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The computer hacker who released documents which led to the Premier League investigation into Manchester City says Fifa president Gianni Infantino “should have no place in the future of the game”.

City have been found guilty of breaching Premier League financial rules over a nine-year period, though they continue to deny any wrongdoing and have until 2 October to submit an appeal.

The Premier League investigation was launched following information released into the public domain by the Football Leaks website in 2018, via German publication Der Spiegel, and following a separate investigation by European football’s governing body Uefa.

In a message on X, external, Rui Pinto, creator of Football Leaks, repeated allegations from 2018 that Infantino intervened to help City and Paris St-Germain avoid financial fair play sanctions from European football’s governing body Uefa.

According to a report by Der Spiegel, external, the clubs overvalued sponsorship deals to help meet FFP rules and, when facing sanctions over the matter, the allegations in the documents state Infantino helped arrange more lenient punishments for them in 2014.

A PSG statement at the time said it “has always acted in full compliance with the laws and regulations enacted by sports institutions” and it “denies the allegations”.

“Since the introduction of Financial Fair Play, Paris St-Germain have been one of the most audited and scrutinised clubs in history,” the club added.

“Back in 2014, there was a man who was already aware of the irregularities involving Manchester City,” 37-year-old Portuguese Pinto wrote on Wednesday.

“The infamous Gianni Infantino, then Uefa general secretary, abused his authority, shared confidential documents and, in short, outmanoeuvred the investigatory chamber, doing everything in his power to ensure that both Manchester City and PSG would merely receive a fine, avoiding a deeper investigation that could have led to a Champions League ban.

“All of these details were also revealed through Football Leaks.

“Given his actions as Uefa general secretary and, more recently, as Fifa president, I can only say, in my humble opinion, that Gianni Infantino has become a cancer on football and should have no place in the future of the game.”

When the allegations first surfaced, Uefa stressed that it was within the remit of the general secretary to assist in such matters, adding: “This may include discussions, meetings, assistance to help find solutions, and other interactions to assist the [investigating body] in its work.”

Infantino similarly pointed to how his “job entails having discussions, having conversations, exchanging documents, drafts, ideas, whatever, on many, many, many, many, topics.

“So if then this is being portrayed as something bad, I think there’s not much I can do more than my job in an honest way, in a professional way and trying to defend the interests of football.”

BBC Sport has contacted Fifa following Pinto’s latest statement.

Infantino has come under increasing pressure following his now-shelved plans to sell stakes in the World Cup.

European football’s governing body Uefa accused Infantino of “criminal mismanagement” over the Fifa Forward Enterprise (FFE) scheme, while the Swiss Football Association (SFV) is the latest association to withdraw its support for the Fifa president.

“The decision follows a comprehensive reassessment of developments over the past few months,” an SFV statement read.

“From the SFV’s perspective, various incidents raise fundamental questions regarding leadership, governance, transparency and decision-making processes within Fifa.”

Both Fifa and Uefa are based in Switzerland.

Infantino will stand for election for a fourth time in March 2027, with his opponents having until 18 November to find an alternative candidate.

NEWBERRY SPRINGS, Calif.  — Four decades ago, the cult hit “Bagdad Cafe” was filmed at a ramshackle diner in the Mojave Desert.

The tale of two women in the lonely landscape — a hardworking, rifle-wielding cafe owner and a stranded German tourist with a suitcase full of lederhosen — captivated viewers, particularly in Europe and Japan.

Busloads of international tourists rolled up to the actual Bagdad Cafe on a cracked, sunbaked stretch of Route 66.

Real-life proprietor Andrea Pruett, a sweet but steely Southerner who kept her own gun behind the counter, greeted them in French and German, then fed them buffalo burgers and omelets.

As Pruett aged, her grip on reality loosened. But she refused to leave.

Now, the Bagdad Cafe is in limbo. Though T-shirts and tchotchkes are still for sale, the kitchen is closed. And Pruett’s family is figuring out what comes next.

Buses full of Europeans still come. So, too, do the roadtrippers celebrating Route 66, which turns 100 this year.

“We don’t get any locals, and we don’t cook any food right now,” said Mark Bradley, the cafe’s gruff but genial manager. “But we’re definitely on the map to see … it’s magic that takes place here.”

The cafe is a cacophony of color in an expanse of desert brown. Flags from all over — France, Brazil, Japan, New Zealand, Canada — hang from low ceilings. The walls are covered floor to ceiling by visitors’ passport photos and dollar bills with Sharpie signatures. “We’ve been here three times!” an Italian visitor raved in a guest book.

Pruett is still there, too. An urn holding her ashes sits by the front door.

In 1995, eight years after the movie’s European premiere, Pruett and her husband, Harold, stopped for burgers at what was then called the Sidewinder Cafe in Newberry Springs, 20 miles east of Barstow. They had just bought 640 acres for an ostrich ranch, which ultimately didn’t work out, though they kept some of the birds as pets.

The owner told them the A-frame, wood-shingled diner was for sale. “My husband looked at me and I said, ‘Don’t even think about it,’ ” Pruett told The Times in 2003.

But their son, actor Harold P. Pruett II — who was 26 and starring that year in a campy erotic horror flick called “Embrace of the Vampire” — declared the cafe “cool,” and that was that.

The Pruetts promptly rechristened it Bagdad Cafe, following German filmmaker Percy Adlon’s lead.

Nearby Bagdad was a railroad town named in the 1880s by Southern Pacific Railroad officials after the Middle Eastern metropolis — without the H — because of the desert terrain.

Bagdad became a stop for steam-powered trains whose engines needed more water every eight miles or so in the desert climate, said Scott Piotrowski, past president of the California Historic Route 66 Assn.

The bustling little town was also a hub for gold, silver and copper mining camps.

Mining eventually faded, but cars on Route 66 overheated easily and often limped into town for water. A restaurant named, naturally, Bagdad Cafe, owned by a woman named Alice Lawrence, was the only place for miles with a dance floor and jukebox.

When Interstate 40 opened in 1972 about 10 miles north — taking most traffic and tourists away from Route 66 — it was the death knell for Bagdad, where all that remains today is a single scruffy cedar tree.

At Pruett’s Bagdad Cafe, she embraced the movie. The two female characters, initially wary of each other, are both on a hiatus from their husbands, and the German tourist eventually draws big crowds by performing magic tricks.

“When people came in, it was like a director saying, ‘Action!’ ” said Pruett’s grandson, Greg Landers, 47, of Glassell Park. “She would just go right into welcoming people and telling them to sit down, answering their questions.”

A petite bottle-blonde who spoke with the laid-back drawl of her native Arkansas, Pruett showed off memorabilia signed by the “Bagdad Cafe” director. She got a yellow thermos like the one in the film, which, miraculously, never seems to run out of java, even when the coffee pot is busted.

She kept the jukebox on the movie’s Academy Award-nominated theme song, “Calling You,” recorded by R&B singer Jevetta Steele and covered by Celine Dion, Barbra Streisand, George Michael and others.

The lyrics immortalized the Bagdad:

A desert road from Vegas to nowhere
Some place better than where you’ve been
A coffee machine that needs some fixing
In a little café just around the bend

Pruett’s place drew desert eccentrics, including a gravelly-voiced man dubbed General Bob who sniped at customers who doubted his claims that he designed the Pentagon, built the Golden Gate Bridge, was a brain surgeon and was 109. (“Actually, he’s 83 years old, and if he wants to be older, I let him,” Pruett told NPR in 2003.)

Monaco’s Prince Albert II stopped in once. So did actress Renée Zellweger, who told Jay Leno on “The Tonight Show” that there was a “little old guy, he’s been sitting there for, I think, maybe 45 years on the same barstool. We had chicken fried steak together.”

When Huell Howser popped in unannounced for a 2001 episode of his California road trip show, General Bob, perched at the bar with a fedora atop his long silver hair, proclaimed he was 98 years old and “a real general, not a f—up.”

For all the joy, desert life brought plenty of hardship.

One night in the 1990s, not long after Pruett bought the place, she was closing out the cash register when a man walked in, slammed a wooden 2-by-4 on the counter and ordered her to put all the money in a bag.

“She actually had a shotgun under the counter, and she pulled it out and said, ‘Stop,’ and cocked it,” said Landers, her grandson.

The man threw his hands up and said his family was in the car. They had been traveling and ran out of money. Pruett ushered them inside, fed them and sent them away with some cash — after making them wash their own dishes.

Pruett, who gave birth to Landers’ father, Corky, at 15, had a tough and impoverished youth. But she was “kind almost to a fault,” said Landers, a contractor who lived with her for a spell in his 20s and worked in the cafe. People who just about everyone else had given up on — she’d give them a place to stay and work to do.

In February 2002, the younger of Pruett’s two sons, Harold the actor, died of an accidental drug overdose. Her husband died two months later.

Pruett’s love for her customers kept her going, said Bradley, who has been around the cafe for 26 years as a frequent visitor and employee.

