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Sophy Romvari’s luminous debut feature “Blue Heron” is a loving and studious act of remembrance. Her protagonist and surrogate, Sasha (Amy Zimmer), attempts to understand her family’s past through a reverent process of recreation. While she finds that not everything can be understood, there is beauty and solace in the journey itself — and maybe a kind of catharsis.
“Blue Heron” is an autobiographical project, but it’s more apt to call it a memoir. Sasha admits she doesn’t remember much of her childhood and doesn’t even trust the fragments. But she will try anyway. As Sasha zooms in on her iPhone, standing at the bluff overlooking her hometown, Romvari rolls up the back of a moving truck to deliver a lush slice of ’90s childhood nostalgia, picking up the memory as her Hungarian immigrant family — two parents, three brothers and one sister — arrive at their new home on Canada’s Vancouver Island.
Father (Ádám Tompa) settles into work on the home computer; Mother (Iringó Réti) attempts to amuse the kids with trips to the beach and nature preserves. Snippets of summer filter through the eyes and ears of 8-year-old Sasha (Eylul Guven) and in the photos snapped by their parents.
But a disquieting presence looms: Jeremy (Edik Beddoes), the eldest son. Blond, light-featured and tall, he is visually distinct from the three other children and his silent rebellion permeates the atmosphere.
His misbehavior is minor — irritating but untenable when stacked together — like bouncing a ball against a wall, disappearing for fun or climbing on the roof. He mostly just seems like a moody, unsatisfied teen, drawing elaborate maps and sometimes playing with his siblings sweetly. It all seems like harmless mischief until it escalates.
The movie’s title refers to a key chain from a gift shop that Jeremy, who almost never speaks, presents to his younger sister. Like him, the film is quiet and meditative, bathed in the cool blues and verdant greens of the setting, captured in Maya Bankovic’s saturated cinematography. We are transported to a place of natural beauty and a period of seemingly unlimited time. But Jeremy-related tension simmers beneath the domestic surface, just as it does in Chantal Akerman’s 1975 landmark “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles,” referenced in a shot of a mother and daughter peeling potatoes.
“Blue Heron,” though, is not just going to simply be a throwback family drama about a troubled boy and his younger sister. The film suddenly zooms out, linearly, to two decades later. Zimmer’s older version of Sasha is grappling with her brother’s void and she does so with her mind, her work, her actions. She conducts a focus group of social workers for a documentary in order to try to understand Jeremy’s behavior and the treatment he got at the time. She scrubs through video and photos and interviews a case worker. She escapes into old movies.
In Romvari’s award-winning 2020 short “Still Processing,” a companion piece to “Blue Heron,” she processes the loss of two brothers through photography, sifting through boxes of old photos and film negatives shot by her father, who trained as a cinematographer in Hungary. It seems natural for Romvari to access the emotional through artistic practice, to give her — and Sasha — something to do with their hands. The tactility of the photographs in “Still Processing” provide an access point to the past. Romvari weeps as she spreads them out on a table, saying “hi” softly to her brothers. But there’s a remove in the rigorous focus on the snapshots that perhaps also protects her from the full crushing weight of these emotions.
But in a film like “Blue Heron,” anything is possible, including time travel, and for Romvari, it’s the channel that she offers Sasha to achieve the closure that she needs: a visit to a time she doesn’t really remember, even as she’s building an archive of materials to bolster herself.
If young Sasha watches (and Guven is absolutely terrific at watching), the older Sasha speaks. Zimmer, a New York City comedian, is tasked with a heavy, grief-laden dramatic role, and she’s utterly convincing, entrancing in her stillness. But she also has a way with words, a clarity that rings with a rare kind of honest empathy, especially in a letter that Sasha reads to her parents.
That letter is what “Blue Heron” represents for its filmmaker — an attempt to re-create the past, to bring it back to life. Even if imperfect, the value is in the effort, in the ongoing practice of remembering, as an act of devotion to family and self.
‘Blue Heron’
In English and Hungarian, with subtitles
Not rated
Running time: 1 hour, 30 minutes
Playing: Opens Friday, April 24 in limited release
The New England Patriots coach knows that much of the chatter around his team in recent weeks has nothing to do with the reigning AFC champions’ offseason workouts or their plans for the NFL draft later this week.
Instead, it’s been about a “personal and private matter” that Vrabel decided to address at the top of his news conference Tuesday in Foxborough, Mass. Although he didn’t specify, the second-year Patriots coach seemed to be referring to photos recently published by the New York Post’s Page Six of him and Dianna Russini, who was at the time a reporter for the Athletic, interacting at an Arizona resort.
The photos appear to show Russini and Vrabel — both married to other people — holding hands, hugging and sitting in a hot tub and a swimming pool. In the April 7 article that accompanied the photos, Russini and Vrabel gave statements denying that anything inappropriate was happening between them.
In his first public comments since the article was published, Vrabel did not mention Russini or the photos. Instead, Vrabel spoke about how he has handled the situation and what his family, the team and the fan base can expect from him “going forward.”
“I’ve had some difficult conversations with people that I care about — my family, the organization, the coaches, the players,” Vrabel said. “Those have been positive and productive. We believe in order to be successful on and off the field, you have to make good decisions. That includes me; that starts with me.
“We never want our actions to negatively affect the team. We never want to be the cause of the distraction. These are comments and questions that I’ve answered for the team and with the team. We’ll keep those private and to ourselves.
“I care deeply about this football team and am excited to coach it. I also know that I’m going to attack each day with humility and focus. And what I can promise you is that my family, this organization, the team, the staff, the coaches, everybody, our fans, most importantly, will get the best version of me going forward.”
A Patriots spokesman said team officials have no plans to address the issue further. The NFL has indicated it is not investigating the matter.
In the Page Six article, Athletic executive editor Steven Ginsberg expressed full support for Russini and said the photos “are misleading and lack essential context.” Days later, however, the New York Times, owner of the Athletic, reported that the digital sports outlet would conduct an investigation.
On April 14, Russini submitted her letter of resignation to the Athletic, then posted it on X. In it, Russini states she has “no interest in submitting to a public inquiry that has already caused far more damage than I am willing to accept.”
“This media frenzy is hurtling forward without regard for the review process The Athletic is trying to complete,” Russini wrote. “It continues to escalate, fueled by repeated leaks. … Rather than allowing this to continue, I have decided to step aside now — before my current contract expires on June 30. I do so not because I accept the narrative that has been constructed around this episode, but because I refuse to lend it further oxygen or to let it define me or my career.”
“Gambrel roofed Barnhaus,” the listing read, “next door to the best burritos in town.”
