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March 29 (UPI) — Amid growing chaos at airports during the 44-day Department of Homeland Security shutdown, Immigration and Custody Enforcement agents have been deployed to airports to help Transportation Security Administration agents — and they may be in for an extended stay.

As Congress has not been able to agree on a bill to fund DHS because of disagreements about ICE unrelated to air travel, TSA agents who have not gotten paid are increasingly calling out of work or quitting their jobs.

White House border czar Tom Homan on Sunday told CNN and CBS News that whether ICE retains a presence at airports will depend when “airports feel like they’re 100% in a posture where they can do normal operations.”

The White House on Monday deployed ICE to airports around the country, where they received training to use TSA equipment and standard operating procedures.

By Wednesday, they could be seen screening travelers, checking documents and assisting TSA agents move lines of people through security, The New York Times reported.

Thursday, Senate Democrats again blocked a bill to fund DHS because it does not include new guardrails for ICE agents carrying out the Trump administration’s immigration crackdown.

As a result, President Donald Trump said that he would pay TSA agents out of funds approved in last year’s One Big Beautiful Bill, in addition to sending ICE to assist at airports.

Over the last 44 days, thousands of TSA agents have called out sick and nearly 500 have quick their jobs during the second shutdown in a year that has prevented them from being paid on time, The Boston Globe reported.

Homan said Sunday that how long and how many ICE agents will continue to work at airports will depend on how many TSA agents come back, and that he is working with TSA to determine what level of staffing they need as time goes on.

“In an increased threat posture, we need to secure those airports,” Homan said. “ICE is there to help our brothers and sisters in TSA. We’ll be there as long as they need us, until they get back to normal operations and feel like those airports are secure.”

After failing to pass a bill funding any part of DHS, Congress left Washington, D.C., for a two-week recess.

March 25 (Asia Today) — Russia funneled about 50 billion won ($33.4 million) to North Korean workers under the guise of scholarships, according to a report released Tuesday by a South Korean human rights group.

The Citizens’ Coalition for North Korean Human Rights said the arrangement allowed Pyongyang and Russian entities to evade U.N. Security Council Resolution 2397, which bars the hiring of new North Korean workers abroad and requires the repatriation of those already deployed.

According to the report, a Russian university identified as Sozheistvie received 2.7 billion rubles ($33.34million) in support from 76 Russian companies between October 2023 and June 2025 and distributed the funds to North Korean laborers who were presented as foreign students.

The group said the workers were formally registered in language, technical or vocational training programs, but were in practice assigned to full-time construction, logging and industrial jobs.

Based on an analysis of the university’s financial records, the report said individual payments ranged from about 330,000 won to 4.7 million won, or about $220 to $3,135, per worker – far above the average scholarship paid by Russian higher education institutions, which it said was about 70,000 won, or roughly $47, per student in 2024. (Xe)

The report said the wages were ultimately confiscated by North Korean authorities and routed into accounts linked to institutions involved in weapons development and regime maintenance, including agencies associated with uranium mining, nuclear and ballistic missile programs, arms exports and internal security.

It also said North Korean military-linked companies and firms tied to Office 39, a key regime finance network, remain active in Russia despite international sanctions.

The findings were based on in-depth interviews with eight North Korean defectors, including former workers in Russia, witnesses and former managers with direct knowledge of the labor system, the group said.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260325010007833

Ben Keaton, who is best known for playing Father Austin Purcell in the iconic Channel 4 sitcom, has died at the age of 70 – tributes have poured in for the ‘wonderful actor’

Father Ted actor Ben Keaton has passed away aged 70. Keaton, who portrayed Father Austin Purcell in the beloved comedy series, alongside appearances in Casualty and Doctors, died at Lincoln County Hospital on Friday, it has been announced.

His death notice reads: “Ben will be forever greatly missed, loved and fondly remembered by his ex-wife Polly, son Waldo and daughter Daisy, brothers Des and Thom, sister Jeanette.”

In tribute, the Nottingham Playhouse said: “We are so sorry to hear of the death of Ben Keaton, a wonderful actor who is fondly remembered in our 2008 production of Vertigo. Sending our deepest sympathies to his family and friends.”

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Meanwhile, a Father Ted fan X account shared: “Saddened to hear of the passing of actor Ben Keaton. We knew him as Father Austin Purcell (one of my favourite one-off characters). He was a regular at ComicCon events, so I imagine many got to meet him over the years. My thoughts are with his family, friends, and many fans.”, reports the Daily Star.

Outside his television work, the Irishman was a distinguished stage performer. He dedicated much of his professional life to The Royal Exchange Theatre in Manchester, appearing in an eclectic array of productions from American Buffalo to Hay Fever.

