pasadena

Morning meals in Southern California restaurants link us to so many cultures and flavors: Taiwanese sticky rice fan tuan, Salvadoran huevos picados con loroco, fatteh hummus in Van Nuys, catfish and grits in Inglewood, blueberry pancakes with extra butter in Hollywood.

But to narrow L.A.’s essential daybreak dishes down to one icon? It is, without question, the breakfast burrito.

The origins of burritos, meals wrapped in flour tortillas for breakfast or otherwise, trace most reliably to Sonora, Mexico’s northwestern state where wheat has been cultivated since the 1500s. California’s Mexican foundations made the burrito’s presence in L.A. inevitable, though its omnipresence was surely sped along by California entrepreneur Duane Roberts, who introduced the frozen burrito for fast-food chains to heat and sell in 1956 — after he’d already found success supplying the original McDonald’s in San Bernardino with burger patties.

Discussions of the mid-20th-century industrial food complex are relevant here. If any one ingredient, beyond the all-important egg, defines our modern tastes in breakfast burritos, it is the inclusion of the Tater Tot, capitalized after Ore-Ida (now owned by Kraft Heinz) engineered the fried puffs from potato scraps in 1953 and trademarked the term.

Our tastes for breakfast burritos have only increased since the pandemic. Many newer businesses spun out of 2020-era pop-ups or at-home tinkering — and nearly all of them crunch with a telltale fluffy-crispness. Tater tots are now to the L.A. breakfast burrito what rice is to the Bay Area Mission-style burrito.

Still, many styles express themselves in our foil-wrapped torpedoes: Some are canvases for individual creative expression, some innovations that graft global cuisines, some basic energy bombs to fuel the day.

And yes, rising prices led to a viral argument about a $20 burrito in the summer 2026 political discourse. Among the following suggestions, you can find a $3.99 egg, potato and cheese burrito served from a takeout window in Atwater Village and a $26 knife-and-fork burrito stuffed with short-rib meat in Hancock Park; a majority is in the mid-range between $12 and $17.

To build your own best-of breakfast burrito list, you can always start with stalwarts like Cottage Corner in Burbank and Lucky Boy in Pasadena. These 16 favorites span businesses that have been open for six months to several decades. The regional options are overwhelming, and the mix is always fluctuating. (A Pasadena standout, BBAD, recently changed ownership and the quality plummeted, hopefully temporarily.) It’s hard to consider this roundup anything more than a continual work in progress.

Just a day before the Head in the Clouds Music & Arts Festival takes over the Rose Bowl in Pasadena, a member of the headlining pop group Katseye has announced she is taking a hiatus from performing.

Sophia Laforteza announced on Instagram on Friday that she’ll be stepping away to take care of her mental health.

“It truly breaks my heart to have to miss out on a lot,” she wrote in an Instagram story. “You know how much I love being on stage, performing, and sharing these moments with you. Making this decision wasn’t easy, but I’m learning that health has to come first. I’m realizing that if I don’t take care of my mind and body now, I won’t be able to keep doing what I love the most for so long.”

Laforteza thanked her fans for being “patient, understanding, and always showing me so much love,” and said she’d be joining Katseye fans, aka “eyekons,” in cheering on the group in the meantime.

“I promise I’m going to work as hard as I can to get through this, heal properly, and come back stronger,” she wrote.

A post on the group’s official Instagram account said Laforteza “will be temporarily unable to participate in upcoming promotional activities.”

“We understand how much EYEKONS were looking forward to seeing Sophia on stage, but it is imperative that her mental health and wellness are prioritized,” the post stated.

According to the statement, the pop star has been working with medical professionals who advised that she take “dedicated time for extended rest and ongoing care to ensure a full recovery.”

While Laforteza is eager to get back to work with her fellow Katseye members, the post said her “health, safety, and long-term well-being” will always be top priority.

