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Guests will be asked to pick a side at Six Flags Magic Mountain’s “DC Heroes and Villains” fest.

(Six Flags Magic Mountain)

The Valencia coaster park this summer is leaning into superhero properties. The likes of Batman, Superman, Catwoman, the Joker and more are taking part in an evening show that marries dance parties, stunt shows and audience participation. Its “DC Heroes and Villains Fest” runs weekends throughout the summer beginning June 20, with festivities starting at 5 p.m.

There’s a plot each night, and it centers on villains trying to spoil a statue dedication to Batman. Audiences are said to be able to align with heroes or villains to see who has control of Gotham City each evening. Expect a stunt show finish and plenty of silliness, such as a dad joke or strength contests. Dance events will center on Catwoman, the Joker and Harley Quinn, nonheroes who will be trying to woo guests with family-friendly entertainment.

While “DC Heroes and Villains Fest” had yet to begin at the time of writing, Magic Mountain is hoping for a theater-heavy experience.

“A lot of my team comes from New York, the Broadway side,” Mike Ostrom, manager of entertainment and events for the park, told immersive podcast No Proscenium. “So we’re trying to bring a lot of theatrical elements and story arc and all those things that involve the crowd, the participants, to really get involved in what they’re seeing.”

Former Real Madrid and Wales star Gareth Bale is part of a US-based consortium’s attempt to take over League One club Plymouth Argyle.

Talks with the private equity firm are said to be at an early stage.

Plymouth owner Simon Hallett said last month that a previous agreement to sell a stake in the club had fallen through.

Bale would be following the lead of former Real Madrid team-mate Luka Modric, who was part of group that acquired control of Swansea in April.

The Croatia midfielder has taken on a minority stake with the stated aim of generating worldwide attention on the Welsh club.

Legendary NFL quarterback Tom Brady previously became part of the new Birmingham City’s ownership group, while Wrexham have generated huge amounts of revenue from publicity attached to their Hollywood owners Ryan Reynolds and Rob McElhenney.

Plymouth were relegated to the third tier last season after an ill-fated return to the Championship.

The ambitious pre-season appointment of Wayne Rooney as manager did not work and his replacement Miron Muslic resigned at the end of the season and joined German club Schalke.

Former Manchester United midfielder and Watford boss Tom Cleverley was appointed as manager on 13 June.

It is not known what role, if any, five-time Champions League winner Bale will have at Plymouth should the planned takeover succeed.

The former Southampton and Tottenham man, 35, retired from playing in 2023.

There are rare moments in the culture when a children’s book resonates with everyone. Parents who buy the book for their kids find themselves moved by a story that is not intended for them but somehow speaks to them. Peter Brown’s “The Wild Robot” is one such book.

A tender-hearted fable about a robot who washes ashore on a remote island and goes native, the 2016 middle-grade novel from Little, Brown Books for Young Readers has spawned two sequels and last year’s hit (and Oscar-nominated) adaptation from DreamWorks Animation, with book sales for the series topping 6.5 million worldwide. Brown has now created a picture book titled “The Wild Robot on the Island,” a gateway for those still too young to read the original work.

“This new book gave me a chance to create these big, colorful, detailed illustrations, while still maintaining the emotional tone of the novel,” says Brown, who is Zooming from the Maine home he shares with his wife and young son. “I’ve added some little moments that aren’t in the novel to give younger readers an introduction and when they’re ready, they can turn to the novel.”

“The Wild Robot on the Island” picture book is geared for a younger audience than Brown’s earlier children’s novels featuring Roz the robot and friends.

(Peter Brown / Little, Brown Books for Young Readers)

The new book’s mostly-pictures-with-some-words approach is a return to Brown’s earlier work when he was creating charming fables for toddlers about our sometimes fraught, sometimes empathetic attitude toward nature. In 2009’s “The Curious Garden,” a boy encounters a patch of wildflowers and grass sprouting from an abandoned railway and decides to cultivate it into a garden, while 2013’s “Mr. Tiger Goes Wild” finds the title character longing to escape from the conventions of a world where animals no longer run free. This push and pull between wilderness and civilized life, or wildness versus timidity, has preoccupied Brown for the duration of his career, and it is what brought Brown to his robot.

“I was thinking about nature in unlikely places, and the relationships between natural and unnatural things,” says Brown, a New Jersey native who studied at Pasadena’s Art Center College of Design. “And that led to the idea of a robot in a tree.” Brown drew a single picture of a robot standing on the branch of a giant pine tree, then put it aside while he produced other work. But the image wouldn’t let him go: “Every couple of months, I would think about that robot.”

Brown began researching robots and robotics, and slowly the story gestated in his mind. “Themes began to emerge,” says Brown. “Mainly, the idea of this robot becoming almost more wild and natural than a person could be. That was so fascinating to me that I wanted to let this thing breathe and see where it took me.”

Brown knew the involved narrative he had imagined wouldn’t work in picture book form; he needed to write his story as a novel, which would be new territory for him. “When I pitched the idea to my editor, she basically said, ‘Pump your brakes,’ ” says Brown. “If I was going to write, I had to include illustrations as well. The publisher thought it was a bit of a risk. They wanted pictures in order to sell it, because of what I had done in the past.”

(Little, Brown Books for Young Readers)

Brown locked himself away out in the wilds of Maine, in a cabin with no Wi-Fi, and got down to it. “I was nervous, and my editor wasn’t sure, either,” says Brown, who cites Kurt Vonnegut as a literary influence. “I realized there was no other option but for me to do it. And once I got into it, I had a blast.”

Like all great fables, Brown’s story is deceptively simple. A cargo ship full of robots goes down in the middle of the ocean. Some of these robots, still packed in their boxes, wash ashore on a remote island. A family of otters opens one such box, which turns out to be Roz, Brown’s wild robot. As Roz explores this strange new world, she encounters angry bears, a loquacious squirrel and industrious beavers, who regard her as a malevolent force. But the robot’s confusion, and the animal’s hostility, soon dissolve into a mutual understanding. Roz is the reader’s proxy, an innocent who acclimates to the complex rhythms of the natural world. Eventually she is subsumed into this alien universe, a creature of nature who allows birds to roost on her chromium shoulder.

“Roz has been programmed to learn, but her creators, the men who built her, don’t expect her to learn in this particular way,” says Brown. “And so she uses that learning ability to mimic the animals’ behavior and learns how to communicate with them. Roz is the embodiment of the value of learning, and part of that is adapting, changing, growing.”

The story isn’t always a rosy fairy tale. There are predators on the island; animals are eaten for sustenance. Real life, in short, rears its ugly head. “It gets tricky. Life is complicated, right?”, says Brown. “But thanks to Roz’s influence, all the animals discover how they are all a part of this interconnected community.”

Roz adopts an abandoned gosling that she names Brightbill, and the man-made machine is now a mother, flooded with compassion for her young charge. Their relationship is the emotional core of Brown’s series. At a time when the world is grappling with the increasing presence of robotic technology in everyday life, Brown offers an alternative view: What if we can create robots that are capable of benevolence and empathy? Roz reminds us of our own humanity, our capacity to love and feel deeply. This is why “The Wild Robot” isn’t just a kid’s book. It is in fact one of the most insightful novels about our present techno-anxious moment, camouflaged as a children’s book.

The author kept his underlying fable intact in the new “Wild Robot” picture book.

(Peter Brown / Little, Brown Books for Young Readers)

“Technology is a double-edged sword,” says Brown. “There’s obviously a lot of good that is happening, and will continue to happen, but in the wrong hands it can be dangerous.” He mentions Jonathan Haidt’s bestselling book “The Anxious Generation,” and Haidt’s prescriptions for restricting internet use among children, which Brown endorses. “I don’t have a lot of answers, but I just think we need to reinvest in our own humanity,” he says. “We have to make sure things are going in the right direction.”

In subsequent books, the outside world impinges on Roz’s idyll. “The Wild Robot Escapes” finds Roz navigating the dangers of urban life and humans with guns, while a toxic tide in “The Wild Robot Protects” leaves the animals scrambling for ever more scarce resources. None of this is pedantic, nor is it puffed up with moral outrage. Brown knows children can spot such flaws a mile away. Like all great adventure tales, Brown’s “Wild Robot” stories embrace the wild world in all of its splendor, without ever flinching away from it.

“In the books, I just wanted to acknowledge that the world is complicated, and that people we think are bad aren’t necessarily so,” says Brown, who is currently writing the fourth novel in the “Wild Robot” series. “Behind every bad action is a really complicated story, and I think kids can handle that. They want to be told the truth about things, they want to grapple with the tough parts of life.”

A NEW blood test to pick up early signs of a cancer which kills more than half of people within three months of diagnosis is being trialled by UK doctors.

The genomic test uses blood samples to look for markers of the deadly disease, which often has vague symptoms.

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Currently, the UK doesn’t have a national screening programme for pancreatic cancer like it does for breast or bowel cancer. 

A huge issue is the disease is often diagnosed at a late stage because it frequently lacks noticeable symptoms in the early stages. 

But a new pancreatic cancer test is being trialled in patients with a recent diagnosis of type 2 diabetes – a known risk factor for the disease.

People over 50 with a new case of type 2 diabetes have a higher chance of also being diagnosed with pancreatic cancer within three years.

Early data suggests the Avantect test is 68 per cent accurate in picking up people with early stages of the disease, which kills almost 10,000 people every year in the UK.

It’s also 97 per cent accurate in ruling out people without pancreatic cancer.

The new clinical trial has been launched at the Cancer Research UK Southampton Clinical Trials Unit.

Zaed Hamady, consultant surgeon and pancreatic researcher at the University of Southampton, who’s leading the trial, said: “There is currently no targeted early detection or surveillance test for the disease meaning patients are often diagnosed late when they become really unwell.

“If we can develop approaches to detect the cancer sooner, then there are more options we may consider to treat the disease, and patients will have a much better chance of long-term survival.

“Although most people with diabetes will not go on to develop the disease, new onset diabetes is associated with a six to eight-fold increased risk.

“This patient group gives us a way to test how accurate the new diagnostic blood test is, and that could potentially help thousands of people in the future.”

According to researchers, newly-diagnosed type 2 diabetes patients often have similar symptoms as a person with early-stage pancreatic cancer.

This is because the cancer destroys the same insulin-producing cells that are also destroyed in diabetes.

‘Earlier diagnosis would have meant time to make more memories with our children’

Sean Cleghorn’s wife, Allison, discovered she had pancreatic cancer at Christmas 2020 but died four weeks later aged 54.

Mr Cleghorn, a father of three from Kingsclere in Hampshire, said: “The only symptom Allison displayed was some slight indigestion and then she was diagnosed with type 2 diabetes in the autumn of 2020.

“Allison had always eaten healthily, was active and avoided processed food, so this diagnosis was puzzling for us.

“When we learned that new-onset type 2 diabetes was a potential risk factor for pancreatic cancer, we asked for further testing and a scan confirmed she had terminal cancer.

“We hoped she could have chemotherapy to prolong her life, but she became too weak and died four weeks later.

“Perhaps if she had been diagnosed sooner with a test like the one that’s currently being trialled, we may have had time to make more memories with our three children.”

