It certainly has to make sense, but we feel pretty good that we’ve done this before,” he said, concluding, “We’ll see where it goes.”

Meanwhile, SiriusXM CEO Jennifer Witz also verified they had not finalized a deal with Stern yet, but added she was “confident [they would] get to the right place” with the radio icon.

Fred Norris, a long standing talent on the Stern show, was overheard asking someone about job leads at SiriusXM this weekCredit: Getty
Gary Dell’Abate (with Stern and Bruce Springsteen) has been among staffers who have hinted internally to the likelihood the show will not be renewedCredit: Getty
Stern has largely broadcast from his Hamptons estate since the pandemicCredit: Google Earth

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Radio DJs’ show axed amid huge controversy involving Keith Urban

A popular Australian radio show has been axed following a much-discussed controversy involving Keith Urban, in which he hung up on the programme amid an interview

A popular Australian radio show has been axed following a much-discussed controversy involving Keith Urban. The Aussie musician, 57, made an appearance on Australian Radio Network (ARN)’s Hayley & Max In The Morning, which has been hosted by Max Burford and Hayley Pearson for just under a year.

The interview took place just weeks before it was revealed that he and Nicole Kidman had called time on their near-20 year marriage, and that the Hollywood actress had filed for divorce herself. It all seemed to be going well until he was asked about Nicole’s sex scenes with Zac Efron in their film A Family Affair

He was asked: “What does Keith Urban think when he sees his beautiful wife with beautiful younger men like Zac Efron, having these beautiful love scenes on TV?” Keith’s only response was to end the interview then and there. A member of the crew was heard saying he and his team didn’t like the line of questioning and pulled the chat.

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Less than six months after the viral moment took place, the radio broadcaster announced that the Mix102.3 show would air for the final time on December 12. A representative said: “In 2026, the station will launch a new live and local breakfast show as part of a refreshed whole station strategy focused on bolder content and bigger moments that really set the station apart.”

It comes just days after the news that Brisbane breakfast show Robin, Kip & Corey Oates had also been axed by the network. The rep also thanked the on-air team for their “hard work, creativity and commitment to the Brisbane audience” during their time in production.

According to an email seen by Mediaweek, the network ‘can’t reveal details just yet’ of what is to come for the broadcaster. Following the controversial moment with Keith, Max Burford, the radio show’s host, then remarked that he thought they were ‘vibing’ with the country music star and wondered if Keith now disliked them.

He added: “I thought we were vibing with Keith. Do we have beef with Keith Urban now?”

His co-host, Hayley Pearson, added that she thought their line of questioning would make Keith “hate” them: “He hates us. I knew that was going to happen.” Keith’s angry response to questions about his wife’s films came just after their 19th wedding anniversary.

The couple, who married in Sydney in 2006 after meeting at a Los Angeles event in 2005, have two daughters, aged 17 and 14. The divorce documents include a detailed parenting plan, with Kidman set to be the primary residential parent for 306 days of the year. Urban will have the remaining 59. The filing states both girls will remain in Nashville, where they’ve lived their whole lives.

“The mother and father will behave with each other and each child so as to provide a loving, stable, consistent and nurturing relationship with the child even though they are divorced,” the agreement reads.

“They will not speak badly of each other or the members of the family of the other parent. They will encourage each child to continue to love the other parent and be comfortable in both families.”

Reports claim that neither will seek child or spousal support, with the filing noting both earn over $100,000 per month. Assets, including royalties and copyrights, will be split equally, with each keeping what is in their name.

The parenting agreement was signed by Urban on August 29 and by Kidman on September 6 – suggesting the split had been planned well before it became public. Under Tennessee law, the divorce will take at least 90 days to be finalised.

This was Urban’s first marriage and Kidman’s second. She was previously married to Tom Cruise, with whom she has two older children. Just last year, at a Netflix premiere, Kidman told the Associated Press, “You’re heading for trouble if you consider yourselves the perfect couple. I’m not a believer in perfect.”

Earlier that year, Urban emotionally paid tribute to Kidman at the AFI Life Achievement Award ceremony, saying, “Four months into our marriage, I’m in rehab for three months. Nic pushed through every negative voice, I’m sure even some of her own, and she chose love. And here we are 18 years later.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.



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Radio 2 listeners convinced presenter dropped the c-word live on air

BBC Radio 2 listeners have been left convinced a radio host accidentally dropped the C-bomb live on air.

An unfortunate slip of the tongue appeared to hit the radio airwaves this morning – but did you hear it?

Gary Davies.
BBC Radio 2’s Gary Davies appeared to drop the C Bomb on airCredit: Not known, clear with picture desk
Radio 2 presenter Gary Davies in a black coat and white t-shirt.
He had a slip of the tongue live on airCredit: WARNING: Use of this image is subject to the terms of use of BBC Pictures’ Digital Picture

Gary Davies was live on air sitting in for Vernon Kay on his mid-morning show when the moment occurred.

The host appeared to trip over his words which left many to question if he accidentally dropped the C-word on air.

In the moment, Gary could be heard talking about the lyrics of one of the songs from band, The Divine Comedy.

The radio host said: “Check this one out, which has one of the best lines from a song ever.”

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As he attempted to introduce the band, Gary appeared to say: “The Divine c***, oh!”

He then giggled as he quickly attempted to correct himself before he tripped over his words once again.

He mis-pronounced “comedy” once more before finally getting it right amid a flurry of giggles in the awkward moment.

Laughing at Gary’s mistake, one radio fan commented: “Don’t worry, nobody noticed.”

As another added: “Ooh Gary Davies on your radio. Casually dropping the C word.”

Gary is a BBC Radio 2 regular.

The star often sits in for Vernon when the Bolton-born presenter is missing from the programme.

Vernon’s show airs weekday mornings from 9:30am until 12pm.

Gary is also often heard hosting his specialist music show, Sounds of the 80s.

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Myleene Klass looks stunning in very daring low cut top at star-studded event

MYLEENE Klass stunned in a daring low cut top as she stepped out for a star-studded event.

The TV personality, 47, cut a glamorous figure in the all-black ensemble as she attended Global’s Audio & Entertainment Upfronts party on Tuesday evening in London.

Myleene Klass turned heads as she arrived at Global’s Audio & Entertainment Upfronts party in a stunning all-black numberCredit: Shutterstock Editorial
She beamed for cameras in her very low cut top, which showed a hint of cleavage, as she joined her Global colleaguesCredit: Shutterstock Editorial

The Calm Classics radio host was joined by a flurry of her Global colleagues, including Sian Welby, Jordan North, Emily Maitlis and Chris Stark for the starry event.

Myleene showed a hint of cleavage in the braless number, which she simply paired with black heels and a gold-detailed watch.

Her honey blonde wavy locks were styled with a simple middle parting as she beamed a smile for cameras.

It comes as the star put her stalker hell behind her after a crazed fan sent her an “accumulation” of concerning items.

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Peter Windsor, 61, was convicted of stalking Myleene and her Classic FM colleague Katie Breathwick after bombarding them with creepy letters and gifts.

The 61-year-old allegedly sent Myleene items with “sexual overtones” – including a Catwoman outfit and set of handcuffs.

He also called her a “naughty vixen” and sent a police uniform to the Classic FM studio, Birmingham Crown Court heard.

Giving evidence, Myleene said she was informed in an email in August last year that an “accumulation” of items had been sent to her.

She became upset when she was asked about being told how Royal Mail had “intercepted” an air pistol addressed to her.

She said “it just felt extreme on every front” after she was shown a list of items and photographs of letters Windsor allegedly sent.

The ITV star added: “It was very clear very quickly that it was a highly volatile selection of items.

“It was a huge shock, especially the extent to which it had escalated.

“It was pretty overwhelming when you have the accumulation of a bundle of this information. It’s pretty terrifying.”

It also emerged that Windsor was arrested but not prosecuted after sending a letter in October 2020 to Ms Sturgeon when she was Scottish First Minister.

Following his conviction earlier this month, Myleene said: “After a horrific year, my family and I finally have peace.”

Posting to her 500,000 fans on social media, she added: “Thank you for your love and support.”

Sian Welby, Jordan North and Chris Stark were also in attendance at the Global partyCredit: Shutterstock Editorial
Former Newsnight presenter Emily Maitlis was also in attendance at the star-studded eventCredit: Shutterstock Editorial

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As public media funds officially dry up, local radio stations struggle | Media News

For Scott Smith, the cuts to the Corporation For Public Broadcasting are existential.

He is the general manager of Allegheny Mountain Radio, which he runs alongside programme manager Heather Nidly. The funds were slashed as part of United States President Donald Trump’s vast tax cut and spending bill that was signed into law in July. As a result, the station, which has been on air for more than four decades, lost 65 percent of its funding.

