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The list of candidates running for Los Angeles city and school board offices is set, with a number of incumbents facing what could be competitive primary elections on June 2.

Fourteen Angelenos have qualified to run for mayor, including incumbent Karen Bass, City Councilmember Nithya Raman and former reality TV star Spencer Pratt.

Seven City Council incumbents face at least one challenger, while Councilmember Monica Rodriguez is running unopposed to represent her northeast San Fernando Valley district.

City Atty. Hydee Feldstein Soto is running against three opponents — deputy attorney general Marissa Roy, human rights attorney Aida Ashouri and Deputy Dist. Atty. John McKinney.

In the race for city controller, incumbent Kenneth Mejia will battle it out against Zach Sokoloff, who is on sabbatical from his job as senior vice president of asset management at Hackman Capital Partners.

For the last week and a half, workers at the City Clerk’s Office have been verifying the legitimacy of voter signatures submitted by the candidates, finishing the last batch on Friday.

Gathering the required 500 signatures is relatively easy in citywide races but harder in council and school board districts. Some candidates who submitted petitions by the March 4 deadline failed to qualify because some of their signatures were deemed invalid.

In each race, if no candidate gets more than 50% of the vote in June, the top two finishers will compete in a November runoff.

The field of 14 for mayor narrowed significantly from the roughly 40 who filed initial paperwork on Feb. 7. The qualifiers include a game streamer, a singer-songwriter and a tech entrepreneur, as well as government veterans like Asaad Alnajjar, a longtime engineer for the city. Rae Huang, a pastor and housing advocate, will also appear on the ballot.

Raman, a former Bass ally, shook up the race with her surprise entry, hours before the filing deadline.

A recent poll found that about 51% of Los Angeles voters are undecided on who they want for mayor. Bass led at 20%, followed by Pratt at just over 10% and Raman at slightly more than 9%, according to the Emerson College Polling/Inside California Politics poll.

Tech entrepreneur Adam Miller was supported by just over 4% of those polled, with Huang at about 3%.

In District 1, which stretches from Glassell Park and Highland Park to Chinatown and Pico Union, four challengers are looking to unseat City Councilmember Eunisses Hernandez. They are Maria Lou Calanche, a former Los Angeles Police Commissioner and founder of the nonprofit Legacy LA; Nelson Grande, an executive consultant and former president of Avenida Entertainment Group; Raul Claros, founder of CD1 Coalition, which organizes cleanup days; and Sylvia Robledo, a small-business owner and former council aide.

Councilmember Bob Blumenfield is terming out in District 3, leaving the race to represent the southwestern San Fernando Valley open to a newcomer. The three candidates are Timothy K. Gaspar, who founded a private insurance company; Barri Worth Girvan, a director of community affairs for an L.A. County supervisor; and Christopher Robert “C.R.” Celona, a tech entrepreneur.

In District 5, which includes Bel-Air, Westwood, Hancock Park and other West L.A. communities, Councilmember Katy Yaroslavsky faces two challengers: tenants rights attorney Henry Mantel and accountant Morgan Oyler.

With Councilmember Curren Price terming out in District 9, six candidates are vying to represent parts of downtown and South L.A. They are Jose Ugarte, who was formerly Price’s deputy chief of staff; Estuardo Mazariegos, a lead organizer at the Alliance of Californians for Community Empowerment; nonprofit director Elmer Roldan; entrepreneur Jorge Nuño; professor and therapist Martha Sánchez; and educator Jorge Hernandez Rosas.

Councilmember Traci Park, who represents the Westside communities of District 11, including Brentwood, Pacific Palisades and Venice, will face off against civil rights attorney Faizah Malik.

In District 13, which includes Hollywood and East Hollywood as well as parts of Silver Lake, Echo Park and Westlake, Councilmember Hugo Soto-Martínez is defending his seat against three challengers. They are Colter Carlisle, vice president of the East Hollywood Neighborhood Council; Dylan Kendall, an entrepreneur and founder of Grow Hollywood; and Rich Sarian, vice president of strategic initiatives for the Social District.

And in District 15, which includes San Pedro and other harbor-area communities as well as Watts, Councilmember Tim McOsker is running against community organizer Jordan Rivers, who is continuing his campaign after reports that he stabbed a neighbor when he was 12. Rivers said it was an “accident” that happened a decade ago.

Three seats are open on the Los Angeles Unified School District board.

In District 2, incumbent Rocío Rivas is being challenged by Raquel Zamora, an LAUSD teacher and attendance counselor.

In District 4, incumbent Nick Melvoin is facing off against Ankur Patel, director of outreach at the Hindu University of America.

District 5 school board member Kelly Gonez is running unopposed for her third term.

If David Nihill was a philosopher, his credo might be “I digress, therefore I am.”

Instead, Nihill is a comedian. Kind of. “I don’t know if I think of myself in those terms,” says Nihill, whose “Cultural Appreciation” special has 2.5 million views on YouTube. “I wouldn’t even call mine comedy specials.”

Nihill is a conversational storyteller who rarely even moves on stage. “I don’t know how to do performance,” he says, “but I do know how to talk.”

His current show, “Taking Tangents,” which takes him to Irvine, Pasadena and Los Angeles from March 13 to 17, is a wide-ranging collection of tales, with some material shifting from show to show. We’ll come back to it, but first, a few tangents.

Growing up in Ireland, Nihill, 47, struggled to learn, hampered by dyslexia — “I came in the lowest five percentile in the whole country of Ireland for spelling, and I didn’t even spell my name right on the test” — and an aversion to math. He was made to feel inferior because of his difficulties. “I was 100% in the ‘I am a moron’ category,” he says.

Nihill was shoved into a vocational program and most of his friends dropped out of school. He stayed in, but even when his father offered to buy him a Super Nintendo for certain math scores, Nihill fell short. His father bought it for him anyway, he says, “but I sold it and bought myself a motorcycle even though I was 15 and not legally old enough to drive.”

He finished high school and became a poorly paid, overworked apprentice electrician. That was enough to motivate him to go to college; there, he figured out how his brain worked and how to learn. He even developed a passion for reading: His last show, “Shelf Life,” wove in dozens of book recommendations.

During our conversation via video after a New York show, I’d ask one question, then follow Nihill as he ambled through his personal history. He started with a story about jumping off a cliff in Greece and shattering his leg — a part of “Tangents” — then going to Australia, before he stumbled into a master’s degree studying business back in Ireland (despite botching his application). A new friend there took him to his first-ever comedy show in Glasgow — there are even tangents within his digressions — before getting him a job with Enterprise Ireland, the government’s investment fund to boost Irish business overseas. That landed him in San Francisco, part of the “Cultural Appreciation” special. He left to pursue business opportunities in Mexico but, due to a hurricane, somehow ended up in Chile, spent a year wandering north toward America, and then scored an internship in Colombia.

Nihill is a conversational storyteller who rarely even moves on stage. “I don’t know how to do performance,” he says, “but I do know how to talk.”

(Jim McCambridge)

Eventually, Nihill’s story works its way to his current career, which began by accident. “It was never a dream or a goal,” he says. A friend in San Francisco had suffered a spinal cord injury and Nihill wanted to run a fundraiser, but dreaded public speaking.

That leads to a minor diversion, back to a college public speaking course in which Nihill was so terrified that he got drunk before his presentation and introduced himself “as an exchange student from Southern Yemen.”

In San Francisco, he started doing live comedy to overcome that fear. Meanwhile, his business background led him to see an opportunity and he created FunnyBizz, a company and conference where comedians help teach business leaders, like Kevin Harrington of “As Seen on TV,” how to use humor to communicate. The business bankrolled Nihill’s early days in comedy.

While Nihill has lived in America for years, most recently in Los Angeles, he remains passionately Irish, which shapes his shows in several ways.

In Ireland, “your nature is to just default to funny stories.”

He says American stand-up is about taking a topic and making it funny, aspiring for a five-minute joke-filled late night TV spot. Irish comedians say, “This thing happened to me and I think that’s funny. Let me just repeat it.”

The new show is named after “tangents” so that Nihill can go down different rabbit holes each night if he wants. “My head is always doing 60 different things,” he says, and he loves keeping his storytelling “free form and unfiltered,” whether he’s in a pub or on stage (or, apparently, in an interview).

The new show’s subjects will be familiar to Nihill’s fans: his parents, his foolish behavior (there are drunken college-age antics in a story that somehow eventually weaves in White House press secretary Karoline Leavitt) and Irish culture. “There are few countries that punch above their weight in social justice and social impact,” he says, and he always looks to draw connections with other cultures around the world. But the observations and connections he draws are new.

In New York, he added a bit about how 35% of Jamaicans have some Irish roots, quipping “imagine how fast they’d be without that” (in a nod to legendary sprinters like Usain Bolt). But for Nihill, that joke only works if it’s couched within the larger context of the cross-cultural connections, including the fact that Jamaican-born political activist Marcus Garvey drew upon the Irish independence movement for inspiration.

