Queen

SHE was 35 and in her prime when Smash Hits magazine published images of her parading the stage in a skimpy bra – and scoffed: “Calm down, grandma!”

But the cutting headline, which accompanied a review of her Girlie Show tour in 1993, did nothing to deter the uniquely stylish Madonna.

In a career spanning more than 40 years, she became the hottest female singer in the world, selling over 400million records.

But through it all, the Queen of Pop faced intense backlash over her appearance.

Critics have judged everything from her cone bra in 1990 to her Met Gala “bondage”-style outfit in 2016, when she was 57.

But now, as Madge prepares to return to the spotlight with her 15th studio album, she has done what many thought would never be possible.

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Aged 67, she is finally cool again.

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

Now, Confessions On A Dance Floor: Part II is promising to be a continuation of the project.

And Madonna is still not letting her age define her fashion, posing in a blue leotard, fishnets, a silver jacket and shades in a defiant photo to promote the record.

A music insider said: “Madonna has locked in for this project and it’s not at all what you’d expect from any other woman who is nearly 70.

“It has roots in New York house music and rave culture and her record label believes it will usher in a whole new generation of fans.

“Confessions 1 showed Madonna at her coolest and, after straying into other genres on her last few albums, this feels wonderfully authentic.”

Madge is yet to release the album’s first single, but she has been steadily building a Gen Z fanbase, who have been discovering her back catalogue.

Last month, her 1985 chart-topper Into The Groove returned to the Top 20 after going viral on TikTok.

Cruz Beckham, KSI, Aitch and Sam Thompson were among those who shared videos of themselves dancing to the song 41 years after it was a No1 hit.

And she is heavily tipped to make a live return tonight at the buzziest festival of the year alongside one of the world’s hottest young pop stars, Sabrina Carpenter, 26.

The Espresso singer will headline the second weekend of Coachella in California and has extended her set by ten minutes, further fuelling industry whispers that Madge may join her on stage.

It would be the veteran pop star’s first performance there in 20 years. She delivered a memorable set in 2006 following the release of her first Confessions album.

Sabrina idolises Madonna as a blueprint for pop music — and there are suggestions they may have collaborated on a song.

In 2024, she paid tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and so exactly how you expect her to be — just, like, so magnetic.”

Many of the current crop of pop starlets have named Madonna as their top inspiration.

Dua Lipa has said her 2020 No1 album Future Nostalgia was heavily influenced by Madge, and she worked with her on a remix of her song Levitating.

Jade Thirlwall said last year: “She is one of the best pop stars we will ever get.”

In fact, Madge has such pulling power, supermodel Kate Moss, plus film stars Benedict Cumberbatch and Gwendoline Christie, are set to have cameos in her comeback music video.

It is a sea-change from previous generations who used Madge as a verbal punching bag.

When asked to name the most overrated person in pop, Lily Allen once said: “Madonna. She might have meant something once, but I don’t know many people my age who care.”

And Lady Gaga insisted she could not be compared to the megastar, explaining: “I play a lot of instruments. I write all my own music . . .  I’m a producer. I’m a writer. What I do is different.”

On Wednesday, Madonna released a snippet of upcoming track I Feel So Free, which heavily samples the 1989 house tune French Kiss by Lil Louis.

The original features more than two minutes of sex noises — something which seems fitting for pop’s most notorious provocateur.

For Confessions II, Madonna has teamed up again with British producer Stuart Price, who was musical director on her 81-date Celebration Tour in 2023 and 2024.

Meanwhile, her boyfriend, former footballer Akeem Morris, 29, is regularly seen dancing and larking around with her in videos on TikTok, where her clips have been liked over 45million times.

Last month, Madonna was in Venice shooting for the second series of the Apple TV show The Studio, in which she will appear opposite Julia Garner.

But now it is full steam ahead with her music, after re-signing with Warner Records — her label for the first 24 years of her career.