“We are here to serve our communities and to fulfill our mission of giving them news, giving them entertainment, giving them emergency alerts and giving them school closings. We do lost and found pet notices. We do funeral announcements. We have a listing of community events that is read multiple times a day. We do weather forecasts. We’re a critical part of the community,” Smith told Al Jazeera.

The rescissions bill that Trump signed allows the US Congress to claw back funding that had been approved and pulls back $9bn in funding, including $1bn from the Corporation for Public Broadcasting (CFB). At the end of September, those funds officially dried up.

The money had already been allocated by the previous Congress to fund public media for 2026 and 2027. Now stations are scrambling to find ways to fill the holes.

The Trump administration has gone after news organisations that have presented any critical coverage of him, including the Wall Street Journal, after its coverage of a suggestive letter purportedly written by Trump to the late sex offender Jeffrey Epstein for his birthday. In September, he tried to sue The New York Times for allegedly being a “virtual mouthpiece” for the Democratic Party.

His leverage over public media is significant because that is partially funded by federal tax dollars. The White House first signed an executive order to defund public media in May. That was quickly blocked because funding decisions are made by Congress, not the White House.

Next, Trump pressured Congressional Republicans to put forth the rescissions bill that fulfilled the mission of his previous executive order. To justify his call for cuts, in May, the White House released a list of segments from NPR and PBS programmes that it says had liberal bias, as it included many segments about the experience of the trans community.

The White House also cited a report alleging PBS favoured Democrats. That report was from the openly partisan Media Research Center, which has a stated goal to promote conservative values.

A key, but overlooked, problem with the cuts is that they overwhelmingly harm stations that do not even cover the White House or much national politics at all.

Allegheny Mountain Radio (AMR) is one of those stations. Comprising three affiliates for three counties straddling the West Virginia and Virginia border, on their airwaves, listeners will find gospel, folk and country music, as well as coverage of local football games and town hall meetings.

AMR carries NPR’s national newscast and, more importantly, serves as the on-the-ground voice when severe weather hits.

Unlike in other regions of the county, there is no other alternative to get real-time local news. The nearest local news station is several hours away, separated by winding country roads. When there’s severe weather, AMR is the only way locals get vital information like road closure announcements because of floodwaters.

“Just a few years ago, we had a deluge of rain coming down and flooding parts of the county. At that point, when something like that happens, the radio station really is the only way to get that information out quickly to our listeners and let them know where it’s happening,” AMR programme manager Nidly told Al Jazeera.

AMR is in a part of the country where cellphone signal and wireless access are sparse because of its proximity to what is called the National Radio Quiet Zone (NRQZ) near the Green Bank Observatory, which limits the use of radio frequency and other signal methods so that they do not interfere with their equipment. This requires special equipment to point radio signals away from the observatory.

With the region’s low population density, there’s a limited business case for a station. But there is a case for public service. The community depends on AMR for emergency alerts – even on a personal level. During major storms, Smith said, people have shown up at their stations when their phones stopped working, asking if AMR could broadcast a message to let their family and friends know they were safe.

Despite their strong community focus, these stations may not benefit from the same level of donor support seen by larger public stations across the country, due to limited local enterprise and resources.

It is trying. In order to stay afloat, the station is actively soliciting donations on its website.

While small community stations – like those serving Bath and Pocahontas Counties in West Virginia, and Highland County, Virginia, through AMR – don’t produce national newscasts or air segments that ruffle feathers in Washington, they are still the ones that are most at risk of being hit hardest.

“Small stations like ours are the ones who will suffer because of these cuts. We feel like we are the baby that got thrown out with the bathwater because there’s so much emphasis on the talking points around NPR and PBS. It’s like the rest of us, the small community stations, have absolutely been forgotten in this equation,” Smith told Al Jazeera.

The cuts, however, hit stations across the US in big markets too. WNYC in New York City lost 4 percent of its funding. WBUR in Boston, San Francisco’s KLAW, and KERA in Dallas, Texas, all saw 5 percent cuts.

Stations like these have large donor bases or “listeners like you”, as their hosts say during pledge drives. Big market stations might be able to make up the difference, says Alex Curley, a former product manager at NPR who recently launched a platform called Adopt A Station, which shows which public media stations are at most risk of losing funding.

“When you think about stations that rely on federal funding for 50 percent or more of their revenue, it’s not because they’re asking for a handout. It’s a literal public service for those stations,” Curley told Al Jazeera.

But in counties where the population is sparse and industry is limited, that donor base is not as plentiful. That’s the case with AMR.

“We are in a very rural area. We are an area where there are not a whole lot of businesses. So that amount of income simply cannot be made up through extra donations or extra underwriting,” Smith added.

In a July Substack post, Curley, who was involved in NPR station finances until he left the network in 2024 amid layoffs, said that 15 percent of stations are at risk of closure. His website has provided some reprieve.

“I only expected maybe a few dozen people to visit the site. My biggest hope was to get a couple of donations that went towards a station at risk. It’s [the website] been shared thousands of times. I’ve even heard from stations that were identified as being at risk of closing. They told me they’re getting an influx of donations from out of state through the site. It’s been an incredible response,” Curley said.

However, he argues, this is a temporary fix.

“The real danger will be in six months, a year, two years, when people have forgotten about public media. These stations basically are losing federal funding forever. Donations in the short term are really great, but in the long term, they’re going to have to figure out ways to keep donors engaged and to keep donations flowing to them, or they might close,” Curley added.

“Public radio is also a lifeline, connecting rural communities to the rest of the nation, and providing life-saving emergency broadcasting and weather alerts. Nearly 3-in-4 Americans say they rely on their public radio stations for alerts and news for their public safety,” NPR’s Katherine Maher said in a statement on July 18 following the Senate vote.

“In fact, while the Senate considered amendments, a 7.3 earthquake struck off the coast of Alaska, prompting three coastal stations to start broadcasting live tsunami warnings, urging their communities to head to high ground,” Maher said.

Maher declined Al Jazeera’s request for an interview

PBS faces similar pressures, and many of its stations are also at risk of closure, according to Adopt A Station’s data.

“These cuts will significantly impact all of our stations, but will be especially devastating to smaller stations and those serving large rural areas. Many of our stations, which provide access to free, unique local programming and emergency alerts, will now be forced to make hard decisions in the weeks and months ahead,” PBS president and CEO Paula Kerger said in a statement after the Senate vote.

Kerger did not respond to Al Jazeera’s request for additional comment.

The push to defund public media isn’t a new one for the GOP. Republicans have long argued that the media is not a core function of government. In 2012, GOP presidential nominee Mitt Romney said he would eliminate subsidies to PBS – during a debate moderated, ironically, by then PBS NewsHour anchor Jim Lehrer.

In the 1990s, then House Speaker Newt Gingrich promised to “zero out” funding for CPB, arguing it should be privatised. And in the 1980s, Ronald Reagan attempted to slash $80m from public media – roughly $283m today – though Congress blocked the move.

Following global cuts

Cuts to the Corporation for Public Broadcasting are the latest wave of the White House cutting back on government-funded media arms, including reductions to the US Agency for Global Media, led in part by senior adviser Kari Lake.

Lake is a former Phoenix, Arizona, news anchor known for denying the 2020 election results in which Trump lost to Democrat Joe Biden for the presidency. She is also known for promoting baseless conspiracy theories and for refusing to accept her own defeat for governor and senator bids in Arizona in 2022 and 2024, respectively.

She has been behind the agency effectively shuttering Voice of America (VOA), which has not published any new stories or uploaded new videos to its YouTube page since mid-March.

Last month, a federal judge in Washington blocked the firing of workers at VOA, which affected more than 500 staffers. The Trump administration called the decision “outrageous” and vowed to appeal.

Radio Free Europe/Radio Liberty, which broadcasts in 27 languages across 23 countries, faced challenges similar to VOA. However, the European Union has helped keep the network up and running with $6.2m in emergency funding.

Representatives for the US Agency for Global Media did not respond to our request for comment.

Looming threats to free expression

These cuts come alongside other threats to freedom of expression in the private sector. Soon after the funding cuts were signed into law, Paramount announced the cancellation of The Late Show. The host, comedian Stephen Colbert – a longtime critic of the president – had only days earlier called out Paramount, the show’s parent company, for settling a lawsuit with Trump.

The suit stemmed from Trump’s claim that an interview with his 2024 presidential rival Kamala Harris was doctored. Although the network had initially called the lawsuit meritless, it ultimately settled for $16m. Colbert called the settlement a “big fat bribe”, noting that Paramount had a then-pending merger with Skydance Media – owned by David Ellison, son of Oracle CEO Larry Ellison, a key Trump ally. The merger has since been approved. Paramount has said that the decision is purely financial in nature.

Months later, following stand-up comedian Jimmy Kimmel’s comments on Charlie Kirk’s death, Federal Communications Commission (FCC) Chairman Brendan Carr appeared on a right-wing podcast to criticise the remarks and urged Disney – the parent company of ABC, where Jimmy Kimmel Live airs – to cancel the show.

