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Tensions Put Pressure on Dinkins to Live Up to Campaign Image : Racial relations: The mayor was expected to ease hostilities in multi-ethnic New York. But critics point to recent incidents of violence.

When a black teen-ager was killed in the Bensonhurst section of Brooklyn last summer after a run-in with a gang of whites, mayoral candidate David N. Dinkins made it clear what New York should expect from its top leader: “The tone and climate of the city does get set at City Hall.”

The perception that Dinkins could soothe racial tensions was probably the single biggest force behind his election as New York’s first black mayor. The last few weeks have brought a series of racial problems that have put the mayor under intense pressure to deliver on the expectations that he built.

“Though we cannot eliminate racial and ethnic friction overnight, we must take the first steps. Our beginning will, of course, be marked by small–sometimes indirect–steps. But even a journey of a thousand miles begins with a single step,” Dinkins said Monday.

But the mayor who exults in his city as a multi-ethnic “gorgeous mosaic” is feeling the cut of its sharp edges.

Each day seems to bring worse turmoil. Dinkins appears besieged, encircled by his detractors and undercut by the expectations that he himself raised. Some black leaders have gone so far as to publicly call him a traitor.

Dinkins faces two potentially explosive controversies in Brooklyn: As two juries have deliberated almost a week in the Bensonhurst slaying of Yusuf Hawkins, angry demonstrators have rallied each day outside the Brooklyn courthouse, and some of their leaders warn that violence is inevitable if the panels return anything less than a guilty verdict.

Meanwhile, blacks in Flatbush continue a four-month boycott of two Korean grocers that started with a dispute between one of the grocers and a black woman customer. While it is far from clear who was at fault in the original incident–the woman claims to have been beaten and the grocer contends that he merely pushed her to prevent her from shoplifting–it unmistakably tapped long-festering bitterness. Demonstrators have chanted such epithets as “Korean bloodsuckers” outside the stores, and have spat at customers who try to shop there.

A few blocks from the store, a group of more than a dozen blacks on Sunday beat three Vietnamese whom they apparently mistook for Korean.

Elsewhere in the city, smaller disputes add to the tension. A black City University professor is preaching black supremacy, while a white faculty member at the same school is saying that blacks are less intelligent and more prone to commit crime than whites. A group of white students at St. John’s University in Queens stands accused of raping a black woman. And Jimmy Breslin, one of the city’s most prominent columnists, has been suspended by New York Newsday after making racial comments about another staff member.

Dinkins’ low-key and cautious approach, which had initially seemed a soothing balm to the abrasion of former Mayor Edward I. Koch, now is being criticized as weakness and indecisiveness.

Roy Innis, national chairman of the Congress of Racial Equality, said in an interview Monday: “We’ve got to have a commitment to telling the hard truth. David Dinkins is not strong enough to do it.”

Innis accused Dinkins of “reverse racism” for failing to denounce the grocery store boycott that is “reeking with raw and naked, palpable racism.” He attributed Dinkins’ reluctance to the mayor’s association with Sonny Carson, the self-proclaimed “anti-white” leader of the boycott, who worked for the Dinkins campaign before being dismissed for anti-Semitic remarks.

Other blacks, however, have accused Dinkins of pandering to whites, particularly after the mayor made a rare foray onto prime-time live television last Friday to appeal for tolerance. “We must repress our rage,” the mayor said.

“He is a lover of white people and the system. And last night, he bashed black people,” said C. Vernon Mason, a lawyer who has been involved in a number of racial cases. “He ain’t got no African left in him. He’s got too many yarmulkes on his head.”

Mason made his comments at a rally Saturday, where he called the mayor “a traitor,” and some people in a crowd of hundreds chanted, “Judas, Judas.”

Many of Dinkins’ critics seem to suggest that as a black, he should automatically hold sway over New York’s black community–a view that does not recognize the diversity of opinion and outlook among blacks in the city.

One source in Dinkins’ Administration noted that the mayor has alienated some factions, who say they are disappointed in the number of blacks he has appointed to key posts at City Hall. Others have not forgiven Dinkins’ denunciation of the Rev. Louis Farrakhan, the black Muslim leader who once described Judaism as a “gutter” religion.

Dinkins’ Friday night address won high marks from many quarters, however. Former Mayor John V. Lindsay described it as “superb.”

Nonetheless, any hopes that it might have turned the tide were dashed less than 36 hours later, when the three Vietnamese were beaten by the group of blacks who thought they were Korean. Police on Monday arrested two people in connection with the assault, which Police Commissioner Lee Brown said was not related to the boycott.

Dinkins and several state legislators Monday held a news conference to announce state legislation aimed at crimes committed by groups, and to make a new push for a bill to stiffen penalties for crimes that are motivated by bias.

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Daria Kasatkina ends season early and says ‘I am at breaking point’

“I am at breaking point and sadly I am not alone.

“Add in to the mix the emotional and mental stress related to my nationality switch and there is only so much I can deal with and take as an individual woman.

“If this makes me weak, then so be it, I’m weak.

“However, I know I am strong and will get stronger by being away and recharging.

“It’s time I listened to myself for a change.”

Former top-five players Elina Svitolina and Paula Badosa ended their seasons early in recent weeks.

Ukraine’s Svitolina said she had “not been feeling like myself”, while Badosa has spoken about the mental toll of an ongoing back problem.

Other players have also spoken about the impact of the tennis calendar.

Five players retired injured in two tournaments in China last week, with six-time Grand Slam champion Iga Swiatek saying the season is too long and intense.

The Women’s Tennis Association (WTA) has made it mandatory for top players to participate in each Grand Slam, 10 WTA 1000 events and six 500-level tournaments.

The majority of 1000 events on the WTA and men’s ATP Tour last two weeks, as do all four Grand Slams.

Players can skip mandatory events if they injured or have personal reasons, but they will receive no rankings points or prize money if they do not play.

Former world number one Novak Djokovic, who has slimmed down his schedule in recent years to protect his body, has called on players to be more united, external in forcing change.

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With their big three out, Lakers fall in preseason game to Warriors

The Lakers entered training camp with hopes of finally establishing chemistry between stars Luka Doncic, LeBron James and Austin Reaves. But the trio have yet to see the court together. On Sunday, they all stayed on the bench during the Lakers’ 111-103 loss to the Golden State Warriors at Chase Center.

With Doncic (rest) and James (glute) already out, Reaves was rested Sunday after an already full first week of training camp. The fifth-year guard had the highest workload on the team entering the first preseason game that took place after three days of practice. He scored 20 points against the Phoenix Suns as one of the few offensive bright spots in Friday’s blowout loss.

Without their top offensive playmakers, the Lakers got a lift from guard Gabe Vincent, who made his preseason debut after nursing a knee injury. He had 16 points and five assists while center Deandre Ayton, who scored just one point on two shots in Friday’s preseason game, scored seven points, all in the first quarter, with seven rebounds.

“We came with more intention,” Vincent said compared to the Lakers’ 103-81 loss to the Suns on Friday. “We were more focused. Obviously it’s different with those three not playing. They’re a huge part of our team and everything that we do. But next man up.”

After their first two preseason games, the Lakers have one week of practice until their first home preseason game against the Warriors on Oct. 12. Coach JJ Redick said that although Doncic was scheduled to rest for the first two preseason games after he played in EuroBasket with his national team, the Slovenian superstar is still expected to play before the team officially opens its season on Oct. 21. The Lakers have four preseason games remaining.

Whether James, who was held out of early training camp practices because of nerve irritation in his glute, will play in the preseason remains to be seen. Entering an unprecedented 23rd NBA season, James is on a slower ramp-up schedule than previous years, Redick said.

The Warriors took a similarly cautious approach with their aging superstars as Stephen Curry, Draymond Green, Jimmy Butler III and Al Horford were all limited to one half. The 37-year-old Curry still scored 14 points in 15 minutes, draining five of seven shots from the field and drawing loud cheers from a nearly full Chase Center crowd when he laid up an acrobatic shot through contact and pointed two finger guns into the ESPN baseline camera.

Redick called it a challenge to get a proper evaluation of his team in a 48-minute preseason game when his top three stars are out, but after Friday’s preseason opener, he was looking for better organization on offense early in the shot clock, playing with pace and more physicality.

“We’ve got to be more physical getting open,” Redick said before the game. “We’ve got to be more physical with our screening. That doesn’t change based on who’s in the lineup, so that habit, we can build that.”

“Championship habits” is one of three pillars Redick has preached relentlessly during training camp, along with championship communication and championship shape. He said he would judge the latter in part by whether players are sprinting back on defense.

The Lakers were outscored 23-5 in transition Sunday and 42-11 through two preseason games.

With the exception of a 10-0 Warriors run to end the second quarter and a nearly six-minute stretch to begin the third quarter during which Golden State pushed a seven-point halftime lead into a 23-point rout, Redick said the overall competitiveness was “much better” than against Phoenix. But the next challenge will be to put forth that effort consistently.

It follows a recent theme Redick introduced to the team: Kaizen, the Japanese word for improvement.

“It’s just getting 1% better each day,” said forward Jake LaRavia, who had 10 points and three assists. “And that goes along with just winning the day. We thought when we played Phoenix, we didn’t. Today, we thought we did a good amount better, obviously, still not the result that we wanted, but we’re working in the right direction.”

