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What is Trump’s true objective in the Iran war? U.S. targets provide a clue

The Defense Department last week outlined a concise set of military objectives in President Trump’s war against Iran, claiming its ultimate goal is to dismantle Tehran’s ability to project power beyond its borders. Yet it may be targets the Pentagon has largely left unacknowledged that offer the clearest insight yet into Trump’s true intentions.

U.S. military strikes have focused on Iran’s ballistic missile, drone and nuclear programs, as well as its naval assets, according to U.S. Central Command. But strikes have also increasingly targeted Iran’s internal security forces, used by the Islamic Republic to suppress public dissent, according to an analysis from the Institute for the Study of War and the Critical Threats Project shared with The Times.

The strikes have targeted at least 123 headquarters, barracks and local bases operated by Iran’s paramilitary organizations, including the Islamic Revolutionary Guard Corps and its Basij militia. Regional police forces, primarily in the capital region around Tehran and in western Iran, near areas dominated by Kurdish groups hostile to the Iranian government, have also been targeted.

Some of those groups are being armed and supported by the U.S. intelligence community, a U.S. official said, speaking on the condition of anonymity to speak candidly.

Nicholas Carl, with the Critical Threats Project, said the pattern indicates the campaign is already underway to set the conditions for a revolution.

“As we are going after these repressive institutions, we are degrading the ability of the regime to monitor its population, to repress its population,” Carl said. “And so it looks as though the strike campaign may be organized around trying to erode the ability of the regime to repress in those areas.”

Analysts said that strikes against internal forces could be greater than they have measured thus far, noting the difficulty of tracking targets in the war based on publicly available data due to an internet blackout strictly enforced by the Iranian government.

Smoke and fire near a cooling tower.

An explosion erupts after strikes near Azadi Tower close to Mehrabad International Airport in Tehran on Saturday.

(Atta Kenare / AFP / Getty Images)

The quieter side of the U.S. campaign suggests a political strategy by the Trump administration that goes beyond simply containing the Iranian government, and may instead aim to lay the groundwork for its overthrow.

Trump and his top aides have been inconsistent in their messaging on their goals for the war, vacillating between calls for regime change and far shorter ambitions, such as an Islamic Republic that remains in power under leadership more acquiescent to the United States.

Before the war began, Trump was presented with an intelligence assessment that large-scale military action was unlikely to topple the Iranian government, two sources familiar with the assessment said. The assessment led analysts at the CIA, the State Department and the Pentagon all to advise the White House against proceeding with the operation. The intelligence analysis was first reported by the Washington Post.

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Greasing the wheels for domestic unrest, for insurgency or revolution could serve other strategic purposes for the Trump administration beyond effecting regime change, adding new sources of pressure on an Islamic Republic that, if still intact by war’s end, would face renewed internal pressures at a moment of historic weakness.

Rob Malley, lead negotiator on the 2015 Iran nuclear deal and special U.S. envoy for Iran under President Biden, said that a sustained U.S. campaign that cripples Iran’s ability to maintain domestic control could mean “the regime collapses, in the sense that it can no longer, genuinely and effectively, govern the entirety of the country.”

“Right now, what Trump is saying suggests an extremely ambitious, extremely long-term, extremely perilous campaign that will only end with Iran’s surrender, and it’s very hard to see Iran surrendering,” Malley said. But the campaign may already be working. “Their communications have certainly been penetrated — they cannot meet without being targeted by Israel or the United States,” he added.

A women holds a portrait of the late Ayatollah Ali Khamenei at a protest

A woman holds a portrait of the late Ayatollah Ali Khamenei at a protest Saturday by medical professionals outside Gandhi Hospital in Tehran, which was damaged in an airstrike earlier this week.

(Majid Saeedi / Getty Images)

“Either the regime stays in place weakened, bloodied, finding it harder to govern a more fragmented, chaotic country,” Malley continued, “or the regime no longer can govern.”

An Israeli official did not deny that internal security forces were being targeted, although the official said that Israel was focused on assassinating Iran’s political and security leadership — “tiers one, two and three,” the official said. The vast majority of the strikes against internal security services thus far have been conducted by the United States.