Nexstar Media Group – one of the largest TV station operators in the US, and which is waiting on an FCC approval of its merger with Tegna – announced it would no longer carry the programme. Disney subsequently suspended the show, though the decision was short-lived, as it returned to the airwaves within a week.

The White House did not respond to Al Jazeera’s request for comment.

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BBC presenter was sacked after ‘deeply inappropriate’ radio segments that went ‘well beyond innuendo’, tribunal hears

A BBC radio presenter who was sacked for his inappropriate radio segments says he thought he was acting within the guidelines.

Jack Murley, from Bodmin, was employed by BBC Radio Cornwall, in Truro, from 2019 until he was taken off air by the broadcaster in 2023.

A smiling man with dark hair and a beard, wearing a plaid shirt, with his arms crossed.

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Jack Murley was taken off air by the broadcaster in 2023
The BBC logo on the BBC Worldwide headquarters in London.

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The presenter’s dismissal came after a ‘heated conversation’ with his bossCredit: Getty

His dismissal came after a “heated conversation” with his boss over his social media use.

The presenter was taken off air despite believing he was “acting within the BBC’s social media guidelines”, a tribunal heard.

Since 2022 Mr Murley had offered his views on social media about the BBC’s Local Value For All project, questions were also raised about one of his radio features.

Mr Murley’s Loosest Goose segment, a satirical show that included innuendo, was described at the disciplinary hearing as being “deeply inappropriate” and “well beyond innuendo.”

One of the beebs senior news editors told the tribunal it had been a “clear and straightforward decision” to consider the case as “gross misconduct.”

At the hearing in Exeter Mr Murley explained he would have been willing to make changes or even “undertake training” to keep his job.

He said if concerns were raised with him he would have acted to address them.

The former presenter is now seeking a whopping £48,000 in compensation.

The corporation said they removed the presenter from the airwaves because of the “heated conversation” he had with his manager.

According to Mr Murley the row stemmed from his social media use, which the firm took issue with.

Gary Lineker apologises for antisemitic post and confirms he’s quitting BBC next week

A senior news editor at BBC Wales was the hearing manager for the disciplinary proceedings brought against Mr Murley.

The senior news editor said social media posts were viewed in the same light as a broadcast.

Speaking at the tribunal he would go on to say Mr Murley: “Should have had the knowledge and experience to be compliant with the guidelines.”

Mr Murley’s disciplinary hearing went to appeal and the hearing manager director of BBC Northern Ireland, Adam Smyth, upheld the decision.

Smyth said the corporation has to “be sure that our presenters are trustworthy.”

Mr Murley is said to have claimed he had several examples of managers endorsing his innuendo in his Loosest Goose radio feature.

He questioned how he was supposed to know that the show breached guidelines given that his seniors endorsed it.

The former presenter explained at the hearing: “I thought I was in the right.”

He added: “I think there was a way back, I wanted to stay at the BBC, I loved the BBC.”

The tribunal continues.

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The Beeb has suffered a number of gaffes recently, here we take a look at the biggest, and funniest, mishaps to date:

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BBC radio legend opens up on affair with sex worker behind his wife’s back saying ‘having children spoils a marriage’

BBC RADIO legend ‘Diddy’ David Dickinson has opened up about an affair he had with a sex worker behind his wife’s back, and said that “having children spoils a marriage”.

The well known broadcaster, 87, confessed all as he opened up about his astonishing personal life.

a man wearing a red sweater is talking into a wireless microphone

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DJ ‘Diddy’ David Hamilton has confessed all about having an affair behind his first wife’s backCredit: Louis Wood – The Sun
a man in a blue shirt is holding a pair of headphones

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David revealed he was seeing a sex worker in the 70sCredit: Getty
a man and woman are posing for a picture in front of a sign that says health & beauty

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David seen here with his second wife Dreena in 1989 – who is still married to, to this dayCredit: Rex

David, who joined Radio 1 in the early seventies alongside other veteran DJs such as Tony Blackburn and Noel Edmunds, is a huge name at the BBC.

Today the former Top Of The Pops legend has talked about the affair he had behind his first wife’s back.

David wed make-up artist Sheila Moore in 1962, when he was just 24.

The couple went on to have two children, Jane and David Jr, before splitting up in 1970.

However, David, who is known as ‘Diddy’ thanks to a nickname given to him by the late Ken Dodd, has revealed all about an affair he had when he was wed to Shelia.

Speaking to this week’s Best magazine, he confessed: “I was happily married. Until I fell in love with someone else.

“I went to meet her at Liverpool Street station. She was sitting on her suitcase wearing a fur coat, which she told me later she’d borrowed.

“I just looked at her and thought, wow. I think if anything spoils a marriage, it’s children. Suddenly, the man is taking a back seat.

“Then he meets someone young free and single and thinks, ‘Crikey, I could go back to that happy state I was in before.'”

Continuing his story, David said: “My wife found out because I talked about Roz a lot. I was head over heels. I left my wife and children, and we lived together for four years.”

Secrets of Top of the Pops 60 years on – from Spice Girls’ outrageous demands to raciest dances & bands’ dirty tricks to get played

Speaking about his relationship with an escort David said: “She asked if I would open her new shop, and how much I’d charge. I said ‘£500’.

“She told me she charged £100 for her services, so ‘If you give me five I’ll give you one.’

“That sounded fair, so I collected the first one that evening.

“I thought that would be it. But we’d become very fond of each other.

a man in a yellow shirt sits in front of a microphone

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David has enjoyed a long career in broadcastingCredit: Alamy

“She was still working at the club and I was getting in too deep.”

David is now married to second wife Dreena, an aerobics teacher, who he was set up with on a blind date.

They were wed in 1993, and have been together ever since.

Reflecting on the early years of their relationship, Dreena told the Mail: “There was quite a brouhaha when we got together.

“My friends did say, ‘You can’t marry him. He is a womaniser’, but we’ve been together for 40 years now, married for 30.

“And there are no regrets there.”

While David told Best magazine: “Dreena is the wind beneath my wings. One of the reasons it works is she doesn’t take any c**p from me!”

a man in a red adidas jacket is holding a microphone

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David seen here hosting Top Of The Pops in 1977Credit: BBC

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Contributor: He DJ’d radio for 79 years. The late Art Laboe’s fans are still tuning in

The first time Angel “Angel Baby” Rodriguez heard Art Laboe on the radio, he was 13, in his father’s garage in the City of Industry. Laboe was introducing “Nite Owl” (1955) by Tony Allen and the Champs. “His voice caught me first,” Rodriguez told me, “that very distinctive tone, and then I heard the listeners calling in. The rawness of connecting with a listener, of spinning the record, it was something.”

Rodriguez became a DJ himself, in the mold of Laboe, at first playing records for Radio Aztlan, the late-slot Friday program at KUCR in Riverside. “I didn’t sleep on a Friday night for over 20 years, from my 20s into my 40s,” he told me. Now he hosts “The Art Laboe Love Zone,” keeping alive his hero’s legacy — three hours of live radio, emanating five nights a week from a studio in Palm Springs, that bring “the music to someone,” in Angel Baby’s words.

I am one of those someones. I was a teenager when I first started listening to Laboe in the 1970s. I spent nights with him on the radio for the rest of his life, until he died Oct. 7, 2022. By then I’d already discovered Rodriguez, who took over the Laboe tribute broadcast in 2023, with his own old school “radio voice” and an oldies playlist suitable for dance parties, house parties, long-haul travel and anyone burning the candle at both ends.

Now, with algorithms curating Spotify and Sirius, with fewer live DJ voices anywhere, terrestrial American radio is said to be dying. But not Art Laboe’s voice.

The most beloved man I’ve ever met, hands down, was Laboe. He stood just over 5 feet but commanded theaters filled with thousands of people, standing onstage in shimmering sapphire or gold lamé suits, while four generations of fans screamed his name.

Born to an Armenian family in Utah, Laboe was always fascinated with radios and broadcasting. At the age of 9, he took a bus, alone, to Los Angeles to see his older sister, and eventually moved to California, attending Stanford, serving in the Navy and becoming a DJ on KRLA, the oldies station. His 1950s live music revues, at the El Monte Legion Stadium, were the first integrated dance concerts in California. He DJ’d on live radio continuously for 79 years, and emceed legendary music revues almost that long.

If Laboe didn’t invent the song dedication, he perfected it. Starting in 1943 on KSAN in San Francisco, Laboe read out dedications to loved ones sent to him by letter from wives missing husbands in World War II, and then later from call-ins sending songs to a lover lying next to them in bed, or sitting alone in the dark, separated by migrant labor, military service, a prison sentence or work.

DJ Angel Rodriguez, who carries on a tribute to Art Laboe, and a longtime fan, Proxie Aguirre, 82.