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‘Nobody in the world expected us to win’: UCLA stuns Penn State

A team in need of a savior found one in the unlikeliest of places and most familiar of faces.

Jerry Neuheisel, the UCLA tight ends coach who was elevated to playcaller only four days before his winless team faced a top-10 opponent, dialed up an offensive plan that produced points on each of the Bruins’ first five drives.

The fun let up only momentarily on the way to UCLA’s stunning 42-37 victory over No. 7 Penn State on Saturday afternoon at the Rose Bowl, fans providing their giddy verdict with a chant they unleashed from the opening drive through the fourth quarter.

“Jerry! Jerry! Jerry!”

The game turned tense late, requiring a defensive stop after UCLA quarterback Nico Iamaleava was stuffed on fourth down, giving the ball back to Penn State at the Bruins’ 32-yard line with two minutes left.

The Nittany Lions reached the nine before UCLA defensive back Scooter Jackson surged into the backfield and dropped quarterback Drew Allar for a three-yard loss with 37 seconds left.

UCLA quarterback Nico Iamaleava (9) evades Penn State defensive end Chaz Coleman (19) to scramble for a gain on Saturday.

UCLA quarterback Nico Iamaleava (9) evades Penn State defensive end Chaz Coleman (19) to scramble for a gain on Saturday.

(Gina Ferazzi / Los Angeles Times)

After Bruins punter Will Karoll intentionally stepped out of the back of the end zone for a safety to pull Penn State within five points, the Nittany Lions could not cross midfield before the game ended.

After the final play, Neuheisel was hoisted into the air by his grateful players, winless no more.

“He puts that belief in us that we can go out there and execute,” Iamaleava said after accounting for five touchdowns, “and he put together a great game plan for us.”

The question remains of whether this was a turning point or a temporary reprieve in a lost season, but at least for the moment everyone associated with the team could deeply exhale.

Neuheisel said he found out he would be calling plays at 5 p.m. Tuesday. He estimated that he’s had three hours of sleep since then, the Bruins still conducting walk-throughs to master the offense Saturday morning.

“We had two days to practice the new game plan,” Neuheisel said, and all they did was believe.”

Masterfully running the Neuheisel‘s offense was Iamaleava, who finally had something to show for his cross-country move from Tennessee that made him the talk of the offseason in college football.

“Big-time players make big-time plays, and that’s what he did out there,” UCLA interim coach Tim Skipper said while clutching the game ball.

UCLA wide receiver Kwazi Gilmer (3) celebrates with teammate Titus Mokiao-Atimalala (2) after making a touchdown catch.

UCLA wide receiver Kwazi Gilmer (3) celebrates with teammate Titus Mokiao-Atimalala (2) after making a touchdown catch against Penn State in the fourth quarter.

(Gina Ferazzi / Los Angeles Times)

Iamealeava ran for three touchdowns and passed for two more as the Bruins (1-4 overall, 1-1 Big Ten) nearly doubled their previous high point total this season. Facing third and goal midway through the fourth quarter, Iamaleava dropped back before taking off and racing into the front right corner of the end zone. He then zipped a two-point conversion pass into the back of the end zone to Kwazi Gilmer that gave UCLA a 42-28 advantage.

In what might have qualified as his best day as a college player, Iamaleava completed 17 of 24 passes for 166 yards and ran 16 times for 128 yards, including a nifty 52-yard gain in which he spun away from a defender.

Given the circumstances, Neuheisel’s playcalling debut might have been a more valiant effort than his coming off the bench as UCLA’s quarterback in 2014 to lead his team to a comeback victory over Texas.

Remember, those Bruins were nationally ranked.

This version had been nationally lampooned while averaging 14.2 points a game on the way to four consecutive losses that led to the departures of coach DeShaun Foster, defensive coordinator Ikaika Malloe and offensive coordinator Tino Sunseri. Sunseri’s leaving prompted the Bruins to elevate Neuheisel and bring in Noel Mazzone, his old UCLA offensive coordinator and boss for one season at Texas A&M, as an analyst and advisor to his old protege.

Together they devised a scheme that helped the Bruins roll up 446 yards of offense.

“Nobody in the world expected us to win, let’s be honest here,” UCLA safety Key Lawrence said.

The celebrating started at halftime, UCLA players leaping excitedly and flapping their arms as they ran toward the locker room after Mateen Bhaghani’s 54-yard field goal gave the Bruins a stunning 27-7 lead.

To that point, UCLA’s domination was as complete as its failures had been in losing its first four games. The Bruins scored on all five first-half drives, recovered an onside kick and outgained the Nittany Lions, 285-92, in total yardage.

UCLA wide receiver Kwazi Gilmer (3) extends the ball across the goal line as he dives toward the end zone.

UCLA wide receiver Kwazi Gilmer dives into the end zone on an 11-yard pass in the first half against Penn State.

(Gina Ferazzi / Los Angeles Times)

Signs of what was to come started on the opening drive.

After winning the coin toss and electing to receive, UCLA quickly marched for a score on its opening drive. Gilmer took a short pass from Iamaleava and extended the ball across the goal line for an 11-yard touchdown that gave the Bruins a 7-0 advantage.

Those chants of “Jerry! Jerry! Jerry!” filled the stadium after UCLA took its first lead of the season after 244 minutes 34 seconds of football.

The fun was just getting started for the Bruins. Bhaghani immediately unfurled an onside kick that Kanye Clark recovered, leading to a field goal and a 10-0 cushion on a day that belonged to the blond-haired coach and lifelong Bruin whose debut as a playcaller figures to lead to many new opportunities.

“Just a special, special day,” Neuheisel said. “I don’t know where it would rank, I don’t know how to really put it into words, I just am glad I’m the one who gets to be in it right now.”

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Chargers are struggling to protect Justin Herbert. Can the issue be fixed?

What started as musical chairs is beginning to sound like a sad trombone.

There’s only so many times you can reshuffle an offensive line before it has a ripple effect on the entire football team. The Chargers are reminded of that now as they head into Sunday’s game with the Washington Commanders hoping — as opposed to knowing — they can provide adequate protection for quarterback Justin Herbert.

After reaching a comfortable cruising altitude with victories over three consecutive AFC West foes, the team is headed for a patch of severe turbulence.

The outstanding Joe Alt, who stepped in at left tackle after Rashawn Slater’s season-ending knee injury, is nursing a high ankle sprain and will not play against Washington. Right guard Mekhi Becton is coming off a concussion and is listed as questionable. So they’re a month into the season and the offensive line is a stitched-together hodgepodge that couldn’t handle the defensive front of the New York Giants last week.

“It’s like the Cinderella story at some point,” said Duke Manyweather, widely respected offensive line expert. “You know when that clock hits midnight that carriage is going to turn into a pumpkin. You don’t have an answer. You kind of saw that against New York.”

That’s not to say the situation is hopeless. Teams have lost key offensive linemen before, and there are different ways to compensate for that. But it’s a quandary for Jim Harbaugh, maybe the biggest since taking over as coach before last season. Heading into training camp this summer, the offensive line was a strength of the team, with Slater at left tackle and Alt on the right.

The Chargers didn’t do a lot to upgrade the interior of their line, a liability in January’s playoff loss at Houston, but signing Becton was a step in the right direction. He was a solid run blocker for the Super Bowl champion Philadelphia Eagles last season.

Chargers offensive tackle Joe Alt (76) will not play on Sunday because of a high ankle sprain.

Chargers offensive tackle Joe Alt (76) will not play on Sunday because of a high ankle sprain. It’s unclear when he might return.

(Al Bello / Getty Images)

Becton sustained a concussion in the Week 3 win over Denver and missed the Giants game. He remained in the concussion protocol this week, and his status for Sunday’s game is unclear. He was back at practice Wednesday wearing a yellow no-contact jersey as a precaution.

Communication among the linemen is key.

“Especially with new guys, you have to speak it out for a while before you get to that point of unspoken communication,” right tackle Trey Pipkins III said. “Once you’ve played next to someone for a long time, you know what they want and what they’re going to do. Until then, it’s about over-communicating everything at the line so everybody’s on the same page.”

It’s unclear when Alt might return after the second-year player was carted off to the locker room against the Giants and watched the second half on the sideline in street clothes and a walking boot. The tackle wore that boot all week.

The Chargers are on their third left tackle in Austin Deculus, who bounced around the league and started one game in the past three seasons, second right tackle and second right guard.

Chargers offensive linemen, including Jamaree Salyer (68) and Bradley Bozeman (75), stand on the field.

Chargers offensive linemen, including Jamaree Salyer (68) and Bradley Bozeman (75), stand on the field during a win over the Denver Broncos on Sept. 21.

(Ronald Martinez / Getty Images)

“At some point you’re starting to play people you haven’t even prepared to really be in there, much less their physical talents,” said Andrew Whitworth, retired All-Pro left tackle and now an analyst for Amazon’s “Thursday Night Football.” “They’re still trying to figure out the offense, the terminology, and they’ve never played beside the guy they’re next to. The war of attrition really starts to take its toll.”

