play

The lovely, funny “American Classic,” premiering Sunday on MGM+, is a love letter to theater, community and community theater. Kevin Kline plays Richard Bean, a narcissistic stage actor. He’s famous enough to be opening on Broadway in “King Lear,” but he has to be pushed onstage and is forgetting lines. After he drunkenly assails a hostile New York Times critic — caught on video, of course — he’s suspended from the play, and his agent (Tony Shalhoub) advises him to get out of town and lay low until the heat’s off, as they used to say in the gangster movies.

Learning that his mother (Jane Alexander, acting royalty, in film clips) has died, Richard heads back to his small Pennsylvania hometown, where his family — all actors, like the Barrymores, but no longer acting — owns a once-celebrated theater. To Richard’s horror, it has, for want of income, become a dinner theater, hosting touring productions of “Nunsense” and “Forever Plaid” instead of the great stage works on which he cut his teeth.

Brother Jon (Jon Tenney), running the kitchen at the theater, is married to Kristen (Laura Linney), Richard’s onetime acting partner, who dated him before her marriage; now she’s the mayor. Their teenage daughter, Miranda (Nell Verlaque) — a name from Shakespeare — does want to act and move to New York, as her mother had before her, but is afraid to tell her parents. Richard’s father, Linus (Len Cariou), is suffering from dementia, though not to the point he won’t actively contribute to the action; every day he comes out again as gay.

Across the eight-episode series, things move from the ridiculous to the sublime. Richard’s attempt to stage his mother’s funeral, with her coffin being lowered from the ceiling, while “Also sprach Zarathustra” plays and smoke billows toward the audience, fortunately comes to naught; but he announces at the ceremony that he’ll direct a production of Thornton Wilder’s 1938 play “Our Town” at the theater, to “restore the soul of this town.” (His big idea is to ignore Wilder’s stage directions, which ask for no curtain, no set and few props, with a “realistic version,” featuring a working soda fountain, rain effects and a horse.) Fate will have other plans for this, and not to give away what in any case should be obvious, the title of the play will also become its ethos, with a cast of amateurs, including Miranda’s jealous boyfriend, Randall (Ajay Friese), and ordinary people standing in for the ordinary people of Wilder’s Grover’s Corners.

The series has a comfortable, cushiony feeling; it’s the sort of show that could have been made as a film in the 1990s, and in which Kline could have starred as easily in his 40s as in his 70s; it has the same relation to reality as “Dave,” in which he played a good-hearted ordinary Joe who takes the place of a lookalike U.S. president. The town is essentially a sunny place, full of mostly sunny people, to all appearances, a typical comedy hamlet. But we’re told it’s distressed, and Mayor Kristen is in transactional cahoots with developer Connor Boyle (Billy Carter), who wants clearance to build a casino on the site of a landmark hotel. (Much of the plot is driven by money — needing it, trading for it, leaving it, losing it.) He also wants his heavily accented, bombshell Russian girlfriend, Nadia (Elise Kibler), to have a part in “Our Town.”

As in the great Canadian comedy “Slings & Arrows,” set at a Shakespeare Festival outside of Toronto, themes and moments and speeches from the play being performed are echoed in the lives of the performers, while the viewer experiences the double magic of watching a fine actor playing an actor playing a part. Kline, of course, is himself an American classic, with a long stage and screen career that encompasses classical drama, romantic and musical comedy and cartoon voiceovers; the series makes room for Richard to perform soliloquies from “Hamlet” and “Henry V,” parts Klein has played onstage. He brings out the sweetness latent in Richard. Linney, who played against her sweetheart image in “Ozark,” is happily back on less deadly ground (though she’s tense and drinks a little). Tenney, who was sweet and funny on “The Closer,” and who we don’t see enough of these days, is sweeter and funnier here, and gets to sing. (All the Beans will sing, except for Linus.)