DJ Angel Rodriguez, who carries on a tribute to Art Laboe, and a longtime fan, Proxie Aguirre, 82.

(Oscar Aguila for The Times)

Laboe’s resonant voice echoed through the Riverside neighborhoods where I grew up, from passing cars and open windows, a staple of la cultura in particular — the Chicano culture of lowriders, Pendletons and khakis. Even now, my neighbor Lydia Orta, 75, talks about going to his concerts in El Monte when she was 9, with her grandmother, while her son Johnny, 45, plays archived Laboe broadcasts through speakers in their yard.

On Aug. 9, at the Farmhouse Collective in Riverside, more than 500 Laboe fans from all over the Southland gathered to celebrate the man, two days after what would have been his 100th birthday. Onstage, Rodriguez, hosted in his own signature style — no gold lamé, but a fedora, black sunglasses and a white guayabera shirt. His handle, Angel Baby, derives from the iconic song of the same name recorded in 1960 by Rosie and the Originals, when Rosie Hamlin was just 15 years old, still a student at Mission Bay High School in San Diego, writing poetry about her boyfriend. Rodriguez is the Prince of Oldies now — Laboe is still the King — keeping la cultura, with its intense devotion to music and community, alive.

At the concert, I met Mary Silva, 73, who drove in with her daughter. “I grew up in East L.A.,” she told me, “and there were 14 siblings before I came. … We listened to Art Laboe in Florence. I still listen every night, on 104.7.” Her favorite song? “‘Tell It Like It Is,’ ‘cause I always tell it like it is.” The classic is by Aaron Neville.

Just at the stage edge were Elizabeth Rivas, 72, from San Bernardino, and her grandchildren Rene Velaquez, 34, and Raymond Velasquez, 16. Rivas has listened to Laboe and now Rodriguez for decades, and her favorite song is “Tonight,” by Sly, Slick and Wicked. Granddaughter Rene said, “She taught us to listen.” Rene’s pick was another by Sly, Slick and Wicked: “Confessin’ a Feeling.”

Near them was Henry Sanchez, 54, from my old neighborhood in Riverside, who grew up listening to Laboe on 99.1. His favorite? Brenton Wood’s “Take a Chance.” And Sal Gomez, 49, also from Riverside, loves Wood’s “Baby You Got It,” which he remembered from KRLA.

Onstage, Rodriguez — introduced by Joanna Morones, Laboe’s longtime radio producer — took the microphone and said, “Gracias a Dios that I am honored to be sitting in Art’s chair five nights a week, taking phone calls and dedications from all the listeners. It gives me chills to sit there.”

When Sly, Slick and Wicked took the stage, resplendent in three-piece suits and fedoras, their dance moves crisp and perfect, the lead singer told the crowd, “Art Laboe used to say ‘Confessin’ a Feeling’ was his most requested song at night, and for 50 years you all have kept us singing.” The audience joined in: “Baby, my love is real.” Time passes, love changes, but the song remains the same.

And yet these big gatherings are not where I hear the devotion. It threads through the dark, tracing the melancholy of separation and the intimacy of the night, as the voices of Angel Baby and Art Laboe come through radio speakers.

The Monday after the celebration, I listened from 9 p.m. to midnight, as always. At least eight terrestrial radio stations carry “The Art Laboe Love Zone,” and thousands of fans stream it in Texas, Arizona, New Mexico, Colorado and overseas.

Rodriguez, who drives the 110-mile round trip from Riverside to Palm Springs each weeknight after working as the head street sign maker for Riverside County, had gone through snail mail and DMs on Instagram and Facebook, collecting the dedications he’d read. Morones had chosen the recordings of Laboe for the night. From out of the past, Laboe spoke to a woman who wanted him to blow a kiss through the radio to a man far away.

Rodriguez read a letter from Papa Lito, from Wilmington, now in Delano. And then a dedication from Proxie Aguirre, who’d made an appearance at the birthday celebration. Aguirre is 83 now, a Laboe fan since she was 15. She was pictured on the cover of a Laboe compilation album, eyes sparkling, forever young. She was driven from Venice to Riverside by her sister-in-law.

“This is from the all-new Proxie, for her husband of 35 years, Eddie,” Angel Baby’s dulcet voice intoned. “She says, ‘Eddie, I love you mucho.’”

Then: “Let’s drop the needle on the record, baby bubba.”

Susan Straight’s 10th novel, “Sacrament,” will be published in October. It features a lowrider funeral in San Bernardino and a nurse who sings like Mary Wells.

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Howard Stern returns to SiriusXM radio show after trolling listeners

Howard Stern, the popular and highly paid radio host, returned to SiriusXM’s airwaves Monday after trolling listeners into thinking he had departed his long-running show.

Stern, 71, who evolved from his shock jock origins to become a respected interviewer, enlisted a seemingly flustered Andy Cohen at the top of “The Howard Stern Show” to pretend to be his successor. “This was supposed to be a cleaner hand off. I’m kind of winging it,” said Cohen.

Stern then came on the air and thanked the Bravo personality, who has his own SiriusXM show and podcast, for agreeing to do the bit. The stunt was the culmination of weeks of promos that promised a big reveal, following swirling speculation that Stern’s show would be canceled. “The tabloids have spoken: Howard Stern fired, canceled,” one promo video said. “Is it really bye-bye Booey?” The speculation grew after Stern postponed his return from a summer break last week.

While he did return Monday, Stern did not announce that he had reached a new contract with SiriusXM. His current deal expires at the end of 2025.

“Here’s the truth: SiriusXM and my team have been talking about how we go forward in the future. They’ve approached me, they’ve sat down with me like they normally do, and they’re fantastic,” Stern said.

Stern joining what was then Sirius Satellite Radio Inc. in 2006 made him one of the highest-paid personalities in broadcasting and was a game-changer for both the company and the nascent satellite radio industry. His importance was highlighted on the SiriusXM homepage — tabs included For You, Music, Talk & Podcasts, Sports and Howard.

SiriusXM in the years after Stern joined has become home to top podcasts “Call Her Daddy,” “SmartLess,” “Freakonomics Radio,” “Last Podcast on the Left,” “99% Invisible” and “Conan O’Brien Needs a Friend” and features such personalities as Trevor Noah, Kevin Hart and Stephen A. Smith.

But SiriusXM’s subscriber base has been slowly contracting, with the company reporting 33 million paid subscribers in the second quarter of 2025, a net loss of 68,000 from the first quarter and 100,000 fewer than the same period in 2024. It is a battling a saturated satellite market and competition from free, ad-supported platforms like Spotify.

Stern extended his contract with SiriusXM twice before, in 2010 and again in 2020 with a five-year, $500 million deal, Forbes reported. He’s recently had newsy and intimate chats with Lady Gaga and Bruce Springsteen.

“He’s been with me and the company going on two decades, and so he’s pretty happy, but he’s also able, like many great artists, to stop whenever he wants,” SiriusXM president and chief content officer Scott Greenstein told The Hollywood Reporter in 2024. “Nobody will ever replace them. We would never try to replace them.”

Stern, who has liked to call himself the King of All Media, rose to national fame in the 1980s during his 20-year stint at the then-WXRK in New York. At its peak, “The Howard Stern Show” was syndicated in 60 markets and drew over 20 million listeners. Stern was lured to satellite radio by the lucrative payday and a lack of censorship, following bruising indecency battles with the Federal Communications Commission and skittish radio executives. His past on-air bits had included parading strippers through his New York studio and persuading the band then known as The Dixie Chicks to reveal intimate details about their sex lives.

His 1997 film “Private Parts” became a box office hit and offered a raw, humorous look at his rise to fame. He has also authored several bestselling books and served as a judge on “America’s Got Talent” from 2012 to 2015.

Kennedy writes for the Associated Press.

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BBC Radio fans fume ‘this is rubbish’ after beloved host bids heartbreaking farewell

Simon Logan has said an emotional goodbye to fans as his show came to an end

Simon Logan at the BBC Newcastle studios
Simon Logan’s show has ended(Image: Simon Logan)

BBC Radio‘s Simon Logan has bid a heartfelt farewell to his listeners as his show concludes after four years.

The star has presented an 80s and 90s show on BBC Radio Newcastle and BBC Radio Tees since 2021, but it has now wrapped.

A petition to keep him on the airwaves had been filed, but although more than 600 people signed it, the show has ended.

Bidding farewell to his listeners on Sunday, Simon said, “What is it they always say, all great things must come to an end.”

He went on: “Whether you’ve ever got in touch with the show or whether you have just listened to our show, thanks to everybody on our Facebook group.”

Simon Logan
The star told listeners that ‘all great things must come to an end’(Image: BBC)

“The time has come to say farewell, seriously, thanks for being there,” he said.

The DJ went on: “We’ve had a blast, haven’t we? Hope to catch you really soon. And whatever you’re doing tonight, always stay forever young. Ta-rah.”

