period

SALT LAKE CITY — Nick Schmaltz scored his second goal of the game at 1:46 of overtime to give the Utah Mammoth a 4-3 victory over the Kings on Sunday night.

Schmaltz carried the puck in on a two-on-one rush with defenseman Mikhail Sergachev on his left and fired a snap shot between goalie Darcy Kuemper‘s legs.

After the Kings controlled play in the three-on-three overtime and nearly ended it on Alex Laferriere’s shot that went off the right post, Kevin Stenlund won a faceoff against Quinton Byfield to set up Schmaltz’s seventh winning goal of the season.

Artemi Panarin tied it for the Kings with 3:30 left in regulation with his 25th goal of the season. His shot from deep on the far right side eluded goalie Karel Vejmelka.

Schmaltz pushed his career-high goals total to 26 and reached 63 points to match his career high set in 2024-25. Lawson Crouse scored twice in the first period and added an assist, and Vejmelka made 33 saves to help Utah end a four-game home losing streak. The Mammoth hold the first wild card in the Western Conference, five points ahead of Nashville.

Byfield had a goal and an assist, and Laferriere also scored for the Kings. Kuemper stopped 30 shots.

The Kings are two points behind Nashville for the final wild-card spot.

Period dramas are more popular than ever thanks to the likes of Bridgerton and Emerald Fennell’s Wuthering Heights.

Jane Austen’s Pride and Prejudice universe is far from just Elizabeth Bennet and Mr Darcy as a new BBC adaptation is ready to air.

Netflix fans are curious to see how the iconic novel written by author Dolly Alderton will take shape this year but there’s an alternative with a twist on BBC One in the meantime.

Based on the best-selling 2020 novel of the same name, The Other Bennet Sister by Janice Hadlow is finally being brought to life in the shape of a 10-episode period drama.

But rather than telling the love story of Elizabeth and Mr Darcy, the BBC series will be told from the perspective of Mary Bennet, the “seemingly unremarkable” middle sister of the Bennet family.

She may be considered the “overlooked middle sister” of Pride and Prejudice but, in this series, Mary Bennet will stand in the spotlight for the first time.

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Debuting with a double bill tonight, Sunday, March 15, at 8pm on BBC One, The Other Bennet Sister “follows Mary as she steps out of her sisters’ shadows in search of her own identity and purpose, finding herself in the middle of an epic love story along the way.

“Her journey will see her leave her family home in Meryton for the soirées of Regency London and the peaks and vales of the Lake District, all in search of independence, self-love, and reinvention.”

Bringing the 19th Century Regency drama to life are an abundance of familiar faces, led by none other than Call the Midwife actress Ella Bruccoleri as Mary Bennet.

She is joined by stars including Gavin and Stacey’s Ruth Jones as Mrs Bennet, The Capture actress Indira Varma as Mrs Gardiner and Saltburn actor Richard E Grant as Mr Bennet, just to name a few.

Despite not yet airing on BBC One and BBC iPlayer, The Other Bennet has already won itself a legion of fans thanks to Hadlow’s hit book.

Taking to Goodreads, a fan described it as “Beautifully written, moving and plausible, and very much in the spirit of Austen.”

Another echoed: “I would think that Austen herself wrote this book if I didn’t know better.

“Hadlow completely nails Austen’s witty, sharp sense of humor and elegant turns of phrase.”

“I absolutely love this – it’s a lovely, powerful and sweet book and I just adored it”, a third said.

While fourth added: “This is a fantastic re-telling of a classic novel and its characters, reforming our view of Mary Bennet, and elevating her into a heroine in her own right.”

The Other Bennet Sister premieres tonight, Sunday, March 15, at 8pm on BBC One.

Ella Bruccoleri looks unrecognisable from her days at Nonnatus House as she takes on the leading role in new BBC period drama

Call the Midwife star Ella Bruccoleri has landed the leading role in new BBC period drama The Other Bennet Sister.

The 10-episode series, which is based on Janice Hadlow’s novel of the same name, follows the “overlooked” character of Mary Bennet, played by Ella, who looks unrecognisable from her days at Nonnatus House, where she featured as Sister Frances until 2022.

