Pop Music

SAMANTHA Fox has been forced to cancel her upcoming show on ‘medical advice’ after suffering from ‘ongoing pain.’

She became one of the country’s most famous women almost overnight after her debut on The Sun in February 1983.

Her Page 3 career also became the launch pad to a world of lavish celebrity parties and later for her global success as a pop star, with 30million record sales.

Samantha, 60, continues to perform and was set to appear at Hard Rock Live in Florida at the end of August alongside a string of other stars.

However, she has cancelled her appearance and took to Instagram to share a statement with fans.

She captioned the image: “Sorry, I’m truly so upset about doing this, I think in 40 years this is only the 3rd time I’ve had to cancel a show.

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“Getting the right treatment now but the worst is the pain, love you Foxys. I’ll be fighting fit soon love Sammy.”

In the statement, Samantha explained that she had been struggling with ongoing back and hip pain for some time and following medical advice, it wasn’t possible for her to make a long-haul journey.

She explained: “I absolutely hate letting my fans down, as well as everyone who worked so hard and was looking forward to the show.”

Samantha also revealed she was heartbroken to withdraw from the event as she was so excited to be back performing in America.

She added: “This isn’t goodbye America, I am determined to get myself properly fit and well.

“I very much hope to return to the USA for a live show again very soon.”

Fans flocked to comment and one wrote: “I hope you get better soon and sending you so much love and positive energy!

“Us fans in the US will be here with open arms when you return someday, until then, I hope you stay healthy and get well.”

Another said: “Sending lots of love and well wishes!”

“Your health is the most important! I wish a speedy recovery for you,” wrote another fan.

A fourth added: “I am so sorry that you have to cancel but your health is the most important! Get well soon.”

A BRITISH girlband have sparked controversy after they admitted they’re “difficult to work with” and have “been rude” but “own it.”

The trio formed in 2019 and they eventually shot to fame in spring 2022 when their debut single, Cardboard Box, went viral on TikTok.

R&B group FLO, made up of Stella Quaresma, Jorja Douglas and Renée Downer, have already found chart-topping success, bagging themselves a MOBO Award and a Grammy nomination.

Since then, rumours have swirled in the music industry that the girls are “difficult” to work with.

They have now made an appearance on a podcast and addressed the backlash head on.

Speaking on the Zach Sang Show, Stella Quaresma said: “A lot of people have stuff to say about us that we’re hard to work with or we’ve got attitude or we’re difficult.

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“And at some point you have to just be like okay, sure, maybe you’re right… like you have to own it.”

“Because if you own it, they can’t say anything more. It’s like I know you are but what am I,” she continued.

“It’s like if I agree then what can you say, it’s owning it.”

When asked how they would define why they are “difficult” to work with the girls replied in unison “opinionated.”

Jorja Douglas said: “I think it’s very much that people aren’t used to it and especially where we were so young… there’s a lot of power dynamics in the industry.

“It’s hard being like 18 and even up until now when we’re 24 or 23 and people who are deep into their 30s and have been doing it, since they were our age.. to take onboard that we disagree or have a different idea.

“It’s difficult for people and I think that’s where it stems because we’re not rude obviously we’ve been rude before, like who hasn’t, it’s a very high stress job and being rude can sometimes be a bit fun.”

She added: “But obviously pick your moments.”

Stella also confessed that she believes people in the industry are “sensitive” with the industry being “based off of emotions.”

FLO’s fans certainly had their backs in the comments as they rushed to the girls’ defence.

One fan said: “Our queens know what they want, and what they deserve. They shouldn’t expect any less.”

Another fan wrote: “People just hate confident women who know what they want.”

A third fan penned: “These women are fabulous. I’ve met them before and they were so open, sweet and genuine.”

Meanwhile, a fourth person felt differently: “Own it all you want but once you get a reputation like that, you will miss out on future opportunities.”

PROFESSOR Green has revealed he’s got no savings despite his chart-topping success – and faces selling his house.

The rapper first hit the Top 10 in 2010 with debut single I Need You Tonight before going on to have a number one single with Read All About It in 2011.

But despite his chart success and collaborations with the likes of Lily Allen, Example and Emeli Sande, the star has revealed his finances do not reflect that.

In a new interview with The i Paper, Professor Green – real name Stephen Manderson – said: “So many artists get chewed up, spat out and come out the other side of it with f**k all.

“Everyone around them makes money – apart from them, because they’re good with words, songs and feelings, but they’re not good with money.

“It’s weird to get to this age and realise I’ve had no financial advice. I’m 42 and I spoke to a financial adviser for the first time recently, which was very telling.”

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He continued: “I’ve got no real savings, no investments, no stocks, no shares, no ISAs.

“It’s hard to comprehend that I’ve got so much of my money tied up in a house that I don’t entirely own.

“Now that interest rates are no longer 1.7 per cent, I even wonder whether I should sell my house and rent, to future-proof myself.

“I’m forever on Rightmove, looking at houses I can’t afford.”

While he has continued to make music, Pro Green has also turned his hand to TV in recent months, appearing on The Masked Singer as the character Teabag in January.

Then in May he appeared on the 15th series of Celebs Go Dating on E4.

JUNGLE are bringing Sunshine to summer – and entering their most confident era yet.

Following the unexpected global success of their 2023 album Volcano, the Brit-winning band return with a warmer, more organic fifth album, blending Brazilian rhythms, effortless grooves and nostalgia.

And the trio — Tom McFarland, Josh “J” Lloyd and regular contributor turned full-time member Lydia Kitto — might have called their fifth album Sunshine, but its warmth comes with a distinctly melancholic edge.

“It’s not about the weather or a season,” Lloyd explains. “It’s about relationships and distance and regret, and hope and longing for a better time.”

McFarland adds: “Everyone feels nostalgic about that summer when they were 16. Those emotional memories linger with us.

“Even the idea of memory is quite melancholic, because these great things happened, but they’ll never happen again.

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“You can recall them and remember how you felt, but that moment has gone.”

It’s day one of live rehearsals for Jungle when I join them at their studio in South West London.

Lloyd and Kitto have not long flown in from LA while dad-of-three McFarland is telling stories about his kids.

Despite the jet lag and the busy day ahead, the trio are as warm and easy-going as the title of their new album suggests.

Their new confidence follows the unexpected success of Volcano and its breakout song, Back On 74, in particular.

“That song was a big surprise,” says McFarland with a smile. “It went far bigger than we expected.

“We thought there was a certain level we could reach, but what happened with Back On 74 opened up a whole new dimension for the band.

“It brought so many more people to the music, and that has been a really cool thing to see.

“When we were in the middle of it, we didn’t pay too much attention. We don’t chase our own tails wondering whether we’re popular.

“You give the song away and hand it over to the public.

“The more you listen to the noise, the more you start to be directed by it.

“We were very keen not to think, ‘People like Back On 74, so let’s make a whole album like that’, because that’s where bands lose their way.”

Dance and striking visuals have always been central to Jungle’s story, with their cinematic, intricately choreographed videos becoming as distinctive as the music itself.

Their dazzling performance of Back On 74, which brought the celebrated video to life with a full dance troupe, was one of the highlights of the 2024 Brit Awards.

Their Group Of The Year win that night came as a genuine surprise, and Kitto says: “We didn’t have a clue.

“Loads of people were acting a bit fishy, so we were thinking, ‘Have we won? Haven’t we?’

“We thought we should probably write a speech just in case, but then decided there was no way we were going to win.

“So we sat down, had a bit of a drink and suddenly we’d won.”

McFarland adds: “We had a great night — we met Green Day, we got quite drunk and had a party.

“When you’re touring, you miss out on so many things, so being able to get family and friends in the same room and just have a dance was special.”

Lloyd adds: “Winning was a surprise as we don’t really pay that much attention to it.”

Jungle’s visual influence has proved equally powerful.

“What’s been really nice is seeing people make the choreography their own and connect with the visual side of the band,” says Lloyd.

“We’re obviously not a TikTok-generation band, but watching it blow up online was really cool.

“Seeing young kids dancing to our music in their living rooms was such a lovely thing.”

Lloyd co-directs the band’s distinctive, intricately choreographed videos with long-term visual collaborator Charlie Di Placido.

He adds: “You can see people, especially in advertising, starting to copy the band’s aesthetic.

“We’ve seen plenty of imitations of our videos and visual style, but I suppose we take it as a form of flattery. It shows that people have been inspired by what we do.”

Carry On was chosen by the band’s manager as the first single from Sunshine.

Lloyd says: “Once you’ve finished an album, you lose all perspective. You have so many different favourites, so you need an outside opinion to guide you through that final stage.

“Carry On has an old-school Motown, almost Sixties sound.

“It’s almost Jungle’s folk song, but it has a sadder emotional heart.

“Back On 74 is nostalgic, while Carry On is about overcoming heartbreak, rebuilding trust and finding the self-belief to push through difficult times.”

McFarland says affectionately: “My daughter loves this song — she walks around the kitchen singing it.”

Central to Jungle’s recent evolution has been Kitto, whose gorgeous, soulful vocals have become increasingly prominent across their music.

Having contributed to the band since their 2021 album Loving In Stereo and taken a leading role on Volcano, she is now an official member of the trio and steps further into the spotlight on Sunshine.

“Joining the band fully made sense,” she says. “I already felt so involved that I was sort of in Jungle anyway, so it was a natural progression.

“It’s like getting into a relationship with somebody — you hang out for a while and then think, ‘Oh yeah, this works’.” Lloyd — Kitto’s partner and her bandmate in music side project Loaded Honey — adds: “I don’t think people realise how long Lydia has been working with us.