Angelica Cazaly, senior trial manager for the trial, said: “We are asking people with newly diagnosed type 2 diabetes who are attending GP surgeries or diabetic clinics whether they would like to take part in the study.

“Initially, we will collect blood samples from 800 people for testing.

“The results from the test, together with medical information collected from each patient, will help provide researchers with important information on how best to proceed with the rest of the study that will evaluate how accurate the test is at predicting pancreatic cancer.”

‘Exciting time for early detection research’

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Around 10,500 people in the UK are diagnosed with pancreatic cancer every year and just one in 20 survive the disease for 10 years or more.

Samuel Levy, chief scientific officer of ClearNote Health, said: “Our early data demonstrate that our Avantect test can identify pancreatic cancer in stages I and II.

“We are excited to collaborate with the Cancer Research UK Southampton Clinical Trials Unit and the University Hospital Southampton NHS Foundation Trust on this transformative study that could redefine how pancreatic cancer is detected and managed for patients at high risk.”

Dr Chris Macdonald, head of research at Pancreatic Cancer UK, said over 80 per cent of people with pancreatic cancer are currently diagnosed too late for treatment.

He added: “This is an exciting time for early detection research, with tests using blood, breath and urine in development which, if shown to be successful in clinical trials, could save thousands of lives every year.

“Early findings from these tests are very promising, but more research is needed to ensure that they are as accurate as possible before they will be available in the GP surgery.”

The exchange stems from the Istanbul talks deal, but Russia claims Ukraine is not upholding its part of the agreement.

Russia has returned the bodies of 1,200 more Ukrainians killed in the war, according to Ukrainian authorities, bringing the total number of bodies repatriated to over 4,800, while the push for a ceasefire and an end to the conflict now in its fourth year remain elusive.

Ukraine’s Coordination Headquarters for the Treatment of Prisoners, the Ukrainian government body that oversees affairs regarding prisoners of war (POW), announced the news on Telegram, saying the handover was part of an agreement struck in talks in Istanbul earlier this month.

“I am grateful to everyone involved in this humanitarian mission,” said Ukrainian Defence Minister Rustem Umerov. “Ahead is an important and responsible stage of identification. This is a complex and delicate work that will give each family the opportunity to receive answers.”

In a series of exchanges this week, Ukraine has repatriated more than 4,800 bodies returned by Russia, in accordance with the Istanbul agreement, Ukrainian officials said. This marks one of the largest returns of war dead since Russia launched its full-scale invasion of Ukraine in February 2022.

Russia says Ukraine ‘hasn’t reciprocated’

Russian state media confirmed the latest handover of 1,200 Ukrainians, but said Moscow had not received a single Russian corpse in return.

“Russia says Ukraine hasn’t stuck to its side [of the deal], that it hasn’t reciprocated” reported Al Jazeera’s Assed Baig from Kyiv.

Ukraine has yet to comment.

As per their agreement in Istanbul, Kyiv and Moscow are to each hand over as many as 6,000 bodies and to exchange sick and heavily wounded prisoners of war and those aged under 25.

But Russia has so far reported only receiving a total of 27 Russian servicemen.

The latest handover of Ukrainians came as Russia claimed to seize the village of Malynivka in Ukraine’s Donetsk region and also appeared to close in on the northeastern Sumy region.

“Russian forces are roughly 18-20kms (11.2-12.4 miles) away from the capital of the Sumy region, which has been under constant drone and missile attack,” said Baig.

Heading into the final stretch of the 2024 election, it seemed every cable news program had a segment dedicated to this one question: What will Black men do?

Progressives on the ground were voicing concerns about Black male voter turnout long before the 2022 midterms. But because the overturning of Roe vs. Wade enabled Democrats to avoid a “red wave” then, the urgency regarding Black men was muted. That quickly changed once former Vice President Kamala Harris became the presumptive nominee and media personalities such as Stephen A. Smith and Charlamagne tha God began questioning her qualifications without a hint of irony.

In the end, nearly 75% of Black men voted for Harris, and all of those cable news segments about the concerns of that voting bloc went away. That’s unfortunate because in many ways the question at the center of it all — “What will Black men do?” — is more relevant today than it was seven months ago. Since President Trump has retaken office, federal civil rights offices have been gutted, grants for minority business programs canceled and the names of enslavers are making a comeback on military bases. Cable news may be waiting until the next election to talk about the concerns of Black men, but the Black community can’t wait that long. Khalil Thompson and Bakari Sellers agree.

The pair are part of the leadership team for Win With Black Men, a political advocacy group that began in 2022. Thompson said he was inspired to start the group by Win With Black Women, which started after the murder of George Floyd in 2020. Both organizations were key to jump-starting the enthusiasm for Harris, especially financially, with each raising millions of dollars within days of her campaign’s launch.

Now, with the election behind us and three years of a hostile White House administration ahead of us, Thompson’s group has announced an 18-city listening tour starting in July to strategize about ways to help the community outside of the political system. The goal is to reach 3,500 Black men in person and another 25,000 through a national survey in hopes of building a database to better serve the community. Thompson said it’s particularly important to keep people engaged now that the election is over because of how the White House continues to test the limits of both presidential power and the support from his party.

“There has to be a moment where right is right,” said Thompson, a former operative for President Obama. “We raise our children to understand the basic tenets of being a good person. … We need to build a system that can adequately accommodate and support the vast majority of people in this country who just want to enjoy this small amount of time we have on this planet. I see the protests happening and the raids and I’m reminded of Ruby Bridges or the lunch counter in Greensboro. What is happening now in our cities — ripping parents away from their children — doesn’t speak to our better angels.”

Sellers added: “Democracy is participatory, and a lot of time people forget that. The choices are to be on the sideline or get engaged — either way, you are involved.”

He made that choice at a young age, becoming the youngest Black person in elected state office across the country in 2006, as a 22-year-old state representative in South Carolina. His early social justice work echoes that of his father, Cleveland Sellers, who was part of the leadership for the Student Nonviolent Coordinating Committee during the civil rights movement.

“I’d rather get in the fight, be knocked around a little bit, face terror head on, knowing I’m doing it for a just and righteous cause,” Sellers said.

Thompson said that in addition to engagement, Win With Black Men is looking to be a vessel for helping people financially with their utility and grocery bills, as the steep federal cuts and job losses threaten to send millions of Americans into poverty. The current fundraising goal is $2.5 million. And while the organization is nonpartisan, Sellers said a prominent Democrat is the unofficial North Star: “We need to get back to the politics of Jesse Jackson. Meet people where they are, focus on the working class and facilitate conversations that uplift people, not demean them.”

Few things are more demeaning than feeling like your voice matters only once every four years. If nothing else, this upcoming listening tour is a reminder to Democrats that Black men are more than a vote.

@LZGranderson

When you gather the creative minds behind six of the most entertaining and acclaimed shows of 2025, the conversation is destined for narrative intrigue. The writers who took part in this year’s Envelope Roundtable touched on social media blackouts, release strategies, runaway production, even the wonder of Bravo’s “The Valley.” How’s that for a twist?

This panelists are Debora Cahn of “The Diplomat,” about an American foreign service officer thrust into a thorny web of geopolitics; R. Scott Gemmill of “The Pitt,” which focuses on front-line healthcare workers inside a Pittsburgh hospital during a single 15-hour shift; Lauren LeFranc of “The Penguin,” a reimagining of the Batman villain Oswald Cobblepot as a rising Gotham City kingpin, Oz Cobb; Craig Mazin of “The Last Of Us,” an adaptation of the popular video game series about survivors of an apocalyptic pandemic; Seth Rogen of “The Studio,” a chronicle of the film industry’s mercenary challenges as seen through the eyes of a newly appointed studio chief; and Jen Statsky of “Hacks,” about an aging comic’s complicated relationship with her outspoken mentee.

Read on for excerpts from our discussion.

The 2025 Writers Roundtable: Lauren LeFranc, left, Jen Statsky, Craig Mazin, Seth Rogen, Debora Cahn and R. Scott Gemmill.

Lauren, you’re making a series that is tethered to source material that’s really beloved by fans. I’m curious what the conversations are like with DC, or “The Batman” director Matt Reeves, when your series has to fit into a larger canon.

LeFranc: I knew where Oz ended in “The Batman.” I knew my job was to arc him to rise to power and achieve a certain level of power by the end. Outside of that, I was given carte blanche and I could just play. And that’s the most exciting thing to me. We both were in agreement that this should be a character study of this man. I love digging into the psychology of characters.

So many people were like, “Do you feel pressure? What’s this like for you?” And I was like, “Am I numb as a human?” I don’t feel that kind of pressure. I feel pressure to tell a great story and to write interesting, engaging characters that are surprising and to kind of surprise myself. I’m not the first type of person you would think who would get an opportunity to write a guy like Oz, necessarily, and to write into this type of world. I think there’s been a lot of crime dramas and a lot of genre shows or features that don’t have the lens that I have on a man like that. So I took that seriously. And I also really wanted to pepper the world with really interesting, complicated women as well. I felt like, in some of these genres, sometimes those characters weren’t as fully formed.

Craig Mazin of “The Last of Us.”

(Jason Armond / Los Angeles Times)

Craig, you know what it’s like working with source material, and we knew the fate of fan-favorite character Joel, who dies in Part 2 of the video game. Tell me about your experience of the death of Joel in the video game — playing it — and how that informed what you wanted to see out of Season 2 and where exactly it would fall.

Mazin: I was upset when it happened, but I wasn’t upset at the game. It was, narratively, the right thing to do. If you make a story that is about moral outcomes and the consequences of our behavior, and somebody goes through a hospital and murders a whole lot of people, and kind of dooms the world to be stuck in this terrible place, and takes away the one hope they have of getting out of it, yeah, there should be a consequence. If there’s no consequence or even a mild consequence, then it’s a bit neutered, isn’t it? It made sense to me and it made sense that if we were going to tell the story, that was the story we were going to tell. Sometimes people do ask me, “Was there any part of you that was like, ‘Hey, let’s not have Joel die?’” No. That would be the craziest thing of all time.

How quick were you watching the real-time reaction from fans?

Mazin: I don’t do that.

Rogen: But how do you get validation? How do you know to feel good?

Statsky: Can you teach me not to look?

Mazin: I think I’m looking for validation. Really what I’m looking for is to repeat abusive behavior toward me — that’s what my therapist says. For all of our shows, millions and millions and millions of people are watching these around the world. And if 10,000 people on Twitter come at you for something, that is a negligible number relative to the size of the audience, but it sure doesn’t feel [like it]. So I made a choice. The downside is I do miss the applause. Who among us doesn’t love applause? I’ve just had to give that feeling up to not feel the bad feelings.

Seth Rogen of “The Studio.”

(Jason Armond / Los Angeles Times)

With a show like “The Studio” or “Hacks,” does it feel cathartic to lampoon the industry or show the ridiculous nature of the business and the decision–makers sometimes?