As a comedy, it is often predicable — you know that things will work out, and some major plot points are as good as inevitable — but it’s the good sort of predictability, where you get what you came for, where you hear the words you want to hear, ones you could never have written yourself. “American Classic” is not out to challenge your world view in any way but wants only to confirm your feelings and in doing so amplify them. Shock effects are fine in their place — and to be sure there are major twists in the plot — but there is a certain release when the thing you’re ready to have happen, happens, whether it brings laughter or tears. Either is welcome.

Elsewhere, Barcelona will face Newcastle, Tottenham will play Atletico Madrid, and Arsenal will take on Bayer Leverkusen.

Real Madrid will play Manchester City while defending champions Paris Saint-Germain will face Chelsea in the pick of the 2025/26 Champions League last 16 games after the draw was made by UEFA in Nyon, Switzerland.

The draw for European football’s biggest club competition on Friday determined that City will face Madrid for the fourth consecutive season in a knockout Champions League clash.

Meanwhile, PSG and Chelsea will repeat their FIFA 2025 Club World Cup final, which the Premier League side won 3-0.

Elsewhere, Barcelona will face Newcastle United, Tottenham Hotspur will play Atletico Madrid, and Arsenal will take on Bayer Leverkusen.

Liverpool will renew hostilities with Galatasaray in a rematch of their league phase game, which the Turkish giants won 1-0 in Istanbul.

Norwegian minnows will face Portugal’s Sporting Lisbon, while the only Italian side left in the competition face a daunting encounter with German champions Bayern Munich.

The first legs will be played on March 10-11 and the second legs will be played on March 17-18.

The eight seeded teams – who finished in the top eight spots in the league phase – will be at home for the second legs against the eight teams who qualified through the playoff round.

The last 16 draw in full:

• Paris Saint-Germain vs Chelsea
• Galatasaray vs Liverpool
• Real Madrid vs Manchester City
• Atalanta vs Bayern Munich
• Newcastle vs Barcelona
• Atletico Madrid vs Tottenham Hotspur
• Bodo/Glimt vs Sporting
• Bayer Leverkusen vs Arsenal

Familiar foes

Real Madrid knocked City out in the last 16 last season, as they did in the 2024 quarterfinals and 2022 semifinals.

City beat Madrid in the 2023 semifinal en route to lifting the Champions League trophy for the first time.

The two clubs have played each other on 15 occasions, with each team winning five games and the rest ending as draws.

City and Madrid have already faced each other in the league stage this season, with City coming from behind to win 2-1 in December.

PSG will be eager to take revenge on Chelsea after the Blues stunned the French champions to win the inaugural the Club World Cup title in a bad-tempered game last year.

The clubs have previously faced each other in the Champions League, with Chelsea triumphing in a 2014 quarterfinal and PSG eliminating the Blues in the last 16 in 2015 and 2016.

The draw on Friday also mapped out the potential route to the final, to be held in Budapest on May 30, as every team now knows their possible quarterfinal and semifinal opponents.

In the quarterfinals, City or Madrid will face the winner of Bayern Munich vs Atalanta, while PSG or Chelsea will take on either Liverpool or Galatasaray.

Quarterfinal draw

• Paris Saint-Germain or Chelsea vs Liverpool or Galatasaray
• Real Madrid or Manchester City vs Bayern Munich of Atalanta
• Newcastle or Barcelona vs Tottenham or Atletico Madrid
• Sporting Lisbon or Bodo/Glimt vs Arsenal or Bayer Leverkusen

Semifinal draw

• Paris Saint-Germain, Chelsea, Liverpool or Galatasaray vs Real Madrid, Manchester City, Bayern Munich of Atalanta
• Newcastle,Barcelona, Tottenham or Atletico Madrid vs Sporting Lisbon, Bodo/Glimt, Arsenal or Bayer Leverkusen

Champions League knockout round schedule:

• Last 16 : March 10-11 and March 17-18, 2026
• Quarterfinals: April 7-8 and April 14-15, 2026
• Semifinals: April 28-29 April and May 5-6, 2026
• Final: May 30, 2026

New UCLA coach Bob Chesney will direct his first football season in a historic venue the Bruins have long called home.