The series begins at Longbourn, where the Bennet family’s five unmarried daughters navigate the rigid expectations of Regency society.

“Her journey sees her leave her family home for the soirées of Regency London and the peaks and vales of the Lake District, all in search of independence, self-love, and reinvention,” the synopsis says.

“The series follows Mary as she steps out of her sisters’ shadows in search of her own identity and purpose, finding herself in the middle of an epic love story along the way,” it goes on.

Fans don’t have long to wait for the show to drop as it had since been confirmed that it will premiere on BBC One at 8pm on Sunday ( March 15) and all episodes will be available to stream on iPlayer.

Speaking to the BBC about her new role, Ella explained: “Mary’s not your typical period drama heroine.

“She lives in a world where, particularly for women, appearance is everything, and she doesn’t understand that value system at all.

“Instead, she turns to literature that offers a different viewpoint. Her favourite book is Fordyce’s Sermons to Young Women, because it argues that women shouldn’t have to be beautiful — they should be intelligent and pious.”

Giving fans further insight on her character, she added: “Mary Bennet has been written off by many members of her family, and as a result she’s written herself off too. When we meet her at the beginning of the series, she’s living with her family in a small village and has never really left that world.

“These are the only people she knows, and she understands herself through the values they impose on her. We know these characters from Pride and Prejudice, but it’s fascinating to see the impact they have on someone like Mary.”

Giving her thoughts on the new adaptation, the star said: “When I read Jane Austen, I’m always struck by how witty it is so witty, with humour in every line.

“Sarah Quintrell really brings that into the scripts, and Janice Hadlow’s book does the same. The novel is very different in style from Austen, but it feels like a genuine extension of Pride and Prejudice.

“Sarah’s scripts tread the line between comedy and drama better than anything I’ve ever read. It feels like a tragicomedy – it doesn’t take itself too seriously, but it’s also not afraid to delve into emotionally weighty material. That feels very true to Jane Austen.”

The Other Bennet Sister debuts on BBC One and iPlayer on Sunday (March 15) at 8pm

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The beloved period drama has been hailed by audiences online and compared to Downton Abbey and Sherlock Holmes

Fans of period drama have been met with bittersweet news following the recent confirmation that a cherished series will be making a comeback – but for one final outing only.

This announcement follows previous excitement surrounding a WWII film due for release later this year and a Netflix period drama series drawing comparisons to HBO’s Chernobyl, reports the Express.

The costume drama has previously earned acclaim from one IMDb reviewer who described it as “One of the best”. They highlighted how the lead performer was an “absolute master at facial expressions”.

They continued: “IMHO this series continues to get stronger and is one of the best things produced for network TV. I am hoping this will be as long lived as some of the classic British shows like Vera and Silent Witness [sic].”

Another viewer wrote in their 10/10 assessment: “A wonderful TV detective story that bridges 21 century sensibilities with the horrible conditions of Victorian England, with its pollution, gender and class inequalities, poverty, etc.”

They further commended the programme: “What truly makes this show exceptional are the costumes, the sets, the great chemistry between the two protagonist, and the relationships amongst the other characters that slowly develops throughout the six episodes [sic].”

A third 10/10 review declared: “Fresh look, captivating plot, beautifully portrayed characters, real feel of old atmosphere, close attention to detail.”

The admirer revealed they were “totally hooked” by the production.

A third glowing review, titled “Amazing period piece”, saw the reviewer enthuse: “I joined PBS for this great masterpiece.

“The tension between the lead actors keeps me coming back for more. In this Downton Abbey meets Sherlock Holmes drama, each episode brings a more compelling reason to keep coming back for more.”

Miss Scarlet is set to wrap up after its upcoming seventh season, having first graced our screens in 2020.

The series features Peaky Blinders actress Kate Phillips in the starring role of Eliza Scarlet, the first female detective in Victorian London.

Not only has Miss Scarlet been solving mysteries, but she’s also been shattering the glass ceiling with her work throughout the city.

In a statement obtained by Deadline, the show’s creator Rachael New expressed: “Making Miss Scarlet has been the greatest joy of my professional career.

