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WHEN I told my husband I was whisking him away for a romantic weekend, he was expecting a quaint B&B with chocolates on the pillows, not a static caravan.

But our three-night trip to Green Hill Farm Holiday Village turned out to be rather luxurious, not to mention quite steamy . . .  ahem, due to our private hot tub.

The Lovat Holiday Parks site sits just minutes away from the New Forest and it’s so much more than a budget family getaway destination.

We stayed in a modern two-bed luxury lodge, which overlooked a pond filled with ducks.

Alongside a comfy double bed, the lodge featured a cosy living room, a large kitchen and a decking area complete with a hot tub that glitters with LED lights at night.

The complimentary slippers and dressing gowns elevated the experience above your bog standard holiday park stay.

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If the kids come along, there’s an endless list of activities as well as a play area with a splash pad, and a board game library.

Plus there’s a forest ranger programme, unique to this holiday park, offering special segway-riding trails through the woodland, and archery and trampolining.

Meanwhile, parents can relax by the enormous lake, where they can try fishing, or get their workout fix at the small outdoor gym.

The highlight for us as a couple was the stunning location.

Perched at the edge of the New Forest, with direct access to the National Park, it’s a haven for nature enthusiasts.

We went for a romantic ramble on the moors, where we spotted wild ponies and donkeys, many of which were tame enough to pet.

You don’t need to be a top-tier hiker, there’s a variety of routes to suit all abilities on your doorstep.

After working up an appetite, we treated ourselves to pizza from the Ember Restaurant back on site.

The margherita was £13.50, or you can opt for the Inferno, which comes with pepperoni, chilli and peppers smothered in hot habanero sauce.

There’s also the delicious Greek, which comes with olives, feta, red onion and oregano.

For burger-lovers The Smashed Buns van is sure to hit the spot.

Standard burgers will set you back £8.50 and fries are an extra £3.50.

There’s also a takeaway spot for coffee and fresh pastries in the morning and a mini on-site shop selling groceries, beer and wine.

The nearby Rockingham Arms has a cracking beer garden and does an excellent Sunday roast.

The barmaid entertained us with ghost stories about the local area.

Architecture fans will love ornate Salisbury Cathedral, while the high street offers a great mix of quaint independent stores and giants like Primark and Marks and Spencer.

For lunch, head to The Tabletop Tavern, a medieval-themed bar with a wooden chandelier and candle-like bulbs.

The menu is all hearty stews and Elderwine sausages.

Even the board games have a Medieval theme — Dungeons & Dragons, anyone?

Our favourite pub, however, was The Bishops Mill, which hosts regular live music sessions and quiz nights, and does excellent sharing dishes like the crispy duck nachos.

We could have spent hours kicking back with a pint, listening to the singer belt out ballads, but the romantic setting left us in the mood to get steamy back at the lodge.

And we know what that means — hot tub time!

SPEEDING through a jungle of steel, I’m flipped 180 degrees to face the ground as crowds gawp up from below.

I’m suspended midair for what feels like minutes as I travel upside down through a zero-G stall.

Held in only by a lap bar, I’m suddenly snapped upright and fired into another series of twists at breakneck speed.

As I hurtle out of Wayne Manor in a Batmobile, I know this isn’t your average rollercoaster.

It’s Batman Gotham City Escape at Parque Warner Madrid — Spain’s answer to the big US theme parks.

And at just half an hour from the Spanish capital, it’s way easier to get to than its American counterparts.

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The Madrid park impresses from the off. You enter through Hollywood Boulevard — a glitzy strip modelled on the LA Walk of Fame.

Palm trees, golden stars and vintage studio lights line the streets.

But all eyes are on the towering “top hat” drop of Batman Gotham City Escape in the distance, which everyone races to ride first.

There’s no clanking of lift hill chains as you’re raised up to the heavens.

You’re launched out of the station at nearly 65mph and right into the action. It’s gut churning, but in the best possible way.

Themed on The Dark Knight Trilogy, the ride features Batmobile-themed trains that take you on a high-speed chase through Gotham as you escape the Joker.

This rollercoaster is the only multi-launch one of its kind in Spain, boasting four inversions, a 147ft beyond-vertical drop and, honestly, it’s the best I’ve done in Europe.

But that’s just the start.

From Gotham, it’s straight into the action-packed Movie World Studios zone.

Here you’ll find Stunt Fall — a terrifying giant inverted boomerang coaster that you won’t find anywhere else in Europe.

It yanks you backwards vertically up an almost 200ft tower before dropping you through a loop and cobra roll — only to do it all again, but in reverse.

There’s also a live stunt show packed with explosions and car chases straight out of a Fast & Furious film.

From here, you can head over to the Old West Territory, where things get pretty wild.

The theming is top-notch — it’s all wooden saloons, sheriffs and live shootouts.

Plus, there’s Coaster Express — a massive wooden coaster that looks as old as a western and rattles so hard it feels like it’s going to fall apart.

You’ll also find a Wild West-style flume ride, perfect for baking summer visits — just don’t sit at the front unless you want a good soaking.

The biggest rides of the park are in DC Super Heroes World.

Aside from Gotham City Escape, you’ve got Superman: Atracción de Acero — a floorless coaster that throws you around seven inversions and over a 180ft drop with your feet dangling.

There’s also Shadows Of Arkham, a disorientating inverted coaster that whips you through Gotham’s darkest corners.

While La Venganza Del Enigma — a giant drop tower themed on Batman villain The Riddler — sends you plummeting more than 300 feet.

For younger ones — or anyone needing a break from G-force — there’s Cartoon Village.

This Looney Tunes-themed land has gentler rides, costumed characters and everything from Correcaminos Bip Bip, a Road Runner coaster, to a mild Tom & Jerry’s kids’ chase ride.

Going into Parque Warner Madrid park is like stepping onto a movie set, where every ride’s an action scene.

And this is what makes it a great alternative to those big US theme parks such as Universal or Disney.

It has all the theming with less of the faff. Instead of princess castles, you’ve got Bugs Bunny, Batman and Superman.

It’s also packed with Warner Bros characters including those from DC, Looney Tunes and Hanna-Barbera, with plenty of meet-and-greet opportunities and shows to be seen.

So there’s plenty to keep younger generations entertained.

Visit out of season and skip the queues too. I went on a Friday outside of peak summer holidays and didn’t wait more than 20 minutes for a ride.

And the price? It’s miles better than Disney.

Tickets start at just €32.90 (£28.50) for both adults and juniors, cheaper than some UK parks too.

While eating options are limited — think classic, fast-food diner menus — it’s great value.

For just over a tenner, I bought an enormous sandwich, fries and a drink that could have easily fed two people.

When it comes to overnight stays, there’s no Disney-style resort hotel attached to the park, but most people pick accommodation in central Madrid, or base themselves in Pinto, the closest train stop.

If you want US-style experience without the hefty price tag and gruelling ten-hour flight — this is the place to go.

A new young adult series has entered the chat.

“Sterling Point” has all the hallmarks of your usual YA obsession — yearning, an awkward love triangle, a lack of adult supervision, an enviable waterfront setting and complicated friendships. Unlike most other YA series of the moment, it’s an original story that isn’t based on a book. Created by Megan Park, the writer-director behind Sundance hit “My Old Ass” and an actor with roots in the coming-of-age circuit in shows like “The Secret Life of the American Teenager,” the heartfelt drama centers heavily on the complex relationship between two teens who discover they’re half sisters after a death exposes a deep family secret.

It’s the latest series helping Prime Video step further into its WB/The CW era as a go-to destination for younger audiences, joining hits that include “The Summer I Turned Pretty,” “Every Year After,” “We Were Liars” and “Off Campus.” Not to show my millennial wrinkles, but unless the streamer invests in a campaign that evokes the spirit of late ‘90s marketing push known as “The Faces of WB,” what’s even the point of it all? Until then, in this week’s Guest Spot, we spoke with Park about the series that has teen drama enthusiasts hooked.

Also in this week’s Screen Gab, our writers recommend a six-part British television drama that recounts the tragic 1988 bombing of Pan Am Flight 103 and a 2007 stoner comedy directed by Gregg Araki that will help you mellow out and pregame this weekend’s latest addition to the genre. — Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Phyllis Logan, left, Molly Geddes and Cora Bissett in “The Bombing of Pan Am 103.”

(Netflix)

“The Bombing of Pan Am 103” (Netflix)

Admittedly, I didn’t know a lot about the Pan Am flight disaster that this miniseries depicts, but I’m glad that’s no longer the case. This BBC production (it debuted in the U.K. last year) depicts the stories of American and Scottish investigators who spent more than a decade combing through evidence, clues and tips to bring justice to the families affected by the bombing of Pan Am Flight 103. In 1988, the commercial jetliner was transporting 259 people, including 190 Americans, when it exploded over the skies of Lockerbie, Scotland, killing everyone on board and 11 Scots on the ground. Until the events of Sept. 11, 2001, it was one of the most lethal acts of air terrorism, according to the FBI. In the series, we see the gravity of the disaster, but also a deep layer of humanity, showing how Lockerbie and its citizens were irrevocably changed, yet their compassion never wavered, whether for each other or the victims’ families, who formed a lasting bond in an unlikely place. The main characters in the show are based on real-life people: Connor Swindells is DS Ed McCusker, who helped lead the investigation in Scotland; Patrick J. Adams is FBI Agent Dick Marquise, who led the American investigation; and the brilliant Merritt Wever is Kathryn Turman, a tireless advocate whose work led to reforms and services for families of victims. Be prepared to watch with a box of tissues. — Maira Garcia

Anna Faris, John Krasinski, center, Michael Shamus Wiles in 2007’s “Smiley Face.”

(Lacey Terrell / First Look Pictures)

“Smiley Face” (Prime Video)

This has been a stand-out summer for highbrow discourse about Homeric adaptations. As a reward, let’s get stupid with Gregg Araki’s 2007 stoner flick “Smiley Face,” a giddy, silly romp about a slacker (Anna Faris) whose troubles start when she snarfs a plate of pot cupcakes for breakfast. Her misadventures treat us to a tour of L.A. — from a Hollywood casting office to the Venice Beach boardwalk, with a pit stop at a meat-packing plant in El Monte. Even better, it’s a tour de force performance from Faris, who plays an impulsive mess with the fearlessness of a clown leaping into a kiddie pool of pudding. She deserved to make a dozen more movies just like it. (The “Scary Movie” franchise only halfway counts.) If “Smiley Face” gives you the munchies for a great new comedy, check out “The Wrong Girls” with Kristen Stewart and Alia Shawkat and Araki’s latest farce, “I Want Your Sex,” which stars a ferociously funny Olivia Wilde. — Amy Nicholson

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Ella Rubin and Amélie Hoeferle in “Sterling Point.”

(Prime Video)

The enemies-to-lovers romance trope in a teen drama? It’s been done. “Sterling Point” anchors its premise on an enemies(ish)-to-sisters storyline. The coming-of-age drama opens with 17-year-old twins, Annie Jacobson (Ella Rubin) and her twin brother Connor (Keen Ruffalo), who were raised in New York City and inherit a Canadian island following the death of their estranged grandfather. The series follows Annie as she sets out to the island and encounters Ramona (Amélie Hoeferle), the half sister she didn’t know existed until she arrived there. Their initial friction gives way to a tight bond as they piece together emotionally heavy family secrets.

The series hails from Megan Park, who has become known for her nuanced stories about young people with films like “The Fallout,” a drama starring Jenna Ortega about the aftermath of a school shooting, and the Aubrey Plaza-led “My Old Ass,” about a teenager who meets her older self while on a mushroom trip. Over video call, Park discussed the “Sterling Point’s” origins, her hopes for Season 2 and the coming-of-age stories that she admired growing up. — Y.V.

Many series about and catering to young adults right now, some of which are part of Prime Video’s lineup, are based on books that have built-in fan bases. Did that make “Sterling Point” a harder sell? What was your experience of pitching it?

Yes, I think people are always more nervous to take a risk on something brand new when you’re like, “This is just a weird idea I had in my brain, but trust me I think it’ll work.” But I was really lucky with Amazon being so supportive because they had just acquired “My Old Ass” and I think they understood the voice and the stories that I was wanting to tell with the show. I was shocked that people were willing to take the risk of being like, we’re going to go in a writers room and we’re going to figure out the show in an old-school way; we’re not going to rely on any kind of built-in audience or IP. I’m very thankful for Amazon for taking that chance on us. It’s not that I’m against adapting IP. I’m sure I would do that at some point, but I had an idea and somebody still wanted to listen to it, so I feel very grateful for that.

What inspired this story ?

I wanted to try [writing for] TV because I was like, “Well, eight hours is a lot more content than just making a movie.” That was a fun challenge to me. When I was acting, I spent so many years doing TV, so it felt like home. For me, it was the sisterhood story and sort of the the idea of these two young women who are connected by this woman that they don’t know and don’t feel like her death has necessarily affected either one of them, and it has very much affected both of them. I thought it was an interesting idea to explore, nature versus nurture. I come from a family where there’s a lot of adoption, and I had also never really seen a character like Annie where they were adopted and they didn’t have the desire to seek out their biological family, and that was just something they were fine with. That’s been an experience of a lot of people in my family. Oftentimes, [we see] stories about you know people wanting to find their biological family. Both of them exist, but I hadn’t seen the latter in a lot of things. I was excited to explore that.