The song that played out in his last broadcast on the show was Forever Young, by Alphaville.

Fans were sad to see the show end, with one saying: “This is a great show on Sunday afternoon and looks like it will get replaced with more than likely a load of BBC rubbish!”

Simon Logan
Fans had petitioned to keep Simon’s show on the airwaves(Image: BBC)

Somebody else sniped: “It’s disgraceful what’s happening to BBC local radio, the people making the decisions are clearly not proper radio peeps, probably fresh from uni with a degree in social media.”

One said it was a “huge loss to the BBC”.

Simon Logan is a rare jewel in the crown and had one of the most listened to shows on BBC Local Radio,” they added. It was a “Crazy decision by those in charge.”

Simon’s show will be replaced by a national show, All England, which will broadcast across the BBC’s 39 local radio stations at 2 pm. on Sundays.

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L.A. classical station KUSC slashes staff after federal funding cuts to public radio

Los Angeles classical music station KUSC-FM (91.5) has laid off employees after Republicans cut federal funding from the Corp. for Public Broadcasting.

James A. Muhammad, president of Classical California, the entity that operates the nonprofit KUSC and its sister station, KDFC in San Francisco, confirmed the workforce reduction in a note sent Thursday to its listeners.

“Despite our best efforts, the fact is that Classical California has experienced a reduction of $1.1 million in support from the Corporation for Public Broadcasting,” Muhammad wrote. “This, along with other impacts, requires us to make difficult decisions across KUSC-FM and KDFC-FM.”

A representative for Classical California did not respond to questions on the number of employees cut. A person briefed on the move who was not authorized to comment publicly said it was eight positions, including two department managers, all based in Los Angeles.

None of the announcers at the two stations were included in the cuts.

Classical California is among the many public media outlets that are scrambling to fill the budget gaps caused by the decision by the Trump White House and the Republican Congress to claw back the $1.1 billion in federal money allocated to the Corp. for Public Broadcasting.

The nonprofit entity administered the funds for public radio and TV stations, mostly affiliates of NPR and PBS.

Conservatives and libertarians have long called for the end of public funds supporting media organizations, especially ones they view as politically left-leaning. Trump has called NPR and PBS government-funded “left-wing propaganda.”

The Corp. for Public Broadcasting was also a vital revenue source for cultural and fine arts programming that often struggles to sustain itself in the commercial media marketplace.

Both KUSC and KDFC, which are owned and operated by the University of Southern California, play classical music 24 hours a day and are not NPR affiliates. They are the most-listened-to classical radio stations in the U.S.

Muhammad’s note to listeners included a plea for contributions to make up for the shortfall caused by the cuts.

“We remain committed to continuing to be your home for classical music,” Muhammad said. “As a listener-supported station, we need your support of KUSC and KDFC, now more than ever.”

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Celeb SAS star joins long-running BBC Radio 2 show in permanent role

Harry Clark has joined Pause For Thought in a permanent role just one day after viewers saw The Traitors star leave Celeb Sas: Who Dares Wins

Harry Clark
Harry Clark has joined Pause For Thought (Image: Dave Benett/Getty Images)

Harry Clark has joined Pause For Thought in a permanent role. The reality star, who won The Traitors in 2023, has just left Celebrity SAS: Who Dares Wins after being dismissed from the tough military programme, and appeared on BBC Radio 2’s long-running segment where he opened up about his religious beliefs.

Joining Scott Mills live on air, he said: “I know that some of your listeners will know me from winning The Traitors, and I wanna know more about that next week but for now, for this Pause For Thought, I thought I’d tell you more about what makes me tick. So, I’m Harry, I’m 24, and I come from a massive family.

“There’s five of us children, I’ve got two brothers, two sisters and a mum and dad. Despite achieving something, I’m still just a normal kid from Slough who lives with his parents and sisters in a council house. Both of my brothers have now moved out. Luckily, thanks to my mum, religion has always been a big part of my life and has helped me all the way through.”

READ MORE: Celebrity SAS star Harry Clark’s life off-screen from famous girlfriend to army careerREAD MORE: Celebrity SAS star Harry Clark gets brutal telling off by chiefs who mock looks

Harry Clark
The Traitors winner recently left Celebrity SAS: Who Dares Wins just a few episodes into the new series (Image: Channel 4)

“Faith has been, and it means a lot to me always and it’s amazing to be a part of something bigger that is outside of myself. As soon as I could I decided I was off to North Yorkshire at the age of 16 to become an avionics technician, which is technically a helicopter engineer, which is easier to understand but it’s still just as crazy as it sounds. I’d never seen a helicopter before I left Slough, so becoming a helicopter engineer is the coolest thing ever.”

The engineer, who has also appeared on celebrity editions of The Weakest Link and Antiques Roadshow since winning £90,000 on the hit BBC game show, recalled tough times when he was in the army and how he found solace in turning to God. He added: “My first real connection with Christianity though was when I went through a hard time in the army and being away from home. My mum said ‘Listen, Harry just try praying and do what you know,’ and that has saved me throughout my life. Suddenly, I didn’t feel alone and I managed to get myself out of the hole I’d dug myself into.

“I was asked to go on Traitors series two, which to my surprise, I actually managed to win somehow. Since then, it’s been a rollercoaster of ups and downs and around summertime again last year, I seemed to lose myself mentally but then the thing that saved me for a second time was my faith. When I prayed, I didn’t feel alone and I felt that there was something there for me just like there always has been.”

Harry also admitted that while he used to be a regular churchgoer, it is not something he needs to do on a weekly basis now and then Scott said: “It’s so good to have you as part of your Pause For Thought team and to hear a bit more about you,” and added: “I’ll see you next week!” as the segment came to an end.

Earlier this year, Harry turned down a reported £300,000 to appear on Celebrity Big Brother in favour of an appearance on the BBC Two show Pilgrimage instead, Speaking about the choices he made, Harry said: “I think it was just because it meant so much to me that I wanted to do this show. It was just me as a whole, and when my manager brought it to me, it was like, again, this whole career that we’re trying to carve out in this industry is one of authenticity.”

Harry, who is a practising Catholic, added: “It’s like, I want it to be authentic to me, and what means the most to me, and that’s religion, and that’s my family. Also I know it made my mum proud. But also for me personally, I knew that my religion itself had got a little bit cloudy.”

Harry, who is a practising Catholic, added: “It’s like, I want it to be authentic to me, and what means the most to me, and that’s religion, and that’s my family. Also I know it made my mum proud. But also for me personally, I knew that my religion itself had got a little bit cloudy.”

Continuing about his spirituality, Harry said: “It was always strong faith. I was always still praying, but then I never really knew… It’s easy to go off the rails a little bit and see, well, what am I even actually praying for?

“The pilgrimage was that sort of wipe where it made it a clear vision again.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook,YouTube and Threads.



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Fans concerned for Lewis Hamilton after F1 star’s radio message to Ferrari team at Hungarian GP

FANS are concerned for Lewis Hamilton after his dejected message to his Ferrari colleagues.

Hamilton had a nightmare Hungarian Grand Prix today, finishing in a disappointing 12th.

Lewis Hamilton in Ferrari attire.

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Lewis Hamilton apologised to Ferrari over the team radioCredit: Getty
Lewis Hamilton driving a Ferrari during the Formula 1 Hungarian Grand Prix.

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Hamilton finished outside the points in 12thCredit: Alamy

The seven-time world champion failed to pick up any points and sounded like a broken man over the team radio post-race.

Hamilton said: “Really sorry about this weekend guys, for losing you points.”

He also reportedly sat in his car for some time after parking it up.

It comes after the Brit’s woeful qualifying session yesterday that saw him exit in Q2 while team-mate Charles Leclerc secured a shock pole.

Hamilton again sounded crestfallen over the team radio, saying: “It’s me every time. I’m useless, absolutely useless.

“The team have no problem. You’ve seen the car’s on pole so we probably need to change driver.”

Told by a member of the Ferrari team that his assessment was wrong, Hamilton replied: “It clearly is. I just drove terribly. It is what it is.”

Hamilton has not finished on the podium in 14 races since making his move to the Scuderia.

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And to cap a disastrous weekend for Ferrari in Hungary, Leclerc slipped to fourth and slammed the team over the radio.

He raged: “This is so incredibly frustrating. We have lost all competitiveness.

‘I’m absolutely useless’ – Lewis Hamilton says Ferrari ‘need to change driver’ after Hungarian GP qualifying nightmare

“You just had to listen to me, I would have found a different way of managing those issues.

“Now it’s just undriveable. Undrivable. It’s a miracle if we finish on the podium.”

McLaren’s Lando Norris won the Grand Prix and celebrated by kissing his model girlfriend Margarida Corceiro.

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BBC disaster as Radio 2 loses half a million listeners after Zoe Ball quits and is replaced by Scott Mills

BBC Radio 2’s presenter switch-up has seen the channel lose half a million weekly listeners.

