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THE race to crown the Christmas No1 will get under way in two weeks.

And a dark horse, or should that be lovable bear, has entered the fray.

Paddington has become a major contender with song One Of Us, which is actually sung by McFly’s Tom Fletcher, who wrote it for the new Paddington The Musical in London’s West End.

He has stiff competition in what is looking set to be the most closely fought contest in years.

Martin Talbot, chief executive of The Official Charts Company, said: “The vision of Paddington taking on this year’s diverse gaggle of new festive chart contenders, alongside seasonal classics from The Pogues, Mariah Carey and Wham!, will be something to savour.”

The winning song will be revealed on The Radio 1 Chart Show just after 5.30pm on December 19.

Lee Phelps, from bookies William Hill, said: “Wham! are our odds-on favourites to be Christmas No1 for the third year running.

“They’ve been popular in the betting and are now as short as 1/2

“Kylie Minogue is the only other single-figure price at 11/2, while Together For Palestine take third spot in our market at 12/1.

“At 14/1, Taylor Swift joins Alison Limerick and Mariah Carey to top the charts on Christmas Day for the first time in the UK.”

Associate Bizarre Editor Howell Davies casts his eye over the contenders . . .

• Odds provided by William Hill. See the full market at sports.williamhill.com.

Paddington and Tom Fletcher — One of Us

6/1

AS one of the nation’s favourite characters, Paddington has topped the box office multiple times.

Meanwhile McFly’s Tom Fletcher has scored seven No1 singles. Now they are joining forces with One Of Us, written by Tom for Paddington The Musical.

The video, which is out today along with the song, sees them appear together at Paddington train station in London and had to be filmed under the cover of ­darkness to keep the secret.

The full soundtrack to the musical will be released in March ­following rave reviews for the stage show.

Wham! — Last Christmas

1/2

WHAM!’s hit about a seasonal break-up, set against jingle bells, has reached No1 for the last two Christmases.

When it was first released in 1984, it was pipped to the top spot by Band Aid’s Do They Know It’s Christmas?.

It’s the third best-selling single in UK history and was already the highest ­charting Christmas song on last Friday’s rundown, when it was at No19.

The profits originally contributed to famine aid in Ethiopia, but in recent years George Michael’s estate has been dividing the proceeds between a series of other charity groups.

Roland Gift — Everybody Knows It’s Christmas

66/1

THIS number from Fine Young Cannibals frontman Roland Gift started off as a bet but has since racked up more than 86,000 views online.

It fuses glam rock with a festive, jingle bell ball and is being released on CD and 7in single, as well as streaming and download services, in a bid to boost sales.

Roland told The Sun: “It started out as a bet with my mate, who’s a big Slade fan.

“He said if I could write a Christmas song that was a hit, he’d give my car a free service and new tyres. I hope this song brings a bit of warmth, a smile and maybe a bit of that Christmas magic your way.”

Kylie Minogue — Xmas

11/2

SHE released her album Kylie Christmas in 2015 and now the Aussie star is back to spread joy with a savvy link-up.

Her new song Xmas is ­exclusive to Amazon Music, meaning it can only be downloaded there or played through its streaming service.

But it’s a clever move, because it is among the first tracks to be played when people ask their Alexa devices to play Christmas music.

The last two years have seen Tom Grennan’s It Can’t Be Christmas and Sam Ryder’s You’re Christmas To Me finish in second place in the festive chart because of the power of Amazon.

Alison Limerick — Where Love Lives

14/1

THIS track has swelled in popularity since a cover by Labrinth featured in this year’s John Lewis Christmas advert.

Alison Limerick’s pulsating house tune was originally released in 1990. It peaked at No9 in 1996 but recently re-entered the charts at No44.

Now it is being tipped to rise far higher as the TV ad gets more plays.

Alison said: “Music has always had the power to bring all kinds of peeps together, but I hope this year’s John Lewis Christmas advert will give those who see it a new, emotional connection with the song.”

Denise Welch — Slayyy Bells

100/1

THE firm festive outsider this year is actress Denise Welch with her borderline-unlistenable offering.

The track has been released as a tie-in with choc brand Celebrations – 30 years after she hit No23 with a cover of You Don’t Have To Say You Love Me.

Denise, whose son Matty Healy is lead singer for The 1975, said: “I love Christmas, but sometimes I want to shake things up a bit. We don’t always have to have turkey or play charades. We can celebrate this special holiday our way.

“This remix, apart from being cool, catchy and a sure- fire hit, is all about ­having fun.”

Mariah Carey — All I Want For Christmas Is You

14/1

AS the Queen of Christmas, Mariah is never far from the charts at this time of year.

All I Want For Christmas Is You was first released in 1994 and has returned to the Top 40 every year since 2007.

It is an unabashedly joyful belter, complete with bell chimes and lyrics about ditching a desire for materialistic gifts.

It topped the charts in 2021 and remains a strong contender for Christmas No1, finishing last year at No3.

In the US, it is even more ­popular and has been the ­festive No1 for the past six years.

Taylor Swift — Opalite

14/1

SHE already has five No1s to her name and has spent the same number of weeks at the top with The Fate Of Ophelia. But Opalite, another track from her The Life Of A Showgirl album, is poised to become a competitor after The Sun on Sunday revealed she had flown to London to shoot a festive video.

She hired out a shopping centre in ­Croydon to film the scenes, with the video believed to include cameos from singer Lewis Capaldi among others.

An updated version of Opalite is expected to be launched alongside the video, just in time for Christmas.

Together For Palestine — Lullaby

12/1

THERE have been plenty of Christmas songs for good causes. Now Together For Palestine are hoping to raise funds with their ­charity single Lullaby.

Musicians including Neneh Cherry, Leigh-Anne Pinnock, Brian Eno, Bastille frontman Dan Smith and Celeste have joined forces with Palestinian musicians to appear on the track, which is a reimagining of a ­traditional Palestinian lullaby.

Speaking about the song, out on December 12, Eno said: “We have a real shot at landing Christmas No1 – and turning that moment into vital life-saving support for Gaza’s families.”

IS SHE a crusader or a Rebel without a cause?

That’s the question surrounding Rebel Wilson this week, as she stares down the barrel of yet another legal wrangling — while passionately claiming she’s a “whistleblower” fighting for justice.

This week, in a bombshell TV interview, the 45-year-old broke her silence on the legal battle she is fighting surrounding her feature film directorial debut.

The star, who was born and raised in Sydney, told 60 Minutes Australia she had been the target of “incessant . . . bullying and harassment” by the producers of her comedy musical, The Deb.

The producers are suing her for defamation, breach of contract and sabotage and the lead actress has also launched a lawsuit against her.

It comes just 18 months after Rebel accused Sacha Baron Cohen of inappropriate behaviour on the set of another production — which he denies — and eight years after a landmark defamation battle.

Now, with her star showing signs of waning Down Under, have the endless litigations and allegations destroyed Rebel’s career?

In the latest real-life drama, the producers of The Deb — Amanda Ghost, Gregor Cameron and Vince Holden — launched their legal action after Rebel claimed they had embezzled film funds.

She also accused Amanda of sexually harassing lead actress Charlotte MacInnes on set.

Charlotte, who denies she made claims of sexual harassment, is suing Rebel for defamation after the latter implied she had “changed her story” and was backtracking to save her career.

Rebel says the producers’ complaints against her are “an attempt to sling mud at [her] reputation”, and that all the muck and mess surrounding the project has been her “worst nightmare”.

‘Smear campaign’

She is now countersuing the producers, accusing them of financial misdeeds, misconduct and coercion.

She claims she had been subjected to suppressive measures, saying: “They locked me in a room and forced me to sign documents. I was like, ‘This is like the KGB.’ ”

The producers vehemently deny Rebel’s allegations, which she initially highlighted in an Instagram video in July 2024.

In the original clip, Rebel accused them of “bad behaviour”, “embezzling funds” and of perpetrating “inappropriate behaviour towards the lead actress”.