UCLA announced on Saturday that the Bruins will play the 2026 season at the Rose Bowl amid ongoing litigation of the university’s right to potentially break its lease and play home games at SoFi Stadium.

“We know how much game day means to Bruins — to our students, alumni and fans who plan their autumn around Saturdays together,” UCLA vice chancellor for strategic communications Mary Osako said in a statement. “Our priority is delivering a strong season experience for our student-athletes and our community, and we have great momentum in our football program.

“During this unprecedented time in college athletics, UCLA will always be guided by what’s best for our student-athletes and the Bruin community.”

The California Post was the first to report UCLA’s decision to play another season at the Rose Bowl.

While the lawsuit states UCLA has formally notified the Rose Bowl that it is “moving on” and that “there’s no way we’re staying long term,” the school has never publicly announced plans to move its home games to SoFi Stadium.

“While we continue to evaluate the long-term arrangement for UCLA football home games, no decision has been made,” Osako said in a statement to The Times in October.

After a judge denied UCLA’s request to settle its legal dispute with the Rose Bowl operators and city of Pasadena via arbitration, it seemed unlikely the legal issues would be resolved in time for UCLA play the 2026 season anywhere but the Rose Bowl.

The city of Pasadena and the Rose Bowl Operating Co. filed a lawsuit in October to force UCLA to honor its contract and play games at the stadium through the 2044 season.

The complaint and subsequent filings have alleged that the university has been working to play its home games at SoFi Stadium, calling the move “a profound betrayal of trust.” Rose Bowl officials have since added SoFi Stadium and its operator, Kroenke Sports, to the lawsuit.

UCLA’s lease runs through June 30, 2044, and Pasadena officials say taxpayers have invested more than $150 million in stadium renovations while recently refinancing an additional $130 million in bonds for capital improvements.

The iconic Rose Bowl opened in 1922, is a national historic landmark and boasts ample tailgating opportunities, but some fans have complained about the aging venue’s uncomfortable seating and lack of modern amenities.

The next hearing in the case is scheduled for Friday as it proceeds toward trial.

It was a long day at the office for Marco Penge, but the overtime hours were well worth it for the 27-year-old from Lancashire, England, who shot a bogey-free 64 Friday and is tied for the lead with Jacob Bridgeman after two rounds of the Genesis Invitational at Riviera Country Club.

Penge surged to the lead with birdies on five of the last seven holes, then watched as Bridgeman closed with three birdies to catch him at 12 under par.

“I was biding my time on the front nine — the targets are so small here — but I found my swing coming down the stretch and that allowed me to be more aggressive,” said Penge, who won three times on the DP World Tour last year to earn his first PGA Tour card. “It’s tough for a European to come over here and do the things Rory [McIlroy] and Tommy [Fleetwood] are doing but I managed the course well today.”

Penge was in the last group Thursday and was on the 10th hole when play was suspended due to darkness. He carded four birdies and two bogeys on the back nine early Friday morning to join McIlory, Bridgeman and countryman Aaron Rai at five under par. He had only 38 minutes between finishing his first round and starting the second, but showed no signs of fatigue.

Marco Penge reacts after putting on the 18th green during the second round of the Genesis Invitational at Riviera Country Club on Friday.

(Caroline Brehman / Associated Press)

“Not really, I wasn’t any more tired than usual,” he said. “When you see you’re near the top your adrenaline gets you through it.”

Although he did not get paid time and a half for playing 27 holes instead of the normal 18, a healthy check will come his way Sunday afternoon if Penge can hold his position.

Likewise for Bridgeman, who rode his momentum from the day before to also card a 64, opening his round with an eagle and posting eight birdies to more than offset bogeys at No. 7 and No. 12.

“I putted really well, hit my driver great and I’m excited to be in the hunt for the second straight week,” Bridgeman said after coolly sinking an eight-foot birdie putt on the last hole. “Yesterday was a learning experience. The 18th was playing a lot longer than I thought today. It’s shocking how soft and how fast these greens are. This is the most pure layout I’ve ever seen.”

