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The framed photo of César Chávez and Dolores Huerta sits in my personal office on a bookshelf crammed with volumes about California and the American West.

The two are at a 1973 United Farm Workers convention, presiding over the union they co-founded. After years of victories in the name of campesinos, the group and its charismatic leaders seem ready for what’s next.

A UFW banner emblazoned with the group’s famous black Aztec eagle logo hangs in the center of the picture, making Chávez and Huerta look like equals.

But they’re not.

He’s speaking from a podium, looking down and appearing cast in darkness due to Chávez blue vest melding into his black hair and brown skin. She’s by his side clasping her hands, wearing a colorful blouse that pales in radiance to Huerta’s hopeful face as she looks at the crowd before them.

It’s the only picture of historical figures that I display at home, and it’s in a place where I’m guaranteed to look at it. It has long served as my secular version of a prayer card, a daily reminder to fight for the good in the world and a reminder that giants before me faced challenges far more daunting than mine. It was also a testament to teamwork — when I acquired the photo a few years ago, it called to me in a way a solo Chávez never would have because I always knew el movimento was more than just one man.

Their portrait can never mean just those things ever again after the New York Times reported last week Chávez sexually assaulted two teenage girls in the 1970s and Huerta in the 1960s.

Places left and right — colleges, cities, classrooms, even states that mark Chávez’s birthday as a holiday — are now deleting his name and image from the public sphere. It’s not going to be a quick, easy task even if the cancellation is starting to take place with startling speed: Chávez’s presence is as ubiquitous in Mexican American life as the Virgin of Guadalupe.

Just this weekend, a friend acknowledged that he and his wife had just started reading a book about him to their 5-year-old daughter, a book they now plan to trash.

I thought of doing the same to my photo of Chávez and Huerta. But I’ve decided not to.

I don’t fault folks for wanting to scrub any hint of Chávez from their daily lives and neither does the Cesar Chavez Foundation, the nonprofit headed by his descendants that recently announced in a statement, “We support and respect whatever decision[s]” may come in the weeks and months to come. Communities are entitled to decide whom they should and shouldn’t publicly honor.

But to eradicate Chávez’s civic presence so fast — to tear down his statues, relabel streets and parks named in his honor, paint over his image on old and new murals, to throw away artwork that has adorned homes and offices for decades — doesn’t remove the fact that millions largely saw him as a champion of the downtrodden until last week. It can’t rescind the positive influence Chávez had on generations of Latinos and non-Latinos who saw in him the hopes of a people and now must reconcile their memories with his horrible deeds.

Historians, educators, activists and politicians for far too long elevated Chávez above Huerta in the name of a simplistic narrative that should’ve never been constructed. The public at large bought into those efforts with little skepticism in the understandable desire to have Latinos star in the American story. It’s a culpability we should all interrogate, not immediately purge.

That’s why not only am I keeping up my photo of Chávez and Huerta, I’m going to put it in a more prominent place from where I can’t look away.

Workers for the city of San Fernando cover the statue at Cesar E. Chavez Memorial Park on Thursday.

(Kayla Bartkowski / Los Angeles Times)

It will serve as a memory of a tragic, tremendous moment in the history of Latinos in the United States, where we should be focusing our attention on a presidential administration that wants most of us gone but instead must deal with the fallout from the downfall of one of our own. It will challenge me anew to look past the big names of the past and highlight those whose stories aren’t nearly as known by the mainstream.

Seeing Huerta next to her abuser will forever remind me about how the now-95-year-old sacrificed her own mental health and safety in the name of something bigger than the two of them — a choice no one should ever have to make but one that she nevertheless did.

The photo will stand as the manifestation of the old newspaper adage that if your mom tells you she loves you, go check it out. No one should ever be above skepticism no matter how sanctified and righteous they may seem — that’s why the New York Times investigation crashed into the Chicano collective sense of self like a meteor. No one could’ve imagined that Chávez could’ve possibly done things so monstrous, but maybe we shouldn’t have built him up so much while he was alive and after his death in the first place.

My framed Chávez-Huerta memento will make me think of how the stories of sexual abuse survivors are still not heard enough or even believed. Even now, some Chávez defenders are casting doubt on the claims of Huerta and the three other women named in the New York Times story, questioning their motivations to come forward after decades of silence and decrying how their decision to do so has permanently tarnished the reputation of one the few nationally known Chicano heroes. In Huerta’s case, critics just don’t buy how someone who carried Chávez’s torch decades after his death could all of a sudden supposedly turn on him.

But as a Catholic who has long covered the Catholic Church sex abuse scandal, I know that every sexual assault survivor has their own journey of recovery. I also know that we must always seek the truth instead of living a lie.

And turning Chávez into a historical footnote is a lie. He long served as a moral exemplar; he should now serve as a cautionary tale known to all.

Erasing historic figures from the public sphere is an exercise in power going back to the pharaohs, a way rulers ensured future generations couldn’t learn about their enemies. The push to nix Chávez comes from the trend in recent years by progressive activists to remove monuments that hail problematic figures under the pretense that someone’s sins trump any good they might have done no matter how influential they were.

Again, all communities have that right to reexamine the past. But we can’t and shouldn’t disappear the full story of Chávez, as painful as it is. It’s the easy way out — and remedying wrongs is never easy.

If the photo in my book shelf was only of Chávez, I’d still keep it up. The good he did was really good — the bad he committed was as terrible as it gets.

Somewhere in between stands the story of us.

If you find yourself surrounded by towering palms, mod furniture, vintage-looking neon signs, a 26-foot Marilyn Monroe statue and a backdrop of bare desert mountains, chances are you’ve landed in Palm Springs.

Look, I get it: Palm Springs doesn’t exactly scream Gen Z. It’s long been known — and still functions — as a retirement haven. A place where older adults trade in puffer jackets for gallery strolls, pool lounging and taco sampling under cloudless skies.

But I, a Gen Z reporter, am here to say Palm Springs can be really fun, and it actually aligns with my generation more than you might expect.

“If you’re going to Palm Springs and you’re our age, you’re looking for spots that are content-creatable,” said Ava Bostock, a 25-year-old L.A.-based public relations professional who researches the intersection of media and youth consumer behavior. “We need the picture to prove we were there.”

Palm Springs doesn’t shy away from its past, and that’s exactly what makes it feel so current.

Gen Z, which covers those who are 14 to 29 years old, is fluent in the digital world, but we romanticize the analog: the grainy film photo, the thrifted wardrobe, the rotary-phone energy of another era. Palm Springs leans into that fantasy: sun-faded signage, bubblegum-colored motels, midcentury homes with breeze blocks and Old Hollywood flair. It’s a time capsule built for our aesthetic eye and our camera roll.

“When I revisit the past, the ’60s were so focused on the future and space age and what comes next,” Bostock said. “I don’t think our generation has that. It feels like we’re walking into the future backwards — like we’re so enchanted with the past.”

That fixation shows up in our Pinterest boards, photo filters and travel decisions. “The most iconic images of decades past are at your fingertips,” she said.

In a place like Palm Springs, where roadside signs, retro motels and Old Hollywood architecture are preserved like set pieces, Gen Z can find a slowed-down, stylized version of the past we’ve only ever seen online.

It’s not just about visuals. “The way we consume and vacation and travel is really dictated by content,” Bostock said.

That’s part of what makes Palm Springs feel uniquely Gen Z. It satisfies a generational paradox: a destination that’s hyper-photogenic yet relaxed and immersive. It’s a place where you can stage the perfect coffee photo, then put your phone down and just be.

So whether you’re tagging along with your desert-retreating parents or planning a weekend getaway with friends, here’s your Gen Z-approved guide to Palm Springs, from where to caffeinate and vintage shop to the best spots for dancing, wellness walks and content-worthy photo ops.

Time Out has ranked the 51 most beautiful places in the world, and the top spot goes to Spain’s Picos de Europa mountain range that’s just a two-hour flight from the UK with Ryanair

The world is brimming with extraordinary destinations to discover, and pinpointing the most stunning is no easy feat, but Time Out has tackled the task.

The publication recently unveiled a list of the 51 most beautiful places in the world, featuring everything from lakes to beaches, National Parks, libraries, vineyards, and historic towns. Yet, claiming the number one position is a breathtaking mountain range that provides remarkable hiking opportunities, and it’s merely a two-hour flight from the UK.

The Picos de Europa in Spain is a striking, rugged limestone mountain range that soars to a height of 2,650 metres. Located just over 12 miles from the coastline, the mountains ascend steeply, forming deep gorges to discover, reports Express.

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One route, the Cares Trail, ranks among the most sought-after walks in Spain, tracing a canyon and passing through craggy peaks and cascading waterfalls.

Spanning 13 miles in total, it’s not suitable for novices, though its gentle inclines make it achievable for walkers who can manage the distance. A straightforward choice is to board the Fuente Dé cable car, whisking you up the mountainside in moments and letting you relax and admire the verdant landscape below.

Upon reaching the summit, you can also explore additional hiking trails, including some demanding, steep climbs that provide spectacular vistas.

The mountains form part of the broader Picos de Europa National Park, and this region features the Lakes of Covadonga. These glistening blue waters are encircled by peaks and vegetation and resemble landscapes you’d encounter in Scotland or the Lake District, making it difficult to believe you’re in Spain.

This protected national park is abundant with wildlife, including brown bears, wolves, vultures, and eagles, and you’ll probably encounter mountain goats and vibrant butterflies amongst the limestone surroundings.

