Owen

ONCE dubbed “the most boring man in football” Michael Owen’s choice to sign up for a fly-on-the-wall Amazon documentary about his family was unexpected to say the least.

The former England striker turned pundit, 46, allowed cameras to follow him, his wife Louise and their children Gemma, James, Emily and Jessica as they balance family life with running a horse racing business in Cheshire.

And it was a distinctly left-field move from Michael, who – unlike celebrity documentary subjects David Beckham, Wayne Rooney and the larger-than-life Tyson Fury – has largely stayed out of the spotlight.

He is seen joking in six part series Meet The Owens that he is now best known as a “boring p***k” or “Gemma Owen’s dad” after she appeared in Love Island, raising questions about why he would agree to film the at-home-with style show.

And we can reveal that the ex-footballer – often referred to as ‘the most boring man in football’ – signed up for his TV payday after ploughing £13 million into his racing business pushed him to his financial limit.

While he may have other streams of income, accounts for Michael’s company Owen Promotions show it holds just £7,219 in cash and owes £2.3m to creditors.

It also has three outstanding loans, two of which were taken out in March 2022 and February 2024 with Leeds-based MR Denton Properties.

A further loan was taken out in February 2024 with Andrew Black, who co-founded Betfair.

Two other loans with Grosvenor Funding, which claims to offer “fast and flexible” bridging loans were paid off in 2023.

And all five loans were secured using parts of the Owens home estate – a 42-acre estate he bought in 2001 for £4million.

Speaking in Meet the Owens, which is now number 3 on the Amazon Prime UK chart, Michael revealed he has had to put “£12 or £13 million” into Manor House Stables to build it to its current level.

But he admits the business – which makes cash by persuading investors to back the horses they buy at auction – still desperately needs investors.

And he describes their current status as: “Premier League. Brighton, but not seventh, but kind of bottom half.”

Footage from the first episode shows the racing enthusiast giving pal Jamie Carragher a tour of the impressive grounds and stables, showing off a horse owned by Sir Alex Ferguson and another he owns along with Paul Scholes, Steve McManaman and Owen Hargreaves.

Drone shots show the impressive site from the air, while graphics also flash up on screen showing how the structure works – a handy guide for any would-be investors.

One source told us: “Michael is passionate about Manor House and racing, and he has done an incredible job on Manor House.

“The problem is that it is a big money pit and you can pour millions into it without any guarantee of winning horses.

“He loves it, and would never walk away, but it would be naive to say it hasn’t had a massive impact on his finances.

“And the pressure is never ending because as a business, you have to buy horses each year – for £90,000 or more – and try to find investors for them.

“Then the million-dollar question is whether or not those horses win, as the stables need winners to succeed.

“But the reality is that you only win a very small percentage of the races in which you have horses.”

Michael is now the sole shareholder for Manor House Stables LLP, which owns the stables, after director and co-owner Andrew Black resigned in March 2022 after six years.

Accounts show the company has healthy assets of approximately £13.6million.

Yet the source said the business still has a way to go before it becomes a money-spinner, rather than a money pit.

They added: “The Amazon payday has come at a good time for Michael, but he is also hoping the airtime for Manor House will attract more investors.

“The more money that comes in, the better the horses and the more winners we will see here.

“That will help the business move higher up the rankings among the top British stables.

“Michael loves racing and he is driven by passion for the sport, but he is also very competitive and wants to win.”

Previously, a source told us: “Michael is extremely determined to succeed in racing. He has poured millions of his own money into Manor House, and he will not stop until he’s at the very top.

“Signing up to broadcast this to the world was a huge risk for him, and he’s desperate for it to work.

“Michael is keen to show off how much Manor House is a reputable and successful stable, and he hopes putting the business on screen ends up being a help rather than a hindrance.”

A spokesperson for Michael declined to comment.

GEMMA Owen has revealed she’s split from her multi-millionaire boyfriend Red Morgan.

The Love Island star and equestrian, 23, called time on her romance with the property tycoon heir, 22, in June shortly after the death of a close family friend.

Speaking on her latest vlog, she said: “We had some really sad news of a really close family friend. He passed away really suddenly and unexpectedly.

“And within a day or two, Red and I split up, which I’m obviously not going to go into too much detail about either of the things because they’re both personal.”

Gemma, who is the daughter of football legend Michael Owen, insisted she and Red remain good friends but ultimately weren’t on the same page as far as romance was concerned.

“Red and I are on good terms,” said Gemma. “We’re friends. It was a mutual decision and ultimately we just came to a bit of a crossroads and we wanted different things out of the relationship.

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“We didn’t want to waste anyone’s time if we weren’t both sort of aligned with what we want. So yeah, that’s what’s been going on. It’s been, as you can imagine, a pretty hard few weeks, months.”

Following the split, Gemma spent time with family and friends and said she focused on herself.

The Sun revealed Gemma and Red were an item in April last year while they were on a luxury holiday in Dubai.

Red is a talented showjumper having represented Great Britain in the European Championships at youth level.

His dad Steve, 73, featured on the latest Sunday Times rich list with an estimated fortune of £935million.

He founded housebuilding company Redrow and is an ex-chairman of Wolverhampton Wanderers.

AN emotional Michael Owen has revealed his son’s eye condition has left him so blind he has to ‘cut his food for him’.

The former England footballer has four children with his wife Louise, including son James, 20.

James was diagnosed with Stargardt disease – a degeneration of his retina, and in 2019, Michael revealed his son was “clinically blind”.

