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Twenty pages into “There’s Only One Sin in Hollywood” by bestselling Pasadena author Rasheed Newson, I had to stop reading. Not because the story and characters were anything less than gripping —I was utterly transfixed. Not because I was unmoved by the setting, the 1950s version of the iconic landmarks where today’s Angelenos, myself included, work, play, eat and drink: Griffith Park, the L.A. Central Library, the Paramount Pictures lot, the Roosevelt Hotel, the Tam O’Shanter in Atwater Village and the Black Cat in Silver Lake, site of America’s first queer riot, also depicted in the book.

No, it was writerly admiration — OK, envy — that stopped me. As I turned the pages, I kept scribbling the same question in the margins. “How did Newson do this?”

How did Newson, author of the 2022 bestseller “My Government Means to Kill Me” and a producer/writer on such popular TV series as “The Chi” and “Bel-Air,” craft a novel populated with a seamless mix of real and invented characters, each with their own true or fictional backstory, personality, career vicissitudes, sartorial style and sexual proclivities, adhering simultaneously to both his novelistic timeline and historically accurate events?

How did Newson seat his fictional protagonist — Aaron Touissant, a Black, closeted gay Hollywood “fixer” employed by Skyline Studios to keep queer actors’ secrets secret — at the same Beverly Hilton ballroom table with Sidney Poitier, Diahann Carroll, Harry Belafonte, Sammy Davis Jr., Lena Horne, Ruby Dee, Ossie Davis, James Edwards, Eartha Kitt and Xavier Barlow, Newson’s invented Black gay movie star who is Skyline’s greatest hope and Touissant’s principal client?

I couldn’t read another page without knowing, and those unread pages were calling to me. So I called Rasheed Newson, whom I’d seen around the L.A. lit scene but had never met, and asked how he’d made the magic of his novel happen.

“I wanted to do a deep dive into Black queer history during the Golden Age of cinema,” Newson said. “The first thing that came to me was Xavier’s character. I decided to make him the 10-years-younger, queer rival of Sidney Poitier, to highlight the acceptable versus unacceptable — meaning, straight versus gay — 1950s Black movie star.

“I read a lot of books on Hollywood’s golden era,” Newson said. “But I was trying to get closer to what people were thinking at the moment, rather than what they reflected back on later. Only newspapers give you that. So I spent hours and hours in the downtown L.A. public library, poring over microfiche, reading the newspapers of the time.”

Author Rasheed Newsom.

(Mariah Tauger / Los Angeles Times)

I asked Newson about the titular “one sin in Hollywood.”

“That sin is disobedience,” he said. “Particularly when your disobedience threatens to upend how the business makes money. In Hollywood you can be an addict, be a philanderer, be outspoken. But don’t disrupt the cash flow.”

Newson’s plot and characters serve the novel’s thesis well. We meet Aaron Touissaint as a brutally bullied “sissy” in a small, small-minded Ohio town. Aaron escapes his torturers, first by rooting himself in the town’s only movie theater open to Black people, and then by lying about his age and enlisting in the Navy at 16. On the Korean battle front, Aaron becomes the aide and the lover of superstar fighter pilot and “model Negro” Horace Dixon. When the war ends and Skyline Studios buys the screen rights to Horace’s life story, Aaron follows Horace to Hollywood.

The movie is canceled. Horace leaves Hollywood and a heartbroken but determined Aaron behind. Hired as a Skyline security guard, Aaron is promoted to fixer, keeping himself and Skyline’s A-listers closeted by any means necessary. To that end, Aaron marries Kimberly, who becomes his poised, self-contained “beard.”

At the top of Aaron’s client roster is Xavier Barlow, Skyline’s new, hot rising star and Aaron’s new, hot crush. “The bond between us was never conventional,” narrator Aaron tells us. “Off and on for nearly a decade, it was my duty to keep [Xavier’s] nose clean. … He challenged me to admit who and what I am. And I fell in love with him.”

As secret same-sex love stories all too often do, Aaron’s love for Xavier, and Xavier’s one-man campaign to mitigate Hollywood’s homophobia, come to a tragic and suspicious end. Soon after Xavier publicly protests the studio’s homophobic rewrite of a movie script he intended to serve as his coming-out announcement, a truck crashes into his car on Wilshire.