Madonna said of her new album: “When Stuart Price and I first started working on this record, this was our manifesto: We must dance, celebrate and pray with our bodies . . .  To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people.”

Gen Z will not know what has hit them . . . 

I decided that, just this once, I was rooting for evil to win — mainly because I liked their energy more.

The wereboar growled next to Black Pudding, a hulking vicious monster, both focused on ripping Puck and Cordelia to shreds. Oberon, an Archfey god, stood alongside them, concerned. But only one thing would decide the fate of everyone on stage: the D20, a 20-sided die.

For 45 minutes on Saturday morning, a rambunctious audience of elves, fairies, gnomes, wizards and more was transported to another land, far away from any concern for modern life, as they watched the “Dungeons & Shakespeare” live show at the Renaissance Pleasure Faire at the Santa Fe Dam Recreational Area in Irwindale.

Lynx the Sword Swallower prepares the audience for his show.

Before Saturday, I’d never attended a renaissance fair, a reenactment of the English Renaissance in the form of an immersive festival (i.e. why the Irwindale fair is based in the 16th century village of Port Deptford). Although I was not entirely new to fanciful make-’em-ups. My family had been members of the Society for Creative Anachronism, a medieval-era living history organization. We frequently dressed up to visit our local kingdom. Once, a wizard gave me a cape. Another time, I won a plague-themed frog toss.

I’d long forgotten what a blissful escape those weekends had been for a young queer kid living in rural America — until Saturday, when I looked around the fair and realized it was a diverse crowd in every sense of the word.

At the “Dungeons & Shakespeare” show, host Willy Nilly encouraged us to lean into the welcoming atmosphere we found among our fellow outcasts.

“Let’s stop worrying about whether we seem weird and make our stories amazing,” the actor, who grew up in conservative Midland, Texas, told the crowd.

And with that same energy, my wife and I trodded further into the fair in hot pursuit of merriment and wonder.

I should note: The Irwindale fair is packed full of opportunities to spend a day. It can, at times, feel overwhelming (and dusty). Here’s what we learned that will set you up for success, should you fancy a trip back in time.

Guests make their way out of the Renaissance Pleasure Faire at sunset.

1. Thou must plan thy morrow

Translation: You must plan your day.

The best way to have the perfect day?

It depends!

Before your visit, I would recommend loosely plotting out your day using the fair’s map. First, you’ll want to discern which performances you’d like to see. Each weekend’s entertainment schedule is released the prior Wednesday, although it can change due to “weather, illness or Her Majesty’s whim,” as the fair website notes.

There are 12 stages and performance areas, each with their own programming. And it’s a real range.

For example, you’ll find MooNie the Magnif’Cent, a fair staple who mixes clowning, stunts and comedy, all without speaking. Supernova the Strongwoman will dazzle the crowd with risky tricks and demolition. And Dora Viellette teaches her audience about an array of music, from medieval to folk favorites, as she plays the hurdy-gurdy (which is very fun to say aloud).

I’d recommend attending the performance you want to see the most early in the day, as the fair seems to get more crowded as the day progresses.

Similarly, if you’d like to focus the day on playing games and experiencing human-powered carnival rides, I’d recommend doing that first. We originally wanted to practice our archery skills, but because we’d waited until after noon, the line was long every time we checked. That said, I did quickly get to throw 10 javelin for $10 later in the day, and I noticed the lines for the “big swing” — aptly named — and the dragon swing were both short. Additionally, it looked like a fairly quick wait to learn from the teachers at St. Jude’s School of Fencing and the Sword Master’s Challenge, where a worker told my wife, “You look like you’d like to hit someone!” (Trust, it wasn’t me, despite my perpetually high anxiety.)

There are also additional paid activities, like having tea with the queen or imbibing via a pub crawl. And then there are the jousting competitions (more on those below).

Her majesty the queen is seen with her court.

2. The Queen doth nay require fanciful garb

Translation: Costumes are not required but very fun.