At the foot of the mountains, you can discover towns like the medieval Potes, brimming with centuries-old stone and half-timbered buildings and cobbled streets that lend it a rustic allure.

The town’s centrepiece is the Torre del Infantado, a 15th-century tower once the residence of medieval royalty, now a museum with a rooftop terrace providing sweeping views of the town.

Arenas de Cabrales on the park’s periphery is another favoured spot to stay. It’s renowned for producing Cabrales cheese, and has evolved into a gastronomic hotspot due to its plethora of acclaimed restaurants serving Northern Spanish cuisine.

Don’t expect to find paella on the menu. In this region, the dishes are hearty and rustic, such as bean stews and grilled meat, with ingredients sourced locally from the mountains.

The Picos de Europa is just under two hours from Santander Airport, and is serviced by airlines including Ryanair. Routes from the UK to Santander operate year-round from Edinburgh and London-Stansted, and seasonal flights operate from Birmingham and Manchester. Flights start from just £15 one-way and take 2 hours from the UK.

Got a story you’d like to share? Drop us an email at webtravel@reachplc.com

JUNEAU, Alaska — The tiny Alaska Native village of Beaver is about 40 minutes — by plane — from the nearest city. Its roughly 50 residents rely on weekday flights for mail and many of their basic supplies, including groceries and Amazon deliveries of everyday household items.

Air service plays an outsize role in the nation’s most expansive state, where most communities rely on flights for year-round access. Planes also play a crucial role in elections, getting voting materials and ballots to and from rural precincts such as Beaver and delivering ballots for thousands of Alaskans who vote by mail — some in places where in-person voting is not available.

The vast distances and relative isolation of so many communities make Alaska unique and are why its residents have a significant interest in arguments taking place Monday before the U.S. Supreme Court.

Many here worry that a case from Mississippi challenging whether ballots received after election day can be counted in federal elections could end Alaska’s practice of accepting late-arriving ballots. Alaska counts ballots if they are postmarked by election day and received within 10 days, or 15 days for overseas voters in general elections.

“These processes have been in place for a long time just to ensure that our ballots are counted,” said Rhonda Pitka, a poll worker and first chief in Beaver, which sits along the Yukon River 110 miles north of Fairbanks.

If the court decides ballots in all states must be received by election day, she said, “they’ll be disenfranchising thousands of people — thousands of people in these rural communities. It’s just basically saying that their votes don’t count, and that’s a real shame.”

The Supreme Court will hear arguments as the U.S. Senate is debating legislation being pushed by President Trump that would require people to show proof of citizenship to register to vote — an onerous burden for many — and a photo ID to cast a ballot.

Most Republicans argue that the bill is necessary to shore up voting integrity, but Democrats and voting rights advocates — and Alaska Republican U.S. Sen. Lisa Murkowski — contend that it amounts to voter suppression. Studies have consistently shown that voting fraud is exceedingly rare in the U.S., and courts have struck down similar measures after finding they prevented eligible voters from casting ballots.

Some ballots already arrive late

Alaska is one of 14 states that allow all mailed ballots postmarked by election day to arrive days or weeks later and be counted, according to the National Conference of State Legislatures and the Voting Rights Lab. An additional 15 provide grace periods for military and overseas ballots.

But Alaska’s geography, weather and great distances between communities — Alaska is more than twice the size of Texas, the nation’s second-largest state — raise the stakes for voters. The unusual way the state counts its votes also makes a grace period important, advocates say.

Under Alaska’s ranked-choice system for general elections, workers in small rural precincts call in voters’ first choices to a regional election office. All ballots, however, ultimately are flown to the state Division of Elections in the capital, Juneau. There, the races not won outright are tabulated to determine a winner.

Even with Alaska’s current 10-day grace period, ballots from some villages in 2022 were not fully counted because of mail delays. They arrived too late for tabulations in Juneau, 15 days after election day.

If the Supreme Court rules that ballots cannot be counted if they arrive at election offices after election day, many Alaska voters could be affected. About 50,000 Alaskans voted by mail in the 2024 presidential election.

“I think there’s probably no other state where this ruling could have a more detrimental impact than ours,” Murkowski, her state’s senior senator, said in an interview.

Murkowski sees the case — a challenge by the Republican National Committee and others to Mississippi’s allowance of late-arriving ballots — as an effort to end voting by mail nationwide.

‘Seeing a level of voter intimidation’

The RNC argues that such grace periods improperly extend elections for federal office, but Mississippi responded that no voting occurs after election day — only the delivery and counting of already completed ballots.

Taken together, Murkowski said, the Trump-backed voting bill and the Supreme Court case could discourage people from voting.

“I think we’re seeing a level of voter intimidation, I’ll just say it,” she said. “I feel very, very strongly that the effort that we should be making at the federal level is to do all that we can to make our elections accessible, fair and transparent for every lawful voter out there.”

Alaska’s other congressional members, Rep. Nick Begich and Sen. Dan Sullivan, both Republican allies of Trump who are seeking reelection this year, support the SAVE America Act now before the Senate. But they also said they want to ensure that ballots properly cast on or before election day get counted.

“We’ll see what the courts choose to do on that issue, but I do think that we need to allow for time for ballots to come in from the rural parts of our state,” Begich said during a recent visit to Juneau.

Alaska officials highlight challenges to the court

A court filing in the Mississippi case by Alaska Atty. Gen. Stephen Cox and Solicitor Gen. Jenna Lorence did not take sides but outlined geographic and logistical challenges to holding elections in Alaska.

In Atqasuk, on Alaska’s North Slope, poll workers counted votes on election night in 2024, tallies they would normally relay by phone to election division officials. But the filing said they could not get through and “chose what they saw as the next best solution — they placed the ballots and tally sheets into a secure package and mailed them to the Division, who did not receive them until nine days later.”

The filing seeks clarity from the Supreme Court, particularly around what it means for ballots to be received by election day.

While it is clear when a ballot is cast, “when certain ballots are actually ‘received’ is open to different interpretations, especially given the connectivity challenges for Alaska’s far-flung boroughs,” Cox and Lorence wrote.

Effect on Alaska Native voters

Lawyers with the Native American Rights Fund and Great Lakes Indigenous Law Center said in filings with the court that limited postal service in rural areas means that some ballots might not be postmarked until they reach Anchorage or Juneau, which can take days.

In the 2022 general election, between 55% and 78% of absentee ballots from the state House districts spanning from the Aleutian Islands up the western coast to the vast North Slope arrived at an election office after election day, they wrote. Statewide, about 20% of all absentee ballots in that election were received after election day.

Requiring ballots to be received by election day, they warned, would “disproportionately disenfranchise” Alaska Native voters. The lawyers represent the National Congress of American Indians, Native Vote Washington and the Alaska Federation of Natives.

Michelle Sparck, director of Get Out the Native Vote, a nonpartisan voting rights advocacy group affiliated with the Alaska Federation of Natives, worries about creating confusion and fear among voters.

She sees the case before the Supreme Court and the Republican SAVE Act as “a multipronged attempt to take control or wrest control of elections away from states.” Alaska, she said, already has enough inherent barriers for many voters.

“There is a minute record of election fraud — not at the rate that requires this heavy-handed response through the legislature and the Supreme Court,” she said.

Bohrer writes for the Associated Press.

Shai Gilgeous-Alexander enjoyed another 40-point night as the Oklahoma City Thunder beat the Orlando Magic 113-108 to become the first NBA team to secure a play-off berth.

The 27-year-old Canadian went 14 from 27 from the field as he extended his record of most 20-point games in a row to 129.

Chet Holmgren added 20 points and 12 rebounds as the Western Conference leaders claimed a ninth straight win to improve to 54-15 for the season.

“We got off to a good start but then the car kind of came off the road for a little bit,” reigning NBA Most Valuable Player Gilgeous-Alexander said.

“But that’s what great teams do – they figure out a way to get the car back on the road, they figure out a way to go into a building and win a game when the chips are stacked against you, and we did that tonight.”

San Antonio Spurs remain second in the West after a comfortable 132-104 win over the Sacramento Kings, while the Minnesota Timberwolves beat the Phoenix Suns 116-104.

In the Eastern Conference, the Detroit Pistons handed the Washington Wizards a 13th straight loss to strengthen their position at the top.

But the 130-117 triumph was marred by an injury to star point guard Cade Cunningham, who had to leave the game in the first quarter with a back issue.

The New York Knicks stay third in the East after a thumping 136-110 win over the Indiana Pacers, a 14th consecutive loss leaving last year’s NBA Finals runners-up 15-54 this term.

The Bird Cage Theatre has stood inside Knott’s Berry Farm for 72 years — albeit not always soundly. Long framed by a tin roof and a tent, the theater had a reputation for discomfort, as it was a source of punishing heat and the occasional mouse sighting.

“It was hot, it stunk and it was dirty,” says Payden Adams, the park’s VP of entertainment.

Still, though it has long felt like an endangered species, the Bird Cage Theatre is one of Southern California’s most historic revival houses, a place for vaudeville-style, fourth-wall-breaking shows that deviate from the expected theme park fare. To quote the theater’s most recent production, its entertainment can be “flirtatious and a little bit saucy.”

Knott’s Berry Farm’s Bird Cage Theatre is modeled after a historic venue in Tombstone, Ariz.