“We’d been doing sessions and writing with her since before the third album, and then she joined the live band.

“Jungle had been built around group vocals for so long, but we were yearning for an emotional lead vocalist who could take these verses and connect with people.

“Lydia has that ability. She’s got a generational voice — an amazing soul vocal that takes our music to the next level.”

McFarland says: “We’ve always tried to create a universal message through the stories we tell.

“We were never going to be a band that told extremely personal stories.

“For us, it’s about giving people something they can hold on to and make their own. We want the music to have a global sound

that anybody can connect with. From day one, when we were making the first Jungle music, it was all about visiting imagined places we’d never been to.

“We’ve been lucky enough to visit many of them since, but at the start we’d ask, ‘What would it sound like if a band were playing on Cola Beach in South Goa?’

“We’ve always had that vision of putting ourselves — and therefore the listener — into a physical space.

“The Wave is a perfect example of that. You’re instantly on a beach.”

Lloyd adds: “We tend to see certain songs as brothers and sisters.

“The Wave harks back to Loving In Stereo and has something of Beat 54 from the second album in it.

“It has that sampled feel, although we created the sample ourselves. Originally it was much faster, before we slowed it down.

“It was actually the last song made for the album and was almost squeezed in at the end. There was something spiritual about it.

“The Wave represents the idea that you only get one life, so you have to be careful what you do with it.”

Romeo II is another one of those sibling songs, following Romeo from Loving In Stereo and again featuring Dreamville rapper Bas.

Lloyd says: “Romeo II was Bas’s idea. The track originally had a much longer title, but we wanted something more interesting.

“He suggested Romeo II, which felt great because it creates a sense of nostalgia for people who know the original.

“I think he was also referencing the tradition in hip-hop of songs having sequels.

“It gives the track an instant familiarity — people think, ‘I remember that Bas song from the third album, so I want to hear this one’.

“In some ways, Romeo II is actually even more Romeo in its subject matter than the original.”

And he jokes: “Bas has been on the last three albums — he’s going to join the band at some point.”

Lloyd continues: “We have always been inspired by Gorillaz and the way their collaborators became part of the family.

“You look at Del the Funky Homosapien on that first Gorillaz record and he appears across a couple of tracks. We’ve never viewed features as a way of gaming the system or chasing streams.

“For us, it’s always been about asking who’s good, who’s our friend and who feels like they genuinely belong within the collective.”

Talk turns to bands who put out greatest-hits albums.

Kitto says: “We could just do the same thing again and again and call it a greatest hits, like The 1975 do. They put out all their old songs and call it The 1975 At Their Very Best. There are no new songs at all.”

Jungle’s recent single Someday, Somewhere might just be the best song they have released, with its sun-soaked vocals, irresistible disco-funk groove and bittersweet blend of optimism and longing.

“I love that song,” says Kitto. “I can put it on at any point, and it changes your mood.”

For McFarland, Reflection is a favourite. “I love that song,” he says. “What I connect with is the way a song can transport you. When I’m driving in the sunshine, I’ll listen to Crosby, Stills and Nash radio and classic Laurel Canyon songs.

“Reflection does that for me. It takes me very vividly into a particular physical and emotional space.”

Lloyd says: “It depends on the day. We become very emotionally attached to the songs while we’re making and delivering them, but once they’re out, I tend to detach myself.

“Where Are You Now? was one of my favourites. I like the bouncier side of Jungle, but I also tend to choose the song that other people aren’t picking.

“If everyone likes one track, I’ll go for the other one.”

Soon it’s back to rehearsals for the trio’s world tour, beginning in the States next month, then heading to Europe and South America next year.

What matters most in a Jungle live show?

“The arc of the show is really important to us,” answers McFarland. “We want to build the audience up, pull things back again and create intimate moments alongside the more euphoric ones.

“I don’t think I’d ever get bored of playing Busy Earnin’ because it’s so much fun watching people have a great time.

“You see grandparents, their children and then their grandchildren, sometimes as young as six, all there together. It’s fun watching loads of people having a great time.”

Lloyd adds: “We want to be in control and make things according to our own vision.

“We’ve done well within the industry by not having to play by other people’s rules.

“Other artists have looked at what we’ve done and built careers from it.

“But we’ve only ever written our own narrative, and I think that’s really important as an artist to have the ability to fully be in control of your own story.”

• The album Sunshine is out on August 14. The band’s UK tour begins in Leeds in November.

JUNGLE

Sunshine

★★★★☆

KATIE Price is ignoring all the Lee Andrews prison drama to announce that she’s recording a whole new album – just like son Junior.

Despite her recent husband woes, after Lee, 43, was recently released from jail for the SECOND time, Katie, 48, is determined to be a pop star.

The former glamour girl revealed her big music news on her podcast, The Katie Price Show, during a chat with her sister Sophie.

In the conversation, Katie chatted about how she had met R&B star Ginuwine, through her producer friend Shay.

The star then let slip that this was the person who was helping to relaunch her pop career.

Katie said: “So, basically Shay, who’s doing my album at the minute.”

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It comes as the star’s son Junior, 21, recently revealed he was also working on new music.

Katie previously teased her pop comeback back in May, when she again said on her podcast: “I’m in the studio tomorrow, recording a new original track, not a cover. So I’m excited!”

To date, the wannabe pop star has only released one studio album, which was A Whole New World, which she recorded in 2006 with her ex-husband Peter Andre.

In the 20 years since, she has only released a handful of singles, including Free To Love Again, Hurricane and last year’s Best Of Me.

Meanwhile, Katie’s much-discussed fourth marriage took a turn when it was revealed Lee was had been hauled back to jail AGAIN in Dubai.

The self-proclaimed businessman was being held at Al-Awir prison, for the second time in as many months.

The Sun revealed how despite being released a few weeks ago, Lee still faces mounting fines and financial demands exceeding £100,000 to £120,000 from his detentions at the notorious jail.

Katie made it clear in an interview with The Sun that she would not cover the cost.

“There’s nothing I can do. I’m not here to pay anything for anyone,” she told us in an exclusive chat earlier last month.

“I’ve got my own life. Even though he’s part of my life.”

Katie tied the knot with conman Lee in January, just 10 days after meeting him.

Ever since, stories of Lee’s lies, scams and imprisonments have filled the pages of newspapers and magazines.

RITA ORA’s fourth studio album is almost complete – but no one is quite sure what to expect from it.

Aside from her husband, Hollywood director Taika Waititi, that is.

Speaking to Bizarre’s Jack at a London screening to mark the 10th anniversary of his hit film, Hunt For The Wilderpeople, Taika said Rita’s long-awaited album was “amazing”.

He added: “This new record is incredible. I’ve heard a lot of it.

“It was such a departure from stuff that she’s probably known mostly for. It’s a different sound.”

Taika directed the sultry video for Rita’s latest ­single, All Natural, and also directed and starred in the video for 2023’s Don’t Think Twice.

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Getting Oscar-winner Taika to work on your project can’t come cheap, but Taika assured us with a wink that he and Rita had come to an arrangement.

He chuckled: “There is a very mates’ rates deal going on. I think it’s been free each time. It’s just fun to get to work together.

“It’s great because we’re kind of in similar ­industries, but they’re very different disciplines – and when you’re with someone, you want to be able to do some work together.

“I’m really amazed and surprised at what she does, but also super- confused all the time.”

Taika masterminded two of Marvel’s biggest hits – Thor: Ragnarok in 2017 and Thor: Love And Thunder in 2022.

He also plays the alien Korg in the films.

Taika admits that he’d love Marvel book bosses to sign up Rita for a role alongside him one day.

He said: “Younger me would like to see a Bond Girl Rita, but I think I’d find it more fun to see her doing a Marvel film.

“It would be great to see her as a villain.” Watch this space . . . 

RAYE’S GLOWING WITH PRIDE

CHRISTMAS came early for Raye fans as she took to the stage in a sparkly red dress.

The Where Is My Husband! singer wouldn’t have looked out of place at a festive party as she headlined Brighton Pride on Saturday.

Her bill-topping set followed epic performances from Jessie J and Leigh-Anne ­Pinnock.

The Little Mix singer kept cool in a yellow bikini top and combat trousers – putting her growing baby bump on display.

She is expecting her third child with footballer husband Andre Gray. They had twin girls in 2021.

Brighton hosts the UK’s biggest Pride festival, but it is dwarfed by WorldPride, which took place in Amsterdam over the weekend.

Going all out to impress, organisers in the Netherlands somehow managed to land Madonna to perform.

She owned the Dutch stage in a bright purple corset and matching boots.

Taking camp to the next level, Madge was joined for her epic set by Kylie Minogue, who sang with Nick Cave at his Brighton gig on Friday.

Rumours are rife that the duo have a song together on a remix edition of Madonna’s latest album, Confessions II.

We should be so lucky . . . 

ARIANA’S IN FULL BLOOM

ARIANA GRANDE is dominating this week’s Official Chart First Look.

The One Last Time singer is on track to land three songs from her new album, Petal, inside the UK Top 20.

The album’s title track and second single, Petal, is currently at No3, while Kiss Me is at No6 and Stay sits at No11.

The album was streamed 62million times on its first day of release on Spotify, making it the platform’s 16th biggest first-day album debut by a female artist.

Ariana’s 2019 album, Thank U, Next, remains her biggest first-day debut, with 70million streams in its first 24 hours.

MUSIC guru Chris Herbert is the man who discovered the Spice Girls more than 30 years ago, and now he’s backing another feisty young act, Allegra.

