pasadena

Andy Richter has found his place.

The Chicago area native previously lived in New York — where he first found fame as Conan O’Brien’s sidekick on “Late Night” — before moving to Los Angeles in 2001. Three years ago, he moved to Pasadena. “Now that I live here, I would not live anywhere else,” he says.

There are some practical benefits to the city. “I am such a crabby old man now, but it’s like, there’s parking, you can park when we have to go out,” Richter says. “The notion of going to dinner in Santa Monica just feels like having nails shoved into my feet.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

But he mostly appreciates that Pasadena is “a very diverse town and just a beautiful town,” he says.

For Richter, most Sundays revolve around his family. In 2023, the comedian and actor married creative executive Jennifer Herrera and adopted her young daughter, Cornelia. (He also has two children in their 20s, William and Mercy, from his previous marriage.)

Additionally, he’s been giving his body time to recover. Richter spent last fall training and competing on the 34th season of “Dancing With the Stars.” And though he had no prior dancing experience, he won over the show’s fan base with his kindness and dedication, making it to the competition’s ninth week.

He hosts the weekly show “The Three Questions” on O’Brien’s Team Coco podcast network and still appears in films and TV shows. “I’m just taking meetings and auditioning like every other late 50s white comedy guy in L.A., sitting around waiting for the phone to ring.”

This interview has been lightly edited and condensed for length and clarity.

7:30 a.m.: Early rising

It’s hard for me at this advanced age to sleep much past 7:30. I have a 5 1/2-year-old, and hopefully she’ll sleep in a little bit longer so my wife and I can talk and snuggle and look at our phones at opposite ends of the bed, like everybody.

Then the dogs need to be walked. I have two dogs: a 120-pound Great Pyrenees-Border Collie-German Shepherd mix, and then at the other end of the spectrum, a seven-pound poodle mix. We were a blended dog family. When my wife and I met, I had the big dog and she had a little dog. Her first dog actually has passed, but we like that dynamic. You get kind of the best of both worlds.

8 a.m.: Breakfast at a classic diner

Then it would probably be breakfast at Shakers, which is in South Pasadena. It’s one of our favorite places. We’re kind of regulars there, and my daughter loves it. It’s easy with a 5-year-old, you’ve got to do what they want. They’re terrorists that way, especially when it comes to cuisine.

I’ve lived in Pasadena for about three years now, but I have been going to Shakers for a long time because I have a database of all the best diners in the Los Angeles metropolitan area committed to memory. There’s just something about the continuity of them that makes me feel like the world isn’t on fire. And because of L.A.’s moderate climate, the ones here stay the way they are; whereas if you get 18 feet of winter snow, you tend to wear down the diner floor, seats, everything.

So there’s a lot of really great old places that stay the same. And then there are tragic losses. There’s been some noise that Shakers is going to turn into some kind of condo development. I think that people would probably riot. They would be elderly people rioting, but they would still riot.

11 a.m.: Sandy paws

My in-laws live down in Long Beach, so after breakfast we might take the dogs down to Long Beach. There’s this dog beach there, Rosie’s Beach. I have never seen a fight there between dogs. They’re all just so happy to be out and off-leash, with an ocean and sand right there. You get a contact high from the canine joy.

1 p.m.: Lunch in Belmont Shore

That would take us to lunchtime and we’ll go somewhere down there. There’s this place, L’Antica Pizzeria Da Michele, in Belmont Shore. It’s fantastic for some pizza with grandma and grandpa. It’s originally from Naples. There’s also one in Hollywood where Cafe Des Artistes used to be on that weird little side street.

4 p.m.: Sunset at the gardens

We’d take grandma and grandpa home, drop the dogs off. We’d go to the Huntington and stay a couple of hours until sunset. The Japanese garden is pretty mind-blowing. You feel like you’re on the set of “Shogun.”

The main thing that I love about it is the changing of ecospheres as you walk through it. Living in the area, I drive by it a thousand times and then I remember, “Oh yeah, there’s a rainforest in here. There’s thick stands of bamboo forest that look like Vietnam.” It’s beautiful. With all three of my kids, I have spent a lot of time there.

6:30 p.m.: Mall of America

After sundown, we will go to what seems to be the only thriving mall in America — [the Shops at] Santa Anita. We are suckers for Din Tai Fung. My 24-year-old son, who’s kind of a food snob, is like, “There’s a hundred places that are better and cheaper within five minutes of there in the San Gabriel Valley.” And we’re like, “Yeah, but this is at the mall.” It’s really easy. Also, my wife is a vegetarian, and a lot of the more authentic places, there’s pork in the air. It’s really hard to find vegetarian stuff.