(Kyusung Gong / For The Times)

Opened in 1954, the Bird Cage Theatre has specialized in vaudeville-style melodramas.

(Knott’s Berry Farm)

And now, against all odds, the Bird Cage is getting a second life. Knott’s Berry Farm recently completed a renovation designed to keep it thriving for another 72 years. Gone is the tarpaulin roof: The Bird Cage is now a fully enclosed, soundstage-like structure. And blessedly, it has modern air conditioning.

The theater reopened this past weekend with “The Great Bank Robbery,” a 30-minute-plus show in which audiences are encouraged to boo, hiss and swoon over the characters, a Bird Cage tradition since 1954. Characters are caricatures, be it a villain that feels plucked from a cartoon western, complete with a purring raccoon for a sidekick, to a greedy wannabe politician of a bank manager. Though set in Ghost Town with period garb, there are modern flourishes, such as tongue-in-cheek nods to the theme park’s attractions and a damsel in distress who ultimately proves to be anything but.

Though it once operated as a daily theater, the Bird Cage is today most active during holidays and seasonal events, such as the park’s annual Boysenberry Festival, which also began this weekend. Popular summer show “Miss Cameo Kate’s Western Burle-Q- Revue” is a 20-minute cabaret-style performance, complete with a torch song and a slightly risqué cancan finale.

When it’s running, the Bird Cage is a must-see attraction. Live theater in theme parks can feel like a moving target, as conventional wisdom often argues that today’s smartphone-addled guests are after thrills and more attention-grabbing, interactive experiences. But when it works, such as during the over-the-top silliness of “The Great Bank Robbery,” or at Universal Studios’ “Waterworld”-themed stunt show, it can offer guests some of the most memorable, personal moments at the parks.

The Bird Cage Theatre reopened this past weekend with the show “The Great Bank Robbery.”

(Kyusung Gong / For The Times)

“You’re not wrong, especially when it comes to attention spans. We experience that,” says Adams, who oversaw the theater’s restoration. “The way we’ve pivoted and navigated is just ensuring our shows are tight and clean. It might be a little over 30 minutes, but audiences are engaged. In melodramas, we ask the audience to participate, and we can train them how to participate beforehand. When you see characters, even when they’re heightened or over-the-top, people still connect with them.”

The Bird Cage Theatre first opened in the summer of 1954, its facade a near-replica of the original Bird Cage in Tombstone, Ariz. That the family-focused Knott’s would nod to the Arizona locale is an oddity in and of itself, as the actual theater had a bawdy reputation. Stories today speak of a place that initially opened with grand ambitions but eventually succumbed to gambling and prostitution.

At Knott’s, the theater was built around existing structures, although park founder Walter Knott, according to the book “Knott’s Preserved” by Chrstopher Merritt and J. Eric Lynxwiler, often talked about completing it as a full tribute to the Arizona space. That never really happened.

Knott’s re-created the original wallpaper of the Bird Cage Theatre for its remodeling.

(Kyusung Gong / For The Times)

And yet over the years the Bird Cage won over audiences thanks to programming from Vaudeville veterans. Early on, students from nearby colleges would appear at the space, including Steve Martin, whose signed photograph graces a celebrity wall in the Bird Cage’s introductory hall. Donna Mills and singer Rick Nelson have graced the Bird Cage’s horseshoe-shaped stage, as have Dean Jones and Skip Young.

It was, to say the least, a quirky place to perform. “Knott’s Preserved” tells of a show in which a mouse once sat at the base of the stage, and quotes Martin as reminiscing over performances affected by the weather. “When it rained, no one could hear each other because the rain was beating so hard on that tarp,” Martin said.

None of that should be a problem anymore, although returning guests will likely feel they’re in a familiar space. Though the Bird Cage has been outfitted with modern lighting capable of new theme park tricks and projections, the rig is hidden among curtains designed to re-create the look of the original tent. Lights, in bird cage enclosures, still hang above the audience seating area, which has room for about 250 guests.

The Bird Cage Theatre at Knott’s Berry Farm now has a properly enclosed roof and air conditioning.

(Kyusung Gong / For The Times)

And along the way a few discoveries were made. Adams says that when they began stripping away wooden walls added sometime in the 1970s, they found the Bird Cage’s original wallpaper, a scarlet-red strip that surrounds the space with flower-adorned bird cages. Not all of it could be salvaged, so Knott’s meticulously re-created the look. With the new-old wallpaper intact, Adams estimates that guests can count about 11,055 bird cages throughout the theater.

The original pieces will be preserved in the park and gifted to important Bird Cage players. Adams jokes, “If you have a mailing address for Mr. Steve Martin, I have a gift to send him.”

AUSTIN, Texas — “The Sun Never Sets” is filmmaker Joe Swanberg’s 10th indie to premiere at SXSW but his first to play the event since 2017. The astonishing pace with which he made his early work — loose, idiosyncratic stories that were progenitors of the emergent style known as mumblecore — has slowed significantly, but also given way to a newfound maturity as both a person and an artist.

Introducing “The Sun Never Sets” at its world premiere on Friday night to a sold-out crowd at the Zach Theater, Swanberg called his latest “my favorite film I’ve ever made.” Shot on 35mm in Anchorage, the movie follows a 30-ish woman, Wendy (Dakota Fanning in a vibrant turn), torn between pursuing a fresh romance with a reckless old flame (Cory Michael Smith) or continuing on with the settled-in-his-ways divorced father of two (Jake Johnson) she’s been seeing for a few years.

Dakota Fanning in Joe Swanberg’s “The Sun Never Sets,” filmed in Alaska.

(SXSW)

“I guess this is what they tell you about getting older and doing this job longer,” said a thoughtful Swanberg in a video interview from his home in Chicago shortly before the South by Southwest festival. “You get better at it and you sort of mature and all of this.”

The film marks Swanberg’s fourth collaboration with Johnson, a partnership that goes back to 2013’s “Drinking Buddies.” (The actor partly financed the new project along with his brother.) Following completion of the third season of the Netflix anthology series “Easy” in 2019, for which he wrote and directed all the episodes, Swanberg was planning to take a break. A divorce and the pandemic caused that pause to grow even longer.

In the intervening years Swanberg produced a number of projects for other filmmakers, did some acting and opened a small video store in Chicago. Swanberg knew Anchorage-based producer Ashleigh Snead, who encouraged him to consider shooting something there. The scenic location would give Swanberg the opportunity to expand his visual style from his usual couches, bars and apartments of much of his work. (There still are a surprising number of scenes on couches and in bars.)

“Joe’s a real filmmaker,” says Johnson in a separate interview. “And I think sometimes he doesn’t get that credit because he can make movies with nothing. This is a real adult movie. This is a film about how complicated breakups are and how messy they get. And it’s in beautiful Alaska.”

Swanberg, center, on the set of “The Sun Never Sets.”

(SXSW)

Swanberg has now gone from someone making talky, provocative and at times controversial films about the lives of post-collegiate 20-somethings to exploring the nuances and specifics of being a 44-year-old divorced father of two still trying to figure out his place in the world. His original cohort of SXSW-affiliated filmmakers, many of whom also fell under the rubric of mumblecore — nobody much liked the name, but no one ever came up with anything better, so it stuck — included Greta Gerwig, Lena Dunham, Barry Jenkins, Ti West and others who have gone on to more conventional mainstream success.

But Swanberg doesn’t seem to feel left behind. Rather, he only sees doors opening.

“It’s gone so much better than I thought it was going to go for me,” he says. “I mean, when I was making these really tiny, sexually explicit 71-minute movies, I was like, I’m just grateful to be here. I can’t even believe these festivals are showing this work and it’s so cool that there’s a space for me in this ecosystem.

“And so to watch my friends go off to do these giant movies, to see Greta doing ‘Barbie’ and stuff like that, to me it just opens up the possibilities,” he adds. “Each time a friend of mine sets some new record or moves into some new space, I’m kind of like: Oh, that just opened up for all of us now.”

His earlier work often featured raw sex scenes, sometimes featuring Swanberg himself. From practically the start of his career, well predating the #MeToo-era reckoning that began in 2017, Swanberg weathered accusations that he was exploitative and manipulative of his female performers. His stepback from productivity coincided with a moment when his explorations of sexual power dynamics fell out of favor. It would be easy to interpret that Swanberg preemptively soft-canceled himself to avoid a broader scandal. He doesn’t see it that way.

“Certainly in Chicago, where I’ve spent the last five years, I’m not unwelcome places,” he says, drawing a distinction between himself and “people who lose jobs or are capital-C canceled. But also my work has always pushed those boundaries and always attracted some amount of positive and negative attention.”

Though “The Sun Never Sets” has numerous kissing scenes, it doesn’t go too much further than that.

“I won’t do it,” Johnson says of more graphic scenes. “When I worked with Joe early on, I was like, ‘I love you, man — I’m not doing this.’”

For her part, Fanning had no reservations about working with Swanberg. He offered both Fanning and Smith the opportunity to work with an intimacy coordinator, but neither felt it was necessary.

“There was no planet where you’d ever be asked to do anything you were uncomfortable with,” Fanning says. “If there was ever a moment like, ‘I don’t want to do that,’ he’d be like, ‘Oh, then let’s not.’ There was a day where there was a scene and it was pouring rain outside. And we both looked at each other and he was like, ‘We’re not going to do it. The scene’s cut.’ He’s just open. And I just trusted him implicitly.”