“There has to be some social value to doing it,” he says, although he’s quick to add his comedy isn’t overtly political. “My dad’s a teacher and that lives inside of me. Humor can be the ultimate tool for social activism. I am deliberately getting people to expand their minds in understanding these connections. I want comedy that makes everyone feel good and maybe learn something.”

Nihill on stage at Hollywood Improv.

(Jim McCambridge)

That “feel good” part is central: While he discusses his mother’s death from cancer last year, he leaves out a beautiful but poignant part of their final days together. “I’m deliberately avoiding that,” he says, because he wants to maintain an upbeat mood.

He digresses to tell me the story, however, and it’s literally longer than this entire article’s word count. “A very long answer to a very short question,” he admits, before swerving into a tale about back when his father had overstayed his visa in New York — it involves his dad being interviewed on CNN, getting into a bar fight and avoiding deportation because the immigration officer hailed from County Cork and Nihill’s dad burst into a song from there, earning him a six-month visa extension. The humanity of that scene “in contrast to a 5-year-old being dragged off to a detention center” may end up in a future Nihill show.

Nihill loves sharing the stories that come from observing and listening to people but says he doesn’t love the spotlight, which, he admits, makes comedy an odd career choice. He says he prefers telling stories to just a few people.

“With comedy, the best part for me is that before a show I eat half a chocolate bar and I leave the other half in the hotel room,” he says. “After the show, I get to finish it. That’s true happiness.”

MIAMI — Voting technology firm Smartmatic is seeking to dismiss a criminal indictment for money laundering, blaming President Trump and his allies for seeking its prosecution as part of a “campaign of retribution” against those they blame for his 2020 election loss.

Smartmatic’s parent company, UK-based SGO Corporation, was added to a criminal indictment last fall previously charging several executives with paying $1 million in bribes to election officials in the Philippines.

In a motion to dismiss the indictment filed Tuesday, attorneys for Smartmatic said the company had been cooperating with the Justice Department since it first learned of its investigation in 2021, including by producing millions of pages of documents and making presentations to federal agents. A trial date for the executives, including co-founder Roger Pinate, had been set and the company believed that it was in the clear.

But when Trump returned to the White House, the Justice Department reversed course and decided to press charges against Smartmatic. Attorneys for the company said the decision was prompted by Trump’s demands to prosecute his perceived enemies and his “mantra” that Smartmatic helped rig the 2020 U.S. presidential election won by Joe Biden — allegations that are at the heart of a $2.7-billion lawsuit filed by Smartmatic against the president’s allies in the media.

“The prosecution of SGO furthers their collective false narrative that President Trump did not actually lose the 2020 election,” Smartmatic said in the filing in Miami federal court.

The White House did not immediately respond to a request for comment.

Attorneys likened the prosecution to the Justice Department’s targeting of Kilmar Armando Ábrego García, a Salvadoran migrant who was criminally charged for conduct years earlier after he successfully sued the Trump administration over its decision to deport him.

In the years since the election, the filing states, “Smartmatic USA has exercised its right to hold those individuals and entities legally accountable for their deluge of defamatory statements and the attendant damage inflicts on its business, putting it squarely in the crosshairs for retribution.”

The criminal case against Smartmatic and its employees stems from payments, between 2015 and 2018, that were allegedly made to obtain a contract with the Philippine government to help run that country’s 2016 presidential election. Pinate, who no longer works for Smartmatic but remains a shareholder, has pleaded not guilty.

As part of the criminal case, prosecutors in August sought the court’s permission to introduce evidence they argue shows that revenue from a $300-million contract with Los Angeles County to help modernize its voting systems was diverted to a “ slush fund” controlled by Pinate through the use of overseas shell companies, fake invoices and other means.

They also accused Pinate of secretly bribing Venezuela’s longtime election chief by giving her a luxury home with a pool in Caracas. Prosecutors say the home was transferred to the election chief in an attempt to repair relations following Smartmatic’s abrupt exit from Venezuela in 2017 when it accused then-President Nicolas Maduro ’s government of manipulating tallied results in elections for a rubber-stamping constituent assembly.

Smartmatic was founded more than two decades ago by a group of Venezuelans who found early success running elections while the late Hugo Chavez, a devotee of electronic voting, was in power. The company later expanded globally, providing voting machines and other technology to help carry out elections in 25 countries, from Argentina to Zambia.

But Smartmatic has said its business tanked after Fox News gave Trump’s lawyers a platform to paint the company as part of a conspiracy to steal the 2020 election.

Fox said it was legitimately reporting on newsworthy events but eventually aired a piece refuting the allegations after Smartmatic’s lawyers complained. Nonetheless, it has aggressively defended itself against the defamation lawsuit in New York — arguing that the company was facing imminent collapse over its own internal misconduct, not due to any negative coverage.

Goodman writes for the Associated Press.

BROOKS Nader has stripped off into a daring bubble outfit with her reality show star sisters after landing a part in the Baywatch reboot.

The family show, Love Thy Nader, follows the four Louisiana sisters as they trade their small-town roots for high fashion, high drama, and the hustle of New York City.

Brooks, Mary Holland, Grace Ann and Sarah Jane have now been snapped wearing incredibly sexy bubble ensembles.

Holding hands, they walked the streets of New York flashing their sensational abs.

The barely-there bubbles left little to the imagination as the telly stars smiled for the camera.

Blonde bombshell Brooks put on a leggy display as she twirled around nearly flashing her bum.

Read more on Brooks Nader

OFF HER CHEST

Brooks Nader goes braless in a see-through nude top on wild night out in LA

SHELL-SHOCK

Tom Brady-linked Brooks Nader pulls down bikini bra in risque snap

The sisters wore slightly different versions of the tiny bubble outfits but wore matching nude stilettos.

Mary, Brooks and Grace were seen with bouncy curled locks while Sarah had her hair styled in a chic slick-back ponytail.

Brooks sizzled in the nearly-nude ensemble, which has certainly sent pulses racing.

This comes as the star has been announced as the latest actress to join the cast of Fox’s Baywatch reboot.

The Sport Illustrated model has already been compared to the original show’s standout Pamela Anderson.

Hulu star Brooks is joining the cast alongside Suits LA star Stephen Amell.

Stunning Brooks will play Selene, captain of the Zuma Beach lifeguards, who regularly butts heads with Stephen’s character, Hobie Buchannon, the son of Mitch, played by David Hasselhoff in the original series.

Selene and Mitch are set to clash over their drastically different approaches to the job.

Fans have gone crazy over Brooks casting as she becomes one of the latest stars destined to put on the famous red swimsuit.

They have likened the Love Thy Nader star to blonde beauty Pamela Anderson, given their similar career paths.

“So, they want Brooks to be the next Pamela Anderson but there’s only one Pam,” one Instagram user said about the casting.

The movie is called “Heel” and its frenetic opening — a flash-cut glimpse of young, handsome, swaggeringly cruel Tommy (Anson Boon) in drug-fueled party mode — seems enough to explain the title. The next time we see him, though, he’s neck-shackled in the basement of a remote English estate. What follows in Polish filmmaker Jan Komasa’s blackly comic, unnerving thriller is clearly meant to evoke “Heel’s” more obedience-minded reading.

And who would be harshing this hooligan’s buzz with a case of reform-minded abduction? An eerily isolated, rules-driven nuclear family: mild-mannered, soft-spoken Chris (Stephen Graham), haunted Catherine (Andrea Riseborough) and polite son Jonathan (Kit Rakusen). They all may as well have sprung from the combined neo-gothic conjurings of Edward Gorey and Harold Pinter. Under Komasa’s direction, the mix of fractured fable and terroristic morality play in Bartek Bartosik’s screenplay is absurd but potent, giving “Heel” enough psychologically twisted juju to nearly always feel like more than the sum of its parts.

Our first glimpse of Tommy chained up, pleading to be let go, is through the eyes of a young Macedonian refugee, Katrina (Monika Frajczyk), being given a tour of the large countryside manor where she’s just been hired by Chris for twice-a-week housework. Katrina, like us, is rightly horrified but she’s in her own bind: undocumented, saved by Chris from the streets, with her signature on a confidentiality agreement and a deportation threat hanging over her. She’s hardly in a position to do much more than accept what’s going on as a grimmer version of her own dead-end predicament.

And yet what’s readily apparent is that this weird, fragile, insular family is genuinely keen on folding Tommy into their lives. They’re also convinced of their unorthodox methods, which hinge on reinforcement and reward. Tommy seems receptive, too, with each invitation to participate in his abductors’ togetherness (meals, movie nights, a picnic). This is when “Heel” is at its most alluringly queasy, a dark commentary on all families as institutions inherently built on confinement and emotional blackmail. (It’s no coincidence one of the movie’s executive producers is Jerzy Skolimowski, who made his own pointed kidnapping allegory with “Moonlighting.”)