During an appearance on the Great Company podcast this week, Michael, 46, opened up to Jamie Laing about James and his condition.

He said: “I look at it and think, do you know what, every time we sit at a restaurant, he’s by my side.

“Because I read him the menu and I need to cut his food, because he can’t.

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“Whenever we’re watching racing, he’s by my side because I’m giving a commentary.

“Whenever he wants to go…he needs his dad to take him. I’m his taxi driver.”

Michael continued: “I get to spend three times more time with my lad because he’s got an eye condition.

“Now I might be a selfish b*****d but I think that is…I love it and I wouldn’t want it any different.

“And of course I’d give my eyes to him in an instant, if we could swap, of course I would. But let’s take the positive, he is so bright, he just doesn’t sit back and pity himself.

“In fact it’s quite the opposite, he gets out there and he laughs at himself.”

While Michael is clearly proud of James and his other children, daughters Gemma, Jessica and Emily, he also admitted on the podcast that he doesn’t tell them he loves them.

He said: “I never ever tell my kids I love them. I don’t say anything like that.

“I just assume my actions would show them that I love them. It’s a bad thing. I think most of us are like that.”

When it comes to romantic comedies, it’s not where it’s going — that’s a foregone conclusion — but how it gets there. The way the central couple navigates the twists, turns, roadblocks and unforced errors that entangle their budding relationship is the beating heart of these films. It’s what sets each one apart and delivers its entertainment value. That’s the test: pass or fail.

Which brings us to “Finding Emily,” a sweet new entry from Working Title Films, the producer of such gold-standard rom-coms as “Four Weddings and a Funeral,” “Notting Hill” and “Love Actually.” It may not be destined for a place alongside those favorites, but “Emily” has a wonky charisma all its own that just might satisfy fans of those British charmers.

Or not.

That’s because the film’s journey, which follows Owen, a struggling musician (Spike Fearn) searching for his vanished dream girl with a hand from a cynical psychology student (Angourie Rice), may not feel quite captivating or propulsive enough to carry its pie-in-the-sky story to its inevitable finale. As someone behind me at the end of the film’s screening said, “Well, that plane took a while to land.” I can’t fully disagree.

Fortunately, the movie, inventively directed by first-time feature helmer Alicia MacDonald, is anchored by a pair of winning performances by Fearn (“Alien: Romulus,” “Ella McCay”) and Rice (2024’s “Mean Girls” musical). Their quirky, endearing moments and oddball chemistry often patch over — or at least divert us from — the contrivances and bits of filler in Rachel Hirons’ busy script.

Owen, who works as a sound engineer at the Manchester City University student union, falls headfirst for an enchanting redhead (wearing fairy wings, no less) named Emily (Sadie Soverall), whom he meets at a party. But when he tries to text her the next day, he realizes the number she gave him is missing a digit. Was that on purpose or an accident?

No matter, Owen is obsessed with finding her, even if he doesn’t know her last name and there are 318 Emilys in the campus directory. A false lead misdirects him to one of those women, Emily Raine (Rice), a psych major writing her thesis on the “self-sabotaging madness” of romance. It’s a theory clearly waiting to be blown to smithereens.

Their meet-cute develops into an offbeat friendship when the “wrong Emily” (is she really?) offers to help lovestruck Owen track down the “right Emily” (is she really?), secretly using him as a real-life case study to nail her dissertation. If she succeeds, the Iowa transplant will be able to secure the work visa she needs to stay in her adopted England.

It’s a device that adds to the character’s urgency, if not her likability. Though in true rom-com fashion, this Emily is appealing in other required ways — and is also adorable. The plot kicks into high gear when, again to fuel her thesis, she deviously provides Owen with a contact list of every Emily in the college database and suggests he mass-email them to locate the elusive, fairy-winged Emily.

This goes all kinds of wrong, setting off a viral brouhaha and turning the hapless Owen into an unwitting pariah. The loud-and-proud gang of Emilys brands him a stalker and a “toxic incel” (as well as the jauntier “Email Guy”). The mania is compounded by Owen’s stab at damage control when he appears on a campus podcast hosted by a savvy button-pusher (Nadia Parkes, pitch-perfect), unaware the show is going out live on video. Oh, and none of this results in a response from his desired Emily.

Amusing and brightly satirical as this turn of events is, it begins to feel more like a tempest in a teapot than the sustainable story engine Hirons was aiming for.

The film hits its predictable highs and lows as the mismatched Owen and Emily get closer and romantic complications mount. The search for “Fairy Emily” yields some anticlimactic results.

Still, there’s a kind of hip, comfort food aspect to the entire enterprise that keeps it an easy, if slightly cluttered and overlong watch. (See plane-landing comment.) MacDonald makes superb use of the story’s Manchester backdrop. The city’s vibrant neighborhoods and residents, along with its dynamic music scene, practically form their own character.

The vivid, at times overly kinetic supporting cast includes Prasanna Puwanarajah as Emily’s egotistical psych professor, Timothy Innes as her oblivious crush and Cora Kirk as her supportive, strong-willed flatmate; Jack Riddiford and Isabella Laughland as Owen’s brother and his better half; and Kat Ronney as a take-no-prisoners student body president — also named Emily. Minnie Driver is sadly underused as the school’s detached dean.

So does “Finding Emily” pass the aforementioned rom-com test? Flaws aside, it’s ultimately a pleasant enough way to beat the heat, grab a few laughs, take in a fine soundtrack and find yourself in some good company. But even if your name happens to be Emily, you won’t be fully swept away.