Jake Johnson and Dakota Fanning in the movie “The Sun Never Sets.”

(SXSW)

Swanberg has long worked in an unusual style in which the script is essentially a detailed outline and the actors work to come up with their own dialogue during rehearsals. For “The Sun Never Sets,” Swanberg and Johnson developed the longest, most complete outline Swanberg has ever used, including some dialogue exchanges. Then the actors were allowed to make it their own.

Fanning recalled an early Zoom call with Swanberg and Johnson on which they explained the process.

“It’s still made like a real film,” Fanning says. “And Jake and Joe promised it’s not like we’re just flying by the seat of our pants: ‘You will know what to say, I promise.’ And then friends that know me asked, ‘Are you so nervous?’ And I was, but for some reason, I don’t know why, I just knew that it was going to be fine. And that just proved to be true.”

Even though it takes places in Anchorage, Swanberg calls “The Sun Never Sets” “extremely personal.”

“I was definitely writing a movie about a divorced mid-40s guy dating a younger person,” he says. “The questions of marriage and having children were sort of an amalgam of two real relationships that I merged into one onscreen.” He describes the material as “questions that I had and have about what my own relationships are going to look like post-divorce.”

That comes through in Fanning’s rich, layered performance, which might rank among the best of her already lengthy career. Swanberg’s style draws both an ease and an intensity from Fanning, who captures a woman at a pivotal moment of figuring out what she wants amid the emotional whirlwind she is going through. (At the film’s premiere, Fanning said, “I’ve never put so much of myself into a role before.”)

“I think the goal of Joe’s films, and I think at least my goal with this film, is trying to make everything feel real,” she says. “Things are just a mess some of the time.”

Dakota Fanning and Cory Michael Smith in “The Sun Never Sets.”

(SXSW)

Swanberg himself appears in a small role as the new husband of the ex-wife of Johnson’s character. And the characters of the two kids in the movie are named after the director’s own children. With a newfound maturity and emotional depth, Swanberg is continuing to make movies that are part diary, part generational markers.

“It’d be really cool in my 40s to make movies about characters in their 40s,” he says, “and in my 50s, 60s and 70s. It’d be neat to be making sexually explicit movies about 70-year-olds in their dating lives and sex lives and stuff. It’s really exciting to have movies about characters at this phase of their life, whether they’re finally settling down in their 40s or whether they’re getting out of relationships and reexamining their life. It’s where my head is at.”
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Bruno Fernandes reaches 100 assists in all competitions after setting up two goals in crucial 3-1 win over Villa.

Manchester United bolstered their bid to qualify for the Champions League with a vital 3-1 win against top-four rivals Aston Villa.

Michael Carrick’s side took the lead through Casemiro’s second-half opener at Old Trafford on Sunday before Ross Barkley hauled Villa level.

United finished strongly with Matheus Cunha and Benjamin Sesko scoring in the closing stages to seal Carrick’s seventh win in nine games since taking over as interim boss.

Sitting third in the Premier League, United are three points clear of fourth-placed Villa in the race to reach the Champions League via a top-four finish.

United co-owner Jim Ratcliffe this week praised Carrick’s “excellent” work but stopped short of committing to the former Old Trafford star on a long-term basis.

However, Carrick is making a strong case to earn the job on a permanent basis after stabilising United after Ruben Amorim’s sacking.

United’s latest victory came after an 11-day break since the first defeat of his reign at Newcastle, and Carrick celebrated with a jig of delight on the touchline after Sesko wrapped up the points.

Spluttering Villa have lost their last three league games and have just one win in seven top-flight matches, leaving them three points above fifth-placed Chelsea with eight games left in the battle for European places.

After a lethargic first half, United finally prised open the Villa defence in the 53rd minute.

Bryan Mbeumo’s stinging strike was palmed away by Emiliano Martinez, earning a corner that brought the opener.

Bruno Fernandes curled a corner to the near post, and Casemiro made a perfectly timed run to glance a header past Martinez.

With Casemiro likely to leave when his contract expires at the end of the season, United fans serenaded the Brazilian midfielder with chants of “one more year”.

United lost focus and surrendered the lead in the 64th minute.

In his first Premier League start for 14 months, Barkley slammed a superb strike past Senne Lammens from 11 metres (12 yards) after United failed to clear the danger.

But Cunha netted in the 71st minute to ensure Carrick’s men did not pay for their stumble.

Bursting onto Fernandes’s sublime pass into the Villa area, the Brazilian forward slotted a fine finish into the far corner.

It was Fernandes’s 16th Premier League assist this term, moving the United captain past David Beckham’s previous club record of 15 in 1999-2000.

He has 100 assists for United in all competitions since signing from Sporting Lisbon in 2020.

Sesko came off the bench to prove a point to Carrick after being dropped, and the Slovenian striker fired home with a deflected effort in the 81st minute.

Fernandes said he was delighted to provide two assists for his teammates to move past Beckham’s record.

“I’m more proud and pleased because I did it serving my teammates. Giving joy to others is also very good,” he said.

“When you play in the position I play, I’m very happy I can help them to score and be happy in that moment. It’s a huge achievement for me, but the main achievement would be in the top spot at the end of the season.”

Elsewhere, Nottingham Forest climbed out of the relegation zone after a 0-0 draw against Fulham at the City Ground.

Still waiting for their first win under Vitor Pereira, fourth-bottom Forest, who have had four managers this term, are above third-bottom West Ham on goal difference.

Ten-man Leeds held on for a 0-0 draw at Crystal Palace despite Dominic Calvert-Lewin’s missed penalty and a red card for Gabriel Gudmundsson.

Later on Sunday, troubled Tottenham head to Liverpool with only goal difference keeping them outside the relegation zone.

I SKULK swiftly through the labyrinth of shrubs. The grass is so tall it strokes my shoulders with each stride.

Fresh dung and paw prints in the sandy pastures point to South Africa’s most famous mammals lurking nearby — but they stay hidden.

Suddenly, among the chorus of bird call, a rustle and a huff from the nearby shrubs sends adrenaline surging through me.

My feet spring into action before my brain, as I pelt in the opposite direction, following the urgent calls of my rifle-carrying guide.

We had found ourselves mere metres from two wild buffalo, part of the elusive Big Five and one of Kruger National Park’s deadliest animals.

In the east of South Africa and arguably the most famous park for safari in the world, Kruger is celebrating its 100th anniversary this year.

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It’s not been much of a start to its birthday, though.

Severe floods ripped through the plains in the early days of this year, wreaking havoc.

But nature is resilient and the wildlife here always bounces back fast.

That’s in part thanks to the committed rangers, who are continually working on the park’s infrastructure and a fierce anti-poaching programme.

And their work meant my chances of spotting wildlife hadn’t been diminished.

In fact, within 24 hours of checking into Rhino Walking Safaris’ Plains camp, I ticked off the Big Five — lions, leopards, buffalo, rhino and elephants — almost twice over.

Full credit goes to the guides accompanying me, James and Orance, who know precisely how to spot clues, including claw marks on trees, with their hawk-like eyes.

Earlier that day, we had pulled to a halt for a lion sleeping in the road.

He was within touching distance.

Not that you’d risk extending an arm beyond the truck.

You have a greater chance of a lion fleeing than attacking, though.

Guide James tells me the Kruger lions are used to seeing trucks of humans.

They’re still very much wild, but they generally feel safe in our presence, which makes for spectacular observing — that’s if you manage to spot one (more tips on that).

Next it was hippos braving dry land after the blistering heat had subsided, an agile leopard creeping through the long grass, then elephants shaking the last of the green fruit from the branches of a Marula tree.

Smiling broadly, I returned to my luxury safari tent, which featured wooden twin beds, a private bathroom with a shower head that dangles from a tree branch and a large decking area from which you can lazily watch wildlife, beyond the small electric fence.

Rhino Walking Safaris owns a 12,000 hectare private concession within Kruger and its Plains camp is near a popular watering hole, so the chances of spotting creatures even during downtime is high.

Buffalos, a wildebeest named Steve, baboons, and even a duo of young rhinos called by.

With only four tents and no wifi, strangers become friends and you’re wholly immersed in the experience.

The real highlight for me, however, was the morning walks.

A 4.45am alarm may sting, but observing the misty pink sunrise from beyond a buffalo’s resting place makes it all worthwhile.

There’s something magical about safaris on foot, treading the same path as the animal you’re tracking, away from all things man-made and with the exhilaration of imminent danger.

Guides carry rifles, although they’re so knowledgeable about the creatures around us, they’ve never had to fire them.

Morning walks come with snacks and coffee, followed by a brunch feast at camp, a few hours of downtime and high tea.

Then it’s the afternoon game drive with sundowners (in my case a healthy pouring of gin), an 8.30pm three-course dinner back at camp and 10pm stargazing — or bedtime for those whose eyes are too weary.

Exhaustion is combatted by sheer adrenaline, but there are also plenty of less rural camps offering more laid-back itineraries where lazy mornings can be enhanced by spa treatments or dips in the pool.

Mdluli Safari Lodge, on the western periphery of Kruger, has a spectacular infinity pool overlooking a watering hole.

The very large safari tents, of which there are 50, are raised on stilts and come with greater levels of creature comforts such as aircon, plugs in rooms, internet access and a swinging egg chair on the decking.

Choice of game drives is plentiful. You can head out at pretty much any time of day, on short sunset safaris or day-long drives.