Laforteza’s progress will be monitored and she’ll be reassessed in September — just as the group is slated to kick off their world tour. Fans can expect an update around that time, according to the post.

Earlier this year, Katseye member Manon Bannerman also hit pause on performing with the pop group, meaning Saturday’s headlining performance in Pasadena will feature four of the group’s original six members. Daniela Avanzini, Lara Raj, Megan Skiendiel and Yoonchae Jeung are still set to take the stage.

Laforteza’s announcement followers similar decisions from actor-musician Ariana Grande, who told fans earlier this week that she would be stepping away from the public eye and that “human beings can need a break sometimes.”

Country music star Jelly Roll also announced a hiatus this month, saying he needed “to heal” following news that he finalized his divorce from Bunnie XO after nearly 10 years of marriage.

When they landed the diving competition for the 2028 Summer Olympics last year, operators of the Rose Bowl Aquatics Center in Pasadena trumpeted it as a gold-medal achievement. But swimmers and others who use the facility are now learning that pre-Olympic construction probably will force them out of three immensely popular swimming pools for more than a year.

The Aquatics Center will close as early as next April, and not be returned to its regular users until after the Olympics conclude in the summer of 2028, people with knowledge of the plans confirmed to The Times.

Such a prolonged closure will send the more than 400,000 people who pour through the center’s turnstiles each year scrambling to find other places to swim, dive, play water polo and aqua-aerobicize. The center’s two 50-meter pools and an adjacent therapy pool will be closed, along with two expansive hot tubs, the people said.

Aquatics Center operators declined to discuss details of the shutdown, saying they plan to make an announcement Monday. They said it’s premature for them to discuss what improvements the Games will bring to the 36-year-old swim complex, as those negotiations have not been concluded.

The Rose Bowl Aquatic Center in Pasadena, shown on Friday, is set to close next year to make way for reconstruction as the center will host diving in the 2028 Olympics.

(Christina House / Los Angeles Times)

Jacie Prieto Lopez, vice president of communications for LA28, the Olympics organizing group, confirmed that improvements would be made to the facility but said specifics were still being sorted out.

“We cannot comment on specific facility improvements as those remain under active discussion between LA28 and the Rose Bowl Aquatic Center,” Prieto Lopez said “But based on initial evaluations of the existing facility, improvements could include the pool, diving tower and mechanical systems.”

Opened in 1990, in part with profits from the 1984 Los Angeles Olympics, the Aquatic Center was once viewed as a state-of-the-art facility. But it has grown somewhat shopworn and in need of a makeover. The operators of the center expect LA28 will pay for some of that work.

While LA28 officials wouldn’t discuss details, people familiar with their view said the Olympic organizers would balk at bankrolling every upgrade pined for by the city of Pasadena (which owns the facility) and the nonprofit that operates the center.

The massive deck around the swimming pools has grown rough in places. The locker rooms are cramped. Aged pumps and filters need an upgrade. Who should pay for these improvements has been the subject of prolonged discussion between LA28 and the Rose Bowl Aquatics Center operators, the people familiar said.

“At the end of the day, it’s going to be a win-win for LA28 and the Aquatics Center,” said one of the people, who wasn’t authorized to speak publicly. “The LA28 group is putting in a lot of investment. That should account for the fact the Rose Bowl will be losing revenue during the closure.”

Aquatics Center loyalists, however, wonder how they will cope with the loss of their pools.

“The pool helps me keep my weight down. It keeps my blood sugar down. It’s just everything to me,” said Elizabeth Ramirez, a social worker from Alhambra, after emerging from a morning aqua-aerobics class. “So when it closes down, it’s gonna definitely have an impact on my health. … Hopefully they will be able to tell us [about] another place where we will be able to go.”

Lynn Roberts, with one leg stunted by childhood polio, finds her time in the pool “life changing, because in the water I can do the things that everyone else does.” She knows that Rose Bowl is looking for alternative locations, but so far there are no details. The thought of the pool being closed for more than a year is “a big thing,” she said, adding “People are very, very concerned.”