She subsequently claimed it was Amanda Ghost who had taken things too far with Charlotte. Rebel alleged Amanda had “asked [Charlotte] to have a bath and shower with her and it made her feel uncomfortable”.

In an extra layer to the mudslinging, both Charlotte and the producers have also accused Rebel of being behind several websites allegedly created as a smear campaign, which have since been taken down.

What is very clear is that she is not as loved here in recent years as I think she expected to be

Eleanor Sprawson, a journalist based in Australia, on Rebel Wilson

These websites accused Amanda, who is of Indo–Trinidadian heritage, of being akin to “the Indian Ghislaine Maxwell” and referred to her as a “full pimp” who was “procuring young women for the pleasure of the extremely wealthy”.

Rebel has denied any involvement in a smear campaign or the creation of websites against her legal foes, claiming she was heavily involved in getting them removed.

The cases rumble on and Rebel remains undeterred.

Not only does she stand by her story and appears willing to fight to the end, she is also loudly promoting new projects on Instagram and is looking forward to seeing The Deb finally hit screens in Australia in January.

Rebel’s history suggests she is not someone to be provoked.

In 2016, Rebel — who found global fame in 2011 comedy Bridesmaids, before her scene-stealing turn as Fat Amy in 2012’s Pitch Perfect — set fire to the media landscape in Australia after launching a legal battle against Bauer Media.

In a landmark defamation case, Rebel sued the publisher over a series of articles published in 2015, that accused her of lying about her age, real name, and details of her upbringing, to advance her career.

Rebel said these stories had painted her as a serial liar and fraud, and had caused her to lose major film roles in Hollywood. She added that they had been perfectly timed to harm her as her career peaked post-Pitch Perfect.

Initially, the judge ruled in her favour, granting her $4.5million (£2.3million) — the largest defamation payout in Australian history — which she vowed to donate to charity and film projects.

But a later appeal saw the damages reduced to $600,000 — and Rebel was also ordered to pay 80 per cent of Bauer’s appeal costs.

While the appeal court upheld the initial verdict, it found the actress had not proved she had lost specific Hollywood roles solely because of the articles written about her. Another appeal followed — this time from Rebel — but the courts didn’t budge on the reduced payout.

Standing outside the High Court of Australia in November 2018, the actress told reporters: “To me, it was never about the money, but about standing up to a bully and I have done that successfully.”

Such a stance — pushing back against oppressors — is what Rebel has always argued she is doing. More so, perhaps, than the average celebrity — because, as time has passed, Rebel has continued to set the cat among the pigeons.

Last year, she hit the headlines again, as she released her  autobiography Rebel Rising — taking to Instagram to identify Sacha Baron Cohen as the unnamed “massive a**hole” that a controversial chapter of the book centres on.

The Borat actor had directed and starred opposite Rebel in their 2016 movie Grimsby.

Rebel claimed she had been pressured to perform a “lewd act” that was never in a script.

Reflecting on the filming process, Rebel alleged Sacha made repeated, inappropriate requests to her, like: “Just go naked, it will be funny”.

She said she had felt “bullied, humiliated and compromised”.

‘The boy who cried wolf’

While no legal action was taken by either side, Sacha slammed the claims as “demonstrably false” and argued that all evidence — including film footage, production notes and eyewitness statements — contradicted her account.

The book was published in its entirety in the US, but was partially redacted in the UK and Australia — with any mention of Rebel’s allegations against Sacha blacked out due to the legal risk of defamation.

In March 2024, Rebel railed against her suppressors, writing on social media that she would not be “bullied or silenced by high-priced lawyers or crisis PR managers”.

And now she is doubling down on that promise, thanks to her latest public battle.

So, where does that leave Rebel, who, ten years ago was considered to be one of Hollywood’s funniest women.

Eleanor Sprawson, a journalist based in Australia, where Rebel initially found fame, says the temperature has changed towards the actress in recent years.

“What is very clear is that she is not as loved here in recent years as I think she expected to be,” Eleanor explains.

“She was loved, way back 20 or more years ago when she was in a comedy series called Pizza, and I think people were excited for her when she took off in Hollywood.

“So when she presented a local show called Pooch Perfect, TV executives definitely thought they were on to a huge winner: ‘Local girl turned Hollywood star returning to do humble Australian TV’-type thing.

“But in fact the show bombed — and it bombed literally when people were locked in their houses because of the pandemic, with nothing to do EXCEPT watch TV. I think it proves that Australians have not taken her to their hearts.”

She adds: “She certainly did herself no favours by slagging off that old show Pizza in her memoirs. This show is very fondly remembered about a kind of class of people who don’t get much exposure on Australian TV in general.”

No one in the industry will want to work with her in the future if this behaviour is kept up. They’d be scared of legal issues or defamatory language

PR expert Quincy Dash

Meanwhile, Rebel could be seen as fighting causes that matter. In 2021, she donated $1million to the Australian Theatre for Young People.

She’s certainly combative, but has needed to be. In 2022, she came out as gay by posting an Instagram photo of her and her then girlfriend, now wife, Ramona Agruma.

Rebel revealed she’d had to “rush” her coming out after The Sydney Morning Herald contacted her representatives for comment on the new relationship

The actress also had to face constant scrutiny over her fluctuating weight, which — while she previously said made her the go-to funny girl.

But, as PR expert Quincy Dash tells The Sun, her litigious and provocative behaviour sometimes makes her seem like “the boy who cried wolf”.

He warns that “no one in the industry will want to work with her in the future if this behaviour is kept up. They’d be scared of legal issues or defamatory language.”

As it stands, Rebel is pushing ahead, and will next be seen in the Sky Original festive film Tinsel Town next month.

But as for her once-glistening career, she’s going to have to really ask herself: Does she really have a cause worth fighting for?

SHE was known for late-night partying with showbiz pals during her ladette days and Sara Cox admits that behind doors she was full of energy too.

The DJ says “no surface was safe” when she was at home with her advertising executive husband Ben Cyzer, who she has been with for two decades.

But flash forward to today and the 50-year-old mum of three says that “every surface is safe” and they often sleep in separate rooms because she can’t stand his snoring.

Sara said: “When I sometimes get on my little stool in the kitchen to reach for some Tupperware, I do think, ‘Oh, look, my fun area is really parallel with his face right at the moment’.

“But as the kids get older, you just can’t be doing that — they’d never get past it.

“I mean, when you’re in your early 30s and stuff, no surface is safe in the kitchen or the bathroom, is it? But now pretty much everywhere is safe.”

Sara, who has just completed the equivalent of five marathons in five days to raise an astonishing £10million for Children In Need, opened up about their sleeping habits at home in North London.

Just days before the epic fundraiser, she told The Teen Commandments Podcast: “This is my issue that I’ve got with Ben in the night.

“Just general breathing — just him breathing is annoying. Not during the day, I have to point that out. I just mean any slight noises.

“You know on a wildlife documentary where they have a shot of an animal that’s on high alert for a predator? I think I’ve got that kind of feeling in the middle of the night.

“Like, if I just hear the tiniest sound, it’s so magnified in the middle of the night — I think there’s a bit of anxiety in there.

“Because I remember in my 20s, if I woke up at 1.30am — well, I probably wouldn’t be in bed at half one — but if I woke in the middle of the night and it was like 3am in my 20s, I’d be, like, ‘Yeah, I’ve got loads of time to sleep, amazing’.

“And now I’m 50, I just go, ‘F**k, it’s three, I’m not going to sleep’. I nudge him and he’s really patient — he’s great about it. But we keep sleeping in ­separate rooms, which is a bit depressing.”

Bolton-born Sara doubtless needs plenty of rest after running a total of 135 miles from Kielder Forest in Northumberland to ­Pudsey in Leeds earlier this month — carrying the annual Beeb telethon’s mascot ­Pudsey Bear on her back.

During her Great Northern Marathon Challenge, the star was sent a message of encouragement by Prince William, who said: “Keep going — you’ve done fantastically well and the nation’s so proud of you.”

Sara says she was inspired to raise money for vulnerable kids after recalling the bullying she suffered at school from “two girls who made my life hell”.