Jacob Bridgeman hits from the 18th fairway during the second round of the Genesis Invitational at Riviera Country Club on Friday.

(Caroline Brehman / Associated Press)

McIlroy, the world’s No. 2-ranked player, looms one shot back after a six-under 65 and two-time winner Adam Scott rocketed into contention with two eagles and six birdies — an eight-under-par 63 marred only by his bogey at 18. Scott has won twice at Riviera, in 2005 (a rain-shortened 36 holes) and 2020, and is tied for fourth with Xander Schauffele at -9.

Schauffele, ranked 13th in the world, also had a prolonged day. He was tied for 29th at even par through 11 holes when play was suspended Thursday and played the last seven holes of the first round in three-under-par. The 2016-17 Rookie of the Year notched the last of his 10 Tour victories at the Baycurrent Classic last October.

“I’m tired man… I’m looking forward to laying down sometime soon,” said the 32-year-old who lives in Jupiter, Florida but was born in San Diego and played his college golf at Long Beach State and San Diego State.

Asked about tournament host Tiger Woods’ suggestion to reschedule the event to the summertime, Schauffele said: “Wherever it is and whatever the conditions are — dry, damp, moist — I just enjoying playing here.”

Rai led by one stroke when play was suspended Thursday but bogeyed 18 early Friday to drop into a tie and shot a second-round 69, leaving him tied for 12th with South African Aldrich Potgeiter, Ryan Fox and 2021 Genesis champion Max Homa at the halfway point.

“My ball striking was better than yesterday and I got more looks at birdie,” Potgeiter said after shooting 68 for a second straight day. “The course is looking great… with the amount of rain we’ve had they did a good job.”

World No. 1 Scottie Scheffler was tied with Keegan Bradley for last place at five-over when he walked off the course Thursday evening and shot two under over his last eight holes early Friday morning to begin the second round tied for 65th at +3. He had three birdies and six pars on the back nine for a 68 in the second round to get to even par and was among 51 in the 72-player field to make the cut.

“It’s nice to be able to get another two cracks at the course,” a relieved Scheffler said after having to drain a four-foot birdie putt at the 17th to extend his consecutive cuts streak to 68—the longest active streak on Tour. “This place and I have a weird relationship. I feel like I can play well here, I just haven’t yet. I was very aware I had to get to at least even par to keep going. I had to battle because the closing stretch is tough here.”

Scheffler has not missed a cut since the FedEx St. Jude Championship in August of 2022.

The conditions were ideal and scores reflected that on the second day of the 100th edition of a tournament that is still up for grabs, with 22 players within nine shots of the lead. One of them is Max Greyserman, who is tied for sixth with Australian Min Woo Lee at -8.

“Starting off with an eagle is always nice,” said Greyserman, a 30-year-old who lives in Palm Beach and is seeking his first pro win. “I hit a lot of nice drives. If you miss the fairways around here things get tricky. The kikuyu grass is interesting. I didn’t grow up on it. I played Genesis last year at Torrey [Pines] and I’ve played here four times before this week. It’s a good test, a fair test, a fun test.”

WE all know Americans do things a lot bigger than in the UK – from fast food to drink sizes – and it goes for play areas too.

One in the US the size of a football pitch has caught the eye of Brits who say they’d love to see one open in the UK.

Called The Fun Station Cedar Falls, the enormous play area stretches across 70,000 square feet and is the state of Iowa‘s largest indoor adventure park.

It has over 20 attractions from zip lines to trampolines, an obstacle course, laser tag, racing slides, bowling alleys and fairground rides.

There’s a multi-level play maze, seven climbing walls as high as 22ft, a high-ropes course at 55ft, an arcade with 35 video arcade games where players can win prizes.

There’s food on-site too from a salad bar, to a cafe and fizzy drink station.

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It’s popular with local parents who say that their kids “love to climb for hours here”.

With a video doing the rounds on Facebook, it’s even caught the attention of UK residents with one even saying “wish we had this in the UK”.

For UK parents, one parent in the comments suggested heading to Riverside Hub in Northampton.