“This was no accident,” Aaron realizes. “Xavier was hunted down.” With his best friend, Diahann Carroll, and a sizable contribution from Sidney Poitier, Aaron organizes the funeral, attempting to redeem the reputation he was hired to protect. “The news reports following Xavier’s death impeached his character,” Aaron says. “The implication was that gay men naturally had messy lives and untimely deaths. … Confidential magazine went as far as to print that “the driver of the truck [that killed Xavier] could well have been one of Xavier’s spurned male lovers.”

“Furious at the coverage,” Aaron narrates the story, “Diahann asked me, ‘Why don’t they print the lovely things I have to say about Xavier?’ ”

“I said, “They never will. Xavier fought the studio, and everything you’re reading is part of his punishment.”

The erasure of gay Black Hollywood is really the point of this imaginatively crafted, stunningly tense, historically significant sophomore novel. Newson’s impressive gifts for story, for writing the erotic and the noir, and for rooting himself in his adopted city are on magnificent display here. By smoothly merging the true and the invented stories and characters of 1950s Hollywood, Newson alerts us to the increase in racism and homophobia evident in the entertainment business, and in the U.S., today.

Rasheed Newson will talk with novelist Laura Warrell at Octavia’s Bookshelf at 6 p.m. Monday, and with writer Manuel Betancourt at Skylight Books. at 7 p.m. June 24.

Maran, a Silver Lake-based author, has written “The New Old Me” and other books.

Mike Vrabel doesn’t want to be a distraction.

The New England Patriots coach knows that much of the chatter around his team in recent weeks has nothing to do with the reigning AFC champions’ offseason workouts or their plans for the NFL draft later this week.

Instead, it’s been about a “personal and private matter” that Vrabel decided to address at the top of his news conference Tuesday in Foxborough, Mass. Although he didn’t specify, the second-year Patriots coach seemed to be referring to photos recently published by the New York Post’s Page Six of him and Dianna Russini, who was at the time a reporter for the Athletic, interacting at an Arizona resort.

The photos appear to show Russini and Vrabel — both married to other people — holding hands, hugging and sitting in a hot tub and a swimming pool. In the April 7 article that accompanied the photos, Russini and Vrabel gave statements denying that anything inappropriate was happening between them.

In his first public comments since the article was published, Vrabel did not mention Russini or the photos. Instead, Vrabel spoke about how he has handled the situation and what his family, the team and the fan base can expect from him “going forward.”

“I’ve had some difficult conversations with people that I care about — my family, the organization, the coaches, the players,” Vrabel said. “Those have been positive and productive. We believe in order to be successful on and off the field, you have to make good decisions. That includes me; that starts with me.

“We never want our actions to negatively affect the team. We never want to be the cause of the distraction. These are comments and questions that I’ve answered for the team and with the team. We’ll keep those private and to ourselves.

“I care deeply about this football team and am excited to coach it. I also know that I’m going to attack each day with humility and focus. And what I can promise you is that my family, this organization, the team, the staff, the coaches, everybody, our fans, most importantly, will get the best version of me going forward.”

A Patriots spokesman said team officials have no plans to address the issue further. The NFL has indicated it is not investigating the matter.

In the Page Six article, Athletic executive editor Steven Ginsberg expressed full support for Russini and said the photos “are misleading and lack essential context.” Days later, however, the New York Times, owner of the Athletic, reported that the digital sports outlet would conduct an investigation.

On April 14, Russini submitted her letter of resignation to the Athletic, then posted it on X. In it, Russini states she has “no interest in submitting to a public inquiry that has already caused far more damage than I am willing to accept.”

“This media frenzy is hurtling forward without regard for the review process The Athletic is trying to complete,” Russini wrote. “It continues to escalate, fueled by repeated leaks. … Rather than allowing this to continue, I have decided to step aside now — before my current contract expires on June 30. I do so not because I accept the narrative that has been constructed around this episode, but because I refuse to lend it further oxygen or to let it define me or my career.”

The Associated Press contributed to this report.