We have a whole system with Din Tai Fung now, which is logging in on the wait list while we’re still on the highway, or ordering takeout. There’s plenty of places in the mall with tables, you can just sit down and have your own little feast there.

There’s also a Dave & Buster’s. If you want sensory overload, you can go in there and get a big, big booze drink while you’re playing Skee-Ball with your kid.

9 p.m.: Head to bed ASAP

I am very lucky in that I’m a very good sleeper and the few times in my life when I do experience insomnia, it’s infuriating to me because I am spoiled, basically. When you’ve got a 5 1/2-year-old, there’s no real wind down. It’s just negotiations to get her into bed and to sleep as quickly as possible, so we can all pass out.

New UCLA coach Bob Chesney will direct his first football season in a historic venue the Bruins have long called home.

UCLA announced on Saturday that the Bruins will play the 2026 season at the Rose Bowl amid ongoing litigation of the university’s right to potentially break its lease and play home games at SoFi Stadium.

“We know how much game day means to Bruins — to our students, alumni and fans who plan their autumn around Saturdays together,” UCLA vice chancellor for strategic communications Mary Osako said in a statement. “Our priority is delivering a strong season experience for our student-athletes and our community, and we have great momentum in our football program.

“During this unprecedented time in college athletics, UCLA will always be guided by what’s best for our student-athletes and the Bruin community.”

The California Post was the first to report UCLA’s decision to play another season at the Rose Bowl.

While the lawsuit states UCLA has formally notified the Rose Bowl that it is “moving on” and that “there’s no way we’re staying long term,” the school has never publicly announced plans to move its home games to SoFi Stadium.

“While we continue to evaluate the long-term arrangement for UCLA football home games, no decision has been made,” Osako said in a statement to The Times in October.

After a judge denied UCLA’s request to settle its legal dispute with the Rose Bowl operators and city of Pasadena via arbitration, it seemed unlikely the legal issues would be resolved in time for UCLA play the 2026 season anywhere but the Rose Bowl.

The city of Pasadena and the Rose Bowl Operating Co. filed a lawsuit in October to force UCLA to honor its contract and play games at the stadium through the 2044 season.

The complaint and subsequent filings have alleged that the university has been working to play its home games at SoFi Stadium, calling the move “a profound betrayal of trust.” Rose Bowl officials have since added SoFi Stadium and its operator, Kroenke Sports, to the lawsuit.

UCLA’s lease runs through June 30, 2044, and Pasadena officials say taxpayers have invested more than $150 million in stadium renovations while recently refinancing an additional $130 million in bonds for capital improvements.

The iconic Rose Bowl opened in 1922, is a national historic landmark and boasts ample tailgating opportunities, but some fans have complained about the aging venue’s uncomfortable seating and lack of modern amenities.

The next hearing in the case is scheduled for Friday as it proceeds toward trial.

I’ve never lived in Pasadena, but the city that sits below the San Gabriel Mountains in northeast L.A. has always felt like home. As a kid, I’d run into my aunt’s neighbors and coworkers while shopping with my mom on Lake Avenue. I knew to expect a wait at now-closed Roscoe’s Chicken ’n Waffles after my cousin’s Sunday dance recitals. Years later, when I worked at an office off Fair Oaks Avenue, I’d pass my lunch breaks by walking around the neighborhood and admiring the Craftsman homes.

It turns out, many Black Southern Californians have a similar relationship to Pasadena and Altadena, its neighboring hillside community that suffered tremendous losses in the Eaton fire. After the fire, restaurateur Greg Dulan of Dulan’s on Crenshaw spent months offering free meals to residents in collaboration with World Central Kitchen. Like me, he had fond childhood memories of traveling there from his South L.A. neighborhood to visit relatives.

A year later, the Pasadena-Altadena area is still recovering, with grassroots efforts led by longtime locals and business owners, including restaurateurs and chefs who opened their dining rooms to provide a safe space for community members to gather and grieve, organized donation drives and provided free meals and resources to those in need.

At Deluxe 1717 on the border of Pasadena and Altadena, chef-owner Onil Chibas extended the bistro’s hours to remain open continuously from 11 a.m. to 9 p.m.

“That way, if it’s four o’clock and you’ve just finished with your contractor and you’re hungry or you want a glass of wine or a cup of coffee, we’re open,” he said.

The Eaton fire destroyed long-standing Black-owned restaurants in Altadena, including Little Red Hen Coffee Shop which first opened in 1972 and was once frequented by comedian Richard Pryor, and Pizza of Venice, a popular pizzeria on Fair Oaks Avenue.