Everyone’s broken, so the collective strength of the cast in keeping us on our toes about where this is all headed is a huge plus. The wiry Boon doles out his brash character’s reserves of vulnerability to stunning effect — Tommy is a difficult part and Boon knows how to make it revealing and suspenseful. Graham’s tweaked, sensitive patriarch is tantalizingly far from the heartbreaking dad of “Adolescence” and the gloriously oddball Riseborough makes the most of her faint-voiced mom’s severity. Frajczyk and Rakusen are also pitch-perfect.

Last year Komasa had another family-centered thriller with “Anniversary,” a movie about politics corrupting a happy home. But we know that equation already. “Heel” is Tolstoy’s happy-family maxim cooked in a mad scientist’s lab. While it sometimes shows its seams as an idea movie, its elegant disturbia has a boldness, recalling that great mind-game ’60s era that gave us “TheServant,” “The Collector,” and the early psychological freak-outs of Komasa’s countryman, Roman Polanski.

“Pond rules” dictate that if an animal is hungry, the creature that’s about to become a meal should accept its fate. That’s the first lesson that Mabel (voiced by Piper Curda), an idealistic university student whose mind is transferred into the body of a robotic beaver, learns while interacting with wildlife as one of their own in Pixar’s inventive “Hoppers.” In typical human fashion (we love to meddle with nature), Mabel ends up breaking that directive by saving a “fellow” beaver, the slumberous Loaf (Eduardo Franco), attracting unwanted attention that leads her to a wacky group of characters who will transform her rigid young worldview.

For his second feature, Daniel Chong, best known for creating the popular “We Bare Bears” series for Cartoon Network, has unleashed a hilariously unexpected and outrageous crowd-pleaser with “Hoppers.” Recently, I bemoaned that a movie like Sony’s “Goat” stood as further proof that talking-animal animated films had mostly run their course. Chong and screenwriter Jesse Andrews swiftly push back on that read with this environmentalist tale in defense of people who stand up for something, even when it seems no one is willing to stand beside them.

“Hoppers” is Pixar by way of a creator, Chong, whose career isn’t exclusively tied to the studio. That’s likely why his movie is more daring in its humor and tone, bringing a refreshing infusion of mischief to Pixar while maintaining the genuine emotional gravitas that has endeared the company to audiences for over 30 years.

Why is Mabel’s psyche roaming around inside a fake beaver à la “Avatar”? After discovering that this technology has been developed by one of her professors, Mabel thinks it could be the answer to saving the local forest glade where self-aggrandizing mayor Jerry (Jon Hamm) wants to build a highway. Mabel’s grandmother instilled in her an appreciation for nature as a reminder that she’s part of something greater than herself. Collecting signatures isn’t yielding results to stop construction, so, to the dismay of the scientists in charge, Mabel hops into the human-made mammal to learn from the creatures themselves why they’ve left the glade, giving Jerry carte blanche to destroy their home.

The poignancy-to-comedy ratio is precisely calibrated. Sharp gags, whether visual or in superbly timed lines of dialogue often laced with irony, work on multiple levels. A few moments like an accidental death or the wild introduction of an aquatic character are so wonderfully out of left field they make one’s head spin. That also goes for instances late in Mabel’s adventure in which “Hoppers” steps into amusingly creepy terrain, paying homage to the horror genre. These impish touches involve a wicked caterpillar (Dave Franco) whose mother, the Insect Queen, is voiced by acting royalty Meryl Streep. Each group of animals has its own ruler.

Since most scenes occur in the forest glade, the artists at Pixar have created strikingly rendered settings which, while aiming for photorealism, also have a fantastical glow to them, highlighting the inherent magic of nature. That such a seemingly commonplace location is elevated to feel mesmerizing speaks to how animation can make the mundane anew. That’s on top of how the rotund beavers in “Hoppers” have been conceived for maximum cuteness. One of them, Mabel’s guide through this ecosystem, is the disarmingly adorable King George (Bobby Moynihan), who wears a tiny crown (Where did he get it? No one knows) and rules over all mammals with a gentle hand.

Mabel’s friendship with King George, who doesn’t know she is human, becomes the movie’s heartstring-pulling core. The jovial royal believes he can persuade Jerry to change course. Mabel, conversely, doesn’t think Jerry will listen. Her cynicism and King George’s sincere faith in others clash. Among Mabel’s non-furry pals, Tom Lizard (Tom Law) becomes a scene-stealer. (The crazy-eyed, eloquent reptile first became an online sensation as part of a post-credits scene in “Elio.”)

Chong and his team include a minuscule but brilliant detail that illustrates how character design can have major narrative impact: When the animals are speaking among themselves, their eyes are large and expressive, full of life. But when the film takes the perspective of a human looking at the forest dwellers, their eyes appear small and dark, almost nondescript. It’s a subtly visual symbol for how we often fail to gaze at others with understanding.

There are many heavy hitters still to come, but “Hoppers” feels like the first great animated movie of the year. At a time when our right to protest is under siege, this sci-fi yarn exalts the way an individual’s conviction can plant seeds of change, leading to a stronger sense of community. Neither simplistically optimistic nor preachy, “Hoppers” smuggles timely ideas inside a rodent body. Pond rules would probably call that a beaver victory.

Here’s the story…of how a seemingly non-descript home in the San Fernando Valley turned into an L.A. landmark.

The L.A. City Council voted to designate the “Brady Bunch” house as a historic-cultural monument on Wednesday, enshrining the Studio City Midcentury as a piece of the city’s history.

“Long before it became a pop‑culture pilgrimage site and backdrop for countless photo ops, the Brady Bunch House helped shape America’s vision of family life in the late 1960s and early ’70s — especially the idea of a blended family,” said Adrian Scott Fine, president of the L.A. Conservancy. “We’re thrilled to see it now designated as a Historic-Cultural Monument, ensuring the Brady Bunch — and their iconic home — remain part of Los Angeles’ story.”

The Los Angeles Cultural Heritage Commission unanimously voted to recommend the house, located at 11222 Dilling St. in Studio City, as a landmark on Jan. 15. The Planning and Land Use Commission approved the designation a month later, sending final say to the City Council.

“I look forward to seeing this memorialized in the appropriate way as part of San Fernando Valley television history,” Councilmember Adin Nazarian said during the Planning meeting.

The landmark status protects the home from demolition, but doesn’t prohibit it. If the owner ever wants to destroy the home, the Cultural Heritage Commission can delay the process for up to a year to find preservation solutions. The commission also gets more oversight on proposed alterations.

“The Brady Bunch” was filmed in a studio for the entirety of its iconic run from 1969 to 1974. So how does a house that was merely for exterior shots wind up as a landmark?

Through painstaking renovations and a bit of reality TV magic.

The house was built in 1959 by architect Harry M. Londelius, who gave the contemporary ranch a shake roof, cathedral ceilings and heaps of Palos Verdes stone. After starring in the show, the home became a symbol for Southern California’s suburban, single-family charm.

For decades, it was owned by Violet and George McCallister, who bought it for $61,000 in 1973. Once they died, their children sold it in 2018 for $3.5 million — nearly twice the original ask.

The bloated sale price was the result of a bidding war, as offers poured in from TV enthusiasts and celebrities, including ‘N Sync’s Lance Bass. In the end, cable network HGTV emerged as the winner.

The channel had big plans for the property, announcing a $1.9-million remodel that would recreate the interiors exactly how they looked in the show. The entire process was documented in a four-part miniseries titled “A Very Brady Renovation.”

The show featured the actors who played the Brady kids taking sledgehammers to the interiors while “Property Brothers” stars Drew and Jonathan Scott reshaped the living spaces.

An inside look at the “Brady Bunch” house in Studio City.

(Ryan Lahiff for Eklund | Gomes)

The final result was a near picture-perfect replica of the Brady abode: the floating staircase, the groovy orange kitchen counters, even the famous vase destroyed by a stray basketball during a famous episode. (“She always says don’t play ball in the house.”) To make space for the throwback bedrooms, the crew added 2,000 square feet to the rear of the house, as well as a second story — which they hid from the street by lowering the foundation by a foot.

The renovation nearly doubled the square footage, featuring five bedrooms and five bathrooms across more than 5,000 square feet.

After the miniseries, HGTV took a bath on the sale. They flipped it for $3.2 million in 2023 — $300,000 less than they paid for it five years earlier and $2 million less than the asking price.

The house was bought by historic-home enthusiast Tina Trahan and her husband Chris Elbrecht, former chief executive of HBO. It came with a few Brady-themed furniture throw-ins such as a green floral couch and credenza complete with a 3-D printed horse sculpture.

Fans still flock to the house to take photos from the street, but Trahan and Elbrecht opened it to the public for the first time in November, offering a limited run of tours for $275.