This week she revealed she battled through the challenge by listening to tracks by rapper Stormzy and said it was a lot tougher than she ever expected.

Behind-the-scenes footage shown on Sara Cox: Every Step Of The Way For Children In Need, on BBC One on Wednesday, revealed the heartbreaking reason she decided to take on the challenge.

And now I’m 50, I just go, ‘F**k, it’s three, I’m not going to sleep’

Sara said: “My brother David died suddenly in 2019 and it completely destroyed the family — like, it came out of nowhere and he was a real athlete who ran countless Ironman competitions.

“I don’t think he’d believe I’m doing this, I think he’d be super-proud. I’m hoping that I’ve just got a bit of strength from him today.”

Sara’s children are now nearly the age she was when she found fame. Her eldest, Lola — from her first marriage — is 21, while Isaac and Renee are 17 and 15 respectively.

Sara had been working as a model when, at the age of 22 she landed her first TV job hosting The Girlie Show on Channel 4.

Two years later she became a presenter on The Big Breakfast and a year on, in 1999, it was announced she would take over the Radio 1 Breakfast show.

Known as “Coxy” back then, she worked — and partied — hard. Her pals included fellow broadcaster Zoe Ball, model Gail Porter, actress Donna Air and TV host Jayne ­Middlemiss.

They became notorious for their wild nights and were dubbed ladettes — a term Sara has always hated, saying it suggested they were “just trying to be like the boys . . . and we were never trying to be like the boys”.

Her lifestyle changed dramatically when she became mum to Lola in 2004, a year before she separated from her first husband DJ Jon Carter, who she had married in 2001.

Sara began dating Ben, now 50, in 2005 and they married in 2013 a year after she signalled another shift by quitting BBC Radio 1 to host the breakfast show on its more mature sister ­station, Radio 2. ‘Mind-boggling behaviour’.

She has admitted: “Yes, I used to drink loads. I thought nothing of ­having wine with lunch then going to the pub later, but they were ­different times. It all stops when you have children, to be replaced with other things that are just as pleasurable.

“The first ten years of my career I was out a lot more and the second decade I was explaining my ­behaviour in the first decade and apologising for it.”

And she said she never felt pressure to bring back her “Coxy” alter ego, because she had “buried her with some vodka and Marlboro Lights”.

The first ten years of my career I was out a lot more and the second decade I was explaining my ­behaviour in the first decade and apologising for it

Now her work has changed too. The BBC Radio 2 presenter has been hosting the station’s Drivetime show since January 2019 and next up is a new BBC One series, starting on December 1, about professional model-makers, called The Marvellous ­Miniatures Workshop.

When she’s not on the TV or the radio, Sara is busy hosting The Teen Commandments podcast with her best friend Clare Hamilton, who she has known since they were ­children.

The pair launched the podcast in January, having raised five teenagers between them.

The show casts light on the “mind-boggling behaviour” of their ­youngsters and how they tackled it with “wisdom that only comes from being rule-breakers themselves”.

On this week’s episode, Sara reveal­ed she has been trying to break her family’s addiction to mobile phones.

She confided: “I just feel like a st mum because I am not stopping it, and I feel completely powerless.

My brother David died suddenly in 2019. He was a real athlete. I don’t think he’d believe I’m doing this, I think
he’d be super proud

“I did suggest something, but it was immediately . . .  I mean, the faces I was met with . . .

“I should have really got Ben more on side because what can happen sometimes is that I will suggest something for us to do as a family, and Ben will immediately side with the teenagers and undermine me.

“I told him that I wanted to do something where we start having more time together as a family and we put the phones away.

“So over dinner, I was like, ‘Right, this weekend, can we do it where we just have four hours without our phones or our laptops or anything?’

“Immediately, Ben piped up, ‘That’s too long’. I’m giving him daggers when the youngest pipes up that she’s got to revise. She needs her phone. Fair enough.

“But I’m really worried that we’re not living our lives together as a family, where we look at each other and where we chat and where we do things and hang out.

“So I’m just, like, ‘Whether we go out on a big dog walk or we just do something as a family, let’s put the phones away for four hours’.”

Sara is unlikely to be popping out for a stroll any time soon as she complains she cannot walk following her fundraising efforts.

But she still feels like she is in the best shape of her life, explaining on her podcast: “It’s good on this side of 50, I’ve got to say.

“I think — especially when you’re a woman — it’s always like, ‘How do you feel about turning 50? What are you going to do?’ But this age seems better than the alternative, babe.”

HE may be growing old very, very gracefully, but George Clooney is worried about ageing too fast – and forgetting his lines.

The Hollywood heartthrob, 64, was taken on a surprise walk down memory lane after shooting his latest film Jay Kelly, in which he plays a fictional famous actor.

Unknown to him, director Noah Baumbach had added snippets of George’s previous movies at the end of the Netflix release.

And watching the years roll by on screen was an eye-opener for the silver fox, not least when he was met with milestones he would rather forget.

His dodgy Eighties haircut in sitcom The Facts Of Life was one, as well as just how young he was when he starred in hospital drama ER in the Nineties.

George, whose hits include Ocean’s Eleven and Gravity, says: “It was really fascinating, because you go through all the things we all go through, which is you watch yourself age, which you have to make peace with.

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“You also look at some f***ing horrible mullets. And you have to kind of get through all that.

“And you do get this thing of, ‘God, that was just yesterday, wasn’t it?’. That I was on ER or something. It really does go by fast. And the older you get, the faster it seems to go.”

It is hard to imagine now, but there was a time when George was a struggling actor.

Having dropped out of university, where he was studying journalism, he sold insurance and shoes while also trying his luck as an extra on TV.

Sequels cancelled George recalls: “I came from Augusta, Kentucky, where I was a tobacco farmer. And you go on all these auditions and you go, ‘Well, I took a shot’. And if it doesn’t work out, it’s easy when you get older to go, ‘Yeah, I gave it a shot. It didn’t work out’, which happens.

“But you can’t do it when you’re old and you didn’t try. That’s regret.”

Back when opportunities were thin on the ground, George did take some roles he now recalls ruefully.

That includes the first movie he was cast in, called Grizzly II: Revenge, which suffered financial problems.

Backers pulled out of the 1983 low-budget horror flick, which also featured Charlie Sheen and Laura Dern, so the cast were stuck in Hungary for weeks while the funding was sorted out.

George reveals: “It was funded by these Hungarians. And then they lost the money.

“And so we got stuck there for, like, two months. And it was Laura, Charlie Sheen and me. It was all our first films.

“And we’re stuck there for two months. And we can’t get home. We don’t know what to do.

In Grizzly II, we get eaten by a bear in the first scene. It never comes out, thank Christ. Then some schmuck finds it. Now it’s ‘starring George Clooney’ and I get worst reviews of my life

George Clooney

“And literally, we get eaten by a bear in the first scene and so it never comes out. Thank Christ.”

Although the movie was not completed at the time, it was finally finished and released in 2020, with George given a top billing, even though he only appeared briefly.

He continues: “Some schmuck finds it and he gets a bunch of old footage of s**. And he puts it together.

“And now it’s like, ‘Starring George Clooney’. And it comes out. And after 40 years, I’m getting the worst reviews of my life.”

George’s screen breakthrough came in 1994 when he began playing paediatric doctor Doug Ross in ER, which was a global success.

It led to major movies including From Dusk Till Dawn two years later, and Batman & Robin in 1997.

The star is able to laugh off his much-panned version of the caped crusader, which was such a flop that the sequels were cancelled.

And he jokes that his eight-year-old twins Alexander and Ella will be left traumatised by the Batman outfit he wore.

The actor says: “We know they’re going to be in therapy no matter what, just from Batman & Robin. ‘My dad had rubber f***ing nipples’. Disaster.”

George, who was married to actress Talia Balsam, 66, for four years until 1993, dated a string of beautiful women, including Renee Zellweger and British TV presenter Lisa Snowdon, before settling down with lawyer Amal Alamuddin.

She is the mother of his children and the couple have been married for 11 years.