She is gearing up to drop a new project called Unreleased EP on August 21 and has her sights set on collabs with top stars.

Allegra, right, said: “I’d love to work with someone like Rita Ora. We’d have so much fun. She’s got such cool style and I think we’d just have fun.”

Opening up about how she ­performs best, she added: “I like it when I’m feeling a bit sexy.

“I think I’m a bit angry at, like, a situationship or an ex- boyfriend, I’m looking hot in the music video and I’m like, ‘OK, I’ve got this’.”

1D GOING IN RIGHT DIRECTION

DURING their heyday, One Direction were a money-making machine.

And even though the That’s What Makes You Beautiful singers split up back in 2016, the cash keeps rolling in.

New accounts for the band, made up of Harry Styles, Niall Horan, Zayn Malik, Louis Tomlinson and the late Liam Payne, have revealed they each made £2,636 a week last year.

And to top it off, they had to do absolutely no work for it.

Their two firms, 1D Media Ltd and PPM Music Ltd, are now worth a combined £3,814,044 – up more than £687,000 from the previous year.

It’s not a bad life, eh?

A BRIT R&B singer has quietly welcomed her second child with her music producer husband.

Cleo Sol, 38, surprised fans when she revealed she had given birth to another baby, after keeping her pregnancy a secret.

The singer revealed that she and her record producer husband Inflo, real name Dean Josiah Cover, are now settling into life again as parents with a newborn.

Cleo, who shot to fame in the noughties, revealed her happy news on Instagram.

She posted a slew of photos which started with her pregnancy bump, and ended with her holding her newborn baby.

Cleo captioned the sweet snaps with: “Out of words right now, but grateful.”

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The star’s fans rushed to share their joy at her happy news, with one writing: “Congratulations Angel!!”

Another said: “Happy for you sista!! Blessings to your beloved family!!”

A third commented: “Omg omg! Congratulations the family is growing!”

The singer and husband Inflo first became parents in 2021, when they welcomed their first baby.

Cleo shot into the spotlight in the noughties, and was known for hits like When I’m In Your Arms, Promises, Why Don’t You, and Life Will Be.

Before finding fame, the singer would upload her music to MySpace.

In 2008, Cleo got her big break when Tinie Tempah asked her to sing the chorus on his song Tears

Following this, she got a record deal and started making music of her own.

However, by 2013, Cleo decided she no longer wanted to be in the spotlight and retreated from fame.

“I wasn’t happy,” she admitted in an interview in 2019, when she returned to music.

“And I was attaching my happiness to my music, so I wanted to quit music completely.

“Which still makes me sad when I think about it.” For four years, she retired from music entirely.

“I wasn’t being true to myself, and I was listening to everyone else’s advice on my career other than myself.

“I had lost faith in myself. I didn’t know how to pick myself up again.”

However, after returning to the R&B scene seven years ago, Cleo continues to make music with her husband and also perform.

A POPULAR 90s band have cancelled their entire UK tour following the tragic death of one of their band members.

Sixpence None the Richer were due to head out on the road later this year but the concerts have now been pulled following the death of bassist Justin Cary last month.

They confirmed online that they had decided to take some time out to “grieve” following the saddening news and and as such would not continue with their current touring plans.

The band said in a post online: “We are completely heartbroken over the tragic and untimely loss of our bandmate, brother-in-arms, and friend for 30 years, Justin Cary.

“The past three years had been full of international tours, recording new music, and an even further deepening of the joy of making music together.

“We were looking forward to connecting with new and old fans around the world this summer and fall, but for now we need time to be still and grieve.

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“With heavy hearts, we are canceling all remaining tour dates for 2026.”

Heartbroken by the loss, the band added: “Hundreds of pictures. Thousands of memories, 30 years worth. Thank you, Justin.

“There’ll never be another you, sir. No one could pack a suitcase better or make us laugh harder.

“We don’t know what is ahead, we never do, really. But for now, we must grieve our brother.

“Prayers are welcome for us all, especially his beautiful wife, Linda. We love you all so much and will see you again.”

They had been due to perform dates across the UK in late September and beginning of October of this year.

The performer died at the age of 50 after suffering a stroke on the 18th of June.

The Kiss Me musician had been receiving treatment at Albany Medical Center in New York.

He underwent two surgeries following the stroke and was placed in intensive care.

Sixpence None The Richer got its start in 1992.

Justin joined the lineup five years later, the same year the band dropped its self-titled album, home to the breakout single Kiss Me.

The smash-hit song climbed all the way to No. 2 on the Billboard Hot 100.

Kiss Me landed a Grammy nomination for Best Pop Performance by a Duo or Group with Vocals in 2000.

SCISSOR SISTERS added some Spice to their set supporting Duran Duran – by inviting Melanie C to join them on stage.

Gushing over landing Sporty Spice as a special guest at the BST Hyde Park Festival on Sunday, frontman Jake Shears said: “We love Melanie C, she’s always been the loveliest person.

“She loves what she does, she’s a killer singer, so we’re so happy she could join us.

“We’re all big show ponies!

“We’ve had a blast.”

Jake told the audience he still can’t believe the group are still going strong and selling out arenas this far into their career, adding: “It’s been 25 years for us this year, and we’ve gone from literally singing along to CDs to being a fully fledged band in that time.

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“Showmanship takes a long time to learn, as does enjoying yourself on stage.

“Our favourite moments on stage are when we achieve a sense of, ‘What the hell is going on here?’”

Reflecting on their sometimes chaotic live shows, Jake spoke of a particularly memorable performance with the late Dead or Alive singer Pete Burns.

He recalled: “One of our best collaborations has to be in the early days with Pete.

“He was such a special, special human being.

“He was a fierce, amazing character – in stilettos – and we like that, we like a little bit of chaos.

“That show was dangerous, scary, and fun.

“We look back at those times and feel like that was another era, those are people that are gone now.

“It’s very special to know we could do that with someone we looked up to before even becoming a band.”

CAUGHT LIVE: LONDON ROCKED BY METALLICA

FOR a band 45 years into their career, Metallica were still full of life as they tore through the final night of their three-year M72 World Tour.

The rockers turned London Stadium into a theatre on Sunday with an in-the-round stage in the centre of the venue as part of their “no repeats” weekend.

They also played there on Friday night but vowed there would be an entirely different setlist.

That meant they didn’t play many of their hits, but still had plenty of material to keep going for over two hours.

The gig fell on the one-year anniversary of the Back To The Beginning concert at Birmingham’s Villa Park, which the band performed at and where Black Sabbath frontman Ozzy Osbourne played for the final time.

Honouring the late rocker as his widow Sharon watched on from the crowd, they covered the Sabbath epic, Electric Funeral.

Ending on their biggest UK hit Enter Sandman, it was clear Metallica are still at the top of their game.

★★★★☆

Thanks a bunch, Sara

SARA COX kicked off her tenure as the host of the Radio 2 breakfast show by blasting out Lizzo‘s About Damn Time just after 6.30am.

Full of beans, she was congratulated on air over her new job by Hollywood star Tom Hanks, before leaving the studio with flowers just after 10am.

It sounds like Sara’s taking it old school with a new feature called SurpRise And Shine, where she will phone up listeners who have to answer with a specific phrase to win a special prize – either orange socks with her face on or a Sara-branded toothbrush.

One person who definitely wasn’t listening to Sara’s debut though was sacked host Scott Mills.

His husband Sam Vaughan posted a rare story on Instagram which showed he had snubbed the show and was tuning in to Heart Radio instead.

Can’t say that I blame him . . . 

Hot Tyla, so cool

IF this heatwave carries on, I might have to start dressing like TYLA just to stay cool.

The South African singer took to the stage at Afro Nation festival in Portugal at the weekend wearing this miniscule white top and the tiniest of black miniskirts.

She is gearing up to release her second studio album A*Pop on July 24, which includes her recent singles Chanel and She Did It Again featuring Zara Larsson.

I’ve got a sneaking suspicion we can expect a tour announcement in the not-so-distant future, too.

Tyla was forced to cancel her first headline tour in 2024 due to injury, but she was back on stage last year and is earning rave reviews for her festival sets.

I’m keeping my fingers crossed it isn’t long until she’s back here in the UK.

Shania ends in Styles

HARRY Styles had a smile on his face and the Three Lions on his chest before taking to the stage for the 12th and final night of his record-breaking Wembley Stadium residency.

He posed backstage with Shania Twain, who has been opening for him at the shows, which have been seen by almost one million fans.

Writing on Instagram after the concert – where fellow singer Kylie Minogue and actress Rosamund Pike were spotted in the audience – Shania said: “Thank you again @harrystyles for the memories. You have the greatest fans! Leaving London with an overflowing cup – happy and grateful.”

MADONNA’s Confessions II is now outselling the rest of the Top Five combined in the UK album charts, as it races to become her first No1 record in 14 years.

It came out on Friday and is also on track to land two singles in the Top 40 – Danceteria and her Sabrina Carpenter collab, Bring Your Love.

SINGER Lauren Bennett, who featured on the global smash hit Party Rock Anthem, has died aged 37.

The beloved Brit, formerly a member of American girl group G.R.L, was remembered as a “beautiful spirit” who “touched so many lives” by her old bandmates.

In a joint statement, they wrote: “It is with great sadness that we share the passing of our beloved Lauren.

“Our hearts are broken, and we cannot begin to express how much she meant to us.

“We will forever cherish the love, laughter, and countless memories she gave us.

“Her beautiful spirit touched so many lives, and she will be deeply missed and forever loved.”