Back in December, former Radio 1 broadcaster Scott Mills, 51, was revealed as Zoe Ball’s replacement as she took a break from the plum presenting spot.

Zoe Ball and Scott Mills leaving Wogan House.

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BBC Radio 2’s listening figures have plummeted since a presenter switch upCredit: PA
Scott Mills, new host of the BBC Radio 2 Breakfast Show.

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Scott Mills took over the Breakfast Show slot, yet listeners have dropped as the year goes onCredit: Supplied
Zoe Ball, BBC Radio 2 breakfast show host, announcing her resignation.

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Zoe Ball quit her Breakfast Show in DecemberCredit: PA
Zoe Ball covering her mouth while presenting her last BBC Radio 2 breakfast show.

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For use in UK, Ireland or Benelux countries only Undated BBC handout photo of Zoe Ball presenting her last show on BBC Radio 2 breakfast show, which she has hosted for six years, at BBC Broadcasting House in central London. Issue date: Friday December 20, 2024. PA Photo. See PA story SHOWBIZ Ball. Photo credit […]Credit: PA

At the time Zoe, 54 – who had been absent from a handful of shows due to issues off air – told how December 20 would be her last early-morning programme after six years as she chose to “focus on family.”

Listeners were quick to spot three clues she was set to up sticks, including a family tragedy.

She has since returned to the BBC Radio 2 fold with The Zoe Ball Show, which airs every Saturday.

Yet between April and June 2025 the station has lost half a million listeners compared to figures from three months earlier.

Scott took over in January 2025.

Between January and March 2025, 13.11million listeners tuned into the station overall.

Yet during the most recent time period reviewed, this dropped to 12.62million.

Specifically for the Breakfast Show, figures marked 6.45million average weekly listeners from January to March.

Yet between April and June, this has dropped to 6.22million.

Zoe Ball says it’s ‘lovely to be back’ as she returns to BBC Radio 2 after stepping down from breakfast show

ALL CHANGE

Zoe’s last BBC Radio 2 Breakfast show was on Friday, December 20 – with “plenty of fun and shenanigans” ahead of Christmas.

Yet at the time, Zoe said she would remain on BBC Radio 2.

She said: “After six incredible years on the Radio 2 Breakfast Show, it’s time for me to step away from the very early mornings and focus on family.”

Telling her listeners about her decision, she said: “I’ve decided it’s time to step away from the early alarm call and start a new chapter.

Zoe Ball’s career so far

Zoe was born in Blackpool and is daughter of the children’s TV presenter Johnny Ball and his wife Julia.

She appeared on television at a young age as part of the studio audience of the Saturday morning children’s show, Saturday Superstore when her father was a guest.

The star began her career in broadcasting as a presenter on the pre-school programme Playdays.

After various behind the scenes roles, she earned a spot as a regular host of Top of the Pops, when she alternated with the likes of Jayne Middlemiss and Jo Whiley.

In 1996, she was chosen to front BBC One‘s saturday morning show Live & Kicking, which led to stints on The Big Breakfast on Channel 4.

But she maintained a huge presence on the radio as she was chosen to be the co-host of BBC Radio 1 Breakfast alongside Kevin Greening in October 1997.

Zoe was later appointed the sole host of the show in a groundbreaking move by the corporation as she was the first female DJ to hold the post.

The presenter chose to leave the station in March 2000 to start a family, where she was succeeded by Sara Cox.

As a mainstream face in TV through the noughties, she hosted a range of huge programmes for ITV, including the Brit Awards in 2002, Extinct in 2006, and both Soapstar Superstar and Grease Is The Word in 2007.

In mid-2002, she returned to radio when she joined Xfm (later known as Radio X), when she was the voice of the weekday drivetime show until December 2003. In 2004, she stood in for Ricky Gervais while he filmed the second series of The Office.

In October 2005, she appeared as a contestant on the third series of Strictly Come Dancing, where she was partnered with Ian Waite, The star impressed viewers with her footwork and the duo waltzed into third place.

In 2011, she returned to the franchise as she took over as the host of the magazine spin-off show, It Takes Two.

She also filled in for Claudia Winkleman on the main show in 2014, when The Traitors star took leave after her daughter suffered serious burn injuries.

After 10 years fronting the show, Zoe announced she was quitting her role on BBC Two in May 2021.

Zoe’s journey in BBC Radio 2 started in 2006 when she fronted specialist documentaries. Over the years she sat in for names such as Dermot O’Leary, Ken Bruce and Chris Evans.

After several shake-ups, she returned to the station on a permanent basis when she took over Dermot’s Saturday afternoon slot between 3pm and 6pm.

In October 2018, Chris Evans moved to Virgin Radio and he personally announced that Zoe would take over his popular slot. She started presenting the breakfast show on 14 January 2019.

“We’ve shared a hell of a lot, the good times, the tough times, there’s been a lot of laughter. And I am going to miss you cats.”

She added she would also miss her colleagues, saying they were “like family to me”.

The early morning presenter added: “But I won’t miss the 4am alarm call, if I’m completely honest.

“You know I love you all to bits.”

Zoe Ball, BBC Radio 2 DJ, at her radio station console.

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Zoe quit the early morning slot to ‘focus on family’Credit: BBC
Zoe Ball leaving BBC Broadcasting House after her final Radio 2 breakfast show.

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She is now back on the channel with a Saturday showCredit: PA
Scott Mills with a clock cake for his new BBC Radio 2 Breakfast Show.

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Between April and June, Scott’s Breakfast Show listening figures have dropped to 6.22million.Credit: PA

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Euro 2025: TV & radio schedule for BBC and ITV

England will look to defend their European title when they take on Spain on Sunday in the Euro 2025 final.

The Lionesses, who won the Women’s European Championship in 2022, beat Italy and Sweden in the knockouts to book their spot.

Spain reached the final thanks to an extra-time win over Germany on Wednesday.

The game will be broadcast live on BBC One, the BBC iPlayer and the BBC Sport website and app, with TV coverage getting under way at 15:40 BST. The match kicks off at 17:00 BST.

Radio commentary is available on BBC Radio 5 Live and BBC Sounds.

ITV will also show the final.

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Friends bid farewell to Voice of the Galaxy Rolando ‘Veloz’ Gonzalez

The Los Angeles sports world mourned the loss of one of its most beloved voices, Rolando “El Veloz” Gonzalez, the longtime Galaxy broadcaster and a pioneer of Spanish-language sports radio, who died June 25.

His legacy transcends generations on the microphone.

Gonzalez’s career began almost accidentally. Although his dream was to play soccer, life had other plans for him and turned him into a storyteller.

“One day on March 6, 1962, I was playing soccer in the local league and the radio play-by-play broadcaster who was assigned that game of my team Escuintla against Universidad, Dr. Otorrino Ríos Paredes, had a car accident,” Gonzalez recalled in 2017. “The owner of the station ran to tell me, ‘[get dressed, get dressed]’ and I replied, ‘Who are you to tell me to get dressed? Let the trainer tell me.’ He said, ‘I need you because they told me that you narrate soccer.’ I replied that I do that there among the guys.”

He later moved to Los Angeles, where former Dodgers announcer Jaime Jarrín gave him his big break during the 1984 Olympics.

“I met him, I think in 1984, shortly before the Olympics. I needed sportswriters for Spanish-language coverage and I was impressed with his stability, his knowledge, his diction and his voice time for soccer,” Jarrín told L.A. Times en Español. “He worked with me for three weeks, and that opened a lot of doors for him in Los Angeles.”

Jarrín’s call surprised him.

Rolando 'El Veloz' González stands beside friends and colleagues in a broadcast booth during a night game

Friends and colleagues join Rolando “El Veloz” González, center, in a broadcast booth during a Galaxy match. He called his last game on May 31.

(Armando Aguayo)

“It was Jaime Jarrín,” González recalled. “He asked me if I narrated soccer and if I had experience in programs. He told me that a narrator for the Olympics was coming from Ecuador and he wanted to have [González ] from 6 p.m. to 12 a.m. on a program. I was leaving the factory at 4:30 p.m. all dirty with paint, and I couldn’t miss that opportunity.”

Jarrín highlights González’s commitment to ESPN Deportes Radio 1330 AM’s coverage of the Galaxy, a team González covered in two long stints in which the team won five of the six MLS Cup titles. The last game González called a game was on May 31, when the Galaxy won their first game of this season against Real Salt Lake at Dignity Health Sports Park.

“He gave his all to the team, as I did to the Dodgers,” Jarrín said. “His legacy is an example for young people. He defined what he wanted to be, and he did it with his heart, with 110% effort.”

Along with Hipolito Gamboa, González marked an era in radio with their “Hablando de Deportes” show on KTNQ-AM (1020) and eventually on KWKW-AM (1330). The show focused mostly on soccer and easily overshadowed other sports programs that tried to copy the format with a more aggressive touch in their conversations.