They have homes near Reading, Berks and in Kentucky, US.

It is clear that George is very content, unlike his latest character.

He says of the fictional Jay Kelly: “He regrets his relationship with his father. He regrets the relationship with his kids. “He regrets the relationship with the women in his life and not spending enough time with people you love. I don’t have much of that. I mean, I have kids that still like me.”

Even so, fans might have some difficulty separating fiction from reality when they see George in his latest role.

He is, after all, playing a Hollywood star who has experienced plenty of ups and downs.

When Noah Baumbach, who is married to Barbie director Greta Gerwig, wrote the script, he thought George was the natural choice for the lead role.

But the actor hopes he did not see any of Kelly’s nasty streak in him.

People will be like, ‘Oh, you’re just playing yourself in this’. And I go, ‘Well, I hope not, because the guy’s a d***’

George Clooney

He jokes: “People will be like, ‘Oh, you’re just playing yourself in this’. And I go, ‘Well, I hope not, because the guy’s a d***’.

‘I was scared’

“But, you know, maybe they’re telling me something. When he said, ‘I wrote this with you in mind,’ I was like, ‘F*** you’.”

This will only be George’s seventh movie in the past ten years. He has not received many scripts that interested him — and some of the roles he did take failed to “challenge” him.

That includes the 2024 Apple+ action comedy Wolfs that he made with Brad Pitt and the romcom Ticket To Paradise with Julia Roberts in 2022.

George says: “For the last ten years or so, for the most part, I was directing because I was more interested in telling stories and I wanted to continue to be a storyteller. But the parts I was getting offered weren’t all that interesting.

“And so I hadn’t really been in a film. I did a couple of movies. I did a movie with Julia Roberts and I did a movie with Brad, which were fun and they’re fun to work with and people that I know. But it’s not challenging yourself.

“We know what the audience wants delivered for those films.”

Neither of those movies were well received by reviewers and George hasn’t had a critically-acclaimed film since 2016’s Hail, Caesar!

Out of the nine movies he has directed, Good Night, And Good Luck was the biggest success, picking up Best Picture and Best Director Oscar nominations at the 2006 awards.

And while 2014’s The Monuments Men was a box-office hit, other offerings such as Leatherheads in 2008 lost money.

George is sanguine about any setbacks he has faced. “I was friends with Gregory Peck and I was friends with Paul Newman. Even those guys, and they were the biggest movie stars in the world, even their careers don’t just go like that,” he explains pointing upwards.

Making a rollercoaster motion, he continues: “Their careers do this, that’s how they ride. And my career has had many of those, many failures and many things that I wish I’d done better.”

I was friends with Gregory Peck and Paul Newman. Even those guys, and they were the biggest movie stars in the world, even their careers don’t just go upwards. My career has had many failures

George has taken risks by getting up on stage on Broadway, recreating Good Night, And Good Luck as a play earlier this year.

It received five Tony nominations, including best actor for the star himself.

Not bad for a man who struggled to remember the script.

He admits: “I hadn’t done a play in 40 years. And so I was nervous. And every night, you know, I was worried because as you get older, it’s hard to remember your lines.

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“And it’s hard to remember s***. And so I was scared. And it’s good to be 64 years old and not sure you can pull it off.”

• Jay Kelly is in cinemas now and will be on Netflix from December 5.

WHEN her best friend and co-star Ariana Grande was ambushed on the red carpet, quick-thinking Cynthia Erivo rushed to the rescue.

A prankster grabbed Ariana at the Singapore premiere of their new film Wicked: For Good on Thursday, but Cynthia, 38, stepped in and strong-armed the invader away.

The British actress admits she feels protective over Ariana, saying: “I love her, she’s a bright spark but you just want to take care of her.  And we really took care of each other.”

Luckily loyal pal Cynthia was already fighting fit thanks to the ­gruelling stunts she had to perform for the eagerly anticipated sequel.

“The flying in harnesses, ­chafing, we had it. Chafing was like a funny word to me until I realised what chafing actually looked like when you had it, repetitively.

“It took months for my hips to heal, scratched palms bleeding, bloody nose, like it was bad.

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“We were willing to do whatever it took to do this, but this one was a big one for us.”

Meanwhile, Cynthia  says she and  Ariana  prefer to go to bed early — like a pair of “grandmothers”.

The star revealed that because of the time difference and their schedules, they often struggle to catch up when she is in London and Ariana is at home in LA.

SHUNNED BY DAD

But while gearing up for the long-awaited sequel of the big-screen musical,  32-year-old Ariana, who plays Glinda, broke routine to make sure they could chat.

Cynthia, who plays Elphaba in the films,  said of one recent late-night text exchange with Ariana: “She’s a sweetheart. I was like, ‘Why are you up so late?’ Because we’re like grandmothers, the two of us.

“We like to sleep early. For some reason I was up at 11 here, which meant she was up at two wherever she was. I said, ‘Why are you up so late?’ She was like, ‘I know, it’s new, isn’t it? I’m never up this late’.

“I said, ‘No you’re not, what’s going on?’. And she said, ‘I’m taking every second I can get right now because you’re usually asleep by now’.”

The  first Wicked movie became the highest-grossing UK release of 2024, taking £59.6million at the box office.

It led to Cynthia being nominated for an Oscar, Bafta, Critics’ Choice, Golden Globe and SAG Award for Best Actress.

The sequel, Wicked: For Good, is expected to be just as big and hits UK cinemas on Friday, continuing the tale of the  witches of Oz.

Adapted from the hit musical, Wicked follows Elphaba, a student sorceress shunned by her own father for her green skin, who becomes the Wicked Witch of the West, while her spoiled roommate Glinda ends up as the Good Witch of the North.

Cynthia tells how she endured ­similar heartache when her own dad walked out of her life for good when she was a teenager.

She and her sister Stephanie were very young when their Nigerian father left their mother Edith, a nurse, to bring up the girls alone.

Edith remarried when Cynthia was five and she continued to see her dad “two or three times a week”.

I think he just was not set up to be a dad. I don’t think it was his bag

Cynhtia

She told The Armchair Expert ­podcast: “My mum was really, I think, kind and gave him the space to come and visit if he wanted to.

“We would go over to him from time to time as well. She really made the space for us if he wanted to build a relationship.

“And he just didn’t. I think he  was just not set up to be a dad. I don’t think it was his bag.”

Recalling how she became estranged from her father,  Cynthia added: “I was 16 when my dad decided not to be a part of my life.”

By then, she had already joined a local youth theatre group and was singing hymns at a Catholic church near her home in Stockwell, South West London.

She went on to start a degree in musical psychology at the University of East London, but quit after securing a place at top acting school Rada.

Her early bid to break into UK telly flopped with an appearance on Channel 4 reality show Trust Me, I’m A Teenager and a small part in ITV period drama Mr Selfridge.  Hopes of a breakthrough  in Simon Cowell and

Harry Hill’s £6million X Factor ­musical, I Can’t Sing, were dashed as the run closed after seven weeks.

But her singing voice impressed casting directors.

She made her West End debut in the stage musical The Umbrellas Of Cherbourg and, in 2013,  won a place in a British stage adaptation of The Color Purple, the 1985 movie that starred Whoopi Goldberg.

Since then, her roles have included Harriet Tubman in the film Harriet and a part in Netflix thriller Luther: The Fallen Sun.

But the one person  she always wanted to impress was her father.

She secretly hoped with her  ­becoming famous, he would change his mind about being in her life. Cynthia said: “I think I was using, for a small amount of time, my career as a conduit to find a way to get him back.

‘Look what you gave up, you’re going to regret leaving this’. Yeah, that kind of thing.”

Cynthia has turned to therapy to help her deal with the trauma.

‘MAKE MISTAKES’

She said: “Until you get your head around it and get some control on what it is that you’re actually looking for, what you’re trying to fix in that, it will keep going.

“Thank goodness for a good therapist — that s**t really helped.”