Daniel Quinn-Toye, Bo Bragason and Jacob Whiteduck-Lavoie in “Sterling Point.”

(Prime Video)

Identity, and how that’s shaped by our parents, drives so much of the story. What interested you in that parent-child or just familial dynamic?

I’ve always just loved stories that are about that; family dynamics are the most interesting to me because they’re so full of triggers, and everybody has some kind of crazy story within their family, or a mystery. At that age, you’re finally realizing your parents are just people too, and they maybe don’t know everything. And maybe you have different ideas or thoughts about how the world works than your parents, and that can sometimes not go over very well. It is an interesting time. And as a mom now with children — I have a 2- and 6-year-old — you think a lot about like, “Wow, how are my kids going to feel about A, B, and C when they’re this age? What’s my relationship going to be with them as teenagers and adults?” It’s so wild to think about. I was also writing it, thinking about a lot about the mom and the parents POV as well.

The show has romance or feelings of infatuation that are a hallmark of young adult dramas, but it’s not the focus of the show. It’s the relationship between the sisters. There’ve been studies saying that teens want less sex in TV and movies, that they prefer watching stories about deep friendships or platonic relationships. Was that top of mind for you at all?

You’re the first person who’s asked me that, and I feel like yes. We love a love triangle, we love a love story — it’s so fun and such an escape; it’s almost like an essential part of a show in a way. But especially this generation, their friendships are deeply important and they live at home longer, statistically. Their relationships, their parents, are a lot different than maybe millennials’. When I was in high school, I was never involved in romantic relationships. That was a later part of life, and I feel like I’ve talked to a lot of people, they were like, I wasn’t dating really in high school. I was not ready and not there yet. You don’t often see that. And so it was fun to have this this North Star that the real love story and the real heart of the show is the sisterhood, and I hope that sets the show apart in an exciting way, because it felt that way when we were writing it.

The season ends with Annie and Ramona essentially swapping locations. What are you interested in exploring in a Season 2 with these characters?

I have a whole bunch of ideas left, so we shall see. There’s a lot between these two young women having now experienced each other’s lives fully that is going to be really interesting to explore and pick up, hopefully, if we get the chance to. Listen, eight hours seem like a lot, but once you get into it, you’re like, “Wait, man, there’s eight hours more that I think I could get deeper into A, B, and C.” And there’s so many great supporting characters in the show, and we had stuff [for them] that we wanted to fit in for them in Season 1 that we just couldn’t fit in. Season 2 could be fun in that way, where you know these people and know the world, and now you can go more into [who they are.] Who is Oona’s mom? There’s all these other characters who we can get more into their world as well.

The YA genre is thriving right now. And it’s not even just young people tuning in — I feel like I see so many TikToks from millennials and Gen X talking about their obsession with them. Why do you think we’re still turning to these types of stories later in adulthood?

Because it’s nostalgic. It’s such a defining time in every single person’s life. It’s why young people are finding shows that we grew up on, like “One Tree Hill” or “Dawson’s Creek.” And why women in their 50s or 60s are still relating to the newer shows like “Off Campus” and and “Elle.” It doesn’t matter the era; it’s just the unique sort of idea that it’s the first this, the first that; the defining moments of our lives in so many ways.

In the spirit of this series, what were some of the coming-of-age films, TV series or books that shaped you?

I grew up in like the era of such great coming-of-age comedies — “Clueless” was a big one for me — and really epic rom-coms like “How to Lose a Guy in 10 Days.” Those movies really stuck with me. I would say that Chris Columbus, as a filmmaker, makes movies like “Mrs. Doubtfire,” “Step Mom” — those movies that are such wild ideas or really sad things, but you’re also unexpectedly crying. In “Mrs. Doubtfire,” you’re like, oh, this is a story about a dad who misses his kids, but it’s so heartfelt but also funny at the same time.” I want to make things that are heartfelt, which isn’t necessarily a cool word to some people. I think it’s cool because I want to make things that are meaningful but also lead with their heart, and you’re surprised when the emotion comes. It’s not just super, super dark or super, super light and fluffy; it hopefully falls perfectly right in the middle.

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HEADING to a theme park heaving with school trips in a heatwave is not anyone’s idea of fun.

But I’ve found the perfect shady spot with unique rides and attractions that will keep you cool all summer long.

GreenWood Family Park in between Bangor and Caernarfon in North Wales has just been snapped up by buyer Wood Family Group after going on the market for £1.25m earlier this year.

It doesn’t surprise me – having recently visited, we had a fantastic family day out in the forest.

We were pedalling, paddling and playing in the dappled light beneath the trees in this woodland of wonder, with paths winding here, there and everywhere and something new to discover in every nook and cranny.

It’s green by name and green by nature here, with a rollercoaster powered by people and the UKs first solar-powered water ride among the eco attractions.

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As you arrive, you’re getting a cawr-some glimpse of what’s to come, with a quirky metal giant (cawr in Welsh) greeting you on the path to the ticket office.

It was lovely to hear youngsters chatting away in Welsh and switching between their two native languages with ease.

Despite the gaggles of youngsters, we never had to queue for long for any of the attractions and, because of the clever layout, it felt bustling but not overcrowded.

GreenWood is firmly rooted in its surroundings, with bilingual signage, nods to local legends and a fantastic use of the forest landscape, from a river course low down where water pools to playframes and rides capitalising on slopes and gravity.

That’s how the Green Dragon rollercoaster works – you climb up a gentle hill to enter a funincular carriage next to the start point of the rollercoaster.

As the funicular then descends full of passengers, its weight hoists the empty rollercoaster back up to the top of its track.

Then the funicular passengers exit at the bottom of the slope, use a second path to get back up to the top, climb into the rollercoaster and whizz through the trees at speed. It’s an incredibly clever design – fun and physics combined! 

There’s loads of attractions here that are entirely people-powered.

My boys loved the moon karts, with double and single seaters to pedal around a track.

The Enchanted River Ride is great for all the family as you hop into a flat-bottomed boat to paddle around a course, with dangling ropes to grab along the way for extra propulsion if needed.

The Forest Glider is a 75m snow tubing slope where riders carry their own ring up to the top to set off.

Meanwhile the Solar Splash uses the sun’s energy to power its water chutes, with riders setting off from a 12m tower with views over Snowdonia.

There’s also plenty of play areas for little ones to let off steam – my favourite was the Giant’s Quest, set in one corner of the woodland.

The boys also loved the jumping pillow and the chance to have a go at archery, under the watchful eye of an expert instructor.

We grabbed a bite to eat in the oak-framed WoodBarn cafe, which has a large soft play extending up into its eaves and lots of natural light streaming in through its skylights.

Kids’ meals even have £1 off over the summer, so staples like sausage and chips plus a juice carton are less than £7.

Day tickets start from £21.50 for adults (or anyone over 1m) while anyone under £1m pays from £8.65.

If you’re heading from further afield and want a couple of days at the park, there’s a glamping site with tipis that can accommodate up to six people, with unlimited park access and a communal kitchen to make meals.

Overnight stays for a family of four during the summer holidays cost from £220 midweek and £260 at weekends. 

Park entry this summer is £84.85 for a family of four.

You’ll certainly want to take your clan to GreenWood – I can’t wait to return and check out what the new owners do with this woodland wonder, with the promise of new rides, attractions, play experiences and guest facilities on the cards.

LOOKING for some last minute action-packed family days out this summer?

Luckily, top UK theme parks are teaming up with giants like Minecraft, Formula 1 and Pokémon for amazing events that you and the family to get stuck into.

Whether your little ones want to hunt down real-life Minecraft Mobs, build LEGO Poké Balls or ride record-breaking coasters after dark, you still have time to do all of the above this summer.

Here’s the top events across UK theme parks that STILL have plenty of availability in August, from as little as £19 per person.

Alton Towers

Minecraft Meet the Mobs event: until August 28

If you’ve got any Minecraft fans in the family, you’ll want to bring them along to the Meet the Mobs event at Alton Towers.

Families can explore the theme park in an entirely new light as Creepers, axolotls, baby pandas and more roam the park ready to pose for pictures. And yes – you can meet the Minecraft movie-famous Chicken Jockey.

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There’s also an adorable Baby Mob Trail which takes you through memorable scenes and terrains from the movie and game. Complete the trail, and you’ll even get a baby axolotl hat to take home.

Not only this, but there’s even Minecraft-themed food and drink to enjoy, plus an arts and crafts zone to take a breather.

Book a day to ticket to Alton Towers from £32.13pp

Legoland Windsor Resort

Lego Festival and Pokémon collaboration: until August 31

Think everything you get from a fully-fledged festival – headline performances, chill zones, live music and more – but fully designed for kids. And throw in a whole bunch of Lego bricks.

Not only is there live shows and brick building zones here, but there’s also a new-for-2026 Pokémon play zone.

Here you get an interactive Pokémon Trainer experience, before building your own Lego Poké Ball as well as plenty of other themed activities.

You can even grab a family photo with Lego Pikachu for the memories.

Plus, for any Formula 1 fans, there’s also a new F1 Thrill Zone, where you can take on the Lego Brick Stop Challenge as you build against the clock.

Throw into the mix designing, building and racing your own F1 car, and you’ve got yourself a pretty action-packed day out at the Lego Festival.

Book a day to ticket to Legoland Windsor Resort from £29.75pp

Thorpe Park

Thorpe Park Lates: Summer Sounds: 14, 15, 21 and 22 August

Make the most of summer’s bright, sunny evenings with Thorpe Park Lates, where you can ride coasters up until 9pm in August.

Not only can you stay out later, but the theme park also hosts live DJ sets, so you’ll have a soundtrack to your late night rides.

Tackle the record-breaking Hyperia, go from 0-80mph in under 2 seconds on Stealth, or reach speeds of nearly 60mph on The Swarm.

If high-intensity coasters aren’t your thing, there’s bumper cars, teacups, a 4D cinema and plenty more attractions to spend your evening drifting between.

Book a day to ticket to Thorpe Park from £35

Blackpool Pleasure Beach

Late Night rides with fireworks and summer shows: until August 29

End the night with a bang at Blackpool Pleasure Beach with their Late Night Riding and Fireworks nights.

Here you can ride famous coasters like the Big Dipper and The Big One into the night, before grabbing a hot drink to watch the fireworks to put a finish to a fun-filled day.

The fireworks begin at 10pm, with an epic backdrop of massive rollercoasters and the familiar Blackpool seaside skyline.

There’s also entertainment shows running until the end of summer. One of which is the Evolution of Magic (£14) where you can watch an interactive magic show from Britain’s Got Talent-famous illusionists, Craig Christian and Elizabeth Best.

Book a day to ticket to Blackpool Pleasure Beach from £29

Gulliver’s Land

Summer Soundwaves: until September 1

Gulliver’s Land are bringing the festival feeling to Milton Keynes, with a packed live DJ schedule throughout the rest of the summer.

DJ Leonard’s Rides and Vibes sees Leonard the lion leading dance parties throughout the park, plus Buddy’s Buccaneer Boogie brings the pirate tunes.

And that’s not all – there’s also K-Pop Karousel events where you can learn dance routines and take part in karaoke, plus you can spin under the lights at Dodge’s Disco Dodgems.

When you’re not stopping to sing and dance at one of the park’s many parties, there’s rides like the Jungle Falls waterslide and The Wriggler caterpillar kids coaster, plus a dinosaur trail and farmyard to explore.

Book a day to ticket to Gulliver’s Land from £12.50

Prices correct at the time of publication.

The Trump administration has moved heavy-duty construction equipment into Big Bend National Park and started work on a border security project despite bipartisan concern about damage to the environmentally sensitive area of west Texas.

Bulldozers and other machinery appeared last week in the remote park, which sits about 300 miles southeast of El Paso and includes one of the least crossed stretches of the U.S.-Mexico border, according to Laiken Jordahl, a national public lands advocate for the Center for Biological Diversity, which has sued the Biden and Trump administrations seeking to halt border-wall construction.

Jordahl said he and other activists watching the work have seen bulldozers plowing through vegetation “clearing a path for the barriers, the wall or whatever is going in.”

U.S. Customs and Border Protection “is building an access road, improving existing roads, installing detection technology and placing vehicle barriers in limited, strategic locations,” Commissioner Rodney Scott, the agency’s top official, said in an email Thursday. “We are securing this park to protect its legacy — keeping it safe, secure, and pristine so American families can enjoy the beauty of our country, free from fear of cartel activity.”

The Trump administration is moving ahead with the project over the objections of not just environmental activists and others opposed to the crackdown on immigration, but also local residents, many of them Republicans who otherwise support President Trump, as well as retiring GOP Sen. John Cornyn. They note that the rugged terrain — mostly desert with steep ravines and scrubland covered in creosote bushes and prickly pear cactus — serves as a natural barrier from anyone trying to cross from Mexico, making the infrastructure unnecessary.

They say the construction and equipment will mar the landscape and imperil the animals who live in the park, including javelinas, ringtails, mountain lions and desert bighorn sheep.

In June, Homeland Security Secretary Markwayne Mullin formally waived all environmental laws and reviews that could otherwise slow any work in the park.