About five minutes into the fair, I realized I could entertain myself for probably the entire day by simply people watching. Entertainers and guests’ costumes alike were incredible.

Woodland fairies carrying giant daffodils or wearing hats covered in mushrooms. Knights in real armor. Every version of Merlin the wizard, spanning an expansive gender spectrum. Gnomes in tall red hats. And at least one pickle pope blessing people with herbs. You might say they were kind of a big dill. (Hold your applause.)

There are multiple themed weekends, too, including the first weekend when guests were encouraged to strut out in their best pirate garb.

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1. Stephanie Divinski looks down at her shoulder puppet. 2. Trilainna Stanton, also known as Prince Rain, of San Diego. 3. Partners Reese Pei, left, and Mariner Song are pictured. 4. Meisha Mock, left, and Aimey Beer both wear wolf masks created by Meisha.

3. Parley with the guildfolk

Translation: Talk to the townspeople.

Around the fair, you have the opportunity to interact with several guilds and performance tropes. “The most fun you’ll get at the fair is from talking to people,” my friend Matthew, who has several years of renaissance fair experience, told me. “As someone who volunteers with a guild, we aren’t just there to sit around and look pretty. Come talk to us.”

I loved watching the fae creatures of the Fantastikals frolic around, getting into mischief. I kept an eye out for Danse Macabre, whose members dance away the threat of the plague to the fair. But I was most starstruck when I met her majesty Queen Elizabeth I. (Note: The actors do not break character, even to tell a journalist their given name outside of their fair life.)

As I waited in line, I observed the diligently trained actors of the Queen’s Court. The lord high treasurer bent down and handed a gold coin to a toddler doddling around as his family waited to meet the queen. He tried to eat it, but was bested by his mother.

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1. The Fantastikals, representing nature and the elements, provide a sense of wonder and mischief. 2. Royal guard member Maria DeSilva, left, stands by Anna of Austria, the queen of Spain, and her sister Elisabeth of Austria as they read their Bibles together. 3. A maid of honor to the queen passes the time with canvas work.

“You must be quicker if you are to be successful,” Sir Thomas Heneage, the court’s gentleman usher, told him.

I asked the queen what a newbie like me should know about visiting her village.

“I would tell them that at the fair, there is all the world to be had,” she said. “And no matter what you find that will set your heart alight, you will find it here.”

(I also asked her if it was as fun as it looked to be carried around in a basket by the Yeomen of the Guard, and after a good laugh, she affirmed, “It is truly a highlight of our day.”)

The crowd cheers as the jousters charge one another during the final bout of the day.

4. Hark! What a clatter!

Translation: Prepare for shouting

But it’s the fun kind!

When the fair opens at 10 a.m., guests shout, “Open wide the gates!”

“Huzzah!” is commonly shouted out in celebration, like when you tip someone, or when your trusty javelin strikes the target (mine did not).

And “God save the queen!” is exclaimed during the parades and just about any time the queen is around.

5. By hook and crook, ready thyself for a joust

Translation: It’s essential to attend a joust.

A jousters charges toward his opponent during the final bout of the day.

Attending a joust is one of the quintessential renaissance festival experiences.

At the L.A. fair, there are generally three joust performances per day: the Deptford tournament joust, the queen’s joust and the “joust to the death.”

It’s best to arrive 45 minutes early to get a seat, as the performance space fills to capacity. You will be turned away if it is full.

And it’s competitive. Immediately after sitting down, my seatmate informed me that we were rooting for green and blue, and the other team was our mortal enemies. I hooted and hollered accordingly.

6. There is much fine belly-timber

Translation: There is so much good food.

OK, here’s a confession: I eat a vegan diet. But, I can still appreciate the wide range of food options available — including the iconic turkey leg.

