pain

Missouri officials have determined the official cause of death for “Days of Our Lives” actor Robert Kelker-Kelly, who died this month at age 62.

Kelker-Kelly died of arteriosclerotic heart disease, the St. Charles county regional medical examiner of Missouri confirmed to The Times. The actor’s death was deemed natural. Arteriosclerosis occurs when blood vessels carrying oxygen and nutrients from the heart to the body become thick and stiff, according to the Mayo Clinic. The coroner’s report confirms details previously disclosed by law enforcement and emergency personnel.

The actor, who worked as a pilot later in life, died Oct. 3 after he complained of chest pain and became unresponsive, police confirmed earlier this month. Officers reported with paramedics to the actor’s home for a report of an unconscious man who was not breathing.

“Life-saving measures were administered but were unsuccessful,” police said.

Kelker-Kelly’s wife, Allison Kelly, informed authorities the actor complained of pain in his left arm and chest while on the drive home from Spirit Airport, People reported. The actor asked his wife to pull the car over to vomit and said he did not need to go to the hospital. He reportedly continued experiencing pain at home. Kelly found her husband unresponsive, alerted authorities and administered CPR.

Kelker-Kelly was best known for his work in long-running daytime dramas “Another World” and “Days of Our Lives,” where he portrayed the rebellious heartthrob Beauregard “Bo” Brady from 1992 to 1995. He began his turn as Bo, which lasted for more than 586 episodes, following the departure of original actor Peter Reckell, who would return to the show off and on in the following decades.

He debuted in “Another World” in 1987 and appeared in more than 400 episodes in a handful of roles until 1998, according to the actor’s IMDb page. He was also known for his work as Stavros Cassadine in “General Hospital” and its spinoff series “Port Charles.” Kelker-Kelly’s “General Hospital” tenure lasted from 2001 to 2014 and was his final TV role. His television credits also include “Jack’s Place,” “Touched by an Angel” and “Rescue 77.”

Tennessee Governor Bill Lee paused all executions for the remainder of the year and ordered an independent review to “determine exactly what occurred”.

Lee was asked by reporters this week about a potential second execution attempt. “I suspect her sentence will be the same as before unless determined otherwise by the courts,” he responded.

Speaking about the state’s response to what happened to Pike, Mann said: “I find it deeply troubling that, even after what Christa endured, Governor Lee has shown little public willingness to reconsider the death penalty itself, rather than simply the procedures used to carry it out.”

She added: “What happened to Christa is not an isolated tragedy, nor should this conversation begin and end with her.”

The Tennessee Department of Correction has not explained why the execution did not go as planned, though it has defended the method it used.

It declined comment on Pike’s statement when contacted by the BBC.

Slemmer’s mother, May Martinez, was among those pushing for Pike to be put to death and attended the botched execution, later calling it a “mess”.

She told a local ABC News affiliate in Florida, where she lives, that she thinks the state owes her an apology.

“All I wanted was justice,” Martinez said.

Pike was the first woman scheduled to be executed in the state of Tennessee in over 200 years.

Her lawyers have spent decades appealing her case. In the days leading up to her scheduled execution, both the US Supreme Court and Lee declined to block the execution.

The attempted execution of Pike was not the first in Tennessee in 2026 that did not go to plan.

The execution of Tony Carruthers, who was convicted of kidnapping and murdering three people in 1994, was postponed in May after staff were unable to find a vein for a lethal injection. He was granted a year’s reprieve by the governor.

In 2022, more than a third of executions across the US were botched or highly problematic, according to the Death Penalty Information Center, which does not take an ethical stance on the penalty.

Al-Bureij, Gaza Strip – A Sack of Flour, an 11-minute documentary by the emerging filmmaker Mona Abu Qass, draws on her personal experience to examine Israel’s use of starvation against Palestinians in Gaza during Israel’s genocidal war on the enclave.

The film is one of five documentaries by Palestinian women screened Monday at the opening of the second Gaza International Women’s Film Festival, which also marked the official launch of the Gaza Cinema Academy.

The event took place at the site of the al-Nakheel Hall in al-Bureij, central Gaza, under the slogan “Women Creating Life from Death”. The hall is destroyed, like the majority of buildings in Gaza, after three years of Israel’s war, which has killed more than 74,000 Palestinians.

The film captures Palestinians’ struggle to find food in Gaza, the dangers at aid distribution points and the lives lost while trying to obtain flour.

Through Abu Qass’s own experiences, A Sack of Flour explores how the trauma of hunger continues to affect families even after food becomes available again.

Those experiences have renewed relevance as Israeli restrictions on goods entering Gaza and cuts to food assistance have caused shortages and fears of a return to famine.

“The idea for the film stems from a personal experience and a true story,” Abu Qass told Al Jazeera. “It documents daily life in Gaza, weighed down by bombardment, destruction, siege, hunger, and loss.”