“She would have them crying as they left, but happy crying,” he said. “She could do that to people by giving them a hug and in just the few minutes that they were here. She had a magic to her.”

In 2016, Sarah Jane Woodall — a former nude model who posts popular desert travelogues on YouTube under the moniker Wonderhussy — stopped for breakfast and shot a video.

The cafe was quiet and grimy. She loved it.

“It was just, like, a lovable hot mess,” said Woodall, an Army kid who lived for a time in Germany, where people were obsessed with the movie.

The COVID-19 pandemic lockdowns devastated the Bagdad Cafe — and Pruett, who turned 80 in the summer of 2020.

The Europeans disappeared. Vandals busted the windows. Pruett let go of her waiters. Her kitchen closed and never reopened.

In 2021, her house burned down. She slept in the cafe, her thin frame curled up in a red vinyl booth.

That summer, Léa De Carmo, an aspiring actress, was driving back to Los Angeles from Las Vegas with a friend and, after a night of partying, craved a cup of coffee. They pulled into the Bagdad Cafe, where — as in the movie — the coffee pot was broken.

De Carmo, a native of Paris who had never seen the film, was stunned when she opened the door and “saw French flags and soccer team stuff everywhere.”

“It seems like all the French are led there for one reason or another,” said De Carmo, 29, who talked to Pruett that day for over two hours.

“She had essentially lost everything — her business, her house — but she just had this incredible energy and warmth and humor,” De Carmo said. “There was also this very deep loneliness.”

For the next four years, De Carmo drove from L.A. to Newberry Springs dozens of times, filming Pruett for a just-finished documentary called “The Keeper of Bagdad Cafe,” about her final years in the crumbling diner.

In the film, friends help Pruett move into an RV in the parking lot. As a woman gently washes her white hair with bottled water behind the cafe counter, Pruett says she can’t remember where she’s from.

“One thing she never forgot was the cafe,” De Carmo said. “She always knew where she was and that it was the place she wanted to be.”

Landers said his father, who died in 2022, asked her to move in with him in L.A., but she didn’t want to leave the Bagdad.

“It was just hard,” said Landers, who added that she might have fared better, physically, at least, in a dementia care facility. But she repeatedly said, “No, this is my place. This is where I want to be.”

Pruett’s friends in the desert stepped up. Bradley took care of her and the cafe, opening it each day for tourists to come in and take photos.

In 2023, Tropical Storm Hilary pummeled the diner’s old roof. Water poured in.

Woodall returned at the cafe’s request, filming the stained, decaying ceiling and the water-catching buckets and coffee pots on the floor. The YouTuber’s fans raised more than $25,000 — enough for a new roof.

In the video, Pruett stood by, smiling, quiet, a little confused.

For the next three years, she stayed at the Bagdad, even as her memory continued to fade. She died this January at 85.

On a Friday morning this summer, with the outside temperature already 115 degrees, Matt Parker stood behind the worn green Formica counter, setting a smart TV to the movie and preparing to make Nescafé instant coffee — a favorite of Europeans.

On a good day, they get three tour buses, he said.

Parker, 53, moved from L.A. County to Newberry Springs — where he used to camp with his dad and ride dirt bikes as a kid — a few years ago and fell in love with the cafe.

“You can’t recreate this,” he said. “We’re just caretakers of it. It’s a museum and church, in a sense, with all this stuff. Mrs. Pruett really focused on protecting it, protecting these people’s stuff — their mark.”

Landers said that, while the family figures out what to do with the cafe, he asked Bradley to keep it open like his grandma did.

Though her urn remains in the place she loved most, Landers hopes, someday, to bury her ashes in the Hollywood Forever Cemetery next to her youngest son.

Since her death, he can’t help but think of a scene from the movie. The German woman — forced to leave after her tourist visa expires — is gone and the bustling restaurant quiet again. A customer walks in and asks where the magic shows went.

A snoozing employee sits up and says: “The magic? It’s gone.”

In the end, the German returns to the Bagdad Cafe. And so do the crowds.

What happened to the future we were promised? The vision that grew out of the 1990s techno-utopianism, when the internet was still a place of freedom and experimentation. Where are the infinite possibilities the early years of the millennium afforded, when social media meant AOL Instant Messenger and GeoCities, when our cellphones were not yet smart, and when personal tech evoked whimsy and excitement rather than anxiety and dread?

On a recent night in L.A., that digital optimism still existed. Here, at a clothing store on La Brea Avenue in the Fairfax District, something that felt lost was rediscovered. People were huddling around to play 1999’s “Crazy Taxi” on a Sega Dreamcast, or 2005’s “Tekken 5” on a PlayStation 2. They were surfing a perfectly re-created Y2K-era internet, and navigating an early version of Apple’s Photo Booth to snap selfies with a first-generation iSight webcam.

Yes, almost everyone was staring at screens, but almost no one was looking at their phone. Instead, the room felt alive and buzzing with energy. Technology was creating human connection rather than isolation.

Welcome to Dead Internet Theory, an event hosted by game designer Paizley Lee that’s both a celebration of vintage tech and a place to build community. The name is a tongue-in-cheek reference to the theory that the internet today is mostly bots, AI slop and corporate algorithms, while the human element is quickly disappearing from the web.

Lee started the event earlier this year after seeing how her friends reveled in hacking old hardware but had nowhere to show off their reimagined contraptions. She said Dead Internet Theory is a space to highlight “artists who don’t see the light of day,” a cyberpunk show-and-tell of sorts. “There’s a world of knowledge that comes from that person that can share and collaborate with another artist, and that’s really the future that we were promised, right then and there,” Lee said. “It’s the ‘Hey, look at what I made, look at what I’m interested in, and let’s share that.’ ”

One of those artists sharing his work was Dan Ruth. Atop a low credenza, he displayed a black, leather suitcase that housed inside of it an old laptop attached to an external zip drive. On the laptop’s screen was a menu of various banned books — the Unabomber’s manifesto and “The Anarchist Cookbook” among them. Ruth had recently bought the trademark rights to the digital storage systems iOmega, Zip and Jaz. “They were what we all used in the ‘90s to transfer larger files,” he explained of the era before online storage and transfer infrastructure like Google Drive.

With his setup at the event, participants could choose whatever banned book they wanted and write it to a physical Zip disk (about the size of a saltine cracker) to keep forever. If Ruth’s installation is a bit provocative, his message is less controversial. At a time when servers are being shut down, physical media is being digitized out of existence, and the subscription model is supplanting personal ownership, Ruth believes this is a way to have data autonomy.

Lee’s own contribution to the evening is the full rainbow of Apple’s iMac G3 computers — those bubbly, teardrop-shaped desktops that debuted in 1998 to the famous “iCandy” ads displaying their colorful shells, and TV commercials scored to the Rolling Stones’ “She’s Like a Rainbow.” Over several months and multiple trips, Lee drove across the country collecting the G3s in their core five colors. And it wasn’t easy. She recalled sleeping in her car in the parking lot of a Cracker Barrel for a few nights because she had spent all her money on acquiring the computers.

It was the people Lee met in the months of gathering the G3s, however, that made it worth it: a single dad who collected vintage iMacs to bond with his son, an elementary school teacher who held onto the old computers because the school was going to destroy them.

“I met these really witchy, cool, queer programmers from MIT in Medford, Massachusetts, who invited me back for MIT Swap Fest, where I found Indigo,” said Lee, referring to another G3 color not part of the core five. “I met a guy who used to work in broadcast, and his wife just died of cancer. His mom moved in, and she has been trying to support him in getting rid of old things and not holding on to them too much.” Human moments made possible almost by the accident of holding onto a computer longer than most.

Lee’s pursuit of old tech hardware has always been, at its root, a means to meeting new people, hearing their stories and creating a relationship with them. “I care about people a lot,” she said. “I think every single person that touches any of my projects knows that I really care about people feeling good.”

When Lee finally acquired all five original colors (blueberry, strawberry, lime, tangerine and grape), plus all the additional colors (ruby, indigo, snow, graphite, sage and three limited edition colors), she began booting up the G3s computers to make sure they still worked. In the process, she discovered the forgotten digital detritus left on their hard drives: old resumes, photo albums, Word documents.

“It’s somebody’s life,” she said. “It feels weird to do anything with it, but it also feels weird to alter it.” In the end, she kept the old files and built a replica of the early ‘00s internet to live beside them on the computers. At Dead Internet Theory events, participants are given free reign to the G3s and slowly find clues Lee has left on their desktops that lead into a mystery game she created.

Back at the event, people flocked to the bank of iMac G3 computers. They clicked around, laughing, their eyes lighted up. “It’s really a trip seeing the old MacBooks,” said Shannon Stack after navigating one of the relics. “I remember having those in my elementary school classroom. Now, these are archival pieces. It’s freaky!”