Rogen: What’s funny is, as we were writing the show, we never used the word “satire.” To us, the goal was not to make fun of any element of the industry — honestly, it’s mostly based on myself and my own fears, as someone who’s in charge of things, that I’m making the wrong choices, and that I’m prioritizing the wrong things, and that I’m convincing my idols to work with me and then I’m letting them down, and I’m championing the wrong ideas. That I’m making things worse and that I’m giving notes to people that are detrimental rather than exciting, and that I’m mitigating my own risks rather than trying to bolster creative swings. That was the startling moment where I realized I personally relate in my darkest moments to a studio executive more than I do a creative person in the industry in many ways. And that was kind of the moment where I was like, “Oh, that’s a funny thing to explore.”

Jen Statsky of “Hacks.”

(Jason Armond / Los Angeles Times)

Statsky: But it’s interesting when you put it like that, because of the part of showrunning where you become management and you’re much more on that business side [of] running a show. We’re executives in many ways too.

Mazin: I have a question for you. How do you deal with the fact that — as we kind of move through things as writers, we are always comrades, we are colleagues of people. When you become a showrunner, you don’t notice it at first, but there is this barrier between you and everybody, and one day you wake up and realize, “Oh, it’s because they look at me and see someone who can fire them, who can elevate them, who can change their lives for better or worse.” And you start to feel very, very lonely all of a sudden.

Statsky: Oh, there’s a group text you’re not on.

Mazin: And it’s about you.

Statsky: It’s about you. It’s such a hard part of this job that I struggle with very much because as writers, we are empathetic to others, and we are observing the world, and we are trying to commune with people as best as possible. But then you do this thing and you’re like, “I like writing, I like writing, I like writing.” And they’re like, “Great. Now here’s a 350-person company to manage and you become a boss.” I struggle with it a lot, the thinking of people’s feelings, thinking of people’s emotions, wanting to be in touch with them, but then also, at the end of the day, having to sometimes make really difficult management-type decisions that affect people’s livelihood. I find it very challenging. I need your therapist for that as well.

Debora Cahn of “The Diplomat.”

(Jason Armond / Los Angeles Times)

Debora, you have a character, a female vice president, who’s been doing the bidding of an older president whose capabilities have been called into question, and spoiler alert, she becomes president. The season launched a week or so before the 2024 presidential election. What was that like? And how is it writing a political drama now versus when you were working on “The West Wing”?

Cahn: Back in “The West Wing” days, we would have people come in, people who worked in the field, and we would say, “What are you worried about that we don’t know to worry about yet?” And that was a pretty good barometer for getting an interesting story that was likely to still be topical in a year. That’s all you want, really, is to not be completely lapped by the news when you’re trying to tell a story that’s not going to go to air for a year. Now, we’re released from any boundaries of any kind. There’s nothing that we can do that’s more absurd than what’s happening. Suddenly, we’re doing a documentary, or we’re doing a balm for what you wish government was like or what you vaguely remember it was like. But we’re trying to stay in the headspace of, “What is the foreign policy community going to be thinking about in the next two years?” and trying to find something that will continue to feel relevant. But more and more it’s like, “What are the conflicts that sane people have with each other in this field? What happens when you can look at two people and you feel like they both have good values and they are kind to children? What do they fight about?”

R. Scott Gemmill of “The Pitt.”

(Jason Armond / Los Angeles Times)

Let’s talk about release strategies. There’s the traditional, week-to-week model and the more modern, all-at-once model. There’s a mix of both in the marketplace. Scott, with “The Pitt,” you could just see the way people rallied around every week to see what happened next. What do you like about the weekly release?

Gemmill: I’ve only ever done that. This is my first streaming show, and we are doing it in a traditional drop a week. So I’ve never had a show that was bingeable. I don’t know any other way. At one point, they were going to release three episodes at once, but they only released two [at the start]. I don’t have a dog in that fight. I think my show, just because of the nature of it, would be very hard to binge.

Rogen: As someone who’s been bingeing it, I can attest to that. [To Cahn] Yours comes out all at once.

Cahn: It does. I don’t love that. It’s not what I would choose. I think Netflix offers a lot of other pluses. [It’s] got a big audience all over the world and that’s really nice. But I came up in broadcast television, and the idea that you’ve created this thing and it’s a story that you’ve experienced over time, and then people are like two days and done, it just —

Mazin: It’s weird.

Cahn: And it changes the way that you write.

Mazin: Over the last few years, what’s happening is, for shows that are coming out week by week, people will now save up three at a time. So they don’t want to watch week after week. There’s this weird accordion thing going on, and I don’t know where this is going. I don’t think any of us do. I’m a little nervous about the week by week. I am just hoping that it remains.

I thought for sure one day Netflix would go, “Why are we doing this?” Because I really didn’t understand. I still don’t understand.

Cahn: I have this question every three months.

Rogen: They don’t have an answer.

Cahn: It works for them.

Gemmill: Wonder why they complain about grind. Because it’s not there. Well, it’s because you put it all out at once.

Mazin: But then what I’m worried about is that they’re right. I’m just wondering if people are starting to lose their patience.

Statsky: Attention span. I think they are. I’ve even noticed, because we used to drop two a week. In this season for “Hacks,” we’ve done one a week. I saw a couple tweets where people were like, “Why are the episodes shorter this year?” I was like, “Well, they’re not. You used to watch two.” But I do think the one-a-week model, because now people are so trained [to binge] — like you’re saying, the attention span, it’s scary. I don’t think people want to watch like that anymore.

Rogen: I produced “The Boys,” and we actually went from them all coming out at once to weekly. And it did not affect the viewership in any way, shape or form was what we were told. What it did affect, that we could just see, was it sustained cultural impact. People talked about it for three months instead of three weeks of incredibly intense chatter. It just occupied more space in people’s heads, which I think was beneficial to the show.

Cahn: When they’re coming out one a week, you can repeat things that you can’t when they’re coming out all together. You have to look at them in terms of, did they each have the same rhythm? Are they each really featuring the same characters and storylines? You have to think about it in terms of, “If people do three at a time, what’s their experience going to be?” It’s terrible.

The talk of the town is runaway production and how to stop it. Scott, “The Pitt” is set in Pittsburgh and you did film exteriors there, but principal production happened on the Warner Bros. lot. Talk about why that was important for you.

Gemmill: The show could have been shot in Moose Jaw. But it was important to bring the work here, so we fought really hard to get the California tax credit. The most important part of my job besides writing producible scripts that are on time is to keep my show on the air as long as possible, to keep everyone employed as long as possible. And that’s the thing I like the best about it. This is the first show that Noah [Wyle]’s done since he left “ER” that’s shot in Los Angeles. It’s a shame. There’s more production now, but when we first were at Warner Bros. for this, it was a ghost town. It’s so sad because I’ve been in the business for 40 years and still get excited when I go on a lot. And to see them become unused just because it’s cheaper to shoot somewhere else … and there’s so many talented people here, and it’s hard on their families if you have to go to Albuquerque for six months. I don’t ever want to leave the stage again.

Mazin: We did our postproduction on the Warner Bros. lot, but we shoot in Canada. And I love Canada. But yeah, of course, I’d love to be home. I like doing postproduction here. I’ll take what I get. The financial realities are pretty stark, that’s the problem. If you are making a smaller show, the gap is not massive. If you’re making a larger show, every percentage becomes a bigger amount of money and also represents a larger amount of people to employ. But what’s good is it seems like they’re starting to get their act together in Sacramento. I do worry sometimes it’s a little bit too late, because the rest of the world seems to be in an arms race to see how many incentives they can give to get production to go there.

I’m hoping that at least we can start to move the needle a bit because, listen, that Warner Bros. lot, when I was a kid starting out, I would go on that lot, I would see the little “ER” backlot with the diner and all of it. And I was like, “That’s on TV. It’s here.” And now I walk around the Warner Bros. lot and it’s just a single tram full of tourists and no one else. And it’s so, so sad.

Lauren LeFranc of “The Penguin.”

(Jason Armond / Los Angeles Times)

LeFranc: It’s really heartbreaking. You used to be able to write what you’re doing, produce, do post all on the same lot. You had a family that you were able to form, and you could mentor writers. I would not be able to be a showrunner if not for all the people who came before me who mentored me, and I could walk to set, produce my own episode, and then I can walk to post. It’s so hard now where you’re asking writers, especially if networks aren’t paying for writers to go to set, “Can you pay for yourself to fly to New York?” It just makes it so hard to be able to educate people in the way that I feel like I was privileged enough to be educated. What are we going to do about that?

Gemmill: Mistakes get made. The best part about the whole business is it’s collaborative. But when you’re separated by thousands of miles, sometimes there’s a disconnect.

Before we wrap, please tell me what you’re watching. Jen, we were talking about “The Valley” earlier.

Rogen: Oh, I watch “The Valley” too. It’s amazing. Do you watch “The Valley” aftershow? It’s almost as good as “The Valley.”

Statsky: I’m really worried about Jax.

Rogen: We watch reality television. I see the blank looks on everybody’s face.

Statsky: We’re in comedy.

Mazin: I can’t believe how scared I was when you were talking, and then how good I felt when you’re like, “It’s a reality show.”

Statsky: So, you know “Vanderpump Rules”?

Mazin: Ish.

Statsky: It’s an offshoot.

Rogen: Which is an offshoot of —

Statsky: “Real Housewives.”

Mazin: This is an echo of an echo. Go on.

Statsky: Yes, it’s an echo of an echo of garbage.

Rogen: But it’s so good.

Statsky: But it is the worst indictment of heterosexual marriage I’ve ever seen.

Rogen: Yes, it really is.

Mazin: Oh, so incidentally, the San Fernando Valley is what it’s [about]? It’s about Valley Village.

Statsky: Valley Village. It’s the couples that have moved to the Valley and are having children and —

Rogen: And they are all in very bad places in their lives. It’s amazing.

Statsky: You think [in] reality shows most people are in bad places. That’s sadly what people want to watch. These people are in particularly bad places.

Rogen: And the show seems to be compounding it, I think.

Statsky: Yeah, weirdly, being on a reality show is not helping their problem.

Rogen: I find that I watch reality TV because when I watch all of your shows, I find them intellectually challenging. They make me self-conscious, or they make me inspired or something, which is not how I want to feel necessarily after a long day at work just watching something. And so reality TV makes me feel none of those things. It in no way reminds me of what I’ve done all day.

Mazin: If you make me dissociate, I’m watching.

Statsky: You’re going to love it. But once you start watching, Jax owns a bar in Studio City. We can all go. We can reunite.

Mazin: I’ve gone to that bar.

Rogen: You been to Jax’s?

Mazin: Yes, I’ve been to that bar.

Statsky: Wait, hold on. But everyone else in that bar was there because they watched the reality show. Why were you there?

LeFranc: Out of context, I’m so invested in all this.

Rogen: You’ve got to watch it. … Nothing I will ever make is as good as “The Valley.”

NEW YORK — As President Trump focuses on global trade deals and dispatching troops to aid his immigration crackdown, his lawyers are fighting to erase the hush money criminal conviction that punctuated his reelection campaign last year and made him the first former — and now current — U.S. president found guilty of a crime.

On Wednesday, that fight landed in a federal appeals court in Manhattan, where a three-judge panel heard arguments in Trump’s long-running bid to get the New York case moved from state court to federal court so he can then seek to have it thrown out on presidential immunity grounds.

It’s one way he’s trying to get the historic verdict overturned.