Minnesota’s governor and attorney general on Wednesday defended their efforts to combat fraud and told a U.S. House committee that their efforts have been hampered by President Trump’s immigration crackdown in the state.

Republicans on the House Oversight Committee accused Gov. Tim Walz and Atty. Gen. Keith Ellison of stalling to fight fraud in government programs, saying they put politics ahead of rooting out abuse instead of pausing payments.

“You have not been good stewards of the taxpayer dollars,” said Republican Rep. James Comer of Kentucky, chair of the committee. “And the Democratic position is keep the money flowing. The American taxpayers have had enough.”

Walz said he wanted to work with the federal government to help with fraud investigations, but the immigration surge was making that more difficult.

“The people of Minnesota have been singled out and targeted for political retribution at an unparalleled scale,” Walz said. “We’re going to prosecute, as we have, every single person that’s involved in fraud, but we can’t do it alone.”

Walz and Ellison defended their efforts on fraud, while also trying to turn the focus of the hearing to the surge of 3,000 federal agents in Minnesota that began in December. The Trump administration cited fraud as one justification for its enforcement action. Homeland Security Secretary Kristi Noem testified Tuesday that about 650 investigators remain in Minnesota as part of a broader fraud probe.

“Operation Metro Surge did nothing to address fraud in our state,” Ellison said. “It harmed our economy and it scarred our people and it dealt a devastating blow to fraud enforcement in Minnesota.”

Ellison noted the series of resignations of lawyers in the U.S. Attorney’s Office in Minnesota, leaving those who remain “drowning in immigration-related petitions” instead of prosecuting fraud. On Tuesday, the U.S. attorney for Minnesota appeared before a judge for a contempt hearing related to Immigration and Customs Enforcement not returning personal property of detainees.

Ellison said his office has “punched above our weight” in winning 300 Medicaid fraud convictions and recovering more than $80 million for taxpayers.

Republican Rep. Clay Higgins of Louisiana called on Ellison to resign, accusing him of not leading investigations into criminal fraud activity.

Last week, Vice President JD Vance said the Trump administration would “temporarily halt” $243 million in Medicaid funding to Minnesota over fraud concerns, as part of what he described as an aggressive crackdown on misuse of public funds. Minnesota sued on Monday to stop the money from being withheld, warning it may have to cut healthcare for low-income families if the money is held back.

Comer on Wednesday accused Walz of not stopping Medicaid payments despite knowledge of fraud because he “didn’t want to rock the boat.”

Comer and other Republicans accused Walz of lying about when he first found out about fraud in a $250-million scheme known as Feeding Our Future and stalling to act in order to protect the Somali American community. Republican Rep. Jim Jordan of Ohio asked Walz if he know how many of those who had been indicted were Somali Americans.

“Their ethnicity is not my concern,” Walz said.

Somali Americans make up 82 of the 92 defendants charged so far in the Feeding Our Future case, according to the U.S. Attorney’s Office for Minnesota.

Democratic Rep. Robert Garcia of Long Beach, as part of the effort to focus the hearing on the immigration crackdown, held up images of children detained by federal officers and a picture of the blood-stained car seat of Renee Good who was killed by an officer. Federal officers also killed another Minnesota resident, Alex Pretti, who had been filming enforcement operations.

“This violence does not make us safer,” Garcia said. “It does not address fraud, waste and abuse.”

Bauer writes for the Associated Press.

WASHINGTON — The United States plunged further into conflict with Iran on Tuesday as a new round of strikes heightened fears of an expanding war in the Middle East, sending markets reeling and oil prices soaring and drawing urgent calls from European leaders for a plan forward.

President Trump acknowledged during an Oval Office appearance that the public would feel some economic pain as fighting continues to threaten areas that are critical to the world’s oil and natural gas production.

“As soon as this ends, those prices are going to drop, I believe lower than ever before,” Trump said, though he did not provide a clear time frame for when the conflict might end.

As the war stretched into its fourth day on Tuesday, Israel struck Iranian missile launch facilities and weapon factories and Iran retaliated across the Persian Gulf region, including attacks on U.S. diplomatic sites in Saudi Arabia, Kuwait and Dubai.

The conflict simultaneously set off alarms in the global markets, prompting stocks in Europe and Asia to plunge and the S&P 500 to drop nearly 1% after falling as much as 2.5% in early trading.

European governments were also forced to contend with the fallout, with some countries increasing their military presence in the region as their actions are closely monitored by Trump, who publicly singled out countries that he thought had been helpful in his war efforts so far.

“Spain has been terrible,” Trump told reporters in the Oval Office while threatening to “cut off all trade with Spain” after he said the country had denied American forces access to its military bases.

Trump said he was “not happy with the U.K. either” and complained about not being allowed to use a military base on Diego Garcia in the Chagos Islands. Without access to that military base, Trump said American planes were forced to fly “many extra hours.”

“We were very surprised. This is not Winston Churchill that we’re dealing with,” Trump said. Churchill served as Britain’s prime minister during World War II.

As Trump threatened European allies, he sat next to German Chancellor Friedrich Merz, underscoring the fraught landscape that world leaders are navigating as American and Israeli forces work to destroy Iran’s missile capabilities and nuclear program and eye a potential change in government.

During their meeting, Trump said Germany has allowed the United States to use its air bases. Beyond that help, Trump said, “we’re not asking them to put boots on the ground or anything.”

When asked by reporters how Germany intended to help in the conflict, Merz said he wanted to focus on talking to Trump about what comes “the day after” the war ends.

“We are on the same page in terms of getting this terrible regime in Iran away and we will talk about the day after, what will happen then, if they are out,” Merz said.

Trump talks about regime change options

Trump did not have much to say yet on what will come next and was unclear on who will lead the Iranian government, saying that U.S. and Israeli military operations had killed the people who he thought could have filled the leadership vacuum.

“Most of the people we had in mind are dead,” Trump said. “Now, we have another group, but they may be dead also based on reports so I guess you have a third wave coming in and pretty soon we’re not going to know anybody.”

His remarks were a startling acknowledgment in part because minutes earlier he said the worst-case scenario in his mind was that the military operation would take place and “then somebody takes over who is as bad as the previous person.”

“That could happen,” Trump said.

Asked if Crown Prince Reza Pahlavi, son of the former shah, is someone he would like to run the country, Trump said he is a “very nice person,” but did not say for sure whether he is his choice.

The president and his top aides have offered varying explanations when asked about regime change, drawing criticism from Democrats and some conservatives who are demanding to know why Americans are being dragged into a war with no clear end in sight.

On Saturday, when U.S. and Israeli forces first struck Iran, Trump said overthrowing Iran’s theocratic regime was part of his rationale. But on Monday, he emphasized that Iran’s missiles posed a threat to the United States, and therefore theattack was carried out to eradicate its missile capability and nuclear program.

After briefing lawmakers Monday afternoon, Secretary of State Marco Rubio told reporters that the United States launched a “preemptive” attack on Iran because officials knew Israel was going to strike the country — a move that he said would have put U.S. forces at risk and led to even more U.S. casualties. As of Tuesday, six American troops have been killed in combat.

House Speaker Mike Johnson (R-La.), after being briefed by Trump administration officials on Monday afternoon, said, “Israel was determined to act in their own defense, with or without American support.”

“If Israel fired upon Iran, and took action against Iran to take out the missiles, then they would have immediately retaliated against U.S. personnel and assets,” Johnson told reporters.

Trump disputed the suggestion that Israel’s plans to attack Iran prompted him to launch the strikes, saying it was the other way around.

“If anything, I might have forced Israel’s hand,” Trump said Tuesday. “But Israel was ready, and we were ready, and we’ve had a very, very powerful impact because virtually everything they have has been knocked out.”

But it was unclear how far along the U.S. military is in accomplishing its mission.

In a letter Monday, Trump told Congress that while the “United States desires a quick and enduring peace, it is not possible at this time to know the full scope and duration of military operations that may be necessary.”

Senate Minority Leader Chuck Schumer (D-New York) warned in a speech on the Senate floor that the administration’s murky strategy is not good for the country.

“History teaches us a simple lesson: Wars without a clear objective do not stay small. They get bigger, they get bloodier, they get longer, they get more expensive,” Schumer said. “This is not a defensive war. This is not a necessary war. This is a war of choice.”

The latest attacks on the region

Tuesday saw yet another expansion of the war when Israeli troops blitzed into Lebanon in a bid to dislodge the Iran-backed Shiite militant group Hezbollah.

The ground invasion comes one day after Hezbollah lobbed rockets and drones at an Israeli military position across the border; an attack, the group said, that was vengeance for the killing of Iranian Supreme Leader Ayatollah Ali Khamenei and a response to Israel’s near-daily violations of a ceasefire brokered by the U.S. in November 2024.