After securing our marinated tofu nachos and poke bowl, my wife and I sat down among other guests. Our tablemates had purchased a litany of fried options, including scotch eggs from the Quail Inn, which also serves bacon-wrapped jalapeño peppers, cheese fritters and “whole, partially deboned quail.”

I personally regret not heading over to Scoops on Tap, where I could have ordered vegan lemon blueberry swirl and mint chip ice cream. Their spirit-infused offerings include buttery beer, mocha stout crush and drumstick stout (which is not turkey-flavored, but rather a vanilla base).

7. Pray thee pay full mind to the merchants

Translation: Take time to learn about the artisans.

Drabbits, hand-crafted and one-of-a-kind shoulder puppets, at the Imagination Adoptorium booth.

Throughout the fair, you can easily find unique and colorful birthday gifts, like dragon eggs or a buy-your-own-fairy house, that would make your nieces, nephews and little cousins quickly proclaim you their favorite relative.

Beyond that, you can speak to artisans who’ve been honing their craft, in some cases, for decades. I asked glass artist Stuart Abelman, who has regular glass-blowing demonstrations during the fair, how his artistry fits into the renaissance fair.

“They’ve been blowing glass for 5,000 years,” Abelman, whose studio is based in Van Nuys, said. “Through the Renaissance, there were incredible glass blowers at Murano, Italy, incredible glass blowers. The queen drank [out of] beautiful glassware. They were the best.”

An assortment of masks are seen in the Mischief Masks booth.

8. Fret not if the winds of fate blow you elsewhere

Translation: Don’t worry if you can’t attend this specific fair.

California has several renaissance fairs and similarly themed events throughout the year. And, for the most adventurous, there are other fairs across the country and world, including the Texas Renaissance Festival, said to be the largest in the U.S.

Fairs scheduled this year in California include: Escondido Renaissance Faire (spring event: April 25–26, May 2–3; fall event: TBD); Summer Renaissance Fantasy Faire in Idyllwild (June 13–14); Central Coast Renaissance Festival in San Luis Obispo (July 18–19); Idyllwild Renaissance Faire (Sept. 12–13); and the Northern California Renaissance Faire in Hollister (Sept. 19–Oct. 25).

I spoke to Deptford’s lord mayor, Sir Barnubus Bliss, about what’s most important to him about folks experiencing the fair closest to L.A.

“Every time someone comes through those doors, I always wish them a ‘Welcome home,’” he said, “because it is my understanding that no matter where you are from, no matter what your life has been, when you come within these gates, when you are within our walls, you are at home, no matter where you were beforehand.”

Nik Frey, far left, and his partner Joanna Dominguez, far right, sword fight with Bexleigh Kilker, 9, and Bexleigh’s dad Kevin, as they all wait out traffic after opening day at the Renaissance Pleasure Faire.

And I felt that as I watched adults gallivant around with childlike glee. As my wife and I left the fair, I did not find myself immediately reaching for my phone. I wanted to stay, just a while longer, in a world where seemingly everyone is welcome to be just as they are.

THE drug dealer known as the Ketamine Queen has been sentenced to 15 years behind bars – the maximum term – for her role in Matthew Perry’s tragic death.

Jasveen Sangha, 42, pleaded guilty to five federal charges in September, including distributing ketamine that resulted in the fatal overdose of the Friends star in 2023.

Sangha, a US-British dual national, appeared at the Edward R. Roybal Federal Courthouse in Los Angeles and was slammed by the actor’s stepmom, Debbie Perry, as a “heartless woman”.

In a victim impact statement obtained by The U.S. Sun ahead of the sentencing, Debbie urged a judge to impose the maximum sentence on Sangha.

“The pain you’ve caused to hundreds, maybe thousands, is irreversible,” Debbie wrote in court docs submitted late Tuesday.

“There is no joy… to be found. No light in the window. They won’t be back. That thought comes through our day. Everyday. No escape. You caused this.

NEW ADMISSION

‘Ketamine Queen’ pleads guilty to selling fatal drug dose to Matthew Perry

“You who has talent for business. Enough to make money. Chose the one way that hurts people. How sad for you.