The Rose Bowl Aquatic Center on April 6 in Pasadena. The facility will host diving in the 2028 Olympic Games.

(Eric Thayer / Los Angeles Times)

Like a dozen other regulars, Bonnie Stern talked about the social hub the Aquatics Center creates. It’s been her gateway to new friendships, a walking group, brunches and even a regular happy hour.

“We’re all really concerned. There’s such a wonderful community here,” said Stern, who works in the entertainment industry. “We haven’t heard yet where we can go. And where are we going to be able to find what we have now?”

The complex also rents space to a cafe and a separate shop, the Swim Guy. Michael Eisenberg, who co-owns the swim equipment business with his brother, Craig, worries about losing clientele.

“We spent a lot of money setting this up and building our relationships with customers and teams,” Michael Eisenberg said. “The RBAC asked us if we could stay open and service the community during construction, but I don’t see how we can do that, since all our teams and the public will be scattered to different pools in the area. My brother and I are kind of freaking out about it about how best to serve the teams and the public and the financial cost of closing.”

Aquatics Center executive director Melanie Sauer said the nonprofit and its many user groups — for youth swimming, Masters swimming, water polo and more — are working fervently to find alternative pools. Rose Bowl Masters Swimming (to which the writer of this article belongs) already has launched new workouts at Occidental College in Eagle Rock and is talking to other pool operators.

The financial losses during the closure could be significant. The Aquatic Center reported $8.6 million in receipts from admissions, merchandise and services in 2024, the most recent year reported on its federal tax filings. Another $1.6 million came in via gifts, grants, contributions and membership fees.

Sauer said that an “RBAC on the Road” program will seek to draw payments from user groups when they relocate to other pools. She said it’s premature to provide any details of those arrangements.

Organizers of the Games announced the shift to the Rose Bowl center — in the Arroyo Seco just south of the more than 100-year-old football stadium — in September of last year. Previously, the Games planned to have divers compete at the LA84 Foundation/John C. Argue Swim Stadium, immediately southwest of the Los Angeles Memorial Coliseum, which will host track and field events.

A drone view of the pool, lower right, at Exposition Park on Nov. 10, 2025, in Los Angeles.

(Eric Thayer / Los Angeles Times)

But the Exposition Park pool, used for the 1932 Los Angeles Olympics, was not deep or wide enough for diving. And it would have proven more costly to retrofit than the Rose Bowl pool.

“This facility requires minimal work, provides additional amenities for athletes, and accounts for up to $17.6 million in revenue increases and cost savings,” LA28 said when it announced the shift to the Rose Bowl pool.

People familiar with the plans for the Pasadena complex say that Olympic diving fans will be seated in bleachers that will be erected atop the “competition” pool, which sits closest to the parking lot. Additional seats may wrap around the north end of the dive pool.

That pool’s 10-meter platform, originally constructed with a donation from the late televangelist Gene Scott, will be torn down and replaced. One plan being considered by LA28 organizers would eschew the existing locker rooms in favor of temporary modular structures, the sources said.

LA28 officials believe that any short-term losses to the center will be more than made up for by the long-term gains from the international attention the pools will receive and the promise that other major swimming and diving events will be held there, according to people who have spoken to the Olympic organization. LA28 officials point to an analysis by the Southern California Assn. of Governments that projected the Games will generate more than $17 billion in gross domestic product for the region.

1

2

3

1. A child jumps off a diving board. 2. Margaret Shieh, 79, of San Marino, participates in a water fitness class. 3. Swimmers do laps at the Rose Bowl Aquatic Center. (Christina House / Los Angeles Times)

Both the 2028 Games and those future events will help fill Pasadena hotels, restaurants and shops, bolstering the local economy and adding tax dollars to the city treasury, according to supporters of the plan. The pool is being considered as the site of the 2028 Olympic diving trials, one source said.