The attack sparked a massive Israeli assault on dozens of villages and towns in southern Lebanon, as well as on the southern suburbs of the Lebanese capital, Beirut. The strikes killed 40 people, wounded 246 others and saw tens of thousands forced to leave their homes and scramble for shelter in Beirut and elsewhere, according to Lebanese authorities.

The Lebanese army said Tuesday that it was withdrawing from positions in southern Lebanon ahead of a ground incursion by Israeli troops. The Israeli military’s Arabic-language spokesman then issued a warning to residents of some 80 towns and villages in that region to “immediately evacuate your homes” and move northward.

Hezbollah, meanwhile, maintained a defiant stance and continued rocket and drone launches into Israel.

“The era of patience has ended, and we have no option but to return to resistance,” said Mahmoud Qatari, who chairs Hezbollah’s Political Council. “If Israel wants an open war, so be it.”

The invasion comes more than a year after Israel occupied parts of southern Lebanon in 2024. After the ceasefire came into effect, Israel withdrew from most parts of the country save for five positions near the border. Yet in the 15 months since the ceasefire was signed, it has proved to be more notional for Lebanon, with Israeli warplanes and troops conducting well over 10,000 truce violations, according to the U.N.

Israel says its actions are to stop Hezbollah from reconstituting itself near the border, but the result has meant residents of border towns and villages in southern Lebanon have been unable to return home.

Israel’s military spokesman, Brigadier Gen. Effie Defrin, said in a statement that troops were “creating a buffer” inside Lebanon between residents in northern Israel “and any threat.”

As the conflict has escalated, some 1,600 Americans stranded across the region have requested assistance and the Trump administration is trying to help evacuate them, Rubio said. But the effort has faced challenges because Iranian missiles have struck many Mideast airports.

“We know we are going to be able to help them,” Rubio said. “It is going to take a little time because we do not control the airspace closures.”

Ceballos reported from Washington, Bulos from Khartoum, Sudan.

WASHINGTON — Billions fewer birds are flying through North American skies than decades ago and their numbers are shrinking ever faster, mostly due to the combination of intensive agriculture and warming temperatures, a new study finds.

Nearly half of the 261 species studied showed losses important enough to be statistically significant, and more than half of those in decline have seen losses accelerate since 1987, according to a study published Thursday in the journal Science. The study is the first to look at trends in their decrease, where they are shrinking the most and what the declines are connected to, rather than total population.

“Not only are we losing birds, we are losing them faster and faster from year to year,” said study co-author Marta Jarzyna, an ecologist at Ohio State University. “Except for forest birds, almost every group is doing poorly. So we need to ask ourselves a question. How do we protect these groups of birds?”

The only consolation is that the birds that are shrinking in numbers the fastest are species — such as the European starling, American crow, grackle and house sparrow — that aren’t yet at risk of going extinct, said study lead author Francois Leroy, also an Ohio State ecologist.

“The thing is that species extinction, they start with a decline in abundance,” Leroy said, adding that “the decline is somehow maybe giving a preview of what it could lead to in terms of species extinction.”

Cornell University conservation scientist Kenneth Rosenberg, who wasn’t part of the study, said the species declining fastest in the new research “are often considered pests or ‘trash birds,’ but if our environment cannot support healthy populations of these extreme generalists and extremely adaptable species that are tolerant of humans, then that is a very strong indicator that the environment is also toxic to humans and all other life.”

A 2019 study by Rosenberg of the same bird species found North America had 3 billion fewer birds than in 1970, but didn’t look at changes in the rate of loss or causes.

Biggest bird losses in areas warming most

The biggest locations for acceleration of bird loss were in the Mid-Atlantic, the Midwest and California, the study found. And geography proved important when Leroy and Jarzyna looked for reasons why so many bird species are shrinking ever faster.

When it came to population declines — not the acceleration — the scientists noticed bigger losses farther south. When they did a deeper analysis, they statistically connected those losses to warmer temperatures from human-caused climate change.

“In regions where temperatures increase the most, we are seeing strongest declines in populations,” Jarzyna said. “On the other hand, the acceleration of those declines, that’s mostly driven by agricultural practices.”

Farmland issues speed up bird declines

The scientists found statistical correlations between accelerating decline and high fertilizer and pesticide use and the amount of cropland, Leroy said. He said they couldn’t say any of those caused the acceleration of losses, but it indicates agriculture in general is a factor.

“The stronger the agriculture, the faster we will lose birds,” Leroy said.

Jarzyna said there is a “strong interaction” between climate change and agriculture in their effect on bird populations.

“We found that agricultural intensification causes stronger accelerations of decline in regions where climate warmed the most,” Jarzyna said.

McGill University wildlife biologist David Bird, who wasn’t part of the study, said it was done well and that its conclusions made sense. With a growing human population, agriculture practices are intensified, more bird habitats are being converted to cropland, modern machinery often grind up nests and eggs, and single crop plantings offer less possibilities for birds to find food and nests, said Bird, the editor of “Birds of Canada.”

“The biggest impact of agricultural intensity though is our war on insects. Numerous recent studies have shown that insect populations in many places throughout the world, including the U.S., have crashed by well over 40 percent,” Bird said in an email. “Many of the birds in this new study showing population declines depend heavily on insects for food.”

Birds do a lot for humans

This study is both “alarming” and “sobering” because of the sheer numbers of losses and the patterns in those accelerating declines, said Richard Gregory, head of monitoring conservation science at University College London. He was not part of the research.

The paper shows that people need to change the way they live to reduce human-caused warming, reduce agricultural intensity, monoculture of crops and broad application of chemicals, said Cornell University ornithologist Andrew Farnsworth, who wasn’t part of the study.

“Here is why this study is especially important. Birds do a lot for humans,’’ McGill biologist Bird said in an email. ”They feed us, clothe us, eat pests, pollinate our plants and crops, and warn us about impending environmental disasters. With their songs, colors, and variety, birds enrich our lives … and recent studies show that their immediate presence actually increases our well-being and happiness and can even prolong our lives! To me, a world without birds is simply unfathomable.”

Borenstein writes for the Associated Press.

FANCY a pint? This new heritage pub is set to become a popular spot for a post or pre-train journey tipple.

The boozer has just opened as part of an enormous multi-million pound refurb at Carlisle Station.

Called The Scott & Brassey, the new pub officially opened on 25 February inside Carlisle Station at Platform 4.

It was formerly used as a First Class waiting room and at one stage even welcomed Queen Victoria.

The Grade-II listed space has been used as various different outlets over the years and was a cafe for decades – but has just opened as a pretty pub operated by Lancaster Brewery.

It has undergone a £400,000 renovation delivered by Network Rail, backed by Avanti West Coast and the Railway Heritage Trust.

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Its name ‘The Scott & Brassey’ comes from novelist Sir Walter Scott and Victorian railway pioneer Thomas Brassey.

Inside, the pub has period features like a large fireplace, and vaulted beam ceilings.

The walls are a mix of deep blue and bright yellow, in the corner are cosy booths with low lampshades.

Upstairs on the mezzanine level is additional seating at smaller tables.

The bar area is sleek and modern with a wooden top and dark grey tiled front along with lots of greenery on shelves and of course, drinks offerings.

It will have seven cask ales on hand pull, five from Lancaster Brewery and two from local cask brewers, and one cask cider – there will also be eight keg lines.

The pub said it aims to spotlight ‘regional and national producers with one of the largest selections in Cumbria‘.

On Facebook reviews, one visitor to the new pub wrote: “Had a great afternoon with my mum and sister today! lovely staff and a fabulous asset to Carlisle.”

Another said: “What a fab job you’ve done. Stunning renovation and fantastic atmosphere.”

The pub is open every day from 11am until 10pm Sunday-Thursday and 11pm Friday-Saturday.

It’s dog-friendly too.

The new pub is inside Carlisle Station which is around 179 years old, and is in the middle of a huge overhaul.

Carlisle Station cost just £53,000 to build at the time, which in today’s money is around £4.6million.

It now welcomes around two million passengers a year with trains to London and Manchester as well as Edinburgh, Liverpool and Newcastle.

Cumberland Council previously announced it would be spending £28million on redesigning Carlisle Station.

The new designs include the creation of a new forecourt entrance to the north of the station.

The north side will have improved links to the city centre, and parking outside the already standing Griffin pub.

It will also see a new piazza space, called George Square created to the south of the station.

This will mean improved access for passengers, and secure cycle parking, as well as plenty of green spaces.

The work is set to be fully complete in early 2027.

For more on train station’s, this is one of the UK’s busiest that’s set to undergo a huge transformation.

And the seven new train stations are coming to UK under £14billion plans.

The lovely, funny “American Classic,” premiering Sunday on MGM+, is a love letter to theater, community and community theater. Kevin Kline plays Richard Bean, a narcissistic stage actor. He’s famous enough to be opening on Broadway in “King Lear,” but he has to be pushed onstage and is forgetting lines. After he drunkenly assails a hostile New York Times critic — caught on video, of course — he’s suspended from the play, and his agent (Tony Shalhoub) advises him to get out of town and lay low until the heat’s off, as they used to say in the gangster movies.