Now, she has finally let go and learned to forgive.  She told The Cruz Show podcast: “It took me ages to let go of parents. It’s like my father, I had to let that go and it’s taken me a long time to get there . . . to realise that it’s a human being who is also fallible and who will make mistakes.”

Cynthia admits that clinging on to that pain for such a long time held her back.

She said: “When you let go, you have to start living. What I keep doing is trying to find the things that challenge me the most, that force me to learn more, that keep me honest  in my craft, that don’t let me get complacent and lazy.”

Wicked was a challenge. The movies were filmed in the UK in chronological order,  back-to-back,  between Dec- ember 2022 and January 2024, with a break in 2023 due to an actors’ strike.

Cynthia, who is dating Lena Waithe, an American actress, producer, and screenwriter, admits that even today she still gets crippled by anxiety.

She explained: “I think if I lose the nervousness, then I know something’s wrong. Because my nervousness tells me I care. The second that disappears, we’ve got a problem.

“So I relish the moments when my heart’s beating fast and I’m nervous. I always forget the first line. Whenever I’m about to go on, the first line will go out  my head.  That’s nerves.

“But when I stand in front of people, it always comes back. It means I care about being here, I care about the people watching.”

Thank goodness for a good therapist, that s**t really helped

Cynthia

When those jitters hit, she relies  on strict pre-performance rituals. She said: “Breathing for me is always key.

“And I always say a prayer before I go on stage. Also, nervousness can sometimes be the mirror looking at yourself.

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“So what I try to do is turn the performance into something I can give. So I ask to be used like a vessel.

“Let whatever I’m singing be for whoever is out there listening. For whoever needs it.”

ONCE voted the greatest rock song of all time, Bohemian Rhapsody entered the charts 50 years ago this month – and became a huge No1. 

The six-minute track — which has sold more than 6million ­copies worldwide — climbed to top spot in the charts and stayed there for nine weeks while Queen were on the road touring. 

That meant its first Top Of The Pops airing in November 1975 was accompanied by a rushed video which had taken the band just four hours to make on a budget of £4,000. 

In fact, singer Freddie Mercury was terrified of performing the fan favourite live, and almost caused a riot by once leaving it off their setlist. 

The song even divided opinion over whether it was about his sexuality. 

The incredible tale of one of the most famous singles in UK history is now told for the first time in an interview with Peter Freestone — one of Freddie’s closest friends.

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Peter was also his housemate and personal assistant of 12 years. 

‘Genius move’ 

Today, he gives an intimate insight into Freddie’s life and the song that will forever be linked to him.

He tells The Sun: “For most people, if you mention Queen, the first thing they say is Bohemian Rhapsody. 

“But the reality was that Bohemian Rhapsody was the one song that he hated playing on the piano.

“He was scared every single time. 

“He didn’t enjoy it live because there is a section when it is just the piano, which you couldn’t hide among banging drums and thrashing guitars.

“Even some years after its release, he dreaded playing the piano solo in it.  

“He was petrified of playing the wrong notes, and that everybody would laugh at him.” 

Peter, 70 — who lived with Freddie at his Garden Lodge home in ­Kensington, West London — went on: “Just as iconic as the song is the video, but the truth is that it was filmed in a rush at Elstree Studios just so it could be given to Top Of The Pops while the band were away on tour. 

“Freddie was very much a man of today and tomorrow.  

“He likened his music to tissues — you pick them up, use them and throw them away.

“But I know he’d be proud of Bohemian Rhapsody’s relevance, 50 years on.” 

The song topped the charts in November and December 1975 and had sold more than a million copies by the end of January the next year. 

It peaked for another five weeks after Freddie’s death in 1991 and became the UK’s third best- selling single ever, also topping Greatest Hits Radio’s Top 500 songs of the 70s, 80s and 90s in 2020.  

It was basically three songs in one going around in ­Freddie’s head, but he couldn’t finish anything off. In the end, they sort of pitched it all together. It was a genius move from the band.

Peter Freestone on how the iconic song came to be

Queen guitarist Sir Brian May and drummer Roger Taylor performed Bohemian Rhapsody with a full orchestra and chorus at the Last Night Of The Proms in September. 

Brian — who stumbled over his ­guitar solo at the end — once said: “I think Bohemian Rhapsody is something you can never get bored with.” 

But Peter reveals the mega-hit is actually a mash-up of tunes the band struggled to make work individually, so they were merged into a rock- opera epic.  

He says: “It was basically three songs in one going around in ­Freddie’s head, but he couldn’t finish anything off.

“In the end, they sort of pitched it all together.

“It was a genius move from the band.” 

The true meaning of the song has long remained a mystery.

In 2015, ­lyricist Sir Tim Rice suggested it was about Freddie’s battle with his sexuality.

He said: “It’s fairly obvious to me this was Freddie’s ‘coming out’ song. 

“I’ve spoken to Roger Taylor about it.

“There is a very clear message in it. 

“This is Freddie admitting that he is gay.

“In the line ‘Mama, just killed a man’, he’s killed the old Freddie — his former image.”  

‘Crowd went mad’ 

But Peter revealed he has his doubts that Freddie would have ­written a song being so frank about his sexuality amid fears over what his parents would think.

He said: “Being gay was illegal until the Sixties, so he was fighting against his background.

“His parents were very religious and I don’t think he would have thrown it in their face like that.  

“Bohemian Rhapsody was about love, though.

“All his songs are either about finding it or losing it.”

Peter says Queen’s performance of the song for Live Aid in 1985 was one of his favourite live memories of the band.

He also revealed that the only time they left it out of a live show — on a 1980s tour date in Canada — it left the crowd fuming. 

Peter says: “It was the start of the tour, and the only time in the 12 years I knew them that they left it out — and the crowd went mad.  

“When the encore finished, the crowd started chanting for it.

“But the show had finished.

“It was back in the setlist the next night.” 

Yet for many, it is the ground-breaking video — showing the band performing, featuring close-up shots of their faces and portraying them in silhouette — that made the song so memorable.

It was first aired on BBC One’s Top Of The Pops on November 20, 1975 — ten days after it was filmed.

Peter said: “It was pioneering for its time.

“It was a product of its time.

“It was ­influenced by Doctor Who, which at the time had used silhouettes ­moving like in the video. 

“It was put together very quickly.

“The band were on tour at the time and needed to record a video for Top Of The Pops as they couldn’t be there in person.” 

It was through a ballet performance to Bohemian Rhapsody that Peter, who was working in costume for the Royal Ballet at the time, became Freddie’s personal assistant.  

He would watch Countdown every day, religiously. He loved playing Scrabble, too

Peter on Freddie

The pair met when the Queen frontman was performing a charity gala in 1979.

Peter said: “I never had a contract because they could never create a job description.  

“My job was basically living ­Freddie’s life alongside him.

“I did normal, day-to-day things like answer the telephone, answer the door, go shopping, do some cooking, do cleaning, so that he could concentrate on creating the music.”  

Peter also got to know the off-stage Freddie through sharing his home.

He recalled: “He loved laughing.

“He always enjoyed himself.

“He would wake at 9am every morning, even if he’d got into bed at 2am.  

‘I’m white trash’ 

“He’d have a cup of tea and loved to go to the garden at look at the koi carp.

“The Sotheby’s and Christie’s catalogue and the Architectural Digest were always in the house. 

“He would watch Countdown every day, religiously.

“He loved playing Scrabble, too. 

But Peter revealed there were also fun nights out — including one when Freddie flung model Samantha Fox around on stage.

Peter said: “I will never forget it, and I don’t think she will either. 

“It was at a party after the ­Wembley shows in 1986, on a roof garden in Kensington High Street.

“Freddie grabbed Samantha and was swinging her around.  

“And they were singing, and howling with laughter.

“I was thinking, ‘Oh God, don’t drop her’.” 

On another occasion, Peter had to pluck Freddie out of a bin following a 1980s booze session in a US bar with pop act The Village People after his drink was spiked. 

He said: “They were having a great time in this big American bar.

“Freddie was enjoying himself.  

“I went to the toilet then one of our friends came to get me and said, ‘You better come quick’.  

“I headed back in and I could hear raucous laughter.