What that does is test the creativity of Harbaugh and offensive coordinator Greg Roman to devise ways to fortify the line and protect Herbert without whittling away too many offensive options. They can keep a running back in the backfield to help out with protection, for instance, or add an extra tight end for blocking. But that also handcuffs what the offense can do.

“Sure, you can chip with a back or keep an H-back in there,” Whitworth said. “But then you’ve got fewer guys in the route, you’re holding the ball longer, and now the interior linemen are under even more pressure. You can get by for a few snaps, but you can’t live there.”

In the past two games, Herbert has been pressured in 46 dropbacks, more than any quarterback in the league, according to TruMedia.

Chargers quarterback Justin Herbert is sacked during a win over the Denver Broncos on Sept. 21.

Chargers quarterback Justin Herbert is sacked during a win over the Denver Broncos on Sept. 21.

(Allen J. Schaben / Los Angeles Times)

Herbert expressed confidence this week in some of the lesser-known players blocking for him.

“They’re guys that have seen big football games and guys that played in national championships and huge games like that,” he said. “Maybe it’s new to them for the NFL, but they’ve played in big football games before.”

It’s easy to get carried away with what all of this means. The Chargers are 3-1 and atop their division, and are coming off a 21-18 defeat to the previously winless Giants, whose pass rush is a strength of their team. What’s more, the Chargers had to make those line adjustments in the heat of the action, as opposed to having a week of practice to work with the reconfigured line.

The season is young. Teams have overcome these types of challenges before. The Rams had to reshuffle their line on multiple occasions last season and wound up coming close to knocking off the Eagles and advancing to the NFC championship game.

Still, the next few weeks will be illuminating for the Chargers.

“We’re going to learn about the depth of this team,” said Manyweather, founder of OL Masterminds, which trains offensive linemen of all levels.

“We’re going to learn about the coaching. And we’re probably going to learn even more about Justin Herbert and his ability to create and carry the team.”

We’ll also learn if a pumpkin can turn back into a carriage.

Times writer Benjamin Royer contributed to this report.

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WNBA Finals: A’ja Wilson leads Aces past Mercury in Game 1

A’ja Wilson and Dana Evans each scored 21 points, and the Las Vegas Aces beat the Phoenix Mercury 89-86 in Game 1 of the WNBA Finals on Friday night.

Wilson scored 12 of her points over the final 14 minutes, and Phoenix’s Satou Sabally missed a long 3-pointer with 2 seconds left that would have tied it.

Game 2 is Sunday in Las Vegas.

Evans led an Aces bench that outscored the Mercury’s reserves 41-16. Reserve Jewell Loyd scored 18 points for second-seeded Las Vegas, and starter Jackie Young had 10. Wilson had 10 rebounds, and Chelsea Gray had 10 assists.

Kahleah Cooper scored 21 points for the fourth-seeded Mercury. Sabally added 19 points and Alyssa Thomas had 15 points, 10 rebounds and nine assists.

Copper scored 19 points in the first half, one off her playoff career high for a half. Her personal best also came against the Mercury, when she scored 20 points for Chicago in the first half of Game 3 of the 2021 Finals. Copper’s five 3-pointers in the first half topped her previous high of four for a game.

If this game was any indication, these Finals — a best-of-seven series for the first time — figure to be tight throughout. The largest lead was nine points, and there were 12 lead changes and nine ties.

The Mercury threatened to take control several times, only for the Aces to respond with a run. In the end, it was Las Vegas that nearly pulled away, only for Phoenix to keep it close.

With Phoenix Down a point with 24.6 seconds left, Thomas went to the free-throw line but missed both. Young was fouled on the other end with 13.5 seconds remaining and made both free throws for the final margin.

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‘The Smashing Machine’ review: Dwayne Johnson steps into serious acting

The contradictions of mixed martial arts brawler Mark Kerr can’t be contained by a ring, an octagon or a film. A vulnerable man with a brutal career, he went undefeated on the mat while struggling in his private relationships and public addiction to painkillers, which he bravely revealed in John Hyams’ 2002 HBO documentary “The Smashing Machine: The Life and Times of Extreme Fighter Mark Kerr.” In that footage, shot between 1997 and 2000, you’re continually startled by how Kerr could clobber his opponents until some lost teeth — putting himself in a mental state he once likened to being a shark in a feeding frenzy — and then after the bell, flash a smile so wide and happy, it split his own head in half.

That’s Dwayne “The Rock” Johnson’s whole thing, too: Kill ’em with charm. So it’s as all-natural as his daily diet of organic chicken breast that the wrestler-turned-blockbuster-star would want to play Kerr in his own pursuit of excellence. He’s overdue for a sincere indie movie. Fair enough. Yet bizarrely, Johnson and writer-director Benny Safdie (“Uncut Gems,” “Good Time”), working solo without his brother Josh, have decided to simply shoot Hyams’ documentary again.

These two high-intensity talents, each with something to prove, seem to have egged each other on to be exhaustingly photorealistic. Johnson, squeezed into a wig so tight we get a vicarious headache, has pumped up his deltoids to nearly reach his prosthetic cauliflower ears. And Safdie is so devoted to duplicating the earthy brown decor of Kerr’s late-’90s nouveau riche Phoenix home that you’d think he was restoring Notre Dame. In setting out to establish his own style, Safdie just mimics another.

Their version of “The Smashing Machine” tells the same story that Hyams did, across the same years with the same handheld aesthetics and rattle-snap jazz score (by composer Nala Sinephro). It’s stiff karaoke that earns a confounded polite clap. That can’t possibly have been the intention, yet even the songs used as needle-drops are conspicuously borrowed: covers of the country crooner Billy Swan singing Elvis, and Elvis singing Frank Sinatra. Meanwhile, Johnson’s Kerr huffs up a set of stairs in a training montage that already belongs to “Rocky.”

Once again, Kerr gets shaken by his first defeat to Igor Vovchanchyn (played by Oleksandr Usyk, the current heavyweight boxing champion) in Japan’s Yokohama Arena, and responds by bottoming out, getting sober and committing to win his next tournament. All the while he bickers with his on-again, off-again alcoholic girlfriend, Dawn (Emily Blunt), who gets blamed for everything that goes wrong in the ring. A teeth-grindingly mismatched couple, they can’t get through a conversation without arguing. Even trying her best to empathize, she’s overbearing. When Dawn alerts his friend and colleague Mark “The Hammer” Coleman (MMA fighter Ryan Bader in his acting debut) that her battering ram of a boyfriend was drinking before a bout, Coleman snaps at her for letting him act so stupid.

Safdie frames Dawn as a force of domestic destruction (although Kerr tears down doors like wet cardboard). In her introduction, she — horrors! — makes his smoothie with the wrong milk and, a beat later, insists on cuddling the cat on their leather sofa. A shattered Japanese kintsugi bowl is a newly added visual metaphor of their relationship, as is Dawn’s attempt to fix it with Krazy glue, a wink-wink at her emotional volatility. Still, we never understand what holds them together. Blunt is stuck in a reprise of her Oscar-nominated supporting role in “Oppenheimer” as the drunk whose cruelty pardons the male lead’s flaws. Yeah, Mark fizzled in Yokohama, but boy was she awful.

What’s the point? Having stripped away most of the documentary’s narration and sit-down interviews with Kerr’s family and friends, the film barely explores anyone’s psychology — and Blunt’s railroaded Dawn loses her chance to speak for herself. “I don’t think you know a damn thing about me,” she snipes mid-screaming match. She’s right. We don’t know much about her either, nor any of the noisy things onscreen, from the bloodrush of combat to the pull of their co-dependent affair.

We’re supposed to find depth in Johnson’s weary, pinched grin as he appreciates the sunset on a flight to Japan or watches fans at demolition derby cheer just as loudly for mindless chunks of metal getting crushed. He’s quieter than the real Kerr, who could come across like a guileless chatterbox, and when he does talk, it’s often about the control he must exert on his body and his backyard — the diet, the exercise, the sobriety, the gardening — delivered with the conviction of someone giving motivational advice to the manosphere.

If you squint, there’s an idea here that his personal needs set an unyielding tempo in their home, a notion Johnson must resonate with as someone who sets his morning alarm for 3:30 a.m. But we become better acquainted with how light ripples across Johnson’s shirtless back in a tracking shot than with whatever’s going on in his character’s head. More often than not, we’re just watching him walk around in a skin suit of Kerr, trying and failing not to see the movie star underneath. I wonder if Johnson might have channeled the open-faced Kerr better without the fake eyebrows, if he’d trusted his own inner glow instead of immediately going for the dramatic kill.

Look at how dutifully Safdie and Johnson have worked to re-create this world, the movie seems to be saying. Appreciate the intentionally cruddy camerawork by Maceo Bishop that duplicates Hyams’ low-budget limitations. Enjoy how costume designer Heidi Bivens has put Johnson in another silver-buckled black leather belt similar to the one in his infamous, much-memed Y2K-era photo, the one with the turtleneck, chain jewelry and fanny pack. You know without doing the math that, at this time, 39-year-old Safdie was in his early teens, an age that’s a sweet spot for nostalgia. This is his chance to go back to the future. No wonder he doesn’t want to change a thing.