The González and Gamboa duo presented a more complete analysis without being dependent on fireworks.

“I always had something that made you laugh in the booths of ‘Hablando de Deportes,’” Gamboa said. “It was not all good all the time, because there were moments of tension. That’s a reality, but we always ended well.”

Gamboa described González as someone out of the ordinary.

“He was one of the first to broadcast soccer in the United States. His unique style, his energy, his speed … no one has equaled him,” Gamboa said. “That’s why they called him ‘El Veloz’ [‘The Swift’].”

They worked together broadcasting Gold Cups, Liga MX matches and international matches. Despite his serious voice, Gamboa highlighted González’s cheerful character.

“He narrated with impressive clarity at an amazing speed. People recognized him by his voice,” Gamboa said. “At a party, my little daughter, just 1 year old at the time, heard him speak and said, ‘Goal!’ because we grew up hearing him narrate at the Rose Bowl, at Azteca Stadium, in so many booths.”

Armando Aguayo, who became González’s boss, said he was more than a colleague.

“He was my teacher. What I know about narration, I learned from him,” Aguayo said. “He taught me how to get into the narrator’s rhythm, not to interrupt, to adapt to his speed. He was demanding, but formative.”

Aguayo fondly recalls the two stages he shared with González, first as his producer at “Deportes en Acción 1330” and then as teammates in the second golden era of the Galaxy under Bruce Arena.

Rolando González, right, stands beside a championship trophy with Armando Aguayo, fanning three rings on his fingers

Armando Aguayo, who became Rolando González’s boss, said he was more than a colleague: “He taught me how to get into the narrator’s rhythm, not to interrupt, to adapt to his speed. He was demanding, but formative.”

(Armando Aguayo)

“We narrated together the finals, the titles, the big games,” Aguayo said. “And off the air, we talked about family, about the future of radio, about life.”

According to Aguayo, who calls LAFC and Clippers games, González had admirable discipline.

“He would arrive an hour early, prepare, make lists with lineups,” Aguayo said.

During his career González, called World Cups, Olympic Games, Pan American Games, games of his beloved Guatemala national team, as well as the U.S. national team. He covered soccer, baseball, basketball and football.

“The only thing he didn’t narrate was golf, because he said it bored him,” Aguayo said, laughing. “But he even narrated a marbles contest in Guatemala.”

González was known as a great storyteller.

“He would always say, ‘Let me tell you, in such-and-such a year … and he would give you exact dates.’ He was a historian with a storyteller’s voice,” Aguayo said.

Beyond professionalism, Gonzalez left a deep human imprint.

“We called him ‘Don Rolis’ [and] ‘Papa Smurf.’ He was like everybody’s dad. Always with a kind comment, always concerned about others,” Aguayo recalled.

Rolando González, left, with Armando Aguayo, holding a microphone at a Galaxy match

Rolando González, left, joins Armando Aguayo while calling a Galaxy game.

(Armando Aguayo)

González was still active until a few weeks ago. He called the Galaxy’s last game against Real Salt Lake.

“He arrived two hours early, prepared his tecito, sat down to narrate and when he finished, he got up and left, as usual,” Aguayo said. “That was Rolando. Professional, punctual and simple.”

Aguayo spoke with González shortly before hearing the news of his death. Although González recently had a heart attack, he was still answering calls, his voice tired but upbeat.

“He told me, ‘I’m fine. Thank you for your call. It’s very helpful to me. You’re one of the few who called me.’ He told me about the future, about his family,” Aguayo said. “Even in his last days, he was thinking of others.”

For Jarrín, González represented the image of the hard-working immigrant, the passionate communicator, the dedicated professional.

“He never caused problems. He always served the Hispanic community in Southern California with interest. His voice will remain engraved in our memories, and his legacy will live on in every young person who wants to dedicate themselves to sports broadcasting,” Jarrín said.

González’s voice will no longer resonate in the stadiums, but his echo will live on in the memories of his colleagues and in the passion of those who listened to him.

“I was deeply hurt by his passing, because we were great friends,” Jarrín said. “We had a lot of mutual respect, and I liked him very much from the beginning because of his simplicity and his responsibility in everything. So I think that sports fans, and particularly soccer fans, will miss him very much. … He served the Hispanic community in Southern California with a lot of interest, with a lot of enthusiasm. And I will miss him very, very much indeed.”

This article first appeared in Spanish via L.A. Times en Español.

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Wimbledon 2025: How to watch on BBC TV & iPlayer plus radio and BBC Sport website coverage times

Monday, 7 July

Men’s and women’s singles fourth round, men’s and women’s doubles third round, mixed doubles quarter-finals

11:00-19:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

11:00-21:30 – Live coverage of outside courts – BBC Red Button, BBC iPlayer, BBC Sport website and app

12:30-19:00 – Live coverage – BBC Radio 5 Live, BBC Sounds app and BBC Sport website

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:00-22:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

23:00-00:00 – Today at Wimbledon – BBC Two

Tuesday, 8 July

Men’s and women’s singles quarter-finals, men’s and women’s doubles quarter-finals, mixed doubles semi-finals, wheelchair singles first round

11:00-16:30 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

11:00-21:30 – Live coverage of outside courts – BBC Red Button, BBC iPlayer, BBC Sport website and app

12:30-19:00 – Live coverage – BBC Radio 5 Live, BBC Sounds app and BBC Sport website

14:00-19:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

19:00-20:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

20:00-21:00 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Wednesday, 9 July

Men’s and women’s singles quarter-finals, men’s and women’s doubles quarter-finals, quad wheelchair singles quarter-finals, wheelchair doubles quarter-finals

11:00-21:30 – Live coverage of outside courts – BBC Red Button, BBC iPlayer, BBC Sport website and app

12:15-13:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

12:30-19:00 – Live coverage – BBC Radio 5 Live, BBC Sounds app and BBC Sport website

13:00-15:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

14:00-16:15 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

15:00-20:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

20:00-21:00 – Today at Wimbledon – BBC Two, BBC iPlayer, BBC Sport website and app

Thursday, 10 July

Women’s singles semi-finals, men’s doubles semi-finals, mixed doubles final, men’s and women’s wheelchair singles quarter-finals, quad wheelchair doubles semi-finals, wheelchair doubles quarter-finals

11:00-21:30 – Live coverage of outside courts – BBC Red Button, BBC iPlayer, BBC Sport website and app

12:30-20:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

12:30-19:00 – Live coverage – BBC Radio 5 Live, BBC Sounds app and BBC Sport website

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

20:00-21:00 – Today at Wimbledon – BBC Two

Friday, 11 July

Men’s singles semi-finals, women’s doubles semi-finals, men’s, women’s and quad wheelchair singles semi-finals

11:00-21:30 – Live coverage of outside courts – BBC Red Button, BBC iPlayer, BBC Sport website and app

12:30-20:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

12:30-19:00 – Live coverage – BBC Radio 5 Live, BBC Sounds app and BBC Sport website

14:00-18:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

20:00-21:00 – Today at Wimbledon – BBC Two

Saturday, 12 July

Women’s singles final, men’s doubles final, women’s wheelchair singles final, men’s wheelchair doubles final, quad wheelchair doubles final

11:00-21:00 – Live coverage of outside courts – BBC Red Button, BBC iPlayer, BBC Sport website and app

11:00-13:00 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

12:00-20:00 – Live coverage – BBC Radio 5 Live, BBC Sounds app and BBC Sport website

12:15-19:15 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

20:00-21:00 – Today at Wimbledon – BBC Two

Sunday, 13 July

Men’s singles final, women’s doubles final, men’s wheelchair singles final, quad wheelchair singles final, women’s wheelchair doubles final

11:00-21:00 – Live coverage of outside courts – BBC Red Button, BBC iPlayer, BBC Sport website and app

11:00-12:55 – Live coverage – BBC Two, BBC iPlayer, BBC Sport website and app

12:00-20:00 – Live coverage – BBC Radio 5 Live, BBC Sounds app and BBC Sport website

13:00-21:00 – Live coverage – BBC One, BBC iPlayer, BBC Sport website and app

22:00-23:00 – Today at Wimbledon – BBC Two

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Radio Silence: The Fragility of Independent Broadcasting in Nigeria

In many towns and cities across northern Nigeria, the voices once carried on the airwaves to inform, empower, and provoke reflection have dimmed to whispers of praise songs, sponsored jingles, and obsequious commentary.

Behind the studio microphones and soundproof booths, journalists, mostly young men and women, say they work under suffocating conditions that leave them voiceless both figuratively and literally.

While the region faces intensifying insecurity, mass displacement, and a crisis of governance, local radio and television have largely retreated from their watchdog roles. In their place is a culture of cautious Public Relations (PR) journalism, tailored to please state authorities and avoid retaliation from both government regulators and armed non-state actors.