One writer Catherine Lofthouse visited the attraction that has the UK’s largest playframe across four floors, which they called ‘soft play on steroids’.

Catherine said: “Laser tag, crazy golf, two climbing poles, go-karts and even arcade machines all included in the price.

“The main issue is keeping an eye on all your children as they head off in opposite directions to make the most of everything on offer.

“While the youngest was taking a spin on the carousel, my middle son was clambering up the two 10m climbing poles, one in the shape of an oak tree and the other a beanstalk, in the centre of the hub.”

There are also Fun Stations in the UK – but these are owned by a different company.

In cities like Birmingham, Leeds and Milton Keynes, there are Fun Stations that are more like arcades.

It’s packed with immersive and action-packed video and VR games, along with carnival games where visitors can win top prizes like iPads and headphones.

Some destinations even have dodgems, mini bowling, laser tag, escape rooms and mini golf.

For more on play areas, here are five of the UK’s biggest indoor soft plays to escape the rainy weather with huge climbing frames and drop slides.

And here is a huge new wooden play attraction that’s set to open at a historic English house with den building, zip lines and racing slides.

A holiday park offers families affordable February half-term breaks with play area, spa and lake views

February half-term presents a challenge for many families, particularly those still recovering financially from Christmas, whilst eyeing the longer Easter break ahead. British weather during this period is notoriously unpredictable, but that needn’t prevent you from discovering an enjoyable getaway destination that won’t break the bank.

Woodland Lakes holiday park near Thirsk, Yorkshire, boasts numerous attractions for families during the school holidays.

The heated indoor swimming pool proves consistently popular with youngsters eager for a dip, whilst an indoor play area, Pamper Lounge Spa, restaurant and bar complement the tranquil lake vistas and fishing spots, offering ample chances to unwind, reports the Manchester Evening News.

Situated on the edge of the North Yorkshire Moors and a brief drive from both the vibrant market town of Thirsk and the historic city of York, it’s described as ‘the perfect retreat for those seeking a break away in a relaxed and picturesque environment’.

Various properties can be booked at the site this February half term, including Cedar lodge.

A four-night stay from February 16 to 20 is priced at £461 for four guests, equating to £28 per person per night through Sykes Holiday Cottages.

South Lakeland Village holds an overall Google rating of 4.3 out of five, with visitors commending the ‘excellent’ pool and ‘good pub food’.

James Shaw, chief commercial officer for Sykes Holiday Cottages, commented: “February half term is the perfect time for a family escape, and with 63% of Brits taking a UK break last year, staying closer to home is more popular than ever.

“Holiday resorts like Woodland Lakes Lodges offer shorter journey times, great value, and onsite activities that keep everyone entertained.”

He went on to say: “We’re also seeing families plan later to secure better deals and work around busy schedules, so there’s still plenty of time to book a last-minute getaway.

“Cedar offers the ideal mix with a heated pool and play area for the kids, spa facilities for parents, and the North Yorkshire Moors right on the doorstep for outdoor adventures.”

To explore further holiday options with Sykes Holiday Cottages, head over to their website. Woodland Lakes holiday park is a Landal site bookable through Sykes, alongside 22 other Landal destinations.

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THE Cotswolds is already a great place to visit, but nearby is a farm that parents are raving about as a great day out,

Millets Farm opened back in 1952, originally as a dairy farm.

Now, the farm is home to multiple attractions including a play barn, Maize Maze and Farmyard Golf.

The attraction is split into pre-booked activities and no pre-booking required activities.

For example, you could head off on the Millets Animal Walkway, where visitors will see a number of farm animals including goats, chickens, rabbits, horses, birds and alpacas.

The play area also doesn’t need pre-booking and has a mix of swings, slides, climbing frames and more.

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There are also token-operated ride-on tractors, diggers and a crane which little ones can go on.

One token costs £1.75, three tokens cost £4.50 and five tokens cost £6.

If the weather isn’t rainy, you can also check out the 10 acre Phoebe Wood, where there are a number of woodland walks.

