painful

TOM CRUISE has built a career on cheating death, but even the veteran star couldn’t escape a crash landing at the weekend.

The Hollywood heavyweight is facing one of the most humiliating moments of his career after Digger, his first film since the last Mission: Impossible, bombed with critics and at the box office.

And it comes at the end of a bruising year for the star, from the collapse of his whirlwind romance with actress Ana de Armas to his daughter Suri dropping his surname.

The satirical black comedy took just £15million globally in its opening weekend, and industry experts fear it could lose as much as £100million.

It is one of the weakest debuts of Cruise’s career — a bitter result for a film billed to be the start of his next big chapter, as the ageing star looks to slow down the stunts and be taken seriously.

Instead, his bold attempt to prove he could move beyond the action-man image has been met with a resounding thumbs down.

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The film scored a C+ CinemaScore, one of the lowest ratings of his career, while critics have been sharply divided.

Cruise, 64, plays a balding, pot-bellied Texan oil tycoon in the movie, directed by Oscar-winner Alejandro G Inarritu, the man behind Birdman and The Revenant.

It was meant to be a daring creative swing for a star who has spent decades being synonymous with blockbuster action.

But audiences appear to just want the old Tom back.

The film’s £125million production budget, coupled with an estimated £75million marketing spend, means its disappointing box-office debut is unlikely to justify its hefty price tag.

Reviews were so divisive that Warner Bros reportedly resorted to running “decide for yourself” adverts in the run-up to release, after estimates were repeatedly revised down.

One fan summarised it as: “Tom Cruise’s Digger is a disaster — I couldn’t wait for it to be over.”

For Cruise, who has been box office gold since Risky Business and Top Gun in the Eighties, the figures will make uncomfortable reading.

His last major disappointment was 2017’s The Mummy, but since then he has enjoyed one of the biggest career resurgences in Hollywood.

Top Gun: Maverick became a global phenomenon, while Mission: Impossible kept him at the top of the action game well into his 60s.

Digger was supposed to prove there was another side to him. Instead, it marks his lowest box office opening in nearly 20 years.

Though Cruise certainly did everything he could to sell it.

He threw himself into the campaign, appearing on Travis and Jason Kelce’s New Heights podcast, dancing through the spirit tunnel on The Jennifer Hudson Show and landing his first magazine cover story in two decades with a topless shoot for GQ.

He even brought the Prince and Princess of Wales to the London premiere at the end of last month, where they met the cast.

Defending the film after the mixed reviews, Cruise told a screening audience: “OK, the door’s open. Now I want to push it again.”

He added: “This film is handmade. People want to see real things.”

But the response has left the awards buzz that once surrounded Digger fading fast.

Cruise had been tipped to land his first competitive Oscar after years of nominations, but those hopes now look considerably more distant.

It could also force the Hollywood veteran to reconsider whether audiences really want to see him outside of blockbuster action. There is already a clear indication of where he may go next.

Rather than continuing to take creative risks, Cruise is returning to familiar territory with a sequel to 1990’s Days Of Thunder, co-starring Anne Hathaway, while Top Gun 3 is also in the works, with him reprising his role as Maverick.

For a star whose career has been built on refusing to play it safe, it could be that the safest option is exactly what he needs.

Speaking to GQ, Cruise said: “Life, I’m coming right at it. It’s coming at me and I’m coming right at it.”

He certainly was not wrong about the second part.

Because Digger is far from the only thing to have knocked him off his stride this year.

In July, it emerged that his 20-year-old daughter Suri had seemingly severed her final tie with her famous father, after more than a decade of estrangement.

The college student has dropped the Cruise surname entirely, opting to go by Suri Noelle, her mother Katie Holmes’s middle name.

She publicly registered to vote in Pennsylvania, where she is studying, under the new moniker.

Suri was born in April 2006, and her parents tied the knot six months later.

They divorced in 2012 over irreconcilable differences, and the pair’s last public appearance together was that same year.

Insiders have since claimed Cruise and Suri have not seen one another privately in more than a decade.

Katie, meanwhile, has been enjoying a summer of love after making things official with a new man on her arm — artist Jason Bard Yarmosky — who is said to have helped her move on from the “trauma” of her marriage to Tom. But Tom’s love life has been rather more bruising.

Last October, Cruise suffered an even more public heartbreak, when The Sun exclusively revealed he had split from Ana de Armas after less than nine months together.

The star was first linked to the Cuban-born actress, 37, in February 2025, and they went public in the spring after being pictured holding hands during a break in Vermont.

Two months later, Tom whisked Ana to Madrid on his private jet, before they flew to London by helicopter for her 37th birthday, sharing selfies and describing it as “a fun night out on the town”.

She was also his date to David Beckham’s 50th birthday party in May 2025.

But a source close to the couple told The Sun at the time: “Tom and Ana had a good time together but their time as a couple has run its course.

“They are going to remain good friends but they aren’t dating any more.

“The spark had gone between them but they still love each other’s company and they’ve both been really adult about it.”

A year on, the contrast between the former couple could hardly be starker. While Cruise licks his wounds, Ana appears to have moved on in spectacular fashion.

She has been linked to Venezuelan musician Beto Montenegro after the pair were spotted dancing at a concert in Madrid and sharing kisses on a romantic getaway to Spain’s Formentera island.