But “The Smashing Machine” should be about change. For the MMA, this was an era of evolution as it transitioned from a contest of raw strength to one of endurance and skill. Former collegiate wrestlers like Kerr and Coleman could no longer win with their signature ground-and-pound techniques. Organizers forbade several of their key moves as their brusque victories weren’t telegenic. Kerr’s early contests often ended in less than two minutes, an oops-I-missed-it-grabbing-a-beer brevity that would have made pay-per-view buyers grumble. Headbutts were disallowed in part to draw the action out, and also because John McCain didn’t want what he called “human cockfighting” on TV.

These underlying tensions were just coming into focus. The original documentary felt blurry because Hyams didn’t yet know how the off-camera legalities would play out. He would have never guessed that the once-maligned Ultimate Fighting Championship league, purchased in 2001 for $2 million, would become a powerhouse with the clout to ink a $7.7-billion television deal just this summer. He also didn’t know that the cash payments Kerr earned in Japan would be revealed to have the yakuza’s fingerprints on them, or that Kerr’s opioid addiction was start of a burgeoning national health crisis that would soon have America in a chokehold.

Surely, Safdie with his two decades of perspective and his own knack for movies about hard-charging, charismatic screwups like Adam Sandler’s gambling addict Howard Ratner in “Uncut Gems” has something to add? Nope, just tell the same tale twice.

Hyams stopped filming in May 2000, at a point when it appeared that Kerr had chosen love over war. Safdie is aware that Kerr would live on to make more choices and that love doesn’t win, either. But despite the benefit of hindsight, Safdie doesn’t seem to have considered that the old narrative no longer fits. He just updates the title cards on the end: a sentence about Kerr and Dana’s future, a note that today’s MMA stars are better paid, a point undermined by a shot of the actual Kerr climbing into an exorbitantly glossy new truck. Turns out Kerr has been a car salesman for the last 15 years, but you wouldn’t know that leaving “The Smashing Machine.” You wouldn’t know why this movie existed at all.

‘The Smashing Machine’

Rated: R, for language and some drug abuse

Running time: 2 hours, 3 minutes

Playing: In wide release Friday, Oct. 3

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Contributor: Congress’ Democrats are wildly unprepared to face down Trump

Donald Trump has made politics into a dystopian reality show he loves to host, but Democratic leaders Chuck Schumer and Hakeem Jeffries are playing by the old rules — and the mismatch may cause Democrats to get blamed for a government shutdown.

This is not because they’re dumb (they’re not) or incompetent (as the top Democrats of the Senate and House and as representatives of New York, both have risen to positions that require a Lyndon Baines Johnson-esque dexterity most of us couldn’t sustain for a single PTA meeting).

You can see it playing out in the government shutdown. Schumer and Jeffries seem almost neurologically incapable of operating in the world Trump has created — one where politics is less about governing or even persuasion, and more about staying on offense and generating spectacle.

Schumer exudes old-fashioned backroom politics and insider deal-making, which is another way of saying that he’s scripted, sweaty and stilted. It’s not that he’s bad at speaking; it’s that the kind of speaking he has mastered — the methodical, over-enunciated style that once charmed donors and editorial boards — is the equivalent of trying to fax something in 2025.

Jeffries, by contrast, is calm and disciplined. He speaks slowly, often channeling a rhythmic pattern that is reminiscent of a preacher or litigator. In a different era — the kind of era when “normal politics” still existed — this trait might have worked brilliantly. Today, it just feels tired. He’s supposed to be the hip one, once marketed as a “bad, brilliant brother from Brooklyn.” But his recent attempts at communication feel more like a corporate onboarding seminar.

And it’s not like he’s compensating for this shortcoming by electrifying the progressive base. Jeffries’ recent praise for New York Mayor Eric Adams (calling him a man who “served courageously and authentically for decades”) was a bit like praising Nickelback for artistic innovation. It’s not just inaccurate; it’s weirdly tone deaf to the moment.

To be fair, competing with Trump’s megaphone requires a skill set that is closer to professional wrestling than to 20th century politics. Trump is chaotic and often incoherent to the point of parody. But, and this is key, he never sounds like a normal politician.

In a game where authenticity — however poorly defined and cynically constructed — is the only real currency, the Democrats’ undynamic duo come across as high-functioning androids.

Countering Trump’s superpower calls for Democrats who can compete in the attention economy: leaders who feel authentic, actually enjoy picking constant political fights and understand that “going viral” is the new “getting quoted in the New York Times.”

Indeed, the only Democrats who have shown any capacity for being able to survive in this era have been Rep. Alexandria Ocasio-Cortez of New York and California Gov. Gavin Newsom.

Schumer and Jeffries do not have these skills, despite having plenty of material to work with.

Case in point: Republicans are about to make healthcare more expensive for millions of Americans. In theory, that’s a devastating talking point. In practice, it’s difficult to imagine Schumer and Jeffries delivering it in a way that can compete with Trump’s bogus assertion that the Democrats are shutting down the government because they want free healthcare for illegal immigrants and “transgender for everybody,” whatever that means.

Faced with these mistruths and the anemic response we’re getting from Schumer and Jeffries, the best-case scenario may be that Republicans — by virtue of being the “anti-government” party — take some blame for a government shutdown. But that’s not a strategy. That’s hoping partisan inertia is still on your side.

Regardless, the shutdown is merely the latest example of Democrats struggling to compete with MAGA. The larger problem is that the Democratic Party doesn’t really have a communicator right now. It hasn’t had one since Barack Obama left the stage.

It’s probably not fair to compare a congressional leader with a presidential candidate. But even by the standards of modern congressional leaders, Schumer and Jeffries are ill-equipped for the task at hand.

Democrats need someone with Newt Gingrich’s manic energy, revolutionary zeal and theatrical flair, coupled with Nancy Pelosi’s more pragmatic toughness and ruthless discipline. This is to say, someone who understands that politics is now a form of entertainment, but who still has the moral seriousness to prevent it from devolving totally into nihilism.

Instead, they’ve got two men who might as well be AM radio hosts trying to livestream on Twitch.

Ultimately, the Democrats’ communications crisis won’t be solved until they have a presidential nominee who can actually speak the language of the moment. Until they can find one, Democrats are stuck with two guys who are no match against a man who has turned political chaos into performance art.

And if Democrats don’t find one — and soon! — they won’t just lose the narrative: They’ll lose the country that depends on it.

Matt K. Lewis is the author of “Filthy Rich Politicians” and “Too Dumb to Fail.”

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Why NYC’s Zohran Mamdani doesn’t fit racial boxes – and that’s the point | News

Zohran Mamdani, born in Uganda and raised in New York, is in the lead to become the city’s next mayor. His complex identity has sparked debate in the United States. From questions about race to immigrant experiences, his story is challenging the way Americans think about identity, politics, and who gets power.

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‘Good Boy’ review: A dog makes a great scream queen in horror surprise

The lead of the horror-tinged heart-tugger “Good Boy” is a copper-colored retriever named Indy who pads around an eerie house deep in the New Jersey woods investigating its mysterious creaks, shadows and smells. Like the Method-style actors of “The Blair Witch Project,” he goes by his real name onscreen. An ordinary dog without a whiff of Hollywood hokum, Indy doesn’t do implausible stunts like Lassie or Rin Tin Tin or comprehend anything that his owner, Todd (Shane Jensen), says besides simple phrases: sit, stay and, gratefully, the title itself. But we’re invested in the mindset of this mundane hero. His nose twitches are as dramatic as an ingenue’s gasp.

First-time feature director Ben Leonberg raised Indy as a pet first, movie star second. Along with his wife, Kari Fischer, who produced the film, Leonberg shot “Good Boy” in his weekend house, staging scenarios for Indy to explore until he had enough material for a (barely) full-length spook show. Even at 72 minutes, “Good Boy” is belabored in the middle stretch. It would make a fabulous one-hour TV special.

Using his personal footage, Leonberg (who also edited the film and did its gorgeous, inky-wet cinematography) opens with a montage of Indy growing up from a tiny puppy to a loyal best friend. We love the dog more in five minutes than we do some slasher final girls who’ve survived several sequels. Indy is the most empathetic scream queen of the year so far — and I mean that literally as his breed, a Nova Scotia Duck Tolling retriever, is known for its high-pitched wail. American Kennel Club lists the Toller as the U.S.’s 87th most popular dog. I expect this movie will lead to an uptick. (Steve Martin already has one.)

What’s wrong in Indy’s new home? A pair of tragedies wind together like vines, although from the dog’s point of view, the distinction between them isn’t always obvious. This battered two-story home with ominous scratches on the basement door has been in Todd’s family for six generations, as the cemetery out back proves. Bequeathed to the youngish urban hipster by his grandfather (indie cult icon Larry Fessenden), a misanthrope who willed his taxidermy collection to a vegan, it’s a good place to disappear.

Todd, who’s in bad physical and emotional shape, has isolated himself in this scraggly, foggy forest to get some privacy from his sister, Vera (Arielle Friedman). There’s also a past death that the dog is able to perceive. A sniff of a rotting old chair frightens Indy so much, he wets the rug.

“Scaredy pants,” Todd teases Indy. The dog can’t explain what only he knows.