There are then several activities you have to book ahead for, such as Sprouts Play Barn with a four-lane wavy cow slide, 360 tunnel, a ‘mini Millets farmers market’ with seven soft role-play areas, a sports court and an area for under five-year-olds.

One recent visitor said: “This has to be the best soft play in Oxfordshire, it’s absolutely huge and offers a great variety of activities and play equipment for a wide age range.

“There’s a little baby area at the front, and then lots of fun for bigger kids on the higher levels.”

Another visitor added: “The soft play was the best we have ever been to (and we have been to A LOT).

“Every section was clean, looked brand new and so well thought out.

“It’s huge with four floors and the under fives section is also the biggest I’ve seen.”

Included in the Sprouts admission tickets, you also get access to the outdoor play area which has slides, beams and water play.

There’s also an 18-hole farm themed adventure golf course that you can book.

If you want something that is a little bit more of a thrill, head on the carousel, Ferris Wheel or Jungle Thriller, which all cost £3 a turn.

However, at the moment only the carousel is open until the spring, when other attractions at the park will reopen.

The attraction also hosts a number of events, such as Phil’s Magic Mania Show and Tweedy’s Massive Circus.

There are a number of seasonal events at the farm as well, such as pick your own flowers.

Visitors can explore around 8000 dahlias planted around a bright pink double-decker bus during the summer months.

The site also has a big garden centre, that sells items for both gardeners and non-gardeners.

One recent visitor said: “Such a delightful garden centre to wander around.

“They have everything you can imagine, for any budget. Even a cafe if you need a little break.

“I could have spent all afternoon there.”

When it comes to eating, the attraction has several spots to grab a bite.

For example, there is The Farmhouse Kitchen Restaurant which has both indoor and outdoor seating.

If you fancy an ice cream, head to the Snack Shack.

There there’s also The Food at Webbs restaurant, which can be found inside the garden centre and offers homemade meals.

And if you want to make your stay a bit longer or more special, then head to Wellness at Millets for a beauty treatment.

For more UK farms with family activities, here are six UK farm stays inspired by Clarkson’s Farm from remote cottages to Highland cow petting.

Plus, the English campsite named best farm attraction in the UK reveals new kid’s playground and glamping.

A must-watch new documentary series has just hit Netflix and it’s a must-watch for foodies

Netflix has just released a compelling documentary series that follows a globally renowned TV chef as he tackles the most formidable challenge of his professional life.

The fresh six-part series launched today (Wednesday, 18th February) is essential viewing this week for food lovers.

Not only will it leave you salivating over Michelin Star-calibre cuisine but it also provides unprecedented access to one of Britain’s most cherished culinary icons.

Being Gordon Ramsay tracks the Kitchen Nightmares star’s latest audacious venture: launching five distinctive dining experiences atop 22 Bishopsgate, amongst London’s loftiest skyscrapers.

Throughout the thrilling behind-the-scenes look at the pioneering food and beverage enterprise, audiences will also discover Gordon’s domestic life with his wife Tana and their six children, reports the Express.

The London-based celebrity, who also maintains properties in Cornwall and Los Angeles, divides his time between treasured moments with his family and the gruelling demands of his career both domestically and internationally.

Admirers of the celebrated chef will experience poignant scenes as Gordon farewells his daughter Tilly to culinary school and reconnects with his youngest children following weeks of separation, alongside touching and frequently amusing exchanges with the chef and his wife as they playfully quarrel during the taxing new undertaking and reflect on their formative years together.

Netflix’s synopsis for the six-episode series guarantees a “pulse-racing” experience as “pressures mount” on the A-list chef.

Audiences will also be moved by his candid conversations about “fame and parental guilt” before Gordon “turns up the heat” in the nail-biting finale.

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.

Within hours of its release, subscribers have already been championing Being Gordon Ramsay as they flock to watch the must-see new docuseries in their thousands.

One fan characterised the series as “Pressure. Passion. Perfection” on X, whilst another shared: “gordon ramsay chaos? i’m already hooked.”