“Rest peacefully, sweet Lauren. You will always be in our hearts. Your GRLS, Em, Tash, and P.”

Lauren shot to stardom as a member of The Paradiso Girls in 2007.

The group, a European spin-off of the Pussycat Dolls, disbanded in 2010 after their singles flopped in the charts.

But Lauren would go on to force a successful solo career, featuring on a remix of will.i.am’s I Got It from My Mama and later collaborating with CeeLo Green on Love Gun.

The highlight of her career came in 2011, when she featured on LMFAO’s worldwide No1 hit Party Rock Anthem, cementing herself as the next up-and-coming star.

More to follow… For the latest news on this story keep checking back at The Sun Online

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TO the untrained eye, he was just a bloke in a shiny police helmet singing about staying at the YMCA.

But behind the tight trousers and macho character in disco group ­Village People, Victor Willis was a musical hitmaker who co-wrote songs that will provide the soundtrack to every wedding, birthday and office party for years to come.

Yesterday, in a Facebook post, his wife Karen Huff-Willis announced Victor’s death, aged 74.

“It is with profound sadness that I must announce the death of my husband,” she said.

“Victor passed away on Tuesday, June 30, 2026, as a result of a short but aggressive illness.”

Long before he was commanding crowds to put their hands in the air to anthems that defined an era, including YMCA, Go West and In The Navy, Victor was singing gospel music in his Baptist minister father’s church.

Read more on Victor Willis

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GET DON & BOOGIE

Brilliant moment Donald Trump dances to YMCA at starstudded World Cup draw

He grew up in San Francisco and his high school band, The Ballads, supported The Temptations.

He sat in on sessions with American jazz trumpeter Dizzy Gillespie, before becoming an actor and singer.

A role in the Las Vegas production of musical Hair earned him a place in Broadway productions of Two Gentlemen Of Verona and The Wiz.

In the late Seventies, he caught the attention of flamboyant French producer Jacques Morali, who was creating a musical group based on the macho stereotypes and gay pin-ups of New York’s Greenwich Village.

Their four-track demo, called The Village People, earned the group a record deal, and Jacques asked ­Victor to become the frontman.

While the rest of the line-up were recruited from dance studios and clubs for the roles of the cowboy, the Native American, the biker, the construction worker and the soldier, Victor was thought to be the only straight member.

After albums Macho Man in 1978, and Cruisin’ in ’79 which gave us YMCA, they put out Go West and its title track became a gay anthem, later covered by The Pet Shop Boys.

It also featured In The Navy, which the US Navy co-opted for a recruitment campaign, before realising they were using the ultimate camp parody.

It was around then that Victor met and married his first wife, future Cosby Show star Phylicia Rashad.

They split in 1982.

After battling growing frustrations within the group, Victor walked out in 1979.

But his departure triggered a downward spiral.

He struggled to escape the group’s flamboyant reputation and establish credibility on his own.

His 1979 solo project, Solo Man, remained unreleased for more than 30 years until 2015.

The Eighties and Nineties became a blur of substance abuse, addiction, and brushes with the law.

In 2015, he said: “I got very depressed over the years.

“I got kind of drugged out, because I was disappointed with the way things were and got frustrated, and gave up for a bit.”

He began to turn things around in 2006 after he received court-ordered substance abuse treatment and completed three years of probation.

After getting clean, he turned his energy towards a battleground between him and ruthless record executives who had pocketed the lion’s share of the royalties from the Village People’s catalogue.

This led Victor to meet his second wife Karen, an attorney who helped him fight his copyright case against the companies who controlled Village People’s hits.

They ­married in 2007.

Victor, armed with a gritty determination, launched a historic, multi-year lawsuit under a loophole in the 1976 US Copyright Act, which allows artists to reclaim their work after 35 years.

In a legal victory that sent shockwaves through the music industry, the US courts ruled in his favour in 2013.

Victor clawed back up to 50 per cent of the lucrative copyright percentages for YMCA and his other hits, becoming a hero to older musicians everywhere.

The resolution paved the way for his return to the group in 2017.

Older, wiser, but with that same thunderous voice, he toured the world to packed arenas, watching three generations of families throw their arms in the air to spell out those four famous letters.

By then, YMCA was being regularly played at Donald Trump’s political rallies, a use Victor was unhappy with.

“I don’t endorse Trump, I’ve never endorsed Trump, nor have the Village People,” he told the BBC in 2020.

However, he surprised fans last year by agreeing to take part in the politician’s second inauguration saying: “Our song YMCA is a global anthem that hopefully helps bring the country together after a tumultuous and divided campaign where our preferred candidate lost.”

In his tribute yesterday, Trump claimed: “He was a great and happy guy who loved that I used YMCA at my rallies.”

Regardless, YMCA remains Victors’ biggest hit, reaching No1 in 17 countries.

The star may have hung up his police helmet for the final time, but his legacy is firmly etched into global nightlife.

As long as there is a wedding with a dancefloor, people will be ready to fling their arms up in the air in the shape of a “Y”.

NE-YO and Akon fans have been left feeling furious after their concert started two hours late – and the stage was still being built as they arrived.

The Grammy award-winning hitmakers are undertaking their global tour but some fans said it was past their bedtime before one of their gigs even began.

The much anticpated Nights Like This concert in Calgary was advertised as starting at 8pm but at 10pm the organisers were still testing the equipment and setting up the stage.

Hundreds of ticket holders were not allowed into the lower floor while the organisers were lifting heavy speakers for health and safety reasons.

Posting to TikTok an audience member said: “The Ne-Yo and Akon concert is 2 hours late and they’re still setting up the stage. It’s currently 10pm.”

Fans flocked to comment and one wrote: “10pm, the full lights on, and still setting up? Oh absolutely not.”

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Another added: “And their audience is definitely 30-45, we are going to bed.”

A third said: “Right it’s past my bedtime already. Lol.”

A fourth wrote: “I’d be going home.”

A fifth explained: “I’d ask for a refund!”

While a sixth exclaimed: “How disrespectful. You pay for a show to be at a specific time. I’d want a refund!”

A seventh wrote: “Ye-No I’m leaving.”

However, another fan posted an update shortly afterwards and explained that the show eventually started at 10:45 and ended at 12:45.

She said: “People were on the floors. 100s were not allowed to sit until the stage was completely set up (safety).”

A fan replied: “My best friend had surgery 2 weeks ago and was so sore from having to stand for so long.”

Another said: “Oh heck no, I would have raged having to wait that long to be let in! Would have left honestly.”

While a third said: “Yeah i was kind of p***ed cause i wasn’t allowed to my floor seat until 10:45!!! It was a good show.”

MADONNA is being lined up to make a superstar appearance at London Pride on Saturday.

She has long been a celebrated figure in the LGBTQ+ community, and kicked off Pride Month with a surprise showing in New York last month.

London Pride, which is expecting 1.8million people, will take place at locations across the centre of the capital, with acts including Beth Ditto and MNEK booked to play the main stage in Trafalgar Square.

And my music moles have told me that is where they are expecting Madge to pop up.

My insider explained: “Madonna is a passionate advocate for LGBTQ+ rights and has been a very vocal campaigner for decades.

“Pride means so much to her and the London event happens the day after Confessions II is released.

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“Organisers are playing it by ear in case of any last-minute changes but as it stands, Madonna is primed to come out on the main stage.

“She isn’t going to be performing like she did in New York. It’s more her coming out, speaking to the crowd and then heading off.

“They’re expecting absolute pandemonium if they pull it off.

“But it would be incredible for everyone going to the Pride event in London.”

Madge’s surprise 20-minute set in the Big Apple just weeks ago went down a storm with the crowds, who watched her sing Get Together live for the first time in two decades.

And fans don’t have long to wait until they can hear Confessions II, her latest album with producer Stuart Price.

Madonna has signed a huge new deal with TikTok, with the app streaming tracks from the record live tomorrow night from her VIP album launch party.

The hour-long broadcast will also see Madonna being interviewed about the making of the record, as well as playing a handful of her favourite songs from Confessions II.

It’s a big move for Madonna, after she revealed this week that she can’t stand social media, branding it “mesmerising and also soul-destroying”.

She told Vogue Italia: “Algorithms and artificial intelligence are the opposite of taking risks and to me that is the opposite of making art.”

Anything for us fans eh, Madge?

NICOLE’S PUSSYHAT DOLL

NICOLE SCHERZINGER is brimming with happiness in this sunhat as she celebrates her 48th birthday.

The Pussycat Dolls singer posed for a selfie at the beach on Monday.

Nicole is with her British fiancé Thom Evans in Hawaii, where she was born.

She said: “Last day at this age and she was feeling cute at sunset, back home at her fave beach.”

Nicole will begin rehearsals later this summer for the Pussycat Dolls reunion tour. UK arena shows start on September 29 in Birmingham.

BAD BUNNY COURTS OLD FLAME AT WIMBLEDON

BAD BUNNY has hopped back into his ex’s good books.

He has rekindled his romance with jewellery designer Gabriela Berlingeri, who was with him before fame arrived.

The Puerto Rican rapper played to more than 100,000 fans during two sell-out shows at London’s Tottenham Hotspur Stadium at the weekend.

There in support was Gabriela, who has quietly been accompanying him on tour.

She was also by his side at Wimbledon on Monday.

They met in 2017 and dated until 2022. She even appeared as a bride in the video to his 2022 single Titi Me Pregunto.

But he later got together with Kendall Jenner and they dated for 18 months.

Bad Bunny has had quite the glow-up in the past few years and he’s become one of the most-streamed acts in the world.