Several unnerving things are happening at once, including the presence of a silhouetted stalker, old bones that give the dog nightmares and Todd’s unpredictable mood swings. There’s also a ghost in the movie, I think — at least, there’s a heavy hinge that shouldn’t be able to open without a spectral nudge. Indy stands about two feet tall, so the camera often stays at that height too, gliding close to the floor where the view from under the bed looks as big as an airplane hangar.

A realistic dog’s-eye view of a creepy cabin is a good hook, although people hoping to see an otherwise satisfying genre thriller will feel a bit underwhelmed that Leonberg and his co-screenwriter Alex Cannon are conflicted about pushing the scary elements of the film too far into the supernatural. With a complicated backstory off the table (Indy looks restless whenever adults are having a conversation), the movie taps into our burgeoning belief that animals do have a special sixth sense, like how hospice workers know to pay special attention to whoever gets night visits from the resident pet.

Still, “Good Boy” doesn’t stray too far from the film’s core strength: a normal dog doing normal dog things. In a twitch, a head tilt or a whine, Indy communicates his emotions: curious, lonely, contented, confused, fretful, desperate or petrified. There’s no CG in the dog’s performance, no corny reaction shots and no use of animal doubles either. Todd’s own legs, however, are often doubled by Leonberg, an onscreen switcheroo that’s possible because the lens doesn’t tend to look up.

I liked the plot better on a second watch when I knew not to expect Jamie Lee Curtis on all fours. The ending is great and the build up to it, though draggy, gives you space to think about the interdependence between our species. Dogs are wired to be our protectors and yet, through generations of nurturing, they’ve come to trust that we’ll also protect them. The inarticulate betrayal in the film is that Todd isn’t making good decisions for anyone. His bond with Indy is pure and strong, yet one-sided in that Todd is too distracted to ease the dog’s fears. Indy is bereft to be left alone for long stretches of time in a strange house. But he can’t do a thing about that, nor the sputtering electricity, the fox traps in the brush and the neighbor (Stuart Rudin) who skulks around in hunting camouflage.

In Todd’s facelessness, he’s a stand-in for whatever you want: absentee parents, a struggling partner or child or friend. There’s a scene in which he comes home in obvious need of a cuddle, only to push his dog away. Maybe you’ve been both people in that shot: the person overwhelmed by their own pain and the loved one who has no idea how to soothe them. It’s terrifying to love someone this much, to give them the full force of your devotion only to get locked outside.

Consciously or not, Leonberg has made a primal film about helplessness. Watching it, I was knocked sideways by a sense memory of how it felt to be a child. Like Indy, kids get dragged around to places they don’t want to go to for reasons that aren’t explained, and when they whine, they’re commanded to pipe down. Even as we get older — when our own point of view can stand taller than two feet — the things that truly scare us are the ones that make us feel small and confused.

‘Good Boy’

Rated: PG-13, for terror, bloody images and strong language

Running time: 1 hour, 12 minutes

Playing: In wide release Friday, Oct. 3

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UCLA offensive coordinator Tino Sunseri is leaving the team

After a disappointing start to the season in which UCLA’s offense ranked among the worst in the nation, the Bruins and offensive coordinator Tino Sunseri mutually parted ways Tuesday evening, a university official told The Times.

The official spoke on condition of anonymity because the move has not been publicly announced.

Sunseri becomes the second coordinator to depart in the wake of coach DeShaun Foster’s dismissal, after defensive coordinator Ikaika Malloe left earlier this month in another mutual parting of ways.

Tight ends coach Jerry Neuheisel will be the offensive playcaller when the Bruins (0-4 overall, 0-1 Big Ten) face No. 7 Penn State (3-1, 0-1) on Saturday at the Rose Bowl. Plans are underway to finalize additional staff and it is anticipated that former UCLA offensive coordinator Noel Mazzone will assume analyst responsibilities, pending completion of the appropriate university processes.

Neuheisel and Mazzone have a long history together, starting when Mazzone was UCLA’s offensive coordinator and Neuheisel a backup quarterback from 2012-15. After a stint playing professionally in Japan, Neuheisel joined Texas A&M’s staff as a quality control assistant before the 2017 season at the urging of Mazzone, then the Aggies’ offensive coordinator.

“He said, ‘You’re coming with me, I don’t care what you say,’ ” Neuheisel recalled. “And I said, ‘You’re right, I’m coming.’ I got on the next plane to Texas A&M.”

Sunseri’s hiring was hailed as a coup for the Bruins given that he was co-offensive coordinator last season at Indiana, which averaged 47.8 points on the way to reaching the College Football Playoff. But the Bruins’ offense has struggled mightily in Sunseri’s first season as a playcaller, averaging 14.2 points to rank No. 132 out of 134 major college teams. UCLA also averaged 321.2 yards per game, ranking No. 117 nationally.

The lack of offensive production has been a big reason why UCLA has fallen behind in every game, trailing 20-0 against Utah, 23-0 against Nevada Las Vegas, 14-0 against New Mexico and 17-0 against Northwestern.

Sunseri also couldn’t replicate the success he had as quarterbacks coach at Indiana and James Madison. While UCLA quarterback Nico Iamaleava has completed a career-high 65.3% of his passes, he’s averaging only 197 passing yards per game and has logged nearly as many interceptions (three) as touchdowns (four), leading to a career-low quarterback rating.

Mazzone helped generate dynamic, high-scoring offenses in four seasons under then-UCLA coach Jim Mora. Mazzone later served as offensive coordinator at Texas A&M and Arizona before going on to serve in that same capacity for three teams in the United States Football League and United Football League.

Mazzone, 68, favors no-huddle offenses light on plays and heavy on simplicity. He’s also known for tailoring offenses to his personnel, particularly the quarterbacks.

“I try to create space for playmakers,” Mazzone told The Times in 2012. “I’m going to get you the ball where all you’ve got to do is beat one guy man-to-man. I do that, then it’s up to you.”

Neuheisel is a lifelong Bruin, having been born at UCLA Medical Center before going on to play quarterback for the team his father once coached, coming off the bench to lead the Bruins to a come-from-behind victory over Texas in 2014. He returned to his alma mater in 2018 as a graduate assistant before subsequent promotions to wide receivers coach and tight ends coach.

One of Neuheisel’s most visible roles is leading postgame locker-room celebrations after victories, yelling, “It’s a great day to be a Bruin!” before players repeat the phrase.

Neuheisel’s latest promotion to playcaller represents another step toward what he’s long said was his dream job: UCLA head coach.

“I didn’t get to put roses on my shoulder as a player,” Neuheisel told The Times in 2016, referring to a Rose Bowl game tradition, “but I’m going to come back and put the roses on the players as a coach.”

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Ryder Cup: Europe holds a record lead over U.S. after Day 2

Europe painted Bethpage Black in blue scores Saturday with exquisite golf that demolished and disheartened the Americans, and proved to be the best response to a New York Ryder Cup crowd that was so hostile extra security was brought in to keep it from getting worse.

When a long, loud and obnoxious day ended, Europe set a record for the largest lead going into Sunday singles under the format that dates to 1979: Europe 11½, USA 4½.

“I didn’t imagine this,” European captain Luke Donald said. “Every time the Americans came at us, we came back. The resiliency and confidence they have is really, truly incredible.”

Rory McIlroy caught the brunt of verbal abuse and at one point turned to the spectators and said, “Shut the (expletive) up.” And then he stuffed his shot to five feet for birdie that closed out the foursomes match for another blue point.

It was like that all day. The louder the crowd, the better Europe played. And barring the greatest comeback — or collapse — in Ryder Cup history, the Europeans will be heading back across the Atlantic Ocean with that precious gold trophy.

“I’m seeing what looks like to be historical putting. They’re making everything,” U.S. captain Keegan Bradley said. “They’re a great team. They’re great players. They’re a tough team to beat.”

The previous record after the four sessions of team play was 11-5. No team has rallied from more than a four-point deficit on the last day. Europe needs to win only three of the 12 singles matches for the outright win.

Scottie Scheffler also made it into the Ryder Cup record book. The world’s No. 1 player is the first to go 0-4 under the current format.

Nothing summed up the week for the Americans quite like the 10th hole in fourballs. Tommy Fleetwood hit a wedge about two feet under the hole. Scheffler followed with a shot that hit the hole and the base of the pin, then caromed into the rough.

But it was far more than one shot. Europe holed putts everywhere, often getting shouted at by the spectators as they lined up the shots. Nothing stopped them.

The Americans had a lead in only three of the 70 holes played in fourballs Saturday afternoon. U.S. Open champion J.J. Spaun hit it tight on the 17th and 18th for birdies as he and fellow San Diego State alum Xander Schauffele squeezed out one of only two U.S. points on the day.

The other belonged to Bryson DeChambeau and Cameron Young in the opening foursomes match.

The New York fans didn’t turn on the Americans for their performance. They cranked up the noise against Europe, shouting at them in the moments before — but not during — their shots, booing at every turn.

“Look, in between shots, say whatever you want to me,” McIlroy said. “That’s totally fine. Give us the respect to let us hit shots, and give us the same chance that the Americans have.”

New York State police spokesman Beau Duffy said two fans were ejected. The PGA of America said it added security to the McIlroy match and the other three. It also posted a message on the large video boards on “Spectator Etiquette.”