Lee herself hovered around the computer bank, watching people interact with them and discovering the random documents left behind or playing one of Apple’s preset games. She asked a couple who had been tinkering around for over half-an-hour if they wanted a hint to her mystery. “No!” they respond excitedly.

While Dead Internet Theory has only been held in Los Angeles, Lee’s dream is to take it on the road. “I’ve got kids in Seattle, in Nashville, in Dallas that are emailing me and going, please bring it here,” she explained. The only thing stopping her was money, but that changed recently. A few weeks after the event on La Brea, she was approached by a sponsor. Now she’s making a tour happen, first with a pop-up event in New York City on Wednesday.

Recently, as Lee began driving across the country to set up, she stopped at a bed and breakfast near Red Lodge, Mont. When she learned the innkeeper had an old blueberry iMac G3 in her basement, she asked to take a look.

“I spent an hour getting her back on,” Lee said of rebooting the machine to give the innkeeper access. “And the face she made when it came back to life — literally priceless.”

The woman browsed through old photos of her daughters, their old school projects and other files forgotten over time. Afterward, the innkeeper gave Lee the computer, telling her it deserves a second life.

Nearly every summer, Tove Lo finds herself itching for a change.

Typically, the sweltering season will prompt the Swedish singer-songwriter to do something new, like dye her hair black or switch up her personal style. But even in the midst of this annual metamorphosis, she tends to find her way back to the same place: a small Swedish fishing village called Torekov.

Between recovering from her first heartbreak and overcoming burnout from her debut album “Queen of the Clouds,” the remote town has offered her a seaside refuge ever since childhood. Yet, with the making of her latest studio album “Estrus,” Torekov officially solidified itself as a mainstay in the singer’s artistic process.

“It’s kind of an emotionally triggering place for me, both good and bad,” Lo said, as she sank farther into the booth at Thai Angel on a humid August afternoon. “I needed a second to be in a place without distractions, where I’m more like a person than an artist … It almost offers a creative force field that I need to enter every process now.”

Torekov, as Lo describes it, is what the neighborhood in “‘The Truman Show’ is like before they hit record.” It’s somewhat of an idyllic place where the seashore is lined with wooden houses; sheep graze along the grassy cliffsides and residents wander around the shops in bathrobes and clogs, right after their morning swims.

However, when Lo visited during the off-season, its emptiness was “ominous” — unintentionally stirring her inner want to cause chaos. In true Tove Lo fashion, the surrounding serene village made her turn to the familiar sounds of heavy club electronica, further building on the contradictory ethos that comprises “Estrus.”

“Every song feels different. It’s like every feeling I’ve ever felt condensed into 13 songs,” Lo said, in between sips of her iced tea. “[Listeners] are getting this horny, rolly, aggressive bass line, and these super intimate, knife-to-the-heart kind of emotions in a very intimate way. I feel like they’re going to be emotionally exhausted.”

Under the dim red light of the Koreatown bar, the singer exuded an air of comfort, as she’s somewhat of a Thai Angel regular. The Swede, who’s lived in L.A. for nearly a decade, hosts a secretive, recurring party at the bar called SOUP. Usually the bar is a rowdy reprieve filled with sweaty bodies and pounding bass lines, with Lo situated behind the DJ decks. But on that Monday afternoon, hours before the bar opens, she had the place almost entirely to herself.

With only the swirling sounds of an overhead air conditioning vent to cloud her thoughts, she explained that, at the beginning, “Estrus” was bogged down by an unprecedented wave of writer’s block. The singer had initially tried to get a head start on her sixth studio album at home in Los Angeles, but she felt a new kind of pressure hanging over her head.

“I had this feeling that this is my sixth album and I had something to prove, like I needed to have a message or some kind of advice,” Lo said.

She credits the newfound tension to her career’s longevity. The 38-year-old, raised in the suburbs of Stockholm, got her start in music as a songwriter in the early 2010s, earning credits on tracks including Ellie Goulding’s “Love Me Like You Do” and Lorde’s “Homemade Dynamite.”

She gave in to her pop-star ambitions in 2014, with the release of her debut album, “Queen of the Clouds.” The record featured her breakout hit “Habits (Stay High),” which details her getting the munchies, throwing up in a tub and going to sex clubs to get over a heartbreak. Lo said she likes to think that, with the early success of the rebellious anthem, she was “very clear from the start.”

“I’m a hot mess,” Lo remarked, between laughs. “Here you go.”

Since then, she’s continued to develop her raw pop sound by collaborating with DJs like Flume and SG Lewis, while adding to her library of cult-classic tracks like “disco tits” and “Glad He’s Gone.” But at this point in her career, she said it also felt like she “should’ve had all the answers” by now.

“I had this idea that I had to prove that I had become a better, bigger person,” Lo said. “But I’m just the same f— messy girl.”

And the sound of “Estrus” follows suit. Immediately, the opening song, “a lot of feelings, no solutions,” hits listeners with a punchy bass line and blatant lyrics about having no advice to offer. Throughout the 13-track record, she flip-flops between being vulnerable and playful while also being hedonistic and making sacrifices. For example, on “the bad one,” she takes accountability for being a “problematic” partner over staccato percussion and a cinematic synth, while also being grateful she got out of the relationship. Similarly, on “F.A.M.T,” she leans into her avoidant tendencies on top of a choir of high-pitched cyber chimes and resorts to sexual endeavors instead of looking inward.

“We suppress a lot to be respectful to other people, and there’s nothing bad in that,” Lo said. “But if you never let your vices drive you for a night or a day, I think you’ll go absolutely crazy. You just need to have moments where you don’t think about the consequences. Just be hedonistic for a second. Indulge.”

Like much of Lo’s music, the new project, named after a female mammal in heat, is centered around the age-old tension between the body and mind. On her previous album “Dirt Femme,” released in 2022, she opened up about being unsure if she wants children, while denouncing the societal expectations that come with being a married woman.

And it’s still something she’s trying to figure out on “Estrus.” The album’s final track, “source of life,” offers up a mantra of contradicting adjectives like “feral,” “euphoric” and “fragile,” while questioning if she ruined her chances of motherhood by “partying late.”

“My body [says] well, maybe we should just have like one baby, and my mind is like, absolutely not,” said Lo. “I don’t know who’s gonna win. But I do feel like I’m in the final boss of adventures.”

By the end of “Estrus,” it’s apparent that the tug-of-war between her body and mind isn’t over. And she’s not sure if there will be a resolution. It’s still an ongoing battle — and it’s precisely what Lo says she was aiming for.

“There’s no good advice on this album,” she playfully reiterated. “Just don’t ask me.”

PHILADELPHIA — Ed Sheeran opened a solo concert in Philadelphia on Saturday with comments about Gaza, saying what’s happening is “catastrophic and unjustifiable.”

“My heart has been broken by the scale of devastation and loss of civilians’ lives, of children’s lives,” Sheeran said at his nighttime performance at Lincoln Financial Field.

Sheeran also said he wants his music and shows to be about unity and humanity, not politics.

He then addressed the controversy that unfolded since his supporting acts withdrew in solidarity with opener Macklemore, who was dropped from the tour after making pro-Palestinian comments onstage.

Sheeran has performed much of his Loop Tour concerts solo, but he had been joined for several songs at each stop by the Irish folk band Beoga. Macklemore, Sheeran’s original U.S. opener, had been replaced by Danish band Lukas Graham and Irish singer Aaron Rowe before they backed out.

Finneas, Billie Eilish’s brother and musical collaborator, was due to tour with Sheeran in South America later this year before he too dropped out earlier this week.

As of Saturday afternoon, tickets were still available for the show, and Sheeran’s website did not list any replacement acts.

Earlier a group of about 50 pro-Palestinian demonstrators congregated outside the stadium before the show. Hillary Steinberg, 34, of Philadelphia, said she got tickets a year ago but wound up getting a refund and attending the demonstration instead, disappointed that Sheeran had not taken a stand.

“I was, until this week, a big Ed Sheeran fan,” Steinberg said. “I think all art is political, and all music is political, and so this choice — even though he was saying that he wasn’t complicit — is a political choice.”

The show comes after a tumultuous week that opened with Macklemore being dropped in response to exclaiming “Free Palestine!” during a Sept. 5 show in New Jersey. Sheeran has said he was not responsible for the decision, which came at the urging of New England Patriots owner Robert Kraft. His company owns a stadium where Sheeran’s tour was scheduled to play Friday.

Within hours of Sheeran’s statement Tuesday, his supporting acts withdrew.

Diane Savitz, a 53-year-old concertgoer from Stroudsburg, Pa., got her tickets to the show months ago and is a big Sheeran fan. She said she does not think that he did anything wrong or that a concert is the place for politics.

“A concert should be for people enjoying the music. Music should bring people together,” Savitz said. “Everyone has their right to freedom of speech, but not every platform is the place for it.”