“Every stage of this beautiful show – from the writing, filming, editing and finally it reaching the screen – it has taken a whole village. A village of exceptionally talented people.

“From the wonderful exec team who first saw the potential in this story, to my brilliant writing partner Ben Edwards, the Belgrade production team, the Dublin post team and not least to our remarkable cast led by the magnificent Kate Philips, it has been a collaborative and beautiful experience.

“I’m very proud of how the final season plays out and the story we tell for Eliza.”

She added: “It’s a wrench to say goodbye to a character that I have lived and breathed for all these years, but Eliza will forever be with me whether on screen or off.”

Meanwhile, leading actress Phillips remarked: “What a journey this has been. Miss Scarlet has been one of the greatest joys of my career, and I will forever be grateful to Rachael New for creating such a witty, sharp, and delightful character in Eliza.

“It’s been a privilege to work on a show crafted with so much love and dedication and as we prepare to say goodbye, I’m so proud of what we’ve achieved and the memories we’ve made.

“Thank you to everyone who has supported us – I can’t wait to share the farewell Miss Scarlet deserves.”

Alongside Phillips, Miss Scarlet – formerly known as Miss Scarlet and the Duke – also features Tom Durant-Pritchard, Paul Bazely, Tim Chipping, Evan McCabe, Felix Scott, Cordelia Bugeja, and Ansu Kabia.

Production is currently underway in Serbia on series seven’s final six episodes of the drama.

Miss Scarlet is available to stream on UKTV’s U.

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The critically acclaimed war drama is currently streaming on Amazon Prime and stars an Oscar-winning Hollywood A-lister in a completely unrecognisable avatar.

A compelling wartime period drama has been branded essential viewing by audiences and critics, featuring an exceptionally gifted actor whose portrayal earned him an Academy Award.

Helmed by Joe Wright from a script by Anthony McCarten, this 2017 historical drama chronicles Winston Churchill’s tenure as Prime Minister during the Second World War, specifically focusing on the critical May 1940 war cabinet crisis.

The film takes its name, Darkest Hour, from the phrase used to describe those perilous early war days, when British forces were stranded at Dunkirk, France teetered on the brink of collapse, and impossible odds faced Britain and the Allied Forces. Churchill himself had used the term ‘Darkest Hour’ in his public addresses during that period.

The official synopsis reads: “The fate of Western Europe hangs on Winston Churchill in the early days of World War II. The newly appointed British prime minister must decide whether to negotiate with Hitler or fight on against incredible odds. During the next four weeks in 1940, Churchill cements his legacy as his courageous decisions and leadership help change the course of world history.”

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Gary Oldman takes on the leading role of Winston Churchill, becoming utterly unrecognisable as the British PM through a transformation requiring over three hours daily to achieve, using intricate makeup and delicate prosthetics.

Speaking to ABC News, Oldman revealed of his dramatically transformed look in the film: “It took three hours, 15 minutes and then getting into the costume and everything, it was just under four hours, 48 days consecutively.”

He added: “And then I would be dressed as Winston by the time the director arrived and the other actors for rehearsal. So it was very odd. They did not see me as Gary for three months for the entire shooting because I was always in my makeup.”

Shedding the character at the end of each gruelling day proved equally challenging. The acclaimed actor explained to the publication it was a “very slow process” whereby a special solution was required to dissolve his appearance, resulting in approximately 18-hour working days.

Oldman confessed he genuinely feared he “would not have the stamina” to endure the entire shoot, yet somehow pushed through and “loved every minute of it”.

Raking in $150 million at the global box office against a production budget of $30 million, Darkest Hour proved an undeniable commercial triumph, reports the Express.

Oldman was joined by Kristin Scott Thomas, Lily James, Stephen Dillane, Ronald Pickup, and Ben Mendelsohn who rounded off a stellar supporting cast.

Beyond its box office success, Darkest Hour earned widespread critical acclaim, securing six Academy Award nominations including Best Picture, Best Cinematography, Best Makeup and Hairstyling, and Best Actor – the latter of which Oldman triumphantly claimed, along with the Oscar for makeup and hairstyling.