“I want to capture details that reveal suffering and people’s determination to hold on to their life,” she added. “I seek to show reality as people experience it and help viewers understand what the war has done to their relationships, dreams, and hopes.”

Highlighting struggles of the disabled

Another film, Beyond Silence, by emerging filmmaker and journalist Raghda al-Buhaisi, explores wartime struggles in Gaza for people with disabilities through the story of a deaf artist who never learned to read, write or communicate through sign language. His art studio in southern Gaza’s Rafah was destroyed by Israel, and his parents and several family members were killed.

After being displaced to Deir el-Balah in central Gaza, another family took him in and set up a modest studio by the roadside. His paintings reflect loss and displacement, expressing what words cannot through colour and line.

“I want to highlight the additional challenges people with disabilities face during war, including displacement, family loss, and the destruction of livelihoods,” al-Buhaisi told Al Jazeera. “Art can cross barriers of language and silence, turning an individual experience of pain into a visual message that conveys Gaza’s suffering to the world.”

Alongside those films were three others by emerging Palestinian women filmmakers – Soso: The Lifeline, Remnants of Light, and Dandana. The films document life in Gaza and the suffering brought by war.

Soso: The Lifeline follows an orphaned child and his donkey, who help people survive in Gaza. Remnants of Light follows a filmmaker struggling with the loss of her family and home, while Dandana tells the story of a mother whose eight children were killed, and who turns to Palestinian songs with her surviving family to cope with her grief.

The five documentaries were produced through a filmmaking diploma programme that began in March and brought together 25 young Palestinian women.

Preserving Gaza’s stories

Festival director Ezzedine Shallah said the films draw on experiences women and girls lived through during the war, offering visual testimony to daily life and giving women space to tell their stories in their own voices.

“Though their subjects differ, the films turn individual pain into broader human stories, revealing war’s psychological and social scars,” he told Al Jazeera. “They preserve stories that might otherwise never reach the screen, transforming suffering into cinematic testimony and bringing Gaza’s stories to audiences beyond its borders.”

The festival, which runs until October 31, features 73 films from 24 countries and offers a broader platform for filmmakers from Gaza and beyond.

But even with events like the festival, filmmaking in Gaza comes with formidable challenges. The destruction of cultural institutions, scarce equipment, limited funding, power and internet outages, and the pressures of war and displacement have severely restricted opportunities for film production. Women filmmakers also struggle to access training, production opportunities and international festivals.

Filmmaker Rima Mahmoud, a co-founder of the festival, said that war and the Israeli siege on Gaza – which predates 2023 – have hindered young women’s filmmaking, pushing some to use simple methods, self-fund projects and document Gaza’s reality even with the difficulties.

“Despite limited resources, these films deserve international exposure,” Mahmoud said. “Their makers need technical and financial support, translation, and partnerships with festivals and platforms.”

Resisting attempts at erasure

Palestinian filmmaker Mai Masri, based in Lebanon and another co-founder of the festival, said the films help young women tell their own stories, resist erasure and preserve collective memory, while building skills and accessing work in Gaza or through digital platforms.

The academy has also developed a filmmaking diploma in cooperation with al-Quds Open University and accredited by the Palestinian Ministry of Education.

Masri said that the academy is also now trying to help directors reach international festivals.

“We are seeking agreements with distributors to screen these films in educational and cultural institutions outside Palestine, and through international platforms and festivals focused on women’s and human rights,” she said.

“This would bring the voices of Palestinian women to a global audience, shed light on their human experiences and artistic creativity, strengthen the presence of Palestinian cinema internationally, and open new horizons for young female directors to reach global screening platforms and film festivals,” Masri added.

Dani Harmer has reunited with her Tracy Beaker co-star Nisha Nayer more than 20 years after the hit CBBC show came to an end and fans were quick to react to the surprise social media post

Dani Harmer has reunited with her Tracy Beaker co-star Nisha Nayer more than 20 years after the hit CBBC show ended.

The actress, 37, was just 12 years old when she was cast in the title role of The Story of Tracy Beaker and, over the course of five series, played the tough care home kid who fantasised that her mum was a Hollywood star. Nisha played Elaine ‘The Pain’ Boyak, an incompetent social worker who was often at odds with Tracy.

The series, which is based on the books by Dame Jacqueline Wilson, aired from 2002 until 2005. The two former co-stars reunited on social media ahead of their debut at Swansea Comic Con on Sunday and urged fans to come along.

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Fans of the hit TV series rushed to the comments section to see two beloved characters reunited, with one writing: “Way too surreal seeing Elaine the Paine and Cheeky Beaker getting along like BFFs. I reckon Dani is hiding a butcher knife behind, LOL,” to which Dani responded: “Nah, she’s my bestie in real life!”