“Our goal is to weaken the ayatollah regime, to a point where the Iranian people can choose their fate,” the official told The Times. “It’s still not at the point where they can do that, but there is work still to be done.”

By all accounts, the campaign against Iran’s military assets has achieved success. Iranian ballistic missile attacks against Israel and U.S. forces and allies in the region have decreased by 90% after just a week of combat, Defense officials said. Drone strikes have decreased by 83%. Over 30 Iranian vessels, including those used as launching pads for drones and aircraft, have been destroyed — a significant number for Iran’s aged and ill-funded naval fleet.

Trump could simply declare victory based on these results alone, said Elliott Abrams, who served as Trump’s special representative for Iran in 2020.

“They will get weaker as they use up resources and we bomb more and more relevant sites. Already air traffic is starting up again,” Abrams said, noting that commercial flights in the region began resuming this weekend. “So I doubt that the president will need a protracted campaign.”

But that would leave the regime in place, leaving open the possibility of a revanchist Islamic Republic that could reconstitute its military and crack down further on democratic protesters — an outcome that could create political backlash for Trump, Abrams said, after losing U.S. service members in combat.

A woman jogs along a street amid closed shops

A woman jogs amid closed shops in south Tel Aviv on Saturday.

(Olympia de Maismont / AFP / Getty Images)

“The outcome remains entirely in doubt — regime collapse after a wave of protests, civil war, a deal that leaves the regime in place behind a new face,” Abrams added. “A real test for Trump would arise if there is a wave of protests as in January, and the regime again starts shooting. Can he do nothing? Unlikely.”

In his initial speech announcing the start of the campaign, Trump addressed the people of Iran, telling them to shelter in their homes until the U.S. bombing campaign concludes.

“When we are finished, take over your government. It will be yours to take. This will be probably your only chance for generations,” the president said. “For many years, you have asked for America’s help. But you never got it. No president was willing to do what I am willing to do tonight. Now you have a president who is giving you what you want. So let’s see how you respond.”

But the president’s message grew muddled over the course of the last week, after he offered conflicting goals in a series of interviews with reporters.

He at once said he was expecting to hand-select the next ayatollah, after assassinating Iran’s longtime supreme leader, Ali Khamenei, in the opening salvo of the war. In other interviews, he said that the joint U.S.-Israeli campaign had killed many of the potential leaders that Washington could have worked with.

On Friday, Trump called for Iran’s “unconditional surrender.” He did not specify whether he was referring to a surrender of Iran’s nuclear program, its ballistic missile program, or on control over the country itself, and in a subsequent interview, said it could simply mean “when Iran no longer has the ability to fight.”

Over the last week, Kurdish leaders have shared accounts of Trump and his top aides reaching out to them and encouraging their involvement in the war, including a ground incursion in western Iran from Iraqi Kurdistan. But the president seems to have placed that effort on hold for the time being. “The war is complicated enough without having — getting the Kurds involved,” he told reporters Saturday aboard Air Force One.

At Central Command headquarters on Thursday, Defense Secretary Pete Hegseth told reporters that Trump maintains his promise to the Iranian people at the outset of the war, that a time will come for an uprising.

Defense Secretary Pete Hegseth addresses the audience as President  Trump listens

Defense Secretary Pete Hegseth addresses the audience as President Trump listens during “The Shield of the Americas Summit“ on Saturday, a gathering with heads of state and government officials from 12 countries in the Americas at the Trump National Doral Golf Club in Doral, Fla.

(Roberto Schmidt / Getty Images)

“No one’s done more than President Trump to reopen the opportunity for those who want a free Iran to do so,” Hegseth said. “Ultimately, it’s common sense, as he said up front, don’t go out and protest while bombs are dropping inside Tehran and elsewhere. There will come a moment where he determines, or they determine, that it’s time to seize that advantage.”

Suzanne Maloney, vice president and director of the foreign policy program at the Brookings Institution and an expert on Iran, said she expects the government to survive the U.S. assault, “still easily able to outgun and outmaneuver any challenges from the streets.”

But a concerted, prolonged campaign could change that assessment.