The judges in the 2nd U.S. Circuit Court of Appeals spent more than an hour grilling Trump’s lawyer and the appellate chief for the Manhattan district attorney’s office, which prosecuted the case and wants it to remain in state court.

At turns skeptical and receptive to both sides’ arguments on the weighty and seldom-tested legal issues underlying the president’s request, the judges said they would take the matter under advisement and issue a ruling at a later date.

But there was at least one thing all parties agreed on: It is a highly unusual case.

Trump lawyer Jeffrey Wall called the president “a class of one” and Judge Susan L. Carney noted that it was “anomalous” for a defendant to seek to transfer a case to federal court after it has been decided in state court.

Carney was nominated to the 2nd Circuit by Democratic President Obama. The other judges who heard arguments, Raymond J. Lohier Jr. and Myrna Pérez, were nominated by Obama and Democratic President Biden, respectively.

The Republican president is asking the federal appeals court to intervene after a lower-court judge twice rejected the move. As part of the request, Trump wants the court to seize control of the criminal case and then ultimately decide his appeal of the verdict, which is now pending in a state appellate court.

Trump’s Justice Department — now partly run by his former criminal defense lawyers — backs his bid to move the case to federal court. If he loses, he could go to the U.S. Supreme Court.

“Everything about this cries out for federal court,” Wall argued.

Wall, a former acting U.S. solicitor general, argued that Trump’s historic prosecution violated the U.S. Supreme Court’s presidential immunity ruling, which was decided last July, about a month after the hush money verdict. The ruling reined in prosecutions of ex-presidents for official acts and restricted prosecutors from pointing to official acts as evidence that a president’s unofficial actions were illegal.

Trump’s lawyers argue that prosecutors rushed to trial instead of waiting for the Supreme Court’s presidential immunity decision, and that they erred by showing jurors evidence that should not have been allowed under the ruling, such as former White House staffers describing how Trump reacted to news coverage of the hush money deal and tweets he sent while president in 2018.

“The district attorney holds the keys in his hand,” Wall argued. “He doesn’t have to introduce this evidence.”

Steven Wu, the appellate chief for the district attorney’s office, countered that Trump was too late in seeking to move the case to federal court. Normally, such a request must be made within 30 days of an arraignment, but a federal appeals court in Washington, D.C., recently ruled that exceptions can be made if “good cause” is shown. Trump hasn’t done that, Wu argued.

While “this defendant is an unusual defendant,” Wu said, there is nothing unusual about a defendant raising subsequent court decisions, such as the Supreme Court’s immunity ruling for Trump, when they appeal their convictions. That appeal, he argued, should stay in state court.

Trump was convicted in May 2024 of 34 felony counts of falsifying business records to conceal a hush money payment to adult film actor Stormy Daniels, whose affair allegations threatened to upend his 2016 presidential campaign. Trump denies her claim and said he did nothing wrong. It was the only one of his four criminal cases to go to trial.

Trump’s lawyers first sought to move the case to federal court following his March 2023 indictment, arguing that federal officers including former presidents have the right to be tried in federal court for charges arising from “conduct performed while in office.” Part of the criminal case involved checks he wrote while he was president.

They tried again after his conviction, about two months after the Supreme Court issued its immunity ruling.

U.S. District Judge Alvin Hellerstein, who was nominated by Democratic President Clinton, denied both requests, ruling in part that Trump’s conviction involved his personal life, not his work as president.

Wu argued Wednesday that Trump and his lawyers should’ve acted more immediately after the Supreme Court ruled, and that by waiting they waived their right to seek a transfer. Wall responded that they delayed seeking to move the case to federal court because they were trying to resolve the matter by raising the immunity argument with the trial judge, Juan Merchan.

Merchan ultimately rejected Trump’s request to throw out the conviction on immunity grounds and sentenced him on Jan. 10 to an unconditional discharge, leaving his conviction intact but sparing him any punishment.

Sisak writes for the Associated Press.

LOVE Island fans have been left furious after a huge part of the show went missing on tonight’s episode.

It was another drama-packed edition of the ITV2 dating series with this year’s Islanders wasting no time in stirring up trouble with one another.

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Snogs were being dished out left, right and centre with plenty of couple-swapping on the horizon.

However, fans were left more irritated after an iconic feature was pulled from the episode.

As the show ended on a Hideaway cliffhanger with Blu’s shock snog with Shakira, fans were left on the edges of their seats hoping for a preview of the fallout.

But the usual ‘tomorrow night’ preview was scrapped and the programme instead cut straight to the end credits.

Narrator Iain Stirling has become known for his teased catchphrase but fans were not treated to that delight this evening.

It left viewers wanting more as they raced to X – formerly Twitter – to share their annoyance.

Reacting in disappointment, one fan said: “I hate when they don’t give us a tomorrow night.”

Another then added: “NAH sorry where is our. ‘Tomorrow on love island‘.”

A third wrote: “Erm?!!! Where’s the tomorrow night preview ???

“Don’t Introduce us to a vibe you cannot maintain pls.”

Someone else said: “What no tomorrow night?? Kmt.”

It comes as fans were left discussing the eight-year age gap between the show’s newest couple, Harry and Shakira.

Things got rather steamy between the two but viewers took to social media to share their thoughts on the fact Shakira is 22 while Harry is 30. 

One wrote: “Shakira is 22???  Get her away from Harry and his 30 year old a** immediately!!”

Someone else said: “I just deeped the age gap with Shakira and Harry…” 

And another commented: “Harry and Shakira look good together but he is 30.”

Love Island 2025 – current couples

LOVE Island’s 2025 cast have already undergone a shake-up, here are the latest couples:

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David Greenwood adored basketball so much in middle school that he would play for three different teams in three different parks on the same day, multiple times a week.

His brother, Al, would be in the car driving around with him between games while David traded in his sweaty uniform for a fresh one, repeating the process over and over.

“He was relentless,” Al said, “because he loved the game.”

At home, David would get tossed around in driveway games by the cement contractor father who was twice his size, only to keep getting back up for more contact. In practices, he shot blindfolded to perfect his form, his brother having to let him know when he was close to going out of bounds so that he could get his bearings.

UCLA’s David Greenwood (34) shoots a basketball during a game against San Francisco at the Marriott Center in Provo, Utah, on March 15, 1979

(Peter Read Miller / Sports Illustrated via Getty Images)

Greenwood, the determined Compton kid who went from a star high school player at Verbum Dei to one of the top scorers in UCLA history to an NBA champion with the Detroit Pistons, died Sunday night at a Riverside hospital from cancer. He was 68.

True to the nature of someone who played through debilitating foot injuries throughout his career, Greenwood did not inform family of his illness until the end of his life.

“Everything happened so quickly,” said Bronson Greenwood, David’s nephew. “It was kind of a shock.”

One of the all-time great high school players in Southern California, Greenwood and teammate Roy Hamilton were among the final players recruited by legendary UCLA coach John Wooden. They were shocked when Wooden retired shortly after their senior season of high school and was replaced by Gene Bartow.

But they decided to stick with their commitments, lured in part by the pitch of a coach they would never play for in college.

“He told me if I went to USC or UNLV or Notre Dame, I’d be an All-American,” Greenwood once told The Times of Wooden’s proposal. “But if I went to UCLA, I’d be able to test myself against 12 other high school All-Americans every single day. … It was kind of like, ‘Come here and test your mettle.’ ”

Greenwood’s work ethic continued to push him as a Bruin. His practices with the team were followed by an hour in another gym, his brother feeding him passes. Along the way, he never shortchanged himself or teammates.

College athletes selected in the NBA draft pose with NBA commissioner Larry O’Brien, center, at New York’s Plaza Hotel on June 25, 1979. The players are, from left: Calvin Natt, Northeast Louisiana, drafted by New Jersey; Sidney Moncrief, Arkansas, drafted by Milwaukee; Bill Garthright, San Francisco, drafted by New York; O’Brien; Earvin Johnson, Michigan State, drafted by Los Angeles; Greg Kelser, Michigan State, drafted by Detroit; and David Greenwood, UCLA, drafted by Chicago.

(Associated Press)

“If he said he was going to shoot 100 free throws,” Al said, “it wasn’t 50, it wasn’t 65, it was 100 — and he didn’t stop until he got to 100.”

Having been dubbed “Batman and Robin” in high school, Greenwood and Hamilton remained close at UCLA, rooming together and biking to campus from where they lived in the Fairfax District. Hamilton remembered Greenwood as a remarkable rebounder who whipped outlet passes to him to get fast breaks started.

“We would always know how to motivate each other,” Hamilton said, “and connect with each other on the floor.”

Becoming a star by his sophomore season, Greenwood averaged a double-double in points and rebounds as a junior and a senior, finishing each season as an All-American. The 6-foot-9 forward’s go-to move was starting with his back about 10 to 12 feet from the basket before faking one way and unleashing a spin-around jumper.

One of his favorite memories as a Bruin, according to his brother, was a comeback against Washington State toward the end of his career in which the Bruins wiped out a late double-digit deficit, winning on Greenwood’s putback dunk only seconds before the buzzer.

The Bulls’ David Greenwood shoots over the Bullets’ Elvin Hayes during a game in 1981 at the Capital Centre in Landover, Maryland. Greenwood played for the Bulls from 1979-85.

(Focus On Sport / Getty Images)

UCLA never recaptured the Wooden glory during Greenwood’s four seasons, reaching the Final Four his freshman year and a regional final his senior year. But Greenwood remains No. 15 on the school’s all-time scoring list, having tallied 1,721 points.

After the Lakers selected Magic Johnson with the first pick of the 1979 NBA draft, the Chicago Bulls took Greenwood second as part of their massive rebuilding efforts. (Hamilton was also a lottery pick, going 10th to the Pistons.)

“He wasn’t exciting, he was steady,” Al Greenwood said of his brother. “You knew you were going to get a double-double every night out of him regardless of what the score was.”

Greenwood started every game in his first NBA season, averaging 16.3 points and 9.4 rebounds while making the all-rookie team. The Bulls went 30-52, their loss total more than triple the 17 losses that Greenwood’s teams had absorbed in four seasons as a Bruin.

But he persevered through the losing and a series of foot injuries caused by a running style in which his heels would hit the ground before his toes. Al remembered his brother coming back to Los Angeles to play the Lakers and taking his shoes off at home, saying it felt as if they were full of broken glass.

“That was how his feet felt a lot of the time, but he just played even when he shouldn’t have,” Al said. “I always called him The Thoroughbred.”

Former UCLA standout David Greenwood talks about his career during a National Collegiate Basketball Hall of Fame induction event on Nov. 21, 2021, in Kansas City, Mo.

(Colin E. Braley / Associated Press)

Greenwood would undergo one Achilles’ surgery on one foot and two on the other, never missing a full season in the process.

In October 1985, before the widespread use of cell phones, Greenwood learned he had been traded to San Antonio for future Hall of Famer George Gervin while listening to the radio. Late in his 12-year NBA career, he was a surprise playoff contributor for the Detroit Pistons when they won the 1990 NBA championship. Hamilton worked for CBS Sports as part of the production team broadcasting the Finals that year.

“Having my best friend in the world on the team and winning a title,” Hamilton said, “that was a joy for me.”

