Josh Grisetti, the Broadway actor who charmed audiences with roles in “Something Rotten!” and TV’s “The Marvelous Mrs. Maisel,” has died, a family member confirmed to The Times on Monday. He was 44.
Grisetti died by suicide Friday, his “Something Rotten!” co-star Rob McClure first announced Sunday on Instagram, adding he is heartbroken and “not ready to even attempt to understand.” McClure also expressed his condolences to Grisetti’s wife and family. The Instagram post included photos of Grisetti and McClure over the years, including at Grisetti’s wedding. The actor married Mackenzie Perpich in 2020.
“Communities around the world will never be the same without him. We love you Josh,” McClure wrote in his caption. “Just a cataclysmic loss.”
On Broadway, Grisetti was best known for starring as Bottom brother Nigel alongside McClure’s Nick. The play follows the pair of brothers as they strive for success in the theatrical world amid William Shakespeare’s unstoppable rise. Grisetti portrayed Nigel Bottom from 2017 to 2018 for the show’s national tour. Grisetti also starred in musical comedies “It Shoulda Been You” and “Broadway Bound.” He appeared in award-winning off-Broadway productions including “Rent,” “Peter and the Starcatcher” and “Enter Laughing,” among others.
Grisetti’s regional credits also include “Spamalot” in Las Vegas, “How to Succeed in Business Without Really Trying” at the Reprise Theatre, “Beauty & the Beast” and “Peter Pan Goes Wrong” in La Mirada.
“Thank you, Josh, for sharing your beautiful energy and immense talent with us,” the La Mirada Theatre said on Instagram.
The actor, in what would be his final Instagram post, announced he departed a production of “Legally Blonde” at the Trentino Music Festival for “personal reasons” before the show’s opening.
The festival also mourned Grisetti in an Instagram post Monday: “Josh was a loving and caring person who was deeply dedicated to his friends, his students, and his colleagues. He was beloved by all who knew him, and he will be deeply missed by our students, faculty, and staff.”
Grisetti, born in December 1981 in Roanoke, Va., acted throughout childhood and performed in a variety of productions, including a kindergarten production of “Peter Rabbit” and high school productions of “Anything Goes” and “Flowers for Algernon.” He officially earned his Actors’ Equity card in 2004 for a production of “Where’s Charley?” at the Goodspeed Opera House, he told Playbill in 2009.
He also pursued a career in TV and film, most notably appearing in the Emmy-winning series “The Marvelous Mrs. Maisel.” He appeared as comedy writer Ralph Emerson in the series’ fifth season. He also had roles in shows “The Knights of Prosperity,” “Nurse Jackie” and “The Good Fight.”
He appeared in the film adaptation of Jhumpa Lahiri’s “The Namesake,” “The Immigrant,” “The Revolutionary Road” and “Men in Black 3,” among other movies, according to IMDb.
Grisetti, who also directed various musical productions, notably brought his talent and experience to Cal State Fullerton and Loyola Marymount University, teaching acting, musical theater and business. He also authored “God in My Head” in 2016, an “irreverent spiritual memoir” that details his accidental meeting with God through a “hallucinogenic journey.”
During his time on “Price of Broadway” in 2015, Grisetti reflected on luck and breaking into the industry. “Luck is required to kind of spark some things in this business a lot of the time, but then talent is what keeps you there,” he told Playbill.
“You start making your own luck, you start forging your own connections and making it happen.”
Don Iwerks, an Academy Award-winning special effects pioneer whose innovations transformed film and Disney theme parks, died peacefully Thursday at the age of 96, the Walt Disney Co. announced.
For Disney and his own studio, Iwerks Entertainment, Iwerks helped develop technologies and techniques like Circle-Vision, the 360-degree camera behind “America the Beautiful” and other early Disney attractions, and the 3-D effects used in attractions like Captain EO and the Star Tours ride.
“There was a ‘can-do’ attitude I learned from Walt and my father,” Iwerks said, according to a statement shared by the Disney Co. “Walt gave everyone a feeling that they were creating things that others had never thought of before, of being a part of history.”