I’m sure Gabriela will now be the envy of millions.

BRITISH girl group Flo have found a superfan in K-Pop sensation Taemin.

Jorja Douglas, Stella Quaresma and Renee Downer met Taemin backstage at BST Hyde Park where they played on Sunday, after he requested an audience with them.

A source said: “Taemin absolutely loves FLO and thinks they’re brilliant. They talked about working on a collaboration together, which made Taemin’s day.

“They were laughing and joking around for ages before the girls offered to teach him the dance routine to their song, Leak It.”

LILY’S SITTING PRETTY

SULTRY Lily Allen actually has plenty to smile about despite her very public divorce from Stranger Things actor David Harbour.

The singer and actress wore satin lingerie and tiny black shorts when she brought her West End Girl tour to London’s O2 Arena at the weekend – and will return to the capital next week for a third gig at the venue.

Despite looking moody while sitting in a chair on stage, Lily found her smile again as she clutched a bouquet of flowers.

Lily has spent much of the year on the road and was back on stage in Dublin last night.

After a summer of festivals, she will fly to North America in September to play arenas there.

It’s clear Lily is chuffed with the show she has created, which sees her perform her West End Girl album in full.

She wrote on X: “Everyone on this tour is really working very hard to give people the best show we possibly can, and I’m extremely proud of it.”

SAM: I’M HOOKED ON FISH

SAM SMITH has revealed a yearning to be a fishmonger.

The Promises singer told the Dish from Waitrose podcast: “I’m still gutted I’m not a fishmonger. Honestly, I’m not just saying this.

“I was lucky as a kid. We used to go to Waitrose a lot – and the fish section, I just loved. I just like to handle fish. I don’t know, it felt very calming.”

Earlier this year I told that Sam had launched a TikTok account called Sam Served, which documents favourite meals.

And it’s all part of a ploy to get closer to the fish counter.

Sam said: “I was in San Francisco on tour and I was bored, so,I filmed myself eating and it’s just reignited the fishmonger in me.”

I’VE got a sneaky suspicion there may soon be a song featuring pop girls Zara Larsson and Jade Thirlwall.

The pair secretly had a studio session in Paris last week, after the Solidays Festival, where they were both set to perform, was cancelled due to bad weather. I have high hopes for whatever it is they come up with.

BOWIE TREASURE ON TOUR

DAVID BOWIE fans are in for a treat as the V&A Museum has announced today that his incredible archive of outfits, handwritten lyrics and photographs are going on tour for the first time.

David Bowie: On Tour opens at V&A Dundee in November, before heading to Blackpool, County Durham, Hull and Bristol, with more locations to follow.

The collection on Bowie features never-before-seen items including Polaroids for his make-up and costume fittings, a Ziggy Stardust-era acoustic guitar, unreleased projects, lyrics, performance notes and costumes from the singer’s final albums The Next Day and Blackstar.

WILL’S BRIEFS ENCOUNTER

SEEING Will Ferrell playing golf in his underpants wasn’t on my wish list.

But Kim Kardashian signed the actor to model her Skims men’s undies – and it has certainly got us all talking.

Will appears in blue briefs for the new ad campaign, though he was in character as golfer Lonnie Hawkins from his new Netflix comedy series, The Hawk, out July 16.

Kim said of Will: “His body says retired, his Skims say one more round. Built for men who still know they’ve got it.”

If you say so, Kim.

SHAGGY IS THE RIO DEAL

THEY say never meet your heroes, but Shaggy has spent a lifetime doing exactly that.

He has no shortage of famous fans and everyone from Nelson Mandela to Michael Jackson has sung his praises.

In a chat with showbiz reporter Freya Fraser at Rock In Rio Lisboa festival in Portugal, he said of meeting the former South African president: “We were at an award show in South Africa and we’re at the same table.

“He just kind of says, ‘You’re doing really great stuff’.

“We had a great conversation. I’ve met a lot of other people. Michael Jackson was also a super-big Shaggy fan.

“That’s documented on YouTube, everybody sees that. I have actually performed twice for Pope Francis. Queen Elizabeth, we performed for her Jubilee. I met all my heroes, to be honest with you.”

Shaggy is not modest when it comes to his achievements, and he is pretty flashy with his lifestyle too, even if he reckons he isn’t.

He said: “I’m a very practical person, so I’m not buying cars I don’t drive because I’m always on tour. I never drive anywhere, somebody’s always driving me around.

“I’m not buying homes I don’t live in. I have two homes. I’m not buying five of them, you know, I’ll rent them when I need them.”

But he is humble when it comes to his career, which has seen 16 Top 40 hits including four No1s.

He said: “I’m not a genius, God gave me those. If I wrote them, I’d be writing one every week.”

CAUGHT LIVE

Central Cee @ Rock In Rio Lisboa

★★★★☆

CENTRAL CEE ticked Lisbon off his bucket list as he took over the World Stage at Rock In Rio Lisboa before headliner 21 Savage.

On what was the most rap-focused line-up in the festival’s 22-year history, the Londoner tore through a mammoth 21-track set, including Loading, Doja, and Band4Band.

Cench proved he is an international star as thousands of Portuguese fans rapped every word back to him.

The atmosphere could not have been more different from the night before, when Sir Rod Stewart, Cyndi Lauper and Joss Stone had fans swaying along to their anthems.

Staying true to his nonchalant persona, Central Cee – real name Oakley Neil Caesar-Su – asked: “We’re not in a rush, are we?”

And as he worked the crowd and whizzed through high-profile collaborations such as Did It First with Ice Spice and Dave’s Sprinter, I was getting treated like an A-lister.

Rock In Rio Lisboa pulled out all the stops for its guests, with one of the biggest hospitality areas I have ever seen.

The UK may have provided a lot of the talent on this occasion, but we could learn a thing or two from Portugal’s festival scene.

FREYA FRASER

A BRIT music legend, 70, has been ‘admitted to hospital’ with a mystery illness as he reschedules gigs last-minute.

Bruce Foxton – the bassist and backing vocalist of The Jam – was set to play a gig in Kidderminster on Friday evening.

But in a post on social media, it was revealed Bruce had fallen ill and would have to reschedule the performance.

The post by AGMP Concerts read: “Due to illness, the Bruce Foxton concerts this weekend are being rearranged.

“Tonight’s concert in Kidderminster has now been cancelled. Tomorrow’s Lincoln show (Saturday 27th June) has moved to Friday 15th January 2027.

“Thanks for your understanding. We look forward to seeing you in the new year.”

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Meanwhile another post on X from a fan claimed: “Bruce’s show in Kidderminster tonight has been cancelled and not rescheduled due to the fact he has been admitted into hospital.

“Let’s hope it’s not too serious for this absolute legend.”

Bruce’s fans were quick to comment, with one writing: “Get well soon Bruce. Take a break sir, we’d prefer a happy healthy retired Bruce than a pushing himself to the limit to the detriment of his health Bruce.”

Another added: “Sending u my love Legend…TIME2RELAX NOW U WORKED YOUR A*** OFF….We have memories Bruce..enjoy your life now..we all love u and now time to enjoy your memories xx.”

A third commented: “Get well quickly Bruce. Such a great bass player, seen him in The Jam, Stiff Little Fingers and of course From The Jam.”

Bruce first came to prominence in the 1970s in The Jam before pursuing a solo career when the band broke up.

In 1990 he joined Stiff Little Fingers and was with the band until 2007, before he joined Rick Buckler and members of his tribute band, the Gift, to tour under the name From the Jam.

The Sun Online has reached out to a representative for Bruce for comment.

AFTER years of writing about politics, technology and the chaos of the modern world, Matt Bellamy wanted something different for Muse’s tenth album.

“The theme was to get back into mystery a little bit,” he says. “The mysteries of the universe, mysteries of spirituality and returning to the rawness of the unknown.”

Inspired by the 1977 Wow! Signal — an unexplained radio signal from space once seen as possible evidence of alien intelligence — and a turbulent period in his personal life, the record finds Bellamy searching for meaning on both a cosmic and personal level.

“I’ve turned completely apolitical,” he admits. “It’s weird when you go through things in your personal life — the news just becomes an annoying noise.

“When your life’s going great, you get drawn into the news and what’s going on in the world.

“But when you’re actually going through something yourself, the news and politics just become a headache.

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“I’m a little bit gloriously out of touch. I’ve normally been so in touch, my finger’s always been on the pulse, and a lot of the albums I’ve made talk about the rise of populism. But this album and my life for the last year-and-a-half has been different.”

Bellamy has split from US model Elle Evans, his wife of six years, who he quietly separated from in October 2025.

“I’ve been through a separation involving two young kids,” he says carefully.

“I can’t really talk about the reasons behind it, but it was not your normal run-of-the-mill situation. I became a full-time single parent for a period of eight months.

“She’s doing a lot better now and she’s getting better, but it was an unusual situation to go through. It made writing the album so much easier.

“It’s hard to talk about what’s behind the album because I don’t throw people under the bus. And I don’t want my kids to grow up reading stuff.”

Bellamy, 48, is in London for band rehearsals and when we meet, he’s just back from the gym in a bid to shape up for the tour.

“I’m not that old,” he laughs. “But I met Mick Jagger at a party and I went straight in on the fitness. I was, like, ‘What is your secret?!’ He said when he was in his 30s, he started working out a few weeks before a tour.

“By the time he got to his 40s, he was working out for the same length as the tour.

“If it was a three-month tour, he’d work out for three months before. And by the time he got to his 50s, he was just working out all the time, all year round.”