“How will you ever find joy. Have you ever found joy? How sad for you. How sad for you. How sad for us all. We miss him.”

She then begged the court, “Please give this heartless woman the maximum prison sentence so she won’t be able to hurt other families like ours.”

Perry’s mom, Suzanne, and stepdad, Keith Morrison, were seen arriving at court on Wednesday.

During the sentencing hearing, Morrison addressed the court and Sangha.

According to the New York Post, he called Perry a “brilliant and talented man,” and said he should have “had another act.”

“I feel bad for you, Miss Sangha,” he told her. “I don’t hate you. You are a drug dealer.”

Sangha was reportedly dressed in a white jump suit with one ankle shackled.

During an emotional moment, she wiped tears away with tissues from a box placed nearby, according to the outlet.

She also addressed the court, saying she takes full responsibility, adding she had the “rug of life ripped out” from under her.

Sangha had been in custody since August 2024 and was the last of five defendants charged in the investigation to plead guilty.

According to prosecutors, Sangha and a middleman named Erik Fleming sold Perry 25 vials of ketamine, including the fatal dose, for $6,000 in cash just four days before his death.

On the day Perry died, Sangha reportedly messaged Fleming and instructed him to delete their text history, an effort authorities say was meant to cover their tracks.

Prosecutors said in court docs, “She didn’t care and kept selling.

“Defendant’s actions show a cold callousness and disregard for life. She chose profits over people, and her actions have caused immense pain to the victims’ families and loved ones.”

Sangha admitted to one count of maintaining a drug-involved premises, three counts of ketamine distribution, and one count of ketamine distribution resulting in death.

Prosecutors dropped other charges as part of the plea agreement.

Fleming, who obtained the ketamine from Sangha and passed it to Perry’s personal assistant, later pleaded guilty to conspiracy to distribute ketamine resulting in death and faces years in prison.

Sangha operated out of her North Hollywood home, which authorities dubbed the “Sangha Stash House” after federal agents uncovered a large cache of drugs during a raid.

The haul included scores of ketamine vials, crystal meth, cocaine, counterfeit Xanax tablets, and a handgun.

An autopsy confirmed Perry died from acute effects of ketamine and drowning, with toxicology reports indicating multiple doses in the period leading up to his death.

Sangha flaunted her jet-set lifestyle on social media, posting pictures from parties with celebrities, lavish vacations, and designer clothing.

Just days after Perry’s death, she flew to Tokyo, staying at the luxury $1,400-a-night Mandarin Oriental hotel.

Sangha was first arrested in March 2024 on federal drug charges related to her long-running narcotics operation.

Five months later, new federal charges specifically tied to Perry’s overdose were filed; she was taken back into custody and her previous bail was revoked.

Her lawyer, Mark Geragos, announced last year that she would plead guilty, saying she was “taking responsibility for her actions.”

He later told reporters she “feels horrible about all of this” and “has felt horrible since day one.”

In an exclusive jail interview with The Sun before her sentencing, she also said, “I take full responsibility for my actions and the role I played in the events that led to this tragedy. 

“There are no excuses for what I did. I am deeply sorry for the pain I caused, especially to Matthew’s family. 

“Their loss is unimaginable and permanent. 

“I understand that my conduct — operating a drug business and continuing down that path — was reckless, dangerous, and wrong.”

She added, “I can’t undo the past but I can now respect the law. I am determined that my future now reflects accountability and growth.”

Sangha said she is now clean and sober after previous issues with drugs and alcohol and has been undergoing treatment behind bars.

Court documents filed this week show she has also been doing yoga and meditation while locked up at the Los Angeles Metropolitan Detention Center.

Sangha is the third of five people sentenced over Perry’s fatal overdose.

Dr. Salvador Plasencia, one of the doctors who supplied ketamine to Perry in the months before his death, was sentenced to 30 months in prison in December, followed by supervised release.