Learning that his mother (Jane Alexander, acting royalty, in film clips) has died, Richard heads back to his small Pennsylvania hometown, where his family — all actors, like the Barrymores, but no longer acting — owns a once-celebrated theater. To Richard’s horror, it has, for want of income, become a dinner theater, hosting touring productions of “Nunsense” and “Forever Plaid” instead of the great stage works on which he cut his teeth.

Brother Jon (Jon Tenney), running the kitchen at the theater, is married to Kristen (Laura Linney), Richard’s onetime acting partner, who dated him before her marriage; now she’s the mayor. Their teenage daughter, Miranda (Nell Verlaque) — a name from Shakespeare — does want to act and move to New York, as her mother had before her, but is afraid to tell her parents. Richard’s father, Linus (Len Cariou), is suffering from dementia, though not to the point he won’t actively contribute to the action; every day he comes out again as gay.

Across the eight-episode series, things move from the ridiculous to the sublime. Richard’s attempt to stage his mother’s funeral, with her coffin being lowered from the ceiling, while “Also sprach Zarathustra” plays and smoke billows toward the audience, fortunately comes to naught; but he announces at the ceremony that he’ll direct a production of Thornton Wilder’s 1938 play “Our Town” at the theater, to “restore the soul of this town.” (His big idea is to ignore Wilder’s stage directions, which ask for no curtain, no set and few props, with a “realistic version,” featuring a working soda fountain, rain effects and a horse.) Fate will have other plans for this, and not to give away what in any case should be obvious, the title of the play will also become its ethos, with a cast of amateurs, including Miranda’s jealous boyfriend, Randall (Ajay Friese), and ordinary people standing in for the ordinary people of Wilder’s Grover’s Corners.

The series has a comfortable, cushiony feeling; it’s the sort of show that could have been made as a film in the 1990s, and in which Kline could have starred as easily in his 40s as in his 70s; it has the same relation to reality as “Dave,” in which he played a good-hearted ordinary Joe who takes the place of a lookalike U.S. president. The town is essentially a sunny place, full of mostly sunny people, to all appearances, a typical comedy hamlet. But we’re told it’s distressed, and Mayor Kristen is in transactional cahoots with developer Connor Boyle (Billy Carter), who wants clearance to build a casino on the site of a landmark hotel. (Much of the plot is driven by money — needing it, trading for it, leaving it, losing it.) He also wants his heavily accented, bombshell Russian girlfriend, Nadia (Elise Kibler), to have a part in “Our Town.”

As in the great Canadian comedy “Slings & Arrows,” set at a Shakespeare Festival outside of Toronto, themes and moments and speeches from the play being performed are echoed in the lives of the performers, while the viewer experiences the double magic of watching a fine actor playing an actor playing a part. Kline, of course, is himself an American classic, with a long stage and screen career that encompasses classical drama, romantic and musical comedy and cartoon voiceovers; the series makes room for Richard to perform soliloquies from “Hamlet” and “Henry V,” parts Klein has played onstage. He brings out the sweetness latent in Richard. Linney, who played against her sweetheart image in “Ozark,” is happily back on less deadly ground (though she’s tense and drinks a little). Tenney, who was sweet and funny on “The Closer,” and who we don’t see enough of these days, is sweeter and funnier here, and gets to sing. (All the Beans will sing, except for Linus.)

As a comedy, it is often predicable — you know that things will work out, and some major plot points are as good as inevitable — but it’s the good sort of predictability, where you get what you came for, where you hear the words you want to hear, ones you could never have written yourself. “American Classic” is not out to challenge your world view in any way but wants only to confirm your feelings and in doing so amplify them. Shock effects are fine in their place — and to be sure there are major twists in the plot — but there is a certain release when the thing you’re ready to have happen, happens, whether it brings laughter or tears. Either is welcome.

After Nexstar Media Group announced layoffs at KTLA-TV this week, some viewers have expressed shock and dismay over losing several longtime local broadcast journalists at the station.

The cuts included KTLA weatherman Mark Kriski, weathercaster Kacey Montoya, midday anchors Lu Parker and Glen Walker and reporter Ellina Abovian. The layoffs come as Nexstar attempts to cut costs and pursues a merger with rival media company Tegna.

Abovian, who was a general assignment reporter at the station, reflected on the layoffs on social media, saying in a video posted to Threads on Thursday that she was “blindsided,” and that the cuts were “part of corporate restructuring.”

“Corporate layoffs are a part of life and this is just the game of life. They’re impacting people across multiple industries right now, so I’m not the only one, and my situation certainly isn’t unique,” said Abovian, who worked at the station for more than a decade. “But it’s hard to process, considering how it happened.”

Some viewers and fellow journalists have also expressed their disappointment.

CNN anchor Elex Michaelson responded on X, writing, “Mark Kriski is an L.A. broadcasting icon. As a kid, the OG KTLA Morning News crew (Carlos, Barbara, Mark, Sam, Eric, Gayle, etc) inspired me to want to be a journalist. I have great respect for Glen, Lu, Kacey, and Elina as well … all great people … and talented broadcasters.”

Each of the laid-off journalists had been with the station for a number of years. Kriski had been with KTLA since 1991, and Walker sat at the station’s anchor desk since 2010. Parker joined KTLA in 2005.

KTLA morning news anchor Frank Buckley addressed the situation before continuing with the broadcast Thursday.

“As you probably know, we are extremely limited in what we can say,” Buckley said. “But if you are a regular viewer of this program and of this TV station, you also know that we are a family here. We consider you to be part of that family. And when family members experience tough times, we all feel it. So this is a difficult time for us. And we will go through it together.”

SAG-AFTRA, which represents the laid-off journalists, issued a release on Wednesday condemning the cuts. The guild disclosed that it is “actively bargaining with Nexstar stations in multiple markets.” It accused Nexstar of pushing “to gut severance pay and insert onerous provisions into the union contract that limit workers’ ability to freely negotiate the terms of their own employment.”

“By laying off journalists across the country, Nexstar is eroding the resources and talent that local communities rely on for trusted news,” said SAG-AFTRA’s President Sean Astin in the release. “These actions highlight the risks of media consolidation and underscore the urgent need for regulators and the company to prioritize the public interest and the professionals who serve it.”

Nexstar operates 201 stations in 116 local markets in the U.S., reaching 70% of American households. It is the largest TV station ownership group in the U.S. Tegna owns television stations in 51 U.S. markets. Following the pending $6.2-billion merger, the standing company will have 265 stations, representing 80% of U.S. TV households.

President Trump has expressed his support for the deal in a social media post earlier this month.

He wrote, “Letting Good Deals get done like Nexstar – Tegna will help knock out the Fake News because there will be more competition, and at a higher and more sophisticated level. Those that are opposed don’t fully understand how good the concept of this Deal is for them, but they will in the future.”

WASHINGTON — President Trump just can’t seem to choose among friends in the Texas Senate Republican primary.

So when he travels to the state on Friday for his first post-State of the Union trip, where he plans to promote his energy and economic policies, Trump will have all three candidates in the competitive race join him — just days before his party casts ballots in the primary race.

Sen. John Cornyn is battling for his fifth term and is being challenged by state Atty. Gen. Ken Paxton and Rep. Wesley Hunt in a primary fight that has become viciously personal. And all three men, missing the coveted endorsement from Trump, have been trying to highlight their ties to him as they ramp up their campaigning ahead of Tuesday’s vote.

For his part, Trump will be seeking to ride the message of his State of the Union address from Tuesday, where he declared a return to economic prosperity and a more secure America — two centerpiece arguments for Republicans as they campaign to keep their congressional majorities this fall.

Trump’s hesitation to endorse in the Texas Senate primary speaks to the tricky dynamics of the race.

Cornyn is unpopular with a segment of Texas’ GOP base, in part for his early dismissiveness of Trump’s 2024 comeback campaign and for his role in authoring tougher restrictions on guns after the 2022 school shooting in Uvalde, Texas. But Senate GOP leadership and allied groups see Cornyn as the stronger general election candidate, in light of a series of troubles that have shadowed Paxton.

Paxtonbeat impeachment on fraud charges in 2023, and has faced allegations of marital infidelity by his wife, state Sen. Angela Paxton.

Senate Majority Leader John Thune and South Carolina Sen. Tim Scott, chairman of the National Republican Senatorial Committee, have urged Trump to endorse Cornyn. They and allied campaign groups argue that the seat would cost the party hundreds of millions more to defend with Paxton as the candidate.

“It is a strong possibility we cannot hold Texas if John Cornyn is not our nominee,” Scott told Fox News on Wednesday.

Hunt, a second-term Houston-area representative, was a later entry to the race, but claims a kinship with Trump, having endorsed him early in the 2024 race. Hunt campaigned regularly for Trump and earned a prime-time speaking slot at the Republican National Convention in Milwaukee.