Another posted: “Gordon going all-in on five restaurants at once with £20M of his own cash? This is gonna be absolute chaos… and I’m 100% here for it Already hitting play tonight.”

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“I will be there!” another user vowed, and someone else concurred: “Oh I will be sat!”

The series has also garnered favourable reviews from critics thus far, with The Telegraph labelling it “stressful” yet “surprisingly enjoyable”, adding it “puts the Beckhams to shame”.

Are you craving mouthwatering exclusive insight into the life of Britain’s leading chef? Netflix has certainly delivered this week.

Being Gordon Ramsay is available to stream on Netflix.

MILAN — The U.S. will take the No. 2 seed into the quarterfinals of the men’s hockey tournament of the Milan-Cortina Olympics after beating Germany 5-1 on Sunday to finish group play unbeaten.

The Americans’ opponent in the final eight will be determined in a four-game qualification round Tuesday. Canada, also unbeaten after it thrashed France 10-2 earlier in the day, will take the top seed into the quarterfinals by virtue of its plus-17 goal differential.

The U.S. got two scores Sunday from Auston Matthews and goals from Zach Werenski, Brock Faber and Tage Thompson. Germany’s only score came from Tim Stutzle of the Ottawa Senators, his fourth of the Olympics, with less than nine minutes to play.

The Americans outshot Germany 13-3 during the first 16 minutes, but a combination of poor puck handling and sloppy play in front of the net kept them off the scoreboard until Werenski, a defenseman with the Columbus Blue Jackets, took a pass from Matthews in the center of the right circle, stepped up and drilled a wrister past goalie Maximilian Franzreb nine seconds before the first intermission.

The U.S. thought it had a goal moments earlier when Vegas Golden Knights’ forward Jack Eichel drove the puck from the top of the left circle though a crowd and into the back of the net. But the officials ruled the play had been whistled dead before the shot.

Matthews, the Toronto Maple Leafs’ captain, doubled the advantage 3:25 into the second period, poking the rebound of a Quinn Hughes’ shot by Franzreb for his second power-play goal of the Olympics.

Faber, who plays for he Minnesota Wild, made it 3-0 with less than 2:30 left in the second period, playing the puck off the boards near the blue line and flicking it on goal where Eichel got a stick up in front of Franzreb, distracting the goalie as he reached up unsuccessfully to glove the puck.

Thompson, of the Buffalo Sabres, and Matthews closed out the scoring for the U.S. with goals less than five minutes apart into the final period.

Poor Sylvia Plath has found little rest in the afterlife.

The New Yorker’s Janet Malcolm had choice words for the army of Plath’s biographers. She likened this species of writer to “the professional burglar, breaking into a house, rifling through certain drawers that he has good reason to think contain the jewelry and money, and triumphantly bearing his loot away.”

Plath, the deserted wife of fellow poet Ted Hughes, mother of two young children, died by suicide at age 30, leaving behind a collection of poems that anatomized her mental descent in scorching language that secured a permanent place in American letters. More than 60 years have passed since her death in 1963, yet the literary myth that has taken the name Sylvia Plath lives on.

I confess I’m not impervious to the posthumous allure. When visiting friends who were staying in the Primrose Hill area of London a few years ago, I would pass by the flat that Plath shared with her husband there and stare wonderingly at the town house, adorned with a blue plaque commemorating its former resident.

“Sylvia Sylvia Sylvia,” a new play by Beth Hyland that opened Thursday at the Geffen Playhouse, is set in a different apartment that the couple shared. This cozily claustrophobic home is located in Boston’s historic Beacon Hill district in the period before they had children and were striving anxiously to realize their early promise.

As Sylvia (Marianna Gailus) and Ted (Cillian O’Sullivan) confront the problems that will eventually drive them apart, two contemporary married writers who have taken up residence at the Boston address grapple with many of the same issues (marital discord, competitive egos and mental health woes) as their more famous literary predecessors.

