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May 15 (UPI) — President Donald Trump said Friday that wants to build the National Garden of American Heroes, an exhibit of statues in West Potomac Park in Washington, D.C.

Trump posted on social media that the public space would include landscaping and statues of the founding fathers, military soldiers, religious leaders, civil rights figures, athletes, artists and entertainers.

“This magnificent exhibition of statues will be located in West Potomac Park, which we are transforming into one of the World’s most beautiful public spaces,” Trump posted. “Right now, it is a totally BARREN field of Prime Waterfront Real Estate along our Mighty Potomac River.”

The project is the latest of Trump’s announcements to mark the United States’ 250th anniversary. He has said he wants 250 statues included in the garden.

Trump has ordered other projects in Washington, D.C., including renovation of the East Wing of the White House and repainting the basin of the Lincoln Memorial reflecting pool. These projects have drawn criticism over Trump exerting unilateral authority to put them in motion, bypassing congressional approval.

The White House has not clarified whether it will seek congressional approval for the statue garden.

The National Capital Planning Commission and Commission of Fine Arts are typically involved in reviewing projects like this in Washington, D.C.

The newly formed National Garden of American Heroes Foundation is fundraising for the garden project.

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When Kevin Hart announced in January that he’d licensed his name to Authentic Brands Group, the popular comedian was silent on a key detail: the future of his namesake media company.

Hart sold some ownership and oversight of his brand in exchange for an undisclosed sum of money and a stake in Authentic, a New York-based firm that manages the likenesses of Marilyn Monroe, Muhammad Ali, Shaquille O’Neal and David Beckham.

Hart used the partnership with Authentic to reset his relationship with the people around him and his company, according to six current and former employees. Hart’s employees say they worry that this deal marks the beginning of the end of Hartbeat, the comedian’s namesake media company that produces films, owns a network of short-form video channels and handles marketing for brands.

Though the announcement made no mention of Hartbeat, the agreement gave Hart money to buy out his private equity partner in the company over time and regain control of the use of his name, image and likeness. Hart’s endorsement deals, which had been a pillar of Hartbeat business, will now be handled by Authentic.

Once valued at about $650 million, Hartbeat has shriveled over the past few years. The company enacted its latest round of job cuts in December, firing the heads of its scripted TV division, as well as employees working across marketing, social media and brand partnerships, said the people. Earlier this year it let go the leaders of its podcast division and later sued them for breach of contract.

Hart has withdrawn from the company, leaving day-to-day management in the hands of a small group of executives. Staff meetings have been canceled. The development of new film and TV projects has slowed. A slate of new podcasts was pitched but never produced.

Hartbeat’s struggles reflected the challenging environment for many Hollywood production companies as media giants merge and cut spending. The company is also a cautionary tale in this age of the celebrity media mogul. Financial firms have plowed money into media companies led by high-profile figures, believing they could use their notoriety to build valuable businesses. Yet even seemingly successful ones have had a hard time.

Hartbeat, like many of its peers, has suffered from mismanagement and grappled with the tension between the needs of the star and his company. Hart, one of the hardest-working people in Hollywood, tired of subsidizing a company that relied so much on him

Hart declined to comment for this story, which is based on conversations with several current and former employees. On Sunday night, Hart, who hosted the widely viewed roast of NFL great Tom Brady two years ago, was the subject of his own roast on Netflix.

Building a Billion-Dollar Business

One of the most successful stand-up comedians and actors of his generation, Hart, 46, has always been entrepreneurial. In 2017, he started Laugh Out Loud, an online video comedy business that later grew to include branded entertainment. He also operated his own production company, Hartbeat Productions, that made programs for streaming services like Peacock, Quibi and Netflix Inc.

With Hollywood in the midst of a production boom, Hart watched his fellow celebrities get rich from their media enterprises. Reese Witherspoon sold her media company, Hello Sunshine, in a deal that valued it at as much as $900 million. Hart’s friend LeBron James raised money for his company, SpringHill, at a valuation of $725 million. Hart believed he could be next.

In late 2022, Hart merged his business interests under the Hartbeat banner and raised money by selling a 15% stake to the private equity firm Abry Partners. The deal valued the company at about $650 million.

The new business was predicated on three pillars: film and TV, short-form video and advertising. Hartbeat had a deal to produce movies for Netflix, a slate of podcasts for SiriusXM Holdings Inc. and original audio series for Audible. Hartbeat also developed relationships with advertisers such as Lyft Inc., Procter & Gamble Co. and DraftKings Inc.

While Hart would star in Hartbeat projects, the goal of the company was to develop projects and new business that didn’t involve its namesake founder. The company could leverage Hart to sell projects and secure broad programming partnerships. Hart would ask that Hartbeat be involved in producing his movies and any advertising campaign for which he was a spokesperson. His fees as a producer and brand ambassador would help pay the bills. The hope was he’d convince other celebrities to use Hartbeat as well. Thai Randolph, who had been running Laugh Out Loud, was named chief executive officer.

Hartbeat opened offices in New York and Atlanta and took over a 40,000-square-foot West Hollywood office once occupied by Oprah Winfrey. Hart redesigned the space and installed a world-class art collection.

The upper-level lobby featured a work by Ghanaian artist Serge Attukwei Clottey, while the conference room had a sculpture by Zimbabwean artist Moffat Takadiwa made of computer keyboard keys. A portrait of Kobe Bryant by Julian Pace hung outside a podcast studio.

Hart’s own office featured a dressing room, a series of paintings by South African artist Feni Chulumanco, multiple TVs and a desk from a prominent French designer. “He really has almost a full-service apartment in his suite,” Kai Williamson, who worked with Hart on the project, told Architectural Digest. Hart was interviewed for a story and also filmed an episode of the design magazine’s “Open Door” video series.

While Hartbeat expanded, Hollywood entered a recession. Economic uncertainty, rising interest rates and growing skepticism about the profitability of streaming caused major media companies to fire staff and pull back on buying new projects. Hartbeat was a little more insulated than most because talent like Hart could usually still get a project made. Still, producing projects without Hart in a starring role became more difficult.

Randolph left the company in late 2023 and was replaced by Jay Levine, who had spent much of his career at Warner Bros. Discovery Inc. Levine brought in a couple of other senior leaders with experience at major media companies.