If no candidate reaches 50% in Tuesday’s primary, the top two finishers will advance to a May 26 runoff.

Cornyn’s campaign and a half-dozen allied groups have poured more than $63 million into the race since last fall, chiefly trying to slow Paxton but recently attacking Hunt in an effort to keep him from making it to the runoff.

Earlier this month, Trump feinted toward weighing in on the race when he said he was taking “a serious look” at endorsing in the Texas primary. He has since reaffirmed his neutrality.

Still, you wouldn’t know it from watching TV in Texas. Cornyn has been airing ads since last year touting his support for Trump’s agenda, even though his relationship with the president has been cool at times. Paxton and Hunt both have ads airing now featuring them standing with Trump.

“I like all three of them, actually. Those are the toughest races. They’ve all supported me. They’re all good. You’re supposed to pick one, so we’ll see what happens. But I support all three,” Trump said earlier this month.

The GOP battle comes as Democrats have a contested primary of their own in Texas between state Rep. James Talarico, a self-described policy wonk who regularly quotes the Bible, and progressive favorite U.S. Rep. Jasmine Crockett.

Trump hasn’t been shy about wading into other contested Republican primaries in the state. Parts of Corpus Christi fall within Texas’ 34th congressional district, where former Rep. Mayra Flores is fighting to reclaim her seat against the Trump-endorsed Eric Flores. (The two are not related.) The winner of the primary will face off against Democratic Rep. Vicente Gonzalez, long a target of the GOP, whose district was redrawn to make it easier for a Republican to win.

Eric Flores will be at the Trump event at the Port of Corpus Christi, which technically is located in a neighboring district.

Elsewhere in the state, the president has also endorsed Rep. Tony Gonzales, who is fighting calls from his own party to resign from Congress after reports of an alleged affair with a former staffer who later died after she set herself on fire. Gonzales is refusing to step down and has said that there will be “opportunities for all of the details and facts to come out” and that the stories about the situation do not represent “all the facts.”

Gonzales is facing a primary challenge from Brandon Herrera, a gun manufacturer and gun rights influencer who Gonzales defeated by fewer than 400 votes in their 2024 runoff. The White House did not return a request for comment on Thursday on whether Trump stands by his endorsement of Gonzales.

Kim and Beaumont write for the Associated Press. Beaumont reported from Des Moines, Ia. AP writer Jonathan J. Cooper in Phoenix contributed to this report.

It started as a gift for their daughter’s 9th birthday. Jennifer and Michael Reese wanted to surprise their gymnast-in-training with a trip to Westwood to see the UCLA women’s gymnastics team.

From that moment on, they became fans. They were captivated by the choreography on the floor and the balance on the beam, by the work each gymnast puts into their routine and by the thrills of the best show in Los Angeles.

Ten years later, while their daughter cheers from a distance at Oregon State, the couple remain loyal to the Bruins and are a staple of Section 103 at Pauley Pavilion as season-ticket holders. And their devotion isn’t grounded in Southern California. When the team travels for meets away from home, the Reeses often follow to cheer on the Bruins.

“They just welcomed us with open arms just as if we were a part of them just because we became so faithful and true fans,” Jennifer said. “They called us their super fans.”

Michael and Jennifer Reese, from Victorville, join parents and friends of the gymnastics team at a rally before the Bruins’ meet against Michigan at Pauley Pavilion on Feb. 14.

(Genaro Molina/Los Angeles Times)

That sense of belonging has been their favorite part of supporting UCLA women’s gymnastics. The Bruin Bubble — an affectionate term for the close-knit, insulated community, culture and social scene among UCLA students, alumni and sports fans — added them to their email chains, inviting them to banquets and fundraisers.

“We just love it,” Jennifer said.

With every pike in midair, every perfect landing, every Yurchenko off the vault, the Reeses’ connection with each gymnast grows and their commitment to the team becomes deeper.

Watching it from the comfort of their Victorville home is an option, but the energy in Pauley is unmatched, Michael said.

“You have tons of people doing the same thing and being on the same accord for that one athlete,” he said. “Whether it’s Jordan [Chiles] or whether it’s freshman Ashlee Sullivan or whether it’s, back in the day, Kyla Ross, it’s just amazing to feel that thrill there.”

But if they must watch from their living room, they make sure to bring the same energy as if they were watching in person.

UCLA super fan Michael Reese gives high-fives to members of the Bruins gymnastics team at a send-off before a meet against Michigan at Pauley Pavilion on Feb. 14.

(Genaro Molina/Los Angeles Times)

“We’re hopping and hollering in our living rooms,” Michael said, “but it’s nothing like being in person.”

Before every meet, the Bruins and their family members convene outside the arena a few hours early for a send-off. Think of it as a pep rally where family members hype the gymnasts. They cheer as the team makes its way to the arena.

“It lets us go into competition with a lot of energy,” coach Janelle McDonald said.

In 2018, during a meet in Michigan, their Bruins’ previous coach, Valorie Kondos Field, started chanting “We’re ready,” which Michael gravitated toward. As a former military man, he picked up the cadence of the cheer and started to hype the team with the chant. Now, anytime he’s available, he makes sure to be there and send off his favorite team.

Throughout the years, he’s added his own flavor to it by adding the acronym W.I.N. to the end of the rallying cry — Work, Intensity and Never quit.

“We just have fun with it, whatever pops at the time,” he said.

When the Bruin Bubble gets together to send off the team, whether it’s with the UCLA eight-clap, silly wigs or pom-poms, the energy passed sets the gymnasts up to be the best they can be, junior Katelyn Rosen said.

“Gymnastics is really hard to make it go perfect every single time,” she said. “So if you can kind of get similar pieces of each day to anchor to, to make you feel calm, to remind yourself that it’s still you, and you’re still in your own body, and you still have control over it, is something really helpful.”

Having familiar faces of friends and family in the crowd, even when they are competing away from Pauley Pavilion, means a lot to the gymnasts, McDonald said. Fans like Jennifer and “Big Mike,” as the team calls him, are part of the consistency they have throughout the season.

With the help of the Reeses, UCLA is breaking records. So far, the Bruins have been a part of four meets with record attendances in Illinois, Michigan, Minnesota and Washington. Their Feb. 22 meet at Illinois had to be moved to State Farm Center to accommodate the larger crowd.

Bruins fans don’t see the travel as a sacrifice.

It’s “the thrill of your life,” Jennifer Reese said.

California’s landmark single-use plastic law is slowly being eroded by pressures within the state. Now legal attacks from outside threaten to kneecap it entirely.

Earlier this month, a federal district court judge in Oregon put parts of its single-use plastic law, which is similar to California’s, on hold while he decides whether it violates antitrust and consumer protection laws.

At the same time, 10 Republican attorneys general sent letters directly to companies that are taking part in plastic reduction campaigns, telling them to stop.

They threatened legal action against Costco, Unilever, Coca-Cola and 75 other companies for participating in the Plastic Pact, the Consumer Goods Forum and the Sustainable Packaging Coalition. These efforts all include industry as an active partner in reducing plastics, but the letters say the companies are colluding against consumers “to remove products from the market without considering consumer demand, product effectiveness, or the cost and impact on consumers of a replacement product.”

Charges of corporate collusion and conspiracy are central to both cases.

Anti-waste advocates and attorneys well versed in packaging say the lawsuit and the letters to Costco and the other companies highlight vulnerabilities in several of California’s waste laws, including the seminal Senate Bill 54 — the Plastic Pollution Prevention and Packaging Producer Responsibility Act. At issue are what are known as Extended Producer Responsibility laws.

These put the cost of cleanup and waste disposal on the companies that make materials — plastic, paint or carpet — rather than on consumers, cities and municipalities.

In 2024, a report from California Atty. Gen. Rob Bonta estimated that collectively, the state’s cities spend more than $1 billion each year on litter management. In 2023, 2.9 million tons of single-use plastic (or 171.4 billion pieces) were sold or distributed, according to one state analysis.

These producer responsibility laws emphasize the idea of “circular economy”: that the producer of a material must consider its fate — making sure it can be reused or recycled, or at least reduced.

The laws organize companies into entities, called Producer Responsibility Organizations (PROs), that generally oversee the management of the laws, set fees and collect them from members.

In the Oregon lawsuit, the National Assn. of Wholesaler-Distributors alleges a state-sanctioned product responsibility organization levied fees on trade group members that were onerous and opaque.

“Their fee structure was designed in secret by board members of the PRO,” said Eric Hoplin, president and chief executive of the group.

“Oregon is attempting to build a statewide recycling system by granting vast authority to a private entity to impose what amount to hidden taxes on businesses and consumers,” said Brian Wild, chief government relations officer for the wholesalers. “This law raises prices, shields decision-making from scrutiny, and advantages large, vertically integrated companies at the expense of smaller competitors.”