“Of course, months of full-scale war certainly could also break the system,” Maloney said, adding: “I don’t think the short-term result would be a stable transition to a more liberal system — but rather a collapse of the state itself, and at least for some period of time, a dangerous vacuum of power and order in the heart of the Middle East.”

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L.A. music history is all around. Here are 26 sites worth visiting

As a child, I spent nearly every weekend with my best friend shooting hoops and jumping fences throughout Hollywood.

It was always amusing seeing tourists — especially foreigners — line up around buildings and outside nightclubs and lounges that held no meaning to me, at the time.

These monuments I ignored as a youngster became the must-see places of my teenage years and early 20s.

It was at the Viper Room where a 20-year-old me was tossed out of line trying to crash the same venue where Pearl Jam had played.

I was first scandalized by the price of a drink for a date’s $10 cocktail at the Troubadour in West Hollywood (I think I was making $6.50 an hour at the time). But I had to visit one of Jim Morrison’s favorite haunts.

So I was delighted when The Times entertainment team compiled its list of 26 legendary music sites in L.A.

It was fun to see favorites, but more importantly, to read about new places and legends.

Hopefully, there’s a spot that intrigues you. Let’s take a look at a few selections.

Capitol Records (Hollywood)

The most famous tower in all of music was never overtly intended to look like a stack of LPs and a stylus needle.

“The building was not designed as a cartoon or a giggle. To have it trivialized with the stack-of-records myth is annoying and dismaying,” architect Louis Naidorf has said of his Capitol Records Building. “There’s not a thing on the building that doesn’t have a solid purpose to it.”

That was no obstacle for it becoming emblematic of both Los Angeles and the record business. It’s still home to one of the most renowned recording studios on Earth, and its silhouette remains a Hollywood icon and a symbol of Los Angeles on par with the Hollywood sign nearby.

Memorial wall for musician Elliott Smith.

(Ken Hively/Los Angeles Times)

Elliott Smith Wall (Silver Lake)

The beloved singer-songwriter Elliott Smith posed at the swooping mural outside Solutions speaker repair in Silver Lake for the cover of his LP “Figure 8” in 2000.

After he died by suicide in 2003, the wall became an unofficial memorial for Smith, where fans left touching notes, song lyrics and nips of liquors mentioned in his songs.

While the wall has been cut out in spots to make room for various restaurants — and it’s often covered in more flagrant tagging — it’s still a living connection to one of the city’s most cherished voices.

John Mayer (right) and McG aka Joseph McGinty Nichol owners of Henson Studios.

(Jason Armond/Los Angeles Times)

Chaplin Studio (Hollywood)

John Mayer calls it “adult day care”: the historic recording studio behind the arched gates on La Brea Avenue where famous musicians have been keeping themselves — and one another — creatively occupied since the mid-1960s.

Known for decades as Henson Studios — and as A&M Studios before that — the 3-acre complex in the heart of Hollywood has played host to the creation of some of music’s most celebrated records, among them Carole King’s “Tapestry,” Joni Mitchell’s “Blue,” Guns N’ Roses’ “Use Your Illusion” and D’Angelo’s “Black Messiah.”

Charlie Chaplin, who was born in London, began building the lot in 1917 in a white-and-brown English Tudor style; he went on to direct some of his best-known films, including “Modern Times” and “The Great Dictator,” on the property.

The Lighthouse Cafe (Hermosa Beach)

The Lighthouse Cafe might seem familiar from its cameo in the Oscar-winning movie “La La Land,” but this jazz cafe was once instrumental in shaping the West Coast jazz scene.

The beachside spot first opened as a restaurant in 1934 and was changed into a bar by the 1940s. It first started to play jazz in 1949 when the owner let bassist Howard Rumsey host a recurring jam session. The jams quickly began to draw both a vivacious crowd of listeners and a core group of budding jazz musicians.

Over the years, musicians like Chet Baker, Gerry Mulligan, Miles Davis and Max Roach all made regular appearances at the Lighthouse. Today, the venue still hosts jazz brunches every Sunday and other musical gigs throughout the week.

For more, here is the entire list.

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