We even managed to squeeze in a final early sunrise ride before our transfer to the airport, admiring a mob of dwarf mongoose rustling at the edge of the road.

Before heading home or ahead of your safari, a day in Johannesburg is worthwhile.

Holidaymakers travelling from the UK will fly into this city and it’s a poignant area for delving into South Africa’s troubled past.

June 2026 marks 50 years since the brutal killing of Hector Pieterson, a 12-year-old schoolboy, who was shot by police during the Soweto student uprising.

You can learn all about this tale, and the apartheid regime, on a tuktuk tour with Lebo’s Soweto Backpackers (£35pp, sowetobackpackers.com).

We rolled through modern-day communities and old hostels, before passing Nelson Mandela’s former home, now a museum.

It’s a humbling experience.

Top it with a ride through untrodden pastures with the Big Five for an adventure of a lifetime.

Watching a David Attenborough documentary back in the UK, I feel a little smug.

A TV screen can’t quite capture that magic.

TEN TIPS FOR BUSH HOLS 

1. BRING LOTS OF CLOTHES: You’ll sweat a lot and clothes get grubby on both walks and game drives because of the dust. I often changed outfits twice a day. 

2. EARTHY COLOURS: When you’re in the truck, it really doesn’t matter what you wear – although bring a fleece or jacket, even in summer, as it gets chilly. On walks you should wear neutral, earthy tones like beige, green or brown – no whites or brights. And don’t worry about buying chic or stylish garments for walks; comfort is key. 

3. WAKE UP FOR THE EARLY SAFARIS: Even if you’re knackered and desperate to stay in bed, those early-morning  game drives or walks are some of the most spectacular. This is when a lot of animals come out and some of the sunrises were even more impressive than the sunsets. 

4. IGNORE THE WEATHER FORECAST: The Met Office and BBC Weather forecast rain for every day I was in Kruger. Yet it didn’t rain once. It’s best to come prepared for all eventualities – rain jacket, shorts, trousers and  binoculars. 

5. CASH FOR TIPS: Bring more than you think you’ll need. If you run out of money, it’ll be a struggle to get more and gratuities, although not always expected, are very common. We tipped our guides 200-250 rand per day. You’ll likely want to tip other staff too, such as  cooks, cleaners and waiters.  

6. BRING THE RIGHT EQUIPMENT: Worldwide adaptors rarely work in South Africa – the sockets aren’t common. So order one online before you go and make sure to pack a battery pack if you  plan to  use your phone to take pictures and videos.  

7. DON’T SELF-DRIVE: Self-drives are popular in Kruger and do give you a greater level of independence, but if you’re going for the first time, you’ll see heaps more with the help of a guide. These guides are experts and are connected with all the other guides in the area so will be first to hear of a sighting. They live on site so know exactly where certain herds rest. 

8. BRING EARPLUGS: Remember, you’re in the wild, so if you’re a light sleeper, ear plugs are a must. I thought it would be sleep-inducing listening to the hum of animals at night. They were much louder than expected and I was woken up several times by a relentless owl. 

9. DON’T JUST CHASE THE BIG FIVE: Everyone likes to say they’ve seen them, but some of my most magical experiences were with creatures I’d never heard of. Even the trees and flora we spotted were fascinating, as were the birds. 

10. CHOOSE YOUR STAY WISELY: Camps have their own guides – and each guide or ranger varies in skill and expertise. Do your research and try to book a camp where two guides accompany you on safari as opposed to one – double the people means double your chances of spotting wildlife. We’d met people who were yet to spot a single one of the Big Five in a week, but we’d seen them all in a day and that’s thanks to our guides. 

Despite morale-sapping staff layoffs, bizarre executive orders and a 43-day federal government shutdown last fall, the grandeur and serenity of national parks in California remain irresistible to outdoors lovers looking to unwind.

The nine national parks in the Golden State — including Yosemite, Death Valley and Joshua Tree — attracted nearly 12 million recreational visits in 2025, according to statistics from the National Park Service.

That’s up more than 800,000 visits from 2024 and up more than 300,000 from the previous record set in 2019, according to the data, which stretches back to 1979.

Nationally, visits were high, at 323 million, but down a couple of percentage points from the record set in 2024, according to a park service press release.

“America’s national parks continue to be places where people come to experience our country’s history, landscapes and shared heritage,” said Jessica Bowron, acting director of the NPS.

“We are committed to keeping parks open, accessible and well-managed so visitors can safely enjoy these extraordinary places today and for generations to come,” Bowron added.

President Trump’s critics beg to differ.

Since Trump resumed office in January 2025, his administration has slashed the NPS workforce by nearly a quarter, buying out or laying off hundreds of rangers, maintenance workers, scientists and administrative staff across the country.

And last year, as part of his war on “woke,” Trump instructed the park service to scrub all signs and presentations of language he would deem negative, unpatriotic or smacking of “improper partisan ideology.”

He also ordered administrators to remove any content that “inappropriately disparages Americans” living or dead, and replace it with language that celebrates the nation’s greatness.

That gets tricky at places such as Manzanar National Historic Site in the high desert of eastern California — one of 10 camps where the U.S. government imprisoned more than 120,000 Japanese American civilians during World War II.

It’s also hard to dance around disparaging details at Fort Sumter National Monument, where Confederates fired the first shots of the Civil War; Ford’s Theater National Historic Site in Washington, D.C., where Abraham Lincoln was assassinated; and Martin Luther King Jr. National Historic Park, which commemorates the assassination of the country’s best known civil rights leader.

“This administration is actively erasing the history, science and culture that our national parks protect,” said Emily Douce, deputy vice president for government affairs for the nonprofit National Parks Conservation Assn.

Douce argued that morale among staff at the parks — a string of 63 federally protected natural wonders often described as “America’s best idea” — has never been lower.

But the fact that employees still showed up, including without pay during last year’s federal government shutdown, demonstrates their commitment to keeping the beloved parks flourishing.

“The enduring popularity of America’s national parks is not surprising,” Douce added. “What’s shocking is this administration’s relentless attacks on these places and their caretakers, which threatens their future.”

The White House did not immediately respond to a request for comment.

The National Park Service is routinely ranked among the most admired branches of the large and sprawling federal government. Even Americans who have never watched a minute of C-SPAN, or get a little lost in the alphabet soup of other agencies, will probably never forget standing in Yosemite Valley and admiring a towering waterfall.

There were 4.3 million visits to Yosemite in 2025, 2.9 million to Joshua Tree and 1.3 million to Death Valley, according to the data.

The 323 million visits to America’s national parks in 2025 are more than twice the attendance — 135 million — at professional football, baseball, basketball and hockey games combined.

Of course, it’s a lot cheaper to get into a park. U.S. residents pay between $20 and $35 per vehicle for a day pass, or $80 for an annual pass. The Trump administration recently raised the annual fee to $250 for foreign visitors.

National Park Service officials did not respond to emails requesting comment on California’s 2025 attendance.

The UK’s most beautiful places have been ranked and one English spot has particularly impressed thanks to its enchanting scenery and quaint villages

A beautiful region full of rolling green hills, lakes with azure waters and charming villages that are the stuff of fairytales has been named England’s most beautiful place for 2026.

The Lake District has long been attracting visitors from around the world, often featuring on rankings of the more scenic spots and picturesque landmarks across Britain. Now, it’s been named one of the UK’s most beautiful places, taking the silver medal in new rankings from Big 7 Travel.

“England’s largest national park, the Lake District, is surely one of the UK’s most beautiful areas,” the team behind the research explained. “Whether it’s grass-covered fells, England’s highest mountain (Scafell Pike), beautiful lakes such as Ullswater and Windermere or quaint towns like Grasmere and Keswick, the Lake District has it all. Perfect for everyone from hikers to swimmers, photographers to artists and more, the Lake District is easily one of the most beautiful places in the UK.”

While it’s hardly a hidden gem, it’s not difficult to see why the Lake District is so popular with tourists. There are plenty of breathtaking lakes to explore in the region – 16 in fact – with popular highlights including the likes of Lake Windemere, Derwentwater and Ullswater which boast a host of water sports facilities and attractions. (Families may particularly want to bookmark the World of Beatrix Potter which brings the stories of Peter Rabbit and his friends to life).

Then of course that lush green landscape is packed with everything from scenic strolls to epic hiking trails, depending on how far you want to cover in your hiking boots. Oh, and the region is renowned for the many, many brilliant pubs where you can warm up by a fire, tuck into a hearty roast and enjoy a well-deserved drink after a busy day of exploring.

As for where to stay, there’s a plethora of accommodation to choose from, with the likes of Sykes Holiday Cottages and Holidaycottages.co.uk both offering up some brilliant options that look like the stuff of storybooks, or if you fancy treating yourself to a hotel stay, TripAdvisor has a handy guide to some of the best cheap Lake District hotels you’ll want on your radar.

Meanwhile, if you’re after more staycation inspiration then you could of course head to the UK’s most beautiful destination in the rankings. That accolade went to the Queen’s View in the Scottish Highlands, a picturesque viewing point that overlooks Loch Tummel. One of its most famous visitors, Queen Victoria, arrived at the site in 1866 and reportedly assumed that the location was named after her. (In reality, It is thought that it was named after Isabella, Robert the Bruce’s first wife, who lived more than 500 years before Victoria’s visit).