“Attendees consuming alcohol should do so in a responsible manner. Overly intoxicated attendees will be removed from the premises.”

Fans booed when the message was displayed.

McIlroy ultimately got the last laugh. He has won all four of his matches and can become the first European to go 5-0 on the road.

Whatever chances the Americans had might have ended on the final hole of the final match. Patrick Cantlay holed a few more big putts to keep them in the game, and a win on the 18th hole would have cut the deficit to five points.

Matt Fitzpatrick hit out of a bunker to two feet. Tyrrell Hatton, a last-minute sub for Viktor Hovland and his sore neck, hit wedge that nicked his teammate’s ball. It was another example of Europe’s superior play.

Cantlay’s shot spun back against the thick collar of the rough, and Sam Burns could only manage a shot to about 20 feet. Both missed. The throaty cheers of “Ole, Ole, Ole, Ole” returned, and the few American fans who stuck around that long were on their way home.

It got a little testy inside the ropes, too.

Fleetwood and Rose had a three-up lead on the 15th over Scheffler and DeChambeau. Rose was first to putt from about 15 feet. But he felt DeChambeau’s caddie was in his space as he was lining up his putt and he told him so.

Rose made the putt, and DeChambeau matched him from 12 feet. DeChambeau barked at them going to the 16th tee and soon the caddies were involved.

There was warm handshakes a hole later when Europe won.

“I didn’t feel like that space was being honored,” Rose said. “I made my feelings known — asked him to move, maybe not as politely as I could have done, but in the scenario, it’s coming down the stretch. We both have a lot on our minds and it’s intense out there.

“I said to them, ‘If I should have done it a different way, I apologize.’ But other than that, I had to step up and hit a huge putt with a lot going on.”

Bradley was asked what message he would give to his team to keep hopes alive, and the New England native pointed to the Patriots’ stunning comeback against the Atlanta Falcons in 2017.

“Twenty-eight to three. I was at that Super Bowl,” Bradley said. “I watched it. What a cool thing to have witnessed live in person.”

The way this Ryder Cup has played out, 11½ to 4 ½ feels much bigger.

Ferguson writes for the Associated Press.

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Oklahoma’s Ryan Walters says Turning Point will be in high schools

Sept. 23 (UPI) — Oklahoma’s public schools chief Ryan Walters said Tuesday that every high school in the state will have a chapter of Turning Point USA, the organization co-founded by slain conservative activist Charlie Kirk.

Walters, the state’s superintendent of public instruction, announced the partnership with the national conservative student group in a video posted to X, saying it would counter what he called the classroom dominance of “radical leftists” and teachers unions who “push woke indoctrination on our kids.'”

After the shooting of Kirk on a Utah college campus earlier this month, conservative politicians and media figures celebrated his influence with the nation’s youth and pledged to uphold his legacy. Walters’ announcement indicates a willingness to use the state’s public education system to advance Turning Point USA, but offered little detail on what that would mean.

“What we’re going to continue to do is make sure that our kids understand American greatness, engage in civic dialog and have that open discussion,” he said.

Starting a chapter of Turning Point USA at a private or public high school, as well as a home school, requires three students to serve as leaders and to sign a charter agreement, according to the national group’s website. The local chapter has to organize one activism initiative each semester and remain in good standing with a Turning Point USA field representative.

A press release from the state Department of Education states that chapters will receive support from the national organization, including “activism kits” with pins, pocket Constitutions, handbooks and other materials. The press release does not explain what the state will do to make sure students on every high school campus follows through.

John Croisant, a board member for Tulsa Public Schools and Democratic candidate for Congress, told KGOU that while students are able to form clubs, his district would not be “pushing political organizations within our schools.”

The department is investigating a dozen school districts that did not observe a moment of silence to honor Kirk, reported KOCO 5 News. Those districts told the station they were not aware of investigations.

Walters enacted a policy earlier this year requiring teachers from New York and California to pass tests showing they are not “woke indoctrinators.” He also supported a requirement that public schools teach the Bible.

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Denis Bouanga scores three goals in LAFC’s win over Real Salt Lake

Sept. 21, 2025 8:54 PM PT

Denis Bouanga scored three goals, his second hat trick in the last three games, and LAFC beat Real Salt Lake 4-1 on Sunday night at BMO Stadium.

Bouanga, who has scored in four consecutive games, has 22 goals this season, tied with Lionel Messi for the most in MLS. Bouanga had 20 goals in each of the last two seasons and is the first player in MLS history with at least 20 goals in three consecutive seasons.

The 30-year-old Bouanga, who also had three goals in a 4-2 win over San José on Sept. 13, has a club-record four career hat tricks in the regular season, one more than Carlos Vela.

Son Heung-min added a goal and two assists for LAFC (14-7-8).

LAFC, which clinched a playoff spot when St. Louis beat San José 3-1 on Saturday, has 50 points and is fourth in the Western Conference. Third-place Minnesota has 54 points and Seattle is fifth with 45.

Son, who had his first MLS hat trick in LAFC’s 4-1 win over Salt Lake on the road Wednesday, has seven goals in the past three games.

Salt Lake (10-16-4) has lost five of six.

Bouanga scored in the first minute of first-half stoppage time and Son bounced a shot from outside the area off the near post and into the net a couple minutes later to give LAFC a 2-1 lead at halftime.

Bouanga added goals in the 73rd and 87th minutes.

Brayan Vera scored his first goal of the season in the 14th minute on a left-foot shot from well outside the area that slipped under the crossbar and inside the back post to give Salt Lake a 1-0 lead.

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Lily Alder wins the 44th Woodbridge Cross Country Classic

The top two returners from last year battled for three miles before Lily Alder of Timpview (Utah) passed La Jolla’s Chiara Dailey in the final yards to win the Bob Day Girls Sweepstakes race on Saturday night in the 44th Woodbridge Cross Country Classic at Great Park in Irvine.

Alder won by 1.6 seconds in 15:40 flat after placing third in 2024 in 15:28.9 — seven-tenths of a second behind runner-up Dailey. Jaelyn Williams of Chula Vista Eastlake was third in 15:52 and taking fourth individually in 15:54.1 was Irvine’s Summer Wilson.

“My coach told me I could go 15:39 and I know I’m a lot better than I performed today,” said Wilson, a senior committed to Duke. “I found myself leading in the first two miles but my strength is my kick, so in retrospect it would’ve been smarter to stay back.”

Wilson’s former school JSerra (she transferred before her junior year) won the team title with 196 points.

Corona Santiago’s Rylee Blade, now a freshman at Florida State, set the meet record of 15:20.3 last fall. Her former Sharks teammate, Arkansas-bound senior Braelyn Combe, who won the state 1,600-meter title in the spring was seventh Saturday in 16:11.1.

Herriman (Utah) senior Jackson Spencer won the Doug Speck Boys Sweepstakes in 13:42.1, well off the meet record of 13:30.3 set a year ago on the same course by Owen Powell of Mercer Island (Wash.). Spencer, who was sixth in last year’s sweepstakes race, led the Mustangs to their fourth straight team championship.

Oak Park (203) won the Gold Varsity A boys race. Canyon Country Canyon senior Owen Souther was second individually in 14:41.8. Norwalk senior Leo Diaz won the Gold Varsity B race in 14:50.3 and El Toro was second in the team standings with 228 points.

Joaquim Sandoval, a junior from Warren, was first in the Blue Varsity B boys race in 14:28.6. “I’m feeling pretty good,” he said afterward.

Oaks Christian senior Delaney Napierala ran a personal-best 17:01.6 to outlast Jenna Murray of Moorpark (17:03.8) and win the Gold Varsity A girls race. In the Gold Varsity B race, Westlake freshman Sabina Cruz edged Autumn Banks of Tahoe-Truckee by one second in 16:50.7 while pacing the Warriors to the team title.

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Kings captain Anze Kopitar says he will retire after NHL season

Anze Kopitar, widely considered the greatest player in Kings franchise history and poised to become the team’s all-time leading scorer, announced Thursday he will retire at the end of the 2025-26 season.

Entering his 20th season with the Kings and the final year of his contract, the decision was somewhat expected from the 38-year-old team captain. He told KCAL News last month he was thinking about retirement and that it could be his last NHL season.

Kings general manager Ken Holland told NHL Network Radio in July that Kopitar indicated he wasn’t seeking a contract extension this summer and was intending to take things a “year at a time.”

Kopitar’s announcement came only hours after Dodgers pitcher Clayton Kershaw announced he would retire at the end of the season.

Kopitar’s Hall of Fame credentials have already been established. The greatest player ever from Slovenia, he helped lead the Kings to the franchise’s Stanley Cup victories in 2012 and 2014 as part of a core four that included Dustin Brown, Jonathan Quick and Drew Doughty.

Kopitar is second all-time in franchise scoring, with 1,278 points in a franchise-leading 1,454 games played. He is 30 points away from breaking Marcel Dionne’s team record for most points (1,307). He ranks third all-time in franchise goals (440) behind Luc Robitaille (557) and Dionne (550) and leads in assists (838). He is a two-time Selke trophy winner (best defensive forward) and three-time Lady Byng trophy winner (gentlemanly play).