The 1977 Wow! Signal fascinates Bellamy because it remains unexplained and happened around the time the band members were born.

“The Wow! Signal is probably, to this day, still the most interesting signal that’s ever been seen in space,” he explains.

“It happened in 1977, which is basically within 12 months of all the band being born.

“Chris [Wolstenholme] and I were born in 1978 and Dom [Howard] in 1977, so I just thought it was funny that this little Wow! Signal appeared around the time we came into this world.

“I think this album was really me letting go a little bit and engaging with the unknown.

“What is this thing inside me, or all of us, that wants to not be alone? I don’t mean with a partner or friends. I mean this thing in the universe. At the moment, we appear to be so alone, and we have this drive, which you see through religion and science.

“Behind all of it, we just don’t want to be alone.”

That search drew Bellamy back to one of his formative influences.

“I grew up watching Contact, the Jodie Foster film from the 90s,” he says. “I used to read Carl Sagan’s books and that film really stayed with me.”

It has also led him into the world of AI.

He adds: “I’ve spent time in the tech world, in California’s Silicon Valley and the Bay Area, and I had some involvement in that world.

“I went to a private talk where Sam Altman (CEO of OpenAI) was talking off the record about his thoughts on AI.

“I saw (Meta CEO Mark) Zuckerberg talking about it, too, and I was interested in what they were saying.

“When you really hear them, they know they’re ushering in an intelligence which is beyond us. They start to see it as, ‘Well, we’re just kind of messengers bringing in this thing that is going to be more intelligent than us’.”

Bellamy says he enjoys asking AI philosophical questions — and that is where Hexagons began.

“That’s actually my favourite thing to do with AI, and where I got the idea for Hexagons,” he says. “And again, I think that is part of the same human condition.

“Whether it be religion, looking for aliens in space or trying to bring in artificial intelligence, it’s kind of all the same thing.”

Epic, organ-led Be With You was the first song that made the album’s direction clear.

“You can look at it as a love song, or you can look at it as a religious song, almost,” he says.

“I’m not a religious person, but I decided to play the song on a church organ.

“I went to the biggest church organ in Los Angeles, so the song was recorded in this church-like setting.

“I liked the idea that it could be perceived as searching for alien life, or searching for alien intelligence of some kind, or God. That was the first song that felt right, lyrically and musically.

“There are a lot of personal elements in the album that are quite unusual for me.”

Bellamy says the album came from a difficult period, but that made the music flow.

“This was actually the easiest album for me to write and make for 15-plus years,” he says.

“Space Debris is probably the biggest reveal of what I went through, especially lyrically at the end,” he says.

“It’s the rawest moment of explaining what really happened over the last year. I like using space analogies — space debris, things breaking up and falling apart in gravity — to describe the chaos and feeling in your life.

“It also fits the theme of connecting this search into outer space for a higher power with the chaos and feeling in your own life.

“I hope the fans don’t ask me to play that one live.”

If Space Debris is the album’s rawest confession, Bellamy says it also opened the door to bigger questions running through the record.

“What I went through threw me off into the unknown,” he explains.

“When things go wrong in your life, that’s when you’re most likely to seek meaning or search for answers.

“In my case, it was a blend between religious thought, alien intelligence and AI.

“I don’t know what it is, but you’re searching for this higher power to guide you, or to give you answers.

“Music became my catharsis. It became my way to understand my situation.

“Making this album gave me flashbacks to these periods where music was my everything.

“It wasn’t something I had to do to pay the bills. It wasn’t something I had to do for the record label. It was something that I had to do for myself.

“That’s why I think this album is probably, since the 2000s anyway, the most raw, emotionally raw and honest album I’ve done.”

Bellamy says despite the personal nature of the album, Chris and Dom were central to every song.

“I’ve always been in charge of the lyrics, and I’m the leader in terms of the concepts,” he says.

“But musically, this is the most equal album we’ve had for a long time.”

The Wow! Signal includes some of the best tracks Muse have made in years.

Cryogen has already been compared to early Muse, while Shimmering Scars shows off the vulnerability in Bellamy’s voice.

“Cryogen is deliberately Muse from 2001,” he says.

With Shimmering Scars, he explains: “I felt like I needed to do five or six takes, so we could edit the best bits in.

“But producer Dan Lancaster was, like, ‘Nah, let it be raw, let it be weird.’

“To me, it sounded a bit off — not quite what I wanted it to be. But he was, like, ‘No, that’s the whole point. That sounds a little bit raw’.

“This is the first album where we said, ‘Let’s give Dan a go at producing it’. The last two albums were self-produced, so it was nice to hand the reins to someone else.

“He did a great job keeping us towards that more raw, vulnerable state in the performances.”

Bellamy believes AI is pushing younger listeners back towards authenticity.

“My stepson with Kate [Hudson], Ryder, is 22 and he’s just graduated from NYU,” he says. “Then Bing is 14, and I’ve got the two little ones as well.

“Having a boy who’s 22 and a boy who’s 14 means I get a real sense of what’s going on in their generation.

“I think that generation is turning away from pop, hip-hop and dance a little bit. They’re seeking raw, chaotic-sounding music.

“I think the reason why is because that generation is drowned by AI. AI is dominating everything they do, from schoolwork to music and the arts.

“I could be wrong but from what I sense from them, they’re gravitating towards what they know to be real.”

Recent single Nightshift Superstar was the band wanting to go French disco.

“I love Daft Punk, Justice and ABBA,” Bellamy says. “I went to see ABBA’s show and I loved it. They’re some of the best songs ever written. So after that and seeing Justice in Paris, I was, like, ‘How do we do that? Let’s just go there’.

“The song has a late-70s feel but with a more cutting-edge tone associated with modern dance music.

“But the good thing about it is that it really is us playing.”

One surprise on The Wow! Signal is Hush — a collaboration with pop star Ellie Goulding.

“Ellie was in the studio next-door, working with Marshmello on something,” says the singer.

“We have known each other for years and always wanted to try and do something together.

“Muse fans will read online that we’ve done a song with Ellie Goulding and think it’s going to be a pop song.

“But it’s got one of the biggest, heaviest riffs we’ve done in a long time. To me, it sounds a bit like New Born or something from 2001.

“The verses get a little bit poppy, I guess, but the main riff is pretty hard rock, so I thought it was quite fun to get Ellie’s voice over that kind of heaviness.

“I think it’ll be a nice surprise.”

Bellamy says the song came together by chance.

“This was an experiment,” he says. “It’s the only song on the album that really involves multiple writers.

“Ellie popped her head in towards the end of the day, at about 11pm, and went, ‘Hey, what are you guys up to?’ We played the song and she said, ‘Oh, can I sing on it?’ We tweaked the lyrics and turned it into a duet.

“It came completely by chance. It wasn’t planned to be a collaboration.”

Bellamy says the reaction from Muse fans to the new songs has “been the best we’ve had for at least 15 years” and he’s looking forward to getting back on the road following their special Brixton Academy show in April to launch the album.

The show marked Muse’s first appearance at the venue in 25 years, just before the release of Origin of Symmetry.

“I didn’t realise it had been so long,” Bellamy says.

“I remember the last time we played there, it was around the second album and I was so nervous because it was the biggest show Muse had ever done.

“We got to debut Be With You for the first time, and we had a great time.”

Visually, Bellamy says the full Wow! Signal world will come to life properly when Muse return to Europe in November.

“The American tour starts with what I’d call a medium-level production,” he says.

“But when we come to Europe, including London and Manchester in November, that’s when we’re going to ramp it up to a really sophisticated production.

“I think there’ll be a lot of geometry, a lot of hexagons, shapes and lasers, and strange, interesting visuals.

“Hopefully we’ll build the spaceship you see on the album cover in the arena.”

• The album The Wow! Signal is out today.

The Wow! Signal

A HUGE Brit pop star has revealed his partner has suffered a devastating miscarriage.

Chart-topping British dance artist James Hype and his music artist partner Tita Lau shared their devastation after revealing their unborn baby has died just months into the pregnancy.

Taking to Instagram on Wednesday afternoon, Tita shared a black and white snap of them hugging and wrote alongside it: “This week we thought we’d be sharing the happiest news of our lives. Sadly, life had a different plan for us.

“For the last two years, we’ve been trying for a baby. It hasn’t been easy, especially because James and I hardly see each other.

“We’d started planning our IVF journey & had meetings with multiple doctors. But just before we were due to begin, something felt different…
I can’t really explain it, I bought a pregnancy test & called James literally 1000s of miles apart…Positive.”

She then shared how they went through a range of emotions before heading for their first scan and hearing the baby’s heartbeat.

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Tita, who also tours the world as a DJ, added: “Keeping it a secret was so hard, especially while touring. The first trimester is literally no joke!”

But a few weeks later, Tita said she felt “something wasn’t right” and went to get checked at another scan and “That’s when our hearts broke.”

She continued: “We were told I’d had what’s called a missed miscarriage, most likely caused by chromosomal abnormalities. My body still believed it was pregnant, but our baby had stopped developing.

“I don’t think a day has gone by that I haven’t cried. I didn’t know what happened next. It’s not something I’d ever thought about, but the next day, I had surgery & just like that, everything we’d been dreaming about was over.”

She then paid tribute to her husband, saying: “I’m still recovering, both physically & emotionally & I know James is too. I honestly don’t know how I would have gone through this week without you. This has been the hardest thing we’ve experienced together.”

James then commented underneath the post: “Proud of you for sharing this. Believe that everything will work out the way it should.”

The couple recently celebrated their sixth anniversary together.