A culture built on the airwaves

For a long time, radio has been the primary means of communication in northern Nigeria, especially for Hausa speakers. In rural communities where literacy rates remain low and access to newspapers or television is limited, radio serves as a crucial lifeline. It is not merely a medium for entertainment but a trusted channel for education, public health campaigns, civic participation, and political discourse. It is so instrumental that former Boko Haram members have told HumAngle that they laid down their arms and returned to state-controlled areas because they heard constant appeals to do so on the radio. 

From the era of Radio Kaduna’s dominance to the rise of community and FM stations in the 2000s, northern Nigeria has nurtured a unique culture of listenership. Markets pause during radio dramas; political discussions unfold around communal radios in village squares. Yet, this cultural power is precisely what makes radio such a potent target for manipulation.

Barely paid, but always owing

Few local journalists report earning a stable income. Most complain they are unpaid volunteers or receive stipends far below minimum wage.

“Many of us are not paid respectable salaries, and irregular, low wages or sometimes no payment at all are common challenges. Some colleagues take on additional freelance work to survive. These financial strains affect our focus, morale, and overall performance as newsroom staff,” said a radio presenter in Gombe, northeastern Nigeria.

“I’ve been reporting for three years, and my salary is ₦10,000, barely enough to feed myself,” said Rukaiya, a young reporter at a privately owned FM station in the north-central region. “Sometimes, I survive on commissions from adverts that I get. Otherwise, we survive however we can.”

The term “however” often refers to morally or socially risky paths. One other young female journalist who spoke with HumAngle on condition of anonymity described engaging in transactional relationships to supplement her income. Others depend on charitable contributions from friends, side hustles like event hosting, voice-over work, or farming, or even resort to panhandling. Some are offered contracts with state governments in exchange for loyalty on-air.

With no employment contracts, health insurance, or protection against harassment, young broadcasters in many communities across Nigeria are vulnerable to exploitation by station owners, politicians, and advertisers.

A 2023 study on media poverty highlights the challenges that affect the growth of rural news journalism in Nigeria. From journalists not well paid to several media houses owing salaries for months or years. “This discourages journalists in Nigeria from going to live in rural areas to practice rural journalism.” 

“My salary is barely enough to cover my transport fares to the office, but I have grown so popular in my community that gifts keep pouring in regularly,” said a broadcaster in Nassarawa State, who said she will not demand better pay because she has created an agency that caters to her needs.

When confronted with the suggestion that her views might lead to conflicts of interest and set a negative precedent for young journalists who may succeed her in the future, she said, “We don’t report anything serious; we cover events, read out press releases handed to us, and air drama, music, and shows.”

For some of these journalists, critical journalism is something they admire, but it is not for them to contemplate practising: “We were never trained for this, and we were never told these types of stories are for platforms such as ours,” another radio presenter said. 

A reporter in Kano who spoke to HumAngle admitted that not all programmes reflect the real problems people face, particularly because private broadcasters are heavily driven by revenue. “We don’t always talk about these issues because we’re afraid or because the station owners don’t want us airing anything that goes against their views or interests,” the reporter noted.

Regulated into silence

Senior media professionals widely view the National Broadcasting Commission (NBC), which oversees Nigeria’s broadcast sector, as a tool of censorship. Stations that broadcast critical commentary, especially regarding security failures or corruption, risk suspension, fines, or outright closure.

“Therefore, we train our mentees and reporters in a practice that better serves our reality.” The term “reality,” according to this station manager in Nassarawa State, means young journalists are handed rules of engagement; there are words and phrases that are never to be aired, and some stories, even if you witness them, you tell them to your friends and family “off-air.”

The NBC’s lack of institutional independence, with its leadership appointed by the executive arm of government, has entrenched political interference, turning the commission into an enforcer of ruling party interests rather than a neutral regulator.

After airing a report critical of the national security leadership in 2022, Vision FM Abuja faced fines and a temporary shutdown. The message was clear.

“Since then, we don’t touch anything security-related that is sensitive,” said a senior manager at the station. “It’s not worth NBC’s hammer.”

Journalists say the ambiguity of NBC guidelines encourages preemptive censorship. Rather than risk sanctions, station managers vet programming scripts for anything potentially “inciting” or “divisive,” terms that critics say are weaponised against dissent.

Through these, NBC undermines citizens’ access to diverse perspectives and weakens the role of the media as a civic watchdog. The deliberate stifling of the airwaves, in a region already grappling with insecurity and governance failures, intensifies public disempowerment and undermines the remaining pillars of accountability. 

HumAngle looked at all TV and radio stations in northern Nigeria and found that up to 15–20 per cent of media ownership lies with the federal and state governments. 


Infographics by Damilola Lawal/HumAngle.


Infographics by Damilola Lawal/HumAngle.

Political capture of the airwaves

Across northern states, local broadcasting is not merely cautious — it is captured. In states like Borno, Sokoto, and Zamfara, station managers say governors and political appointees directly influence their programming. They often determine who gets airtime, what topics are discussed, and which voices are silenced.

“During the last election, I was warned not to host opposition candidates,” said a producer at a state-owned station in Kano. “We were told it would ‘destabilise the peace,’ so we played safe.”

Often, stations are directly owned or heavily funded by state governments. Editorial independence becomes a fiction. Presenters who align with the party line receive rewards such as political appointments, contracts, or PR gigs. Those who deviate risk professional exile.

“It has been a norm in our journalistic practice [for funders] to dictate the tune when you pay for the piper,” said a staff member at a state-owned broadcaster in northwestern Nigeria, adding that not all reports or leads on insecurity can be aired, especially without censorship. “Stories that may cause chaos are rather dropped or rejigged,” the reporter added.

Authoritarianism at the state level

The erosion of press freedom in northern Nigeria is not just an outcome of national-level repression; it is deeply rooted in the authoritarian instincts of state governors who wield enormous influence without sufficient checks.

These governors routinely deploy state security services to intimidate journalists, withhold advertising revenue from critical outlets, or threaten the revocation of broadcast licenses.

Governors in the region have always wielded significant power over local media organisations in their states. In 2016, a TV anchor in Sokoto was forced off air after criticising the state’s healthcare policies.

A broadcast reporter in Borno faced detention in 2021 for “cyberstalking” after exposing purported corruption in post-insurgency reconstruction contracts.

Such actions rarely provoke public outrage, partly due to a climate of fear and partly because the press itself is too compromised to amplify its oppression.

Caught between armed groups and the microphone

In parts of the North West and the North East, fear of armed groups has further stifled local media. Journalists in the northwest, northeast, and north-central states describe receiving direct threats after airing reports perceived as critical of armed groups.

“We stopped reporting kidnappings in some areas,” one radio editor in the north central told HumAngle. “They called and said if we mentioned their names again, they would burn down the station.”

“The threat of violence, whether from state actors or armed groups, has influenced editorial decisions,” a radio presenter in Maiduguri told HumAngle. “Sometimes, we have to downplay or completely avoid certain sensitive topics for personal safety and the safety of our families and colleagues, as well as to secure our jobs. It’s a constant internal conflict between professional duty and survival.”

These threats come amid a broader climate of insecurity, where state protection for journalists is practically nonexistent. As a result, communities find themselves under siege, yet they lack a voice or a platform to express their concerns.

From watchdogs to whispers

In a healthy democracy, local media act as civic mirrors and watchdogs—holding power accountable and giving voice to the voiceless. But in much of northern Nigeria, local radio has been reduced to echoes of power, playing jingles and feel-good stories while real crises unfold off-air.

The tragedy is not just professional; it is societal. When local media fail, communities lose more than news; they lose agency.

Suleiman Shuaibu, a business development specialist in Abuja, highlights that international broadcast stations, airing in local languages like Hausa, are uniquely positioned to pose and tackle challenging questions. “The sole constraint they face is their inability to address context-specific topics that pertain to individual communities.” They focus solely on major news developments.

The VOA Hausa has ceased operations in light of Donald Trump’s decision to freeze US foreign aid and activities. The presence of BBC Hausa, Dutch Welle, Radio RFI, and others is notable, yet their future hangs in uncertainty due to various European governments implementing policies aimed at reducing expenditures on extensive and ambitious initiatives that do not directly benefit their citizens.

Towards a new frequency

To reverse this trend, several experts who spoke to HumAngle on this subject call for a multipronged approach: “fair remuneration and protections for media workers, the depoliticisation of regulatory bodies like the NBC, and coordinated efforts to protect journalists from both state and non-state threats.”

Support can also come from within: local media houses banding together to resist political capture, civil society amplifying their role as watchdogs, and donors investing in long-term media independence projects.

The stakes are high. In a region where radio remains the most accessible and trusted medium for news, revitalising local broadcasts is critical to preserving democracy. 


This report was produced by HumAngle in partnership with the Centre for Journalism Innovation and Development (CJID) as part of a project documenting press freedom issues in Nigeria.

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