Boasting an impressive 84% critics’ approval rating on Rotten Tomatoes, Darkest Hour received widespread acclaim from reviewers, with one writing: “As a portrait of leadership at its most brilliant, thoughtful and morally courageous, “Darkest Hour” is the movie we need right now.”

Unsurprisingly, Oldman’s portrayal garnered particular praise, with one critic saying: “Oldman brings a wicked wit and compassionate heart to the role, one for which he seems almost superhumanly suited for – and that’s really saying something, consider how many great actors have played Churchill.”

Another impressed reviewer wrote: “It’s an amazing performance: the only star turn I’ve seen in which a famous actor visible in nearly every scene would be unrecognisable if we didn’t know his name already.”

Whilst a fourth critic succinctly said: “Darkest Hour is a one man show for Oldman. And what a show it is.”

Audience responses echoed similar sentiments, with one admirer writing: “A deeply gripping and entertaining vignette of leadership from one of history’s greatest. Superbly well cast and designed. I wasn’t expecting to enjoy it as much as I did. Highly recommended.”

Another viewer said about the film: “One of those films that gives you goosebumps as Churchill bumbles his way into history (again). Oldman is superb as Churchill and the filing is so atmospheric you almost feel as if you’re in the House of Commons or his house with him. Kirsten Scott-Thomas and Lily James along with Ronald Pickup are perfect in their roles. If you’ve ever been in the War Rooms in London you can sense the claustrophobic hive of activity that unbelievably held the British war effort together. A film that I could watch more than once.”

A third admirer added: “Gary Oldman was indeed phenomenal on this one. And even without Gary’s performance, this would still be a worthy watch.”

Darkest Hour is currently available to stream on Amazon Prime Video.

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Pavel Dorofeyev had two goals and the Vegas Golden Knights spoiled Artemi Panarin’s Kings debut by scoring five third-period goals to rally for a 6-4 win Wednesday night.

Colton Sissons, Brandon Saad and Reilly Smith scored three goals in a span of 4:14 midway through the third and the shorthanded Golden Knights overcame the absence of five players who participated in the gold medal game at the Milan Cortina Olympics on Sunday. Ivan Barbashev added a late empty-netter, and Adin Hill made 15 saves.

Vegas played without United States center Jack Eichel and defenseman Noah Hanifin and Canada forwards Mark Stone and Mitch Marner and defenseman Shea Theodore, all of whom are expected to be available when their five-game trip continues against the Capitals in Washington on Friday night.

Quinton Byfield had two goals, Adrian Kempe and Brandt Clarke scored, while Panarin had two assists in his team debut, but the Kings dropped their fourth straight game.

Panarin, who was acquired in a trade from the New York Rangers on Feb. 4, set up the Kings’ opening goal by putting his pass in off Byfield’s skate on the power play late in the first period and had the secondary assist on Kempe’s goal in the second period.

Anton Forsberg made 19 saves for the Kings, who came out of the Olympic break three points out of a wild-card berth.

The Golden Knights found themselves trailing after two periods as Panarin reached the 40-assist mark for the 11th straight season. But they responded with a strong final 20 minutes, including Dorofeyev’s power-play goal with 4:01 remaining that made it 5-3.

Some would argue that Downton failed to steal the crown of this classic.

Some things are simply unbeatable. A classic period drama, one as critically acclaimed as it was popular, remains regarded as amongst the finest ever produced — Upstairs, Downstairs.

The family saga charted the lives of the aristocratic Bellamy family and their staff in the early 1900s. Spanning three decades, the programme’s narrative stretched both World Wars and the jazz age through to the Great Depression.

As the quintessential period drama of its era, comparisons between Upstairs, Downstairs and Downton Abbey are inevitable. The BAFTA-winning ITV series established the benchmark for costume dramas with storylines that mirror its successor.

Upstairs, Downstairs came before Downton Abbey by 50 years. Both programmes portray the lives of an aristocratic family and their servants against a backdrop of social and political upheaval in the early 20th century.

They diverge in some major ways though, with the most obvious being Downton Abbey’s production values. The 1970s show looks more understated, a quality that strikes viewers as either nostalgic of off-putting.