Born July 24, 1929, Iwerks received his first camera at age 14 as a gift from his father, animator Ub Iwerks.
The elder Iwerks met fellow artist Walt Disney when both men were teenagers working at a Kansas City, Mo., art studio. They would go on to work together at the Disney Brothers Cartoon Studio, where Iwerks designed and animated “Plane Crazy,” the first Mickey Mouse cartoon.
After a stint at his own animation studio, Ub returned to Disney as a special effects engineer, pioneering techniques like the 360-degree motion-picture camera.
“He was absolutely my inspiration because he was technically minded. He made my childhood and formative years one of the greatest times of my life,” Don Iwerks told The Times in 1998.
The Iwerks family moved to the San Fernando Valley in 1936, where Don graduated from Van Nuys High School in 1947.
He served as a photographer in Germany during the Korean War and joined his father at Disney following his 1952 discharge from the U.S. Army. An allergic reaction to chemicals used to develop film led to his transfer to the company’s Studio Machine Shop, where he spent the next 34 years.
Don spent three months in the Bahamas manning underwater cameras for the 1954 Disney film “20,000 Leagues Under the Sea.” He then worked as the camera technician on “A Tour of the West,” an original Tomorrowland attraction at the soon-to-be opened Disneyland. The immersive 360-degree film was shot on the Circarama camera system his father invented.
Together, Don and Ub developed technologies like the “endless loop” system that enabled a single film print to run for up to 10,000 performances with minimal intervention and refinements to the photography processes used in “Mary Poppins” (his favorite of the Disney films) and other movies.
His own hands were used as the model for those of the Abraham Lincoln Audio-Animatronics figure in “Great Moments with Mr. Lincoln,” which opened at Disneyland in 1965. The “Iwerks Hands” now appear on similar figures at Disney parks around the world, according to his family.
In 1986, he co-founded Iwerks Entertainment, which soon became a major player in the film and theme park industries. The company specialized in large-format films and created the 3-D projection system used in the Terminator rides at Universal Studios parks in Hollywood and Florida.
His innovations were honored with the Academy of Motion Picture Arts and Sciences’ honorary Gordon E. Sawyer Award and an Academy Scientific and Technical Award, among other prizes.
“It’s very obvious that computers are playing a big role in motion pictures today. The digital technology in film is able to put elements of scenes together on a film and have them look lifelike. It’s hard to know where that will go,” Iwerks said in a 1998 interview.
“My view is that technology should support a good story and add to it. Technology for technology’s sake?” he said with a shrug. “You still need good films.”
Iwerks is survived by his wife of 54 years, Betty; his sons, Larry and John; John’s wife, Chris; his daughter Leslie, and great-nephew,Mike, both of whom have also worked for Disney, according to an obituary shared by his family. His daughter Tamara preceded him in death.
“Like his father, he was a humble genius, a consummate problem solver, and delighted in sharing knowledge, encouraging others, and approaching every challenge with confidence and grace,” his family said in the statement from Conejo Mountain Funeral Home in Ventura.
Both Don and Ub Iwerks are commemorated in a storefront window on Main Street U.S.A. in Disney World’s Magic Kingdom. Located above the Main Street Bakery, the window is a lasting tribute to a family who made some of the park’s magic possible.
“Iwerks-Iwerks Stereoscopic Cameras,” the lettering reads. “No Two Exactly Alike.”
WASHINGTON — Shortly before President Trump ended a ceasefire with Iran this week, Israeli officials presented his team with intelligence indicating Tehran was hatching new plots to kill him.
It was not the first such warning. U.S. law enforcement and intelligence agencies have tracked evidence for years of Iranian efforts to target the president, with signals only increasing since the start of the war.
Their desire to target Trump and his top aides began six years ago, just outside Baghdad International Airport, when the president ordered a drone strike that killed Iran’s most powerful general. The assassination of Qassem Suleimani brought the two countries to the brink of war.
Yet even as full-scale war was averted, top Iranian officials vowed revenge for the strike, authorizing attempts on the lives not just of the president, but of his secretary of State and national security advisor, among others, even after they had left office.