Another fan joked: “Was not expecting these two to be so happy to be in the same room,” whilst a third said: “Ahhhhh! The most iconic duo everrrrrr.”

After Tracy Beaker ended, a spin-off, Tracy Beaker Returns, followed, in which the titular character returned to work in care. When Dani opted to leave the series, it was retooled into The Dumping Ground, which is still being produced for CBBC after more than a decade on air.

Outside of Tracy Beaker, Dani has competed on Strictly Come Dancing, starred in the sitcoms Dani’s House and Dani’s Castle and ultimately returned to her signature role in 2021 for My Mum Tracy Beaker and The Beaker Girls. Prior to landing the part of Tracy, Dani had starred in West End productions of The Who’s Tommy and Annie, and is a regular in pantomime.

Meanwhile, prior to being cast as Elaine on Tracy Beaker, Nisha became known as Debra Kumar in the film Out of Hours and went on to appear in Doctor Who, Holby City and The Bay.

Other cast members of the original Tracy Beaker included former Casualty actress Lisa Coleman, who played Tracy’s foster mum Cam Lawson, and Clive Rowe, who has more recently appeared in sitcom So Awkward and the BBC’s The Hairdresser Mysteries, starred as care home chef Duke.

Just weeks ago, actress Montanna Thompson, who played Tracy’s rival Justine Littlewood, revealed that she initially landed the role of Tracy before Dame Jacqueline Wilson stepped in. “I didn’t actually audition for Justine,” Montanna said.

Speaking on the Embarrassing For No Reason podcast, the actress, 37, went on to add: “I auditioned for Tracy, and I got the phone call, and they said, ‘Oh, you’ve got the part as Tracy.’ So me and my mum was jumping around…

“We was all jumping around and celebrating and then an hour later, I get a call from the BBC. Jacqueline Wilson said she wanted to keep the illustration of Tracy original. So I was like ‘Ok’, and they was like ‘Would you like to be Justine?’ so I was like ‘Yeah, ok, great’.”

Montanna went on to tell hosts Sam Darlaston and Tatum McGreal that her mother was asked if she would “cut her hair off” as Dame Jacqueline wanted Justine to have a bob. “My mum said, ‘Well, no, not really,'” she explained. I think that’s why Justine has got the plaits, and they made that character like that.”

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A NINETIES chart-topper has revealed she has undergone further surgery to ease pain caused by breast cancer treatment.

The singer, 55, whose catchy debut single topped the UK charts in 1994, told fans she was recovering in bed ahead of her next gig.

Whigfield, whose real name is Sannie Carlson, shared the hospital update on Instagram.

She wrote: “Last Wednesday I underwent a second surgery to fix pain in my breast caused by scar tissue from breast cancer operations and radiation therapy years back.

“I’m now on bed rest so I can heal quickly for my next gig.”

She tagged the 90s Supershow, where she is due to perform in Germany in early November.

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The star signed off with “Happy Saturday night” — a nod to the song that made her famous.

Whigfield underwent treatment for breast cancer in 2014 and has previously urged women to get checked.

Reflecting on her diagnosis in an earlier Instagram post, she wrote: “Fighting breast cancer was a strange thing.”

She continued: “One moment I was living my best life making new music in London, the next I was stuck in a bubble of numbness.”

The Danish singer described the operations and radiotherapy as tough, but said she drew strength from fellow patients, including children, at Milan’s San Raffaele hospital.

She also recalled that many of those being treated for the disease never left the hospital.

Whigfield, who has previously spoken about living on the outskirts of Milan, shot to fame with Saturday Night, which reached Number One in the UK in 1994.

Her other hits include Another Day and Think of You.

BRAD PITT has revealed he was forced to rely on close friends for support during the lowest points of his bitter divorce from Angelina Jolie.

After 12 years together, the actress accused him of physical and verbal abuse while on a private jet with their six children in September 2016.

He denied the allegations and the FBI brought no charges, but a gruelling £300million, eight-year divorce battle followed.

Brad said: “When I think of the darker days, it was certainly my close relationships that I relied heavily on. Friends, dear close friends — a handful — close family, and was very open about my struggle.

“And being able to be that free with people who love you and have your back, and that you love back, is everything. It’s everything.”

Since working on his new movie, survival thriller Heart Of The Beast, Brad has realised just how he got through the losses and pain with the help of some of his A-list pals, including George Clooney, Bradley Cooper, Leonardo DiCaprio and Matt Damon.

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In the film Brad plays a retired Special Forces veteran navigating a gruelling 60-mile trek through the Alaskan wilderness with his traumatised combat dog, Odin, after their seaplane crashes.

And it was the survival experts Brad worked with that truly opened his eyes to what he’d been through.