“This historic opportunity will shine a global spotlight on our community,” the Aquatic Center proclaimed last year. “We look forward to keeping you updated as more details become available.”

A piece of iconic Los Angeles architecture and one of pop culture’s most recognizable exteriors is on display as the Pasadena home featured as Wayne Manor in TV’s original “Batman” hits the market this month for $32 million — less than a year after it was last sold.

The seven-bedroom, 11-bathroom Jacobean Tudor Revival home on 5 acres of gated land was built in 1928 by the L.A.-based architectural firm Morgan, Walls & Clements. This is the same firm responsible for some of L.A.’s most fantastical and beloved architectural creations including the Wiltern, El Capitan and Mayan theaters. It’s located at 380 S. San Rafael Avenue in Pasadena, in a lush, wooded area above the Arroyo Seco near the Rose Bowl.

The home, which features a stately mahogany main staircase and a genuine butler’s pantry worthy of Alfred Pennyworth, was made famous by the “Batman” TV series, which originally aired on ABC from 1966-68. During that time a man named Norman Preston van Valkenburgh lived there with his family. Film crews shot at the home for three days in 1966, but only external shots ended up being used as stock footage for Wayne Manor.

Over the years fans began to confuse the mansion with another nearby estate — the work of one of the city’s most prominent Africa American architects Paul R. Williams . The home, which The Times cheekily called an “imposter” in a 1989 article, burned down in 2005 while being renovated by its owner, Michael Hammer, grandson of the late oil tycoon Armand Hammer. At that time, crowds of “Batman” fans gathered before the smoldering ashes lamenting the loss only to discover they had the wrong house.

If the real Wayne Manor sells for its $32 million asking price it will break its own record for a residential sale in Pasadena. That record was set only last year when the current owner bought it for $20.5 million.

It will take just one super fan with Bruce Wayne-deep pockets to snap up this dreamy estate. Spoiler alert: There is no Bat Cave, but there is a pickleball court, a resort-style pool, a private theater and an Architectural Digest pedigree.

I’m Arts editor Jessica Gelt counting the money in my swear jar and dreaming big. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Jeff LeBeau, left, and Tim Cummings in the West Coast premiere of Samuel D. Hunter’s “Grangeville” at the Ruskin Group Theatre Arts Center, directed by John Perrin Flynn.

(John Perrin Flynn)

Grangeville
The West Coast premiere of Samuel D. Hunter’s two-hander about a pair of estranged brothers concludes its acclaimed run at the Ruskin next weekend. In his review, Times theater critic Charles McNulty wrote that the playwright “turns his characters inside out in a play that powerfully illuminates a subject that has rarely been treated onstage with such unflinching honesty and sensitivity: How does one integrate a past that took everything to escape?”
8 p.m. Fridays and Saturdays; 2 p.m. Sundays through Aug. 2. Ruskin Group Theatre, 2800 Airport Ave., Santa Monica. app.arts-people.com

Sounds of LA County
Country music in Sylmar and Quartz Hill; disco, soul and R&B in South L.A.; regional Mexican music in Florence-Graham and La Puente; deep house, Afrobeats, hip-hop and funk in East Compton; global acoustic in Willowbrook; and live salsa in East L.A. are this week’s offerings in the free summer series from LA County Parks and Nextfest LA. The program continues through August.
6-9 p.m. Friday, Saturday and Thursday. Check website for exact days and locations. soundsoflacounty.com

SATURDAY

Joe Hisaishi presents Music Future
Coming off three nights at the Hollywood Bowl, the Japanese composer moves to a more intimate setting to celebrate the work of contemporary composers, including Nico Muhly, Bryce Dessner and Max Richter, with the LA Phil New Music Group.
8 p.m. The Ford, 2580 Cahuenga Blvd. East theford.com