That makes it all the more important to support the Black-owned restaurants in the area that are still standing, with several located just blocks from the burn sites. Almost all are now concentrated in Pasadena, a reminder of how deeply affected Altadena itself remains a year after the blaze. From two new bakeries to a sandwich shop and a fish market that doubles as a Jamaican restaurant, here are 10 Black-owned spots to put on your radar.

Pasadena Playhouse’s take on Peter Shaffer’s “Amadeus” may be the Tony Award-winning regional theater’s most lavish production to date.

The show, which opens Sunday, features a scrim that has been hand-painted with the notes of Mozart’s “Phantasie für eine Orgelwalze.” The entire process, done by a team of three, took eight days from start to finish. When the scrim is illuminated, the golden notes appear to be suspended like stars in the sky.

Mozart’s sister, Maria Anna “Nannerl,” handwrote many of the genius composer’s compositions, and Playhouse head painter Johnny LeBlanc said the group worked to create an exact replica of her strokes. That attention to detail at every level is emblematic of this elaborate show.

Director Darko Tresnjak (center) during “Amadeus” rehearsal at Pasadena Playhouse. Tresnjak is known for exploring the intellectual and emotional foibles of each character in a play.

(Ariana Drehsler / For The Times)

The play is as rich in talent as it is in design. It stars Broadway veteran and Tony winner Jefferson Mays as Salieri, Sam Clemmett as Mozart and Lauren Worsham as Constanze, and is directed by Darko Tresnjak, who won a Tony in 2014 for “A Gentleman’s Guide to Love and Murder.”

The red-and-gold, Baroque and Rococo aesthetics of the show, including the forced perspective of scenic designer Alexander Dodge’s set, which makes a royal room seem to disappear into the distance, were meticulously constructed to reflect the twisted interiority of Salieri as he grapples with his seething hatred for the scatological young upstart as it crashes against his cascading awe of Mozart’s divine music.

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“The entire play really takes place in a mental space,” Tresnjak said during a recent rehearsal. “That location is Salieri’s increasingly addled brain and what happens within that brain strikes me as eminently contemporary.”

Mays called “Amadeus” a “memory play,” noting that “every aspect of this production is exploring that — it’s all filtered through the warped, distorted memories and imaginings of its unreliable narrator.”

The Pasadena Playhouse has one of the few remaining on-site scene shops in the industry, and its staff of designers, carpenters and painters created elaborate wall sconces and candle holders that become smaller and smaller as they move to the back of the stage, toward two tiny doors in the center. At one point in the show, actor Matthew Patrick Davis, who plays Emperor Joseph II, steps through the doors.

“Amadeus” director Tresnjak says the key to his lavish productions is a strong community of artists, rather than a big budget. “It’s all smoke and mirrors,” he said.

(Ariana Drehsler / For The Times )

Mays describes the moment as “delicious” because Davis is quite tall and thin — even more so in his 2-inch, 18th century heels — and when he unfurls his body into the room and proceeds down the stage, the audience realizes what a gigantic figure he is in Salieri’s mind.

“It’s all shot through with these ‘Alice in Wonderland’ moments of surrealism,” Mays said. “It feels like a fever dream.”

Music is key to Salieri’s world, and the sound design by Jane Shaw strives to access the otherworldly power of Mozart’s music through layered backing tracks. An electric keyboard programmed to sound like a fortepiano is also embedded in a handcrafted instrument, which actors with musical training can play.

A fortepiano is being built for “Amadeus” at Pasadena Playhouse. A small electronic keyboard will be embedded within so actors with musical training can actually play it.

(Ariana Drehsler / For The Times)

Tresnjak has a long history directing with L.A. Opera and its departing music director, James Conlon, worked with Clemmett on conducting. He also gave the actor a history lesson about what the art form would have been like in Mozart’s time. Jeffrey Bernstein, the founding artistic and executive director of the Pasadena Chorale, drilled the cast on their chorale passages.

The key to creating such a richly textured theatrical environment is not a bloated budget, said Tresnjak, it’s engaging a whole community of artists — onstage and backstage — and giving them free reign to set their creativity loose. Pasadena Playhouse, which is known for being a resourceful company, made that easy, he added.

The show is buoyed by its classic stagecraft, with flats, escape stairs and rolling platforms. There is no computer automation and anything that moves is moved manually, said associate artistic director Jenny Slattery, pointing out the theater’s antiquated hand winches that control a mobile throne.

“There is something magical that comes from a resonance between the subject matter and the aesthetic and the behind-the-scenes techniques,” said Slattery.