A contingent of executives pushed Hart to scale back some ambitions, the people said. The company couldn’t afford to be working in so many different businesses at the same time, especially as areas like free, advertising-supported online video, and podcasts got more competitive. Hart was one of the most prolific and productive creative people in the world, starring in and producing movies, TV shows, comedy, short-form videos and advertisements. The point of the company was to relieve the stress on him, not add to it.

While Hartbeat closed its New York office, Hart was reluctant to scale back his vision or replace some long-time lieutenants. Levine negotiated his exit at the end of 2024 and was followed out the door by the company’s chief financial officer and chief content officer. Days before Thanksgiving, Hartbeat laid off about 20 people, nearly one quarter of its work force.

A year of chaos and conflict

In January 2025, Hart announced he would be the new CEO of Hartbeat and pledged to outline the firm’s strategy in the coming weeks. Instead, Hart went weeks and sometimes months without visiting the office, the people said, and empowered Jeff Clanagan and CFO Eric Stoneburner to run the company day to day. (Hart was on set to shoot at least a couple movies last year, in addition to his other work.)

A former concert promoter and movie producer, Clanagan had helped make Hart a major star. He had partnered with Hart to bring his stand-up specials to the big screen, producing shows such as 2013’s Kevin Hart: Let Me Explain, which grossed $32 million at the box office. Clanagan produced some of these specials under the banner of his own company, Codeblack Films, which helps promote, market and distribute video from Black creators.

Clanagan continued to operate Codeblack while serving in a senior capacity at Hartbeat, said the people. He pushed employees at Hartbeat to post its videos to the Codeblack channels as well, saying they could use the additional reach to raise awareness. The videos generated advertising sales for Codeblack.

Clanagan had employees at Hartbeat oversee Codeblack’s social media pages and asked to get those channels loaded into Hartbeat’s content management system. That gave Codeblack’s YouTube channels advantages over others because of Hart’s prominence and his company’s designation with YouTube. Employees raised concerns with human resources and the company’s lawyer.

Clanagan also became increasingly interested in video generated by artificial intelligence. He started a new app called Blktopia, a streaming service for Black viewers programmed with content from online creators and often made by AI. He urged employees to work on it, the people said. Clanagan initially responded to a request for comment and then retracted the text message.

Meanwhile, many of Hartbeat’s main businesses languished. Sales from the company’s YouTube channels fell and investment in new film and TV projects slowed. Hartbeat, once profitable, started to bleed cash. Hartbeat had hired Eric Eddings and Lesley Gwam to produce audio shows that didn’t involve Hart. While the pair developed a slate of projects, they never got approval to make them.

In mid-December, Hartbeat fired about a dozen employees, including some of those who were supposed to develop the podcasts. Eddings and Gwam then decided to start their own company and began trying to raise money. When Clanagan found out, Hartbeat fired them and sued for alleged theft of trade secrets and breach of contract.

A court approved a temporary restraining order but then rejected a preliminary injunction, saying Hartbeat had not demonstrated Eddings and Gwam had used proprietary information or trade secrets. The court said the request was “vague, ambiguous, and overly broad.” The case is ongoing.

Hartbeat also fired the heads of its TV division, Tiffany Brown and Mike Stein, who were in the middle of producing a TV show based on the film Barbershop for Amazon.com Inc. and a second season of the animated series Lil Kev.

The company made no official announcement explaining the cuts. The following week, senior leadership arranged a Zoom meeting. Hart remained off camera until it was his time to speak. He talked for a few minutes about changes at the company and took no questions. Hart changed his phone number in the weeks following the layoffs. (Some of his advisors had suggested he do this years earlier so that he wasn’t so available.)

A few weeks later, Hart announced the deal with Authentic Brands Group. Hart used some of the proceeds to buy out Abry Partners, freeing him to steer his brand deals to Authentic and outside of Hartbeat. A few of his employees and his publicist joined him at Authentic.

“This is a turning point for Hartbeat,” the company wrote in a subsequent email to employees, explaining that the deal would free Hart up to focus on what he does best, while allowing Hartbeat to stand on its own and grow beyond him.

“I know the past few months have been tough,” Hart wrote, adding that for too long the company had been too dependent on him. The email was said to be from “Kevin AKA Boss Man.” It was sent by Hart’s assistant.

Shaw writes for Bloomberg.

SACRAMENTO — Gov. Gavin Newsom said his administration is “moving forward aggressively” to continue laying the groundwork for a giant tunnel beneath the Sacramento-San Joaquin River Delta to replumb the state’s water system.

“We got to move faster. Move faster,” Newsom said to regulators during a speech Thursday at a conference held by the Assn. of California Water Agencies. “We all have to be held to a higher level of accountability.”

California’s 40th governor provided a chronological look back at his water policies since taking office in 2019 and asserted the need to continue his effort to modernize state infrastructure to provide for cities and farms into the future.

Newsom cast the tunnel as a “climate adaptation project,” noting that climate change is projected to shrink the amount of water the state can deliver with its current infrastructure.

With his term expiring at the end of the year, Newsom acknowledged that he will soon “pass the baton” on water policy to the next governor. Democrat or Republican, that person could decide the fate of his signature water project.

“The Delta Conveyance, if we had it last year alone, would have provided enough water, in terms of what we could have captured with an updated system, enough water for 9.8 million Californians’ needs for over a year,” Newsom said. “We’ve got to get that done.”

Water has been a focus of the Newsom administration since his first day in office, when the governor took his cabinet to Monterey Park Tract, a rural Central Valley community that lacked access to safe drinking water.

Described by Newsom as “the forever problem” in California, water policy is also among the most politically contentious issues in the state.

The tunnel would create a second route to transport water from new intakes on the Sacramento River to the south side of the Delta, where pumps send water into the aqueducts of the State Water Project.

The project is particularly acrimonious, drawing out geographical battles between north and south and thorny fights between officials who want to build the tunnel and environmentalists and Delta residents seeking to protect the local ecosystem and their way of life.

Newsom and other supporters have said the tunnel would protect the state’s water system as climate change intensifies severe droughts and deluges. Opponents call the project a costly boondoggle, arguing it’s not necessary and would destroy the Delta.