Now, calls for revenge have reached a sharper pitch in Tehran, after a joint U.S.-Israeli operation killed Iran’s supreme leader, Ayatollah Ali Khamenei, at the start of the war in February.
At Khamenei’s funeral ceremonies this week, red flags of vengeance flew throughout the capital as protesters explicitly called on their government to “kill Trump.” His son, Mojtaba, the new supreme leader, was absent from the commemorations, fearing assassination himself.
Mourners hold an anti-President Trump banner at the Imam Khomeini Grand Mosque during mass funeral prayers for Iran’s late Supreme Leader Ayatollah Ali Khamenei and his family in Tehran on Sunday.
(Morteza Nikoubazl / NurPhoto via Getty Images)
The prospect of foreign assassination plots targeting U.S. leaders puts the United States in dangerous new territory, where its embrace of political killings could ultimately place its own officials at unprecedented risk. And experts fear the existential threat of assassination has pushed peace further out of reach: When both sides believe their survival is at stake, the trust required for diplomacy becomes far harder to achieve.
Israeli news organizations have reported that Israel’s prime minister, Benjamin Netanyahu, cited Iranian attempts to kill Trump in recent years as part of his case to go to war in the first place.
A U.S. official told The Times that a range of serious threats exist against the president, including from Iran, but that Israel’s intelligence pointed to a more specific plot. The official did not provide further details. Israeli officials did not respond to requests for comment.
Iran’s president, Masoud Pezeshkian, has said in recent months that the government sees vengeance against U.S. officials as “its legitimate duty and right,” and “will fulfill this great responsibility and duty with all its might.”
“The Suleimani killing accelerated a lifting of restraints on foreign assassinations — and the taboo on targeting and killing foreign leaders, with U.S. military assets, has been more or less lifted,” said Matt Dallek, a political professor at George Washington University.
“If the United States sets the example of how to conduct international relations, and it is using assassination of foreign leaders as a political weapon, it’s only logical that other countries will be more inclined to also engage in assassinations,” Dallek added. “It does seem likely that Trump will have a bigger target on his back.”
Returning from a NATO summit in Turkey on Wednesday, Trump was forced to switch back to an old model of Air Force One — equipped with specialized defensive technologies — from a new plane given as a gift by Qatar, after the Secret Service warned of potential threats to the aircraft from Iran.
“They want to take out the U.S. leader — me,” Trump told reporters aboard the plane. “I’m on whatever list. I saw this morning I’m on every single one of their lists. And so far, I guess I’ve been a bit lucky, but maybe that doesn’t last very long.”
The threat has remained on his mind in the days since. In an interview with the New York Post, Trump told the reporter, “I hope you’ll miss me,” adding that he has “been on their list for a long time.” And in a subsequent social media post Friday night, he warned of a catastrophic response he instructed the administration to pursue in the event Tehran succeeds.
“1000 Missiles are Locked and Loaded and aimed at the Islamic Republic of Iran,” he wrote, “with thousands of more to immediately follow, should the Iranian Government act on its threat, pronounced in many corners of the Globe, to assassinate, or attempt to assassinate, the sitting President of the United States of America, in this case, ME!”
The United States had a decades-old prohibition against assassinating foreign leaders before Trump’s presidency, codified in an executive order signed by President Ford in 1976 over concerns of a CIA plot to kill Fidel Castro.
The policy was only strengthened further by subsequent administrations, fearing a new international standard for targeted killings could result in unintended consequences in the halls of Washington.
Other administrations have been accused of targeting foreign leaders before. Under the Obama administration, an international coalition targeting the Libyan regime of Moammar Kadafi during the country’s 2011 civil war struck his fleeing convoy, leading to his capture and killing by rebel fighters.
But experts say Trump’s explicit targeting of Suleimani and Khamenei — and his public celebration of their deaths — marks a new paradigm.
“Through words and actions, President Trump has done more to normalize political violence than any other U.S. president, certainly in modern times,” said Robert Pape, a professor at the University of Chicago and author of “Our Own Worst Enemies: America in the Age of Violent Populism.”
“On the international front alone, the president routinely brags about killing Iranian leaders and seizing the leader of Venezuela, among others,” he added, “to the point that assassination is becoming the new normal in international politics.”