He shamefully sobbed in court, telling Perry’s mother, Suzanne, and relatives, “I’m just so sorry.”

Dr. Mark Chavez, the second physician involved, received eight months of home confinement and community service.

Two other defendants are still awaiting trial: Kenneth Iwamasa, Perry’s live-in personal assistant, who admitted to helping obtain and administer the ketamine and faces up to 15 years in prison, and Fleming, the middleman.

The five responsible for Matthew Perry’s death

Here are the five individuals allegedly behind Perry’s ketamine overdose.

• “Ketamine Queen of Los Angeles” Jasveen Sangha – Sangha, 42, pleaded guilty in September 2025 to federal charges for supplying the ketamine that caused Matthew Perry’s fatal overdose. Prosecutors say that after Perry’s death, she reportedly searched online, “can ketamine be listed as a cause of death.” She has now been jailed.
• “Dr. P” Dr. Salvador Plasencia – Plasencia, 42, was one of the physicians who illegally supplied ketamine to Perry before his death. He pleaded guilty in mid‑2025 to several federal counts of ketamine distribution. In December 2025, he was sentenced to 30 months in federal prison and fined; he was remanded immediately to begin serving his term.
• Dr. Mark Chavez – Chavez pleaded guilty to conspiracy to distribute ketamine in connection with Perry’s death. In December 2025, he was sentenced to eight months of home confinement, ordered to complete community service, and placed on supervised release.
• Kenneth Iwamasa – Iwamasa, 59, Perry’s live‑in assistant, admitted he obtained and administered ketamine to Perry as part of the scheme. He pleaded guilty to conspiracy to distribute ketamine causing death and is set to be sentenced in April.
• Eric Fleming – Fleming, 54, an intermediary dealer who helped coordinate the flow of ketamine from suppliers to Perry’s assistant, pleaded guilty to conspiracy and distribution charges. He is also set to be sentenced in April.

Court filings show Perry texted Iwamasa, “shoot me up with a big one,” shortly before his death.

Perry, who rose to fame as Chandler Bing on the hit 90s sitcom Friends, was found unconscious in his hot tub in Los Angeles in October 2023 at age 54.

US Attorney Martin Estrada said Perry had relapsed in the fall of 2023, and that “these defendants took advantage to profit for themselves.”

Perry had struggled with decades-long drug and alcohol addiction and became dependent on ketamine during infusion therapy aimed at treating his depression.

If you or someone you know is affected by any of the issues raised in this story, call SAMHSA (Substance Abuse and Mental Health Services Administration) at 1-800-662-HELP (4357)

Rainelle Krause, a coloratura soprano who went viral for singing a signature aria while hanging upside down from aerial silks, has died after a short hospitalization, her family announced “with immense sadness” Tuesday on social media. She was 37.

“Rainelle was a force in our lives, a brilliant talent defined by grit, fearlessness, curiosity, intelligence, integrity, and resilience,” the family said in a statement on Instagram. “Onstage, her voice matched the breathtaking power of her spirit. Offstage, she was a loving, caring soul whose vibrant energy lit up everyone around her. Our hearts are full from the years we shared, even as we’re shocked that her skyrocketing career was cut short.”

The family gave no further details about the circumstances of her death but said they were grateful to have Krause’s “preserved performances” to revisit. They said they would be planning a celebration of life “at a later date” but wanted to share the sad news now with friends and fans.

“Rainelle always gave her very best, pouring her heart into her art and those she loved,” the family said. “The best way we can honor her memory is by living her values every day. We encourage you to keep her memory alive by sharing her beautiful performances.”

Krause, whose website dubbed the Queen of the Night in “The Magic Flute” as her signature role, debuted in that role at the Metropolitan Opera over the holidays. She did the same last fall at Opera Atelier in Toronto.