It’s been mired with regulatory hurdles and other challenges for years.

The State Water Resources Control Board is considering a petition by the Newsom administration to amend permits so water could be tapped where the tunnel intakes would be built.

There have also been other complications. A state appeals court in December rejected the state’s plan for financing the project, and the California Supreme Court in April declined to take up the case. The state Department of Water Resources said it still plans to issue bonds to finance the project.

Other court challenges by Delta-area counties and environmental groups are also pending.

Whether the project is ultimately built may hinge on whether large water agencies, including the Metropolitan Water District of Southern California, decide to participate and pay for its building.

State officials have said that the tunnel, called the Delta Conveyance Project, ultimately would be paid for by participating water agencies.

The state estimated in 2024 that the tunnel would cost $20.1 billion, while opponents say it could cost three to five times more than that.

In the last seven years, California has invested $11 billion in water infrastructure, Newsom said.

The Democratic governor reflected on other parts of his water policies, saying he has prioritized securing funds to provide clean drinking water to more communities where Californians live with contaminated tap water.

He said while there has been progress in bringing safe drinking water to more communities, there is still “a lot more work to be done.”

Newsom touted his administration’s investment in replenishing groundwater in the Central Valley and its efforts supporting plans to build the Sites Reservoir near Sacramento.

Newsom said the Sites Reservoir is critical for the state’s future, and he indicated some frustration about the pace at which it’s advancing.

“We’ve got to do the groundbreaking at Sites,” he said. “If you can’t agree to an off-stream investment in this world of weather whiplash, we’re as dumb as we want to be.”

He said his administration has also made progress on environmental projects including restoring wetlands around the shrinking Salton Sea, removing dams on the Klamath River, and developing a strategy to help salmon, which have suffered major declines in recent years.

Touching on issues that generate heated debate, Newsom talked about a controversial plan for new water rules in the Delta that relies on so-called voluntary agreements in which water agencies would contribute funding for wetland habitat restoration projects and other measures.

Newsom described the approach, called the Healthy Rivers and Landscapes program, as a solution to break away from the traditional conflict-ridden regulatory approach and improve the Delta’s ecological health.

“Got to maintain the vigilance on these voluntary agreements. At peril, we go back to our old ways,” he said.

Environmental advocates argue that the proposed approach, which is widely supported by water agencies, would take too much water out of the Delta and threaten native fish that are already in severe decline.

Newsom said climate change is increasingly driving “weather whiplash” in California and that the state must prepare. He noted that his tenure included the extreme drought from 2020-22, followed by extremely wet conditions in 2023, which revived Tulare Lake on thousands of acres of farmland.

He said the state needs to manage water differently because the effects of climate change have been apparent over the last several years: “The hots were getting a lot hotter, the dries were getting a lot drier, and the wets were getting a lot wetter.”

The International Alliance of Theatrical Stage Employees is striking against “CoComelon: The Melon Patch” in protest over wages and working conditions.

The union representing crew members working on the live-action YouTube series said the workers are being overworked and that the production is understaffed.

The crew, which consists of 22 workers, recently signed cards seeking the International Alliance of Theatrical Stage Employees, or IATSE, to represent them in collective bargaining. The production’s management refused to bargain, according to the workers.

“The crew on this project experienced firsthand what working conditions can be like on a non-union production and organized for fair wages and industry-standard benefits after they started the second season,” IATSE said in a statement to The Times.

The strike began on Wednesday, halfway through the series’ shoot. The workers are currently picketing outside the Stage This studio in Sun Valley.

Moonbug Entertainment, the company behind the “CoComelon” franchise, declined to comment on the matter.

“The Melon Patch” first launched in 2025 and is a spinoff of the original “CoComelon” on YouTube. Over the last several years, “CoComelon” has become a staple in households with young children, known for its brightly colored 3D animation style. The franchise has spawned many spinoffs including Netflix’s “CoComelon Lane.” Universal Pictures is set to release a full-length feature in early 2027.

Several previous “CoComelon” productions have successfully been unionized and covered by IATSE’s contract, including the Netflix series.

Chris Roberts worked as an art director on the first season, but says he was initially offered a lower rate for season two. Though the project is non-union, he said it’s ironic to have to picket a company that makes kids’ content, as he’s unable to support his own family.

“It’s a little disheartening to be offered less money than we were paid in the first season and then have less staff, a heavier workload, and not be able to provide for my kids,” said Roberts, who has been a member of IATSE since 2016.

The ceasefire between the US and Iran has been in place for nearly four weeks. The Strait of Hormuz has not been at peace for a single day.

This week pushed that contradiction to its most dangerous point yet. The United States launched Project Freedom, a naval escort operation designed to guide roughly 2,000 ships stranded on either side of the Strait through to open water. Iran said any ship attempting passage without IRGC permission would be fired on. Within hours, both sides were claiming to have hit the other, the UAE was scrambling missile alerts for the first time since the ceasefire began, an oil refinery in Fujairah was on fire, and commercial aircraft bound for Dubai were turning around mid-air.

As of Tuesday evening, Trump announced Project Freedom would be paused “for a short period of time” to see if an agreement with Iran could be reached. Secretary of State Rubio told reporters the US was now in a “defensive” posture. Twenty-four hours earlier, both sides had been shooting and denying it simultaneously.

Here is what we know, what is contested, and what it means.

What Is Project Freedom and Why Did the US Launch It?

Trump announced the operation on Sunday, framing it in humanitarian terms, an effort to free the seafarers and cargo companies that had done nothing wrong and were caught between two governments fighting a war neither had formally ended. About 2,000 ships have been stranded on either side of the Strait since late February, unable to move without IRGC permission, which Iran began requiring and charging for after the ceasefire took effect.

The US had already begun a naval blockade of Iranian ports on April 13. Project Freedom was the next escalation — a direct challenge to Iran’s assertion that the Strait was now under its operational control. Trump described it as a “humanitarian gesture.” Iran described it as a violation of the ceasefire and an act of military aggression in a sensitive oil region that affects the economies of countries around the world.

Two American-flagged merchant ships successfully transited the Strait on Monday with US Navy escort. A Danish shipping company confirmed one of its vessels crossed with US military protection. But the transit did not go smoothly.