Macklemore said Wednesday he is donating $1 million to support Palestinian relief efforts and called on Kraft to match the gift; a spokesperson for Kraft has said the billionaire and Sheeran have each agreed to donate $2 million but have not specified where the money will be directed. Sheeran’s representatives have not responded to multiple requests for comment.

Sheeran’s Loop Tour was the highest-grossing in the world, with an average box office gross of over $7 million per city, Pollstar said in May. Through the end of 2025, Sheeran was the No. 3 top-earning concert act since 2021.

Sheeran has said the tour promoter was ultimately responsible for the decision to drop Macklemore.

The Grammy winner was adamant in his Tuesday statement that he wouldn’t be drawn into discussion of the war in Gaza, arguing that his fans don’t come to his shows to hear about these issues.

He also said he “spoke with the venues at length all week to try to build a bridge” before Macklemore was dropped. He insisted he would never willingly let down his fans or abandon the touring crew and others who rely on him to make a living.

While promoters and venues wield great power over concert tours, experts say an artist of Sheeran’s magnitude generally has the final say about what happens concerning the shows.

Sheeran told the crowd in Philadelphia that everyone is welcome at his concerts, and they can have opposing points of view while still singing his songs, which are about “love, hope, and unity.”

Vejpongsa writes for the Associated Press. AP journalist Jessica Hill in Las Vegas contributed to this report.

There’s no better way to draw attention to an artist’s work than threatening to shut it down.

Take this week, when Macklemore was kicked off singer-songwriter Ed Sheeran’s tour at the behest of concert venue owners who found the rapper’s on-stage pleas to “Free Palestine” offensive.

Now Macklemore, who hasn’t had a major hit since the 2010s, is relevant again. He has the support of artists, fans and thousands more outraged by his dismissal and the humanitarian catastrophe in Gaza. The “Thrift Shop” rapper has emerged a hero, and a chastened Sheeran and Gillette Stadium owner Robert Kraft have pledged to donate millions toward humanitarian causes in “the region.”

The stakes are considerably higher for Israeli documentarians Yuval Abraham and Rachel Szor. Israeli Prime Minister Benjamin Netanyahu threatened this week to revoke their citizenship for what he called the “shocking incitement” that is of their forthcoming documentary, “NAZA.”

NAZA is an acronym used by Israeli military intelligence to describe the number of civilians it estimates will be killed in an airstrike. The documentary captures the actions of Israel’s military after the Oct. 7, 2023, Hamas attack in footage shot at night from Tel Aviv rooftops. “NAZA” also features anonymous interviews with intelligence officers and soldiers from the Israel Defense Forces, and builds on reporting first published by the Israeli-Palestinian publication +972 Magazine, the Hebrew-language outlet Local Call and The Guardian to make the case that mass civilian deaths were built into Israel’s target decisions in Gaza.

When “NAZA” premiered at the Venice Film Festival on Sept. 10, the documentary received a 25-minute standing ovation, setting a festival record. It went on to win the prestigious Special Jury Prize.

Soon after, the directors came under attack from members of Israel’s government, with Culture Minister Miki Zohar accusing them of “treason against the state” and calling for their citizenship to be revoked.

But it’s Netanyahu who’s providing free publicity for “NAZA,” ensuring that everyone outside the film festival circuit will know of the documentary by the time of its official North American premiere at the New York Film Festival on Sept. 26.

In a move that’s likely designed to quash “NAZA’s” release and silence its directors, the prime minster pledged this week to advance two bills that would address the “immense damage” done to Israeli soldiers in the film.

Netanyahu explained in a social media clip that one bill would “revoke the citizenship of anyone who defames soldiers, and the second [bill will] hit them in their pockets and increase the statutory damages for defamation they can ⁠be sued for by 20 times. We ⁠will hit them both in their pockets and in their citizenship, as their place is not with us.”

Macklemore lost his place on a pop music tour for speaking out against Israel’s military. Abraham and Szor may lose their place as Israeli citizens. The pair were already considered controversial for their 2024 documentary, “No Other Land,” a film chronicling five years of displacement and violence in the life of Palestinians in a small village in the occupied West Bank. It won the 2025 documentary feature film Oscar.

They explained in a statement why making “NAZA” was so important.

“We made this film out of a sense of obligation to use our position as Israeli filmmakers and journalists to examine the systems behind the mass killing of Palestinian civilians for which our country is responsible,” the statement said. “While filming members of Israel’s military on rooftops at night in Tel Aviv over the past three years, we found ourselves asking the very questions that were asked by our grandparents’ generation and throughout the 20th century: How does one group of people allow the total dehumanization of another? What do the inner workings of such a system look like? … The film lets us explore something deeper than we could in our investigative journalism alone: not only the words being said, but also those that are not said, the silence. It is up to all of us to break that silence.”

The filmmakers have said that they’re using an “innovative distribution model” to bring the film to audiences “as quickly as possible.” It’s slated to reach Los Angeles on Oct. 9 before rolling out in theaters nationwide.

“NAZA” may not need a robust marketing plan if Netanyahu and the Israeli government continue to condemn the film and threaten its creators with expulsion from their own country. Censorship, and worse, are the surest way to elevate an artist and their work. Just ask Macklemore.

Ex-Manchester United and Real Madrid forward Cristiano Ronaldo named in Portugal squad to face ⁠Norway and Denmark.

Cristiano Ronaldo has been ‌included in new Portugal manager Jorge Jesus’s first 25-man squad for the defending ⁠champions’ upcoming four ⁠Nations League matches.

In August, Ronaldo fuelled speculation about his retirement plans after saying the coming year would probably be the last of his playing career.

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The ⁠41-year-old Portugal captain is one of the most decorated players in football history, having won major trophies with Manchester United, Real Madrid, Juventus and current club Al Nassr since ⁠making his senior debut for Sporting in 2002.

Ronaldo, a five-time Ballon d’Or winner, was unable to add a World Cup title to his list of honours after Portugal were knocked out in the last 16 by eventual champions Spain, leaving the sport’s biggest prize absent from ‌his trophy cabinet.

Ronaldo confirmed in July that the 2026 edition of the FIFA World Cup would be his last in that competition, but he was unwilling to make a hasty call on his international future.

“His performance is what matters. The past doesn’t count,” Jesus told a news conference on Friday.

“In this squad, there are 13 players who have worked with me. I don’t have a set core, so within this group, there were several players ⁠who were important for this squad.

“Cris is a player like ⁠any other. If he performs, he plays; if not, he doesn’t. He has a different status – he has five Ballon d’Or awards – but does that factor into my decisions? No. However, the fact that he is ⁠different is.”

Jesus will make his debut as Portugal manager against Wales at home on September 24. Portugal then travel to face ⁠Norway and Denmark on September 27 and October 1 ⁠respectively, before hosting Norway on October 4.

Portugal appointed the 72-year-old former Al Nassr boss in July, days after Spaniard Roberto Martinez stepped down following the country’s World Cup exit.

Portugal’s Nations League squad

• Goalkeepers: Diogo Costa (Porto), Rui Silva (Sporting), Samuel Soares (Benfica)
• Defenders: Goncalo Inacio (Sporting), ‌Joao Cancelo (Barcelona), Diogo Dalot (Manchester United), Nuno Tavares (Lazio), Nuno Mendes (Paris St Germain), Renato Veiga (Villarreal), Ruben Dias (Manchester City), Tomas Araujo (Benfica)
• Midfielders: Bruno Fernandes (Manchester United), Joao Palhinha (Benfica), Joao Neves (Paris St Germain), Ruben Neves (Al-Hilal), ‌Vitinha (Paris ‌St Germain), Bernardo Silva (Real Madrid)
• Forwards: Cristiano Ronaldo (Al-Nassr), Fabio Silva (Borussia Dortmund), Francisco Trincao (Al-Ahli), Francisco Conceicao (Juventus), Goncalo Ramos (AC Milan), Joao Felix (Al-Nassr), Pedro Neto (Chelsea), Rafael Leao (Galatasaray)

An unprecedented surge in border crossings over the last decade reshaped America: Millions of people from more than 150 countries arrived, bringing the U.S. immigrant population to its highest levels.

Now, data obtained exclusively by the Associated Press paint a picture of who these migrants are, where they went and what happened after the border.

Some went to cities that have long been magnets for immigrants — New York, Miami — but increasingly, others found their way to smaller cities with less developed immigrant footholds. Blocks, neighborhoods and entire cities were remade in places like Elkhart, Ind., Knoxville, Tenn.,and Dodge City, Kan.

And while the vast majority of migrants traditionally were from Mexico, this surge included people from an astonishing number and diversity of countries: India, Ecuador, Ghana.

Via a Freedom of Information Act request, AP obtained federal records on the self-reported destinations of 4.5 million migrants released in the United States after crossing the Mexican border — both legally and illegally — between October 2018 and July 2025.

Migrants must provide U.S. Customs and Border Protection with a street address. AP obtained their destination ZIP codes, citizenship by country, ages, genders and the dates and border regions where they encountered authorities.