World premieres are risky, and the writing for this one hasn’t yet settled. The play’s split focus, moving between 1958 and the present, is a sign of conceptual ambition. But Hyland struggles to find the pacing and rhythm of her complicated vision.

Sally (Midori Francis), a writer whose first book was a big hit but whose second book is long overdue, and Theo (Noah Keyishian), who just found out he won a major literary prize for his first novel and is now up for a game-changing job at Columbia University, are at different points in their careers. Sally is processing both the shock of a miscarriage and her ambivalence about her marriage.

She’s also worried that her publisher is going to make her pay back the advance for the book about Plath and Hughes that she’s been unable to make any headway on. “I have to finish the draft,” she tells Theo. “If I can’t do that when I’m living in their apartment, I should honestly just kill myself.”

Clearly, Sally is having a hard time holding it together. The precarious state of her mind forces us to question whether Sylvia and Ted are ghosts, hallucinations or literary inventions sprung to life. But these characters are initially presented as objectively real. We meet them before we meet Sally and Theo, and whether they are figments or not, they are unmistakably haunting the new occupant who’s writing about them.

Unfortunately, these illustrious figures are badly written and stiffly played. O’Sullivan can’t keep Ted’s accent straight, and Gailus seems to be offering a Ryan Murphy version of Plath.

Marianna Gailus, left, and Cillian O’Sullivan in “Sylvia Sylvia Sylvia” at Geffen Playhouse.

(Jeff Lorch)

Sally may be struggling to give Sylvia and Ted life on the page, but Hyland is having her own trouble ushering them to the stage. The word “factitious” kept coming to mind. Artificiality might be the point, but it’s not one that gives much pleasure in the theater.

Who wants to sit through a fictitious novelist’s clumsy drafts? The scenes between Sally and Theo are more convincing, but the dynamic between them grinds on snappishly. Theo tries his best to be a sensitive and supportive husband, but Sally can’t seem to get what she needs from him. And as her marriage and literary career fall apart, her psychiatric problems intensify.

Writing in a desperate junk-food-fueled all-nighter, Sally appears to have entered a manic phase. Theo, terrified that she might make another suicide attempt, looks on helplessly. Their small, spare yet tasteful apartment (the work of the collective Studio Bent) turns into a marital pressure cooker as Theo’s fortunes rise and Sally’s self-belief craters.

Hyland captures the parallels between the two couples. Her Ted is a patriarchal monster, controlling, moody and sexually malignant. Theo is far more psychologically evolved, but he has his own blind spots that provoke Sally, who’s more emancipated than Sylvia but less professionally assured and just as unstable.

The times are vastly different, but the balance of power between these married writers remains precarious. There might be a fascinating play here, but the amorphous scenes that Hyland provides lack a dramatic through line.

As the play flounders, director Jo Bonney casts about for solutions. A playful ghost story that has Sylvia entering and exiting through the refrigerator takes a bloody turn. As Sally spirals, the set turns crimson. This detour into horror is only temporary, but there’s no clear destination in sight.

The unstoppable force of Sally’s resentment and the immovable object of Theo’s perseverance are not an ideal dramatic combination. Francis bravely doesn’t soften Sally’s prickly nature, but she doesn’t give us much reason to sympathize with her character either. Keyishian’s gentle Theo is so solicitous that Sally’s abrasiveness begins to feel abusive, not to say theatrically off-putting. Perhaps that too is intentional. But just as there’s a difference between depicting chaos and depicting chaotically, there’s a difference between presenting theatergoers with a realistic image of mental illness and driving an audience nuts.

Ted is a cartoon creep with an Oxbridge hauteur, but Theo’s shortcomings may be too subtly rendered for a play that cries out for more definition. (Even his betrayal, involving the use of private marital material for literary purposes, seems equivocal.)

Hyland can’t resolve her shapeless play, so she has Sally talk her way into the future in a rambling monologue that’s a complete cop-out.

Sylvia warned Sally that if she tried to write about her, she would do everything in her power to stop her. The ghost of Plath, however, has nothing to worry about. “Sylvia Sylvia Sylvia” conks out on its own.