The Hour of the Star
Brazilian actor Bruna Fachetti stars in the world premiere of a stage adaptation of the novella by Clarice Lispector about an impoverished woman dreaming of a better life in Rio de Janeiro. The limited, five-performance engagement was conceived and will be directed by Alex Tietre from the English translation by Pulitzer Prize-winning author and Lispector biographer Benjamin Moser.
7 p.m. Saturday, Sunday, Thursday, July 31 and Aug. 1. The Broadwater Black Box Theatre, 6322 Santa Monica Blvd., L.A. eventbrite.com

SUNDAY

Boris Brejcha performs during the 2023 Coachella Valley Music and Arts Festival .

(Matt Winkelmeyer / Getty Images for Coachella)

Boris Brejcha with the Hollywood Bowl Orchestra
The masked German DJ makes his global orchestral debut. The techno DJ duo Frieder & Jakob open the show. Be prepared to dance.
7 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

Murder on the Orient Express
Sidney Lumet’s 1974 version of the Agatha Christie mystery, adapted by Paul Dehn, earned six Oscar nominations. Alfred Finney, nominated for leading actor, stars as the meticulous Belgian detective Hercule Poirot investigating a killing aboard the famous train. Also starring Lauren Bacall, Martin Balsam and Ingrid Bergman, who won the Oscar for supporting actress. Part of the Oscar Sundays series.
2 p.m. Academy Museum, David Geffen Theater, 6067 Wilshire Blvd. academymuseum.org

TUESDAY

Rhapsody in Blue & Shostakovich
Marin Alsop conducts the Los Angeles Philharmonic in Anna Clyne’s “Masquerade,” Gershwin’s soaring American classic (with pianist Conrad Tao) and Shostakovich’s Fifth Symphony.
8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

THURSDAY

Peter Finch in ‘Network.’

(TCM)

Network
“I’m mad as Hell and I’m not going to take it anymore!” shouts Peter Finch as news anchor Howard Beale in this 1976 satire directed by Sidney Lumet and written by Paddy Chayefsky. The film was nominated for ten Academy Awards, winning four: leading actor, posthumously, for Finch, leading actress for Faye Dunaway, supporting actress for Beatrice Straight, and original screenplay. Fifty years later, it feels as prescient as ever.
2 p.m. Vidiots, Eagle Theatre, 4884 Eagle Rock Blvd. vidiotsfoundation.org

Arts anywhere

André De Shields, left, Reeve Carney, center, and the cast of Hadestown perform onstage during the 2019 Tony Awards at Radio City Music Hall.

(Theo Wargo / Getty Images for Tony Awards Productions)

Hadestown: The Musical
The hit Broadway show, winner of eight Tonys and a Grammy, comes to movie theaters for a special five-day engagement. “The show travels to the underworld and back again with liquified grace,” wrote Times theater critic Charles McNulty. “Unfurling like a dream, ‘Hadestown’ speaks most eloquently through its sultry jazz score.” With Reeve Carney as Orpheus André De Shields as Hermes, Amber Gray as Persephone, Eva Noblezada as Eurydice and Patrick Page as Hades.
Friday through Wednesday, theaters everywhere. bleeckerstreetmedia.com

— Kevin Crust

Culture news and the SoCal scene

The Hollywood Bowl during a summer concert.

(Myung J. Chun / Los Angeles Times)

The Hollywood Bowl recently debuted its biggest sound system upgrade in decades (featuring AI-powered vocal isolation and immersive, surround-sound), and Times classical music critic Mark Swed weighed in on why audiences should be careful of what they wish for. Still, the jury is out: “It is far too soon to say what ways the fabulous new Bowl sound system, which happens to be AI-endowed, might become friend and/or foe. In the first two L.A. Phil classical concerts, the white speakers brought out wonders and caused problems. But the minimal Bowl rehearsal time allows little opportunity to fine-tune,” Swed writes.