Drafted 11th overall by the Kings in 2005, Kopitar made an immediate impact during his 2006-07 rookie season, finishing with 20 goals and 61 points for a downtrodden team that was in the middle of a six-year playoff drought.

Kings center Anze Kopitar celebrates with the Stanley Cup after the Kings defeated the New Jersey Devils.

Kings center Anze Kopitar celebrates with the Stanley Cup after the Kings defeated the New Jersey Devils to win the franchise’s first title in 2012.

(Robert Gauthier / Los Angeles Times)

Eventually, with Doughty joining the team in 2008 coupled with steady growth from Brown, Quick and Kopitar, the Kings returned to the playoffs in 2010 before capturing the franchise’s first Stanley Cup in 2012.

Kopitar has stood out on a team that has had many greats, including NHL all-time leading scorer Wayne Gretzky.

“It’s really hard for me to sit here and say I’m the greatest King. That’s just not my personality. Far from it,” Kopitar told The Times’ Helene Elliott in 2023. “There’s been great Kings in this organization, with Marcel, Luc, Dave [Taylor], Wayne, Blakey [Rob Blake]. The list can go on for a little bit. Brownie. Individually, yes, but it’s about collective wins.”

With Kopitar’s decision, the biggest roster question facing the Kings remains whether they can re-sign Adrian Kempe to a long-term deal. Kempe, who has led the team in points the last two seasons, is in the final year of his contract.

The Kings open the preseason Sunday against the Ducks in the Empire Classic at Toyota Arena in Ontario. They begin the regular season against the Colorado Avalanche at Crypto.com Arena on Oct. 7.

This is a developing story. The Times will have more on Kopitar’s decision to retire at the end of the season soon.

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Contributor: The right now embraces cancel culture

In the days since Charlie Kirk’s killing, conservatives have embraced a phenomenon they previously called toxic: cancel culture.

The impulse to cancel some voices this past week is understandable: Celebrating murder is cruel. It’s gross. It’s wrong. But the irony is impossible to miss: Conservatives, who long treated cancel culture as an affront to the 1st Amendment spirit of open discourse, are now calling for people to lose their jobs and their livelihoods, all because of something stupid they said on the internet.

This is the same issue that drove numerous stand-up comedians, young men, podcasters and Silicon Valley tech bros into the arms of Donald Trump in 2024. But now, in an amazing turn of events, conservatives are now aping the progressive scolds and speech cops, only with red hats.

Actually, their version is worse. The left’s “accountability culture” mob might have been overbearing, but their agenda was (with a few notable exceptions) largely driven by hall monitors. Today’s “woke right” is executing things in a more overt, efficient and official manner — which for the record means it can violate not just the spirit of the 1st Amendment but the actual, you know … 1st Amendment.

As a case in point, JD Vance, the vice president of the United States of America, recently told Kirk’s radio audience: “When you see someone celebrating Charlie’s murder, call them out. And hell, call their employer.”

Which raises the question, what if their employer is the government? That would be awkward. But no problem! Defense Secretary Pete Hegseth is reportedly telling staff to track down soldiers guilty of wrongspeak. Rep. Nancy Mace (R-S.C.) is trying to get teachers terminated, tweeting: “We don’t fund hate. We fire it” — which feels like the sort of slogan Mao might have had printed on a T-shirt.

And speaking of printers, Atty. Gen. Pam Bondi has warned that the government can “prosecute” any professional printer who refuses to “print posters with Charlie’s pictures on them for a vigil.” She also pledged to “absolutely target” anyone who targets anyone with “hate speech.”

Not long ago, progressives insisted bakers must bake cakes for gay weddings, and now a U.S. attorney general from a Republican administration is insisting that printers must print images for vigils. Funny how the tables turn.

Then, there’s the so-called Charlie Kirk Data Foundation, which claims to have a searchable list of tens of thousands of people who posted mean tweets after Kirk’s death. Collectively, this purge campaign seems to be working. A lot of scalps have already been claimed, including those of prominent pundits and late night host Jimmy Kimmel (who was suspended after making remarks about the motives of Kirk’s killer).

But — let’s be clear — opposition to cancel culture is merely the latest principle that Trump-era Republicans have conveniently abandoned. Indeed, almost every tenet that conservatives held dear a decade ago has been reversed.

And people are starting to notice. Oregon state Rep. Cyrus Javadi recently switched parties, citing the GOP’s abandonment of principles like “limited government, fiscal responsibility, free speech, free trade, and, above all, the rule of law.”

He has a point. Trump’s America now owns a chunk of U.S. chipmaker Intel (so much for small government), spends like a drunken sailor, slaps tariffs on everything that moves (bye-bye, free trade) and ignores laws he doesn’t like — most recently, the TikTok sell-off mandate that was passed by Congress and upheld by the Supreme Court, which Trump decided to treat like a menu item he didn’t order — until he found a suitable buyer.

But it’s not just normie Republicans who are worried about Trump diverting from the Reagan-Bush playbook.

Comedian and podcaster Tim Dillon recently observed that the Trump agenda looks suspiciously like the dystopia that conspiracy theorist Alex Jones used to warn us about between colloidal silver ads: “Military in the street, the FEMA camp, the tech company that monitors everything, the surveillance. This is all of that.”

So why is this happening? Why the contortions? I’m reminded of an old story Rush Limbaugh used to tell about the late actor Ron Silver.

As the story goes, Silver went to Bill Clinton’s first inauguration as a bleeding-heart liberal and was horrified by the military flyover. And then he realized, “Those are our planes now.”

That’s where conservatives are when it comes to cancel culture. They’ve finally realized that this is their cancel culture now.

And maybe that’s the grubby little secret about politics in the Trump era. Almost nobody cares about values or morals — or “principles” — anymore. Free speech, limited government, fiscal restraint — these are all rules for thee, but not for me.

Cancel culture wasn’t rejected, it was just co-opted. So go ahead. Drop a dime. See something, say something. Big Brother is watching.

Irony, meet guillotine.

Matt K. Lewis is the author of “Filthy Rich Politicians” and “Too Dumb to Fail.”

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The chilling séance that keeps selling out at L.A.’s Heritage Square

I am sitting in a tent placed inside the parlor of a Victorian-era house. Before me lies a spirit board, a lone tarot card and a black scrying mirror. I am here to commune with the dead.

There is no medium. It is only myself and eight other attendees— our guide has left the tent. Though earlier we could hear tension-rattling music setting a cryptic mood, now there is nothing. Lights? Off. The tent has gone pitch black. At this particular moment, there’s only the sound of our breaths, our thoughts and perhaps some new guests.

Welcome to “Phasmagorica,” what composer-turned-magician-turned-spiritual explorer BC Smith describes as “a séance reimagined as art.” It’s running this month at the Heritage Square Museum, itself a location imbued with history and mystery, the site of the homes of Los Angeles as they existed a century ago.

I’ll get right to the point: I did not have an encounter with the dead. And yet I left “Phasmagorica” deeply curious. That’s because Smith sets up the evening as an exploration of the modern Western history of communing with the deceased, attempting to conjure the feeling of a séance as it occurred in late 1880s America, albeit with a better sound system and all the Death in the Afternoon cocktails you can consume (note: you should not consume very many).

The “experiment” — Smith shirks at the word performance — is designed, he says, for believers and nonbelievers. He himself falls somewhere in the middle.

“I’m a hopeful skeptic,” Smith says. “If I were a 100% believer, ‘Phasmagorica’ would be a church. I just wanted to create a space that started a conversation for people.”

It is relevant to point out that Smith is also a magician, a member of the Magic Castle, home itself to a popular séance. While Smith has not conducted a Magic Castle séance, he has — and will — orchestrate what he refers to as a “theatrical séance,” for which he is present as a storyteller. “Phasmagorica” is different, Smith says, and was born out of those more dramatic performances, in part because he kept encountering the unaccountable.

“It’s highly curated,” Smith says of a core difference between a theatrical séance and “Phasmagorica,” as the former will be tailored specifically to guest needs and requests. “But people were experiencing a lot in those séances that I could not explain,” Smith says. He recites a story that opens “Phasmagorica” of a shadow reaching out and touching someone on a shoulder. Smith says he witnessed this phenomena, and at that point decided to create an event that focused on realism and dispensed with the notion that there could be any illusions or magic.

A tarot deck and a spirit board on a table.

BC Smith’s “Phasmagorica” is not a theatrical or magic performance. The event aims to recreate the feel of a vintage séance.

(Roger Kisby / For The Times)

I was surprised, for instance, when Smith left the room. At that point, we were with only a television, which narrates a short history of séances in America before instructing us to hold a pendulum over a spirit board. Knowing Smith’s past, I went in expecting more of a show. Instead, we are prodded to examine a tarot card, peer into the scrying mirror and ask questions to our spirit board.

“It becomes more personal,” Smith says. “Even in my theatrical séances, I’ve had people want to cut me off mid-sentence and say, ‘This just happened to me.’ And they want to spend the next five minutes talking about it. At the end of the day, I think what people like is that this is all about them.”

And still, Smith says, audiences are looking for wizardry. But there’s no tricks of the light, no hidden fans. He stresses multiple times in this interview and at the start of “Phasmagorica” that this is “not theater, not a performance, not a show.”