Its photos revealed something unusual for Inglewood, which is famous for its mix of architectural styles, including Midcentury Modern homes by R.M. Schindler and Googie-style coffee shops: a brick-red barn-style house on a large corner lot, listed at $449,000.
When Meeshie Fahmy and her husband, Aaron Snyder, toured the house, they learned that the burrito claim was true. The photos, however, had clearly been touched up to make the house, located just a few miles from the Kia Forum and SoFi Stadium, look better than it actually was.
Outside, the former dirt lot is now a lush garden with towers of colorful black-eyed susans on arches, planters full of nasturtiums and vegetables, a firepit and pergola.
Inside, the house had “wall-to-wall carpets on both floors that were heavily stained and worn, dated wood paneling on the walls, holes in the walls,” Fahmy says.
Despite these flaws, the couple saw the home’s potential and decided to buy it, even though a leaning retaining wall nearly derailed their escrow. “It was a blank canvas for us to play and experiment,” she recalls a decade later.
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After they moved in, neighbors revealed the house was not original to the site. Years earlier, the original Craftsman had been torn down; the current house, a sweepstakes prize, arrived in two pieces by crane. “Our neighbors recalled it was quite a sight,” Fahmy says.
At the time, Fahmy, 44, worked as an event planner at the Getty Museum. As renovations started and she followed her passion for interior design, Snyder proudly introduced her to staff at the local Carniceria as “an interior designer.” She replied, “That’s not what I do.”
“I told her, ‘If you don’t start saying it, it’s not going to happen,’” says Snyder, 49, who pursued his own dream of becoming a professional skateboarder before moving into video editing. “Speak it to existence.”
Finishing the house took years, patience and a lot of DIY projects because of their budget. But Fahmy didn’t just dream — she made it happen. In 2018, she started working for interior designer Willa Ford, who mentored her at WFord Interiors. By 2020, Fahmy launched her own design firm, Haus of Meeshie. “It’s been a progressive layering of colors, furniture, reupholstering, adding art, wallpaper, lighting,” she says. “Low and slow; the flavor is richer.”
Meeshie Fahmy and Aaron Snyder’s family room is a colorful maximalist dream with thrifted furnishings, art and layered textures and patterns.
Ninety percent of the furnishings are thrifted. “Nothing is too precious,” Fahmy says.
Today, their home reflects Fahmy’s fearless approach — it’s a true “petri dish for experimentation.” The vibrant, layered four-bedroom house is a maximalist fever dream, packed with furniture, accessories and art sourced from Facebook Marketplace, vintage shops, flea markets (Long Beach flea is a favorite), estate sales and secondhand stores in L.A. and elsewhere.
She estimates about 90% of the furnishings and accessories in her home are thrifted, antiques or things she found on the side of the road, and nothing is too precious, reaffirming her playful approach to decor.
A Jonathan Adler dining table, found on sale, sits in front of a wall filled with art arranged salon-style. Among the pieces is Fahmy’s favorite: a wedding portrait her father, Walter Fahmy, painted of her.
The speakeasy features a vintage standing bar from Craigslist, barstools and a Geo pendant light by Los Angeles designer Jason Koharik and a mirror Fahmy found at a neighborhood estate sale.
She likes to refer to her decorating style as “creatively unhinged.”
“It all flows,” she says, curled up with her dogs on a CB2 couch she found on Craigslist. “There’s a rhythm. Every piece tells a story. Pick one — I’ll share it.” She recalls throwing herself on a vintage Baker sideboard at a Florida Goodwill without knowing how she’d get it back to Los Angeles and laughs when Snyder discovers a tiny Jack Black-as-Jesus portrait tucked into a gilded dining-room oil painting.
The sink and vanity in the guest bathroom? That used to be a dresser she found on Craigslist.
Although others have questioned their home purchase, Fahmy never doubted they could transform the space into something special.
Color ties the house together. The powder room is purple, the entry hall is red, the kitchen has blue cabinets and the hallway is painted pink.
“When I first saw the house, when they bought it, I thought she was crazy,” Meeshie’s friend and former colleague, Talene Kanian, says in an email. “Other than keeping the ‘barn’ shape, she completely transformed the interior. Now, when you step inside, you’re welcomed into a home full of color, pattern and playfulness.”
Snyder adds: “Meeshie is able to visualize things 10 steps ahead of everyone else, even things that seem like a complete mess.“
Working together, the couple removed the shag carpeting and wood paneling from the first floor and the stairway, installing drywall in their place.
Next, they painted the walls — no beige here. The deep green living room sets a bold scene: a clock worthy of Dalí, leopard prints, pink Persian rugs, a snake ottoman and a thrifted tufted chair with Art Deco vibes from CB2.
“I did not venture into interior design formally,” Fahmy says. “I feel very lucky to have found this passion.”
The color story flows through the house: The powder room is purple, the entry hall red and the dining room walls pink, with one wall in a bold 1970s-style mushroom-pattern wallpaper from Londubh Studio. The speakeasy features a vintage standing bar from Craigslist that Snyder squeezed into his car, barstools and a Geo pendant light by Los Angeles designer Jason Koharik and a mirror Fahmy found at a nearby estate sale.
In the kitchen, they removed the 1970s-era wooden cabinets and Formica countertops, replacing them with more pink walls, Moroccan-style tile flooring and blue cupboard fronts from Semihandmade, which creates cabinet doors for IKEA cabinets.
Fahmy painted a Keith Haring-style black-and-white mural at the top of the stairs and continued onto the second-floor walls using a paintbrush taped to a broomstick. She finished by painting the handrail bright blue and wrapping each stair with a Persian-style runner.
Outside, the couple leveled the once-dirt backyard, added pea gravel, built a pergola with a handyman and installed a firepit where they enjoy entertaining their friends.
The main bedroom features burgundy walls, while the bathroom next to it has Persian rug-patterned wallpaper from House of Hackney.
Now the once-empty backyard is a lush garden: towers of colorful black-eyed susans on arches, planters of nasturtiums and homegrown vegetables. A trickling fountain greets visitors as they walk through the French doors. Snyder, an avid cook, can easily step out to cut fresh herbs mid-simmer, making the outdoors a true extension of the home.
The couple’s home is full of memories, and as you walk through, you can sense how much their stories matter to them. In the downstairs hallway, Snyder smiles as he points out photos of his family in Wisconsin. Similarly, Fahmy proudly shows a photo of her great-great-grandmother Theresa “Tessie” Cooke Haskins, a noted harpist whose daughter Maud Haskins was the first harpist to perform with the orchestra at the Hollywood Bowl.