Swed also attended a showing of two of Yoko Ono’s famous performance pieces at REDCAT (in collaboration with the Broad, which is currently showing a major Ono retrospective). Titled “Sky Piece” and “Cut Piece” the music-driven works featured compositions by Ono’s friend and collaborator John Cage (Swed writes about the pair’s complicated relationship in New York during the 1960s). Swed also extols “Cut Piece” as performed bythe artist known as MPA, who sat stoically as the audience lined up to cut patches of her clothing off piece by piece.

Sean Luc Rogers and James Tupper in “F— Strangers” at the Echo Theater Company.

(Cooper Bates)

Times theater critic Charles McNulty headed to Echo Theater Company to see playwright Erik Patterson’s “F— Strangers,” directed by Echo Theater Company founding artistic director Chris Fields. McNulty found the show, which features scene after scene of intimate encounters, “intriguing and frustrating in equal measure.”

“It’s over 8 feet tall, nearly 11 feet wide and travels by 53-foot semitrailer. It’s covered in more than 20,000 beads and weighs almost 1 ton — or about 2,000 pounds,” writes The Times’ Eloise Rollins-Fife in her charming profile of “Gillian,” the chandelier featured in “Phantom of the Opera’s” current North American tour.” “And eight times a week, it’s dropped atop the heads of people who pay for the privilege — just a few feet short of actually hitting anyone.” “Phantom” is currently playing the Hollywood Pantages Theatre before it moves on to Segerstrom Center for the Arts in Costa Mesa.

Kihun Yoon, Michael J. Hawk, Nicholas Brownlee and Salmir Pirgu, from left, perform during an L.A. Opera dress rehearsal for Barrie Kosky’s “La Bohéme” at the Dorothy Chandler Pavilion on Sept. 12, 2019.

(Dania Maxwell / Los Angeles Times)

Bernard A. Greenberg, a founding board member and former chairman of L.A. Opera, has died at 95. Throughout his life Greenberg was a devoted opera fan and a champion of establishing a dedicated opera company in the city, which ultimately led to the 1986 creation of L.A. Opera. As a philanthropist, civic leader and arts advocate, Greenberg dedicated more than seven decades to steering L.A. Opera and creating the renowned company that it is today. He served on the board of directors for 40 years and held almost every major leadership position during that time. He and his wife, Lenore, also founded the Bernard A. and Lenore S. Greenberg Opera Fund — an endowment that continues to support some of the company’s most vital work.

“If anyone could be called the founder of LA Opera, it is Bernie Greenberg,” said Keith R. Leonard, Jr., Chairman of LA Opera’s Board of Directors in a statement about Greenberg’s death. “For more than 70 years, he devoted his extraordinary wisdom, leadership and generosity to building this company into the institution that serves our audiences today. Bernie believed deeply that opera could enrich lives and strengthen our community, and he worked tirelessly to make that vision a reality. His legacy is woven into every chapter of our history, and all of us at LA Opera are profoundly grateful for his friendship, his guidance and his unwavering commitment to this company.”

IAMA Theatre Company has announced its 2026-2027 season, including three world premieres, as well as its ninth New Works Festival, featuring a variety of new plays by fresh talent. The season kicks off with “Bobby Robotowitz” by Matt Schatz and directed by Casey Stangl, which will be performed from Oct. 15-Nov. 23 in two secret venues — one on the Westside in October and one on the Eastside in November. (When you buy a ticket you find out the location.) The season will end with IAMA’s first collaboration with Geffen Playhouse: the world premiere of “Closing Costs” by Grace McLeod, which was originally developed during IAMA’s 2024-2025 Emerging Playwrights Lab. For the full season lineup, and to buy tickets, click here.

— Jessica Gelt

And last but not least

This adventurous family of four is raffling off their $2 million home just outside of London in order to travel the world. I tip my hat to them because this is something I would think of doing but never actually do. Instead, I think I’ll buy a ticket or two.