Some probably never arrived at the addresses they gave. Authorities lacked resources to check, though migrants must report truthfully to pursue their cases in court and get work permits. Some have moved elsewhere in the United States or left the country, voluntarily or involuntarily. But many have stayed put.

Data on their initial destinations after the southern border provides both a sweeping and an unusually granular look at how the immigration surge — one that peaked during President Biden’s administration and was a major reason voters returned his predecessor, Donald Trump, to the White House — is playing out today.

Here are some key takeaways from the data.

Cities drew migrants from several continents

The Border Patrol encountered migrants from 174 countries in one year alone, a sharp departure from earlier periods when they were nearly all Mexican and Central American. The growth of social media and new migration routes were key in bringing people from around the world. Cincinnati, for example, experienced a large number of arrivals from West Africa, Uzbekistan and India.

Some cities — ones that for generations have had robust international communities — were further diversified by the range of countries from which people arrived.

New York City’s Queens borough registered at least 25 nationalities with significant arrivals, including five countries that each sent more than 7,000 people: Ecuador, China, Colombia, Venezuela and India.

Philadelphia had 11 nationalities with at least 1,000 new arrivals, led by Brazil, Haiti and the Dominican Republic but also including Russia and Venezuela. The city’s metro area also received more than 1,000 migrants from Georgia.

Florida remained No. 1, but many people looked elsewhere

While Florida was the most popular state, Latin American immigrants increasingly looked elsewhere for more promising job prospects and a better quality of life. Many turned to places with small but established communities of immigrants from their homelands.

For Cubans, nine of the top 10 destination ZIP codes were in Florida, but people of the Caribbean nation also flocked to Louisville, Ky., Grand Island, Neb., and Odessa, Texas. Colombians went to the Denver suburb of Aurora. Paterson, N.J., was the top pick among Peruvians. Some Venezuelans headed to the growing suburbs south of Salt Lake City; others to pockets of Atlanta, Chicago and Denver.

More women and children came than men

Nearly 6 of every 10 migrants released at the border were women and children, a dramatic shift from a few years earlier when migrants were predominantly men.

The change is visible in many places and across nationalities, but some stand out. Tulsa, Okla., attracted Mexican women and children. Ecuadorian women and children went to Spring Valley, N.Y. Guatemalan women were drawn to Chattanooga, Tenn.

Those who came from China headed to L.A. and New York

Chinese migrants, who trekked by hundreds nightly in California’s mountainous border with Mexico, largely gravitated to two places: New York City, especially the Queens and Brooklyn boroughs, and a cluster of neighborhoods in the Los Angeles area.

Trump’s deportation machine hit some migrant magnets and overlooked others

Immigration arrests have hit some areas that ranked among the most popular destinations for migrants in recent years, including Miami and New York. Others that experienced a large migrant influx have gotten less attention from authorities, including Silicon Valley, Madison, Wis, and Stamford, Conn.

Jarrett, Kessler, Lodhi and Spagat write for the Associated Press.

The first naval battle between two Unmanned Surface Vessels (USVs) has taken place in the Black Sea. The Ukrainian Navy said on Saturday that one of its naval drones sank a Russian vessel.

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It’s a day and night to celebrate women in sports.

MaxPreps is hosting an 18-team flag football tournament in San Diego. No. 1 JSerra is competing.

In the evening, Nike has flown in a custom-made outdoor volleyball court so Sherman Oaks Notre Dame can host Harvard-Westlake in a 7 p.m. girls’ volleyball match played on the Notre Dame baseball field. There will be food trucks, music and other surprises.

There’s also the Venice girls volleyball tournament taking place at Venice High and the Woodbridge Classic cross-country meet at the Great Park in Irvine.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

The spot has been hailed by holidaymakers as the best beach on the White Isle, and with warm 23°C temperatures in October and November it’s the perfect spot for an autumn break away from the crowds

Tucked between pine-covered hills, the sheltered cove has a mix of golden sand and pebbles, while its clear waters are ideal for swimming and snorkelling. But it is the dramatic scenery that really sets the European spot apart.

Off the coast sits Cap Bernat, a distinctive rock formation often nicknamed the “Finger of God”. It has become an iconic part of the skyline and provides a spectacular backdrop as the sun sets over the water.

Cala Benirràs is one of the most famous coves in northern Ibiza, but it offers a very different experience from the island’s glamorous beach-club hotspots.

The beach is particularly famous for its bohemian atmosphere and stunning sunsets, with visitors gathering to watch the sun disappear behind the rocky coastline.

Benirràs has also long been associated with drumming at sunset, which has become part of the cove’s identity.

However, visitors should be aware that the traditional large-scale Sunday drumming sessions have been restricted in response to the huge crowds they attract.

Smaller, informal drumming sessions can still take place, but it is best to check the arrangements before travelling if this is a key reason for your visit.

Despite its popularity, Cala Benirràs retains a relatively natural and rustic feel compared with some of Ibiza’s more polished beach destinations. The seabed is rocky in places, adding to its appeal for snorkellers, while the sheltered bay usually offers calm, clear water.

There are also several places to eat and drink around the cove, including Elements Eivissa Beach Club, which sits directly on the beach, alongside more casual dining options nearby.

For visitors looking to experience a quieter, more bohemian side of Ibiza, Cala Benirràs offers a combination of clear waters, pine-covered hills, spectacular sunsets and its famous rock formation that makes it well worth a visit, reports the Express.

Best time to visit

Autumn breaks offer quieter beaches and warm, sunny weather, with package holiday prices often considerably cheaper than during the pricier summer period. Holding out just a few weeks for an October escape could see travellers discovering hidden gems in some of Europe’s most sought-after destinations like Spain or Portugal for a fraction of the cost.

When experts at Wizz Air pinpointed the best under-the-radar coastal destinations in Europe for the shoulder season, Cala Benirrás in the north of the island earned top marks for tranquillity.

The airline previously carried out an analysis of beaches across more than 50 European countries, evaluating crowd levels, average temperatures, and daylight hours throughout September, October, and November.

By calculating beach space per visitor, Wizz Air ranked destinations according to the amount of room available to unwind and bask in the late-season sunshine.

‘Hidden gem’

This Ibizan ‘hidden gem’ has been hailed as the “best beach on Ibiza, especially in October” by Tripadvisor user Debra H. Captivated by their visit to this tranquil corner of the White Isle, the traveller went on to say: “It’s not just a beach for a day trip or the Sunday drumming it’s a place to come early in the morning and get to know. We really liked Elements cafe, nice food sitting and chilling on the sofa as with music. Lovely family friendly and I love the rock there like a giant goddess. Highly recommend. Most favourite beach in Europe.”

Another late-season visitor, Emily S, shared the same enthusiasm, describing it as a “beautiful bohemian feeling beach, perfect place for sunset”.

They added: “We visited Ibiza at the end of October. End of season, so this beach was lovely. Not too busy, with a relaxed, friendly, safe feel. Beautiful sheltered cove with stunning views out to sea, and amazing clear waters with lots of fish.”

Ibiza boasts average temperatures of around a balmy 23°C (73°F) throughout October and November, making it ideal for those looking to soak up the last of the summer sunshine.

Cala Benirrás is just a 10-minute bus ride from the nearest town of Port De San Miguel, which is home to hotels, villas and a broad range of amenities.

Often compared to Hawaii and dubbed the ‘new Canaries’, a paradise island with azure waters and unspoilt beaches has been named as one of Europe’s most beautiful places to visit

A tropical island retreat with crystal-clear azure waters and pristine beaches has been crowned as Europe’s most breathtaking destination to visit this year. Conveniently, its stunning scenes are just a four-hour flight away.

Nestled in the middle of the Atlantic Ocean, to the west of mainland Portugal, lies the spectacular archipelago of nine islands known as the Azores. Long compared to Hawaii, they’re frequently referred to as the new Canary Islands, thanks to their unspoilt beaches, shimmering crater lakes and cascading waterfalls, set against dramatic green cliffs and lush forests that remain wonderfully untouched.

With nine volcanic islands comprising the Azores, there’s a wealth of discoveries to be made, with each island boasting its own jaw-dropping coastline and diverse landscape that is sure to leave you speechless. So much so that Lonely Planet has named the Azores as one of the ‘most beautiful places to visit in Europe’ and the best for a ‘remote island escape’.

The publication noted that the Azores have been “long overlooked” and are like “stepping stones to another world”, with their collection of subtropical gardens, forests, and “brilliantly blue caldera lakes” that draw in nature lovers. For those keen to visit, Lonely Planet recommended spending time “floating in the dazzlingly turquoise thermal waters of Caldeira Velha on São Miguel island, hiking through botanical gardens brimming with azaleas, camellias and hydrangeas on Flores, gasping out loud as sperm whales and humpbacks emerge from the deep blue on Faial, or climbing up to Mt Pico’s cloud-shredding, 2351m cone for sensational views across the archipelago.”