Art is everywhere, from the Polaroids pinned to the walls in the powder room to the ceramics and masks hanging throughout the house. Yet Fahmy’s favorite possession is deeply personal: a portrait of her on her wedding day, painted by her father, Walter Fahmy, who studied art in Egypt before coming to America.
Upstairs, Fahmy created a black-and-white mural inspired by Keith Haring at the top of the stairs, then kept going along the second-floor walls using a paintbrush taped to a broomstick. She finished by painting the handrail a bright blue and wrapping each stair with a Persian-style runner.
French doors connect the house to the garden, so the backyard feels like a natural part of the home.
For Fahmy, these details matter. “I feel like our home is a love letter to my upbringing,” she says, referring to her parents, who were both pharmacists. “It’s an ode to them and the sacrifices they made for me.”
Visitors feel the same way. “Their house is a true labor of love, apparent the second you enter,” Kanian adds. “It radiates warmth and love.”
Snyder feels it too. “I feel an immense amount of pride when I walk into our house,” he says.
Like a barn raising that brings people together, their house has become a welcome part of the neighborhood with its blue siding, bright yellow front door and a playful mural by Venice artist and skateboarder Sebo Walker. “We’ve had neighbors knock on our door and tell us, ‘We love what you’re doing,’” says Snyder.
“I love color,” Fahmy says. “I love to experiment.”
With the main house finished for now, Fahmy hopes to turn the garage into an accessory dwelling unit, or ADU, in the style of Mexican architect Luis Barragán: bold with color and texture. “I’m envisioning a mini boutique hotel,” she says. “Simple to execute, yet unique in L.A. I’d love a pink building.”
Like the possibility of a pink building — or not — Fahmy’s freewheeling style proves it’s OK to experiment and make mistakes. (She wants to demo the kitchen next for a fresh look.)
“You’re not tattooing your face. You’re painting your walls,” she says as a way to encourage others to experiment. “Your home should be a reflection of who you are. I hope our home inspires others to live how they want to live.”
Social media users condemn Western silence on attacks on religious symbols and sites by Israeli soldiers and settlers.
Published On 19 Apr 202619 Apr 2026
A viral photograph showing an Israeli soldier hitting a statue of Jesus Christ in southern Lebanon with a sledgehammer has sparked outrage.
In a statement on Monday, the Israeli military confirmed the authenticity of the image that was widely shared online, garnering more than 5 million views on X.
It said that following an initial review, it was determined that the photograph showed an Israeli soldier “operating in southern Lebanon”, where Israel last month launched a ground invasion in conjunction with aerial bombardment amid its joint war with the United States on Iran.
The military added that an investigation had been opened and that “appropriate measures will be taken against those involved in accordance with the findings”.
Commenting on social media, Ayman Odeh, a Palestinian member of the Israeli parliament, wrote pointedly: “We’ll wait to hear the police spokesperson claim that ‘the soldier felt threatened by Jesus’.”
Ahmad Tibi, another Palestinian member of the Knesset, wrote on Facebook that those who blow up mosques and churches in Gaza and spit on Christian clergy in Jerusalem without punishment are not afraid to destroy a statue of Jesus Christ and publish it.
“Perhaps these racists have also learned from Donald Trump to insult Jesus Christ and insult Pope Leo?” he asked, referring to the US president’s recent controversies, including his now-deleted AI-generated image that portrayed him as a Jesus-like figure and his feud with the head of the Roman Catholic Church, who has criticised the war on Iran.
Several activists, academics and writers also criticised the desecration of the statue, which was located on the outskirts of the village of Debl in southern Lebanon, near the border with Israel.
Social media users also condemned the international silence following attacks by Israeli soldiers and settlers against religious sites and symbols.
“When the Western world remains silent, racists go further,” said Tibi.
Israeli forces repeatedly attacked religious sites, including mosques and churches, during Israel’s genocidal war on Gaza. In the occupied West Bank, meanwhile, settlers vandalised or attacked 45 mosques last year, according to the Palestinian Authority’s Ministry of Religious Affairs.
Separately, the Religious Freedom Data Center (RFDC) documented at least 201 incidents of violence against Christians, primarily committed by Orthodox Jews targeting international clergy or individuals displaying Christian symbols, between January 2024 and September 2025.
The majority of these incidents, which included multiple forms of harassment, including spitting, verbal abuse, vandalism and assaults, took place in Jerusalem’s Old City, located in occupied East Jerusalem.
April 19 (UPI) — The Israel Defense Forces confirmed Sunday that a photo showing an Israeli solider smashing the head of a statue of Jesus in southern Lebanon is authentic.
The photo, originally posted on X by Palestinian journalist Younis Tirawi, quickly went viral across social media, drawing condemnation from Christians, Palestinians and others in the war-torn region.
After initially pledging an investigation into the photo, the IDF later announced they had found it to be real and not an artificial intelligence fabrication.
“Following the completion of an initial examination regarding a photograph published earlier today of an IDF soldier harming a Christian symbol, it was determined that the photograph depicts an IDF soldier operating in southern Lebanon,” the military announced.
“The IDF views the incident with great severity and emphasizes that the soldier’s conduct is wholly inconsistent with the values expected of its troops.
“The incident is being investigated by the Northern Command and is currently being addressed through the chain of command. Appropriate measures will be taken against those involved in accordance with the findings.”
The IDF is currently examining the reliability of the photograph.
If this is indeed a real, recent picture, these actions do not align with the IDF’s values and the behavior expected of IDF soldiers.
The Israeli military added it is “working to assist the community in restoring the statue to its place” and vowed it has “no intention of harming civilian infrastructure, including religious buildings or religious symbols,” in its fight against Hezbollah militia forces in southern Lebanon.
The photo stirred up outrage among Christians, Palestinians and others in the Middle East.
Wadie Abunassar, coordinator of the Holy Land Christian Forum, a group of Christian laity advocating for the Christian presence in the region, called for action on the part of Israeli authorities.
“Israel has to inquire this crime, to apologize for it, to bring suspect to justice, & make sure it won’t be repeated!” he wrote in a social media post.
Meanwhile, Ayman Odeh, a Palestinian member of the Israeli parliament, added sarcastically, “We’ll wait to hear the police spokesperson claim that ‘the soldier felt threatened by Jesus.'”
An Israeli infantry soldier says his morning prayers near a bus loaded with combat gear inside northern Israel along the southern Lebanon border on February 18, 2025. Photo by Jim Hollander/UPI | License Photo
The “Coachella of books” has arrived. The biggest literary event in the country, the L.A. Times Festival of Books, kicked off at USC this weekend. The 31st annual event features more than 500 authors, including Lionel Richie, Tina Knowles, Larry David, Pat Benatar, Amy Tan, Anne Lamott and more. Several of these talented individuals stopped by the L.A. Times photo studio to have their portraits taken between spirited panel discussions and book signings.