Texas Gov. Greg Abbott’s office has said he supports using every tool available to help deter illegal immigration, including deploying technology in rugged and isolated areas such as Big Bend.

Trump has long pledged to build a wall along all of the roughly 2,000-mile U.S. border with Mexico, though Customs and Border Protection has repeatedly said it wouldn’t build his preferred 30-foot barrier in the environmentally sensitive park.

Earlier this year, the administration issued a $1.7-billion contract for the project in Big Bend. The vehicle barriers set to be installed are typically 5-foot steel posts set a few feet apart and intended to block cars or trucks from crossing.

The park is part of the Border Patrol’s Big Bend Sector, which has for decades been one of the least crossed areas along the whole of the border. In June, agents there made 148 arrests. Since Oct. 1, the start of the government’s fiscal year, agents have made 1,509 arrests, about 1.5% of all apprehensions along the Mexican border, according to Customs and Border Patrol arrest data.

Brandon Herrera, the GOP candidate for a House district that includes the park, met with White House and Department of Homeland Security officials in March to pitch a less-invasive “alternative solution.”

In a letter this month, Cornyn asked Mullin to meet with local officials who have voiced concerns over the project, citing complaints about its effect on the region’s natural beauty, wildlife, cultural sites and economy. Cornyn wrote that his “constituents believe that the 1,000-foot riverbank cliffs and remote Big Bend terrain offers its own source of deterrence for any illegal migrants crossing into the United States.”

James Talarico, a Democratic state representative running to succeed Cornyn in the U.S. Senate, echoed the Republican’s concerns and called the project irresponsible spending.

“This monument to corruption represents wasteful, irresponsible government spending that no Texan asked for, enriching wealthy contractors without making Texans one bit safer,” he said.

Texas’ Big Bend region relies on tourism as an economic driver, with more than 568,000 visitors to the national park in 2025. Local businesses in Terlingua, a small gateway town west of the park, have revolted against the proposed wall, with workers at one restaurant wearing shirts that read “No Al Muro” — No to the Wall.

Caldwell and Lovinger write for Bloomberg.

END OF OAK STREET

(12A) 99mins

★★★☆☆

SINCE the explosive success of Stranger Things, the style of Spielberg’s Eighties sci-fi films is trendy – and this film leans into that nostalgia.

You know — the American small town where kids play out on the street and strange goings-on happen while the parents are too busy to notice.

That is certainly the feel of this action-horror movie, which combines ET with Jurassic Park.

It follows the Platt family, who are living in American suburbia in the Eighties — a more innocent time when neighbours had street barbecues and teens spent hours on their Walkmans.

Dad Greg (Ewan McGregor) and mum Denise (Anne Hathaway) appear to be a perfect union, but behind closed doors they are discussing divorce.

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Their kids, Audrey (Maisy Stella) and Brian (Christian Convery) are concerned, but the foursome paper over the cracks by eating pizza and chatting about their naughty dog, Starbuck.

Soon though, their home life is thrown into disarray when a mysterious cosmic event rips through the neighbourhood and surrounds it with time before the Big Bang.

This brings tropical temperatures, terrifying water levels and lashings of really hungry dinosaurs that couldn’t care less if you own a gun.

The family have to stick together to work out how they can transport themselves out of this seemingly broken time machine — while avoiding being chomped on by a T-Rex.

There are a few jumpy moments early on and, like many “mysterious goings-on” films, it’s scarier when you don’t see the enemy.

But the build-up is intriguing and there are some nice, nostalgic Eighties moments thrown in for the millennials to enjoy.

Sadly, it’s a lacklustre performance from McGregor in a bad wig, who looks like he would rather become dino-feed than be in this film, as he has zero chemistry with the rest of the family.

While Hathaway is more watchable, she appears so distractingly young, she could swap roles with the actress playing her daughter.

Director David Robert Mitchell does a decent job showing his commitment to the genre and gives a few nods to Spielberg’s camera techniques for film geeks.

But, while perfectly entertaining, the story gets a ­little overcomplicated and the characters are not engaging enough for it to join the ranks of a truly great monster movie.

LADY

(15) 95mins

★★★★☆

KOOKY characters in film can quickly become tiresome, but not so in this bizarre and brilliant mockumentary about a flamboyant lady of the manor.

Lady Isabella (Fleabag’s Sian Clifford) rattles around with her housekeeper in the vast Ravenhyde Hall, until she becomes the subject of a documentary, allegedly for Netflix, calling herself “aristocracy’s answer to the Kardashians”.

Going at high octane all the time, she is in truth achingly lonely – one companion is a raven called Ricky.

This changes with the arrival of a camera crew led by director Sam (Laurie Kynaston), a trendy filmmaker.

But he is soon put in his place by the hilarious Isabella, who ignores his directions, calls “cut” regularly and even tries to seduce him with some milk when he is lactose intolerant.

The madcap satire soon turns into a study filled with em­pathy and intriguing, unconventional relationships.

Clifford gives a cracking performance, never pushing into caricature, and Kynaston is the perfect juxtaposition as the seemingly sane but hugely insecure director.

Surreal, sweet and seriously funny.

TONY

(15) 106mins

★★☆☆☆

IT’S not easy to make movies about real-life figures who have a cult following, which puts pressure on this story of how celebrity chef Anthony Bourdain became a culinary icon.

So instead of getting into the film about Bourdain becoming the great man the world knew, it’s more of a coming-of-age story that could be about anyone.

Tony (Dominic Sessa) has flunked school and travels to Provincetown, Massachusetts, to chase Nancy (Emilia Jones), a crush he barely knows.

Skint and with nowhere to live, he soon finds himself washing dishes in the ­restaurant of a local chef (Antonio Banderas) and sleeping in his hammock.

Working alongside him is drug-loving ladies’ man Sal (Leo Woodall), who regularly vomits in a bin on shift. Tony apparently becomes inspired.

Tony spends a really long time staring at things in a daze and not saying much.

When he does speak, it’s pretty infuriating.

With no real direction, this becomes more of a buddy movie than an insight into how the now sadly deceased great man became such a hit around the world.

WASHINGTON — President Trump’s botched repairs at the Lincoln Memorial Reflecting Pool have landed the National Park Service in a political predicament.

The beloved federal agency, its iconic park rangers and other employees have been serving the public while managing controversial demands by the Republican president — from revising exhibits at parks and other sites to the demolition of important structures under its stewardship, such as the White House’s East Wing, to arresting visitors for alleged vandalism at the pool.

Critics say the monthslong Reflecting Pool saga and other demands by Trump risk undermining the integrity of a federal agency that has long been held in high esteem by the American public.

“Never — not once in decades — have I witnessed such systematic degradation, disrespect and dismantling of the National Park Service as I see today under the thumb of President Donald Trump and Interior Secretary Doug Burgum,” said Bill Wade, a former park ranger and superintendent.

Wade, who now serves as executive director of the Association of National Park Rangers, wrote an op-ed for The Denver Post lamenting what he called the Trump administration’s “assault on the people, the mission and the values that have made the National Park Service one of America’s most valued institutions.”

The park service has been at the center of some of Trump’s most contentious actions during his second term. An executive order targeted funding and demanded reviews at national parks and other sites that Trump said advanced “divisive narratives” and “improper ideology,” resulting in changes to some exhibits on slavery or climate change.

The president has also ordered sweeping changes to historical monuments and buildings in Washington that fall under NPS’ purview, including the creation of a White House ballroom and a 250-foot-tall memorial arch. The agency meanwhile has lost at least one-quarter of its permanent workforce since Trump began his second term, through layoffs, forced retirements and resignations.

Park service employees “are being politicized and drawn into the absurdities and corruption of this administration” on a regular basis, said California Rep. Jared Huffman, the top Democrat on the House Natural Resources Committee. He cited the pool project, the proposed arch and the executive order on exhibit materials.

The ongoing political assault on the agency “is unlike anything we’ve seen in this country, and it makes life miserable at agencies like the National Park Service,” Huffman said.

Reflecting Pool saga continues

Trump launched repairs at the Reflecting Pool earlier this year, hoping to address longstanding problems at the iconic site ahead of the America 250 celebrations. But the $16 million project faced immediate problems, including peeling blue sealant and a fierce return of green algae.

Trump blamed the sealant issues on vandalism without providing evidence, and felony charges were brought against a former Olympic canoeist, David Hearn, after he was accused of vandalizing the pool.

The U.S. Park Police, a unit of the National Park Service, arrested Hearn, who denied wrongdoing and said he briefly touched a chunk of the coating.

Charges against Hearn were dropped on July 31 after prosecutors acknowledged that damage was caused by a bungled installation rather than vandalism.

The advice and counsel of career officials and rangers — instantly recognizable by their signature flat hats and green-and-gray uniforms — has been ignored or pushed aside as Trump and Burgum make decisions regarding the failed pool repair, according to an Interior Department employee who was not authorized to discuss internal discussions and spoke on the condition of anonymity.

“It’s tragic,” said Ed Stierli, vice president of government affairs at the National Parks Conservation Association, another advocacy group. “The whole thing is a master class in how not to go about a public rehabilitation project.”

In the days since the dismissal of the charges, Trump has continued to lean on NPS in his repeated claims that vandals damaged the pool’s lining.

“A National Park Service career employee, a highly credible witness, saw David Hearn … in broad daylight vandalize the Reflecting Pool by ‘violently’ ripping and tugging at the Pool’s somewhat delicate coating,” Trump posted Aug. 9 on his Truth Social site. Hearn’s legal team said Trump “is continuing to attack an innocent man.”

Stierli, of the parks conservation group, called Trump’s reference to the unnamed park employee an example of the awkward position agency workers now face under Trump and Burgum, who has publicly backed Trump’s claims about vandalism at the pool.

“I think the public understands that unfortunately, you have the president of the United States directly driving decisions, both here in Washington and around the country,” Stierli said. The park service — and especially its career staff — “has very little control over this,” he added.

The White House and the Interior Department did not directly respond to requests for comment on the park service. The White House defended the pool project, saying Trump “promised to make D.C. safe and beautiful, and he’s delivering.”

“For years, the Reflecting Pool sat neglected, plagued with algae and leaking millions of gallons of water,” the White House said in a statement. “Fixing it was common sense.”

Park service morale is at its lowest point, a former official says

Wade, the former park superintendent, called the pool repair “a comedy of errors” and “a continuation of the incompetence” shown by the Trump administration.

“Most people realize the NPS is under the gun and can’t do much about it, even though they’d like to,″ he said, adding that morale at the agency is at the lowest point he can remember.

Edicts from Washington have made clear that speaking honestly about what is going on could cost staffers their jobs, Wade said. “There’s a very strong fear among employees at NPS,″ he said in an interview. “It’s very frustrating for them, as you can imagine.”

Trump’s proposed memorial arch has faced some pushback. A recent report by park service staff warned that the proposed gilded arch could disrupt the historical significance of dozens of sites around its planned location near the Lincoln Memorial.

The arch, which last month received initial approval from a key federal commission, would impact the “integrity” of dozens of historical properties because it would change “character-defining visual and spatial relationships” between them, the report said.

Americans view the National Park Service favorably

The park service is popular with Americans. About three-quarters of U.S. adults — including similar shares of Democrats and Republicans — have a favorable opinion of the agency, according to Pew Research Center polling from 2025. Only about 1 in 10 have a negative impression, and about 15% are unsure.

A Washington Post/Ipsos poll from July found that about two-thirds of Americans say they are “dissatisfied” or “upset” about Trump’s Washington area projects, including construction of a new ballroom at the White House, painting the Reflecting Pool and building his triumphal arch. Republicans are more likely to be “enthusiastic” or “satisfied” with the projects.

About one-quarter of U.S. adults say Trump’s goal is to “make Washington more beautiful,” while about half say he has a “different goal.” In an open-ended question, many respondents speculated that Trump wants to glorify himself or leave his mark.

The pool and other recent controversies including the exhibit reviews jeopardize the agency’s credibility, Wade said.

“Whether interpreting the Civil War, discussing climate science or describing the complex stories of Indigenous people, rangers have sought to present evidence, not political ideology,’’ he said. ”That is now being lost.”

Daly writes for the Associated Press. AP writer Linley Sanders contributed to this report.

Disneyland’s yearlong, nostalgia-filled 70th anniversary celebration has come to an end. Attention now turns to preserving the resort’s legacy for the next 70 years.

We’re two years removed from the passage of DisneylandForward by the Anaheim City Council, the ambitious multibillion-dollar plan to reimagine and expand the world’s most famous theme park, and questions are now swirling on what’s to come.

Hints can likely be found by looking at what’s already been built, at least at Disney’s international parks. Documentarian Leslie Iwerks did just that with her new film “Disney Worldbuilders,” which will have its premiere this weekend at the all-things-Disney convention D23 at the Anaheim Convention Center and then stream on Disney+ starting Aug. 20.

Iwerks, the director of the recent, and terrific, “Disneyland Handcrafted,” comes from Disney royalty. Her grandfather, Ub Iwerks, was a legendary animator instrumental in the development of Mickey Mouse. Her father, Don, was a cinematic and special effects wizard who worked on numerous Disney attractions, including the Michael Jackson-starring film “Captain EO.” As a documentarian, Iwerks has explored Disney before as the director of “The Imagineering Story” and has a long career of films that touch on not just Hollywood but also politics and environmental issues.