Greenwood went on to own several Blockbuster video stores and coached at his alma mater, guiding Verbum Dei to state championships in 1998 and 1999. His nephew recalled a soft side, his uncle picking him up and giving him a good tickle.

Greenwood is survived by his brother, Al; sister, Laverne; son, Jemil; and daughter, Tiffany, along with his former wife, Joyce. Services are pending.

HOBBYCRAFT will shut nine stores in days with huge closing down sales launched.

Sites across Bristol, Dunstable, Borehamwood and Basildon are all set to close on June 21, The Sun can reveal.

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A further two sites in Essex and one in Gloucestershire are also set to close, with a site in Kent closing earlier this year.

The impacted stores are part of at least nine Hobbycraft stores that have been earmarked for closure this year.

News of the closures has come as a blow to locals in the area, with Bristol residents describing it as a “shame”.

While another said the store would be missed and they needed to find another “rainy day activity”.

A Kent local said: “Oh noooooo it’s the only one I go to regularly as the rest are too far away!”.

Another resident said they would “need therapy” following news of the closure.

Closing down sales have also been launched across the stores, with up to 70% off on some items.

It comes as new owner Modella Capital is launching an overhaul after buying Hobbycraft in August last year.

Modella also agreed to purchase WHSmith’s high street business earlier this year.

The move is set to impact between 72 and 126 jobs.

It is said the shake-up will help secure the future of 99 stores and around 1,800 jobs across the arts and crafts business.

You can check out the full list of stores earmarked for closure below.

• Canterbury, Kent – closed 
• Basildon, Essex – June 21
• Borehamwood, Hertfordshire – June 21
• Bristol, Imperial Retail Park – June 21
• Dunstable, Bedfordshire – June 21 
• Epping Forest, Essex – June 21
• Lakeside Shopping Centre, Essex – June 21
• Cirencester, Gloucestershire  -June 21
• Bagshot, Surrey – June 21

OTHER STORE CLOSURES

Hobbycraft is not the only retailer facing hard times.

Up to 11 Original Factory Shops stores are to set to close this month, including sites across Worcestershire, Durham and Cumbria.

Meanwhile, another five stores across Nairn, Market Drayton, Troon, Blairgowrie and Castle Douglas have been put up for sale.

It comes as part of a major restructuring carried out by new owner Modella Capital with a number of loss-making stores having to close as result.

You can see the full list of store closures here:

• Milford Haven, Pembrokeshire – June 26
• Perth – June 28
• Chester Le Street, County Durham – June 28
• Arbroath, Angus – June 28
• Kidwelly, Carmarthenshire – June 28
• Pershore, Worcestershire – June 28
• Normanton, West Yorkshire – June 28
• Peterhead, Aberdeenshire – June 28
• Shaftesbury, Dorset – June 28
• Staveley, Cumbria – July 12
• Middlewich – TBC

The following stores are also up for sale:

• Nairn
• Market Drayton
• Troon
• Blairgowrie
• Castle Douglas

It comes after pivate equity firm Modella bought The Original Factory Shop back in February and has since launched a restructuring effort to renegotiate rents at 88 TOFS stores.

At the end of April, Modella drew up plans to initiate a company voluntary arrangement (CVA) for TOFS.

Companies often use CVAs to prevent insolvency, which could otherwise result in store closures or the collapse of the entire business.

They allow firms to explore different strategies such as negotiating reduced rent rates with landlords.

Can someone explain to me what, exactly, Dr. Phil has to do with immigration policy or constitutional law in these United States?

Many outrageous and unsettling things happened in Los Angeles over the weekend. On Friday, multiple immigration raids, in downtown’s Fashion District and outside a Home Depot in Paramount, sparked a not unusual response that led to police involvement, during which many, including union official David Huerta, were arrested.

Ostensibly dissatisfied with the handling of the situation, President Trump, over objections from both L.A. Mayor Karen Bass and California Gov. Gavin Newsom, made the highly unusual — and potentially illegal — decision to send in the National Guard. Tensions escalated and by Sunday, portions of L.A. freeways were shut down as some protesters and/or outside agitators vandalized downtown stores, defaced buildings, hurled rocks from downtown overpasses onto law enforcement vehicles and set fire to a few Waymo cars. Trump’s border advisor, Tom Homan, threatened to arrest Newsom if citizens of this sanctuary state continued to interfere with immigration raids, and Newsom publicly dared him to do it, adding that California would be suing the Trump administration for making the situation worse by sending in the National Guard. On Monday, Homan appeared to backtrack on his threat while Trump said he would support it.

It was both a little — no one should have been surprised that ICE raids in L.A. would spark protests and these were, relatively speaking, small and nonviolent — and a lot. Sending in the National Guard was an obvious military flex, designed to to bait Angelenos while perhaps distracting Americans from Trump’s far greater troubles.

But nothing said “this is a made-for-TV event brought to you by the same reality-star-led administration that proposed making legal immigration into a television competition” as the presence of Phil McGraw. Who, after being embedded with ICE officials during raids in Chicago earlier this year, spent some of this weekend kicking it with Homan in L.A.’s Homeland Security headquarters.

As first reported by CNN’s Brian Stelter, Dr. Phil was there to get “a first-hand look” at the targeted operations and an “exclusive” interview with Homan for “Dr. Phil Primetime” on MeritTV, part of Merit Street Media, which McGraw owns.

Dr. Phil is, for the record, neither a journalist nor an immigration or domestic policy expert. He isn’t even a psychologist anymore, having let his license to practice (which he never held in California) lapse years ago.

He is instead a television personality and outspoken Trump supporter who was on hand to … I honestly don’t know what. Provide psychological support to Homan as he threatened to arrest elected officials for allowing citizens to exercise their constitutionally guaranteed right to free speech while using local law enforcement to prevent any violence or destruction of property that might occur? Offer Homan another platform on which he could explain why Trump is breaking his own vow to target only those undocumented immigrants who have committed violent crime?

Or maybe just provide a familiar face to help normalize rounding up people from their workplaces and off the street and sending in the National Guard when this doesn’t appear to be happening smoothly enough.

There is, of course, the chance that McGraw asked Homan some tough questions. In a clip from the interview posted on X, he appears to begin his interview by asking what exactly happened this “busy” weekend in L.A. Homan replies that multiple law enforcement agencies were “looking for at-large criminals” and serving search warrants as part of a larger money laundering investigation, including at one company where “we knew about half of their employees were illegally in the United States” and in “service of those warrants, we arrested 41 illegal aliens.”

Still, after years of claiming to be nonpolitical, McGraw gave the president a full-throated endorsement at Trump’s Madison Square Garden rally in 2024 while denouncing diversity initiatives. McGraw said the name of his media company pays homage to Americans who made it “on hard work … not on equal outcomes or DEI.”

McGraw’s presence during immigration raids, and his choice as the person who should interview Homan even as things escalated in L.A., would seem downright weird if it weren’t so politically perilous. Merit Street Media is one of a growing number of new news outlets claiming to offer “fresh perspective” on “American values” while hewing almost exclusively to Trump’s MAGA message and offering “safe spaces” to conservatives. Then-presidential candidate Trump told Dr. Phil in August — in reference to those involved in his felony conviction — “revenge can be justified” and that he would win California if Jesus were counting the ballots.

Using McGraw as a platform to explain Trump and Homan’s divisive immigration policy and incendiary decision in L.A. most certainly underlines the criticism that these raids, and the fallout they will inevitably cause particularly in sanctuary states and cities, are being conducted with maximum spectacle awareness. If McGraw isn’t a direct part of the policy, he appears to be a big part of its publicity.

Which is a bit alarming. Over the years, McGraw has been criticized about his treatment of guests (some of whom sued) and staff. In 2020, he issued an apology for comparing the mounting deaths from COVID-19 to the (far smaller) number of deaths due to drowning in swimming pools.

After his fellow Oprah alum, Dr. Mehmet Oz, ran for the Senate last year, McGraw shrugged off the notion that he would ever follow suit, saying he “doesn’t know enough about it.” “When you start talking to me about geopolitics and all the things that go into that — I’m a neophyte, I don’t think I would be competent to do that.”

Nor is there any indication that he is well-versed in immigration or constitutional law. If Trump and Homan honestly wanted a recognizable TV brand to help walk Americans through the legal complications of what happened in L.A. over the weekend, they should have asked Judge Judy.

For months, Donald Trump and his deportation dream team — border czar Tom Homan, White House deputy chief of staff Stephen Miller and Homeland Security head Kristi Noem — have warned any city, state or county that seems even somewhat sympathetic to illegal immigrants that their day of reckoning will come.

For Los Angeles, it’s now.

Since Friday, the city and its suburbs have seen federal officers from various agencies face off against protesters who have unsuccessfully tried to stop them from conducting workplace raids or transport people suspected of being in this country illegally to detention facilities.

The scenes haven’t been pretty.

Federal agents have used flash-bang grenades and tear gas to disperse crowds from Paramount to downtown to the Garment District. They even arrested SEIU California President David Huerta for allegedly blocking a federal vehicle. Protesters, meanwhile, have fought back with rocks, bottles and fireworks. A row of Waymos was set on fire near Olvera Street on Sunday afternoon, emitting an eerie swan song of honks. A fleet of Highway Patrol vehicles parked near a 101 freeway underpass was pelted by protesters from above with cement shards, e-scooters and even paper set on fire.

In the proverbial thick of it are the Los Angeles police and L.A. County Sheriff’s departments, whose leaders have continuously stressed that their agencies aren’t involved in any immigration actions even as they have assisted la migra by keeping crowds away with batons and less-than-lethal rounds.

Some of the 2,000 National Guard troops Trump called up over the strenuous objections of Gov. Gavin Newsom and Mayor Karen Bass are now in Southern California. This is the first time something like this has happened since Lyndon B. Johnson sent the Guard to Alabama in 1965 to protect civil rights activists from white citizens and corrupt law enforcement.

Trump’s incendiary move has set a city whose nerves have been frayed all year further on edge, fearing there’s worse to come from him.

And worse things are coming, Angelenos, though not from activists and professional rioters: What we saw this weekend is Trump bonking L.A. with a toy mallet while itching to swing his federal sledgehammer.

One of the many news conferences held over the past three days by outraged community leaders happened Sunday at La Placita Olvera. We best remember it as the birthplace of Los Angeles, but this serene spot also offers a lesson from the past for what’s happening today — and will probably happen soon.

On Feb. 26, 1931, about 400 people were hanging out at La Placita at 3 p.m. when dozens of federal agents from as far away as San Francisco and Arizona suddenly surrounded the plaza. A 2001 Times story noted that immigration authorities “had for days been posting newspaper ads warning of an impending raid against ‘Mexican aliens.’”

LAPD officers stood at each exit to make sure no one could escape. For the next two hours, immigration agents demanded everyone detained show proof that they were in the country legally. La Opinión reported the following day that la migra explained to angry onlookers “with smiles that they were following orders from superiors and that the [roundup] was completely in accord with the laws of the land.”

Sixteen immigrants ended up being detained, all men: 11 were Mexican, five Chinese and one Japanese.