Around 7 a.m. Saturday, in a lot beside the shuttered Santa Monica Civic Auditorium, a strange set of cars and trucks began to gather. Three Model A’s. A couple of ’60 convertibles. A 1964 Chevrolet Impala station wagon. Also, a big bull on trailer wheels.

“Am I in the right place?” asked a man in one of the Model A’s.

“Going to Chicago?” asked a guy in a white Denali.

“I wish I could do the whole thing,” said Joe Hernandez of Pasadena, wistfully standing by.

• Share via Close extra sharing options

This was the starting line for roughly 70 drivers who gathered to celebrate the centennial of Route 66 with a 2,448-mile, 20-day caravan to Chicago. Most had come from outside California to share an adventure with fellow “roadies” and boost awareness of the classic scenery and independent businesses along the eight-state route.

But soaring gas prices and hesitant international travelers have added uncertainty to a trip that was always going to be a logistical challenge. Day 1 alone might terrify an L.A. commuter: From the Pacific to Pasadena by surface streets, including miles on Santa Monica and Colorado boulevards.

“I don’t know how it’s all going to happen,” said Gary Daggett, president of the Old Route 66 Assn. of Texas. But he and his wife, Stephanie, have more than a little Route 66 experience to draw upon.

Mike and Lisa Visket of Prescott, Ariz., pose in Santa Monica at the pier in their Route 66 clothing on June 6, 2026.

“This is our 30th trip over 20 years,” Daggett said. “You can’t see everything. There’s so much…. You start meeting the people, you get hooked on the people.”

Shortly before their 8:30 departure time, organizer Rhys Martin called drivers together.

“Leaving here is going to be a little complicated,” he said.

Martin, who is part of the Route 66 Road Ahead Partnership, is president of the Oklahoma Route 66 Assn., and serves as manager of the National Trust for Historic Preservation’s Preserve Route 66 initiative. For the journey, he is driving a ’64 Chevy Impala station wagon with a GPS unit inside so that armchair travelers can follow his journey on the web.

“It’s going to be impossible to keep everybody together,” he said during preparations. “We’re encouraging people to spread out and support independent businesses rather than all going to one place and demolishing the kitchen.”

William Cooke of Pinon Hills participates in a caravan from Santa Monica Pier to Chicago, celebrating the centennial of Route 66.

In song and literature, the route is celebrated as an east-to-west journey. This caravan, running in the opposite direction, will travel from California through Arizona, New Mexico, Texas, Oklahoma, Kansas and Missouri to Illinois.

From Santa Monica, the Day 1 schedule took drivers to Beverly Hills City Hall, Grand Central Market downtown for lunch, the Chicken Boy statue and Galco’s Soda Pop Stop in Highland Park, then an overnight in Pasadena.

Day 2 takes the group from Pasadena to Barstow. Day 3, from Barstow to Needles. On June 25, the caravan is due to arrive in downtown Chicago.

The loose procession was led by a core group of 15 cars, including representatives of all eight states on the route. Since anyone can join or leave the caravan at any time, the number of vehicles will vary by the hour.

Through the decades, the road has grown from an American artifact into a global symbol of small-town Americana. Many merchants, restaurateurs and hoteliers along 66 now say that their summer customers are mostly travelers from abroad, especially Europe. One of the caravan’s drivers, in a rented pickup truck, was Dries Bessels, co-founder of the Dutch Route 66 Assn.

Brady Wilson of Amarillo, Texas, displays an assortment of Route 66 pins on his cowboy hat. Wilson is part of a caravan of Route 66 enthusiasts who set out from Santa Monica Pier on June 6, 2026, for Chicago.

Though the Model A’s will surely raise eyebrows on the road, the caravan’s most startling element is the fiberglass bull representing the Amarillo-based Big Texan Steak Ranch restaurant, one of the event’s sponsors.