“There was Freddie in white singlet, jeans and trainers, jumping up and down in this big, netted bin, full of beer cans and plastic cups . . . jumping up and down, and shouting, ‘I’m white trash. I’m white trash’.  

“We later found out his drink had been spiked, but he was okay.” 

Peter told how he misses Freddie “every day” and feels proud whenever he talks to others about him.  

He now does tours and shares memories of the singer’s life. 

Peter lives in the Czech Republic and runs an Aids foundation there.

He has talked to more than 70,000 people across the country about the illness, which Freddie had before his death from pneumonia in 1991. 

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Peter said: I feel proud that one of his great pieces of work, ­Bohemian Rhapsody, carries his legacy half a century on.” 

• To find out about Peter’s work, see peterfreestone.com. 

HE’S a happily married dad of two but Olly Murs is still a lad at heart and he wanted his new album to reflect that fun part of his personality. 

And by laddish, the upbeat singer means a good old-fashioned knees up — the title of his eighth record. 

“There’s always a moment to be a lad, right?” he laughs. “And that’s what this album is about — I’m going back to my roots. 

“This was probably the kind of album that I wanted to launch my career with, but I didn’t.

“For a long time, I was making records for other people, my fans and what I thought they wanted to hear.

“This time I wanted to make an album for me.” 

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I meet the singer at his record label where he’s about to head into an afternoon of rehearsals.  

And, surprisingly, unlike most dads with newborn babies, he’s managed a full night’s sleep.  

“Albert — Alby — is a dream,” he says of his son, born in September. “I’ve had a really good time with him, it’s been lovely.

“I’ve been getting loads of time with him.”

“Cuddles, seeing him grow, that little smile. 

“He’s such a good baby and he sleeps, which is important because I need sleep.

“If sleeping was an Olympic sport, I’d be there. 

“Maybe he takes after me. 

“We’ve been blessed so far after ten weeks. 

“He’s giggling, he doesn’t really cry.  

“He had his vaccines this week which were horrible.

“I had to cancel work yesterday because [his wife] Amelia did it with [daughter] Madi and I never did, so I wanted to be there.  

“Bless him, he wasn’t in a good place, he was proper aggy.

“So, I cancelled a bit of work, which is unlike me, but family comes first.” 

For years, Murs put his career first and everything — and everyone — else came a distant second. 

“Now life is very different,” he tells me.

“Now Amelia and the kids are everything and my career is still there, but I have a different way of looking at life — and I love it.” 

He has no expectations for the new album, which makes the prospect of putting it out even more exciting. 

He says: “I’m out here doing my thing, and if people like it, great. If you don’t, it is what it is.  

“I’m just happy doing my thing. 

“I’ve got to a point where I want to try different things and musically this isn’t too far away from what I’ve done before – it feels authentic to me, and I’m enjoying it.  

“I’ve got to tell myself that more, because there is the other side of me that’s the ego.

“I want a number one, I want that trophy.

“I want that plaque on the wall. And I’ve got to keep that desire, otherwise, what’s the point?

“I want things to matter. Of course, I do. 

“My thing is that I don’t sit in one place.

“My unique selling point is that I can jump on radio or TV and present a show, and at the same time, I can release music and have success and also tour the country.  

Caroline was a good friend and she took her own life. The documentary has come out this week so it’s been difficult. It has brought things back.

Olly on Caroline Flack

“There is a uniqueness with me that I am proud of.” 

Knees Up draws heavily on the ska and pop influences of Madness and The Specials, the bands Murs adored as a kid. 

He says: “When I first started, I was asked to list all the songs I liked if I was to make the best album ever.  

“It was The Specials, Madness, a bit of Stevie Wonder, The Kooks who were my favourite band at the time, Robbie Williams and Paolo Nutini. 

“Save Me, the first song on the album is very Madness and that spearheaded which direction the music went in.

“I feel like it’s Madness meets The Streets, with a bit of Rizzle Kicks.

“This could be an album Heart Skips A Beat fits on.” 

There’s plenty of fun moments on the album.

Still Getting Used To The Ring is a mischievous song about settling into marriage.  

“That song is definitely the cheeky side of me,” laughs Murs.

“It came from a lyric I wrote on my phone.

“Sometimes when I’m writing songs, I will say to co-writers Ed Drewett and James New, ‘If I sing that the Mrs won’t be happy’, but then we’ll write it in a sense that I’m still getting used to being a husband, I’m still getting used to being dad.  

“So, I forget to do the little things and I might not be perfect, but I’m still getting used to the ring.” 

When it comes to choosing a favourite from Knees Up, Murs says Honest is the one he keeps coming back to. 

“Honest for me is every bloke’s nightmare,” he explains.

“It’s about when they walk in from a day at work and they just know that there’s a cloud upon the house. 

“There’s been times when I’ve got home and I just know that Amelia is annoyed about something I’ve done — but I don’t know what that is.  

“The song is about not knowing what you have done wrong.

“That song was fun to write.” 

Cut To The Chase, which Murs jokingly calls “my sexy song”, sees him tapping into a flirtier, more confident vibe. 

He says: “It is about how sometimes in life we are busy and with kids we don’t get any intimacy or moments together.  

“It’s about the cut to the chase which really resonated with me as we are always crossing paths.  

“It is also a fun song to sing and when I played it to Amelia she loved it.  

“She also thinks my fans will love that one, because it’s ‘big bandy’. 

“It’s got the brass and is very old school London with ukulele and banjo in it.  

“Like music from an old gentlemen’s club, or a cool bar with fancy tables. 

“It’s got a very classic feel to it.

“Classic AND classy — you’d never know it was about sex.” 

I’ve done a lot of tours in the last three years and I’ve got married. I’m now on Heart radio station every Saturday with Wrighty [Mark Wright], I’ve written an album and I just think I need a bit of time for me.

Olly on why he might not be doing many gigs for a while

Chin Up, the song that closes the album, carries a more serious tone.  

Murs says: “That’s about mental health and to do with what I went through with some friends in the last year.  

“It’s been a tough year for a lot of my friends who have reached out to me to chat and that song came from that. 

‘Her feelgood vibe’ 

“That song is about encouraging men to speak out and talk. And when we were writing it, we felt it was important to keep your chin up and everything is going to be fine. 

“I went to a charity dads’ club recently for a TV show — it was a Sunday club at a school where all the dads can turn up with their kids once a month and they play games and have a couple of hours together.  

“It’s important, because a lot of dads go to work in the week as of course woman do too, but it’s important for dads to come along and meet other dads and feel like they’ve got a group.  

“One guy was telling me about the positives but also that they’d lost one guy to suicide.

“A dad had taken his own life. And it really hit me.  

“So I’m glad I’ve written that song and hopefully it can help someone.” 

The subject is clearly a personal one for Murs, and it leads him to think about a loss closer to home, that of TV presenter Caroline Flack, who died in 2020.

The documentary Search For The Truth by her mum Christine premiered on Disney+ this week. 

“Caroline was a good friend and she took her own life. The documentary has come out this week so it’s been difficult,” he says, the emotion clear.  

“It has brought things back.

“I try and always remember the positive things with Caz.  

“I don’t try and think too much about the negative stuff, because if I do, I go down a rabbit hole of emotions, and unfortunately, it’s not going to bring her back.

“I just remember her laugh, her jokes and her feelgood vibe.

“I wish she was still here, of course, and it hurts to watch her old shows.” 

A different loss felt by Murs is that of his estranged twin brother Ben, who cut himself off from Murs and his parents when the singer missed Ben’s wedding in 2009 to perform in the live semi-finals of The X Factor. 

‘Always on the go’ 

Murs says: “I’m proud of Ben.

“I don’t see him, but I’m proud of him.  

“There isn’t any bitterness or anger there. 

“I’m just really proud of where my career is, and from what I hear, Ben’s doing great too, and that’s all I care about.  

“We’re older men now, we’re in our 40s, so I’m sure at some point we’ll figure it out.” 

Next month Murs plays a London show to celebrate the new album and he is excited about what might be his only gig in a while. 