James first hit the UK music scene back in 2017 when his song More Than Friends became a smash hit.

He has since had hit songs with global artists such as Craig David, Kim Petras and Pia Mia. 

A NOUGHTIES pop star looks unrecognisable 23 years after his controversial hit, as he braved the rain at a UK festival.

This US singer, now 54, shot to fame in a quirky Detroit rock band – but can you guess who he is?

The star in question is Dick Valentine, who is known for the band Electric Six, which he founded with friends from high school.

The band launched into the spotlight in the early noughties, and were known for their controversial song Gay Bar.

The tune was released in June 2003, and lead singer Dick, who’s real name is Tyler Spencer, has now revealed how he came up with the song.

Speaking in the rain at Download Festival, he told the Academy Music Group: “The real story, I was in a rock and roll bar. Okay, and so there’s ambient noise, there are people talking, there are drinks clinking.

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“In the background, on the jukebox, right, you’re hearing the song that they’re playing in the jukebox, but you can’t quite make out the lyrics.

“The song on the jukebox was Girl You Want by Devo, where the lyrics are, ‘She’s just a girl, just a girl, girl you want.’

“Those are the lyrics, those are the actual lyrics.”

Continuing with his story, Dick said: “But I thought he was saying, ‘She’s just a girl, just a girl in a gay bar.’

“And so I started singing that, and my friend was like, ‘No, no, no, what are you singing?’

“So then I’ve got this lyric now about a girl in a gay bar, right, I’ve got this, and it hasn’t been used, so now this is mine.

“So that was the genesis of it. It was just a misheard lyric in a pub, and it worked out really well for me!”

When Gay Bar was released over twenty years ago, the track certainly caused a stir.

While the song and music video got a lot of airplay the lyrics mentioning the Iraq war, which was ongoing at the time, were edited because they were perceived to have been offensive at the time.

Meanwhile, Electric Six shot to fame with their first single, Danger! High Voltage, which soared to No. 2 in the UK charts.

Along with Dick, the original line-up included Cory Martin on drums, Anthony Selph on lead guitar, Joe Frezza on rhythm guitar, and Steve Nawara on bass.

Over the years the band has experienced various changes in members, but Dick has always remained at the helm.

Electric Six continue to perform, and are currently on tour right now in the UK.

MYLES Smith reveals he was physically abused by his father in his heartbreaking debut album My Mess, My Heart, My Life. 

The Luton-born star, who was raised by his mother Deborah, recalls his difficult childhood in emotional tracks My Mess and Grandma’s House. 

Not since Lewis Capaldi’s astonishing 2019 album Divinely Uninspired To A Hellish Extent have I heard a more impressive and honest debut record, with Myles pouring his truth into the 15-track album. 

Created over the past three years, as Myles’ career went stellar thanks to his 2024 runaway hit Stargazing, the star takes his fans back to his beginnings. 

Lead track My Mess reduced me to tears as Myles regaled his relationship with his father against a backdrop of an upbeat, acoustic guitar. 

He sings, “I was born into a fractured family, where a word can start a war. 

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“Lost my tongue, when I spoke my peace, yeah he grabbed my shirt and he bruised my cheek. 

“Sad a man had to go toe to toe with a boy thirteen.” 

Emotion-packed Grandma’s House, where Myles, 28, recalls finding his safe space as his mum Deborah worked to make ends meet, is packed with emotion and reflection. 

On the track he sings: “Take me back to my Grandma’s place. 

“I was 7 years old when I learnt how to cook, and 10 when I started to sing. 

“Oh she’d bring me to church, and she’d cover my ears, when my Dad would scream horrible things.” 

Myles’ signature acoustic guitar underpins every track, with Hate You untangling the realities of navigating love and Sertraline seeing Myles exploring mental health and complexities surrounding it. 

This is an album for the brokenhearted and the hopeful, with the beautifully worded Lifetime and the dreamy vocals on Heaven – which is my favourite song on the record – seemingly bringing Myles’ the happy ending he’s been searching for. 

Over the past two years, Myles has grown in prominence – winning the Brit Awards Rising Star gong as well as earning an Ivor Novello Award for Stargazing. 

To date Myles has amassed over 4.7billion streams worldwide and is one of our country’s most exciting new stars. 

Opening up about the record, Myles said the album was born out of “therapy notes, old memories, relationships, insecurities, heartbreaks, mistakes and all the moments that shaped me.” 

The latter half of the album moves towards a positive note, with Nice To Meet You and Gold showing Myles coming out on the other side. 

Myles said: “It was important to end the album, and particularly this project on a high. 

“I feel like I always try to mirror my music with my live shows and my live shows are always about taking people on an emotional journey and then sending you home happy. 

“It is that sense of hope which lingers on as Gold closes the album. 

“Even though I may appear miserable for a lot of this album, I genuinely always walk with hope and I walk with joy at the end of the day.” 

Heaven, mark my words, will become a live show staple for Myles, who with My Mess, My Heart, My Life has more than proven he can hold up against the greats when it comes to writing songs about love and loss. 

★★★★★

Lotts of stars at V&A

It was all-white on the night for Maya Jama and Pixie Lott as they stood out in these dresses at the V&A Museum’s summer party.

They were joined at the bash by model Leomie Anderson, in an open white suit with gold jewellery, Ellie Goulding sporting a blazer dress, and Sir Mick Jagger with his fiancee Melanie Hamrick.

Once inside the museum, in London’s South Kensington, guests got the chance to schmooze around the exhibits, while Jessie Ware sang live in a sequin gown.

With tickets flying for her autumn tour, they were lucky to see her.

But access to the fundraiser, for those who did pay, cost £3,999. That is one expensive night out.

KAISER CHIEFS frontman Ricky Wilson will play Teen Angel in Grease: The Immersive Movie Musical.   

The show is being put on by Secret Cinema from July to September at Evolution London in Battersea Park. 

Ricky, left, said: “At school I was in Grease. I was not yet the pop sensation I am today and I only really wanted to do it because I fancied the girl who played Frenchie,  

“I was Doody, so this is my chance to show everyone I should’ve got a bigger part.  

“I don’t believe anyone from that production is now a professional singer – so in short, I win.” 

Sian’s up for toy techover

You will hear some surprisingly familiar voices in Toy Story 5 if you head to the cinema this weekend – as Capital Breakfast’s Jordan North and Sian Welby have landed roles.

They voice a garden gnome and inflatable flamingo in the long-awaited Pixar sequel, and mum-of-one Sian has high hopes for its impact.

Speaking about the film, which is about tech replacing toys, Sian, right, said: “I do think it’s going to start a massive conversation about screen time.

“It made me want to smash every bit of tech in my house and just get out in the grass and play all the games that I did growing up.

“I think a lot of us are going to watch it and feel guilt. It’s sad we have to grow up so fast because there’s so much magic when you’re younger.”

Best-selling novel One Day is coming to the West End as a musical.

The David Nicholls love story – which has previously been adapted for both the big and small screen – will premiere at London’s Garrick Theatre on November 17, following shows in Edinburgh earlier this year.

Tissues and jazz hands at the ready.

MNEK is back in reverse

MNEK is returning with his first album in eight years.

The singer has today released the single Reverse!!, which samples Lethal Bizzle’s Pow! (Forward) and will be on his Bulldozer record this autumn.

Also out now is Jax Jones’ Pulling Me Back, Tiny Habits’ Anything He Was featuring Matty Healy from The 1975 and Grow Down by Luca George.

Ahead of his opening night in Jesus Christ Super-star in London, Sam Ryder has released What’s The Buzz.

And to support England’s World Cup efforts, Kerry Katona has re-recorded Atomic Kitten’s Whole Again as Home Again to raise cash for kids in care.

She said: “Even if you think it’s s***, please download it so we can give back.”

TEDDY SWIMS says he is glad he was 30 years old before achieving global success – otherwise he could have gone off the rails.

The US star, whose single Lose Control sent his profile rocketing in 2023, said he doesn’t understand how younger stars like Benson Boone have coped with their early fame.

Teddy explained: “He’s crushing it at, like, 23. If they would have gave me that at 23, I would have sent that straight up my nose.

“Thank God it happened to me at the time it did and I’m capable of understanding this and taking it seriously.

“I’d have probably been so terrible about it. I’d have spun out immediately if I’d been given that at such a young age.”

Since then though, Teddy’s had further hits with The Door and Bad Dreams, but doesn’t let success get to his head.

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He said: “I try not to hang up my diamond or platinum records in my house, because I feel like I’ll just be looking at them and be like, ‘My best days are behind me,’ or something.

“So I try just to keep my head down and keep rocking.”

Asked if they’re in storage, he confessed: “A lot of them I’ve given to my family on Christmas. It saves me a little money there too.

“You know, my aunt’s got The Door gold record from a year ago.”

A real beauty spot, Maya

MAYA JAMA is clearly feline fine as she turns up the heat in a skimpy leopard-print mini dress.

The Love Island host sizzled as she fronted the dating show’s ITV2 spin-off Aftersun in the slinky number.

Maya, who previously dated grime star Stormzy, split from her Manchester City footballer boyfriend Ruben Dias in April after 18 months together.

But she clearly isn’t moping around, and has been on holiday in Ibiza, where she flaunted her curves in a tiny bikini.

Maya said of the break-up: “I’m an all-or-nothing girl, I don’t casually date, so yes, I will love loudly or not at all – and if it ends, it ends. I decided a long time ago not to base my life decisions on public opinions.”

Sounds like she’s got the dating game sussed.