In 2016, Nakajima received psychiatric care at Cedars-Sinai Medical Center, diagnosed with depression, PTSD and suicidal ideation. Her doctors searched for ways to manage her stress by exposing her to various activities, including video games, serene Icelandic landscapes and an aerial silks performance. The last brought her anxiety down, revealing that the arts were the answer. Her doctor prescribed the arts, comedy specifically, so she went to the Upright Citizens Brigade for class.
She found a calling and a safe space in comedy.
“I didn’t know I was born a comedian,” Nakajima said. “Finally, I really felt I was accepted as a comedian, validated for who I am.”
Nakajima shares her healing journey to the stage in “Made in America,” which just had an encore performance at UCB on Tuesday after its award-winning run in 2022 (it is also available for streaming on UCB’s website through Tuesday). The one-woman show arrives in time for the United States’ 250th anniversary on Saturday, documenting Nakajima’s search for the American dream as a first-generation Japanese American woman. “Made in America” premiered in 2022 at the Hollywood Fringe Festival during Joe Biden’s presidency and following the Jan. 6 United States Capitol attack. In 2026, its musings on identity and belonging pierce through today’s political landscape shaped by Donald Trump’s second presidency.
“I wanted to let people know this is an American story,” she said.
“Made in America” is about Nakajima’s life. It begins in her mother’s womb. She felt so safe there, she yearned to return. Growing up, she experienced an emotionally and physically abusive life at home, recalling her father breaking furniture and her mother’s alcohol-induced belittling comments. But her name, Teruko, translates to a “shining child.” Thus, she proclaims in the show, “I’m a superstar!”
The beauty in “Made in America” is Nakajima’s ability to find the humor in her trauma. When the show transitions to her life in America, she talks about her life as a dominatrix in New York City and her struggles with romance in Los Angeles. Her comedic jabs at the American economy and humorous reflections juxtapose somber moments of stillness in the midst of her struggles. This balance puts her life into perspective, revealing a positive personality beneath a dark saga.
Nakajima performs “Made in America” at Upright Citizens Brigade Theater.
(Nick Rasmussen)
“I look very happy-go-lucky and cheerful, but actually, I am a very dark person because I have a dark history,” she said. “I always wanted to leave my story behind. I wanted to leave my mark in this world before I died, so I needed to make something.”
The first class Nakajima took at UCB was John Flynn’s storytelling course. There, she started building pieces of the show without realizing it. As they added up, the idea for a show surfaced. After class one day, she asked Flynn to direct it. Flynn, who has been teaching at UCB in New York and L.A. for about 20 years, agreed.
“She disarms people,” Flynn said. “There’s something about her that is just so unique and so delightful that you won’t forget her.”
Flynn first met her at his storytelling open mic. She walked in with her emotional support dog Titi (also known as Tiny Teruko), wearing her signature red heart-framed glasses, without lenses. Soon, these glasses would make him double over in laughter when she performed and cried, dabbing her eyes with tissue through the frame.
“When you start to learn her story and the experiences she’s had, it is amazing that she is so positive,” he said. “She’s such a sort of undeniable positive energy that she just radiates all the time, which is so compelling and why people are so drawn to her.”
Revived at UCB amid Trump’s second term and the nation’s 250th birthday, Nakajima’s show doubles as a defiant immigrant love letter to America — and a refuge for audiences feeling alone.
(Nick Rasmussen)
Nakajima puts all of herself into the show. Aside from comedy, she has been a cheerleader in Japan, a salsa dancer in New York and a sculptor on the side — she loves sculpting MLB players’ butts; Derek Jeter is her favorite. In the show, she folds these aspects of her life into a single story, dancing from section to section. Comedy is more than just laughs; it’s storytelling.
“I am so good at cheering people up, since I was very little,” she said. “I had no competition with others because I’m the one and only. Nobody looks like me.”
Together, Flynn and Teruko parsed through her life stories to give the show an arc. For Flynn, it’s like carving away at what is already there to create something fun and cohesive, like a sculpture. “What’s fun about directing one-person shows like this is that it’s usually just two people in a room putting something together,” Flynn said.