A versatile artist, he co-established the improv group South Of The River and served in a senior position at the Creative Academy. His awards collection showcased his range, including the 1986 Perrier Comedy Award and two Best Actor accolades from the Manchester Evening News, culminating in a nomination for the esteemed Laurence Olivier Awards.

Honouring him in a message on X (formerly Twitter), one admirer wrote: “RIP Ben Keaton. A great actor and comedian – there can be little praise higher (if at all) in that he stole the scene every time he appeared in Father Ted. Off to the great parochial house in the sky.”

In 2022, Keaton witnessed an unexpected surge in digital popularity after being surrounded by fans seeking autographs at the CovCon event in Coventry. The frenzy intensified when he joined forces with fellow Father Ted cast members Joe Rooney (Father Damo), Michael Redmond (Father Stone), and Patrick McDonnell (Eoin McLove) to film an impromptu TikTok video.

Looking back on the viral sensation, Keaton told The Irish Sun: “The video went from 500 views to 50,000 and up and up. Joe now says we are up at half a million views on TikTok. It’s incredible.” He confessed he was frequently astonished by the lasting impact of his fleeting, scene-stealing turn as the world’s most tedious priest.

Drawing comparisons to his other roles, Keaton remarked: “I appeared in Casualty for three years, nobody cares. I did three minutes on Father Ted and it’s all people want to talk about and something which just sails through time.”

For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Mexico’s reigning pop princess is entering her femme fatale era.

Kenia Os played up her cute and cuddly side in her previous album, 2024’s “Pink Aura” — but with her upcoming album “K de Karma,” out Friday, Os is putting that era to bed.

Os, born Kenia Guadalupe Flores Osuna in Mazatlán, Sinaloa, has made an incredible leap from social media influencer to Latin Grammy-nominated pop star in under a decade. Yet at 26, she has weathered countless storms — whether facing incessant body-shaming online, or defending her pop music pivot from cynics in the comments.

In an interview with the L.A. Times, the Mexican superstar explains how she transmuted that energy into her most fierce and sexy musical offering yet.

“In that darkness, I found myself,” the 26-year-old says over Zoom from her hotel room in Los Angeles — where she’s traded her signature blood red dress for a black tank top and jeans as she prepares for her upcoming tour.

“This album is totally about empowerment. There’s an energy behind it of divine justice… What’s for you belongs to you.”

Os had plenty of examples of powerful pop divas to draw inspiration from. Though she fondly recalls her mother playing the music of the late Selena Quintanilla and Jenni Rivera, Os was tapped into American talents like Miley Cyrus — namely her “Hannah Montana” alter ego — as well as Demi Lovato, Ariana Grande and Selena Gomez.

“I’ve always been inspired by a lot of female artists,” she recalls. “The power that women wield has always been at the core of who I am an artist.”

As Os looks back on being a teen girl who shared her life gratuitously on YouTube, and later social media platforms like Instagram and TikTok, she still feels the sting of body-shaming comments. Os reveals during that time, her weight would fluctuate from dealing with hormonal issues such as PCOS (polycystic ovary syndrome) and endometriosis.

“It’s very difficult how people judge you for your body, if you gain weight, have a tummy, or whatever,” she says. “It was very complicated to grow from a young girl into a woman [in a world] where you are how you look. Currently, I feel at ease because thanks to the universe, I’ve had the opportunity to take care of my body, understand it, and heal from within. It’s made me a stronger woman.”

Another hurdle that Os had to overcome in her career is an ongoing stigma placed on influencers-turned-pop stars. Although artists like Addison Rae, Tate McRae, and Charli D’Amelio successfully forged their careers as performers on social media before taking center stage, Os sees Mexico as being less receptive to that kind of career transition as the U.S. or Canada.

“In Mexico, it hasn’t been that easy for people to understand that I am a singer,” she says. “I’m not the best, but I’m here, I have my fandom that I love and we’re doing incredible things together.” (Os is referring to her massive following online, which includes 26.3 million fans on TikTok and 18.2 million fans on Instagram.)

When Os first launched as a singer in 2018, some immediately took aim at her dance moves and the digitally augmented sound of her voice. Os admits that she’s come a long way since that first iteration with rigorous singing and choreography lessons; three years later, she signed a record deal with her current label Sony Music Mexico, and released her glossy debut album, “Cambios De Luna,” in 2022.

Since then, Os has come to rule the Latin pop scene in Mexico, boasting multiple sold-out tours of the country.

“It’s been difficult for people to understand that I started out making content — which I still love to do — and suddenly, I’m [also] a singer,” she says. “They try to devalue my work and what I do as an artist. At the end of the day, I’m still as hard-working as I [was] on day one. I’m on the charts with a lot of artists. I’ve put myself in a position where I can say that I’m fully dedicated to music. For me, it’s been a beautiful journey where I’ve learned a lot about myself and I’ve grown so much.”