“I’ve had people walk out of the room and swear there was a magnet in the pendulum board,” he says. “Or swear there was some effect that made them see a person standing. People still have an explanation that I had something to do with it. Whatever helps you sleep with the light off.”

While numerous cultures and spiritual movements have throughout history long attempted to commune with the dead, a séance, says Lisa Morton, author of “Calling the Spirits: A History of Séances,” is a relatively recent occurrence. She and Smith trace their popularity to the Fox sisters, Kate and Maggie, who performed to packed crowds in the late 1880s in New York, attempting to demonstrate that spirits could speak via a series of raps on the walls.

LOS ANGELES -- SEPTEMBER 11, 2025: BC Smith at Heritage Square Museum where he leads seances. (Roger Kisby / For The Times)
BC Smith calls "Phasmagorica" an "experiment," shirking at the word performance.

BC Smith calls “Phasmagorica” an “experiment,” shirking at the word performance. (Roger Kisby / For The Times)

Prior to the Fox sisters, Morton says, attempts to commune with the beyond, broadly speaking, were a more personal and ritualistic affair. “The Greeks believed that sleeping on a grave might give you dreams in which you communed with a spirit,” she says. Popular myths, too, would portray the practice as borderline arcane. In Homer’s “The Odyssey,” for instance, a bridge to the spirit world is reached only after a complex series of sacrifices and offerings — a potent mix of sweet wine and the blood of a lamb.

“The séance comes along, and not only is it a group activity, but it suggests that anyone can communicate with the spirits of the dead,” Morton says. “You just need a medium — someone who can enter a trance state and open themselves to receiving spirit communications. It was done with a group, and in the comfort of someone’s home. Those were startlingly new ideas.”

Morton has taken part in Smith’s “Phasmagorica.” She, too, appreciated the historical emphasis, specifically the way a musician performs after the séance as guests mingle with one another and share their experience. Music was a big part of early séances, Morton says.

“People would sit around a table and the lights would be lowered and they would sing,” Morton says “Now, singing did have a scammy double purpose, as they allowed the medium to start doing things in the dark unheard. But these evenings were wondrous for people, and I thought that was what BC Smith captured really well.”

“Phasmagorica” has been running on select weekends at Heritage Square since the late summer. Smith intends to continue adding events throughout the fall as his schedule allows, announcing them on Instagram. Though intimate, they do typically sell out. It’s traveling via word of mouth, theorizes Smith, because people today are increasingly searching for “connection and meaning.”

A Victorian era home.

Heritage Square Museum is itself a location imbued with history and mystery, the site of the homes of Los Angeles as they existed a century ago.

(Marcus Ubungen / Los Angeles Times)

“The experience is really up to you,” he says. “I think we’re all searching for something. This is a safe space to explore.”

Late in life, Maggie Fox denounced the spiritualism movement that she and her sister Kate had helped start, demonstrating the ways in which they had fooled their audiences. Smith again stresses that he himself is a “hopeful skeptic,” and purposefully stays out of the experience so that guests aren’t trying to figure out if he’s holding onto any secrets.

And yet he says, “Phasmagorica” has permanently changed him. He notes that his wife is a commercial airline pilot and must travel often.

“When she’s away, I sleep with a night-light,” he says. “Maybe that’s the answer to the question whether I believe or not.”



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Obama says U.S. is at ‘an inflection point’ after Kirk’s killing

Former President Obama says that the United States is at “an inflection point” following the assassination of conservative activist Charlie Kirk and that President Donald Trump has further divided the country rather than work to bring people together.

“There are no ifs, ands or buts about it: The central premise of our democratic system is that we have to be able to disagree and have sometimes really contentious debates without resorting to violence,” Obama said Tuesday night during an event in Erie, Pennsylvania, hosted by the Jefferson Education Society, according to a transcript obtained by The Associated Press.

“And when it happens to some, but even if you think they’re, quote, unquote, on the other side of the argument, that’s a threat to all of us,” he said. “And we have to be clear and forthright in condemning them.”

Obama has kept somewhat of a low profile in his post-presidency. Responding to a moderator’s questions Tuesday, he addressed Trump’s rhetoric after Kirk’s assassination, as well as other administrative actions.

The Democrat spoke about his own leadership following the 2015 slaying of nine Black parishioners at a Charleston, South Carolina, church, as well as Republican then-President George W. Bush’s actions following the Sept. 11 terrorist attacks. He said he sees the role of a president in a crisis “to constantly remind us of the ties that bind us together.”

The sentiment among Trump and his aides following Kirk’s killing of calling political opponents “vermin, enemies … speaks to a broader problem,” Obama said.

Kirk, a dominant figure in conservative politics, became a confidant of Trump after founding Arizona-based Turning Point USA, one of the nation’s largest political organizations. Trump has escalated threats to crack down on what he describes as the “radical left” following Kirk’s assassination, stirring fears his Republican administration is trying to harness outrage over the killing to suppress political opposition.

This kind of despicable violence has no place in our democracy

— Former President Obama

Trump’s White House on Wednesday responded to Obama’s remarks by blaming him for animosity in the country, calling him “the architect of modern political division in America.”

“Obama used every opportunity to sow division and pit Americans against each other, and following his presidency more Americans felt Obama divided the country than felt he united it,” White House spokeswoman Abigail Jackson said in a statement.

Obama on Tuesday also referenced Trump’s recent deployment of National Guard troops in Washington and ID checks by federal agents in Los Angeles. He urged citizens and elected officials to closely monitor the norm-busting decisions.

“What you’re seeing, I think, is the sense that through executive power, many of the guardrails and norms that I thought I had to abide by as president of the United States, that George Bush thought he had to abide by as president of the United States, that suddenly those no longer apply,” Obama said. “And that makes this a dangerous moment.”

Shortly after Kirk’s death, Obama wrote in a post on X that he and his wife, Michelle, were praying for Kirk’s family, adding: “This kind of despicable violence has no place in our democracy.”

Obama said that he disagreed with many of Kirk’s stances, noting that his position “doesn’t negate the fact that what happened was a tragedy and that I mourn for him and his family.”

Calling political violence “anathema to what it means to be a democratic country,” Obama also mentioned the June shooting deaths of Minnesota state Rep. Melissa Hortman and her husband in their home.

Obama also applauded Utah Gov. Spencer Cox’s calls for civility in leading the public response to Kirk’s killing. Obama said that while he and the Republican governor “disagree on a whole bunch of stuff,” Cox’s messaging around how to respond to Kirk’s death shows “that it is possible for us to disagree while abiding by a basic code of how we should engage in public debate.”

Kinnard writes for the Associated Press.

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Aces beat Sparks, set WNBA regular-season record for 3-pointers

Being out of postseason contention didn’t make the Sparks’ season finale meaningless.

It was a chance to avoid finishing with a losing record for the first time since 2020. An opportunity to foil the Las Vegas Aces’ push for the No. 2 seed in the playoffs while derailing a 15-game winning streak. And, above all, a matter of pride.

But just as with their season-long goal of reaching the playoffs, the Sparks fell short of their goal, as A’ja Wilson and the Aces dominated in a 103-75 victory at Crypto.com Arena.

The talent gap was stark in the first half, with Las Vegas building a lead that swelled to 22 behind a three-point barrage led by Jewell Loyd and Chelsea Gray. One of the league’s best three-point shooting teams (34.6% per game entering Thursday), the Aces (30-14) hit 11 threes in the first half to take a 19-point lead by halftime.

The Aces finished with 22 three-pointers — the most ever in a WNBA regular-season game. The Aces already hold the outright record of 23 three-pointers, which they set in the playoffs in 2022.

The trio of Loyd, Gray and Wilson proved too much for a short-handed Sparks squad to handle.

Loyd and Gray reached double figures in scoring by halftime — Loyd with 21 and Gray with 13. Wilson, a front-runner for league MVP, delivered yet another dominant stat line: 23 points, 19 rebounds, four blocks and two steals.

Sparks forward Emma Cannon, left, knocks the ball out of the hands of Las Vegas guard Chelsea Gray.

Sparks forward Emma Cannon, left, knocks the ball out of the hands of Las Vegas guard Chelsea Gray during the first half Thursday.

(Harry How / Getty Images)

Former Aces Dearica Hamby and Kelsey Plum tried to will the Sparks (21-23) to one more victory, but it was all for naught. Plum had her hands full with the opposing backcourt, and Hamby drew the unenviable assignment of battling the league’s best in Wilson.

Hamby opened strong, scoring all seven Sparks’ points in the first six minutes as the team tried to feed her in the post. She finished with 15 points, six rebounds and three steals.

Plum also finished with 15 points in a physical game that featured several players arguing with referees over foul calls.

In the second quarter, Cameron Brink caught a left elbow to the nose from Aces forward NaLyssa Smith under the basket. Blood trickled from Brink’s face onto the hardwood as Brink shouted at the referees after no foul was called.

The training staff escorted her to the locker room with a towel pressed to her face, and she did not return.

Trailing 77-58 at the end of the third quarter, Sparks coach Lynne Roberts put in rookies Sarah Ashlee Barker, Alissa Pili and Sania Feagin.

Barker scored 15 points in 38 minutes. Pilli scored a career-high seven points in six minutes. Feagin finished with four points.

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