“Although we knew Rainelle for only a matter of months, we will never forget her astonishing talent. We were awed by her bravery and daring and deeply moved by her willingness to draw all of us into her circle of friends,” Opera Atelier said Wednesday on social media. “Beautiful, generous, talented and kind, Rainelle is irreplaceable and will always hold a unique place in our memories.”

Born in Florida, Krause graduated from Indiana University’s Jacobs School of Music with a bachelor’s in music and a master’s degree in music in vocal performance. The English National Opera said she trained with the Sankt Goar International Music Festival and Academy in Germany, the OperaWorks Advanced Artist Program in Los Angeles, Opera Las Vegas, the Taos Opera Institute and Opera Nova Costa Rica.

She performed with opera companies in Nashville and Atlanta, and in Texas she sang with the Dallas Opera, with symphony orchestras in Irving and Plano, and with a master chorale in Amarillo. She was set to debut with the Santa Fe Opera in May.

Internationally, Krause’s “The Magic Flute” performances included gigs in Berlin, Copenhagen and elsewhere. Roles outside of the Queen of the Night included the title role in “Lucia di Lammermoor,” the princess in “The Snow Queen,” Zerlina in “Don Giovanni” and Pat Nixon in “Nixon in China.”

As for her viral acrobatic performances, those appeared to have been on hold in the year before her death.

“I can’t even begin to express how much I miss aerial work,” Krause wrote last March on social media. “I’ve been dealing with horrendous shoulder impingement for months, I’ve been in physical therapy since last summer, I’m continuously learning new ways to attempt to build strength and fluency in order to support my VERY hypermobile joints.

“I am in pain most days,” she continued. “But I’m not giving up, I’m seeing incremental improvements, and I will fly again — this time working in concert with the body I have, instead of forcing myself to ‘just put in the work’ with all the wrong pathways.”

Il Etait Temps powered over the line in the Queen Mother Champion Chase to earn trainer Willie Mullins his third win of day two at Cheltenham Festival.

Majborough was the odds-on favourite to claim victory in the big race of the day but a poor jumping display made it an impossible victory.

A mistake at the final fence almost cost Il Etait Temps the win, but jockey Paul Townend steered him over the line at the Festival’s first Ladies Day in five years.

“There was a lot of work put into this horse after Ascot so I have a lot of people to thank,” Townend told ITV Racing. “It shows how tough this lad is. He’s such a courageous horse again today. He was flat as a pan everywhere.

“I wasn’t going to force him but he just found his rhythm.”

Mullins told BBC Radio 5 Sports Extra: “Out of the corner of my eye I could see Paul Townend thinking ‘now we have a horse race’.

“He started to get confident and he planned his move around the last bend.”

Libberty Hunter, priced at 50-1, and Sir Alex Ferguson’s horse, L’eau Du Sud, finished third.

The first winner of the day for Mullins came in the opening race with 11-1 shot King Rasko Grey powering over the finish line.

Act of Innocence, ridden by Nico de Boinville, followed up in second.

Mullins was “disappointed” with his horses in Tuesday’s Supreme Hurdle, but King Rasko Grey’s “form worked out”.

He told BBC Radio 5 Sports Extra: “We were all disappointed with our horses in the Supreme, but his form worked out. The day we bought him from the sales, he looked like a really smooth mover.

“I am very happy. When I saw them here on Monday, my worry was they looked too well.

“I don’t think I have seen my team on the gallop look so well, but they are racing well.”

It was a Mullins one-two in the Novices’ Chase with a brilliant jumping display from 11-1 chance Kitzbuhel allowing him to hold off the challenge of 7-2 shot Final Demand.

Jockey Harry Cobden labelled Kitzbuhel a “phenomenal little horse”.

He told ITV: “He’s braver than I am, this little chap. He’s a phenomenal horse.

“He was brilliant today, looking right the whole way, so that’s why I kept him in the middle. Everywhere I asked him, he delivered. He’s very tough.”