Here are some portrait highlights from the 2026 Festival of Books:
Lisa Rinna author of “You Better Believe I’m Gonna Talk About It.”
Morgan Hutchinson and Brett Hutchinson.
Daniel Humme and Roda Ahmed.
Rachel Renee Russell, Presli Noelle James, Kim James, Nikki Russell and Cori James.
Chet’la Sebree 2026 finalist for the LA Times Book Prize in Poetry for her collection “Blue Opening.”
Eugene Mirman appears to be in good spirits after being injured in a fiery car crash.
The comedian and “Bob’s Burgers” actor shared an Instagram update Friday to reassure fans he is “doing relatively alright, all things considered.” Mirman was hospitalized for serious injuries on Tuesday after being pulled out of the window of his Lucid Gravity that had caught fire after crashing into the Bedford Toll Plaza in New Hampshire.
“I am extraordinarily thankful to the heroic people that pulled me from the car and to the warm, kind and talented staff at the hospital that cared for me and got me on the mend!” Mirman wrote in the caption accompanying a photo of himself bandaged up and holding a piece of art that reads “Life is an Adventure.” “I am thankful beyond words to be here and doing relatively alright, all things considered.”
He also thanked everyone who had reached out with “well wishes, love and kind messages.” While Mirman appears a bit banged up in the photo, it did not keep him from including a dash of humor in his update.
“I don’t have my phone, so haven’t been online much,” his post continued. “I do not recommend my method of decreasing screen-time. If you’re a friend who sent a kind, loving message, you should know that it was hard to not respond with, ‘I’d love to be on your podcast.’ I love you all and please take care of yourselves.”
Among those who helped Mirman before first responders arrived were New Hampshire Gov. Kelly Ayotte and her security detail.
“I want to thank the Trooper on my security detail and the bystanders who stepped up to help at the scene of the crash for their brave lifesaving efforts today,” Ayotte wrote Tuesday in a post on X. “Joe and I are praying for the full recovery of the driver who was injured today.”
Mirman voices middle child Gene Belcher in Fox’s animated comedy “Bob’s Burgers,” which is currently in its 16th season.
Hailee Steinfeld and Josh Allen have officially entered parenthood, welcoming their first little one.
“Our baby girl has arrived,” Oscar-nominated “True Grit” and “Sinners” star Steinfeld, 29, announced Tuesday in her latest Substack post. She wrote that she and her Buffalo Bills quarterback husband, 29, are “feeling incredibly grateful and blessed.”
“Savouring these early moments,” Steinfeld continued. “Thank you so much for the love and well wishes.”
The spouses married in June after two years of dating. People published photos from their outdoor California ceremony, in which Steinfeld wore a white strapless gown, mesh gloves and her veil and Allen wore a traditional tuxedo. They announced their engagement in November 2024.
Steinfeld announced she and Allen were expecting their first child in a Substack post in December, sharing photos from a snowy, bump-revealing maternity shoot. Steinfeld flaunted her pregnancy during the awards circuit earlier this year, cradling her baby bump at the red carpet for the Golden Globe Awards.
In an interview with Variety published in October, “Spider-Verse” star Steinfeld spoke about her marriage with Allen and balancing their conflicting schedules, noting “when the [NFL] offseason rolls around, it’s go-time for me.”
“I’ve gotten a lot better at understanding what it means to slow down and to share that with someone,” she said. “That’s the greatest thing ever.”
WASHINGTON — TMZ built its brand tracking celebrities. Now it’s turning its attention to Congress, chasing down paparazzi-style shots of lawmakers on break from Washington during a record-long partial government shutdown.
Videos and photos posted by the tabloid website showing lawmakers in airports, Las Vegas and even Disney World have racked up millions of views and fueled a growing backlash. With travel disruptions persisting and some federal workers going without pay, pressure is mounting on Congress to cut short its regularly scheduled recess.
Beyond TMZ, President Trump also wants lawmakers to come back, even hinting he might invoke rarely used powers to call Congress into session.
Still, it’s not clear what a return would accomplish, with the 45-day partial government shutdown at a deeper impasse than ever. The Senate reached a bipartisan funding deal last week, but House Speaker Mike Johnson rejected it, and House Republicans passed their own version before heading for the exits.
“I’m not sure that we’d come,” Democratic Sen. Chris Coons said Monday when asked about members being called back. “And I’m not sure that there would be any difference from what’s happened so far.”
On recess — and on camera
As lawmakers headed out of Washington last week, the celebrity-gossip outlet TMZ put out a call.
“TMZ is on the hunt for photos of politicians on vacay as TSA officers suffer!” the outlet said in a social media post.
The focus from TMZ — an outlet known more for capturing unflattering footage of celebrities than digging into the nuances of federal policy — was the latest example of how politics is being fueled by viral images and populist sentiment.
Videos quickly followed, showing senators moving through airports — often attempting to shield themselves from cameras — with provocative headlines layered on top. The clips racked up millions of views.
The outlet didn’t stop there. Photos of lawmakers on vacation soon followed, including viral images of Republican Sen. Lindsey Graham at Disney World with captions such as: “Lindsey Graham lives it up at Disney World during the partial government shutdown!”
Graham said that he had been in Florida for a meeting with Trump administration officials and had made a stop at Disney World with a friend. He also blamed Democrats for the shutdown.
Another widely shared post showed Democratic Rep. Robert Garcia in Las Vegas.
“Actually I don’t mind what TMZ is doing here,” Garcia posted in response, adding that he was visiting his father. “Like I said a few days ago, Speaker Mike Johnson should have never sent us all home.”
The effort grew out of frustration, said TMZ executive producer Harvey Levin, after the outlet interviewed a TSA worker struggling due to missed paychecks during the shutdown.
“It outraged us so much we wanted to use our platforms to show how Congress — Dems AND Republicans — have betrayed us,” Levin said in a statement.
He added that lawmakers shouldn’t expect the coverage to end anytime soon.
“Several months ago we decided to amp up our presence and our voice,” Levin said. “We now have a producer and a photog circulating in the Capitol, showing the intersection between politics and pop culture.”
Pressure mounts on Congress to return
The backlash playing out online is fueling other pressure as well. Trump has called on Congress to return. He spoke with Senate Majority Leader John Thune on Sunday and Monday, and White House press secretary Karoline Leavitt said he has urged leadership to cancel recess “repeatedly.”
“He’ll host a big Easter dinner here at the White House if Congress will come back,” she added.