Before that, she was briefly pictured with venture capitalist Marcelo Valente in Los Angeles following the Cruise split.

A source said of Beto: “He’s an extremely charming and sophisticated guy, and he checks all the boxes Ana’s looking for right now.

“It’s an exclusive relationship, and they’ve had a pretty magical summer.”

Ana has also been getting back in front of the cameras, with a strong slate of projects, including espionage thriller Impunity.

Her John Wick spin-off Ballerina has kept her firmly in the blockbuster world, too.

And just this week she was pictured rubbing shoulders with an A-list crowd at a private Louis Vuitton party in Paris, joining Emma Stone and Chloe Grace Moretz.

She looked every inch the Hollywood star in a long-sleeved blouse, carrying a Louis Vuitton box clutch with gold trim.

There is still some unfinished business between the exes. Their joint project, Deeper, has been put on hold because of budget issues.

It all leaves Cruise facing a very different end to the year than the one he had planned.

He has, of course, bounced back from career setbacks before, and with Top Gun 3 and Days Of Thunder 2 on the way, he will be hoping a return to familiar territory can restore his reputation.

But for now, the man who has spent a lifetime defying gravity is facing being brought back down to earth.

Celtic will “come together and support” manager Martin O’Neill after a “painful” week for the club, chief executive Michael Nicholson has said.

O’Neill had indicated that he would use the international break to consider his future following two defeats to Rangers, either side of a home loss to Ferencvaros in the Europa League.

In the wake of Sunday’s 1-0 derby defeat at Celtic Park, 74-year-old O’Neill had said “it might be time to wrap it up”.

However, Nicholson suggested the club will rally round the manager who has delivered nine trophies over two spells.

His remarks came with the latest financial figures revealing a drop of nearly £33m in revenue.

A loss of £4.8m is largely down to the failure to reach last year’s Champions League and Celtic have missed out again, squandering a 4-0 aggregate lead in their play-off with LASK last month.

“Having started well in the Premiership this season, we experienced disappointment in the Champions League play-off,” said Nicholson in a written statement accompanying the financial results.

“Reaching the league phase of the Champions League is an objective for us all, and we are sorry not to have achieved it.

“On top of that, the losses in the last week have been painful for us all. We will now come together and support Martin and the players, as we focus our efforts on achieving success domestically and in the Europa League.”

Kevin McCloud appeared on BBC’s The One Show to discuss the latest series of Grand Designs which will see the presenter revisit a project from the very first series

Grand Designs presenter Kevin McCloud has confessed there’s moments from the Channel 4 show which leaves him reaching for the remote control.

The 67-year-old designer and presenter returns to television screens on Wednesday (September 16) to front a brand new series of the beloved renovation programme.

He has hosted Grand Designs since it began 27 years ago back in 1999 and appeared on BBC’s The One Show tonight to chat to Alex Jones and JB Gill about the new episodes set to air which will see the presenter revisit a project from the very first series.

When discussing watching back old clips, Kevin joked: “Yeah that’s painful to watch for me! I have to skip through the fast forward button a lot through these early episodes but the house has not changed, everything is as it was, and when you make the stuff and you record a moment in time, you don’t know whether that idea, that style and approach, whether it will last and have value, and remarkably that house has remained the same and is almost a fantastic example of a mid-1990s building so sometimes it comes back to surprise you.”

Channel 4 announced earlier this month that Grand Designs and Grand Designs: House of the Year will be coming back this Autumn. The iconic and much-loved house building and design show returns with four extraordinary new builds and two long-awaited revisits, spanning across the United Kingdom.

According to bosses, the new series series embraces bold ideas and innovation, showcasing pioneering construction methods and ambitious architecture whilst never losing sight of the people behind them.

Kevin previously said: “It is always a joy to get a series of Grand Designs complete and ready for broadcast – especially when it can run alongside its sister series, House of the Year.

“Together they celebrate the very best in British architecture and remind me of the extraordinary imaginative and resilient potential of human beings. This year is no exception: there are some astonishing stories and homes to discover.”

When asked what he believes is the reason that Grand Designs keeps coming back, Kevin explained: “I think it is the unpredictability of it all. If we were restoring people’s homes for them, then we might have slipped into a predictable format but we haven’t.

“Some of the projects on this series are fascinatingly unpredictable. For example, we see Seb in North-West London, building a house which was completed in 13 months and I was so shocked because O am used to things taking forever.

“We also have a project in Edinburgh, which has been going for over 10 years, and when you look at the date stamps as we go through the programme, you sort of appreciate how some people dedicate a lot of their lives to a building.”

He added: “I thought in series one we might run out of projects. We thought that we had done an eco-project, a modern white block, a glass house, we did the eccentric thing. We thought, will people still tune in if we do another glass box? But the answer is yes, because from the beginning we set ourselves the challenge that in every episode there has to be something new – there has to be some story, some angles, something, a hook.

“Luckily, since architecture is so much about place and response to a place and so much about people and response to people and because places are so infinitely diverse, people are infinitely diverse, this is what makes every project and what keeps me on my toes every time.

“If you look at this coming series, every single project has something unique about it and i find that so fascinating, all of the individual narratives are so different. The houses are all so unique architecturally and in the way they are built.”

The One Show airs weekdays on BBC One and BBC iPlayer at 7pm and Grand Designs returns to Channel 4 at 9pm on Wednesday, September 16