A sketch and fabric swatch for Venticelli’s costume in “Amadeus” at Pasadena Playhouse. The costume is the same red as the set walls, so the character will seem to fade in and out of Salieri’s consciousness.

(Ariana Drehsler / For The Times)

Linda Cho designed the costumes and L.A. Opera fabricated the extravagant 18th century garments, which Slattery said have become a “staff tourist attraction.” The fabric was sourced in New York and shipped to L.A.; the ribbons were made by hand. Mays said he got giddy and breathless when he first stepped into his costume.

L.A. Opera fabricated the costumes for “Amadeus” with fabric sourced from New York.

(Ariana Drehsler / For The Times)

“It makes all the difference when you know that your sleeves are cut in a bias and your arms have to do certain things,” he explained. “I find a costume, particularly the costumes of this late 18th century period, to be so informative about physicality and how you move.”

In rehearsal, Mays fully inhabits his role — and his costume — moving with a lithe formality as he strives to eavesdrop on Mozart and Constanze. His revulsion and deep attraction are on full display. The actor said it is not his intention to play Salieri as a mustache-twirling villain, but rather as human, recognizable and understandable.

Details on the sleeve of a jacket made by L.A. Opera.

(Ariana Drehsler / For The Times)

“We are all Salieri to varying degrees,” Mays said. “What interests me are everyman aspects of him. The banality of his evil and the way that evil actions seem to always rise out of fear and insecurity.”

The lighting design by Pablo Santiago helps manifest Salieri’s uncomfortable emotions onstage.

“Darko is someone who likes to work in more of the intellectual, emotional space rather than realism. So a lot of it is about using the set in a more abstract way,” said Santiago. “It’s about shapes and color and creating full stage pictures that are interesting.”

The story of Salieri and Amadeus, said Mays, is one of twisted love. Salieri gets up every morning and tries to destroy that which he loves most. Playing the troubled antihero is “not altogether pleasant,” Mays said, “because you’re marinating in this cesspool of thwarted ambitions and inadequacy, but then you’re surrounded by this beauty that is a constant reminder of your own failings.”

When the curtain finally rises, the cast and crew hope the stage will be its own thing of beauty — its ambition fully realized.

HIGH SCHOOL BASKETBALL PLAYOFFS

SATURDAY’S RESULTS

CITY SECTION

GIRLS

QUARTERFINALS

DIVISION I

#1 El Camino Real 45, #9 Garfield 28

#4 Eagle Rock 50, #5 Arleta 34

#3 San Pedro 47, #6 Grant 38

#2 Granada Hills Kennedy 53, #7 Verdugo Hills 41

DIVISION II

#1 Harbor Teacher 58, #8 Larchmont Charter 19

#5 West Adams 30, #4 Triumph Charter 27

#3 Santee 43, #11 South East 38

#2 North Hollywood 51, #7 New West Charter 49

DIVISION III

#8 Diego Rivera at #1 Washington Prep

#4 LA Marshall 47, #5 Sun Valley Poly 20

#3 San Fernando 44, #11 Animo Robinson 30

#2 Gardena 40, #7 Crenshaw 24

Note: Semifinals Feb. 21; Finals Feb. 27-28.

SECOND ROUND

DIVISION IV

#1 Maywood CES 36, #16 Huntington Park 33

#9 Smidt Tech 31, #8 Magnolia Science Academy 25

#12 Wilmington Banning 52, #5 Foshay 20

#13 Lincoln 42, #4 LA Wilson 37

#19 Franklin at #3 WISH Academy

#11 Bravo 39, #6 Marquez 35

#10 Panorama 61, #7 Contreras 31

#18 South Gate 48, #2 Sun Valley Magnet 38

DIVISION V

#1 LA Roosevelt 33, #17 Horace Mann UCLA 19

#9 Los Angeles at #8 Camino Nuevo

#12 Discovery at #5 Torres

#20 Sotomayor 39, #4 Chavez 25

#3 Vaughn 40, #14 Animo Bunche 19

#11 Monroe 57, #6 Lake Balboa College Prep 26

#10 Port of LA 54, #7 Aspire Ollin 33

#18 East College Prep at #2 Legacy

Note: Quarterfinals Feb. 19; Semifinals Feb. 21; Finals Feb. 27-28.

SOUTHERN SECTION

GIRLS

SECOND ROUND

OPEN DIVISION

Pool A

#9 Rancho Christian 73, #8 JSerra 71

Pool B

#10 Fairmont Prep 63, #7 Lakewood St. Joseph 51

Pool C

#11 Oak Park 67, #6 Corona Centennial 44

Pool D

#4 Mater Dei 52, #12 Redondo Union 45

Note: Third round pool play games Feb. 18 at higher seeds; Quarterfinals Feb. 21; Semifinals Feb. 24; Finals Feb. 28 at Toyota Arena.