So far, Republican leadership has not blinked, raising questions about how much pressure Trump will ultimately apply — and whether he would be willing to concede ground to Democrats to end the shutdown.
Unions are adding to that pressure.
“To leave Washington while tens of thousands of workers are going without pay shows a clear lack of respect for the essential employees tasked with keeping our nation safe,” said Hydrick Thomas, president of the American Federation of Government Employees TSA Council 100.
Although vacation snapshots have stirred outrage, recess is also an opportunity for lawmakers to reconnect with constituents back home. Some hold town hall events. Others go on trips abroad, such as joining a delegation to Taiwan.
Why the funding impasse won’t be easy to solve
Even if lawmakers return to Washington, there isn’t an easy way out of the funding impasse.
Senators already labored for weeks to try to find agreement on Democrats’ demand that any funding for the Department of Homeland Security come with restrictions on how federal immigration agents conduct enforcement. In vote after failed vote, Democrats showed they wouldn’t budge.
As the partial government shutdown extended to the longest in U.S. history, the Senate settled on a last-ditch effort to fund most of DHS while leaving out money for Immigration and Customs Enforcement and U.S. Border Patrol.
But that deal was rejected by Johnson in the House, who instead pushed through a bill to extend DHS funding on a party-line vote. The collapse of the bipartisan agreement has soured the mood for negotiations and left lawmakers pointing fingers.
“There’s no point in calling us back because that was the result of a conscious choice by the Republican majority,” said Coons, a Delaware Democrat.
Johnson, a Louisiana Republican, told Fox News on Tuesday that the House can come back “on a moment’s notice,” but “the Senate has to do their job and help us on this heavy lift.”
But Thune, a South Dakota Republican, has been clear that he sees no way to get a DHS funding bill through the Senate with its 60-vote threshold for advancing legislation, known as the filibuster.
Still, Thune is coming under renewed pressure to find a way past the funding impasse — with calls from Trump and some conservatives to get rid of the filibuster.
That’s unlikely to work either because of a handful of Republican senators who have made it clear they won’t vote to change the Senate’s rules. Still, Trump told reporters Sunday night that, “They should terminate the filibuster and they should vote.”
Sen. Mike Lee, a Utah Republican, agreed. He said on social media that he thinks one of the only options for the Senate is to “nuke the filibuster and pass everything.”
“Inaction is unacceptable,” he added.
Cappelletti and Groves write for the Associated Press. AP writer Mary Clare Jalonick contributed to this report.
The limited edition Shohei Ohtani souvenir cup available at Dodger Stadium concession stands this season is pretty cool.
And at a mere $68.99, it’s a real bargain too … at least for people planning on attending enough Dodgers games to make the season-long free refills worth the cost. With fountain drinks running about $11.99 each this season, those babies pay for themselves in around six refills.
It’s definitely a better deal than on Opening Day, when the same Ohtani cups were being sold for $74.99. Photos posted on social media show concession stand signs stating that free refills were available only on the day of purchase. (Here’s hoping that no one attempted to make that investment pay for itself in refills all in one day.)
Two days later, the item was discounted by six dollars. The Dodgers confirmed the price drop to The Times but declined further comment.
On Saturday, an Instagram post from Dodger Stadium Hospitality revealed that the cups actually can be refilled for free at every 2026 home game.
“Limited Edition Collector’s Cup available now! Purchase your cup and receive fountain soda refills all season long,” read the post, which also featured photos that showed off a cup made to look just like Ohtani’s jersey, complete with his name and No. 17 with textured and raised plastic for an even more realistic appearance.
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As pricey as the Ohtani cups may be, there appears to be a lucrative resale market for them. As of Tuesday morning, five of those items are listed as sold on eBay at prices that range from $199.99 to $290. At least nine others are listed for sale with asking prices that range from $185 to $339.
Seems like a crazy amount to spend on a cup, especially since one could still be purchased at Dodger Stadium going into Monday night’s game against the Cleveland Guardian. Maybe the buyers are huge Ohtani fans who live in, say, Japan and can’t quite make it out to Chavez Ravine to add to their collection of memorabilia.
Or maybe they’re local fans who have a thirst that only 20-plus refills can quench.
That’s what the couple — call him Taylor and her Tay — wrote Thursday in a social media post announcing that a newborn was in their future.
The couple included four photos: The first showed the “Twilight” franchise star, 34, kissing the belly of his 29-year-old wife as she stands in a field holding sonogram images. The others showed them having fun in that same field as they celebrated the news.
That last one was in black and white and a little blurry, but it showed her sitting in a low chair, hands on her belly, cracking up as he sat low by her side with a big smile on his face. The sonogram made its way through all of the baby-on-board photos.
The couple offered no further details about the baby, including the due date.
Taylor Lautner met the former Taylor Dome in December 2017, and the two went public with their couplehood the next October and got married in November 2022 after a yearlong engagement. She was a registered nurse when they met; he was a few years off playing werewolf Jacob Black in the blockbuster franchise that brought a sparkly vampire-human love story to life.
While co-stars Kristen Stewart and Robert Pattinson, who played Bella Swan and Edward Cullen, have charted distinctive acting careers since 2012, when “The Twilight Saga: Breaking Dawn — Part 2” debuted, Taylor has hung back a bit. He met Tay after his sister set them up with invites to the same game night.
Tay, by the way, was Team Edward, crushing on Pattinson more than Lautner when she experienced the “Twilight” franchise. “I was too young for Jacob’s abs,” Tay told Cosmopolitan in a 2025 profile of the Lautners.
“Yeah, when I was walking around in my little booty jean shorts and ripping my shirt off and my abs were on big screens, she’s 11 years old, throwing a ‘Twilight’ birthday party,” he told the magazine. Tay was “a breath of fresh air” for him after years of dating women who worked in the spotlight.
That list famously included Taylor Swift, his co-star in “Valentine’s Day,” with whom he coupled up for several months before that 2010 movie came out.
“Now I have my priorities straight,” Taylor Lautner told Cosmo. “If I do a project and it doesn’t go as planned, I’ll still be coming home to my family that’s always going to be there.”
You thought the Oscars brought awards season to an end? Think again. The iHeartRadio Music Awards took place Thursday night with performances and appearances by Taylor Swift, Miley Cyrus, Sombr, Weezer, Alex Warren, Shaboozey and John Mellencamp, among other stars. Here’s a glimpse at the best looks from the red carpet and the best moments of the show itself, which took place at the Dolby Theatre in Los Angeles.
The Show
Lainey Wilson performs onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.
Taylor Swift accepts the pop album of the year award onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.
Miley Cyrus accepts the Innovator Award onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.