He says: “The truth is I don’t even know what I’m doing next year.

“I don’t even know if I’m ever going to tour this album properly.  

“I’m doing this show at Kentish Town Forum and it might even be the only one I do for this album.  

“I’ve done a lot of tours in the last three years and I’ve got married.

“I’m now on Heart radio station every Saturday with Wrighty [Mark Wright], I’ve written an album and I just think I need a bit of time for me.”

“But then I’m always on the go and I like that.

“I don’t know what I’m doing next — I’ve got plans and ideas but I’m just going to see what happens. 

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“I’m going to roll with it.” 

• Knees Up is out on November 21. Olly Murs headlines Kentish Town Forum on December 8. 

KNEES UP  

Olly Murs 

★★★★☆

HER face is her fortune, but Sydney Sweeney told co-stars not to hold back from punching it during her new boxing biopic.

The scenes for her role as US fighter Christy Martin may have been carefully choreographed, but they were so ferocious she suffered a bloodied nose and concussion.

The 28-year-old actress said: “The girls and all the fights you see are real. When I walked in and I met with everyone, I said, ‘I want you to hit me. And I want you to hit me hard. And can I hit you?’.

“So when you watch all those fights, we’re actually hitting each other. We were knocking each other out, we were getting bloody noses. I got concussion. We were actually fighting.”

Sydney added of co-star Katy O’Brian, who plays ring rival Lisa Holewyne: “Katy is a badass. I mean, she is strong.

“Katy’s only request was, ‘Please don’t break my nose’.”

Sydney’s childhood in Idaho saw her “kickboxing and grappling” from the age of nine to 19, which helped with the fight scenes.

But her astonishing physical transformation — putting on more than 2st of muscle over three months — was hard-earned, with up to five hours of training a day and countless protein shakes chugged.

She said: “I built my own ‘Rocky’ gym in my grandma’s shed and I trained back home in Idaho.

“I worked with my weight trainer in the morning and night, and then I had a boxing coach I worked with every day for two to three hours.

“I put on 35 pounds during that time.”

The movie, called Christy, which opens in cinemas on November 28, tells the story of WBC female super welterweight champion Christy, now 57, who was a trailblazer in the 1990s and put women’s boxing on the map.

But her biggest battle was behind closed doors, as her marriage to her older manager Jim Martin descended into violence.

When she tried to leave him in 2010, he shot and stabbed her. He was found guilty of attempted murder and died in prison last year.

But for Sydney, it was the strained scenes between Christy and her mum that she found the hardest to film.

She said: “Everything that happens within the house towards the end of the story of her life in the film weighed on me emotionally. But the one I had the hardest time doing and just ­processing was when she asked for her mum’s help.

“I have such amazing parents and I can go to them for anything. And I couldn’t imagine how hard it was for Christy and for others that deal with that as well.

“And it broke my heart while I was making that scene.”

As soon as Sydney heard Christy’s story, she told her team she had to have a part.

She said: “When I first read the script, I was completely blown away that I didn’t know who this woman was. She is one of the most inspiring women I’ve met in my life.”

For her part, Sydney’s grit and ­determination to succeed began at the age of ten, when she made a “five-year business plan presentation” to persuade her parents to let her try to become a movie star.

When they realised she was serious at 13, they made 38-hour round trips for auditions before relocating to Los Angeles to give her a ­better shot at stardom.

Sydney said: “It’s not easy. I didn’t get a project that helped open more doors until I was, like, 19, 20. And you get told ‘no’ endlessly by everyone.”

Sadly, her parents’ decision to relocate was a catalyst for them going bankrupt and they divorced in 2016.

But that setback only served to fuel Sydney’s drive.

She worked as a cleaner and babysitter before her break came in 2018, with roles in three big TV shows — The Handmaid’s Tale, Sharp Objects and Everything Sucks!.

A year later, she was cast as Cassie Howard in global hit Euphoria, and The White Lotus followed in 2021.

‘Really scary’

Movie hits also came with 2019’s Once Upon A Time In Hollywood, 2023’s Anyone But You and last year’s Madame Web and Immaculate.

In her love life, she has been linked to 44-year-old US record executive Scooter Braun, who she met at Amazon boss Jeff Bezos’ wedding to Lauren Sanchez in the summer.

But she has insisted: “I’m single.”

She was previously engaged to movie producer Jonathan Davino, but they split in March.

For now, she’s firmly focused on her career as it goes stratospheric.

Speculation has also been rife that, with Amazon now owning the James Bond franchise, Bezos wanted her to be a Bond Girl in the next movie.

She responded that it would depend on the script and that she would have “more fun” playing 007.

She said of her upcoming roles: “Of course I have projects that I’m working on and I’m developing and I can’t wait to do. It’s kind of like this crazy rollercoaster.

“You’re never sure if it’s going to go up or down or upside down.”

Her path to success, Sydney admits, has been a battle at times.

I was so nervous. It’s so weird when you’re playing somebody and then you meet them.

Sydney Sweeney

She said: “I know what it feels like to be underestimated, to have people define you before you have a chance to define yourself.

“I know what it feels like to have to prove that you deserve to be here, to be seen, to be taken seriously.”

During filming of the boxing biopic, Christy herself turned up every day on set with her Pomeranian emotional support dog Champ.

And Sydney has since formed a friendship with her, with the pair going to a Nascar event in Phoenix together last week.

It is a leap forward from their first meeting.

Sydney recalled: “I was so nervous. It’s so weird when you’re playing somebody and then you meet them.

“You’re like, ‘Do you like me? Are you going to like what I do?’. It’s really scary.”

And the star admits the role has made her see life differently.

She said: “I think Christy has changed me. I’m a huge believer in separating yourself as much as possible from your character.

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“So that the moment they call ‘action’ and ‘cut’, you’re in and you’re out. And I go home and I’m Syd.

“But with Christy, I felt like I became the most free and powerful version of myself afterwards.”

REMEMBER those big rectangular pre-digital VHS tapes?  

Well, Shooter Jennings, son of late country music great Waylon, has held on to a few of them. 

Now I’ll explain why they’re so precious to him.  

They contain episodes of a TV show almost as popular as Dallas in the early Eighties — The Dukes Of Hazzard. 

As the opening credits roll, you see “The General Lee”, a souped-up 1969 orange Dodge Charger, careering into view.  

Inside are outlaw cousins Bo and Luke Duke, on the run from crooked officials, Boss Hogg and Sheriff Rosco P Coltrane. 

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You hear the rollicking theme tune, Good Ol’ Boys, being sung in commanding, if tongue-in-cheek fashion by — you might have guessed — Waylon Jennings. 

He also serves as the show’s laidback narrator, The Balladeer, and one of his pearls of wisdom is about poster girl Daisy Duke, remembered for her skimpy denim shorts. 

“She drives like [stock car racer] Richard Petty, shoots like Annie Oakley, and knows the words to all of Dolly Parton’s songs.” 

But he doesn’t appear on screen until season seven when, after demands from fans, he is presented as an old friend of the Dukes in an ­episode titled Welcome, Waylon Jennings. 

‘A massive cultural moment’ 

“Just last night, my wife and I were watching some episodes,” Shooter tells me via Zoom from America’s West Coast as we discuss a fabulous new project involving his father’s previously unreleased music. 

“It made me think what a massive cultural moment the show was,” he continues. “Just how perfect my father’s voice was for it. 

“I think he loved doing those shows and it wasn’t a lot of work for him. He’d be on the road and just stop by a studio and do the voiceovers. 

“There’s real humility about them. He seems to be making fun of himself the whole time. It’s really funny to hear.”  

Waylon is remembered as a ­pioneer of the “Outlaw” country scene, a singer who wrestled the Nashville music-making machine and won control over his recorded output. 

Hellraiser, maverick and bearer of a rich baritone, he was an obvious choice to join fellow renegades Johnny Cash, Willie Nelson and Kris Kristofferson in Eighties supergroup The Highwaymen. 