The group he references, the Circular Action Alliance, is the same one that oversees California’s single-use plastic law. Amazon, Colgate-Palmolive, General Mills and Procter & Gamble are part of it.

Others, however, say California’s laws are strong.

People shop at Costco in Glendale, Calif., on April 10.

(Damian Dovarganes / Associated Press)

“Extended Producer Responsibility laws are public policies passed by legislatures and implemented with government oversight,” said Heidi Sanborn, the executive director and CEO of the National Stewardship Action Council, which advocates for the laws and a more circular economy.

She helped craft many of California’s waste laws, including SB 54 and was also involved in Oregon’s law. “They create clear, consistent rules so all producers contribute fairly to the cost of recycling and waste management,” she said.

Sen. Benjamin Allen (D-Santa Monica), who wrote SB 54, said California’s plastic bill was designed to avoid violating antitrust laws.

CalRecycle declined to comment.

Some advocates actually hope the California laws fall. They include Jan Dell, of Last Beach Cleanup, an anti-plastic group based in Laguna Beach.

Extended Producer Responsibility “programs are based on the false premise that plastic is recyclable and are counterproductive because they green wash plastics and preempt proven solutions like strategic bans on the worst forms of plastic pollution (e.g. single use bags, six pack rings),” Dell wrote in an email.

Even those, however, can be problematic if they’re not enforced. Dell pointed to SB 54’s de facto ban on polystyrene, which went into effect on Jan. 1, 2025.

“There is still Styrofoam stuff sold in 250 Smart and Final stores across the state!” she said. “It is totally noncredible and outrageous to claim that CalRecycle will ever enforce regulations on thousands of types of packaging when they can’t enforce the regulations on JUST ONE!”

Bridgerton season 4 unveiled some major developments in the final episodes of the Netflix show.

The final episodes of Bridgerton season 4 on Netflix were full of dramatic twists.

**WARNING: THIS STORY CONTAINS SPOILERS FOR BRIDGERTON SEASON 4**

Bridgerton season four has now come to an end on Netflix with the final four episodes offering plenty of unexpected bombshells.

The second half of the season picked up with Sophie Baek (played by Yerin Ha) finally rejecting Benedict Bridgerton’s (Luke Thompson) proposal that she become his mistress.

However, as much as she tried to distance herself, the pair’s undeniable chemistry appeared to get in the way at every given opportunity.

Away from the lead couple, Lady Araminta Gun (Katie Leung) did her best to get Sophie out of the picture once and for all, while Eloise Bridgerton (Claudia Jessie) attempted to rebuild the broken bond with her sister Hyacinth (Florence Hunt).

Elsewhere, Anthony (Jonathan Bailey) returned with his wife Kate (Simone Ashley) to give Benedict some stern words of advice, while their mother Violet (Ruth Gemmell) was having relationship issues of her own. Here are just a few of the major revelations in the latter half of the season.

Cressida Cowper returned

Cressida Cowper (Jessica Madsen) was unveiled as the new Lady Penwood following her emotional exit in season three. After surprising Penelope Bridgerton (Nicola Coughlan), she revealed Lord Penwood was an old friend of her aunt Joanna’s, and had taken a liking to her when he was visiting the family in Wales.

Cressida had formed friendships with both Penelope and Eloise Bridgerton (Claudia Jessie) for her own gain and had even threatened to unveil Penelope as Lady Whistledown if she did not help her restore her reputation.

Cressida had been forced to leave society after her father took away her dowry, and she did not have enough money to attract a suitor.

She and Joanna moved to the countryside in the hope she would be able to find someone outside of the ton. Thankfully, things seemed to work in her favour and she even reconciled with Eloise.

Penelope gave up Lady Whistledown

After realising she was holding too much power as Lady Whistledown and felt like she was destroying people’s lives, Penelope asked Queen Charlotte’s (Golda Rosheuvel) permission to give up her column.

At first, the Queen refused, saying she enjoyed the gossip too much to see Lady Whistledown buried once and for all.

However, the Queen had a change of heart towards the end of the season, realising she needed to let society live their lives, and allowed Penelope to step down.

Penelope unveiled Lady Whistledown’s final pamphlet at the Queen’s ball, but it transpired it was not the end of the gossiper after all.

As the season concluded, someone else had decided to step up to the plate, although their identity is yet to be revealed.

The Queen set Lady Danbury free

After denying Lady Danbury (Adjoa Andoh) the right to leave society and visit her homeland, the friends were both left in an unhappy place.

However, the Queen eventually learned she could not trap her friend for the sake of her own contentment, and with a nudge from those closest to her, she agreed Lady Danbury could leave.

While Lady Danbury stressed she would not be gone forever, there were a lot of emotional goodbyes as she had forged some priceless friendships over the years.

Fans will have to wait and see whether she appears in season five.

John Stirling died

For those who have read author Julia Quinn’s novels, they will know the ultimate fate of Francesca Bridgerton’s (Hannah Dodd) husband was drawing closer.

After spending some leisure time with his wife and his cousin Michaela (Masali Baduza), John said he wished to have a nap as he had a headache.

He had asked Francesca to wake him, but when Francesca went to stir her husband, he did not respond and she quickly realised he had died in his sleep.

A funeral was held, followed by a celebration of his life at their family home.

While the series does not say how John died, Quinn explains in the books he had a brain aneurysm.

Sophie discovered the truth about her inheritance

Some major revelations came about for Benedict and Sophie after the second Bridgerton son finally realised the maid he had fallen in love with was in fact the Lady in Silver all along.

He made the connection after finding Sophie’s mother’s necklace, which she had lost, and realised the mysterious woman from the ball had been wearing the same piece of jewellery.

Believing Araminta had been lying to Sophie about her inheritance, Benedict urged her to locate her father’s will so she could find out whether Lady Gun was telling the truth.

After locating the will, Sophie learned her father had left equal portions of the dowry to Sophie and Araminta’s two daughters. She was also able to use this to confirm she came from nobility and could therefore marry Benedict without being shunned.

At the Queen’s ball, Benedict and his mother Violet forced Araminta to come to an arrangement with Sophie, so neither of them would need to go to prison.

Araminta’s allegations were dropped and in return, the Bridgerton’s did not reveal she had lied and stolen Sophie’s inheritance.

A post-credit scene saw Sophie and Benedict finally tie the knot after he proposed to her at the Queen’s ball.

Bridgerton season 4 is on Netflix

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Nexstar Media Group is slashing personnel from its TV stations, including several on-air veterans at Los Angeles outlet KTLA.

Glen Walker and Lu Parker, anchors of KTLA’s late morning and midday newscasts, are out along with meteorologist Mark Kriski, according to people briefed on the moves not authorized to speak publicly.

Kriski had been with KTLA since 1991, while Walker has been at the station’s anchor desk since 2010. Parker joined KTLA in 2005.

A representative for Nexstar said the company does not comment on personnel issues, adding it is “taking steps necessary to compete effectively in this period of unprecedented change.”

The layoffs are part of a company-wide cost reduction across Nexstar’s stations. The Irving, Texas-based media giant, which recently agreed to a $6.2-billion merger with station group Tegna, is looking for savings as traditional TV viewing declines and puts pressure on ad revenue as consumers continue to move to video-streaming platforms.

Television station groups have been lobbying the government to lift restrictions that limit them to 39% coverage of U.S households. They say lifting the cap will enable them to better compete with technology companies that have no such restrictions.

Nexstar is the largest TV station ownership group in the U.S. It also operates the cable network NewsNation, which has been slow to make significant inroads against established channels CNN, Fox News and MSNBC since it launched in 2020.

Nexstar has been chipping away at the staff of its Chicago station WGN, which produces 12 hours of local news daily. A total of 21 people have been cut in recent weeks, including nine reporters and anchors on Monday.

Known locally as “Chicago’s Very Own,” WGN has long been a source of civic pride in the city. Insiders at the station say they have been deluged with emails and texts expressing dismay over Nexstar’s moves, which eliminated a number of staffers with decades of experience and institutional knowledge.

Among those let go is Dean Richards, WGN’s longtime entertainment reporter and critic who has been a fixture at Hollywood press junkets.

At New York’s WPIX, Nexstar eliminated at least three on-air positions, including weekend anchor and reporter John Muller and afternoon anchor Arrianee LeBeau, who covered transit for the morning newscast.

SAG-AFTRA, which represents employees at KTLA and WGN, issued a statement blasting the cuts.

“By laying off journalists across the country, Nexstar is eroding the resources and talent that local communities rely on for trusted news,” SAG-AFTRA President Sean Astin said. “These actions highlight the risks of media consolidation and underscore the urgent need for regulators and the company to prioritize the public interest and the professionals who serve it.

KTLA, WGN and WPIX have been part of Nexstar since 2019, when the company completed its acquisition of Tribune Broadcasting.