DIVISION 1

#1 Ventura 50, Bishop Montgomery 40

Windward 64, #8 Flintridge Prep 49

#5 Valencia 81, Mira Costa 56

Troy 61, #4 Brentwood 48

#3 Moreno Valley 69, St. Bonaventure 39

#6 Orange Lutheran 55, Marlborough 48

#7 Villa Park 58, Santa Margarita 45

#2 La Salle 48, St. Anthony 42

DIVISION 2

Portola 44, #1 Glendora 34

#9 Saugus 57, Heritage 50

312 Summit 47, #5 Yucaipa 34

Camarillo 54, #4 Rancho Cucamonga 42

#3 Crescenta Valley 56, #14 Chino Hills 34

#11 San Clemente 72, Rolling Hills Prep 59

Dos Pueblos 52, #7 San Juan Hills 45

#2 Rosary Academy 63, Riverside King 50

DIVISION 3

Murrieta Valley 64, #1 Lynwood 61

#8 St. Monica 78, Arcadia 57

#12 Trabuco Hills 58, #5 Segerstrom 45

#4 Oxnard 37, #13 Aliso Niguel 34

#14 Mark Keppel 54, El Modena 31

#6 Leuzinger 72, #11 Shadow Hills 66

#7 St. Margaret’s 65, #10 Riverside Poly 34

Canyon Country Canyon 54, #2 Wiseburn-Da Vinci 39

DIVISION 4

#1 Long Beach Jordan 36, Lancaster 32

#9 La Canada 41, #8 Yorba Linda 27

#5 Eastside 42, Gabrielino 23

Anaheim Canyon 39, Knight 26

#3 El Dorado 64, #14 Ontario 29

#6 Long Beach Wilson 56, Westlake 49

#7 Pasadena Poly 66, Shalhevet 44

#2 Marina 54, #15 Holy Martyrs 47

DIVISION 5

#16 Sunny Hills 48, #1 Tesoro 19

#9 Bishop Diego 55, Fullerton 44

Torrance 53, #5 Fountain Valley 26

#13 Godinez 50, Heritage Christian 41

Whitney 40, #3 Santa Ana Foothill 33

Oakwood at YULA

#7 Burbank Burroughs 51, #10 Culver City 23

Carter 45, #2 Western Christian 42

DIVISION 6

#16 San Jacinto 65, #1 Carpinteria 43

Immaculate Heart 44, #9 Costa Mesa 39

Savanna 41, #5 Redlands 28

#4 Palm Desert 45, #13 Santa Monica 29

Hillcrest 52, #14 Notre Dame Academy 20

Rowland 57, #11 Liberty 41

#10 Sante Fe 48, #7 Hart 23

Warren 41, Silver Valley 39

DIVISION 7

#16 Foothill Tech 55, #1 Fillmore 35

Laguna Hills 45, Capistrano Valley Christian 40

#12 Rosemead 54, Desert Christian Academy 42

Patriot 74, Villanova Prep 40

#3 Canoga Park AGBU 45, #14 Nogales 44

Ridgecrest Burroughs 45, #6 Barstow 21

La Palma Kennedy 47, Long Beach Poly 46

Cajon 42, Garden Grove 25

DIVISION 8

Yucca Valley 61, #1 Cobalt 44

University Prep 45, #8 Norwalk 39

Orange 44, #12 Coachella Valley 40

#13 Riverside Notre Dame 51, #4 Santa Ana Valley 45

#14 Schurr 49, Mesa Grande Academy 23

#6 CAMS 49, #11 South El Monte 42

#10 Chadwick 47, #7 Victor Valley 44

#15 Santa Monica Pacifica Christian 57, #2 Riverside North 35

DIVISION 9

#16 Vista del Lago 44, #1 NOVA Academy Early College 18

#8 Santa Clarita Christian 53, #9 Victor Valley Christian 34

#5 Channel Islands 37, #12 Jurupa Hills 31

Desert Hot Springs 48, #4 Temple City 37

La Sierra 46, Faith Baptist 38

#6 Redlands Adventist 55, #11 Newport Christian 32

#10 Sierra Vista 48, #7 San Gabriel 32

Western 48, Santa Maria Valley Christian 38

(Quarterfinals Feb. 18; Semifinals Feb. 21; Finals Feb. 27 or 28)