John Mellencamp, right, performs onstage at the 2026 iHeartRadio Music Awards at Dolby Theatre in Hollywood.
Terry Ellis, from left, Cindy Herron and Maxine Jones of En Vogue perform at the 2026 iHeartRadio Music Awards.
Red Carpet
Miley Cyrus on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.
Ella Langley on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.
Shaboozey and Kehlani on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.
Cheryl Porter on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.
Cindy Herron, Maxine Jones and Terry Ellis of En Vogue on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.
Teddi Mellencamp on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.
Brianna Mazzola and Wennely Quezada of ‘3QUENCY’ on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.
Sublime on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.
Brent Smith and Zach Myers of Shinedown on the red carpet for the 2026 iHeartRadio Music Awards at the Dolby Theatre in Hollywood.
Graham Stanush, Sebastian Gonzalez, Matty Bielawski and London Hudson of Return to Dust on the red carpet for the iHeartRadio Music Awards at the Dolby Theatre in Hollywood.
Holiday makers have been urged to think carefully about what they share online(Image: Getty)
Families have been warned to be careful to avoid a costly mistake when heading away on holiday. The word of warning comes as key changes to the passport system are coming in soon.
Your holiday photos could cost you a lot of money and could invalidate your home insurance. Karishma Darji, from storage group Ready Steady Store, said: “Posting holiday selfies while you’re away might seem harmless, but it tells the world your home is empty. Insurers could view that as poor security.”
She said this mistake could land you a large bill if the worst happens.
Ms Darji said: ” If your property is burgled and investigators find public posts showing you were away, they may argue you didn’t take ‘reasonable care’ to protect your home.”
If your insurance is invalidated due to you posting a holiday snap while you are away from home and you are burgled, you will be responsible for covering the costs of any loss and damages yourself. Ms Darji said this could mean you end up with a four-figure bill to pay.
She explained: “The annual Crime Survey for England and Wales, published by the ONS in April 2025 shows that the average loss from burglary equates to £4,269. The average value of stolen items sits around £2,800, whereas damage from forced entry averages at £1,400.
“However, every house differs based on the value of possessions they own, so the total cost to replace items could be significantly higher.” In light of this danger, her simple word of advice is: “Save the snaps until you’re back to avoid invalidating your claim.”
Passport changes
This update comes as the cost of applying for a passport is soon to increase. Application fees are increasing by 8 per cent, with the new fees coming in from April 8.
The proposed increases, which need to be approved by Parliament, will include the following:
The standard online application submitted from within the UK will rise from £94.50 to £102 for adults
This will go up from £61.50 to £66.50 for children under 16
Postal applications will increase from £107 to £115.50 for adults and £74 to £80 for children under 16
The charge for a Premium Service (one-day) application submitted from within the UK will rise from £222 to £239.50
The charge for a standard online application for a UK adult passport when applying from overseas will rise from £108 to £116.50
This will also increase from £70 to £75.50 for children under 16
Standard paper applications for overseas passports will see a rise from £120.50 to £130 for adults, and from £82.50 to £89 for children under 16.
The framed photo of César Chávez and Dolores Huerta sits in my personal office on a bookshelf crammed with volumes about California and the American West.
The two are at a 1973 United Farm Workers convention, presiding over the union they co-founded. After years of victories in the name of campesinos, the group and its charismatic leaders seem ready for what’s next.
A UFW banner emblazoned with the group’s famous black Aztec eagle logo hangs in the center of the picture, making Chávez and Huerta look like equals.
But they’re not.
He’s speaking from a podium, looking down and appearing cast in darkness due to Chávez blue vest melding into his black hair and brown skin. She’s by his side clasping her hands, wearing a colorful blouse that pales in radiance to Huerta’s hopeful face as she looks at the crowd before them.
It’s the only picture of historical figures that I display at home, and it’s in a place where I’m guaranteed to look at it. It has long served as my secular version of a prayer card, a daily reminder to fight for the good in the world and a reminder that giants before me faced challenges far more daunting than mine. It was also a testament to teamwork — when I acquired the photo a few years ago, it called to me in a way a solo Chávez never would have because I always knew el movimento was more than just one man.
Their portrait can never mean just those things ever again after the New York Times reported last week Chávez sexually assaulted two teenage girls in the 1970s and Huerta in the 1960s.
Places left and right — colleges, cities, classrooms, even states that mark Chávez’s birthday as a holiday — are now deleting his name and image from the public sphere. It’s not going to be a quick, easy task even if the cancellation is starting to take place with startling speed: Chávez’s presence is as ubiquitous in Mexican American life as the Virgin of Guadalupe.
Just this weekend, a friend acknowledged that he and his wife had just started reading a book about him to their 5-year-old daughter, a book they now plan to trash.
I thought of doing the same to my photo of Chávez and Huerta. But I’ve decided not to.
I don’t fault folks for wanting to scrub any hint of Chávez from their daily lives and neither does the Cesar Chavez Foundation, the nonprofit headed by his descendants that recently announced in a statement, “We support and respect whatever decision[s]” may come in the weeks and months to come. Communities are entitled to decide whom they should and shouldn’t publicly honor.
But to eradicate Chávez’s civic presence so fast — to tear down his statues, relabel streets and parks named in his honor, paint over his image on old and new murals, to throw away artwork that has adorned homes and offices for decades — doesn’t remove the fact that millions largely saw him as a champion of the downtrodden until last week. It can’t rescind the positive influence Chávez had on generations of Latinos and non-Latinos who saw in him the hopes of a people and now must reconcile their memories with his horrible deeds.
Historians, educators, activists and politicians for far too long elevated Chávez above Huerta in the name of a simplistic narrative that should’ve never been constructed. The public at large bought into those efforts with little skepticism in the understandable desire to have Latinos star in the American story. It’s a culpability we should all interrogate, not immediately purge.
That’s why not only am I keeping up my photo of Chávez and Huerta, I’m going to put it in a more prominent place from where I can’t look away.
Workers for the city of San Fernando cover the statue at Cesar E. Chavez Memorial Park on Thursday.
(Kayla Bartkowski / Los Angeles Times)
It will serve as a memory of a tragic, tremendous moment in the history of Latinos in the United States, where we should be focusing our attention on a presidential administration that wants most of us gone but instead must deal with the fallout from the downfall of one of our own. It will challenge me anew to look past the big names of the past and highlight those whose stories aren’t nearly as known by the mainstream.
Seeing Huerta next to her abuser will forever remind me about how the now-95-year-old sacrificed her own mental health and safety in the name of something bigger than the two of them — a choice no one should ever have to make but one that she nevertheless did.