Downton’s location is fundamentally more grand. The Bellamy family inhabit a London townhouse, worlds apart from the Crawley family’s lavish country manor which became a character in its own right.

Whilst Downton was famed for its visual spectacle, a share of the audience felt the series occasionally strayed into the melodramatic. In contrast, Upstairs, Downstairs has been likened to theatre due to its more grounded visuals and plot lines.

Fans of both period dramas have invariably come together online to compare the shows and name their favourite.

One person sparked a debate on a Downton Abbey forum by asking: “If you have seen both shows, which show do you think is better?” to which one person simply responded: “Upstairs Downstairs without question.”

“The original Upstairs Downstairs is one of the finest TV programmes ever made,” argued another. “Downton Abbey is a jumped up soap opera.”

Of course it would be remiss not to mention the BBC’s reboot of Upstairs, Downstairs in the 2010s, but that’s a whole ‘nother debate.

Upstairs, Downstairs can be streamed on ITVX.

Netflix has confirmed it’s making a brand-new historical series that will focus on a family ripped apart by betrayal

Netflix has announced plans to produce a period drama focused on one of the most harrowing periods in history.

The upcoming Netflix series comes from the same creative team behind another major period drama for the streaming giant, reports the Express.

IMDb users have been effusive in their praise for the programme, drawing parallels with acclaimed shows such as The Crown and Downton Abbey.

One viewer headed their 10/10 review: “A Masterpiece of Emotion and Visual Beauty.”

They elaborated: “I’m absolutely in love with this series. After waiting two whole years for the next six episodes, I couldn’t help but binge them all in one go. And wow, it was worth the wait! The actors are phenomenal-so much emotion in their performances that they pulled me into every moment. I cried, laughed, and felt everything in between.”

A second reviewer wrote in their 9/10 assessment: “Like the Crown but much more captivating.”

A third critic awarded 10/10, describing it as “an utterly gorgeous series” and noted: “The Crown wasn’t historically 100% accurate either, but did we absolutely adore every second of it and appreciate how beautifully done the series was? Well, I did at least.”

They continued: “This series had me captivated on every level from the first second it began.”

Another viewer commented: “If you like The Crown, you’ll like this” and explained: “Romantic would be something like Pride and Prejudice or Bridgerton. This was more like Downton Abbey or The Crown, where in the drama is the focus.”

Witches is a fresh series in the works at Netflix, brought to you by the producers of The Empress.

The narrative will unfold in medieval Germany, tracing the lives of three sisters amidst the German witch hunts.

As per Deadline, the drama will delve into a family torn asunder by “suspicion, accusation and betrayal”, their struggle to safeguard loved ones from the “grip of fear and fanaticism”, and the “unyielding resistance” during one of “Europe’s darkest chapters”.

In a statement to the publication, producers Robert and Katharina Eyssen expressed their immense joy at finding a “creative home” at Netflix once again, following their collaboration on The Empress.

The duo affirmed that the streaming giant “truly understood” their artistic vision, having built up “trust” over many years with the platform.

They added: “As with The Empress, we are creating a family story centered on strong, complex, and defiant female characters.

“It is a radically emotional story that explores marginalization and persecution – a series that provokes thought, sweeps you along, and gets under your skin [sic].”

This announcement follows reports that filming has concluded for season three of the International Emmy-winning The Empress in Bavaria, Germany and the Czech Republic.

Production for the third season kicked off in September 2025 and it has been confirmed as the final instalment for the sprawling period drama.

The final series will comprise six episodes, delving into the aftermath of the Sardinian War and Emperor Franz (portrayed by Philip Froissant) returning from the frontlines burdened with trauma and guilt over the loss of thousands of young lives.

Empress Elisabeth von Wittelsbach (Devrim Lingnau) will support him as she battles for her marriage and the empire.

She will also encounter difficulties at court due to her deteriorating health, leading her to depart Vienna and embark on an unforeseen journey.

The Empress season 3 is set to launch on Netflix later this year.

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The Empress season 3 will be released on Netflix later this year

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