Leslie Iwerks has dedicated a significant portion of her career to analyzing the Disney theme parks.

(Iwerks & Co. / Disney+)

If I had any concerns about the future of Disneyland, watching ‘Worldbuilders” helped ease them. That’s in part because the film makes it clear that the Disneyland template was pretty firmly set in place 70 years ago by park patriarch Walt Disney.

While it’s entirely possible for theme park spaces to jump the shark, so to speak, especially when they focus too much on marketing or re-creating familiar film and television moments (see, say, San Fransokyo Square at Disney California Adventure), “Worldbuilders” zeroes in on the parks’ enduring mission of being places of play. The film features interviews with the likes of Pixar chief Pete Docter, “Frozen” mastermind Jennifer Lee, Marvel maestro Kevin Feige and “Avatar” creator James Cameron, who collaborated with Walt Disney Imagineering to turn their cinematic universes into physical spaces for fans to interact with.

“I’m always blown away at the audacity of Walt saying, ‘I’m going to create the happiest place on Earth,’ and thinking that could actually be a business model,” Iwerks tells me.

“And what I learned about these filmmakers is that they were all inspired by the Disney parks,” she continues. “Unbeknownst to me, they had a spark going to a Disney theme park. It excited their imagination.”

“Frozen” co-director Jennifer Lee poses with a robotic Olaf at Disneyland Paris in a scene from Leslie Iwerks’ new film “Worldbuilders.”

(Roger Do Minh / Disney+ / Iwerks & Co.)

You see it in Shanghai’s “Zootopia”-inspired land, with its oversize benches that hide parking spaces for critter vehicles beneath. It’s an area full of movement, with puppets and animatronics gracing nearly every structure, aiming to capture wonder and silliness as much as it is the world of the film, which Iwerks notes was unexpectedly inspired by the original Disneyland. It’s present, too, in the “Frozen” area of Disneyland Paris, which seeks to reference and modernize the Disney fairy tale, using imagery of castles and magic not to symbolize happily ever after but familial and friendship bonds.

“All these lands allow you to explore, and allow yourself to be free, to play, to be whimsical,” Iwerks says. “They allow yourself to get out of your own ‘daily frets,’ as Walt called them. There are a lot of technologies vying for attention today, such as cellphones and gaming and lots of things, but there is something tangible about walking through a Disney park that is irreplaceable. That is that tangible sense of play that you can see, you can touch and you can smell. These are visceral memories that stay with us as human beings throughout our entire lifetime.”

Could either “Zootopia” or “Frozen” make its way to Disneyland? Neither, I believe, would be out of place, but there’s a special delicacy when adding to Walt’s original park. Even with the passage of DisneylandForward, land isn’t limitless. Expansion should be thought about not just for the next decade, but the next 50, leaving space for new stories yet untold. To place “Avatar” in Disney California Adventure is a definitive statement that the audiences of 2060 will want to hang with the Na’vi as much as those of 2030.

Thus, a wide-angle approach is best. When Pandora — the World of Avatar was built in Animal Kingdom at Florida’s Walt Disney World, it was done so with a thesis on themes of conservation and environmentalism more so than a focus on any of the film’s characters. Disney California Adventure’s own Cars Land is a love letter to Route 66 and roadside Americana as it much as it is an ode to the Disney/Pixar films.

At D23 in 2024, Disney released concept art of an “Avatar”-inspired attraction said to be coming to Disney California Adventure.

(20th Century / Disneyland Resort)

“Worldbuilders” makes it clear that as much as Disney’s parks have stayed the same, how we build themed lands has changed. Gone, for instance, are the big tent ideas of Frontierland, Adventureland and Fantasyland. Theme park designers today take a more targeted approach, bringing to life fully realized cinematic worlds such as Star Wars: Galaxy’s Edge or the aforementioned Cars Land. That’s not necessarily a negative. Galaxy’s Edge, for instance, succeeds because it’s a not a point-by-point re-creation of any locale seen in the films. Instead, it’s a place we can visit, and create our own tales.

It’s a reminder, for instance, that Disneyland, despite the prices, the crowds, the marketing or whatever hang-up one may find, endures because it allows us to, well, play. To be a little silly. And that was the lesson of Iwerks’ “Worldbuilders.”

“It’s about original thinking,” Iwerks says, when asked whether she believes it’s important to continually document the Disney theme parks. “So much of Imagineering is focused on original thinking. People can be really smart, but it doesn’t mean they’re an original thinker. One of the greatest things in the world is to create something out of nothing.”

We may arrive at a “Frozen” land wanting to see Anna, Elsa or, especially, the robotic Olaf, but we remember it because it gave us permission to imagine an alternate, more fanciful reality. Thus, it’s a treatise that it is not the intellectual property that makes Disneyland unique; it’s the belief in a more communal, playful world.

Speaking of D23 …

Theme park fans should get ready for some news this weekend.

Expect updates and details on previously announced — and well into development projects — such as Disney California Adventure’s “Coco” boat ride and two Marvel attractions, which will effectively double that park’s Avengers Campus. The centerpiece of the latter is a ride featuring many of the Avengers in battle across the multiverse with King Thanos.

The attraction, first announced in 2019, was given a name at 2024’s D23, Avengers Infinity Defense, and it will feature locations such as the Black Panther nation of Wakanda, Asgard and New York City. Early looks have it leaning heavily on visual effects interspersed with physical sets, but expect a deeper unveiling this weekend.

A recent photo of construction at Disney California Adventure’s Avengers Campus, where two attractions are under development.

(Todd Martens / Los Angeles Times)

Longer-term, fans are eager for word on what’s planned with the “Avatar” franchise, previously announced to take over part of the Hollywood-themed section of the park currently home to a “Monsters, Inc.” family dark ride. That attraction, Monsters, Inc. Mike & Sulley to the Rescue!, is slated to close in 2027 to make way for the Cameron-created franchise. There’s been some chatter, most of it online-driven and unsubstantiated, that Disney would pivot from “Avatar” to instead center “Zootopia,” but I’m not convinced. Clarity will arrive in the coming days.

I’ll refrain from diving too heavily into rumors, but expect at least one longer-term hint at a bigger swing, hopefully, for instance, the reimagined plans for what is currently the Toy Story Lot, as well as nearer-term updates on Disneyland’s post-70th entertainment. Fans, of course, will forever be hoping for Walt Disney Imagineering, the division of the company responsible for theme park experiences, to unveil that it is remaking Tomorrowland, which, while home to many a popular attraction, is also stuck with a number of underutilized buildings. While I encourage optimism and dreaming as much as any Disney parks fan, I’ll believe it when I see it.

Disneyland fans, however, may have to come to grips with the fact that some of the most exciting updates will be centered on Florida’s Walt Disney World. Imagineering is expected to at long last detail the attractions coming to the Magic Kingdom’s hotly-anticipated Villain’s Land. Also of note, a reveal of the “Encanto” attraction plotted soon for Animal Kingdom.

This week in SoCal theme parks

Key issues remain in union contract talks between the Walt Disney Co. and its parade, show and costumed characters.

(Jae C. Hong / Associated Press)

• A dispute in contract talks. Disneyland employees behind its parade, show and costumed characters have been negotiating their first union contract with the Walt Disney Co. since October 2024. The two sides remain apart on a number of key issues. Disney’s proposal to the roughly 1,700 workers represented by Actors’ Equity omits paid parental leave and cuts paid holidays from 12 to 11, according to an April 6 email reviewed by The Times. Disney says no benefits are being cut because the unit organized in 2024 and the talks are setting first-contract terms rather than modifying an existing agreement. Times Business writers Wendy Lee and Samantha Masunaga have more on the negotiations.
• New sound barriers coming to Hollywood Drift, says councilmember. Universal Studios Hollywood appears to be taking steps to address noise complaints regarding its new high-speed, outdoor roller coaster. The office of L.A. City Councilmember Adrin Nazarian stated the theme park will install two additional sound barriers to mitigate the sound of rider screams on its new ride Fast & Furious: Hollywood Drift, which have been described by nearby residents as “disturbing” and “untenable.” Nazarian’s office made the announcement Monday evening on social media. A Universal Studios Hollywood spokesperson has not yet responded to a request for comment.
• Montezooma’s is now open! Knott’s Berry Farm’s four-year overhaul of Montezooma’s Revenge into Montezooma: The Forbidden Fortress has reached its conclusion. The historic ride began welcoming guests late last week. Look for a report on the remodeled attraction here soon.
• Attendance at Disney parks is up. The Walt Disney Co. noted in its recent earnings call that attendance at its domestic parks for the three-month period that ended June 27 is up 3% over the comparable period last year. International visits remain a challenge, but the company noted that summer promotions helped fuel the increase, especially at Florida’s Walt Disney World.
• Cheap! A full year of Knott’s! At a time when it seems like everything is getting more expensive, Knott’s Berry Farm is currently running a heavy sale on 2027 season passes. Through Sept. 7, a base level pass is just $99, down from its non-sale price of $215. A “gold pass,” which also includes admission to Six Flags Magic Mountain, is currently $129, down from $240. while a “prestige pass,” which includes parking and a number of other perks, is $329, down from $399.
• Slash is back at Halloween Horror Nights. Guns ‘N Roses guitar slinger Slash is a staple at Universal Studios Hollywood’s Halloween Horror Nights, and is returning to create a soundtrack for a haunted house this year. Slash is providing music for a house titled ‘“Killceañera: Music by Slash,” an original maze that flips the script on a teenage rite of passage. Here, a 15-year-old girl seeks revenge on those who have wronged her. Halloween Horror Nights begins Sept. 3.

The best thing I ate at the parks this week

The fish and chips from Gordon Ramsay at the Carnaby at Downtown Disney.

(Todd Martens / Los Angeles Times)

I admit, Downtown Disney’s Gordon Ramsay at the Carnaby is growing on me, especially if one can get seated on the outdoor bar patio, which is far more welcoming than the pub’s indoor bar. I found the latter a little cold and unwelcoming, but the back patio is more lively, especially with pennant race baseball on its big screen TV. I finished a recent Disneyland day with the Carnaby’s fish and chips, which is essentially one giant piece of cod with fries and “mushy peas.” It’s pricey, at $33, but it’s also incredibly hefty and filling. It’s certainly the strongest fish and chips on Disneyland property, and sea salt-infused batter was so crisp and rich that it almost felt wrong to slather the fish in tartar sauce. I couldn’t quite place my finger on the flavor — I’ve read that Ramsay’s fish and chips recipe includes custard powder — but there was a burnt buttery tone that was far from dry. I’ll be back.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Stay tuned to Mr. Todd’s Wild Ride this week for all the big Disney parks news from D23. Saturday evening Disney will be hosting a panel at the Honda Center to reveal new details on attractions coming to its theme parks around the world, and I’ll be there delivering breaking coverage straight to your inbox.

Also, say hi if you see me wandering the Anaheim Convention Center. I’ll have Mr. Todd’s Wild Ride stickers to share.

CHESSINGTON has reopened to guests – after being forced to cancel all tickets yesterday at the last minute.

The UK theme park announced just an hour into its opening that it would be closing, after a Thames Water outage in the area.

Due to this, the theme park wasn’t able to reopen.

In a statement issues yesterday, Chessington said: “Thank you to our guests for your patience and understanding”.

Anyone who had tickets yesterday is covered under the Return Promise.

This allows anyone affected to go back to the park at a later date, free of charge.

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However, anyone who wants a refund will have to contact the park directly.

Many families were left fuming yesterday, with many paying for train tickets and hotels as well.

One dad called it “utter shambles” as many were forced to wait outside of the gate, while another said they had spent “hundreds on an overnight stay and fast passes”.

Anyone who has travel insurance is likely to be covered, or if you paid with a credit card.

Under Section 75, any purchases made on a credit card between £100 and £30,000 are covered, which includes holiday cancellations.

A spokesperson told The Sun yesterday: “Following confirmation from Thames Water that water supply to the local area has been restored after a burst pipe, Chessington World of Adventures Resort will reopen tomorrow as normal.”

A THEME park in the UK has been forced to close at short notice due to a water outage.

Chessington World of Adventures confirmed that anyone heading to the park will have their tickets “revalidated” for a future visit.

The water outage was reported by Thames Water, which said a burst water main was affecting the KT9 area.

While repairs are underway, the park will be closed for the rest of the day.

Chessington said in a statement: “Due to a water outage in the local area affecting our operations, Chessington is closed today.

“All tickets booked for today will be automatically revalidated under our Return Promise and can be used on a future date.

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“We apologise for the inconvenience and thank you for your understanding.”

Families had already arrived at the park for the day with the park opening at 10am before closing after just one hour.

However, one dad called it “utter shambles” as many were forced to wait outside of the gate.

Another said they had spent “hundreds on an overnight stay and fast passes” before the park closed.

The theme park is one of the most popular in the UK, with around 1.5million visitors a year.

And with the summer holidays in full swing, this is likely to affect thousands of people.

Anyone who had plans to visit the park today has been told not to go.

The Return Promise allows families to visit the theme park on a different day, in the event that the park has to close.