Did Iran Attack a US Warship? What the Claims Say

By Monday afternoon, the competing narratives had become almost impossible to untangle, which is itself part of the story.

Iran’s Fars News Agency reported a US warship had been hit by two Iranian drones after refusing to turn back from the Strait. CENTCOM denied any warship had been hit. US Admiral Brad Cooper said CENTCOM forces had sunk six IRGC vessels that tried to interfere with Project Freedom. Trump later said seven. Iran’s state broadcaster then reported that Tehran had launched an investigation and its preliminary conclusion was that the vessels the US claimed to have sunk were not IRGC boats at all, they were two small civilian craft carrying passengers from Oman to the Iranian coast, and five civilian passengers had been killed. The US has not commented on that claim and it has not been independently verified.

Why Iran Attacked the UAE in 2026: The Fujairah Strike Explained

The UAE’s Ministry of Defense said its air defenses engaged 15 ballistic missiles, three cruise missiles, and four drones launched from Iran on Monday, the first Iranian attacks on the UAE since the ceasefire took effect on April 8. One drone struck an oil refinery in Fujairah, wounding three Indian nationals and setting the facility ablaze. Four missile alerts were issued across the country, sending residents to shelter. Commercial aircraft bound for Dubai and Abu Dhabi turned around in mid-flight.

Iran’s position was that the Fujairah attack was not a premeditated strike on the UAE but a consequence of what it called US military adventurism in the Strait. An Iranian military official said the Islamic Republic had no preplanned programme to attack UAE facilities, and that what happened resulted from the US attempt to create an illegal passage through restricted waters. The UAE’s Foreign Ministry rejected that framing entirely, condemning what it called renewed terrorist and unprovoked Iranian attacks on civilian sites, and warning it reserves the full right to respond.

Why the Attack Claims Cannot Be Independently Verified

One detail worth noting is the shifting count of Iranian vessels supposedly sunk. Admiral Cooper said six. Trump said seven. No independent observer has confirmed either figure, and Iran has denied any IRGC boats were hit at all. This pattern: each side claiming damage inflicted while denying damage received, with no neutral verification , has run throughout the conflict and is not unique to this week’s exchange. What is different now is that the Strait is supposed to be under a ceasefire, and the exchanges are happening in a waterway where 2,000 civilian ships are anchored and waiting to see who wins the argument.

How the Hormuz Escalation Is Threatening Iran Ceasefire Talks in 2026

Trump’s decision to pause Project Freedom on Tuesday is significant precisely because of how quickly it followed the launch. The operation began Sunday. By Tuesday, with the UAE under attack, Iranian drones targeting ships in the Strait, and competing claims circulating with no resolution, the White House stepped back. Rubio reframed the entire mission as defensive rather than offensive, and a new UN Security Council resolution on freedom of navigation was announced, co-authored by Bahrain, Saudi Arabia, the UAE, Kuwait, and Qatar. A previous similar resolution was vetoed by China and Russia, and the outlook for this one is no clearer.

The pause does not resolve the underlying problem. The Strait remains contested. Iran still insists ships must seek IRGC permission and pay for transit. The US still insists the Strait is international water under international law. Two thousand ships are still stranded. And the ceasefire that is supposed to govern all of this is being tested in ways its text was never designed to handle.

The attacks this week did not happen in isolation from the negotiations still technically underway. Pakistan has been trying to bring the US and Iran back to a second round of talks after the Islamabad discussions collapsed on the nuclear question in April. Every exchange of fire, every competing claim, every missile alert in Abu Dhabi makes that second round harder to convene and harder to trust once convened.

As Shahram Akbarzadeh, a professor in Middle East and Central Asian politics at Deakin University, told Al Jazeera: “We see escalation after escalation against the backdrop of shuttle diplomacy. Such attacks, even if they are aimed to be contained, risk exploding into another major combat.” Neither the Americans nor the Iranians want a return to full-scale war, Akbarzadeh said, but neither is prepared to show weakness. “This dynamic has locked them in a perpetual conflict and in desperate need of a circuit breaker.”

The circuit breaker Pakistan offered in April produced a ceasefire. That ceasefire is now generating its own escalation cycle, in twenty-one miles of water, over a question neither side has answered: who controls the Strait of Hormuz, and on what terms does the world’s most important waterway reopen.

Two thousand ships are waiting for the answer.

The suspension of “Project Freedom,” a U.S. operation to escort ships through the Iran-controlled Strait of Hormuz, has made it unnecessary for Seoul to review whether to participate, National Security Adviser Wi Sung-lac said Wednesday.

The national security adviser made the remarks in a meeting with reporters shortly after U.S. President Donald Trump announced that the project would be paused for a short period of time, just days after it began.

“Because the operation has been halted, (a review of whether to participate) has become not necessarily needed,” he said, adding that Seoul had planned to review the matter.

Wi said no signs have been found so far that the South Korean-operated ship, which suffered a blast and fire in the Strait of Hormuz, had sustained an attack.

A blast and fire were reported aboard the vessel, Namu, operated by major South Korean shipping firm HMM Co. on Monday while it was anchored in waters off the United Arab Emirates.

The possibility of the vessel being attacked had initially been mentioned, and Cheong Wa Dae had once taken the possibility into account, but information so far has not indicated any supporting evidence, he noted.

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

A military operation titled “Project Freedom” has been launched by the US Navy to secure a safe passage of commercial vessels through the blocked Strait of Hormuz, a spokesperson for the United States military’s Central Command (CENTCOM) told Al Jazeera on Tuesday.

The Strait of Hormuz has been at the centre of the US-Israeli war on Iran that began on February 28, triggering disruptions that have pushed up commodity prices around the world.

Iran has effectively sealed off the strait by threatening to deploy mines, drones, missiles and fast-attack craft. The US has countered by blockading Iranian ports and mounting escorted transits for commercial vessels.

The US military spokesperson said that ship owners and insurance companies have responded positively to the operation, which has “just begun” and is aimed at ensuring commercial ships can pass through the strait safely to benefit global and regional economies.

Later on Tuesday, US Secretary of State Marco Rubio said at a news conference in Washington, DC, that 10 civilian sailors have died due to the ongoing conflict in the Strait of Hormuz, adding that the US Navy has destroyed seven Iranian fast boats in the waterway.