The photo will stand as the manifestation of the old newspaper adage that if your mom tells you she loves you, go check it out. No one should ever be above skepticism no matter how sanctified and righteous they may seem — that’s why the New York Times investigation crashed into the Chicano collective sense of self like a meteor. No one could’ve imagined that Chávez could’ve possibly done things so monstrous, but maybe we shouldn’t have built him up so much while he was alive and after his death in the first place.
My framed Chávez-Huerta memento will make me think of how the stories of sexual abuse survivors are still not heard enough or even believed. Even now, some Chávez defenders are casting doubt on the claims of Huerta and the three other women named in the New York Times story, questioning their motivations to come forward after decades of silence and decrying how their decision to do so has permanently tarnished the reputation of one the few nationally known Chicano heroes. In Huerta’s case, critics just don’t buy how someone who carried Chávez’s torch decades after his death could all of a sudden supposedly turn on him.
But as a Catholic who has long covered the Catholic Church sex abuse scandal, I know that every sexual assault survivor has their own journey of recovery. I also know that we must always seek the truth instead of living a lie.
And turning Chávez into a historical footnote is a lie. He long served as a moral exemplar; he should now serve as a cautionary tale known to all.
Erasing historic figures from the public sphere is an exercise in power going back to the pharaohs, a way rulers ensured future generations couldn’t learn about their enemies. The push to nix Chávez comes from the trend in recent years by progressive activists to remove monuments that hail problematic figures under the pretense that someone’s sins trump any good they might have done no matter how influential they were.
Again, all communities have that right to reexamine the past. But we can’t and shouldn’t disappear the full story of Chávez, as painful as it is. It’s the easy way out — and remedying wrongs is never easy.
If the photo in my book shelf was only of Chávez, I’d still keep it up. The good he did was really good — the bad he committed was as terrible as it gets.
The photos currently flooding my social media stream are like a highlight reel of the life of Chicana civil rights icon Dolores Huerta.
The famous 1960s-era black-and-white shot of her looking like a bohemian in sweatshirt and black paints while she holds up a sign proclaiming “HUELGA” in the grape fields of California’s Central Valley.
Chanting at the front of picket lines, strands of gray in her hair, in the 1980s.
Beaming as President Obama awarded her the Presidential Medal of Freedom in 2012 for a lifetime of good work that expanded beyond the United Farm Workers union she co-founded.
What’s especially popular is admirers posting pictures of themselves with her — at protests, during art gallery openings, in classrooms, even dancing. It’s the type of public outpouring one usually sees when a celebrity dies. Sadly, there is grief involved in people sharing their encounters with her right now.
Someone didn’t die. But something did.
Earlier this week, Huerta’s disclosed to the New York Times that fellow Chicano civil rights icon Cesar Chavez raped her during the 1960s. It was part of a story that also interviewed two women who claimed the United Farm Workers co-founder sexually abused them when they were young teens in the 1970s.
One of the posts I saw soon after the story’s publication was an Instagram portrait Maricela Cueva took when the two met a few years ago during a conference in Burbank.
“Standing with Dolores Huerta,” said Cueva, president of the public relations firm VPE Communications, “means honoring her legacy in the farmworker movement as well as the victims who had the courage to come forward and acknowledging the personal sacrifices behind it.”
Former West Covina Mayor Brian Calderón Tabatabei shared on the platform formally known as Twitter a photo of him shaking hands with Huerta in Berkeley at a Working Families Party gathering for elected leaders in 2024, where she joined breakout sessions and listened to the next generation of leaders.
“I look at the folks who posted pictures and we are all children of the movement,” said Tabatabei, who’s also an El Monte High ethnic studies teacher. He kicks off each school year with a shout-out to Huerta. “She lived with that pain so we could be in these spaces. So we don’t have to be quiet.”
Together, the photos stand as a communal family album. It’s a show of love and solidarity to Huerta — but also a challenge to ourselves. Many of us immediately believed the longtime activist not just because of her stature, but because we’re sadly too familiar with the script playing out in real time.
A Latina abused by a trusted, powerful man. A terrible secret kept to not make him look bad and ruin his life. A need for the victim to consistently praise the abuser to others no matter what. A life of service in the form of sacrifice. Eternal grace masking an unimaginable pain.
Her story is the story of too many women I know and you know — and maybe the story of you.
Steely resolve in the face of suffering is not new in the Huerta story. For decades, reporters, activists, historians and others who formed the narrative of Chicano civil rights treated her as a modern-day Mary Magdalene — a woman who found purpose by following a man. Chavez was positioned as the Christlike figure who toiled for all of us at great personal cost and thus anointed the face of the farmworkers movement. Meanwhile, he and others relegated Huerta to sidekick status, both in the trenches and in the public — and the image makers followed his lead.
She found more prominence after his death in 1993, but Chavez’s shadow loomed over her for too long. Huerta became one of Chavez’s fiercest defenders even after revelations about his autocratic ways became public — but what else was she supposed to do when people tied so much of her identity to him?
Through it all, Huerta showed up not just for la causa but for those of others. People in Bakersfield, where Huerta lives, know she’s a supporter of arts and live music — she was seen dancing with family members at a Mardis Gras party just last month, gladly taking photos with well-wishers. I have run into her at my wife’s restaurant in Santa Ana, at movie theaters in Los Angeles, during online fundraisers for museums. My favorite memory is the time we both spoke to students at a high school summer conference. Afterward, the organizers told me her speaking fee was a pittance compared to that of a famous Latina author who demanded $25,000 for an hour-long chat.
That’s why Huerta’s recent revelations hit particularly hard — unlike the long-sainted Chavez, she always seemed more like one of us. Huerta has cycled through the stages of life in the public eye in a way that has seen Latinos relate to her over the decades as our daughter, our sister, our aunt. Our mother, grandmother and now great-grandmother in the winter of her years.
We all know women in one of those roles who suffered the same violations Huerta did. The same dismissals and insults. Who never spoke about their ignominies because they were afraid we wouldn’t be there for them.
Huerta was once one of them.
“I believed that exposing the truth,” Huerta wrote in a short essay, “would hurt the farmworker movement I have spent my entire life fighting for.”
By coming forward now, she’s speaking up for every woman who has kept their abuse private, every woman overlooked in favor of a man, every relative told to keep secrets lest they embarrass the family, every woman attacked for finally speaking up. By posting all those photos of Huerta — by herself, in a crowd, with others — people are publicly and unconsciously saying:
We can do better for the girls and women in our lives. We must do better.
“I have kept this secret long enough,” she concluded in her essay. “My silence ends here.”
May we all hear the Dolores Huertas in our lives. May we finally stand by them.