In a new interview from the San Sebastian Film Festival in Spain, Brad, 62, said: “The survivalists would tell us it’s all about little wins.

“You’re going to suffer losses, you’re going to suffer pain, but it’s just getting to the next little win.

“I thought that equated to life in that way, in the sense of when we are struggling and going through many challenges, just getting to that next little win, not thinking about the big picture, just that next little win.”

There have been plenty of wins in Brad’s career, including two Academy Awards, but his personal life has been marked by significant challenges.

After falling for Angelina on the set of action comedy Mr & Mrs Smith in 2004, he divorced actress Jennifer Aniston the following year.

The pair became known as “Brangelina” and married in front of their kids — Maddox, now 25, Pax, 22, Zahara, 21, Shiloh, 20, and 18-year-old twins Vivienne and Knox — in August 2014.

But two years later, following the heated row on a flight from their £45million Chateau Miraval in France to LA, Angelina filed for divorce.

No charges were filed by the FBI and the Los Angeles County Department of Children and Family Services closed their investigation with no finding of abuse.

In the aftermath, Brad gave up drinking for seven years, began therapy and attended Alcoholics Anonymous. He also leaned on those aforementioned friends, as well as ex-wife Jennifer.

Despite their split after four-and-a-half years of marriage, the pair were able to rebuild their friendship after Brad’s split from Angelina.

But his drawn-out divorce with the Maleficent actress, which was only settled in December 2024, caused a rift with his children.

Last month, his daughter Zahara followed in the footsteps of her siblings Shiloh and Maddox in legally dropping Pitt from her surname.

Vivienne has also filed to change her name, with the court hearing set for next month.

While Brad has declined to comment on the news, he appears to be in a good place after finding love with Ines de Ramon.

He was first linked to the 33-year-old jewellery exec in late 2022, when they were spotted at a concert.

By February 2024, Ines had moved into Brad’s California mansion and they were “happier than ever”.

And this summer, the couple were spotted attending Taylor Swift and Travis Kelce’s New York wedding.

Ines also accompanied Brad to the premiere of Heart Of The Beast in Nashville last month.

He says one of the greatest things about his new movie was starring alongside six-year-old German Shepherd, Uber.

Brad and the former search and rescue dog, who plays Odin, were given just three weeks to get to know each other before filming.

The actor would sit in Uber’s large kennel answering emails and making calls so the dog would get used to having him around.

Brad, who owns three dogs (Jacques, Blackout Superstar and a recent unnamed rescue), laughed: “Listen, spending a day with the dog just makes things a little better. It wasn’t without its complications. You know, there were days that amazed us.”

Despite being set in Alaska, the movie was shot on New Zealand’s South Island in 45 days.

For more adventurous scenes involving stunts, Odin was played by one of Uber’s three sons, but Brad primarily filmed with Uber.

He said: “We had a short time to shoot this film. We decided a plan of attack — whatever the dog does, we’re going to follow it. So some days, it was just incredible. I did have a really moving experience with Uber, we bonded quickly. We tried to make every day a play day for him.

“There were times he would do things that were just amazing that were not in the script.

“At the same time, there were days when the bees are buzzing and possums are coming down the hill, and things are just much more interesting in the woods than what’s going on here for my co-star.

“I had to be pretty adept at being actor-dog trainer-actor-dog-trainer in the middle of the scene. Thank God for editing!”

Brad’s secret weapon was boiled chicken, Uber’s favourite treat.

The star, who rescued a stray greyhound-mix while filming Seven Years In Tibet in Argentina in 1996, joked: “I can’t smell boiled chicken to this day. That was his favourite.”

While New Zealand’s glaciers, lakes and mountains provided a stunning backdrop, filming in such a rugged location had its drawbacks.

Brad and the crew had to spend 12-hour days outside in the wet and cold, with no heated trailers to rest in.

The actor would sit on logs between takes alongside Uber, who Brad insists is the real star.

He said: “He was pretty cool. He was first on the call sheet. He was priority number one, but he was pretty cool all the way through.

“Working with a dog was really kind of beautiful, it was kind of wonderful. And surprisingly easier than you would think.”

The presence of dogs on set brought welcome relief to an otherwise emotionally intense shoot.

Brad said: “Every day was fun. We tried to do the same thing. We’d roll up on set at six in the morning, and there is one of our dog whisperers just playing catch with Uber.

“It was just such a beautiful sight in the field.”

The story at the heart of the movie — of a man relying on the bond with his dog to get through his darkest days — left Brad with a broader message.

He said: “Yes, it’s a survival story, but ultimately it’s a love story.

“I think we could spend more time looking at where we are the same  — what binds us? What connects us?

“Then I think we could listen better through these divisional lines. But maybe just start taking care of the people around us and making sure they’re OK.

“And if everyone did that, I’d say that’s a good place to start.”