It isn’t the only chaos for Brits going holiday today, with train disruption affecting anyone going to both London Gatwick and London Heathrow airports this morning.

And Catania Airport in Sicily has been forced to suspend flights following a weekend of chaos caused by the eruption of Mount Etna.

CORNWALL will be one of the best places in mainland Britain to see the solar eclipse on Wednesday.

Ahead of the big day, my husband Paul, our daughter Lexi and I headed down in search of a quiet place to stay.

We found it half an hour along the coast at Silver Sands Holiday Park in Gwendreath — small, beautifully landscaped and far enough off the beaten track to ensure some much-needed peace.

After an easy check-in, we made our way around the park to our new Signature Cove Lodge.

It occupied a corner plot and had a large private garden, with enough room for a hot tub and hammock.

The two-bedroom lodges can comfortably accommodate a family of four.

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While the mezzanine room was pretty tight for our particularly tall 12-year-old, it would be ideal for smaller children.

The lodge was full of all the mod cons you’d hope for, including a fully equipped kitchen, TVs in the master bedroom and sitting room, and super-fast wifi.

There was also a wicker hamper with scones and jam on the kitchen counter, and robes and slippers in the bathroom.

As well as the lodges, you can book a static caravan and camp.

There is also a children’s play park that is suitable for under-14s, as well as another play area for younger kids, with outdoor kitchens and a large sandpit.

We spent many hours in our hot tub, where the only sounds were the birds and the occasional laugh from the children playing.

It’s the sort of spot where you could sit out on eclipse night with a drink and not have to share the view with anyone.

And while we could have stayed there all day, it was nice to get out and explore the area.

Kennack Sands is an easy ten-minute walk through woods from the site.

It’s a lovely beach for children as it’s sandy, nicely sheltered and there are endless rock pools to explore.

And you are in safe hands there, as RNLI lifeguards are on duty from mid-May to the end of September.

We had a lovely walk and sea dip and, as the water is so warm right now, it was like being in the Mediterranean.

There are also two cafes on the beach, in case you haven’t brought your own snacks and drinks.

A 20-minute drive took us to the Lizard Peninsula, Britain’s most southerly point.

Being this far south is exactly why the area will be so well placed for the eclipse. The further south-west you are, the more the sun will disappear behind the moon.

We spent a couple of hours exploring the many gift shops and taking in the views across the English Channel.

On the way back to Silver Sands, we stopped off at Cadgwith Cove — a traditional fishing village known for its thatched cottages and crabbing boats.

Paul was happy with a pint at the Cadgwith Cove Inn while Lexi and I explored the harbour.

And after a busy day taking in the sights, we were happy to return to our lodge and enjoy the sound of silence.

Before heading home, we drove into Falmouth, which is the place to be on Wednesday.

The Royal Navy Parachute Display Team, AeroSuperBatics Wingwalkers and the Flying Comrades will all take to the air above the bay from 6pm, just as the moon covers 95 per cent of the sun.

Visitors can enjoy it all from a choice of vantage points, including Pendennis Castle, Gyllyngvase Beach and the lawns of The Falmouth Hotel.
And best of all, this display event will be free.

It’s all part of Falmouth Week, the town’s ten-day sailing festival, which runs until next Sunday.

So head down to Silver Sands this week and get a beach holiday and a once-in-a-lifetime sky show for the price of one.

A FAMILY day out can easily set you back over £100 for a family of four.

And with it being the summer holidays, just a few days out can quickly add up to the cost of a holiday abroad.

Instead of watching your wallet empty of cash, there are actually a number of ways to get free and cheap attraction tickets.

Here’s our round-up of the best options and what days out you can get for less:

Sun Club promotions

As a Sun Club member, you have access to loads of free and discounted days out across the UK.

Currently, these include free tickets to the races, 50% off Horrible Histories Live, savings on theatre tickets and 2-for-1 tickets to Diggerland theme parks.

Find out more about what’s on offer here.

LatestFreeStuff.co.uk

LatestFreeStuff.co.uk always has different offers on attractions.

Some you might need to snap up quick, while others might have more availability.

Current offers on the website include a free National Trust pass and free bike hire.

Previous offers have included free Eden Project tickets as well as discounts on major UK attractions.

Promotional supermarket packs

If you are in the supermarket, look out for promotional packs.

On items such as Cadbury‘s multi-packs, Kellogg’s cereal, Heinz products, Carex soap and Robinsons squash, you’ll often find offers to attractions in the UK.

For example, Kellogg’s cereal boxes often have 25 per cent off online advance entry tickets for up to two people to Merlin attractions including the London Eye and Legoland.

Cadbury’s, on the other hand, often has instant 2-for-1 vouchers for top UK attractions.

National Rail

If you are heading out on a day out, taking the train could save you both hassle and money, because National Rail offers 2-for-1 deals, a third off savings, and other discounts for attractions when you travel via train.

Attractions include 2-for-1 tickets on City Cruises, 20 per cent off Frameless and 50 per cent off Thinktank at the Birmingham Science Museum.

Tesco Clubcard

Tesco Clubcard members can convert their Clubcard points into Reward Partner vouchers.

These vouchers cover major UK theme parks including Alton Towers and Thorpe Park as well as English Heritage sites and a number of museums.

Octopus Energy

If you are an Octopus customer and are signed up to Octoplus, you can redeem your points for a free National Trust pass.

02 Priority

If you happen to be an O2 customer, make sure you have the O2 Priority app as it is full of offers and giveaways.

Currently through the app, you can get discounted tickets to Grease: The Immersive Movie Musical, free kids tickets to Jurassic Oceans at the Natural History Museum (with one adult ticket) and 20 per cent off tickets to Up at The O2.

MoneySuperMarket

If you sign up to a MoneySuperMarket account and allow it to check your credit score, you can get a free days out annual pass worth £180.

The pass includes top attractions such as London Zoo, English Heritage Sites and Go Ape parks – you can redeem one ticket each time you visit an attraction, per account.

Vodafone

Via Vodafone‘s VeryMe Rewards, you can get a Kids Pass which offers between 10 and 56 per cent off entry to attractions across the UK, including Alton Towers and Go Ape.

To get this reward, you’ll need to be a Vodafone Pay Monthly mobile customer or a qualifying Pay As You Go customer.

Vitality Health Insurance

If you get moving, Vitality Health Insurance will reward you with discounts to top Merlin attractions, such as Thorpe Park and Alton Towers.

You are able to redeem four tickets at 30 per cent off each month.

Welcome Break

Welcome Break operates 31 hotels across the UK’s motorway network – such as Days Inn and Ramada hotels – making them ideal stops to split up a journey.

But more than just the hotels, Welcome Break has 62 service stations across the country.

If you stop off at one or stay in one of the hotels, make sure to set up an account when you use their Wi-Fi as you’ll get Road Trip Rewards.

Each time you log in to the Wi-Fi at either a hotel or service station, you’ll gain a point.

These points then go towards entering you into different prize draws.

For every three visits, you’ll go into a draw to bag a Merlin attraction discount, for every five visits a £50 Welcome Break voucher, and with 10 visits a Merlin Gold Pass. For every 15 or more visits, you’ll get a chance to win a family weekend away.

Blue Light Discount

If you work in the NHS, emergency services, or armed forces, you can get a Blue Light Membership, costing £4.99 for two years (so just under £2.50 a year).

This membership can then get you loads of discounts on days out and attractions, including 15 per cent off entry to Alton Towers, 20 per cent off English Heritage sites, and 10 per cent off Eden Project tickets.

There are loads of attractions with discounts as part of the membership, including local and regional attractions.

National Lottery Week

In March each year, the National Lottery hosts The National Lottery Open Week, with loads of free or low-cost days out.

These include castles, museums, sports venues, galleries and theatres across the UK.

Local resident/postcode discounts

It is worth looking up which attractions are in your area, and whether they offer discounted entry for you as a local.

For example, The Eden Project offers a discounted Cornish Residents Pass.

Similarly, Kew Gardens offers a reduced entry fee for local residents and young people, and Tower Bridge offers £1 entry to Southwark residents.

The best way to find this out is to search ‘attractions near me with resident offer’ online, and Google should pick up your location and find the attractions near you providing a discount.

Groupon and Wowcher

Groupon and Wowcher are both great sites for getting cheaper days out for the family.

You can search for things near you to do, and depending on your location, these can include things like the Ninja Warrior UK experience, bus tours and circus shows.

Some current offers on Groupon include a session at The Snow Centre Hemel Hempstead for £20.49 instead of £37 per person.

Or with Wowcher, you could head to the UK’s biggest inflatable obstacle course for £20, instead of £27.82 per person.

Universal Credit

Lots of UK attractions will offer heavily discounted tickets – usually £1 or £2 each – for people and families receiving Universal Credit.

For example, you could head to Royal Palaces such as Hampton Court Palace and Kensington Palace for just £1.

FROM the moment our family of five was picked up in a giant car that would not fit on a typical UK street, I knew the saying was true.

Everything really is bigger in America.

We had just arrived for an action-packed week of thrills at Universal Orlando Resort, known for its record-breaking rides that are both bigger and better than many in the world.

We’d chosen Universal’s own Loews Portofino Bay Hotel as our base.

It is geared up for the theme parks, with regular free coaches to Epic Universe and Volcano Bay and free water taxis running to Universal’s CityWalk shopping and entertainment complex every 15 minutes.

Stays also include early entry to the parks and free Express Passes for Universal Studios and Islands of Adventure (a huge perk) — although you have to buy your park tickets separately.

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Epic Universe, Universal’s newest park, only opened last year and has already gained a huge fan base.

Now that the hype has died down a little, it is a great time to visit Epic.

For us the queues were pretty manageable everywhere except for Super Nintendo World, a colourful and energetic land inspired by Super Mario and his pals.

My advice is to arrive early and head straight to get your fill of Mario, and then enjoy the rest of the park at your leisure.

To put this into perspective, queues for the Mine-Cart Madness ride can reach three hours, but it took us just 25 minutes.

Elsewhere, queues for The Stardust Racers rollercoaster, one of the most intense thrill rides in Orlando, were never more than ten minutes during our May break.

And Monsters Unchained: Frankenstein Experiment, one of the most brilliantly-executed themed rides I’ve ever been on, has some of the shortest queues.

Epic Universe is just one of four Florida theme parks under Universal’s umbrella and you’d be mad not to explore the others.

We spent most of our time at Universal Studios park and the Islands of Adventure, which is so vast we were still discovering new rides on our final day.

The most popular ride is Hagrid’s Magical Creatures Motorbike Adventure, the ride that everybody rushes to from the moment the gates open.

There is some controversy here as Universal stopped accepting Express Passes on this ride from July 1.

The decision was made in hope that it would bring the two-hour queue time down.

While Hagrid’s heart-pumping attraction is certainly worth the long wait, Jurassic Park VelociCoaster was our favourite of the trip.

It reaches top speeds of 70mph and features the most insane turns that had us wobbling on our feet afterwards.

All those thrills require some down time, though. Luckily the parks are a delight to simply stroll around.

Universal Studios, in particular, will keep you mesmerised for hours, with highly-themed areas inspired by the streets of New York, San Francisco, Hollywood . . . and Springfield, home of the Simpsons.

Make sure to pop into Moe’s Tavern for a pint of Duff Beer.

If you aren’t staying at Loews Portofino Bay Hotel, it’s probably worth forking out for an Express Pass — especially for those visiting for only a short period of time or during peak seasons such as the summer or school holidays.

Ours saved us buckets of time, allowing us to tackle more rides per day.

Express Pass holders won’t have to faff around with ticket scanners either. Many rides have been fitted with facial recognition technology now, which speeds up access at the turnstiles. It was an impressive touch that should become industry standard.

But that’s not where Universal Orlando Resort’s improvements end.

A brand new Fast & Furious rollercoaster is being built riverside, aiming to open in 2027, with construction work already under way.

It will be located next to our two favourite restaurants from the trip, the Hard Rock Cafe and the Chocolate Emporium, both of which serve delicious burgers.

The giant stack of ribs piled high in front of me at the Hard Rock reaffirmed my thoughts from the start of the trip.

Everything is bigger in America. And not just the cars and the food — but now the grin on my face.

THE FAMILY behind one of the UK’s most-loved piers has opened a luxury holiday park.

The team behind Clacton Pier – which is Europe’s largest pleasure pier – has launched a new holiday park on the Essex coast with luxury lakeside lodges.

Called The Tideaway, the holiday park is set across seven acres, which includes woodland and a lake.

According to its website: “The Tideaway is a new approach to holiday home ownership and coastal getaways from the family behind the award-winning transformation of Clacton Pier.”

There are a variety of different lodges available to book at the park, all sleeping up to six people.

For example, you could stay at The Victory Lakewood lodge, which has an open-plan layout inside, sits by the lake and also has a hot tub on the decking.

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The lodges aren’t cheap though, costing around £651 for two nights – working out at £54.25 per person per night, if six people are sharing.

As for things to do nearby, you can of course head to Clacton Pier, which is a historic Victorian pier with arcades, a soft play,tenpin bowling alley and funfair rides.

After exploring the pier, take a stroll along Clacton seafront and beach.

For a fun family day out, Hasty’s Adventure Farm is also near the holiday park, with a huge outdoor play area, go karts and a number of farm animals.