Rubio said the US will continue to clear a passageway through the strait to restore freedom of navigation.

Operation ‘defensive in nature’

US Defense Secretary Pete Hegseth said the operation has the goal of reopening the strait and allowing the passage of thousands of stranded commercial vessels.

“Project Freedom is defensive in nature, focused in scope, temporary in duration [and] with one mission: protecting innocent commercial shipping from Iranian aggression,” Hegseth said during a briefing on Tuesday at the Pentagon.

He said that as part of Project Freedom, US forces would not need to enter Iranian waters or airspace, adding that Iran can no longer be allowed to prevent international commerce.

“Iran … cannot be allowed to block innocent countries and their goods from an international waterway,” Hegseth said, and added that two US commercial vessels, along with the country’s warships, have already traversed the strait.

“They said they control the strait – they do not,” the secretary said.

Iran denied any crossings had taken place, though shipping company Maersk said the Alliance Fairfax, a US-flagged ship, exited the Gulf under a US military escort on Monday.

Several merchant ships in the Gulf reported explosions or fires on Monday, and the United Arab Emirates (UAE) claimed to have come under an Iranian attack, with an oil port targeted on Monday. On Tuesday, Iran’s army denied any attack on the UAE in recent days.

Iran did confirm firing warning shots at a US warship approaching the strait, forcing it to turn back.

Alexandru Hudisteanu, a military and diplomatic analyst, has told Al Jazeera that the US operation to force open the Strait of Hormuz considerably increased the risk of miscalculation from both sides, especially Iran.

He said that by pushing two ships through the strait yesterday, the US “trapped Iran in an escalation situation”.

After issuing a new map of the Strait of Hormuz with an expanded Iranian area of control, Iran’s Islamic Revolutionary Guard Corps (IRGC) warned vessels on Tuesday to stick to the corridors it had set or face a “decisive response”.

US President Donald Trump said Iran’s military had been reduced to firing “peashooters” and Tehran wanted peace, despite public sabre-rattling.

“They play games, but let me just tell you, they want to make a deal,” the US president told reporters in the Oval Office.

On Tuesday, Air Force General Dan Caine, chairman of the US Joint Chiefs of Staff, said that there are more than 1,500 vessels with about 22,500 crew trapped inside the Gulf, but that Iranian attacks against US forces fell “below the threshold of restarting major combat operations at this point”.

Asked what Iran would need to do to violate the ceasefire, Trump said: “They know what not to do.”

May 5 (UPI) — Senate Republicans have released an immigration enforcement package that includes $1 billion in taxpayer money earmarked for President Donald Trump‘s massive ballroom project at the White House — a project the president has widely touted as being fully funded by private donors.

That $1 billion is to be used for security improvements to the 90,000-square-foot space, including “security adjustments and upgrades, including within the perimeter fence of the White House Compound to support enhancements by the United States Secret Service relating to the East Wing ModernizationProject, including above-ground and below-ground security features,” the bill says.

Since a shooting at the White House Correspondents’ Dinner in late April, Republicans have said the ballroom is needed for presidential security. Trump administration court filings on the plan from early April say the project will be able to withstand drone attacks and include a bomb shelter and underground medical facilities, NBC News reported.

“Congress has rightly recognized the need for these funds,” White House spokesperson Davis Ingle said in a prepared statement Tuesday. “Due in part to the recent assassination attempt on President Trump at the White House Correspondents’ Dinner, the proposal would provide the United States Secret Service with the resources they need to fully and completely harden the White House complex, in addition to the many other critical missions for the USSS.”

This $1 billion is part of a reconciliation bill that Congress plans to pass with only Republican votes, CNN reported. The full package contains about $70 billion for U.S. Immigration and Customs Enforcement and border patrol. Democrats have earlier blocked such funding without reforms, including requiring judicial warrants and banning officers from wearing masks.

Trump has long said the ballroom project, which is expected to cost $300 million to $400 million, is a gift to the nation from private donors with “not one penny” of government funds to be used, NBC News reported. The president demolished the White House’s East Wing without congressional approval for the project, a move that’s drawn ongoing legal challenges.

Last week, after the Correspondents’ Dinner incident, the Department of Justice asked a court to dismiss a lawsuit by the National Trust for Historic Preservation that challenged the ballroom plans. DOJ officials said “there is no better example of why this ballroom is necessary.”

Senate Democrats say they’ll try to force a vote to strip the $1 billion in ballroom money from the bill, which is expected to be voted on later in May.

In an Al Jazeera exclusive interview, US Central Command spokesman Tim Hawkins says the main priorities in the Strait of Hormuz are securing safe routes for merchant vessels and blockading Iran.

Tehran, Iran – Iran’s authorities and state media project that they are less interested than before the war in negotiations with the United States if they go beyond their accepted terms, as mediated talks failed to materialise in Pakistan.

Foreign Minister Abbas Araghchi met senior Pakistani officials in Islamabad on Saturday and left for Oman, to be later bound for Russia. The top diplomat, who was not joined by Parliament Speaker Mohammad Bagher Ghalibaf like in a previous round of negotiations earlier this month, said he was “yet to see if the US is truly serious about diplomacy”.

Envoys Steve Witkoff and Jared Kushner had been expected in Pakistan after the White House said Iran asked for a second round of direct negotiations, but US President Donald Trump cancelled the trip and said, “we have all the cards, they have none” while reiterating his claim about “infighting and confusion” among Iran’s leadership.

“If they want to talk, all they have to do is call!!!” Trump wrote in an online post, continuing to put the onus on Iran’s leadership.

Amid a state-imposed near-total internet shutdown in Iran, nearing two months, officials and the supporters of the Islamic Republic emphasise that they are united in opposing any concessions to Trump.

The US president said earlier this week he was in “no rush” to reach an agreement with Iranian leadership, whom he claimed, without evidence, were “fighting like cats and dogs” among themselves.

Since Trump highlighted the perceived fractures, military, security, judiciary and government authorities in Iran have been releasing synchronised messages with near-identical wording to proclaim absolute unity.