La Placita was specifically chosen by the feds for such a huge raid “for its maximum psychological impact” against Latinos in Los Angeles and beyond, according to “Decade of Betrayal: Mexican Repatriation in the 1930s.” It was the federal government’s kickoff to years of repatriation efforts against people of Mexican descent — more than a few American citizens — pushed by the Hoover and FDR administrations, leading to hundreds of thousands of them leaving the United States, some never to return.

Given Trump’s love of spectacle, what his agencies have unleashed on L.A. over the weekend seems like the opening notes for something even bigger. Expect resistance from residents even stronger that what we’ve seen so far.

Trucha, Los Angeles — be vigilant, and be careful out there.

Here’s more on the immigration raids

Today’s top stories

The Sacramento River flows past orchards along state Highway 160 near a spot where one of two proposed intakes would be located for the Delta Conveyance Project.

(Brian van der Brug / Los Angeles Times)

Newsom’s power play on the Delta tunnel

• Newsom is asking the Legislature to “fast-track” construction of his controversial and costly water tunnel project in the Sacramento-San Joaquin River Delta.
• The $20-billion, 45-mile, 39-feet-wide tunnel would enhance delivery of Northern California water to Southern California.
• Delta towns and farmers, environmental groups and the coastal salmon fishing industry are fighting the project and the governor’s latest move to expedite construction.

Being Jewish on campus amid Trump’s campaign against antisemitism: ‘Tremendous heartache’

• As the academic year draws to a close, The Times interviewed 12 Jewish students and professors at UCLA and USC who reflected on their campus experiences since Hamas’ attack on Israel.
• They wrestled with questions about their safety and President Trump’s aggressive campaign to combat antisemitism at universities.
• Some worried that Trump was using antisemitism as a weapon to carry out his political goal of remaking higher education.

The 2025 Tony Awards

• Hosted by Cynthia Erivo, the 2025 Tony Awards saw a Hollywood invasion of Broadway including winners Sarah Snook and Cole Escola, who won lead actress and lead actor Tony Awards, respectively, for their roles in “The Picture of Dorian Gray” and “Oh, Mary!”
• Here’s the full list of winners.

What else is going on

Commentary and opinions

This morning’s must reads

Other must reads

For your downtime

Participants at the Feels are encouraged to use their bodies and minds to spark intimacy.

(Jennifer McCord / For The Times)

Going out

Staying in

A question for you: What’s the best advice you’ve gotten from your father or father figure?

Steve writes, “I was raised by my stepfather, a 2nd generation Armenian farmer. He didn’t offer much advice verbally, but he left the house each day at 5:30am, worked hard in the Coachella Valley heat, was home for family dinner at 6 and was asleep by 8. His strong work ethic spoke volumes and had a huge effect on the man I chose to become.”

Michele writes, “While still in undergraduate, I was debating whether or not I should go to law school. I was most concerned about adding another three years to my education, and the length of time it would take. My father said, ‘I have one question for you. Three years are likely going to pass in your life one way or another. What do you want to be doing at the end of it?’ Throughout law school, every time I would feel overwhelmed and wanted to quit, I would remind myself that the time was going to pass anyway, and it kept me going towards the end goal.”

Email us at [email protected], and your response might appear in the newsletter this week.

And finally … your photo of the day

(Gina Ferazzi/Los Angeles Times)

Today’s great photo is from Times photographer Gina Ferazzi in Compton, where Los Angeles residents pushed back against Immigration and Customs Enforcement sweeps.

Have a great day, from the Essential California team

Kevinisha Walker, multiplatform editor
Andrew Campa, Sunday writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

Even in a building as massive as the Cathedral of Our Lady of the Angels in downtown, the organ stands out. How could it not?

Standing 85 feet tall behind the right side of the altar, weighing 42 tons, featuring over 6,000 pipes and bearing the epic name Opus 75, it looks half smokestacks, half battleship and all awesome. It’s regularly used during Mass and has hosted organists from around the world since its 2003 debut.

But what’s coolest about Opus 75 — and what not enough people know — is that the Cathedral holds free lunchtime recitals featuring its star instrument on the first Wednesday of each month.

As an organ fanatic, I have long wanted to attend one. I finally had the chance this week.

A cathedral of and for L.A.

Accompanied by my Times colleague (and fellow classical music head) Ruben Vives, I arrived at the cathedral during the daily 12:10 service, just before the Eucharist. Resident organist Sook Hyun Kim worked the King of Instruments like the seasoned pro she is, including a moving version of “Make Me a Channel of Your Peace” — an apropos hymn for the era of Pope Leo XIV.

About 40 people representing the breadth of L.A. — white, Latino, Asian, Black and all age groups — spread out across the pews after Mass ended to listen to guest organist Emma Yim. The 22-year-old graduated from UCLA (Go Bruins!) two years ago with degrees in biology and organ performance. She is pursuing a master’s from our alma mater in the latter discipline, does research for a UCLA Department of Medicine women’s health lab and also plays the cello.

Man, and I thought I covered a lot of ground!

Her choice for the cathedral recital: three of the five movements from French composer Charles-Marie Widor’s Symphony No. 5. It would be Yim’s first time playing Opus 75.

Playing the King of Instruments

The first movement was mostly variations on a cascading theme. Kim stood to Yim’s side to flip the pages of the score while the latter’s hands leaped around the rows of the organ’s keys. Yim played at first like she didn’t want to tempt the power of the behemoth before her — the notes were soft and cautious.

But during Widor’s playful second movement, the young adults in attendance who had been on their smartphones began to pay attention. Heads began to sway with every swirl of Baroque-like chords that Yim unleashed. “I could hear elements of ‘Lord of the Rings’ in there,” Ruben whispered to me as we looked on from our center pews.

Opus 75 was waking up

She skipped two movements to perform the Fifth’s fifth, better known as Widor’s Toccata. Its soaring passages have made it a popular song for weddings. More people began to poke their head in from the hallways that ring the cathedral’s worship space to see what was going on. Yim became more animated as she worked the keys and foot pedals faster and faster. High-pitched arpeggios accentuated resonant bass notes.

Kim stopped flipping the score, stepped back and looked on in awe like the rest of us as Yim roused Opus 75 to its full might.

A performance that pushes us to a better place

The majesty of L.A. suddenly crossed my mind. Even in tough times like these, it’s unsurpassed in beauty, in its people and especially in its capacity to surprise and delight in places expected and not. It’s people like Yim and performances like hers that stir us all forward to a better place.

The recital ended. “Beautiful, just beautiful,” Ruben said, and I agreed. The applause the crowd gave Yim was swallowed up by the cathedral’s size and our sparse numbers, but she was visibly moved. “Thank you all for coming,” the youngster quietly said, and we all went off to our day.

Kim told Ruben and me that the cathedral’s organ series will take a summer break before it relaunches in September. See you then!

Today’s top stories

A for-sale sign is posted at a home on Lake Avenue that was destroyed by the Eaton fire.

(Robert Gauthier / Los Angeles Times)

Developers are buying up Altadena

Elon Musk and Donald Trump have very publicly broken up

UCLA Chancellor Julio Frenk vows to restore campus trust amid ‘nervousness and anxiety’

• Since he took the helm this year at UCLA, Chancellor Julio Frenk has found himself in a vortex of unprecedented obstacles not only to his campus, but also to the nation’s institutions of higher education.
• In an interview, he defended scientific university research, diversity efforts, admissions practices and international students amid attacks from Trump, and said he wanted to “eradicate antisemitism.”

Candidates for California governor faced off in first bipartisan clash

• In the first bipartisan gathering of 2026 gubernatorial candidates, four Democrats and two Republicans agreed that despite the state boasting one of the world’s largest economies, too many of its residents are suffering because of the affordability crisis in the state.
• Their strategies on how to improve the state’s economy, however, largely embraced the divergent views of their respective political parties as they discussed housing costs, high-speed rail, tariffs, climate change and homelessness.

California petitions the FDA to undo Kennedy’s new limits on abortion pill mifepristone

What else is going on

Commentary and opinions

This morning’s must-reads

Other must-reads

For your downtime

(Carla Blumenkrantz / For The Times)

Going out

Staying in

A question for you: What’s the best advice you’ve gotten from your father or father figure?

Polly says, “My dad used to love the saying, ‘if you’re not living life on the edge, you’re taking up too much space!’ He would say it as reminder for himself and to my sister and I to not overthink things and to just let loose, stop worrying, or try something new.”

Peter says, “I was around 8 or 9 years old and prattling on about something I knew nothing about, when my father sternly admonished me. He said ‘Peter, you only learn when you listen, never when you talk.’ His words resonated and got me to my core.”

Email us at [email protected], and your response might appear in the newsletter this week.

And finally … your photo of the day

Sliding Fleetwood pocket doors open the airy kitchen and living spaces to the backyard.

(Juliana Yamada / Los Angeles Times)

Today’s great photo is from Times photographer Juliana Yamada at the Manhattan Beach home of Paul and Cailin Goncalves, who turned their formerly compartmentalized home and ADU into a bright, flexible family home.

Have a great day, from the Essential California team

Kevinisha Walker, multiplatform editor
Andrew Campa, Sunday writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

Like a quarterback who completed offseason workouts, spring practices and fall training camp, Martin Jarmond had been preparing for this moment for nearly a year.

On Saturday came the big unveiling.

The UCLA athletic director discussed with The Times the plans for his department’s operations in the new college sports world created by the House settlement agreement with the NCAA that will allow schools to pay athletes directly for the first time starting July 1.

The big takeaways: UCLA will distribute $20.5 million in revenue sharing — the maximum allowed under the settlement — while keeping its Olympic sports programs and athletic department staff intact. The school will also preserve scholarship limits at their current levels for at least one year in order to distribute more revenue sharing money to each player.

“This is a pivotal moment in collegiate athletics, and we have to continue to invest in our athletics program to compete at the highest level,” Jarmond said. “That’s why student-athletes come to UCLA, to get the best education and compete at the highest level, and we must invest in our student-athletes to provide that championship-level experience.”

While Jarmond would not divulge the specifics of his revenue-sharing arrangement, it’s expected that UCLA will follow other Power Four conference schools in using U.S. District Judge Claudia Wilken’s back-payment formula as a model for current athletes. Under this formula, which will distribute $2.8 billion to athletes who competed from 2016 to 2024 to compensate them for lost name, image and likeness opportunities, roughly 75% of the money will be shared with football players, 15% with men’s basketball players, 5% with women’s basketball players and 5% with all remaining athletes.

“We’ve worked really hard to look at the House settlement, along with other factors,” Jarmond said, “to determine how we were going to split up the revenue share.”

Jarmond told The Times last year that he anticipated a bigger share of revenue going to football and men’s basketball players because they were “responsible for more of the revenue based on the House settlement and the back pay for NIL and all those things.” Payments will rise each year as part of the 10-year settlement agreement.

Even though roster limits could eventually rise to 105 for football and 15 for men’s basketball as part of the settlement, keeping scholarship limits at their current levels — 85 for football, 13 for men’s basketball — will allow UCLA to provide each player on scholarship a bigger share of revenue. As part of the settlement agreement, any money used for scholarships (which have an estimated value of $65,000 per athlete at UCLA) comes out of the revenue sharing pot. Jarmond said his department would reevaluate this arrangement in a year to ensure it was best serving the school’s athletes.