Os achieved an international breakthrough with her visual album, 2022’s “K23.” The following year she scored a viral hit on TikTok with the flirty “Malas Decisiones,” which has over 340 million streams on Spotify. Os would soon tour the U.S. for the first time, and at the 2023 Latin Grammy Awards, “K23” was nominated in the category of long form music video.

“I loved that experience, and I believe it would be beautiful to win a Grammy, but now I’m more dedicated to my fans, my music and what I like without expecting an award,” she says.

Last year, Os also pulled a page from Taylor Swift’s playbook by releasing the concert film “Kenia Os: La OG” in theaters in both the U.S. and Mexico.

Now with “K De Karma” out, Os is finding strength in further harnessing a sexier and more defiant alter ego — which she introduced in her cinematic music video for “Belladona.” Directed by Daniel Eguren, the visuals emphasize the fatality of her femininity with a car explosion and suited-up businessmen bending to her will.

“It doesn’t feel like that I have to act or pretend to be sexy or sensual,” Os admits. “Now, this feels very natural. It feels very me. This is who I am at this moment as a woman.”

She adds that her album was also inspired by a marginalized group that stuck by her side through her ups and downs: the LGBTQ+ community. As a show of gratitude to the girls and the gays, Os transforms from “Belladona” to Primadonna in vogue-ready house bangers like “Slay,” “Problemática,” and “Boom In Your Face.”

“I wanted to do something fun and different for the LGBTQ+ community,” she says. “I’m very happy and grateful for the love they’ve given me. I believe they’re my most passionate fans — they’re the kind of fans that are there for you the most. To put on concerts where you know most of the crowd belongs to that community, it’s an incredible experience.”

A surprising collaborator on “K De Karma” is Mexican singer-songwriter Carla Morrison. She co-wrote the tender love song “Tú y Yo X Siempre” with Os; the two also collaborated on “Días Tristes,” which is reminiscent of the moody ‘80s pop anthem by Jeanette, “El Muchacho De Los Ojos Tristes.”

Os reveals that she and Morrison worked on a third song that they’re still putting the finishing touches on. “It was very magical to work with her,” she adds. “She’s an exceptional and incredible human being with a big heart. She told me very beautiful words that motivated me all of last year. Those were words that I needed to hear.”

On the personal side, Os is also relishing her relationship with Peso Pluma. After collaborating on the reggaeton track “Tommy & Pamela” in 2024, the two Mexican artists went public as an item last year. Os has even accompanied Pluma on a few stops of his recent Dinastía Tour.

“It’s very beautiful to know that you have a partner that knows what you go through and that can give you advice from his experiences as well,” Os says. “I love that I can count on someone that understands me completely and supports me.”

As for now, she is raring for the Mexican leg of her “K de Karma Tour” that kicks off on April 25 in her hometown. She is hoping to eventually add some dates in the States.

“I want to grow more internationally with this album,” says Os. “As long as my fans love and enjoy this album, that’s all that matters to me.”

A woman has shared how she managed to travel the world without spending a single penny – and she is sharing her favourite things about the life-changing experience

In an ideal world, everyone would be able to live out their dreams without worrying about the costs involved. But while most of us work to earn a living, one woman has revealed how she has managed to travel the world without spending a penny.

Sarah, known on social media as @sarahmonaco99, explained how she achieved this lifestyle – revealing that her “entire salary is 100 per cent disposable income. No rent. No food. No bills.” She shared that she lives and works on a yacht, where “everything onboard is covered”.

She said: “Accommodation, three meals a day, toiletries, travel to and from the boat – I have not paid a single living expense in two years. My first full season, I saved enough to put a deposit on an apartment. I was 24. My friends doing 9-5s are still saving. I’m not saying this to brag – I genuinely couldn’t believe it was real.”

Explaining how she got into the industry, she added: “Most people find their first season through Yotspot, Bluewater, or Saltwater Agency. No experience needed for entry-level roles. Just show up willing to work hard.”

Commenting on her post, one user said: “If I didn’t have a cat, I would so do this.”

Others were curious about the reality of the job, asking questions about working hours and expectations onboard, with one user writing: “Are you obligated to party with guests?”

In another post, Sarah shared some of the wild experiences she’s had while working on yachts, including gifts and behaviour from ultra-wealthy guests.

She said: “Rating the most unbelievable things billionaire guests did on our yacht…”

Giving the first example an 11/10, she said: “Moved the boat at midnight because the stars weren’t ‘visible enough’. Woke the captain at 12am. We sailed for two hours. The stars were the same.”

She rated another moment 10/10, adding: “Ordered £4,000 worth of groceries for a five-day charter – Wagyu beef, fresh truffles, three types of caviar. Ate none of it. Left it all on the boat when they disembarked. We ate like royalty for a week.”

She also revealed that the crew were tipped £11,000 by one millionaire because they “seemed like they needed it”.