“It’s the same one my dad brought home in ’71. His name is Big Moo,” said Danny Lee, who co-owns the restaurant with his brother, Bobby Lee. “He’s 12 and a half feet high. About 500 pounds. It’s all fiberglass.”

In 21 cities along the drive, the Big Texan team aims to stage nightly steak-eating contests, giving free dinners to anyone who can eat 72 ounces of steak, a baked potato, three shrimp, a side salad and a roll in 60 minutes.

The caravan’s first challenge came at the Santa Monica Pier, where there was no room for the cars due to a construction project, World Cup preparations and a Children’s Hospital fundraiser. Instead, the caravan gathered by the Santa Monica Civic Auditorium. Drivers strolled over the pier for a photo op, then returned to their cars.

“Herding cats,” said George Kulakowski of Huntington Beach, at the wheel of a 1931 Ford Model A Panel Delivery truck.

Participants in a Route 66 centennial caravan pose for a photo before they depart from Santa Monica Pier on June 2, 2026, for Chicago along the historic highway.

Another challenge awaited in West Hollywood, where Santa Monica Boulevard (aka Route 66) was busy with crowds for the city’s WeHo Pride Street Fair. By plans laid ahead of time, most caravan vehicles detoured around the party while select caravan cars followed a police escort through the action.

This way, Martin said, “another community along Route 66 gets to share its identity with the community at large.”

Allison Lehn of Boston participates in a caravan from Santa Monica Pier to Chicago, celebrating the centennial of Route 66.

By 11:15 a.m., Martin’s car had reached Sunset Boulevard in Silver Lake. Meanwhile, assorted other parades and caravans are traveling Route 66 in other states this year; most of them concentrate on short segments.

By 12:45 p.m., caravaners had met the mayor of Beverly Hills and rolled through West Hollywood’s Pride festivities, arriving at Grand Central Market, running slightly ahead of time.

On May 30, an estimated 3,596 classic cars joined a “Capital Cruise” on Route 66 in Tulsa, Okla., becoming a Guinness Book of World Records holder for the largest parade of classic cars, drawing an estimated 100,000 spectators and overwhelming local traffic.

In Arizona, the Williams Historic Route 66 Car Show was set for Friday and Saturday. In Texas, the Amarillo-based Texas Route 66 Festival is running Thursday through June 13.

William Cooke of Pinon Hills, left, and Sarah Jane Woodall of Tecopa, Calif., drive along Wilshire Boulevard in a 1960 Edsel Ranger Convertible as part of a Route 66 centennial caravan.

In those states and beyond, the caravan from Santa Monica will find hotels and motels in every kind of condition, vintage neon, road food, blue states, red states and purple states.

As a package of Times stories described in May, some landmarks date to the highway’s days as a scene of Depression desperation in the 1930s, others to its giddy postwar years in the late 1940s and ‘50s.

Route 66 was created in 1926 as a highway stitching together hundreds of local roads. Nicknamed “the Main Street of America” by its boosters and “the Mother Road” by John Steinbeck in “The Grapes of Wrath,” the highway inspired Bobby Troup’s song “(Get Your Kicks on) Route 66” in 1946.

But economic life along Route 66 has been precarious since the late 1960s, when interstate highways and chain hotels began stealing traffic away from the older, slower road. After Route 66 was decommissioned as a highway in 1985, about 85% of the old route remained in use, often as small-town thoroughfares, country highways and frontage roads alongside Interstate 40.

Efforts to save and rebuild the route as a historic resource began in the late 1980s and gained ground after the 2006 release of the Pixar/Disney animated features “Cars,” which tells the story of the highway’s rise and fall. In small towns such as Tucumcari, N.M., and Seligman, Ariz., the highway remains central to local identity and economy.

A vehicle in the Route 66 caravan is photographed June 6, 2026.

This year’s centennial improvements along the route “are things that are going to go into the future,” Martin said. “The real impact is going to be next year and the years after.”