For those wanting to experience these breathtaking landscapes firsthand, direct flights are available from London Heathrow Airport (LHR) to the Azores’ main gateway, Ponta Delgada Airport (PDL), with a journey time of just over four hours. Prices start from £118 per person, according to Skyscanner, with limited availability, but it’s well worth securing a trip to savour this slice of paradise, reports the Express.

What’s more, set against the Azores’ spectacular scenery and dramatic coastlines, visitors can also take advantage of remarkably affordable prices. A pint will typically cost around €1.50 (£1.28), while a meal at a local restaurant comes in at between €10 to €15 (£8.57 and £12.85) per person, or €30 (£25.70) at a popular establishment.

One of the most coveted destinations to visit is São Miguel Island, also known as the ‘Green Island’. It’s the largest island in the archipelago and is famed for its striking twin-crater lake, Sete Cidades, which boasts contrasting blue and green-tinted waters. Recognised as one of Portugal’s seven natural wonders, it’s undeniably breathtaking with its magical surroundings.

Elsewhere, São Miguel Island offers a wealth of dramatic volcanic beaches with black sand and crystal-clear waters, ideal for soaking up the September sunshine. These include Praia de Santa Bárbara, a well-known surfing hotspot, and Praia dos Mosteiro, complete with heated rock pools for a dip away from the ocean waves.

Yet the offshore islet at Vila Franca do Campo is arguably the most stunning stretch of coastline of them all, with its curved sunken volcanic crater forming an extraordinary natural swimming pool. What’s more, dotted throughout the Azores are secluded coves, beaches and volcanic thermal springs just waiting to be uncovered, meaning you’ll never be stuck for options on where to spend your island escape.

Direct flights from the UK to the Azores depart from London Heathrow via British Airways, typically operating during the summer months.

You can fly from many other UK airports, such as London Gatwick and Manchester, with one stop via major carriers including TAP Air Portugal, which connects through Lisbon or Porto, or SATA Azores Airlines, which connects via mainland Portugal or North America connections.

Do you have a travel story to share? Email webtravel@reachplc.com

Days before California voters receive their mail-in ballots, gubernatorial candidates Xavier Becerra, a Democrat, and Steve Hilton, a Republican, will debate in a nationally televised face-off.

On Sept. 30 at CNN’s Burbank studio, the two candidates hoping to succeed termed-out Gov. Gavin Newson are expected to spar over sharply divergent visions for the future of the state. California’s next leader is expected to face pressing fiscal issues, as well as continued battle with the Trump administration.

Given California’s deep Democratic tilt, there was a question whether the two men would debate.

On Aug. 19, Becerra promised multiple debates with Hilton ahead of the general election.

“We will have debates, and between now and Nov. 3, we will continue to go out there and meet with folks to make sure they have an opportunity to see the candidates,” Becerra told reporters after greeting business owners, community leaders and voters in a walking tour of Little Tokyo in downtown Los Angeles. “Voters need to have good information. We’ll make sure they have it, and there will be debates.”

The following day, Hilton said he was skeptical of Becerra’s promise.

“I don’t believe him unless he commits to an actual debate. Invitations are on the table for dates and places,” Hilton said. “Why can’t he just accept them? I think he’s lying. I don’t think he wants to do debates because he doesn’t want to debate his record.”

September’s hour-long debate, taking place shortly before county elections officials begin mailing ballots to all the state’s registered voters, will be moderated by the cable network’s anchors Dana Bash and Jake Tapper.

It is the most attention a California gubernatorial contest has drawn since 2010, when “Today” show host Matt Lauer and NBC News Political Director Chuck Todd moderated nationally televised clashes.

That is perhaps unsurprising given how sharply the California electorate has swung left, with no Republican winning a statewide contest since 2006. Two did that year.

While there will not be a studio audience, the debate will air on CNN, CNN International, CNN en Español, CNN.com and related TV and mobile apps for subscribers.

Times staff writer Nicole Nixon contributed to this report.

Inside the Universalist Unitarian Church of Riverside, a line of masked people filed into the red-lighted chapel, one by one, to take part in the rite of confession.

The private booth was framed in flowers, and rather than a priest listening inside, it was a microphone recording their confessions, to be played at an upcoming art exhibition. The brick triangle-roofed church that held the booth has stood since opening in 1892; that night, it was the site of a masquerade, or as Riverside artist Perry Picasshoe called it, the “Masqueerade.”

Picasshoe, whose real name is Neveah Marquez, hosted the event, which had an entirely LGBTQ+ guest list and one requirement: Bring a mask, whatever that looks like to you.

Marquez, a 26-year-old transgender woman robed entirely in red, stood at the pews and danced to the experimental electronic DJ sets and drag performances as guests entered in masks that ranged from papier-mâché deer antlers to collaged photos of eyes and lips.

The event came as a celebration ahead of the Riverside native’s first solo exhibition, “SagradX,” which will open Saturday at Riverside Art Museum and remain through Jan. 31.

The recorded confessions, layered over one another until they become an unintelligible cacophony, represent just one piece of the 25 paintings, photographs and interactive displays in the exhibition. The show explores the meaning of “sacred” as Marquez documents her most private places and experiences, and asks viewers to consider what they hold sacred.

The exhibition, she says, began with heartbreak.

“The first time I started thinking about sacredness … was when my ex-partner brought somebody into our bed,” said Marquez.

“I was crying, distraught, and drove over to these hills over Lake Mathews [in Riverside] and I realized: The bedroom was sacred to me. That’s why it hurt so much. And I started thinking, if it wasn’t sacred to them, how do we decide what is sacred to each of us?”

The very headboard of that bed sits in the exhibition; on it, Marquez painted fairy-tale creatures representing the lovers gallivanting across the woods.

While Marquez’s experience with betrayal sparked the idea, the exhibition explores sanctity in many different scenarios: In one, the artist plays with the concept of the digital safe space by inviting guests to look through her phone as she is tied on a handmade iron-wrought cross. Inside the exhibition space, she uses a small painter’s brush to slowly paint the white walls red over the course of the show.

In curating the exhibition, Marquez began to look inward, painting and photographing herself in ways she never had before: through the lens of femininity. She lived the previous 26 years of her life as a man, growing up religious to the point that she once considered becoming a priest. The paintings serve as portals into a part of her that she long held inside.

“I describe it like having blurry vision your whole life and not realizing how clearly you can see, until you put glasses on,” Marquez said. “That’s how painting myself as a woman felt.”

Though she initially identified with her male birth name, the more she painted herself in Venus-like, feminine poses and with longer hair, her understanding of her identity shifted. Illuminated by her signature scarlet red clothing and tastefully shrouded in sheets, the soft expression on her face was inspired by Raphael’s “La Fornarina.”

“I wasn’t thinking much of it in the moment, but as I kept painting these portraits, I was thinking a lot about myself and thinking about gender and my identity,” Marquez said. “Through my art process, I realized: ‘Maybe I would be a pretty woman.’ That’s what scared me the most from transitioning, was not feeling like I would be beautiful enough.”

In “SagradX,” Marquez’s body is documented vulnerably; easing into her own identity becoming a painfully honest artistic process, which the audience is now invited to watch.

“I feel like I don’t paint very often because when I do, it’s just so emotionally intense. Like when Olivia Rodrigo wrote that she’s scared of her guitar because she couldn’t lie to it, that’s how I feel about painting,” Marquez said. “I can’t lie to my painting.”

Aside from her self-portraits, Marquez includes photographs of her ice blocks project, in which she placed 25-pound blocks where immigration enforcement raids took place in the Inland Empire last year. These were once safe places that she says have been “desecrated with fear.”

Marquez’s personal journal, which documented her inner joys and struggles over the last year, is also open on a table in the exhibition for guests to read through, draw over, or tear. For Marquez, “SagradX” was the catalyst to “let everything out.”

“If the show is about vulnerability, I need to practice that for myself as well. Otherwise, you would see in the work that there’s a blockage, you can sense when artists aren’t fully honest,” Marquez said. “I want people to question, ‘What is sacred to you?’ If I give you access to something sacred to me, what will you do with that?”

This spot, just a short stroll from the Long Beach Museum of Art Downtown, doesn’t bother trying to graft cafe culture onto the cat-visiting experience, choosing instead to double-down on a whimsical cat motif that includes kitty murals and paw prints splashed across interior and exterior walls. (If you need a caffeine fix, there is a Starbucks a few blocks away.) The central element inside the space is a wooden tree-like structure where you’ll find many of the 50-plus cats provided by rescue partner Long Beach Felines lounging or climbing, while others roam about, pouncing on toys, wiggling through fabric tunnels or prancing on a cat exercise wheel the size of a truck tire.