You can see the top 10 rankings below…

The UK’s top 10 most beautiful places

1. Queen’s View – Perthshire, Scotland
2. The Lake District – Cumbria, England
3. The Forest of Dean – Gloucestershire, England
4. Fairy Pools – Isle of Skye, Scotland
5. Rathlin Island – County Antrim, Northern Ireland
6. Berwyn Mountains – Powys, Wales
7. Heights of Abraham – Derbyshire, England
8. Holkham Beach – Norfolk, England
9. Eilean Donan Castle – Highlands, Scotland
10. Knaresborough – North Yorkshire, England

You can find out more on enjoytravel.com.

Is there a destination you think deserved to be in the top 10 rankings? Email us at webtravel@reachplc.com

Iran’s sports minister said his nation will not participate in this summer’s World Cup following the attacks on the country by the U.S., one of the tournament’s hosts.

The U.S. bombing campaign against Iran, which began two weeks ago, has triggered a region-wide conflict and killed more than 1,300 Iranians including Ayatollah Ali Khamenei, the country’s supreme leader, according to Iran’s U.N. ambassador Amir Saeid Iravani.

“Considering that this corrupt regime has assassinated our leader, under no circumstances can we participate in the World Cup,” sports minister Ahmad Donyamali said on state television Wednesday.

“Our players do not have security, and fundamentally the conditions for participation do not exist.”

Donyamali’s statement came just hours after FIFA president Gianni Infantino said he had received assurances from President Trump that Iran would be allowed to participate in the tournament, which will be played in the U.S., Mexico and Canada.

“President Trump reiterated that the Iranian team is, of course, welcome to compete in the tournament in the United States,” Infantino wrote in an Instagram post. “We need an event like the FIFA World Cup to bring people together now more than ever, and I sincerely thank the President of the United States for his support.”

Last year President Trump signed an executive order suspending visa issurance to nationals of 19 countries, including Iran, although the State Department can make exceptions for “participants in certain major sporting events” such as the World Cup.

Iran, which has played in the last three World Cups, earned its place in this summer’s tournament by dominating its group in the Asian confederation tournament. However it did not send a representation to a World Cup planning summit last week in Atlanta.

Iran was drawn into Group G for the World Cup and is scheduled to begin play June 15 against New Zealand at SoFi Stadium in Inglewood. Iran’s second group-stage game, against Belgium, is also scheduled for SoFi Stadium before the team finishes the first stage of the tournament against Egypt in Seattle.

According to The Athletic, no country has withdrawn from a World Cup after qualifying since the 1950 tournament in Brazil, when India, Scotland, France and Turkey pulled out, mostly over costs and logistical issues.

Donyamali did not say whether he has begun the formal process or withdrawing Iran from the World Cup but FIFA could be facing a time crunch if it had to replace Iran in the 48-team field. Article 6.7 of FIFA’s 2026 World Cup regulations states: ‘If any Participating Member Association withdraws and/or is excluded from the FIFA World Cup 26, FIFA shall decide on the matter at its sole discretion and take whatever action is deemed necessary. FIFA may decide to replace the Participating Member Association in question with another association.”

The most likely replacement scenario would have Iraq, the top non-qualifier from the Asian confederation, taking Iran’s place. Iraq is scheduled to play the winner of a Suriname-Bolivia playoff in Mexico later this month for a final World Cup berth but with airspace over the Middle East closed because of the war, the Iraqis are unsure how they will get to Mexico. Giving them Iran’s berth would solve that problem but it would create another; who would replace Iraq in the playoff against the Suriname-Bolivia winner? Based on the Asian qualifying tournament, the UAE would be the most likely candidate but it, too, would face travel concerns in getting to Mexico.

FIFA could leave those playoffs untouched and give Iran’s spot to Italy, which is ranked 13^th in the world but must win a four-team UEFA playoff later this month to qualify for the World Cup. Basically FIFA can do whatever it wants.

FIFA regulations say that any team that withdraws from the tournament “no later than 30 days before the first match” will be fined and could face other “disciplinary sanctions” including expulsion from subsequent FIFA competitions. This summer’s World Cup kicked off June 11 in Mexico City and Toronto. The U.S. opener is scheduled for June 12 in Inglewood.

Earlier this week six members of Iran’s delegation to the Women’s Asian Cup were granted humanitarian visas and allowed to remain in Australia rather than return to Iran where they feared persecution for not singing the national anthem during the tournament.

Everyone’s getting into podcasts — even demons.

“undertone,” a muted, personal and static microbudget horror debut by Ian Tuason, takes place in the writer-director’s actual childhood home where he tended to both of his parents before they died. Both hospice and inspiration, it’s a stifling place decorated with floral wallpaper and crucifixes. The pain and exhaustion and grief are so real and oppressive, the camera never dares set a foot outside.

Upstairs, Evy (Nina Kiri), watches over her own terminally ill mother (Michèle Duquet). Tuason funneled his emotional gloom into this movie; Evy co-hosts a horror podcast with her overseas best friend Justin (voiced by Adam DiMarco). “This is the only thing keeping me sane right now,” she says. They’re words she’ll regret within the week.

Kiri and DiMarco have the comfortable, convincing chemistry of two old pals who have done a show for a while. One snippet seems to be an episode on Elisa Lam, the real-life tourist found dead in the rooftop water tank of Los Angeles’ Cecil Hotel. There’s also a reference to a website with a red-faced ghoul who hypnotizes victims into cutting off their ears. The latter may be Tuason seeding his idea for a sequel.

Here the central story is that Justin, who lives in London, has received an email with 10 audio files recorded by a couple named Mike and Jessa (Jeff Yung and Keana Lyn Bastidas) who are trying to understand what she’s saying in her sleep. The sender is unknown. (Possibly an evil spirit hoping for the exposure of a mattress ad?) Justin, the believer, is instantly alarmed by how these eerie tapes escalate from cute banter to ghostly crying babies and backward incantations. Evy is the skeptic who dismisses the noises as either an online hoax or bad plumbing.

Due to the time zone differential, Evy and Justin record their show just before he heads out to work in the morning, which for her is 3 a.m. Most of the movie takes place in that witching-hour window, an airlessly silent time where an at-home podcaster doesn’t worry about being interrupted by a leaf blower, an ice cream truck or a dog. Sound-designed by David Gertsman, “undertone” is so quiet that a tea kettle sounds like a fire alarm. Story-wise, it’s equally inert. One of the biggest action shots in the first hour comes when — eek! — a sink turns on.

I’d love to understand why horror films that I find excruciatingly dull give others the heebie-jeebies. My working theory is that they tap into audiences with a preexisting suspicion that the world is wicked — they prove paranoia to be well-founded. My mental default is that the world is neutral-good, and that may be why I prefer movies with active villains scaring me out of my complacency. I spent “Paranormal Activity” and “Skinamarink” restlessly admiring the production design; here, my main thrill came from the soundscape, like when a vibrating cellphone made my chair rattle like it was a tractor, or a noise that can only be described as death-rattle ASMR.

When Evy slips her on headphones, she’s so focused making sense of the latest scary tape, playing it forward, reversed and slowed-down, that she’s oblivious to the bumps in the night in her own house, upstairs near her comatose mother’s bedroom. I suspect Tuason deeply relates to Evy, to the disassociation of living with death every day, and uses her resistance to explore denial. She refuses to admit that the supernatural is real, even as she repeatedly takes a break to steady herself and, as she puts it, “get back into character.” Her stifled panic makes it obvious that fear is taking over.

The screenplay also has a passing reference to Evy’s useless, off-screen boyfriend Darren (voiced by Ryan Turner). Their miserable dynamic is compelling but overall comes off like a plot point Tuason stuffed in his pocket and never got around to using. Our one peek into it comes when Darren phones Evy to pressure her to ditch her mom and come to a party. He claims he’s throwing a kegger to cheer her up. (A frozen lasagna on the doorstep would be better, dude.)

Evy does reluctantly leave the house — we don’t follow her there — and that one moment says as much about crossed-signals communication as anything else in the movie. It’s bullseye-accurate about how isolating it is to lose a parent earlier than your peers.

The film is so committed to its rigors — the two-person cast, the glacial camera pivots, the moody lighting — that it teeters on the line of becoming monotonous. When Tuason eases up a bit, say in a scene in which Evy pops on a sleep podcast that begins by describing a babbling brook and rapidly becomes a nightmare tale of bobbing corpses, he finally shows you that he has the potential for range.

But “undertone” is rooted in that slow-and-still horror discipline that holds its breath waiting for something to happen. It requires the audience to bring their own bad vibes to shots of religious icons on the wall and long takes of Evy clacking on her laptop, unaware of a flickering light behind her. (Rumor is Tuason has already signed on to shoot the next “Paranormal Activity” sequel.)

Mostly it puts the audience in the position of watching a protagonist so passive that chunks of the running time are watching her sit at a table waiting for Justin to look up things for her on Wikipedia. Like amateur detectives, we learn alongside them as they click around pages about Sumerian devils, Catholic saints and the origin of the nursery rhymes “London Bridge” and “Baa, Baa, Black Sheep.”

As visuals go, “undertone” is so far removed from anything resembling the cinematic experience that I left with a fresh appreciation for campfire storytelling. At least then the listener gets to use their own imagination. But production designer Mercedes Coyle does dig up two satisfyingly creepy props: one, an antique speaking doll, the other, a small white statue that appears to be the Virgin Mary until we get a better look at her mouth, deformed by a hungry scream.