And then there’s also St Osyth Priory, just a few minutes from the holiday park.

This country estate is over 1,400 years old and is home to gatehouses and historic gardens.

Disneyland Paris may be France’s most famous theme park but there’s an underrated, lesser-known gem that I discovered with my son which I’ve been telling everyone to visit immediately

Theme parks are not my thing. Like many first-time parents, when my first son was born, I was wildly optimistic about the prospect of travelling with him.

I imagined my sweet boy hanging off my hip as we wandered around restaurants and museums on city breaks, enjoying all the things I enjoy.

The reality, of course, is that children like children’s things. And if you’re lucky, they’ll tolerate your interests for half an hour at most. Which is why, for years, the idea of a theme park holiday filled me with dread.

So, when I found myself taking my 11-year-old to Futuroscope in France, I approached it with an endurance test mindset. What I didn’t expect was that by the end of the trip, I’d be recommending it to other families.

Getting there

The journey, in both senses, was easier than I expected. Just months away from starting secondary school, my son has reached that fleeting sweet spot between childhood and adolescence where he still wants to spend a weekend away with his mum.

Our route from Manchester involved an Avanti train, a night near St Pancras station, an early morning Eurostar, the Paris Metro and a high-speed train to Futuroscope station near Poitiers. On paper it sounded like a lot.

In reality, it became very much part of the adventure and my son was enjoying all the responsibility – checking maps and practising his French on DuoLingo.

As a mum of three, I realised how rarely we get this kind of uninterrupted time together. Even before we’d reached the park, the journey itself had already brought us closer.

Staying at the Ecolodgee

A short walk from Futuroscope station and we were there. In fact, the journey via Eurostar was so seamless that my son repeatedly asked whether we’d actually left England yet.

We stayed at the Ecolodgee near the park entrance for really easy access. It’s made up of nature-inspired cabins overlooking a beautiful lake with very lively families of frogs to provide endless wonderment for curious kids such as mine. My son along with some neighbouring kids named themselves ‘the frog hunters’ for the duration of our stay, which says it all really. Nature is the best playground.

The cabins themselves are thoughtfully designed with cabin beds for kids cleverly separated from the master bedroom area yet in the same space. According to my son, the hand-delivered breakfast basket that arrived on our cabin doorstep each morning filled with French delights was the best meal of the entire trip.

I couldn’t agree more. Sitting on the terrace together, listening to frogs and looking out across the lake with no screens, was just perfect.

The rides and attractions

As someone who once rode Blackpool’s Pepsi Max Big One six times in a row without hesitation, I’ve reluctantly had to accept that age has made me considerably less fearless.

Two fun-packed days with my son however, meant stepping out of my comfort zone and straight into the arms of a nine-metre-high robot. Dances with Robots is a ride that throws you around to music at a fear factor of your choosing. Speaking on behalf of both of us, that fear factor was apparently “expert level” according to my son.

I emerged feeling slightly shaken and wondering how I was going to survive an entire weekend of being flung upside down. Thankfully, I quickly realised that Futuroscope isn’t really a theme park in the traditional sense.

Yes, there are plenty of thrilling rides; my son called Objectif Mars (Destination Mars) “the best ride ever” before immediately asking to go on it again. But much of what makes Futuroscope special isn’t physical at all. It’s immersive, imaginative and distinctly French in a way that truly sets it apart from most theme parks.

If needed, English language translation is available through the ListenWIFI app for many of the story-led attractions, but I found myself happily dusting off my GCSE French for the most part and embracing the fact that this is a park built with French families in mind.

Chasseurs de Tornades (Tornado Chasers) was a favourite. We were plunged into the heart of a tornado on a revolving platform, combining blockbuster storytelling with a thrill factor that doesn’t make you question your life choices. My kind of ride.

I also loved La Clé des Songes (The Key to Dreams), a spectacle of water screens, projections, lights and pyrotechnics in the most grand and beautiful setting, that really was like stepping into a dream.

What I appreciated most though was the overall balance.

One minute my son was absolutely wired on the water rapids ride Mission Bermudes, the next he was peacefully gliding around the world with me on The Extraordinary Journey.

Each attraction activated different parts of his imagination. And, more importantly, gave me just enough recovery time.

The food

Futuroscope offers a huge variety of food options ranging from French dining and buffets to gelato and street food – without a nugget in sight.

La Table d’Arthur is great for most tastes with its generous self-service buffet, while L’Atelier des Saveurs offers a more traditional French dining experience.

The most enticing option for children, however, is Space Loop Restaurant, a futuristic dining experience where your meal travels from the kitchen to your table via a rollercoaster suspended above your head. The star attraction is the famous blue burger, which is as blue as a bottle of WKD and, unsurprisingly, is a child’s dream, as is much of the food at Futuroscope.

For us, though, enjoying it all required extra planning.

My son has multiple food allergies, including sesame, nuts and fish, so eating anywhere new can be very stressful. Throw in a language barrier, an overwhelming buffet and you have a familiar challenge for many allergy families.

Thankfully, Space Loop had a delicious pasta option and fries, which kept my son very happy and full. Meanwhile, when I felt stressed by the choices at La Table d’Arthur, staff were able to give a detailed allergen information sheet which was reassuring.

Travelling with food allergies will always need extra vigilance, but once I knew how to ask, our meals became easy and enjoyable.

My overall verdict on Futuroscope

What I loved about Futuroscope overall was that rather than stepping into a global brand, I felt like I’d genuinely travelled somewhere both unique and affordable. The food, language, attractions and even the families around us reminded me that we were in France at every turn. And for me, that’s its biggest selling point.

It also gave me something I hadn’t expected from a theme park holiday.

As my son edges closer to his teen years, uninterrupted one-on-one time can be surprisingly hard to find.

Whether eating food delivered on a rollercoaster or exploring virtual worlds, the trip gave us space to try new things and just be together and that’s what I’ll look back most fondly on.

Of course, he’ll treasure the rides the most. And strangely, we’ll probably both remember the frogs.

Book the holiday

• Stay three days and two nights at Futuroscope from €896 (£774) for a family of four staying at Hotel Ecolodgee, with Futuroscope tickets as well Aquascope tickets. Find out more and book at futuroscope.com.

“I’M going to spend my Saturday digging soil with a JCB for fun,” was a phrase that would never have passed my lips until I became a mum. 

Yet, here I am, spending the first sunny weekend in August on an industrial estate in Medway, Kent, having the time of my life at Diggerland theme park. 

Find out how to get 2-4-1 tickets through Sun Club here

Diggerland has to be seen to be believed and is possibly the UK’s most unique theme park.

Yes, it really is an attraction entirely themed around construction machinery, which was founded in 2000, by digger hire firm owner Hugh Edeleanu.

The Kent site was the first, and there are now three further parks around England, in  Devon, Durham, and Yorkshire. 

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You might question whether you can really get a whole day out of construction equipment, and I was as surprised as anyone to find ourselves racing around the park at closing time, trying to choose our last attraction. 

The range of activities is impressive, and not like any other theme park. 

They have 20 main rides and drives included in the ticket price, plus some extras like dodgems and quad bikes. 

Spin Dizzy is the biggest – spinning up to 8 guests high in the sky in the bucket of a huge digger.

But the giant diggers were by far my son’s favourite, as you spend around 10 minutes shifting soil in an impressive Komatsu PC55MR-5 tracked excavator. They’re simple enough to use that at seven years old, he was able to get into the cab and tackle control himself. 

Other crowd pleasers included the chance to drive a JCB around a circuit, digging for gold with Komatsu PC14 mini diggers and being lifted 50 feet into the air by the Skyshuttle. 

But the standout for me had to be the decommissioned police car. 

My son was able to drive the car himself, pedals and all, around a dirt track, despite being a whole ten years away from getting his provisional license. 

Which is no bad thing, considering he made for a hair-rising chauffeur and was even given a ‘speeding ticket’ at the end of his go.

It feels like the Diggerland creative team had a whale of a time when coming up with the various attractions, which are diverse enough to entertain all ages. 

You’ve got the little Tykes toy area, the indoor soft play and the crazy trikes for the younger kids, plenty of options for primary school age children, and a large choice for the adults who’ve always fancied having a go when passing a construction site. 

The parks even offer stag and hen do parties, with the onsite cafe listing a range of cocktails and beers that you’d never see at your typical theme park restaurant. 

If you fancy checking it out for yourself there’s no better time to visit as Sun readers can get 2-4-1 tickets at Diggerland through Sun Club or Sun Savers, with families saving over £39 on tickets, plus free entry for children under 90cm. 

To get your tickets, Join thesun.co.uk/club for just £1.99 per month or £12 per year, then head to Offers Hub and find the Diggerland page to claim your voucher. 

Tickets cost £25.95pp in advance and £39.50pp on the door, for adults and kids over 90cm.

Or you can pick up the The Sun newspaper from Saturday, August 1 and collect Sun Savers codes.

• Find the Diggerland page in the Offers section and select Start Collecting.
• Collect THREE out of eight Sun Savers codes printed in The Sun from Saturday, August 1 to Saturday, August 8. Once you have your THREE Sun Savers codes, enter them on the Sun Savers app or website to unlock booking. Booking opens at 11am on Monday, August 3.
• Download your voucher (Max 2 people per voucher) and have it ready on your phone or printed before your visit.
• Choose your Diggerland Park in Kent, Devon, Durham or Yorkshire.
• Claim this offer by Monday, 19 October 2026. Present your voucher and a valid Sun Savers account at the park entrance when purchasing your tickets. Your voucher can be redeemed at your chosen Diggerland attraction on selected dates up until Saturday, October 31, 2026.
• 18+ UK only. Sun Savers multiple code collect 01/08/26-08/08/26 or Sun Club subscription required. Online access required. Buy one full price standard admission ticket to get a second standard admission ticket free for the same day. Voucher must be redeemed at attractions alongside valid Sun Club/Sun Savers account. Cannot be used online or in conjunction with any other offer. Max 2 people per voucher. Tickets valid weekends in September-October and October 26-30 only. Subject to availability. Non-transferable & non-refundable. Full T&Cs apply, see sunsavers.co.uk  or club.thesun.co.uk/sun-club

ENGLAND’s longest zip wire has finally opened to visitors after more than 15 years in development.

The new attraction boasts sweeping views of an iconic national park.

Honister Slate Mine, in Cumbria, has revealed a brand new zip wire attraction, said to be England’s longest.

Visitors will now be led more than 2,000 feet up to the summit, before soaring 1,200 metres across from Honister Crag to the valley below.

Set amid sweeping views of the Lake District and reaching speeds of up to 65 mph, the record-breaking ride follows the old Lancaster aerial flight that once carried Honister slate.

For more than a century, the area housed a historic slate mine, built on the foundations of more than 450million year old Westmorland Green slate.

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The site briefly closed in 1989 before being reopened in 1997 by Mark Weir, who aimed to develop the area as not only England’s last working slate mine, but also an adventure site.

Weir’s sons, Prentice and Piers Wilkinson Weir, who now run the business, told the Cumbria Crack: “As we celebrate 30 years since our dad bought Honister, we’re proud to continue building on his vision while looking firmly to the future.

“This zip wire represents our commitment to investing in Honister, creating unforgettable experiences for our visitors, supporting the local economy and ensuring this incredible place continues to thrive for generations to come.”

Taking more than 15 years to develop, the zip wire will also continue to transport slate from the mountain as it was originally intended to do.

Tickets start from £110 for the 60-second experience, although only a limited number of riders will be able to go this year.

Other attractions at Honister include The Infinity Bridge, a 190m high-wire bridge strung between two mountains, and Via Ferrata, a 2,000ft semi-vertical ascent.

A theme park less than two hours away from the UK is adding a brand-new land with two rides and five Japanese-inspired eateries.

Tivoli Gardens in Copenhagen will open the area in a few weeks’ time with “thrilling adventures for the whole family.”

The theme park, which opened in the 1840s and even inspired the creation of Disneyland, currently has 30 rides and will be adding a few more.

Called Hikari, the upcoming Japan-themed area is the biggest development in the park’s history and said to cost a ‘three-digit million amount’.

It has been under construction for two years and has actually been made up of elements from Japan.

It has reclaimed doors, windows, artwork and around 60 tonnes of traditional Japanese roof tiles.

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It will span across more than 2,000 square metres – the park itself is 80,000 square metres in total.

There are two new attractions, the first is Hotel Hikari where ‘nothing is quite as it seems’.

It’s essentially an immersive family funhouse with illusions, a vortex tunnel, tilted rooms and infinity mirrors.

Another new attraction is called Typhoons Eye which gives riders the feeling of weightlessness. According to Tivoli, it’s the only attraction of its kind in Scandinavia.

The zero gravity attraction is a rotating drum ride that suspends riders against the wall as the floor drops away.

The final ride in Hikari is actually one that will be familiar to previous visitors.

Called The Demon, the rollercoaster has stood in Tivoli for years but has undergone a transformation to blend into its new home.

There aren’t just rides either, there are five new eateries in Hikari.

Yaki-Tak! will serve up Japanese street food from yakitori skewers to yakisoba noodles.

Katsu Kitchen is where visitors can pick up chicken sandwiches to popcorn-style karaage to crispy prawns.