The messages, circulated through state media and even using similar graphics and fonts but with different colours, claim that everyone in the country is “revolutionary” and exercises “complete obedience” to Supreme Leader Mojtaba Khamenei.

The authorities also claim that more than 30 million people – a third of Iran’s total population – have registered in a state-run campaign to express readiness to “sacrifice” their lives if necessary, but they have not provided any documentation to prove this.

The Khatam al-Anbiya Central Headquarters of the Islamic Revolutionary Guard Corps (IRGC) said on Saturday afternoon that armed forces would retaliate against the US if it continues its “blockade, banditry and piracy” in Iran’s southern waters.

“We are prepared and determined to monitor the behaviour and movement of the enemies in the region and maintain management and control of the strategic Strait of Hormuz, and to inflict more severe damages on the American-Zionist enemies in case of another aggression,” read its statement.

The IRGC on Saturday took a state television presenter to broadcast near two vessels seized days earlier in the strait to report that Iran exercised “total control” over the waterway.

Iranian authorities continue to call on their supporters, including paramilitary forces, to take to the streets every night in order to maintain control.

In a rally in downtown Tehran on Friday night, Meysam Motiei, a prominent state-backed religious singer with links to the supreme leader’s office, told the crowds that anyone stuck in factional infighting during times of war “has not grown up yet”.

“If anyone from any group or faction, especially in the name of being a revolutionary, tries to disturb the unity of the people, they will get a slap in the face by the people,” he asserted.

But in ultraconservative Mashhad in northeast Iran, where a shrine considered holy for Shia Muslims is located along with powerful religious and economic foundations, some were still preaching aggressively against the possibility of former reformist and moderate leaders retaking power.

“They have instructed us to keep unity with incumbent officials, not these two people,” a speaker told a gathering crowd on Friday night in a clip shared by state-linked media, in reference to former President Hassan Rouhani and his foreign minister, Mohammad Javad Zarif.

“We are not afraid of B-2s and B-52s; we are afraid of dishonourables who have no concern for the homeland. Wherever Trump makes a mess, Zarif comes and blabbers away,” he said, about the diplomat who led nuclear talks that led to a now-expired landmark accord with world powers in 2015.

Iran’s judiciary continues to execute dissidents, and on Saturday announced the hanging of Erfan Kiani, who was arrested during the nationwide protests in January when thousands were killed.

The judiciary described him as “Mossad’s hired knife-wielder” and said he was accused of destroying property, arson and more in downtown Tehran.

No nuclear talks?

Iranian state media reports indicate that the US naval blockade of Iran’s ports is undermining the ceasefire extended by Trump and allowing the more hardline voices in Tehran to come out on top.

The Tasnim and Fars news agencies, affiliated with the IRGC, argued against allowing any nuclear negotiations to take place with the US, even though Trump and Israel’s Prime Minister Benjamin Netanyahu started the war with the predominant goal of preventing a nuclear-armed Iran. Tehran has consistently stressed that its nuclear programme is peaceful, although some Iranian leaders have called for the development of a bomb.

“The negotiations with the US are strictly to end the war, and Iran does not consider the nuclear issue to be part of the talks,” Tasnim said, claiming that time was not on Washington’s side due to the tumult in global markets resulting from the war.

Khamenei has not directly commented on more negotiations, but Ali Khezrian, another representative of Tehran in the hardline-dominated parliament, told state media on Thursday that Khamenei was “opposed to any extension of negotiations” under threats from the US and Israel.

Israel’s Defence Minister Israel Katz earlier this week adopted Trump’s apocalyptic messaging, and said armed forces are awaiting a greenlight from the US to “return Iran to the age of darkness and stone by blowing up central energy and electricity facilities and crushing national economic infrastructure”.

There are currently three US aircraft carriers and their supporting vessels in the Middle East region, according to the US military, which marks the first time this has happened since the buildup to the 2003 invasion of Iraq.

But Mahmoud Nabavian, a senior black-turban cleric and hardline member of parliament who was a part of the large Iranian delegation in the first round of talks, said it was a “strategic mistake” to even include the nuclear issue.

He told state media that this allowed the US to raise demands like a 20-year suspension of enrichment, and shipping Iran’s buried high-enriched uranium abroad.

“From now on, entering any negotiations with the US is pure damage and has no interest for the Iranian nation,” he said earlier this week, adding that oil sales were providing the government with a “full hand”.

Mohammad Saeedi, the Friday prayer imam of ultraconservative Qom, located south of Tehran, said in reference to the US that it would be “meaningless and unfair to sit down behind the negotiating table with a symbol of corruption”.

Civilian infrastructure in danger

The government of relatively moderate President Masoud Pezeshkian has signalled concern about the potential impacts of systematic targeting of more civilian infrastructure, especially power plants, in case the war continues.

“We have a simple request from the people: to reduce their consumption of power and energy. For now, we have no need for these dear people to sacrifice their lives, but we need to control consumption,” the president said on Saturday. “They have hit our infrastructure and blockaded us, so the people become dissatisfied.”

Mohammad Allahdad, the head of Tavanir, the government-owned mother company for development and operation of Iran’s power grid, told state television that it would pay a reward to citizens who would report any theft and illegal use of electricity.

First Vice President Mohammadreza Aref said, “We will build Iran back more glorious” through unity after previous infrastructure attacks that hit oil and gas facilities, steel producers, petrochemical firms, aluminium factories, energy facilities, as well as airports, naval ports, bridges and railway networks.

The government reopened Tehran’s Imam Khomeini Airport for limited foreign-bound flights on Saturday, including those taking people to the Hajj pilgrimage in Saudi Arabia, despite the potential of war resuming.

Jonnie Park has always gone by many names. The most Google-able is his hip-hop moniker “Dumbfoundead,” which he’s gone by for decades as a seasoned battle rapper and an artist who’s put out a jaw-dropping 13 albums while becoming one of the kings of legendary Leimert Park hip-hop crew, record label and open mic Project Blowed. As a resident of L.A.’s Koreatown since childhood, he’s still known as “The Mayor of K-town.” To his friends, he’s just “Dumb.” Of all the aliases and titles he’s fought for, “author” might seem to be the most unlikely. But as a professional when it comes to producing scathing hot bars in battle raps, it felt only right to put his journey down the warpath of rhymes on paper in his debut memoir “Spit: A Life in Battles,” released April 14 on Third State Books.