Despite my quibbles with how her character reacts when things really go awry, Kiri’s Evy has a clarity of purpose that holds our attention despite not having that much to do. In her strongest sequence, she and Justin take a few live callers on their podcast, some of whom bear bad news about Mike and Jessa, and another who phones up in the middle of a crisis that’s too big for these self-positioned experts to handle. Real violence is coming and these armchair ghosthunters are totally out of their depth. Yes, everyone is into podcasts. Maybe they shouldn’t be.

WINNIPEG, Canada — Ryan Poehling had a goal and an assist to lead the Ducks to a 4-1 victory over the Winnipeg Jets on Tuesday night.

Alex Killorn and Jackson LaCombe also registered a goal and an assist. Tim Washe also scored for Anaheim. Lukas Dostal made 12 saves for the Ducks, who extended their lead in the Pacific Division to three points over Vegas.

Morgan Barron scored for Winnipeg. Connor Hellebuyck had 30 saves for the Jets, who saw their three-game win streak and six-game point streak halted.

After a scoreless first period in which Anaheim outshot Winnipeg 8-2, the Jets opened the scoring at 5:04 of the second when Barron notched his 10th of the season, assisted by Elias Salomonsson and Cole Perfetti.

The Ducks quickly flipped the script, scoring three times in less than two minutes. Washe tied it at 6:24 and Poehling gave Anaheim the lead just 14 seconds later. Killorn added the insurance marker at 8:08 to give the visitors a two-goal lead.

The Ducks outscored the Jets 12-6 in three games this year. Dostal has won 13 of his past 15 games.

Newey’s Red Bull cars prevented Alonso winning at least two further championships, when he was at Ferrari in 2010 and 2012, and the two have long wanted to work together.

Aston Martin signed to become Honda’s works partner in May 2023, while the Japanese company was in the course of four consecutive drivers’ titles and two constructors’ championships with Red Bull.

Newey, a design legend regarded as the finest aerodynamic engineer in F1 history, said Honda’s problems were founded in its decision to quit F1 in 2021, only to change its mind on the basis of the new rules that are being introduced this year.

Newey, who joined Aston Martin in March last year, said he and the team did not know about Honda’s problems until November, when he, team owner Lawrence Stroll and chief strategy officer Andy Cowell visited Honda’s base in Tokyo “to discuss rumours” that the Japanese company “wouldn’t achieve” their “original target power”.

He added: “Out of that came the fact that many of the original workforce had not returned when they restarted.

“When they reformed, a lot of the original group had it now transpires disbanded and gone to work on solar panels or whatever.

“A lot of the group were new to F1 and didn’t have the experience they had previous.

“Plus, when they came back in 2023 that was the first year of the budget cap for engines.

“All their rivals had been developing away through 2021-2022, with continuity, existing team and free of budget cap.

“They re-entered with, let’s say, only, I’m guessing, 30% of their original base staff and now in a budget cap era so they started very much on the back foot and unfortunately they have not been able to catch up.”

By day, you’d be forgiven for walking past the newest theater in downtown L.A.

It isn’t hidden in an alley or obscured via a nameless door. No, this performance space is essentially a theater in disguise, as it’s designed to look like an electrical box — a fabrication so real that when artist S.C. Mero was installing it in the Arts District, police stopped her, concerned she was ripping out its copper wire. (There is no copper wire inside this wooden nook.)

Open the door to the theater, and discover a place of urban enchantment, where a red velvet door and crimson wallpaper beckon guests to come closer and sit inside. That is, if they can fit.

With a mirror on its side and a clock in its back, Mero’s creation, about 6 feet tall and 3 feet deep yet smaller on its interior, looks something akin to an intimate, private boudoir — the sort of dressing room that wouldn’t be out of place in one of Broadway’s historic downtown theaters. That’s by design, says Mero, who cites the ornately romanticized vibe and color palette of the Los Angeles Theatre as prime inspiration. Mero, a longtime street artist whose guerrilla art regularly dots the downtown landscape, likes to inject whimsy into her work: a drainage pipe that gives birth, a ball pit for rats or the transformation of a dilapidated building into a “castle.” But there’s just as often some hidden social commentary.

With her Electrical Box Theatre, situated across from the historic American Hotel and sausage restaurant and bar Wurstküche, Mero set out to create an impromptu performance space for the sort of experimental artists who no longer have an outlet in downtown’s galleries or more refined stages. The American Hotel, for instance, subject of 2018 documentary “Tales of the American” and once home to the anything-goes punk rock ethos of Al’s Bar, still stands, but it isn’t lost on Mero that most of the neighborhood’s artist platforms today are softer around the edges.

Ethan Marks inside S.C. Mero’s theater inside a fake electrical box. The guerrilla art piece is near the American Hotel.

“A lot of galleries are for what can sell,” Mero says. “Usually that’s paintings and wall art.”

She dreamed, however, of an anti-establishment place that could feel inviting and erase boundaries between audience and perfomer. “People may be intimidated to get up on a stage or at a coffee shop, but here it’s right on street level.”

It’s already working as intended, says Mero. I visited the box early last week when Mero invited a pair of experimental musicians to perform. Shortly after trumpeter Ethan Marks took to the sidewalk, one of the American Hotel’s current residents leaned out his window and began vocally and jovially mimicking the fragmented and angular notes coming from the instrument. In this moment, “the box,” as Mero casually refers to it, became a true communal stage, a participatory call-and-response pulpit for the neighborhood.

Clown Lars Adams, 38, peers out of S.C. Mero’s theater inside a fake electrical box. Mero modeled the space off of Broadway’s historic theaters.

A few days prior, a rideshare driver noticed a crowd and pulled over to read his poetry. He told Mero it was his first time. The unscripted occurrence, she says, was “one of the best moments I’ve ever experienced in making art.”

“That’s literally what this space is,” Mero says. “It’s for people to try something new or to experiment.”

Marks jumped at the chance to perform for free inside the theater, his brassy freewheeling equally complementing and contrasting the sounds of the intersection. “I was delighted,” he says, when Mero told him about the stage. “There’s so much unexpectedness to it that as an improviser, it really keeps you in the moment.”

A downtown resident for more than a decade, Mero has become something of an advocate for the neighborhood. The area arguably hasn’t returned to its pre-pandemic heights, as many office floors sit empty and a string of high-profile restaurant closures struck the community. Mero’s own gallery at the corner of Spring and Seventh streets shuttered in 2024. Downtown also saw its perception take a hit last year when ICE descended on the city center and national media incorrectly portrayed the hood as a hub of chaos.

Artist S.C. Mero looks into her latest project, a fake electrical box in the Arts District. Mero has long been associated with street art in the neighborhood.

“A lot has changed in the 13 years when I first got down here,” Mero says. “Everybody felt like it was magic, like we were going to be part of this renaissance and L.A. was going to have this epicenter again. Then it descended. A lot of my friends left. But I still see the same beauty in it. The architecture. The history. Downtown is the most populous neighborhood in all of L.A. because it belongs to everybody. It’s everybody’s downtown, whether they love it or not. And I feel we are part of history.”

Art today in downtown ranges from high-end galleries such as Hauser & Wirth to the graffiti-covered towers of Oceanwide Plaza. Gritty spaces, such as Superchief Gallery, have been vocal about struggles to stay afloat. Mero’s art, meanwhile, remains a source of optimism throughout downtown’s streets.

At Pershing Square, for instance, sits her “Spike Cafe,” a mini tropical hideaway atop a parking garage sign where umbrellas and finger food props have become a prettier nesting spot for pigeons. Seen potentially as a vision for beautification, a contrast, for instance, from the nature intrusive barbs that aim to deter wildlife, “Spike Cafe” has become a statement of harmony.

Elsewhere, on the corner of Broadway and Fourth streets, Mero has commandeered a once historic building that’s been burned and left to rot. Mero, in collaboration with fellow street artist Wild Life, has turned the blighted space into a fantastical haven with a knight, a dragon and more — a decaying castle from a bygone era.

“A lot of times people are like, ‘I can’t believe you get away with that!’ But most people haven’t tried to do it, you know?” Mero says. “It can be moved easily. It’s not impeding on anyone. I don’t feel I do anything bad. Not having a permit is just a technicality. I believe what I’m doing is right.”

Musician Jeonghyeon Joo, 31, plays the haegeum outside of S.C. Mero’s latest art project, a theater in a faux electrical box.

After initially posting her electrical box on her social media, Mero says she almost instantly received more than 20 requests to perform at the venue. Two combination locks keep it closed, and Mero will give out the code to those she trusts. “Some people want to come and play their accordion. Another is a tour guide,” Mero says.

Ultimately, it’s an idea, she says, that she’s had for about a decade. “Everything has to come together, right? You have to have enough funds to buy the supplies, and then the skills to to have it come together.”

And while it isn’t designed to be forever, it is bolted to the sidewalk. As for why now was the right time to unleash it, Mero is direct: “I needed the space,” she says.

There are concerns. Perhaps, Mero speculates, someone will change the lock combination, knocking her out of her own creation. And the more attention brought to the box via media interviews means more scrutiny may be placed on it, risking its confiscation by city authorities.

As a street artist, however, Mero has had to embrace impermanence, although she acknowledges it can be a bummer when a piece disappears in a day or two. And unlike a gallerist, she feels an obligation to tweak her work once it’s out in the world. Though her “Spike Cafe” is about a year old, she says she has to “continue to babysit it,” as pigeons aren’t exactly known for their tidiness.