Finally, she recalled one guest complaining that the Mediterranean Sea was “too blue” and asking if they could find somewhere with a “more interesting” water colour.

In the comments, users shared their amazement at the lifestyles of the ultra-rich, with many wishing they could experience that level of luxury.

One user said: “Those drinks look good.” Another added: “How do I get this job?”

STRANGER Things sensation Millie Bobby Brown is one of the top ten highest-paid Hollywood screen stars — aged just 22. 

The Brit actress earned a whopping £19.6million last year, Forbes magazine has revealed. 

Her bumper pay makes her the youngest star to grace the business bible’s annual highest-paid actors list.

It comes after Millie’s hit Netflix sci-fi show ended with its fifth and final series last year — becoming one of the streamer’s most-watched shows of all time. 

Topping Forbes’ 2025 list is US actor Adam Sandler, 59, known for his comedy roles.

He reportedly made £36.2million last year from producing and starring in Happy Gilmore 2, and co- starring in Netflix comedy drama Jay Kelly. 

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Tom Cruise, 63, came in second with a £34.7million payday off the back of Mission: Impossible — The Final Reckoning.

Scarlett Johansson, 41, was fourth and the best-paid woman in the industry, raking in some £32.4million. 

While Hollywood pay is still huge, the combined earnings of the top 20 actors actually fell from 2024’s £551million — down to £445million. 

At the crumbling colonial farm buildings in Porto Real, agricultural worker Kimilson Lima, 43, has signed the agreement and he’s happy. “With this money we can have a proper floor in the house,” he said. “And an inside toilet.”

Lima is part of a ground-breaking experiment on the West African island of Príncipe, where villagers who agree to follow an environmental protection code will reap a quarterly dividend. To date nearly 3,000 have joined the Faya Foundation’s project, more than 60% of the adult population. The first payment of €816 (£708) has just been delivered, a large amount of money on the island. “This will be truly transformative, both for nature and for the people,” said the president of the self-governing region, Felipe Nascimento.

The special nature of Príncipe’s flora and fauna has been known since the 20-mile-long island was stumbled upon by Portuguese navigators in 1471. Uninhabited and separated from the African mainland by over 160 miles of ocean, both Príncipe and its larger southern neighbour, São Tomé, had evolved unique rainforests where giant land snails and crabs were among the top predators. Even now, new species are still being discovered, leading to the nickname “African Galapagos”.

The Portuguese started a cacao plantation economy, but after independence in 1975, that business fell apart. On Príncipe, the descendants of slaves and labourers from Angola and Cabo Verde became tight-knit communities of subsistence farmers, camping out in the increasingly decrepit colonial-era buildings. For the occasional visitor, it was picturesque, but problems were mounting for residents who were being pushed deeper into unexplored parts of the island, cutting trees and foraging.

Then, in 2010, South African billionaire Mark Shuttleworth arrived, looking for somewhere to build a house, an idea that was soon replaced by a philanthropic urge to help. One former plantation house was converted into a hotel with locals retrained as staff, but Shuttleworth did not stop there. His quest was to fund the type of sustainable development that also protected and improved the environment. “The normal path to development for Príncipe would be to cut down forest and grow ‘fair trade’ peppercorns,” Shuttleworth said. “But we want to reward them as stewards of their precious environment.”

That dream has now reached fruition, much to the surprise of local sceptics. “They’ve been let down in the past,” says Faya project CEO, Jorge Alcobia. “They didn’t expect us to keep our promises.”

There is still, however, a learning process about how to help the environment. “We have to explain that it’s not free money,” said Alcobia, “Dividends are reduced, for example, if there’s unauthorised tree-felling.” Faya is funding school improvements, organising the moribund cacao business, and giving financial advice. “A lot of people here have no bank account and little experience of handling money.”

So far, however, all the money comes from Shuttleworth’s fortune, a past and future commitment that totals about £87m. Among the developments is a new village, home to Clara Gomes and her daughter. “My money is going on a new kitchen and training in carpentry,” she said.

Her neighbour, Edmundo, is selling cacao to the project. “I had no one to buy it before,” he said. “I’m hoping they might take vanilla next.” He has signed up for the dividend, but others remain sceptical. “It’s a monopoly,” shouted a bystander, “Is that good? And what if everyone buys motorbikes and chainsaws?”

For one man, years spent foraging in the forest have now blossomed into a career as wildlife guide. Yodiney dos Santos now leads scientific expeditions into the forest, discovering several new species, including a previously unknown owl. He knows only too well how fragile this environment is. “My ancestors came here from Angola,” he said. “And, for food, they brought the edible West African snail, which then escaped. Now those snails are pushing out the endemic Príncipe snails.”

This unique social experiment will be watched closely. “If it’s successful,” said Shuttleworth, “I hope other irreplaceable ecosystems might benefit from the idea at scale.”