JACK WHITEHALL has apologised to Becky Hill for calling her a “Wetherspoons Whitney”, claiming the pair “had a chuckle” about his dig – despite her writing diss track Daddy’s Range Rover about him.

I revealed last month how Becky has penned the song all about him making her the butt of a joke while he hosted the 2024 Brits.

Jack says: “I think my biggest surprise is it’s taken so long for some- one to write a diss track about me. I apologised when I saw her.”

Becky doesn’t sound like she sees the funny side, however – blasting the “privately educated nepo baby”.

Jesy’s hol of a look

LITTLE MIX singer Jesy Nelson celebrated her 35th birthday pondering what is coming next for her.

Holidaying with friends, she mused: “Whatever will chapter 35 bring?”

Well, it is unlikely to bring a reunion with her estranged former bandmates.

Jesy was not a guest at Perrie Edwards’ wedding to Alex Oxlade-Chamberlain in Portugal over the weekend, after Perrie said Jesy made her “blood boil” by claiming she felt unsupported during a mental health crisis.

Whatever comes next, it’s going to be a page-turner.

LEAH LETS LOOSE IN IBIZA

ENGLAND women’s football captain Leah Williamson made the most of her break from the game by enjoying a wild girls’ trip to Ibiza.

I’m told the Arsenal player let her hair down at the White Isle’s most legendary club Pikes last week.

Then on Friday night she let loose at Calvin Harris’ residency at superclub Ushuaia, where she partied with pals and her model girlfriend Elle Smith.

One onlooker told me: “Leah was ­having a great time doing shots with her mates – she was really ­living her best life.”

A calf injury meant she was ruled out of the last Lionesses squad, and it sounds like she is still feeling the effects as Leah wasn’t dancing as much as her mates.

But I reckon a blow-out in Ibiza might be just what she needs before getting her head back in the game.

FRESH off a collaboration with Ed Sheeran, Martin Garrix has teamed up with Madonna.

The Dutch DJ debuted Bizarre, one of the tracks from Madge’s highly anticipated Confessions II album, during a New York party.

From the clip I’ve heard, it sounds like an absolute beast.

ASTON: MY BOY’S READY TO HAVE BITE AT POP STARDOM

JLS star Aston Merrygold reckons he could have the next Justin Bieber on his hands in the form of his talented eldest son.

He revealed that eight-year-old Grayson Jax is already showing serious star potential.

The Beat Again singer said: “My oldest is full-on – he’s ready, he wants to do everything. He’s so much better than I ever was. Little Justin Bieber on the way.”

While fans wait to see if another Merrygold is about to hit the charts, Aston is juggling life as a musician with being a hands-on dad to his three children and setting a good example.

The singer has teamed up with Bupa Dental Care to launch the kids’ story and audiobook The ­Dentist’s Apprentice, aimed at ­helping youngsters overcome fears over check-ups on their teeth.

Aston said: “The whole premise is about trying to get rid of dental anxiety that young people have.

“Having all that pent-up anxious energy is not healthy for anyone. The dentist is about check-ups, it’s about prevention.”

Aston will soon be back on the road with JLS for their UK tour.

They are playing eight more shows, ending in Derby on August 29.

What to do after writing some of this century’s most devastating songs about the torment of breaking up? Write some of this century’s most devastating songs about the ecstasy of getting together.

With her first two albums — 2021’s Grammy-winning “Sour” and 2023’s triple-platinum “Guts” — Olivia Rodrigo proved herself to be perhaps the most gifted of the many chroniclers of Gen Z romance to emerge in Taylor Swift’s wake. She could convey the hot sting of betrayal, as in her smash debut single, “Drivers License”; she could channel the injustice of watching an ex somehow carry on, as in “Good 4 U”; she could deliver a sick burn like somebody handing out Halloween candy, as in “Get Him Back!” (Because it deserves remembering: “He had an ego and a temper and a wandering eye / He said he’s six-foot-two, and I’m like, ‘Dude, nice try.’”)

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Yet on her thrilling third LP, “You Seem Pretty Sad for a Girl So in Love,” Rodrigo, 23, turns to the pleasure that comes before the pain — and, in a feat very few in pop music are ever able to pull off, ends up with a number of first-flush-of-love songs as potent as any breakup tune.

She opens the album with “Drop Dead,” in which she compares a guy in line for the bathroom at a bar to an “angel on the walls of Versailles” — an early sign of how high the emotional ceiling is here. In “Stupid Song” she cycles through a series of metaphors to describe her lovesickness — she’s a car without a brake, she’s a heart made of melting wax — before finding a simpler but infinitely more vivid way of getting her point across: “You should feel how I feel when somebody says your name.” (Chills.)

“Maggots for Brains” is a song about how useless she becomes “when my baby goes away,” and let’s just take a second to savor the fact that Rodrigo is putting that title into the world less than four years after she was still a working Disney kid. The album’s next tune, “U + Me = <3,” is its high point: a euphoric promise of devotion that sounds like Sixpence None the Richer reborn as a Midwestern emo band. It’s got two young lovers carving their names into car seat leather, and it’s got a girl trying to impress her boyfriend’s older sister with her cynical humor and her taste in yacht rock.

More important, it’s got these lines of pure poetry: “They say modern love’s a cruel endeavor / And to that I say, F— it, whatever.” Kurt Cobain would be proud.

Working with her longtime producer, Dan Nigro, Rodrigo has expanded her stylistic palette to accommodate these new emotions; “You Seem Pretty Sad” pulls in chiming folk-rock and synthed-up new wave and even has a gorgeous wine-bar piano ballad, “Less,” that might put the scare in Rodrigo’s pal Laufey.

The cover of Olivia Rodrigo’s new album.

(Geffen Records)

The album is structured to trace the arc of a relationship, which means that the second half dips into the heartbreak we’re used to getting from Rodrigo. But she’s writing about familiar scenarios with new wisdom, drawing sophisticated conclusions about why people in love do the things they do (and don’t do the things they don’t).

In “The Cure,” which rides a strummed acoustic-guitar pattern that strongly recalls Smashing Pumpkins’ “Disarm,” she realizes a boyfriend can’t fix what’s broken inside her; “Begged” examines the limits of one partner’s willingness to look past the failings of the other. After hearing these songs, the happier ones at the beginning of the album reveal bits of shadow that Rodrigo has built into them to presage what’s to come — to presage what always comes.

It’s fitting, then, that Robert Smith of the Cure — perhaps pop’s most jubilant gloommeister — hovers over this LP like a patron saint: nodded to in “The Cure,” of course, but also “Drop Dead,” where Rodrigo name-checks the Cure’s classic “Just Like Heaven.” Smith himself turns up in “What’s Wrong With Me” for a duet with Rodrigo in which the two learn to accept that love, in the end, might be what kills them.

“My head is spinning and my stomach is sick,” they sing, and neither sounds like they’d have it any other way.

SIA has been spotted looking totally different after she ditched her signature wig and stepped out makeup-free at an LA farmer’s market.

In photos obtained by The U.S. Sun, Sia was seen out and about with her two-year-old, Somersault Wonder.

The Elastic Heart singer wore a pink baseball cap and an oversized trench coat as she strolled through the market picking out produce on Sunday, June 7.

The singer and songwriter is known for wearing elaborate wigs, which would obscure most of her face, for a large part of her career.

The 50-year-old has been intensely private, so when she filed for divorce from her husband, Daniel Bernard, last year, fans were surprised to learn she had also quietly welcomed her son, Somersault.

The couple tied the knot in December 2023 in Italy and ended the marriage just 26 months later.

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The documents cite “irreconcilable differences” as the reason for the split.

The exes have been caught in a nasty custody battle, with Daniel requesting full custody of Somersault.

According to documents reported by Page Six, Daniel, whose an oncologist, claimed he was the “only safe and reliable parent.”

He also called Sia a “serious and immediate danger” to their child.

“Sia is an unfit and unreliable parent struggling with substance abuse and addiction, rendering her incapable of providing safe or stable care for Summi,” he claimed in the papers.

The judge denied Daniel’s request for full custody and ordered the pair to continue with their previous custody agreement.

Sia has two other sons whom she adopted in 2019 as they were about to age out of the foster care system.

FANS of a huge US hitmaker have voiced their concern after the star repeatedly slipped and stumbled on stage at the Summertime Ball.

Yesterday, 80,000 revellers descended on Wembley Stadium for Capital’s annual festival – but there was one singer who got everyone talking

A video of Stephen Sanchez has emerged and shows the star’s chaotic performance at the Summertime Ball.

Taking to the stage the flamboyant star was dressed in a peach suit.

But as The Until I Found You hitmaker started to perform, he was seen slipping and sliding everywhere.

At one point Stephen looked like he was about to fall off the stage, as he tried to regain his balance.

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However, in the end he just ripped off his shoes and carried on dancing.

Sharing the video, TikToker @_floss_ wrote over the top of the clip: “The stage was really out to get Stephen Sanchez.”

Floss’s followers rushed to comment, with one saying: “Honestly at the end when he slid into stairs I just thought he had broken his toes!”

Another added: “Be careful Stephen!”

This one said: “This is a bad health and safety hazard! But he handled it so well.”

Meanwhile, Stephen wasn’t the only one to suffer on stage.

Fellow US star Jason Derulo was left red-faced as he slipped on stairs and fell over during his Capital Summertime Ball performance.

The singer took a stumble on stage when he slipped down some stairs while walking down onto the stage.

However, the US singer-songwriter styled it out in his usual fashion and appeared to be unhurt, telling the crowd: “I survived!”

Keeping his cool, he took a moment kneeling and put his finger in the air while he gathered his composure.