The Grammy-nominated “Call Me Maybe” pop star and her husband, music producer Cole M.G.N., welcomed their first child together months after tying the knot last fall. Jepsen, 40, revealed the arrival of her little one on Instagram.
“Last 2 weeks have been the best of my life,” the Canadian singer-songwriter captioned a photo shared to her Instagram story on Tuesday. The photo, a mirror selfie, shows Jepsen all smiles in a leopard-print bucket hat, white shirt and black shorts as she cradles her child, who wears a green-striped onesie.
“Welcome to the world little one,” Jepsen wrote.
“Run Away With Me” singer Jepsen and music producer Cole M.G.N. — whose full name is Cole Marsden Greif-Neil — exchanged their vows in late October at the Chelsea Hotel in New York, three years after striking up a romance in 2022. A month later, Jepsen announced she and her husband were expecting.
“Oh hi baby,” she captioned a set of baby-bump-baring photos shared to Instagram in November. In the tender maternity shoot, Jepsen cradles her bump in bed alongside Marsden Greif-Neil. Jepsen continued posting on Instagram about her maternity journey with fans, in January posting photos from the beach, from home and from fitting rooms as she spoke about finding a lullaby for her child-to-be.
On Tuesday, she channeled a Frankie Valli classic to express her “Emotion” about being a mother: “Can’t Take My Eyes Off You.”
Last year, Jepsen celebrated 10 years of her cult-favorite album “Emotion,” the follow-up to her 2012 smash hit “Call Me Maybe.” She celebrated the milestone with a lively anniversary concert in August at the Troubadour in West Hollywood, featuring celebrity guests and moments of reflection.
“I had brought a little suitcase, and I kept calling my parents and saying, ‘Send more clothes!’” Jepsen said, recalling her move to Los Angeles from her native Canada when she was 26. “Five years later, I was like, I think I live here now. I’m very happy to say L.A. has become my home.”
Pop music critic Mikael Wood contributed to this report.
Zendaya and Tom Holland exchanged their vows in a luxurious ceremony off the Italian coast attended by previous “Spider-Man” duos Andrew Garfield and Emma Stone and Tobey Maguire and Kirsten Dunst and officiated, obviously, by Robert Downey Jr.
At least that’s what one improbable image fantasized in a recent slew of AI-generated “wedding photos” circulating online.
“Tomdaya” (Tom + Zendaya) fans in recent weeks took it upon themselves to conjure up photos from the “Spider-Man” co-stars’ supposed nuptials, further stoking speculation that the betrothed stars, both 29, had said their vows. The phony wedding photos began making the rounds on social media after Law Roach, Zendaya’s longtime stylist, claimed earlier this month that “the wedding’s already happened.” Zendaya broke her silence on the photos and wedding rumors on Monday, telling late-night host Jimmy Kimmel that “many people have been fooled by them.”
The “Challengers” and “Dune” star, promoting her upcoming film “The Drama,” told Kimmel that the viral AI images caused people to approach her and congratulate her for the “gorgeous” ceremony and had even duped people in her close circles.
“Babe, they’re AI,” she recalled telling loved ones. “They’re not real.”
“Odyssey” co-stars Zendaya and Holland were first romantically linked in 2021, years after first sharing the screen in 2017’s “Spider-Man: Homecoming.” Zendaya memorably teased her engagement to the British actor at the 2025 Golden Globes, when she stepped out on the red carpet with a ring on that finger. At that awards show, when former Times columnist Amy Kaufman asked the actor if she was engaged, Zendaya flashed her ring, smiled coyly and shrugged her shoulders.
Earlier this year, eagle-eyed fans had their eyes on another ring. Tomdaya wedding rumors began gaining traction when Zendaya was spotted on Feb. 18 with a plain gold band on her left ring finger in place of her engagement diamond. Weeks after that, stylist Roach made his bold claim, one he danced away from at the 2026 Academy Awards on Sunday.
When the Hollywood Reporter asked Roach about his comment during the Oscars red carpet, he turned his attention elsewhere. “I think the weather’s really amazing today, it’s so sunny it’s a little warm but it’s beautiful,” he said.
During her late-night spot, Zendaya did not confirm or deny whether she and Holland had tied the knot but instead offered a video to “clear the confusion.” The video, a wedding scene from “The Drama,” shows Zendaya’s character posing alongside co-star Robert Pattinson’s, though his face is obscured by a picture of Holland.
“That was real footage,” she quipped. “That was real, I was there.”
Luka Doncic is attempting to bring his daughters to the United States from his native Slovenia after separating from his fiancée, according to reports.
His former fiancée, Anamaria Goltes, 28, has filed a petition in California seeking child support and attorney fees from Doncic. One of Doncic’s daughters was with him for three months in 2025, and his other daughter has never been to California. Doncic, 27, told ESPN that he had “no idea” Goltes filed the petition.
“I love my daughters more than anything, and I’ve been doing everything I can for them to be with me in the U.S. during the season, but that hasn’t been possible, so I recently made the tough decision to end my engagement,” Doncic said in a statement. “Everything I do is for my daughters’ happiness, and I will always fight to be with them and give them the best life I can.”
Doncic and Goltes were engaged for nearly three years. Their oldest daughter, Gabriela, was born in November 2023, and Olivia was born in December. Doncic traveled to Slovenia for Olivia’s birth, missing games against the Toronto Raptors on Dec. 4 and Boston Celtics on Dec. 5.
During his visit, Doncic told Goltes he wanted to bring Gabriela to the United States when he returned to rejoin the Lakers, according to reports. Goltes objected, and Doncic departed without his daughter.
“I don’t even know how to describe it,” he told reporters of being present for Olivia’s birth. “It was a lot. I was there for the birth of my daughter, so that means everything to me. But it was definitely a roller coaster.
“I got to see my daughter again, my newborn. Coming back, it was kind of hard to leave them behind. But it’s a job, so I got to do it. So hopefully I’ll see them soon.”
Doncic posted a photo on social media of Olivia wearing a pink sweater with a heart emoji covering her face. In his first game back, he inscribed a G and O with a heart on his shoes.
“Two girls, they’re going to make my life hell for sure, I know that,” Doncic said, half-joking. “I’m going to be their security after I retire. All jokes aside, it’s the best thing in the world. I’m just blessed.”
Goltes deleted photos of her and Doncic from her Instagram account last week, and Doncic acknowledged that they had separated. Two weeks ago, he filed an injunction with a Slovenian court seeking immediate contact with his daughters, ESPN reported.
Doncic, who was traded to the Lakers from the Dallas Mavericks for Anthony Davis in February 2025, leads the NBA with a 32.5 points-per-game average. The guard also averages 8.4 assists and 7.8 rebounds.