Born in Littlefield, Texas, in 1937, he was consumed by music at an early age and, in 1958, came under the wing of Buddy Holly, who arranged his first recording ­session. 

The stuff of legend, Waylon gave up his seat on the flight that killed Holly, The Big Bopper and Ritchie Valens on February 3, 1959 — “the day the music died”. 

Shooter says: “If my dad had got on the plane, the music world would be quite different. I often think what it must have been like for him to have survived that. 

“Throughout his life, Buddy was huge to him and he used to talk about him all the time. 

“A lot of his spirit and energy came from rock and roll, from Buddy, who gave him little lessons in songwriting. 

“But he also loved country music, the beauty and sentiment of it, and his voice was just so ­vulnerable and awesome.” 

From the mid-Sixties onwards, Waylon would become a fixture at the top of the country charts but his best work appeared after he gained creative control from RCA Records in 1973.  

He delivered a string of fine unvarnished albums including Lonesome, On’ry And Mean, Honky Tonk Heroes, Dreaming My Dreams and Are You Ready For The Country. 

In 1979, he and fourth wife Jessi Colter, a fellow “Outlaw” country singer, had their only child together, Waylon Albright “Shooter” Jennings. 

The Albright comes from Richie Albright, Waylon Snr’s right- hand man and drummer in The Waylors. 

And the main reason I’m talking to Shooter is because he has unearthed a goldmine of un­released Waylon recordings, taped between 1973 and 1984. 

This has resulted in the appearance of Songbird, the first of three albums culled from the material and lovingly restored by him with the help of surviving members of his dad’s band, along with younger musicians and backing singers. 

‘Passion and soul alive today’ 

“It’s been surreal,” says Shooter, a singer in his own right and in-demand producer. “Everything has lined up for me to have this purpose. 

“This project has given me an entirely new chapter in my relationship with my father and working on this music has brought a whole new understanding about how, when and why my dad made music.  

“The hard work is there on the tapes and the passion and the soul within is as alive today as it was the day it was recorded.” 

I guess the reason The Dukes Of Hazzard cropped up in our chat is because much of the Songbird album’s music was recorded around the same time as the show aired. 

Then I just kept finding these hidden albums,” he says. “It didn’t feel like stuff that was not meant to be released and there were songs I never knew he’d attempted.

Shooter Jennings

Shooter became aware of Waylon’s buried treasure in 2008, “about six years after he died” aged 64 from complications of diabetes.  

But the project only began in earnest last summer when he started sorting through hundreds of high-resolution multitrack transfers of his father’s personal studio recordings.  

What Shooter discovered blew his mind.  

Listening to his dad performing with his ace band became “a wild adventure”. When Shooter heard their cover of Fleetwood Mac’s Rumours track Songbird, written by Christine McVie, he realised he was on to something “really exciting”. 

“Then I just kept finding these hidden albums,” he says. “It didn’t feel like stuff that was not meant to be released and there were songs I never knew he’d attempted.” 

Shooter says that much of the material was “professional cuts with a lot of attention to detail, much more than sketches”. 

“My mom told me that my dad always said that every song he recorded should be good enough to be a single when it was done. He had a great work ethic.” 

Shooter settled on Songbird as the opening track and album title because he realised that Waylon “was a kind of songbird”. 

“I wanted to hit home how good a song interpreter he was and how he could make a song his own,” he says. “And I wanted to bring him back with an emotional song, one that’s going to make you cry. 

“Every time I play it for anyone, they tear up at the bit which goes, ‘And I feel that when I’m with you, it’s all right’. 

“It’s such a beautiful take that people are shocked they haven’t heard it before.” 

In order to take Songbird to even greater heights, Shooter enlisted contemporary country singers Ashley Monroe and Elizabeth Cook to provide backing vocals. 

‘Obsessed with Hank Williams’ 

“They’re the funniest people, like a duo, and they’re hill­billies like me,” he says. 

“Elizabeth and I have been really good friends for 15 years plus and she brought Ashley to my studio around the time I was going through this. 

“And they were so moved by Songbird. I realised their airy, birdlike voices could elevate it to some fantasy realm. 

“So I asked them to come back and do some background vocals and they really killed it.” 

Also adding finishing flourishes to the album’s ten tracks are some surviving Waylors including guitarist Gordon Payne, bassist Jerry Bridges, keyboardist Barny Robertson, and backing vocalist Carter Robertson. 

The second song The Cowboy (Small Texas Town) is credited to Johnny Rodriguez but Shooter suspects his father had a hand in writing it. 

These telling lines back up that theory: “My long shaggy hair, and the clothes that I wear/Ain’t fit for no big fancy ball.” 

The song fits with Waylon’s image of staying true to his humble origins — a quality Shooter sees in today’s stars such as Charley Crockett, Tyler Childers and Benjamin Tod. 

He credits his father with blazing a trail for these independent spirits thanks to his battle with RCA Records. “My dad really opened it up. And even though Nashville got their grip back on it for a little while, they’ve been blown apart now.

“They’re just scrambling to find anyone who’s like one of these guys.” 

I ask Shooter what Waylon used to tell him about growing up in Littlefield, Texas. 

“He would tell me how poor they were, for sure, that they had dirt floors, that his mom would put him in places the rats wouldn’t get to.”  

When Waylon became famous, the town would hold a Waylon Jennings Day and their favourite son “would go back there and do a show”. 

Shooter adds: “I loved my dad’s family, his brothers and his mom. I got to know all of them and his brother James is still around and runs this little gas station there.” 

Unbeknown to the residents of Littlefield in 2025, Shooter decided to put up billboards around town featuring lyrics to some of the Songbird songs.

He and Johnny [Cash] came from the exact same background. They both picked cotton. They both listened to Hank Williams on the radio and both journeyed to Mecca [Nashville] to make music.

Shooter Jennings

“I didn’t even tell them. But when we put out that song, The Cowboy, I really wanted to put the focus on Littlefield.” 

We’ve heard about Buddy Holly but I’m keen to find out from Shooter who else was his father’s music hero. He instantly mentions country music’s first superstar — Hank Williams, who lived fast and died young. 

“My father was obsessed with Hank Williams. He was similar in a way because of the vision he had for his songs.” 

As for Waylon’s reputation as a hellraiser, Shooter has this to say: “It’s funny, he didn’t drink. People always get that wrong. 

“He only did the uppers but we had an empty alcohol cabinet in our house because he just didn’t get any.” 

And what does Waylon’s recently remarried widow Jessi Colter, Shooter’s mother, think of the Songbird project? 

“She has helped us,” he replies. “I had to borrow money from her to do it because I didn’t want to get a label involved. 

“She was also a great emotional support to me, even if she wasn’t emotionally tied up in the project.” 

Hearing Waylon sing “didn’t make her sad but she loved it. She’d say something like, ‘They sound like they were having a good time that day.’ ”  

Before we go our separate ways, Shooter opens up about Waylon’s famous friends, notably his Highwaymen buddies Johnny Cash, Kris Kristofferson and Willie Nelson, still touring and making records at 94.

Waylon and Cash shared an apartment in Nashville in the mid-Sixties and had a strong, if sometimes tempestuous bond. 

“They loved each other,” says Shooter. “Just like anybody else, they would have little bicker fights and not talk for a couple of weeks here or there.  

“But he had a great relationship with Johnny and June [Carter Cash].  

“He and Johnny came from the exact same background. They both picked cotton. They both listened to Hank Williams on the radio and both journeyed to Mecca [Nashville] to make music.” 

Shooter continues: “And I loved Cash. We used to go to his house when I was little. He was always very nice to me.” 

He also remembers hanging out with Nelson’s daughters Amy and Paula. “We were all around the same age and together on the road during the Waylon and Willie tours.  

“And then The Highwaymen happened and I was around Kristofferson’s kids because they lived in Tennessee. 

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“Life’s weird, man,” decides Shooter. “I got dealt a really good hand being born to who I was. So I don’t take it lightly.” 

Hence a son’s labour of love to bring Waylon’s music to a whole new audience. 

WAYLON JENNINGS 

Songbird 

★★★★☆