Up to 25 people can kick it with the kitties at any one time, and the 50-minute sessions can be booked online. Other offerings include: Cats & Mats yoga (offered one Friday evening a month), Crochet With Cats (one Sunday afternoon a month) and cat-accompanied sound baths. (An employee I chatted with said the crochet class, with its preponderance of dangling yarn, is particularly popular with the cats.)

Price: $19.99 for 50-minute sessions, which start at the top of the hour

Hours: Monday, 11 a.m.-6 p.m.; Thursday-Sunday, 11 a.m.-6 p.m. (reservations end 1 hour before closing)

Pro tip: A shorter and less expensive option — $10 for 20 minutes — is available on a walk-in basis only at the top of the hour, depending on capacity.

Sept. 6, 2026 8:33 AM PT

WASHINGTON — The Trump administration on Sunday renewed its appeal to the Supreme Court after a federal judge blocked new restrictions on mail ballots ahead of the midterms.

The filing came after U.S. District Court Judge Indira Talwani extended an order against the U.S. Postal Service enforcing President Trump’s executive order for the November elections.

The legal wrangling comes even as states start sending out mail ballots, leaving the administration little time to make big changes in mail ballot rules.

“Ballots have already begun to be mailed in North Carolina, and more States will begin the mailing process as the injunction remains in place — including Alabama on September 9 and at least five States the week of September 13,” Solicitor Gen. John Sauer said in the filing.

“Once those ballot envelopes enter the mailstream, there is no retrieving them. And while the injunction allows the Postal Service and the States to continue taking steps to ensure that their envelopes satisfy the Rule’s requirements … each day the injunction is in place risks sowing confusion and chaos because the injunction makes those preparatory steps voluntary, rather than mandatory.”

The appeal marks the third time the administration has asked the high court to intervene. The high court has allowed the plan to move forward but not ruled on whether it is legal.

The battle could have major ramifications for this year’s elections, when control of Congress is at stake. Nearly one-third of voters in the U.S. cast mail ballots. Mail ballots are sent to every California voter.

Democratic states and voting rights groups say the changes are unconstitutional and amount to voter suppression. Election officials contend that there isn’t enough time to revise their systems to comply with the new Postal Service directives.

The Trump administration has framed the restrictions as commonsense changes that are within its power to regulate the mail.

“Simply put, the best way to address respondents’ fears about inability to comply with the Rule is to grant an immediate administrative stay of the order, followed by a full stay pending further review,” Sauer said. “That will remove the improper cloud of uncertainty that the district court has cast over the Rule, making clear to all involved that compliance with the Rule is not optional and must start without further delay.”

Trump has long sought to limit mail voting, even though he himself often uses that method to cast his own ballot. He has falsely blamed mail balloting for his 2020 election loss to Democrat Joe Biden, spreading baseless claims of fraud. But so far, he has been unable to change the long-standing voting procedure.

Whitehurst and Fields write for the Associated Press.

I wasn’t born in Los Angeles, but it’s the city that raised me. I moved here fresh out of college with a doe-eyed dream of stepping into the kind of art scene I’d read about in history books. Instead, it quickly became clear that I wasn’t going to be able to just waltz in with my Southern charm and big smile; there would need to be some sort of hack into the art world — a place rife with unspoken roles and gatekeeping — if I wanted to get anywhere as a non-nepo artist.

After years of blister-inducing heels-on-the-ground gallery hopping and late-night schmoozing, I found myself falling in love with this city and slowly realizing that the best parts of L.A. were rarely found in mainstream spaces. There’s an inventiveness here that comes from the sprawl of the city — artists like myself who are constantly improvising, building their own ecosystems because nothing is handed to them. I fell in love with how “never-ending” the artist’s practice can feel in Los Angeles, how a studio visit can veer into an hours-long conversation about life. It made the city feel less like a scene to fit into and more like a living, breathing network you have to contribute to before receiving anything back.

In 2014, Alex Benzer and I decided to put our hard-earned knowledge to work by creating Curate LA: a community-driven platform designed to pull back the curtain on the Los Angeles art world by mapping under-the-radar exhibitions and adventurous artist-run spaces, and connecting our audiences directly with artists, curators, galleries and collectors through candid interviews, weekly guides and real-time event recommendations. Because despite appearances, an art scene isn’t held up by pristine white walls; it’s built by the artists sharing a cig and an idea outside on the sidewalk, the gallerists stocking the free booze and championing new voices, and the person you meet sitting at the front desk who tells you about the cute spot around the corner with affordable bites.

For me, an ideal L.A. weekend is a little bit of all of that: a great studio visit that turns into an unexpected conversation, stumbling onto an unconventional exhibition of an artist I’ve never heard of, eating something delicious with friends who I ran into at a show opening, and ending the night at a bar where half of the room just spilled out from the gallery down the street. What I’ve made for you is my personal, slightly circuitous, weekend guide to Los Angeles’ sprawling creative landscape. These are my snapshots of the places and people that I return to, the ones that have fed me, surprised me, taught me something or made a long day of circling the block to find parking impossible to forget.

FRIDAY: Downtown → MacArthur Park → Koreatown

1. My first stop is visiting Greg Ito at his DTLA studio. I love the way his work draws me into a layered dreamscape and rearranges my sense of time and space. Greg is also a great storyteller. Pulling from archival family photos and childhood memories as a fourth-generation Angeleno in West L.A., his work weaves together a certain kind of nostalgia that always makes for a heartfelt studio visit. DM @gregitooo for availability and address.

   

   Eduardo Medrano at John Doe Gallery.

2. From there, I head over to John Doe Gallery, which is run by two artists, Eduardo Medrano Jr. and Alfonso Gonzalez Jr. They show some of the best up-and-coming artists in Los Angeles, and their openings are always a good time. It’s the kind of place where I’m just as likely to run into someone I know as I am to discover someone I don’t, which in my opinion is exactly what a good art space should do. 107 E. 11th St., Los Angeles. DM @johndoegallery for open hours.

   

   Vita Kari in front of “My Girlfriend Named Herself After a Water Bottle,” 2024, at their DTLA studio. Kari wears Barrio Drive.

3. You might recognize Vita Kari as “The craziest thing about being creative” personality from IG, but what you might not know is that they completed their MFA with a thesis on “Virality as Form,” wherein lies the proof in the pudding, a.k.a. their art. Vita uses textiles, performance and video to speak about internet culture, along with stunning visuals that incorporate their family’s Middle Eastern diaspora and history. DM @vitakari for availability and address.

   

   Samala Meza in her DTLA studio with works in progress.

4. I make my way over to Samala Meza, who creates soft, sexy paintings that look like she literally breathed a secret into them. Her studio is situated at Princess Castle, an artist-run studio space, so you can pop over to some other great artists while you’re there. DM @samalameza for availability and address.

   

   Devin Troy Strother on the roof of his studio overlooking DTLA.

5. Devin Troy Strother is an L.A.-born and -based artist and co-founder of Coloured Publishing, a printing press making books, zines, T-shirts and other editioned works, all by artists of color. Nestled among the produce district, there’s never a dull moment in Devin’s studio. Often working all hours of the night, there’s usually a cast of characters coming in and out, similar to the subjects you’ll see throughout his paintings. DM @devintroy for availability and address.

   

   Commonwealth and Council Team (L to R clockwise): Isabel Einaudi, Audrey Bui, Brenda Reyes-Chavez, Oliver Sweet and Young Chung.

6. What began as an artist-run exhibition space in Young Chung’s apartment 15 years ago has grown to be one of L.A.’s most championed emerging artist safe havens, Commonwealth and Council. I’ll always make time for this space if I’m in the neighborhood. 3006 W. 7th St., Suite 220, Los Angeles, door code: 01220 (please note that this space is not wheelchair–accessible). Thursday to Saturday, 10 a.m. to 5 p.m., @commonwealthandcouncil

   

   Holcomb in front of the Prince. Styled by Jocelyn Corona, wearing AYANEGUI, TANAMACHI and Vacr.

7. To round out the day, I recommend decompressing at the Prince in K-Town, a place where you can spot celebrities and L.A. artists under one roof. Many galleries have had their after-parties here, where you can catch up on the night’s gossip in a dimly lit booth over a kimchi pancake. 3198 1/2 W 7th St., Los Angeles. Call before your visit to confirm hours and dining details (this space is also not wheelchair–accessible). princektown.com

SATURDAY: Beverly Hills → Hollywood → Eastside

8. I start the day by visiting one of my favorite people in the L.A. art scene, Jerson Hondall. Jerson worked for Curate LA back in the day, but now you can find him working as an artist liaison at Gagosian Gallery and serving on the board of LACE. He is a literal art encyclopedia, which you can see through his Instagram series #dosisdiariadearte, and he is one of the loveliest people you will find, so don’t be afraid to approach him if you see him out and about. DM @jersonhondall for availability.

   

   Jonny Negron in his Los Feliz studio featuring works in progress “virtue signal” and “tellurian lube.”