The memoir (which includes a foreword by Park’s longtime friend, R&B star Anderson .Paak) recounts razor-sharp memories starting from childhood, including the harrowing story of his family’s immigration from Argentina to L.A. when he was 3. He talks frankly about the perils and prejudice of growing up Korean American in Southern California and thrusting himself into the hip-hop scene, where, after stumbling in as an outsider to Black culture, he ultimately found his voice on stage. It speaks to the foundation that later served him well as an actor, podcaster, comedian and recently TV writer for season 2 of the hit show “Beef.” But he says his reputation as a battle rapper is the one that will always matter most.

Recently Park spoke to the Times about the hardest parts of writing his new memoir, the importance of Project Blowed and taking his underground rap mentality with him from the gutter to the stars.

For your memoir you purposely take the parts of your life from childhood until about age of 30, the peak of your hip-hop career. What was it like to go back and take that journey again?

To me, it’s always kind of the core of who I am. Even as a multi-hyphenate, I always say I’m first and foremost a battle rapper. It was such a pivotal moment at a time in my life and I take that label with me wherever I go, so it doesn’t feel too distant. But to actually be in that arena feels very distant. I look back and I just think about the audacity of a young Asian kid in that world. I’m just like “Wow, I really had the balls to do this at one point.” And I still love the subculture of battle rap. It’s something I’m a part of and a story that I want to tell in all these other mediums — whether it’s screenwriting or developing a TV show, I still feel like there’s a lot to be done with that subculture.

Why was it important for you to help your readers learn about the technical aspect of battle rap and what it takes to be a battle rapper?

There’s a lot more layers to it than people know. Obviously we know Eminem’s “Eight Mile” was the height of the story of where battle rap got to, and it did a great job of that. Obviously it’s been many years since then. But I also wanted to let people know that the people involved in this subculture aren’t just in poverty trying to make it out and get on a record label. This is a real subculture that people obsess over and I just wanted to find an excuse to nerd about it and also teach people this kind of new era of battle rap. I also highlight some of my peers really deserved it, and including the open mic I went through called Project Blowed. That’s the one thing I love about this book is that I can immortalize some of my personal heroes and places that I hold dear to my heart.

But mechanics of how our brains work when freestyling is something I find interesting. People always ask me “How do you guys freestyle or battle?” And I was really nervous about explaining it. I just didn’t know how I would do that. I had the help of my co-author, Donnie Kwak, who I’ve known for many years. He’s never written a book either, but he’s just kind of like a big brother to me and we’ve had many conversations about this. So being able to break that down was really cool for me. And I still really love that chapter about freestyling and battling for dummies.

Dumbfoundead’s memoir “Spit” chronicles his rise through underground battle rap, offering deeper insight into the subculture.

(Lenne Chai)

What was it like for you as you were discovering your voice through open mics at Project Blowed?

Project Blowed freed such a big part of me. I think when I saw the other rappers there, and they were taking [rapping] to heights I never imagined, the styles of raps that I would see here, from there, were so unorthodox. At that point, I was listening to everything on the radio along with mix tapes and stuff. But this was not even that. This wasn’t even like the underground mix tapes. It was the most raw and purest form of rap. It was so weird and abstract, even for me, just the young Korean kid at the age of 14 that hadn’t gone south of Pico Boulevard, growing up on Third Street, and all of a sudden I’m on 43rd. It was like another world for me. Next thing I know, I’m immersed in this world where there’s black kids that are into anime, punk rock and rapping their a— off. And I’m like, “This is insane!” So it did a lot for my perception of everything, more than just hip-hop.

Why was it so important for you to kind of showcase your Korean from not only the standpoint of a rapper but also as a writer?

Definitely the Korean American part was very important to me, because we see Korean culture, Korea especially being this global powerhouse, and what we know of it is the “Squid Games,” and the K-Pop of it all. And so I did want to share this more in the perspective of a Korean American. Even more specifically, in Southern California, in Los Angeles, there is a different vibe of Asian American life than the rest of the country. I’m the epitome of that. A lot of our parents have these wholesale businesses downtown or dry cleaners or liquor stores. Growing up in K-town, a lot of Korean families have a dad who’s an alcoholic, and there’s a lot of domestic violence situations. I think through my story, a lot of people will see themselves in these situations.

Jonnie Park, a.k.a. Dumbfoundead, writes in his memoir about growing up in Koreatown.

(Third State Books)

I think it also just speaks to all the different layers of struggle, battles that you and your family have gone through. Were there any aspects of this book that were really challenging for you?

The hardest part was definitely writing about my father, and knowing that this book is going to be out in the public because it’s so revealing. There’s affairs, there’s businesses that he worked at that are named. These families do exist — I grew up with that family that my dad had an affair with. I don’t talk to them or anything, but it’s all in the book. And I did want to be honest, I just felt like this is a place to do it if I’m going to do it. I don’t know if my dad will read it, but if it ever got translated into Korean, he’s definitely reading it. I still don’t have a great relationship with my father and I just feel like there wasn’t, there’s not much of a closure to that still. And maybe the book will help open up some new conversations between him and I. So that part was a little difficult, and also talking about some of the domestic violence in my house. Growing up with my dad and my mom, it made me feel for my mom a lot.

The beginning and the end is the most difficult part, because the end really discusses kind of like that insecurity as an artist, and where I’m at in my life as an artist, seeing a lot of my friends becoming extremely successful. I really wanted to be honest about that. The book doesn’t necessarily end with me being triumphant and feeling at ease.I still feel that as an artist, and I think that’s why it’s just an ongoing battle.

Describe what that’s like having come out of that underground rap scene and showing your skills to the world in TV and film while holding on to that underground mentality.

Even being in a writer’s room for “Beef” Season 2 — that was my first writer’s room — felt like a cypher. Knowing when to jump into the conversation at the right time, and knowing when to fall back. That just tells you that the skills that I acquired from freestyling and battle rap, I was able to take into the real world and apply it in so many different places.