Comé Rice Kitchen will have onigiri, otherwise known as Japanese rice balls, served with the likes of spicy tuna, Teriyaki chicken and shiitake mushroom.

For sweet treats there’s Oishii Bubbles for creative drinks from fruit teas to slushies, or Kawaii Bites will have fish-shaped waffles and mochi ice cream.

Two new shops will open too; one selling Japanese-style ceramics and gifts, another will have a mix of snacks, drinks as it’s inspired by konbini, Japanese convenience shops.

The project has taken two years to build and will open later this month – no official date has been announced yet.

For anyone who wants to visit, Copenhagen is easy to get to as it’s under two hours away from the UK.

Bunia, Democratic Republic of the Congo – As Ebola cases continue to emerge in the eastern Democratic Republic of the Congo (DRC), Virunga National Park – Africa’s oldest – is strengthening health measures to protect communities and the endangered mountain gorillas living in it.

The measures are part of the park’s emergency response after the World Health Organization (WHO) declared the Ebola outbreak in the DRC and neighbouring Uganda a Public Health Emergency of International Concern in May.

“It is a terrible disease and one that poses a threat first and foremost to human populations. Protected areas such as Virunga National Park are vast natural spaces where there are no human populations. They act as barriers to the spread of the disease,” Emmanuel de Merode, director-general of Virunga National Park, told Al Jazeera.

Virunga previously supported efforts to contain the DRC’s 10th Ebola outbreak between 2018 and 2020, which killed nearly 2,300 people in North Kivu and Ituri provinces. De Merode believes the park can again contribute to slowing transmission during the country’s 17th outbreak, which has killed more than 1,400 people, according to Congolese health authorities.

Rangers and health workers join the response

The park has established six health checkpoints within and around its territory, a 300km (186-mile) stretch of protected forest that park officials describe as a natural barrier across North Kivu. It has also deployed 40 paramedics alongside 80 rangers as part of an initial six-month emergency response.

De Merode told Al Jazeera the checkpoints on roads crossing the park allow authorities to monitor movement through the protected area.

“We are setting up checkpoints, which act as roadblocks, together with health units for handwashing and temperature screening, and a first-level isolation centre next to each checkpoint,” he said.

In Ituri province, the epicentre of the outbreak, checkpoints north and south of Bunia, the provincial capital, are screening travellers arriving from areas affected by Ebola.

“We have supported the health service with protective equipment, body bags, thermometers and vehicles because, when the disease first broke out, the health services faced real difficulties, particularly in North Kivu,” de Merode said.

Virunga, a United Nations Educational, Scientific and Cultural Organization (UNESCO) World Heritage Site since 1980, is located in a region that has experienced more than two decades of armed conflict. More than 800 rangers protect the park, which is home to a number of the world’s most threatened species.

A wider role in the Ebola response

De Merode said experience from previous outbreaks has strengthened cooperation between Virunga and Congolese health authorities, particularly in surveillance and early detection.

Reflecting on the 2018-2020 Ebola response, he said members of the outbreak response committee considered Virunga an important factor in limiting the spread of the virus.

“The response committee at the time noted that the fact the disease never widely spread to Goma or to other parts of the country was also due to Virunga National Park, which was considered a major factor in preventing the disease from spreading southwards or eastwards,” he said.

De Merode stressed that Virunga remains only one part of a wider response led by Congolese health authorities and supported by technical and financial partners.

“All the information collected at our checkpoints is immediately transmitted to the Congolese National Institute of Public Health for follow-up,” he said.

In Ituri province, three checkpoints managed by the Congolese Institute for Nature Conservation within Virunga are screening travellers arriving from areas most exposed to Ebola.

Park officials say two suspected cases have been identified at the checkpoints and referred to public health authorities for monitoring.

“If, unfortunately, cases do arise beyond the checkpoint, we are able to trace them and all the contacts who were travelling with them, and this enables us to monitor any potential cases that may be on the move,” de Merode said.

The threat to the world’s remaining mountain gorillas

Mountain gorillas (Gorilla beringei beringei) are among Virunga National Park’s most iconic species. Classified as endangered by the International Union for Conservation of Nature (IUCN), their population is estimated at just above 1,000 across the Greater Virunga Landscape, which spans the DRC, Rwanda and Uganda.

The DRC is home to a significant share of the world’s remaining mountain gorillas, with Virunga protecting one of the last populations of these great apes.

Eddy Syaluha, a veterinarian with Gorilla Doctors, a conservation organisation working to protect the health of great apes in the DRC, Rwanda and Uganda, told Al Jazeera that the close biological relationship between humans and mountain gorillas makes them vulnerable to diseases carried by people.

“Mountain gorillas share more than 90 percent of their DNA with humans, which means they are susceptible to many of the same infectious diseases, including Ebola and respiratory illnesses,” he said.

Syaluha said the risks underline the importance of a One Health approach, which recognises that human, animal and environmental health are interconnected.

Keeping Ebola away from the forest

Despite repeated Ebola outbreaks in the region over the past five decades, Syaluha said no mountain gorilla has ever been infected with the virus in Virunga National Park or elsewhere in the DRC.

He said conservation teams continue to monitor gorilla health and screen visitors to reduce the risk of human-to-animal transmission. Previous Ebola outbreaks have shown the devastating impact the virus can have on great apes, with some studies documenting mortality rates above 90 percent among western lowland gorilla populations in Central Africa.

Syaluha said the close relationship between humans and great apes makes prevention and surveillance essential to keeping Ebola away from Virunga’s gorillas.

“We are doing everything we can to ensure that what happened in other countries does not happen to our gorillas here,” he said.

“We are focusing primarily on preventive measures centred on humans to prevent transmission to our gorillas. We regularly monitor the health of our gorillas to remain on high alert.”

One of the most read — and debated — stories from the Arts team this week was an interview with Oskar Eustis a day after he announced that he would step down as the artistic director of the Public Theater in 2028. The New York Times broke the news July 22 in an interview with Eustis in which he also said that the American nonprofit theater movement was over.

I followed up in a phone interview the next day and asked him to explain what he meant, which he did, noting that the broad consensus that nonprofit theater mattered to the country — a belief held by national endowments, state arts agencies, public policy institutes and corporate philanthropic departments — had disappeared. So, too, have many of those very same agencies and their budgets that provided funding to the arts. The case for sustaining any particular theater now comes down to that theater and how relevant and necessary it can make itself to its surrounding community, Eustis said.

There is never enough room in an article when you’ve had a good conversation with someone, so I thought I’d use the newsletter to publish a bit more of what Eustis shared with me. I was particularly interested in something he said about the Public’s famed Shakespeare in the Park program, which is free and takes place every summer at the Delacorte Theater in Central Park. Since its inception, more than 160 productions have been staged, reaching more than 6 million people.

The free tickets the Public gives away for these shows are “the prime driver of our income at the Public, and this has been true since our founding,” Eustis told me.

That may sound counterintuitive, but it goes directly to the case Eustis is making for modern nonprofit theaters to be as relevant as possible to their communities. Ticket sales will never bring in the kind of money theaters need to sustain a robust slate of diverse programming — that will always have to come from donors. These very same donors, Eustis said, are the ones who feel most excited to be sitting among the citizenry in Central Park, watching the beauty of public art unfold in a joyous communal atmosphere.

“It’s not just when they make a donation that they get to see the show,” said Eustis of uber-wealthy donors. “They absolutely viscerally feel that — sitting in that theater when 75% of the audience hasn’t paid a penny to be there — they are getting to be part of their dream city. They’re feeling, ‘Oh, this is what New York is supposed to feel like.’”

By giving away free Shakespeare in the Park tickets, Eustis said, the Public is “making an unbelievably powerful case for why we need subsidy … and that’s why the money comes, because we are [showing] that democratic access is more fun for a better city.”

I like the idea of free theater being more fun, and rich people paying for the privilege of being a part of that fun when it is so removed from their cordoned-off daily lives. But I do worry that so much of what we now rely on culturally comes down to the whims and fancies of a handful of ultra-rich patrons. Newspapers are run by them, public school art and music programs rely on them, as do museums, symphonies, ballets and operas.

As Eustis pointed out, these donors no longer represent a broad consensus that is channeled into a civic vision via government support, but that is precisely why the situation feels so precarious. We might be one serious AI-driven stock market crash from artistic oblivion.

I’m Arts editor Jessica Gelt staring gloomily into the distance. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

“Ulises Carrión, a bookwork in many places” exhibition at Joan Los Angeles.

(Evan Walsh)

Ulises Carrión, a bookwork in many places
The exhibition, in its final two weeks, examines the Mexican-born conceptual artist’s influence on reimagined systems of exchange through printed matter by artists, librarians, publishers and alternative spaces. The show focuses on Southern California in particular, spanning the 1970s, ’80s and ’90s, featuring artist books, correspondence, video and ephemera.
11 a.m.-5 p.m. Thursdays-Saturdays. Through Aug. 9. Joan, 1206 Maple Ave., Suite 715, Fashion District, downtown L.A. joanlosangeles.org

Puppet Up!
Brian Henson’s adventurous stage show featuring improv and sketch comedy with the iconic Henson puppets and puppeteers is back for a limited eight-performance run. Also on tap is “A Conversation With Brian Henson,” a live presentation by the Emmy-winning producer, director and puppeteer about the rich history of the Jim Henson Company, 2 p.m. Sunday at the Montalbán.
8 p.m. Friday; 3 and 7 p.m. Saturday; 5 p.m. Sunday; 8 p.m. Aug. 7; 3 and 7 p.m. Aug. 8; and 5 p.m. Aug. 9. Ricardo Montalbán Theatre, 1615 Vine St. puppetup.com

Tchaikovsky Spectacular with Fireworks
L.A.-based circus company Troupe Vertigo and the USC Trojan Marching Band join the Los Angeles Philharmonic, conducted by France’s Chloe Dufresne, for the 1812 overture — with pyrotechnics.
8 p.m. Friday and Saturday. Hollywood Bowl, 2301 N. Highland Ave. hollywoodbowl.com

SATURDAY

A scene from “Acquaprofonda” at the Aquarium of the Pacific.”

(Andres Leon for Long Beach Opera)

Acquaprofonda: A Deep-Sea Opera for Families
Long Beach Opera Education collaborates with the Aquarium of the Pacific for this free, family-friendly, 30-minute adventure about a young girl who finds an ailing whale and stands up for what’s right. Music by Giovanni Sollima, libretto by Giancarlo De Cataldo and English libretto by Elle Moody.
Noon and 3 p.m. Saturdays and Sundays, through Aug. 9. Aquarium of the Pacific, Honda Pacific Visions Theater, 100 Aquarium Way, Long Beach. longbeachopera.org

Boleros De Noche
The 10th annual celebration of romance, nostalgia and cultural pride features Puerto Rican singer iLe and a special performance by the L.A.-based trio Voz Bohemia.
8 p.m. Ford Amphitheatre, 2580 Cahuenga Blvd. East. theford.com

Free 4 All
Claremont Lewis Museum of Art opens its doors for this annual one-day takeover by local artists who will display their work with no fees to exhibit and no gatekeepers to choose whose work gets seen. With live music by the Kamran Curlin Trio, Home Again Home Again and Coupe Deville.
1-8 p.m. Claremont Lewis Museum of Art, 200 W. First St., Claremont. clmoa.org

People of Pompeii
A new comedy by Los Angeles Drama Critics Circle Award-winning playwright Bernardo Cubría, co-directed by Ellen Geer and Xochitl Romero, is set in Topanga Canyon itself and focuses on community in a time of climate catastrophe.
Through Oct. 4. Will Geer Theatricum Botanicum, 1419 N. Topanga Canyon Blvd., Topanga. theatricum.com

Two Gentlebots of Verona
The annual Actors’ Gang Free Shakespeare in the Park for Families features a cyber-inspired Shakespeare adaptation by Rynn Vogel, directed by Adam J. Jefferis.
11 a.m. Saturdays and Sundays, through Aug. 23. Media Park, 9091 Culver Blvd., Culver City; noon, Aug. 29-30. Buena Vista Branch Library, 300 N. Buena Vista St., Burbank. theactorsgang.com

SUNDAY

Sidney Jacobs & the Monsters
The jazz vocalist and his sextet perform original music with reimagined standards.
8 p.m. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

St. Vincent with the Hollywood Bowl Orchestra
The six-time Grammy-winning singer-songwriter guitarist goes orchestral with the HBO led by conductor Jules Buckley.
7 p.m. Hollywood Bowl, 2301 N. Highland Ave. hollywoodbowl.com

TUESDAY

Louis Langrée
The French conductor leads the L.A. Phil in works from Felix Mendelssohn and Joseph Haydn on Tuesday at the Hollywood Bowl; two nights later, Langrée returns with pieces by Johannes Brahms, Georges Bizet and Louise Farrenc.
Mendelssohn & Haydn, 8 p.m. Tuesday; Brahms & Bizet, 8 p.m. Thursday. Hollywood Bowl, 2301 N. Highland Ave. hollywoodbowl.com

“Saint Luke” from Irmengard Codex shortly after 1053. German. Tempera colors, gold, and ink on parchment 22.2 × 18.7 cm (8 3/4 × 7 3/8 in.)