UCLA is also committed to preserving its Olympic sports that have provided the lion’s share of NCAA championships in an athletic department widely regarded as one of the best in the nation. Jarmond said there would be no staffing cuts, but some personnel might be reassigned to better serve the athletic department.

“We are looking at reallocating staff,” Jarmond said, “to positions that better meet our needs in a changing landscape.”

The ability to pay players directly could help UCLA in ways that go beyond compensating its athletes. Revenue sharing arrangements could help narrow the resource gap between the Bruins and other Big Ten Conference schools that had more deep-pocketed NIL collectives engaging in pay-for-play practices.

Now, all new NIL deals exceeding $600 must be approved by NIL Go, a clearinghouse created by the College Sports Commission to analyze deals to ensure they serve a valid business purpose and provide fair market value.

It’s expected that all existing college NIL collectives — including UCLA’s Men of Westwood (which serves men’s basketball), Bruins for Life (football) and Champion of Westwood (women’s basketball, Olympic sports) — will essentially become marketing agencies that try to find endorsement deals for athletes.

Jarmond said UCLA was seeking a third-party partner to help secure so-called true NIL opportunities. Being based in Los Angeles should provide Bruins athletes with a clear advantage in securing marketing deals, Jarmond said.

Other challenges remain. Having traveled to Washington, D.C., to lobby for federal NIL legislation, Jarmond said he believed it was necessary to eliminate the imbalance that exists with more than 30 states having their own NIL laws.

While distributing $20.5 million in revenue will be another financial blow to an athletic department that has run $219.5 million in the red over the last six fiscal years — though the entire debt has been covered by the university, bringing the balance to zero — Jarmond said he has long championed athletes being paid and believes the move is long overdue. As part of the settlement involving back pay to athletes, UCLA’s share of NCAA revenue will be reduced by more than $1 million annually for the next 10 years.

UCLA’s finances could soon improve under a College Football Playoff revenue sharing agreement that is expected to provide Big Ten schools an additional $8 million to $12 million annually beginning in 2026. That’s on top of media rights deals tilted heavily in favor of Big Ten and Southeastern Conference schools, giving the Bruins another infusion of much-needed cash.

The athletic department has a new ally in Chancellor Julio Frenk, who signaled his intention to be closely involved with the school’s sports programs during a recent interview with The Times.

“Chancellor Frenk has been extremely supportive of athletics and the impact that it has on our community,” Jarmond said. “He has been supportive of our efforts every step of the way. He hit the ground running during a pivotal time not just for athletics but the university, and he has demonstrated support at a high level and I’m grateful for his leadership at such a pivotal time for athletics.”

While acknowledging that UCLA athletics needed to be more creative with revenue generation as part of what he called “a huge moment” that would forever change the trajectory of college sports, Jarmond said the school’s commitment to sports was unwavering.

“We have to be bold and innovative in this new world,” Jarmond said. “UCLA has always been on the forefront and been a leader and that’s not going to change. We will embrace this new era and we will continue to support our student-athletes at a championship level.”

LEOPOLD, Ind. — On the ceiling of Abbie Brockman’s middle school English classroom in Perry County, the fluorescent lights are covered with images of a bright blue sky, a few clouds floating by.

Outside, the real sky isn’t always blue. Sometimes it’s hazy, with pollution drifting from coal-fired power plants in this part of southwest Indiana. Knowing exactly how much, and what it may be doing to the people who live there, is why Brockman got involved with a local environmental organization that’s installing air and water quality monitors in her community.

“Industry and government is very, very, very powerful. It’s more powerful than me. I’m just an English teacher,” Brockman said. But she wants to feel she can make a difference.

In a way, Brockman’s monitoring echoes the reporting that the Environmental Protection Agency began requiring from large polluters more than a decade ago. Emissions from four coal-fired plants in southwest Indiana have dropped 60% since 2010, when the rule took effect.

That rule is now on the chopping block, one of many that President Trump’s EPA argues is costly and burdensome for industry.

But experts say dropping the requirement risks a big increase in emissions if companies are no longer publicly accountable for what they put in the air. And they say losing the data — at the same time the EPA is cutting air quality monitoring elsewhere — would make it tougher to fight climate change.

Rule required big polluters to say how much they are emitting

At stake is the Greenhouse Gas Reporting program, a 2009 rule from President Obama’s administration that affects large carbon polluters like refineries, power plants, wells and landfills. In the years since, they’ve collectively reported a 20% drop in emissions, mostly driven by the closure of coal plants.

And what happens at these big emitters makes a difference. Their declining emissions account for more than three-quarters of the overall, if modest, decline in all U.S. greenhouse gas emissions since 2010.

The registry includes places not usually thought of as big polluters but that have notable greenhouse gas emissions, such as college campuses, breweries and cereal factories. Even Walt Disney World in Florida, where pollution dropped 62% since 2010, has to report along with nearly 10,600 other places.

“We can’t solve climate change without knowing how much pollution major facilities are emitting and how that’s changing over time,” said Jeremy Symons, a former EPA senior climate advisor now at Environmental Protection Network, an organization of ex-EPA officials that monitors environmental policies. The group provided calculations as a part of the Associated Press’ analysis of impacts from proposed rule rollbacks.

Symons said some companies would welcome the end of the registry because it would make it easier to pollute.

Experts see a role for registry in cutting emissions

It’s not clear how much the registry itself has contributed to declining emissions. More targeted regulations on smokestack emissions, as well as coal being crowded out by cheaper and less polluting natural gas, are bigger factors.

But the registry “does put pressure on companies to … document what they’ve done or at least to provide a baseline for what they’ve done,” said Stanford University climate scientist Rob Jackson, who heads Global Carbon Project, a group of scientists that tally national carbon emissions yearly.

Gina McCarthy, a former EPA administrator under Obama, said the registry makes clear how power plants are doing against each other, and that’s an inducement to lower emissions.

“It is money for those companies. It’s costs. It’s reputation. It’s been, I think, a wonderful success story and I hope it continues.”

The potential end of the reporting requirement comes as experts say much of the country’s air goes unmonitored. Nelson Arley Roque, a Penn State professor who co-authored a study in April on these “monitoring deserts,” said about 40% of U.S. lands are unmonitored. That often includes poor and rural neighborhoods.

“The air matters to all of us, but apparently 50 million people can’t know or will never know’’ how bad the air is, Roque said.

EPA seeks to cancel money to fund some air monitoring

The EPA is also trying to claw back money that had been earmarked for air monitoring, part of the termination of grants that it has labeled as targeting diversity, equity and inclusion. That includes $500,000 that would have funded 40 air monitors in a low-income and minority community in the Charlotte, N.C., area.

CleaneAIRE NC, a nonprofit that works to improve air quality across the state that was awarded the grant, is suing.

“It’s not diversity, equity and inclusion. It’s human rights,” said Daisha Wall, the group’s community science program manager. “We all deserve a right to clean air.”

Research strongly links poor air quality to diseases like asthma and heart disease, with a slightly less established link to cancer. Near polluting industries, experts say what’s often lacking is either enough data in specific locations or the will to investigate the health toll.

Indiana says it “maintains a robust statewide monitoring and assessment program for air, land and water,” but Brockman and others in this part of the state, including members of Southwestern Indiana Citizens for Quality of Life, aren’t satisfied. They’re installing their own air and water quality monitors. It’s a full-time job to keep the network of monitors up and running, fighting spotty Wi-Fi and connectivity issues.

Fighting industry is a sensitive subject, Brockman added. Many families depend on jobs at coal-fired power plants, and poverty is real. She keeps snacks in her desk for the kids who haven’t eaten breakfast.

“But you also don’t want to hear of another student that has a rare cancer,” she said.

Walling, Borenstein, Bickel and Wildeman write for the Associated Press. AP writer Matthew Daly contributed to this report from Washington.

Julio Frenk does not appear to be a university administrator content to watch his school’s athletic program from the sidelines.

In his last stop before becoming UCLA’s chancellor, Frenk led an overhaul of the University of Miami’s athletic department, bringing in a new athletic director and football coach after the Hurricanes were criticized for not making football a priority under Frenk’s leadership.

That shakeup resulted in coach Mario Cristobal leading his team to a 10-3 season in 2024 that represented the Hurricanes’ best finish in nearly a decade.

Can UCLA fans expect a similar level of involvement in athletics from their new chancellor?

In a word, yes.

During a recent interview with The Times, Frenk indicated that he would be hands-on with UCLA athletics because of its importance to the university as a whole.

“I am [going to be involved] because I think athletics plays a very central role,” Frenk said. “It is, first, an avenue for recruiting very talented students. Secondly, it benefits the other students. It enriches the student experience of everyone. But let me tell you, when we talk about the contribution to society, part of the reason many universities have a deficit, it’s not because of football. Football actually has a positive cash flow for the university.

“What we do in the United States that no other country that I know of does, is that universities are the place where we train Olympians, Olympic competitors, competitors who go to the Olympic Games. That function — just like the research function — has been delegated to universities and we are investing in having Olympic athletes. In most of the other countries, it’s government-run high-performance centers.

“But here the federal government doesn’t have to worry about that because universities do that and they fund that. And when we have the Olympics every four years, everyone is very proud to see the United States top the medal chart. That work starts in universities and that’s why we also fund that. It’s an intrinsic part of education. It enriches everyone’s experience. It builds community. It also produces the best performing Olympic teams in the world.”

Frenk’s comments would seem to suggest that he is not considering any cuts to UCLA’s Olympic sports even at a time when the school’s athletic department has run up a $219.5-million deficit over the last six fiscal years. That deficit would be even higher had the university not agreed to provide $30 million to its athletic department as part of its most recent fiscal budget.

Frenk also said that federal legislation was needed “to create a much more predictable model” for football and men’s basketball, controlling expenses while propping up the rest of an athletic department.

UCLA chancellor Julio Frenk speaks during his inauguration ceremony at Royce Hall on June 5.

(Luke Johnson / Los Angeles Times)

“I acknowledge this costs money,” Frenk said of allocating resources to the revenue sports, “but the money goes to be able to have all the other disciplines that do not generate money. The most direct way to do that would be to find other sources of funding. Right now, we use the revenue from football and that requires investments to fund the entire athletic operation.

“It is time to have a conversation and create a legal framework that doesn’t leave it to each institution or each state to find their own way in this. We’re part of an ecosystem. I think the move to the Big Ten has been very positive in that respect. And those are the conversations we are having. How do we generate other sources of revenue — mostly to be able not just to maintain the excellence of the sports that are widely followed by the public, but also all the other sports, including, very importantly, the Olympic sports, which are such a source of pride?”

Frenk has shown he will not tolerate failure in high-profile sports — or the perception that he is not doing everything he can to help his teams.

As Miami’s president, he led an upheaval of the school’s athletic department after ESPN analyst Kirk Herbstreit criticized the Hurricanes during a September 2021 broadcast, mentioning a Miami Herald article stating that football was not a priority for Frenk. Herbstreit went on to say that Miami’s athletic director, football coach and president were not in alignment about team needs like other powerhouse programs.

Five days later, Frenk issued a statement saying that he wanted “to make clear that the board of trustees and I, as president, recognize the essential part of our brand and reputation derived from athletics and we are fully committed to building championship-caliber teams at the U.” Frenk added that he would have his chief of staff and senior advisor engage with the athletic department to enhance his own commitment to sustain winning teams.