But Mero hopes the box has a life of its own, and considers it a conversation between her, local artists and downtown itself. “I still think we’re part of something special,” Mero says of living and working downtown.

And, at least for now, it’s the neighborhood with arguably the city’s most unique performance venue.

Feb. 27 (UPI) — Britain’s Green Party won the Gorton and Denton byelection in southeast Manchester with a more than 4,000-seat majority, beating the ruling Labour Party into third place, and 12 points clear of Reform UK.

The Greens’ new Member of Parliament, Hannah Spencer, a plumber from a neighboring suburb of Manchester, produced a convincing win in Thursday’s poll, overturning the 13,000-seat majority won in the 2024 general election by the previous Labour holder of the seat who is standing down due to ill-health.

Spencer won 14,980 seats, or 40.7% of the vote, Reform’s Matt Goodwin, 10,578 and Labour’s Angeliki Stogia trailing in third place with 9,364. The Conservative Party’s candidate came in a distant fourth with just 706 votes. Turnout was 47.6%.

The win, a first for the Green Party in a byelection, takes the party’s contingent in the House of Commons to five.

Speaking in the early hours of Friday after the results were announced, 34-year-old Spencer vowed to “fight” for the people of Gorton and Denton “who feel left behind and isolated.”

“There is an appetite here for change, and there are people across this constituency and much further beyond who are rejecting the old political parties and who are coming together to fight for something better, but who are doing it positively and in a really hopeful way.”

Spencer said her victory proved there was “no longer any such thing as a safe seat” and that there was “no part of the country where the Green Party cannot win.”

Asked if the Greens’ intention was to “eviscerate” Labour, Party leader Zack Polanski said that taking a seat Labour had held for more than 100 years showed it was “beginning already.”

“If we see a swing like this at the next general election, there will be a tidal wave of new Green MPs. This is an existential crisis for the Labour Party,” he said.

Labour’s second-straight loss of a byelection with Prime Minister Keir Starmer at the helm, and with local elections just around the corner in May, could prove highly consequential for his future.

Speaking to reporters Friday, a defiant Starmer rejected any suggestion he might be considering his position, saying he would never quit.

“I came into politics late in life to fight for change for those people who need it. I will keep on fighting for those people for as long as I’ve got breath in my body,” he said.

Starmer played down the loss saying that while it was “very disappointing,” voters often took out frustrations on sitting administrations in mid way through their terms.

However, Strathclyde University Politics Professor John Curtice said the Green Party was now challenging Labour’s stranglehold on the left of British politics in a way that would cause the parliamentary wing of the party to seriously question whether Starmer was still the right person to lead the country.

Reform UK chairman David Bull, telling the BBC he was “absolutely thrilled” with his party’s performance,” echoed that analysis.

“Keir Starmer is in big trouble now — it is not a matter of if he leaves office, it’s when he leaves.”

Party leader, MP Nigel Farage, warned the Greens’ win would embolden the radical left and said opposition Conservative Party leader Kemi Badenoch should apologize for leading the party to the worst result in its history.

“Roll on the elections on May 7. It will be goodbye Starmer and goodbye to the Tory [Conservative] party,” he wrote on X.

Badenoch, who is Black, called on Starmer to quit immediately.

“Our country is not broken, but this byelection showed that Labour, Reform and the Greens are trying very hard to break it. Labour trying to buy people off with more and more benefits spending, Reform telling people you can’t be British if you’re not white. The Greens running a nasty, sectarian campaign while simultaneously wanting to legalize crack-cocaine,” she wrote in a statement.

“The result shows Keir Starmer’s premiership is finished. He lost authority a long time ago, a mere hostage at the mercy of a divided Labour Party that cannot decide who to replace him with. He has lost the support of his MPs and the country. He is in office but not in power. If had any integrity he would go,” said Badenoch.

Andy Richter has found his place.

The Chicago area native previously lived in New York — where he first found fame as Conan O’Brien’s sidekick on “Late Night” — before moving to Los Angeles in 2001. Three years ago, he moved to Pasadena. “Now that I live here, I would not live anywhere else,” he says.

There are some practical benefits to the city. “I am such a crabby old man now, but it’s like, there’s parking, you can park when we have to go out,” Richter says. “The notion of going to dinner in Santa Monica just feels like having nails shoved into my feet.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

But he mostly appreciates that Pasadena is “a very diverse town and just a beautiful town,” he says.

For Richter, most Sundays revolve around his family. In 2023, the comedian and actor married creative executive Jennifer Herrera and adopted her young daughter, Cornelia. (He also has two children in their 20s, William and Mercy, from his previous marriage.)

Additionally, he’s been giving his body time to recover. Richter spent last fall training and competing on the 34th season of “Dancing With the Stars.” And though he had no prior dancing experience, he won over the show’s fan base with his kindness and dedication, making it to the competition’s ninth week.

He hosts the weekly show “The Three Questions” on O’Brien’s Team Coco podcast network and still appears in films and TV shows. “I’m just taking meetings and auditioning like every other late 50s white comedy guy in L.A., sitting around waiting for the phone to ring.”

This interview has been lightly edited and condensed for length and clarity.

7:30 a.m.: Early rising

It’s hard for me at this advanced age to sleep much past 7:30. I have a 5 1/2-year-old, and hopefully she’ll sleep in a little bit longer so my wife and I can talk and snuggle and look at our phones at opposite ends of the bed, like everybody.

Then the dogs need to be walked. I have two dogs: a 120-pound Great Pyrenees-Border Collie-German Shepherd mix, and then at the other end of the spectrum, a seven-pound poodle mix. We were a blended dog family. When my wife and I met, I had the big dog and she had a little dog. Her first dog actually has passed, but we like that dynamic. You get kind of the best of both worlds.

8 a.m.: Breakfast at a classic diner

Then it would probably be breakfast at Shakers, which is in South Pasadena. It’s one of our favorite places. We’re kind of regulars there, and my daughter loves it. It’s easy with a 5-year-old, you’ve got to do what they want. They’re terrorists that way, especially when it comes to cuisine.

I’ve lived in Pasadena for about three years now, but I have been going to Shakers for a long time because I have a database of all the best diners in the Los Angeles metropolitan area committed to memory. There’s just something about the continuity of them that makes me feel like the world isn’t on fire. And because of L.A.’s moderate climate, the ones here stay the way they are; whereas if you get 18 feet of winter snow, you tend to wear down the diner floor, seats, everything.

So there’s a lot of really great old places that stay the same. And then there are tragic losses. There’s been some noise that Shakers is going to turn into some kind of condo development. I think that people would probably riot. They would be elderly people rioting, but they would still riot.

11 a.m.: Sandy paws

My in-laws live down in Long Beach, so after breakfast we might take the dogs down to Long Beach. There’s this dog beach there, Rosie’s Beach. I have never seen a fight there between dogs. They’re all just so happy to be out and off-leash, with an ocean and sand right there. You get a contact high from the canine joy.

1 p.m.: Lunch in Belmont Shore

That would take us to lunchtime and we’ll go somewhere down there. There’s this place, L’Antica Pizzeria Da Michele, in Belmont Shore. It’s fantastic for some pizza with grandma and grandpa. It’s originally from Naples. There’s also one in Hollywood where Cafe Des Artistes used to be on that weird little side street.

4 p.m.: Sunset at the gardens

We’d take grandma and grandpa home, drop the dogs off. We’d go to the Huntington and stay a couple of hours until sunset. The Japanese garden is pretty mind-blowing. You feel like you’re on the set of “Shogun.”

The main thing that I love about it is the changing of ecospheres as you walk through it. Living in the area, I drive by it a thousand times and then I remember, “Oh yeah, there’s a rainforest in here. There’s thick stands of bamboo forest that look like Vietnam.” It’s beautiful. With all three of my kids, I have spent a lot of time there.

6:30 p.m.: Mall of America

After sundown, we will go to what seems to be the only thriving mall in America — [the Shops at] Santa Anita. We are suckers for Din Tai Fung. My 24-year-old son, who’s kind of a food snob, is like, “There’s a hundred places that are better and cheaper within five minutes of there in the San Gabriel Valley.” And we’re like, “Yeah, but this is at the mall.” It’s really easy. Also, my wife is a vegetarian, and a lot of the more authentic places, there’s pork in the air. It’s really hard to find vegetarian stuff.

We have a whole system with Din Tai Fung now, which is logging in on the wait list while we’re still on the highway, or ordering takeout. There’s plenty of places in the mall with tables, you can just sit down and have your own little feast there.

There’s also a Dave & Buster’s. If you want sensory overload, you can go in there and get a big, big booze drink while you’re playing Skee-Ball with your kid.

9 p.m.: Head to bed ASAP

I am very lucky in that I’m a very good sleeper and the few times in my life when I do experience insomnia, it’s infuriating to me because I am spoiled, basically. When you’ve got a 5 1/2-year-old, there’s no real wind down. It’s just negotiations to get her into bed and to sleep as quickly as possible, so we can all pass out.

Reform UK’s Matt Goodwin came second with 10,578, while Labour’s Angeliki Stogia was third with 9,364. The Conservative’s Charlotte Cadden came fourth with 706 votes – the party’s worst ever by-election result – and the Liberal Democrats’ Jackie Pearcey had 653. No other parties got more than 200 votes.