(Getty Museum)

The Making of a Medieval Manuscript
If you ever wondered how the beautiful manuscripts in the Getty’s extensive collection were created, this is the exhibition for you. Tools and materials used illustrate each phase of the process from parchment making, writing and illuminating through the final binding. Christian manuscripts from Europe, Armenia and Ethiopia, plus objects of Jewish and Muslim origin, will also be on display, along with a video component.
Through May 2, 2027. Getty Center, 1200 Getty Center Drive, L.A. getty.edu

WEDNESDAY

Kalean Ung as the Chanteuse in “The Comedy of Errors.”

(Mike Ditz)

The Comedy of Errors
Melissa Chalsma directs Indie Shakes’ production of the Bard’s wordplay and slapstick set in a Mediterranean port town, with an original score.
7 p.m. Wednesday-Sunday; through Sept. 6. Old Zoo Picnic Area, Griffith Park. indieshakes.org/free-shakespeare-2026

THURSDAY

Annie and the Caldwells/The Campbell Brothers
The Skirball concludes its 29th season of Sunset Concerts with this family-fueled pairing of disco soul and sacred steel gospel groups, respectively, plus DJ sets by Sonrisita.
7 p.m. Skirball Cultural Center, 2701 N. Sepulveda Blvd. skirball.org

JazzPOP 2026
The summer series marks its 19th season with three concerts showcasing West Coast creative jazz: Kasey Knudsen Sextet (Thursday); Malachi Whitson Quartet (Aug. 13); and Machado Mijiga Trio (Aug. 20).
8 p.m. Thursdays, through Aug. 20. UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. hammer.ucla.edu

— Kevin Crust

Retrospective

L.A. Times arts coverage from the the past …

Playwright/director Moises Kaufman of “The Laramie Project” was on the cover of Sunday Calendar, July 29, 2001.

(Irfan Khan / Los Angeles Times)

At the Heart of a Modern Tragedy

Sunday Calendar, July 29, 2001

NEW YORK — Moises Kaufman could not turn off the television. He could not put down the newspaper. Like much of America, he was mesmerized by the news of the horrific beating, robbery and eventual death in 1998 of Matthew Shepard, a gay university student attacked and left for dead by two young men near Laramie, Wyo.

“For the five days until he died, you couldn’t turn on a television or a radio and not hear about it,” says the 37-year-old playwright and director. “Matthew Shepard put a face on hate crimes. He was young, beautiful, starting his life. The nation as a whole said, ‘Oh, my God. What’s going on?’ ”

It was exactly the sort of question that Kaufman and his colleagues at the Tectonic Theater Project here try to ask, if not answer, onstage. So unlike much of America, Kaufman did not simply move on to the next news tragedy. The man who created the widely produced “Gross Indecency: The Three Trials of Oscar Wilde” had found his next theater project. READ MORE

— Barbara Isenberg

Culture news and the SoCal scene

Artist Betye Saar visits her pet tortoise named Ms. Rojo on Tuesday, Feb. 3, 2026, in Los Angeles.

(Jason Armond / Los Angeles Times)

Pioneering Los Angeles assemblage artist Betye Saar died Sunday, just a few days shy of her 100th birthday. The Times had the privilege of profiling her a few weeks earlier in a story that also included some wonderful photos of Saar still hard at work in her Laurel Canyon home studio. After Saar’s death, we published an obituary written by former Times columnist Carolina Miranda, and I put together a list of five of Saar’s most compelling works.

Watts Towers is poised to break ground in October on a $22-million campus renovation — the first such work done to the arts campus since it opened in 1970. The work is set to begin as funding for a 15-year project to preserve the towers themselves has dried up, with work about 90% complete. Community leaders say the situation represents the frustrating piecemeal approach taken over the years to preserve one of the city’s most important cultural landmarks. Times contributor Jane Horowitz has the scoop.

Evan Lugo (George Page), Sonya Cooke (Margaret Page), Zane Caputo (Abraham Slender), Zach Trent (Skateboard Fenton) and Heriberto Cruz Jr. (Doctor Cayo) in “The Merry Wives of Windsor Cove.”

(Elijah Waller)

“The Merry Wives of Windsor’” got a ’50s-themed SoCal beach blanket bingo musical makeover at UC Irvine’s New Swan Shakespeare Festival, and Times theater critic Charles McNulty was there to weigh in on the result. “The pastiche score, indebted to the pop charts of the 1950s, isn’t allowed to dominate,” McNulty writes. “As modern musicals go, this is a low-key affair. The comedy is still the thing in this frolicsome outdoor production, which takes place in the charming ambiance of the festival’s portable, mini-Elizabethan venue.”

McNulty also took time to praise the work of stellar older actors in a rare revival of Nöel Coward’s “Waiting in the Wings,” which is running in repertory at Will Geer Theatricum Botanicum through Oct. 10. The play, “which is set in ‘The Wings,’ a charity home for retired actresses, provides a feast for veteran thespians for whom it would be impolite to ask their age,” writes McNulty. “Led by Susan Angelo, Jan Wikstrom and Ellen Geer, this ensemble, under the direction of Willow Geer, diverts and distracts from the mustier aspects of Coward’s style.”

The Lucas Museum of Narrative Art announced its inaugural film programming, which is set to screen nonstop during museum hours in two dedicated 299-seat theaters. One theater will play mostly documentary films, and the other will be devoted to the more experimental aspects of the art form.

Alaska Thunderf— will play Mary Todd Lincoln in “Oh, Mary!” at the Ahmanson.

(Daniel Rampulla)

“RuPaul’s Drag Race” star Alaska Thunderf— will play Mary Todd Lincoln in Cole Escola’s Tony-winning comedy “Oh, Mary!” when it arrives at Center Theatre Group’s Ahmanson Theatre in the fall. Broadway star J. Harrison Ghee has been cast opposite Alaska in the role of her famous husband.

Joey McIntyre of New Kids on the Block performs during Audacy’s 11th annual We Can Survive at Prudential Center on Sept. 28, 2024, in Newark, N.J.

(Manny Carabel / Getty Images for Audacy)

The Wallis Annenberg Center for the Performing Arts announced some additions to its 2026-2027 season, including the world premiere of a new play, “Radio Galaxy,” written by Michèle Aldin Kushner, directed by Kimberly Senior and starring Joey McIntyre (yes, that Joey McIntyre) and Olivier Award winner Lesli Margherita. The show is about a 17-year-old from a working-class New Jersey town who wants to become an astronomer but must deal with the harsh realities of daily life, including his half-sister’s need for a bone marrow transplant. The show is scheduled for 18 performances in the Lovelace Studio Theater Nov. 6-22. Tickets are available here.

A few reduced-rate spots remain for Camp Build at the Gamble House in Pasadena, which runs from Aug. 1 to 5 for three hours each day. Two hours are devoted to learning the art and craft of woodworking, and a third hour is spent on activities inspired by nature and architecture in the historic home. The cost of the camp is assessed on a sliding scale according to income and need with four payment tiers ranging from free to $650. The remaining slots are in the second tier, which costs $350.

— Jessica Gelt

And last but not least

Want a glimpse into the hedonistic L.A. of yore? Check out this story about Eve Babitz’s personal letters. It will not disappoint.

As we head into August and look to the fall, two burning questions are front and center when it comes to the Dodgers.

Will they win a third straight World Series championship?

And will the $500-million proposal to ferry fans by gondola from Union Station to Dodger Stadium remain aloft or crash and burn?

I can’t answer the first question, although I wouldn’t bet against a three-peat.

As for the second question, if I were former Dodgers owner and aerial tram godfather Frank McCourt, I’d fasten my seat belt, because the gondola is about to hit some heavy turbulence.

The gondola would slice through a section of L.A. State Historic Park, wipe out dozens of trees and trample a space that was carefully designed with years of community input. And the mounting opposition now includes seven former state park officials and four former members of the state Park and Recreation Commission.

The former staffers have sent “don’t you dare” letters to the commission, and one of them argued that the view of the downtown skyline would be cluttered and commercialized.

“Gondola cars encased in digital ads, flying 26 feet overhead every 25-30 seconds would irreparably impair the vista, and the sense of calm and escape from urban life,” wrote former state parks director Ruth Coleman.

The four former commissioners have signed a joint letter arguing that the gondola proposal “would enable a private development to permanently and irreparably shrink, degrade, and destroy the integrity of a state park.”

They’re speaking up now because the state is considering an amendment to the park’s general plan that would allow for “consideration and review of the proposed Los Angeles Aerial Rapid Transit (LA ART) gondola project.”

That was McCourt’s brainchild, back in 2018, and he’s a guy with lobbying muscle and friends in high places. McCourt later handed off the project to an environmental group, but the idea is still to deliver fans to Dodger Stadium, where he has financial interests.

A hearing on the matter is expected in the fall, and it’s sure to be a cage fight. Last December, throngs of supporters and foes squared off at a raucous Metro board meeting. The board ultimately green-lighted the gondola, which the L.A. City Council has almost unanimously opposed. So the showdown scheduled for this fall could be at least as interesting as the World Series.

For the record, I’m not anti-gondola. They’re fun, right?

But I’m not buying the proponents’ claim that this is a public transit project. They say several thousand people would soar up to Chavez Ravine and help relieve the miserable traffic in and out of parking lots, which McCourt took part ownership of after selling the team back in 2012 for a cool $2 billion.

But how much is gained if gondola riders ditch the free shuttle buses that now run to the ballpark from Union Station?

Then there’s a much bigger question, which my colleague Bill Shaikin explored in 2022: Is the gondola phase one of a plan to develop stadium property into some kind of Dodgertown commercial extravaganza?

Unclear, but let’s not be naive.

A Dodgers executive told Shaikin the Dodgers support the gondola project, although they are “really not involved” in it. But we’re talking about fabulously wealthy people whose only real job is figuring out how to make more money.

Team McCourt has suggested the gondola will be built with private money, perhaps from selling advertising rights, and that rides will be free to Dodger ticket holders.

But how would any of that pencil out with Dodger Stadium closed most of the year, and with gondola traffic chipping away at revenue from parking fees that start at a monstrous $40?

There’s something they’re not telling us, and if you think there’s no threat of taxpayers getting dinged one way or another at some point, you’ve either been hit in the head by a line drive or you’ve had too many $18 beers at Dodger Stadium.

If you want more details on the history of the gondola gambit, I suggest you check out all the reporting by Shaikin, who has been on the case for years, and offered up a far better idea than a gondola: Make it easier for fans to walk or bike to the ballpark.

But let’s get back to L.A. State Historic Park.

Much of the early gondola opposition was from Chinatown residents who didn’t like the idea of living under what would resemble an amusement park ride. But on Wednesday evening, I met with some people whose focus is the impact on the park.

“All of these trees would be gone,” said Sean Woods, a former state parks employee who penned one of the letters to Sacramento, and who was involved in some of the 65 public meetings and workshops at which community members helped with the design and mission of the park.

We were in a shady spot, where the gondola would run parallel to the existing Metro train tracks. There’d be supporting towers on park property, with cables dangling overhead, and a gondola station just outside the park. The gondola would occupy only a small slice of the 32-acre space, but it would be a visible distraction from every inch of the park.

“I think it’s a betrayal of California State Parks’ commitment to the communities that surround this park, that fought dearly for this park,” Woods said.

He was reflecting on a time when the former railyard was destined to become a giant industrial warehouse complex. And this followed the history of Chinatown having been relocated to make way for Union Station, and residents of Chavez Ravine being relocated to make way for Dodger Stadium.

Jon Christensen, Sean Woods and Susan Lai chat at Los Angeles State Historic Park.

(Eric Thayer / Los Angeles Times)

Joining us was Susan Lai, who along with Woods represents Friends of Los Angeles State Historic Park.

Lai is small in stature, but she swings for the fences.

“This is called a historic park for a reason,” she said, “and McCourt … has no historical connection to the park, no community connection to the park, and no cultural connection to the park.”

Lai is steeped in the archaeology of the park, the Gabrielino establishment here, the Zanja Madre irrigation line that served the early pueblo.

As we strolled, she told me this is another case of politically connected profiteers trying to impose their will on the local community, and she won’t stand for it. Lai is carrying a torch lit by her husband, Collin, who died last year at the age of 96 after years of fighting to make the park a reality.

“She’s brought an extra fire to this whole effort, and really inspired a lot of young people,” said Jon Christensen, gondola foe and co-founder of the Los Angeles Parks Alliance.

Christensen led Lai, Woods and me to the top of a grassy hill. When the park opened in 2006, I thought it seemed too flat and shapeless, too hemmed in by Broadway and Spring. But it later expanded, the trees filled in and the whole park grew on me as a place to see and feel Los Angeles.

I loved two things most of all.

The unstructured activities enjoyed by a broad mix of people picnicking on the grass, napping under a tree, kicking a ball around or doing what 10 guys were doing Wednesday evening — playing a game of Frisbee football in the meadow below us.

And the unfettered skyline view, which could soon be lost. And consider the optics: Dodgers fans soaring over a public park enjoyed by families who might need to hit the lottery to afford tickets to a game.

It was almost Dodger game time, and if the gondolas were up and running, they’d be close enough overhead that you could hit one with a tomato.

Not that I’m recommending that.

steve.lopez@latimes.com