9. Next, I head east to Los Feliz to visit Jonny Negron at his home studio. His paintings make you feel like you’re sitting across the bar from some of the coolest people in the room. You might recognize his work, which was commissioned for Rosalía’s single “Dolerme.” There’s something about seeing his works in the exact place where they were made that makes the paintings feel even more alive. DM @jonnynegron777 for availability and address.

   

   LAST Projects exterior in Lincoln Heights with co-founder Ilona Berger and pup.

10. I then make my way to Lincoln Heights and visit LAST Projects, an alternative space and gem. This gallery has given many artists in L.A. their first shows in their early careers (myself included). It’s one of those places where I know I’m going to see something that makes me pause, even if I have no idea what I’m walking into beforehand. 206 S. Ave. 20, Los Angeles. Open Thursday, 1 to 5 p.m. and Sunday, 1 to 6 p.m. @last_projects

    

11. Next I visit Drex, owned and curated by Vivian Hicks, a vintage homeware store tucked into Cypress Park. With a knowledge of designers that is truly unmatched, Vivian scours the internet and estate sales to hand-select some of the most desired American Modern, Italian and French design collectibles ranging from the early 20th century to the early 2000s. DM @drex.drex.drex for an appointment and address.

    

    Huevos a la Mexicana breakfast burrito at Lupita’s Restaurant in Cypress Park.

12. I skipped breakfast, so Vivian recommends I go around the corner to Lupita’s Restaurant, and they do not disappoint with their huevos a la Mexicana breakfast burrito. Simple but effective. 2634 Idell St., Los Angeles. Open daily 7 a.m. to 2 p.m.

    

    Ever Velasquez outside of Charlie James Gallery on Chunk King Road, Chinatown.

13. Satiated, I hop over to Chinatown to visit curator Ever Velasquez at Charlie James Gallery. While her name might not be on the door, Ever is the star of the show, putting together show after show of L.A.’s hottest rising artists. 969 Chung King Road, Los Angeles. Open Tuesday to Saturday, 11 a.m. to 5 p.m. and by appointment. @charliejamesgallery @ever.a.k.a.thegirlabouttown

    

    Human Resources exterior in Chinatown.

14. A few blocks away, there is Human Resources. An L.A. staple, HRLA has been around for 16 years now and continues to showcase some of the most experimental works coming out of the city. This space is truly a breeding ground for pure creativity and expression. Make sure to check the calendar on their website to see what’s happening. 410 Cottage Home St., Los Angeles. @humanresourcesla

    

    Drinks at El Prado in Echo Park.

15. Finally, I end the day at El Prado, a local artist watering hole. Nick Fisher, the owner, used to bartend his personal bar called FISHTANK at gallery openings and come up with the craziest drink concoctions and home-brewed beers on theme with whatever exhibition was opening that evening. With names like the Loudspeaker cocktail and a Blood and Fire Smoked Lager, they were sure to get you litty. You can still sample his creations at the bar, albeit they might not be as experimental as they once were. 1805 Sunset Blvd., Los Angeles. Open Monday to Friday, 5 p.m. to 2 a.m., Saturday to Sunday, 2 p.m. to 2 a.m. @ficknish, @elpradobar

SUNDAY: South L.A. → Mid-City → Pico

16. I start Sunday with Aleza Zheng at the artist-run Tlaloc Studios. Much like her artwork, she is quite the whimsical, spontaneous person. The first time we met, I was deep in the trenches of L.A. Art Week, starving at my probably fifth art event of the day. I was ready to call it quits when Aleza popped out of her car, dressed to the nines, with multiple bags of In-N-Out. She’s been feeding me ever since. DM @alezazheng for availability and address.

    

    Dominique Clayton at Harun Coffee in Leimert Park.

17. From there I spend some time with Dominique Clayton in the heart of Leimert Park, where she was born and raised. Dominique is an L.A. native, curator and woman about town. She’s currently organizing Mom’s Night Out at Harun Coffee, a bimonthly meetup of mothers looking to connect with other creatives and artist moms. I love the way Dominique thinks about community — not as some abstract art world buzzword, but something you have to actually cultivate IRL. DM @lookatdominique to connect.

    

    Jamal Hasef in front of his mural “Sky is the Limit,” 2026 on 11th & Vernon in Leimert Park.

18. I make my way to see Jamal Hasef, who uses paint to move between the personal and the political, digging into the complex and sublime afterlives of the African diaspora in his canvases and portraits. You can check out his mural on the corner of 11th and Vernon or visit him at his studio in nearby Baldwin Hills. @_hasef_ DM for availability and address.

    

    Holcomb in front of Watts Towers in Watts, wearing Desigual and styled by Jocelyn Corona.

19. If you haven’t heard of or visited the fairy-tale world of Simon Rodia’s Watts Towers, you’re in for a treat. Next door to the famous landmark is the Watts Towers Arts Center, a historical site of political activism and assemblage art, most notably by L.A. legendary artist Noah Purifoy, who once ran the gallery. I love bringing people here because it reminds me of why I’m so enamored with the city: It’s weird, completely handmade and unlike anything else. 1727 E. 107th St., Los Angeles. Gallery hours are Wednesday to Saturday, 10 a.m. to 4 p.m., but you can check out the towers from the street any day of the week. wattstowers.org

    

    Books purchased from Reparations Club in Mid City (L to R): “Assata: An Autobiography,” “Love Poems’ by Nikki Giovanni, “Directed by Desire: The Collection of Poems” by June Jordan and “Communion: The Female Search for Love” by bell hooks.

20. By now I’m ready for some retail therapy, so I head to Reparations Club in Mid-City, my absolute favorite bookstore in Los Angeles. I could buy the entire store if my wallet and storage would allow, but on this particular trip my haul was “Assata: An Autobiography” by Assata Shakur, “Love Poems” by Nikki Giovanni, “Communion: The Female Search for Love” by bell hooks and “Directed by Desire: The Collected Poems of June Jordan.” Considering the state of literacy we are facing in this AI-driven world, I’d say we all could benefit from frequent visits here. 3054 S. Victoria Ave., Los Angeles. Open Monday to Saturday, 11 a.m. to 7 p.m., Sunday 11 a.m. to 5 p.m. @reparations.club

    

21. And finally, I end the weekend with pure sustenance. My last stop is Merkato, an Ethiopian cafe where the walls are filled with eclectic knickknacks and the plates are eat-with-your-hands style, packed with flavorful goodness; it’s the kind of meal that makes you want to linger. If you have the time, don’t skip out on the traditional Ethiopian coffee. 1036 1/2 S. Fairfax Ave., Los Angeles. Open daily 11 a.m. to 11 p.m.

Shelley Holcomb is an artist, curator, writer and cultural leader, whose work spans painting, installation, storytelling, advocacy and making art more accessible.

KATE Beckinsale has revealed her PTSD diagnosis and admitted she’s in a ‘lonely place’ in a heartbreaking Instagram video.

The actress said that there’s loads of information around military PTSD but not Civilian PTSD and that people find that harder to understand.

Kate, 53, explained that people who “have seen or experienced levels of horror, terror or violence” see it every time they blink or any time they close their eyes for a second.

She said: “Those people aren’t recognised as heroes.”

She went on to explain that although people with PTSD go about their everyday lives that “they don’t sleep for more than an hour because when they do, it’s full of nightmares.”

She said: “Anything, smells, sounds, thoughts, feelings. Can trigger them into a place that is actually like hell.”

She shared that since battling PTSD is “invisible,” people should be “kinder and gentler” to others.

She continued: “It really is true that if you haven’t walked a mile in someone’s shoes — however fancy you think the shoes are — you have absolutely no idea what they might be carrying, masking, dealing with day and night.

“And if in doubt, especially to a little child. And I am someone who had a little child who was treated extremely cruelly by grown adults, who forgave themselves immediately.

“So if in doubt be kind. Always be kind.”

The star ended her video by explaining that PTSD victims “are the loneliest people because they are alone with a level of horror that’s incompatible with life.

“Yet a lot of the time these people continue to try and put one foot in front of the other.”

Fans flocked to comment and one wrote: “Thank you for sharing this, I appreciate you being so open n giving some insight, I don’t know if it helps but I hope you know it’s appreciated.”

Kate replied: “I’m really glad that makes me happy. I just hope at least one person can feel seen and appreciated and understood. It can be such a lonely place.”

Another added: “Sending love and hugs.”

A third wrote: “The truest words I’ve heard all f***ing year! Hope you’re ok xx.”

While a fourth said: “You’re right… there’s not enough awareness of complex PTSD at all!”

Kate lost her beloved mum Judy Loe, 73, in 2025 after a battle with cancer.

Kate first revealed her mother’s cancer diagnosis last year, shortly after the death of her famous stepfather Roy Battersby, who tragically passed away following a massive stroke.

The Serendipity star also lost her father Richard Beckinsale at the age of five after he suffered a huge heart attack.