I think it’s so interesting that I got that “Beef” Season 2 gig because the showrunner and the creator of the show really loves my perspective on Asian American culture on my podcast [“Fun With Dumb”], just based off of that. I got to a place in my life where I just felt very comfortable being vulnerable and self-deprecating through all the things I’ve done in battle rap. I was able to apply it to podcasting, too. And to have that humor and wit and that vulnerability, that comedic sense that I’ve acquired from battling and freestyling, one thing just led to the other. I still have the same kind of slate of stories and ideas that I’ve been trying to get made for many years. That includes stories on battle rap, K-town and being Korean, American. Those are always kind of the things I take with me to whatever I’m trying to make right now, and maybe once I make those, I can move on, but I’m still working on that.

WASHINGTON — President Trump railed against a federal judge’s decision on Thursday that continues to block above-ground construction of a $400-million White House ballroom, allowing only below-ground work on a bunker and other “national security facilities” at the site.

U.S. District Judge Richard Leon’s latest ruling comes in response to an appeals court’s instruction to clarify an earlier decision on the 90,000-square-foot ballroom planned for the site where the East Wing of the White House once stood.

Trump on social media called Leon, who was nominated to the bench by Republican President George W. Bush, a “Trump Hating” judge who “has gone out of his way to undermine National Security, and to make sure that this Great Gift to America gets delayed, or doesn’t get built.”

The administration filed a notice that it will ask the U.S. Court of Appeals for the District of Columbia Circuit to review Leon’s latest decision, too.

Carol Quillen, president and chief executive of National Trust for Historic Preservation, whose group sued to challenge the project, said in a statement that the group is pleased with the court’s ruling.

Leon said that below-ground work on security measures is exempt from his order suspending above-ground construction. Government lawyers have argued that the project includes critical security features to guard against a range of possible threats, such as drones, ballistic missiles and biohazards.

Leon’s latest ruling comes several days after a three-judge panel from the D.C. appeals court instructed him to reconsider the possible national security implications of stopping construction.

In his previous order, Leon barred above-ground work on the ballroom from proceeding without congressional approval. The judge also ruled on March 31 that any construction work that’s necessary to ensure the safety and security of the White House is exempt from the scope of the injunction. Leon said he reviewed material that the government privately submitted to him before concluding that halting construction wouldn’t jeopardize national security.

Leon had suspended his March 31 order for two weeks. He stayed his latest decision for another week, which gives the administration more time to seek Supreme Court review.

Leon said he is ordering a stop only to the above-ground construction of the planned ballroom, apart from any work needed to cover or secure that part of the project. Otherwise, the Trump administration is free to proceed with the construction of any excavations, bunkers, military installations, and medical facilities below the ballroom.

“Defendants argue that the entire ballroom construction project, from tip to tail, falls within the safety-and-security exception and therefore may proceed unabated,” the judge wrote. “That is neither a reasonable nor a correct reading of my Order!”

On Saturday, the appeals court panel said it didn’t have enough information to decide how much of the project can be suspended without jeopardizing the safety of the president, his family or the White House staff.

Leon said he recognizes the safety implications of the case, but stressed that “national security is not a blank check to proceed with otherwise unlawful activity.” He also said he has “no desire or intention to be dragooned into the role of construction manager.”

On April 2, two days after Leon’s previous ruling, Trump’s ballroom won final approval from the 12-member National Capital Planning Commission, which is charged with approving construction on federal property in the Washington region.

The preservation group sued in December, a week after the White House finished demolishing the East Wing to make way for a ballroom that Trump said would fit 999 people. Trump says the project is funded by private donations, although public money is paying for the bunker construction and security upgrades.

Kunzelman writes for the Associated Press.

AN AIRPORT in the north of the country has taken one step closer to welcoming back passengers.

Doncaster Sheffield Airport closed in 2022 after operating for 17 years, but has been recently backed by the government to reopen.

Now, the regional airport has taken another step closer to welcoming flights as it is launching a search for an operational partner.

Operator Fly Doncaster is looking for a Fixed Based Operator to have a permanent place within the airport.

This type of organisation would provide services that include aircraft handling, fuelling, and parking.

What this means is that private flights could return to the airport before the end of 2026 – with plans for passengers flights much later.

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Simon Hinchley, Executive Director for Airport Operations at Fly Doncaster said: “As we work towards reopening Doncaster Sheffield Airport, our focus is firmly on building a safe, efficient and operationally robust airport that is ready to serve a broad range of users from day one.”

In early 2025, the UK government revealed that £30million was being put towards its reopening.

More recently, a report for City of Doncaster Council’s cabinet announced that the cost of reopening the airport had risen to £193million.

Fly Doncaster said that when the airport reopens, it could see as many as four million passengers through its doors.

There has also been talks of a rail link to and from the airport that could have connections with the Lincoln Line and East Coast Mainline.

Prior to its closure, airlines like FlyBe, Wizz Air and TUI operated flights from Doncaster Sheffield.

As of yet, no airline has confirmed it will open base, but Doncaster East and Isle of Axholme Labour MP Lee Pitcher said last year that he was in talks with both Ryanair and TUI.

In July 2025, he told local media: “Yesterday, I chaired the latest meeting of the DSA Action Group, where we sat down with TUI’s UK & Ireland commercial director.

“It was a productive discussion, and we’ll continue to work with TUI, other key stakeholders, and push the Government to keep Doncaster Sheffield Airport firmly on the agenda.“

The airport is expected to be operational with passenger flights for summer 2028.

Another airport that is in talks to reopen is Manston Airport, in Kent which once offered flights from the UK to Europe.

Passenger services stopped when KLM pulled out of the airport in 2014.

The current plan is to reopen the airport for cargo planes which is scheduled for 2029.

There have been talks to start commercial flights once again, but this could take longer to start.

Tony Freudmann – the public face of the site’s owners, RiverOak Strategic Partners told Kent Online: “We need, by the time we open, to have enough advance commitment from cargo operators to see that it is going to work.

“At that point, if we get the right approach from passenger carriers, wanting us to build a passenger terminal and base some aircraft here, we’ll go with that.”

Here’s more on airports as chaos sweeps Europe with new travel rules that have resulted in three hour queues and passengers missing their flights.

And this Spanish airport is set to close for over a month with all flights cancelled and thousands of Brits set to be impacted.