With the football team headed for a 7-5 finish that fell far short of preseason expectations, athletic director James Blake was fired before the end of the season and football coach Manny Diaz was dismissed a little more than a week after the final game. The Hurricanes then gave Cristobal a 10-year, $80-million contract, with Frenk attending the introductory news conference and calling his new coach’s selection “a bold vision for the future.”

UCLA football went 5-7 last season under first-year coach DeShaun Foster.

(Genaro Molina / Los Angeles Times)

Last month, while making his first public remarks about UCLA athletics at a UC regents meeting, Frenk referenced the role athletics played in the school’s institutional identity, mentioning legendary basketball coach John Wooden and the Bruins’ dominance in Olympic sports with the school set to host the athlete village for the 2028 Olympics.

Frenk also mentioned how UCLA’s recent move to the Big Ten Conference was made with “the goal of stabilizing the program and positioning it for long-term success.” The chancellor referenced the school’s national championship in men’s water polo, a Final Four appearance in women’s basketball and a national runner-up finish in women’s gymnastics as part of a haul that also included six team and four individual conference titles, the most of any Big Ten team.

Ultimately, an athletic department is only as healthy as its highest-profile sports. UCLA’s football team needs to fully capitalize on the recent buzz created by the arrival of transfer quarterback Nico Iamaleava after finishing 5-7 in coach DeShaun Foster‘s debut season. The men’s basketball team must maximize the ability of transfer point guard Donovan Dent to make everyone around him better if it hopes to make it to the second weekend of the NCAA tournament for the first time since 2023.

Going forward, every UCLA team seems assured of one thing: Their new chancellor will be watching.

Jared Verse and Braden Fiske joined the Rams last season as something of a one-two punch.

The former Florida State teammates were drafted in the first and second rounds, respectively, and lived up to their billing as individuals and as a collective force.

Verse, an edge rusher, became the NFL defensive rookie of the year. Fiske, a defensive lineman, was a finalist for the award.

“I think we did good, but I think we became more focused on helping the team than trying to do our own little thing and having a good little duo going on,” Verse said, adding, “So now we finally took another step — having another year together to figure out, ‘Hey, this is how I work, this is how he works.’

“So, I feel like this year is going to be a good one for us to play together.”

As they prepare for their second seasons, the two young stars are part of a front that could rank as one of the NFL’s most dynamic.

The unit includes tackle Kobie Turner, edge rusher Byron Young and several additions, including tackle Poona Ford and rookie edge rusher Josaiah Stewart and rookie tackle Ty Hamilton.

With organized team activities underway, Verse, 24, remains a boisterous presence on and off the field for a team regarded as a Super Bowl contender.

After recording 4 1/2 sacks and 18 quarterback hits last season, Verse said he took the advice of a former NFL player and spent part of the offseason reviewing video of every snap. He focused on the “bad” plays and studied ways to improve.

“The biggest thing I realized was how many sacks — and not even just sacks but big plays — that I missed out on,” he said, adding, “Realizing that this really is a game of inches — whether it’s stopping the ball or actually just doing your job — there’s a couple of things I could’ve done better.”

Not that defensive coordinator Chris Shula wants Verse to change much.

“We’re not looking for any stats,” Shula said. “Not looking for anything else — just want him to play hard and be his best self every single day.”

Fiske, 25, amassed a team-best 8 1/2 sacks and 10 quarterback hits last season while playing through a knee issue. He aggravated the injury in the NFC divisional-round loss to the Philadelphia Eagles, and then had offseason surgery.

Though he said he was “feeling great,” trainers are limiting Fiske’s reps during organized team activities.

“There’s no need to rush,” Fiske said. “The big goal in mind is training camp and, obviously, September when it’s time to go.”

Fiske rehabilitated from upper body injuries during his college career, but the process of recovering from the knee injury forced him to slow down for the first time since prepping for his final season at Florida State.

“My entire career has been [centered on] just go, go, go, nonstop. No offseason. No time off,” Fiske said. “So it’s been probably good for me mentally and physically, of just like, ‘Hey, it’s all right to take a break and ease back into it.’”

The rehab work and the structured workload has paid off, he said.

“I dealt with it all last season, so where I’m at now is awesome,” he said.

The coaching staff’s expectations for Fiske are “just like Verse,” Shula said.

“We just want him to be himself and to continue to elevate the strengths in his game and work on the weaknesses in his game,” Shula said. “That’s exactly what he’s doing.”

Before anything, Clayton Kershaw has to believe. Before he can snap off curveballs the way he used to, before he can be a dependable member of the rotation instead of last resort, he has to believe.

Clayton Kershaw believes.

Never mind the mounting evidence to the contrary — the 5.17 earned-run average through his four starts this season, the two starts that weren’t interrupted by rain in which he failed to complete five innings, the unremarkable high-80s-to-low-90s fastball, the career-low strikeout rate.

Kershaw believes he can once again be a contributor on a championship team.

“I just need to put it together for a whole game,” Kershaw said, “which I think I can do and will do.”

Who’s to say otherwise?

He’s looked finished before, and he wasn’t. Even with diminished stuff, he’s found ways to get hitters out, so why should this time be any different?

“I’m gonna bet on him,” manager Dave Roberts said.

For now, at least, Roberts doesn’t have a choice. Tyler Glasnow and Blake Snell remain sidelined. So is Roki Sasaki.

The next man up would be Bobby Miller, who lasted only three innings in his only major league start this season.

In reality, Kershaw also doesn’t have a choice other than to believe. What’s the alternative?

In the wake of a 10-inning, 6-5 victory over the New York Mets on Tuesday night in which he pitched just 4 ⅔ innings, Kershaw’s rhetoric and demeanor were remarkably upbeat. He pointed to his recovery from the knee and foot surgeries he underwent over the winter, as well as his shoulder operation from the previous offseason.

“I mean, physically, I feel great,” he said. “I don’t feel old. My arm feels good. There’s not really any excuses. It’s just pitch better, pitch like you’re capable of. I think the stuff’s there. The stuff’s there to get people out.”

Kershaw was charged with five runs, three of them earned. He gave up six hits and three walks.

“It’s kind of in and out for me,” he said. “I think I’ll go on a stretch of making, like, 10 or 11 good pitches in a row and then just make enough bad ones to get some damage done against me.”

In Roberts’ view, his trademark slider lacked “teethiness.” More problematic was his curveball, which was particularly erratic.

“Can’t just be a two-pitch guy out there, so definitely need to throw my curveball better, for sure,” Kershaw said.

The absence of the curveball prevented Kershaw from putting away batters. He had 14 batters into two-strike counts but managed only two strikeouts while giving up four hits and a walk.

“I know he’s frustrated because he’s getting count leverage with guys and can’t put them away by way of strikeout,” Roberts said. “He’s competing his tail off, but it just hasn’t been as easy as it has been for him prior to this little stretch.”

In Kershaw’s defense, he was let down by, well, his defense.

In the Mets’ two-run five inning, Max Muncy allowed a potential inning-ending double play grounder to skip through his legs. Later, Brandon Nimmo reached base on a train wreck of a defensive play by the Dodgers, allowing the Mets to score and take a 5-4 lead.

Kershaw is 37 now, with more than 3,000 innings pitched in professional baseball. He won’t win another Cy Young Award, and he knows that. The Dodgers know that too, and that’s not what they’re asking of him. What they’re counting on him to do is to take the mound every six or seven days and keep them in games, perhaps take down six or seven innings on occasion to relieve their overworked bullpen.

“I think he’s going to approach each start to give us a chance to win,” Roberts said. “And I don’t know what that looks like each start, but I think that that’s a starting point, and then from that point, as a game goes on, then I’m gonna have to make decisions on what we have behind him.”

Kershaw made an All-Star team just two years ago and started one the year before that. His stuff was almost as diminished then as it is now. He should be able to pitch like that again, and he’s taken a small but critical first step toward doing that. He believes he can.

Puka Nacua is using organized team activities to hone his craft and prepare for his third NFL season.

But the Rams’ star receiver also recently took time to help others prepare to avoid potential health challenges.

Nacua last week returned from a trip to Samoa, where he and his mother joined medical professionals from Utah Valley University to provide testing, clinics and education about diabetes.

Nacua said his father, who died when Nacua was a youngster, experienced complications from the disease.

So the opportunity to travel with his mother to his maternal grandmother’s village was “kind of a full-circle moment” for his family, Nacua said Tuesday.

“To be able to go and improve the situation in the homeland was something sweet,” Nacua said after the team went through a workout.

Nacua, who missed the Rams’ first on-field workout because of the trip, appeared to be at full strength Tuesday, with no evidence of the knee injury he fought through last season.

Nacua is part of a remade Rams receiver corps that is expected to elevate the offense for a team regarded as a Super Bowl contender.

The Rams released veteran Cooper Kupp, who signed with the Seattle Seahawks, and replaced him with three-time All-Pro Davante Adams. They also re-signed Tutu Atwell to a one-year, $10-million contract. Second-year pro Jordan Whittington and rookie Konata Mumpfield also are competing for roles.

“It definitely is a little bit different,” Nacua said of Kupp’s absence from the receivers’ meeting room. “The spot he used to sit in, I think, it’s definitely occupied by somebody now, so everybody’s getting used to it.”

But Nacua said Adams, who was absent Tuesday, has come in and provided leadership.

“Somebody who’s played at a super high level his whole career — and the knowledge he has is something different from what we’re used to, having Coop in the system a long time,” Nacua said. “It’s been great to have him around and I feel like I’m learning something new every day.”

Nacua, 24, proved a quick study after the Rams selected him in the fifth round of the 2023 draft out of Brigham Young.

With Kupp sidelined at the start of the season because of injury, Nacua became quarterback Matthew Stafford’s primary target. Nacua enjoyed a record-setting season, catching 105 passes for 1,486 yards and six touchdowns. He was a finalist for the NFL offensive rookie of the year.

During training camp before last season, Nacua suffered a knee injury during a joint workout with the Chargers. He then aggravated the issue in the opener against the Detroit Lions, and was sidelined for five games. He still caught 79 passes for 990 yards and three touchdowns for a Rams team that finished with a 10-7 record and advanced to the divisional round of the NFC playoffs before losing to the eventual Super Bowl-champion Philadelphia Eagles.

Offensive coordinator Mike LaFleur said Nacua was “continuing to work on his craft,” during organized team activities.

“He’s naturally just a leader,” LaFleur said. “Just the way he goes about it.”

In a few weeks, Nacua will play a prominent role for the Rams when they travel to Maui for a minicamp that will conclude voluntary offseason workouts. Nacua, who also is of Hawaiian descent, is expected to be warmly embraced by the locals during some activities that will be open to the public.

“I’m excited,” he said. “I can’t wait for everybody to come out there and have some shaved ice. I’m sure they’ll be waiting for us.”

Etc.

The Rams have four coaches working with them during organized team activities as part of the NFL’s Bill Walsh Diversity Coaching fellowship program. The coaches are Taylor Embree (tight ends), Chris Marve (defensive backs), Va’a Niumatalolo (outside linebackers) and Greg Stewart (offensive line).