Bringing the show back this year, the work gets sharper and tighter, but the biggest shift is in its conclusion. Once optimistic about the future of life in America, the show now has a stronger desire to make change. There was a sense of hope in 2022 for women like Nakajima, an immigrant who sought safety in a new country and struggled with abuse from her family and strange men. Today, as Trump’s immigration policies lean on deportation and discrimination, she simply wants to be seen.
“America, thank you for not giving up on me,” Nakajima said toward the end of the show. She is proud to be American, not just because she gets to have the same nationality as her dog Titi, but primarily because of the new life it offered her. America promised happiness. Whether it actually comes is another story, but in this one, the promise itself gave her a sense of purpose.
“After the show, people come to me in person and through messages,” she said. “A lot of people said, ‘I felt like I am not alone.’ That gives me so much hope and unity. I feel safe and like I have something to look forward to because I’m not the only one.”
Flynn realized how much he took for granted while working on the show with Nakajima. “I think, even though these are scary times and things seem to be going in directions that aren’t the best, there are still great people, and there’s something that is still there and is not dying and is still fighting,” Flynn said.
When she began her acting journey, Nakajima thought she’d turn to drama, but there’s something more unguarded in comedy.
Nakajima holding up her dog Titi during a performance of “Made in America.”
(Nick Rasmussen)
“I’m very authentic and invincible through comedy,” she said.
By the end of “Made in America,” Nakajima is no longer trying to find her way back to her mother’s womb. She is confident in her place in the world. She remembers that she is a star. She brings out her dog Titi, who was hidden on stage throughout the entire performance, and shares that UCB gave her a new outlook on life. Comedy breaks away her stresses and allows viewers to be vulnerable with her.
“I always wanted to feel safe,” she said. “I never had that. Finally, I found a safe space, and then I realized that I’m actually important. I’m actually worthy. I’m so happy right now to be able to express myself through comedy because it’s the truth.”
Former NFL running back Chris Johnson has issued a challenge to his family, friends and fans — one that could quite literally send a chill down the spine of those who remember a certain viral trend from more than a decade ago.
A quick refresher: A social media sensation went viral in 2014, involving people posting videos of themselves having a bucket of ice water poured over their heads and challenging others, by name, to do the same.
The trend was often referred to as the ALS Ice Bucket Challenge because many folks used the videos to raise awareness for and funding to help fight the degenerative neurological disorder amyotrophic lateral sclerosis, commonly known as ALS or Lou Gehrig’s disease.
Johnson, a three-time Pro Bowl selection who holds the NFL record for most yards from scrimmage in a single season, on Tuesday revealed on “Good Morning America” that he has been diagnosed with ALS. Soon after, former Utah basketball player and sports content creator Hunter Mecum posted a video on Instagram in which he dumped a large bowl of ice water on himself in Johnson’s honor.
That video inspired Johnson to bring the movement back.
“Man… the love y’all have shown me these last few days really [means] more than you know. Me and my family appreciate every prayer, message and every bit of support,” Johnson wrote on Wednesday on Instagram.
“After seeing @huntermecum video, I’m asking y’all to help me with something. Let’s bring back the ALS Ice Bucket Challenge. Grab a bucket, challenge 3 people and if you can, donate to help fund ALS research.”
Johnson included a link in his bio to a fundraiser for ALS research set up in his honor. As of Thursday morning, it had raised more than $32,000.
The retired player known as CJ2K also called on three people to accept the ice bucket challenge — ex-Tennessee Titans teammate LenDale White and fellow former NFL greats Marshawn Lynch and Adam “Pacman” Jones.
So far, White and Lynch have accepted Johnson’s challenge. Lynch, the former star running back for the Seattle Seahawks and Oakland Raiders, obliged by getting hailed on by a bucket of ice.
White, who was Johnson’s “Smash and Dash” counterpart in the Titans backfield, took the traditional ice water route and nominated former NFL players Deion Sanders, Vince Young and Michael Sims-Walker, who was on hand at the time and accepted the challenge in a separate video.
Johnson also posted a video of his daughter Honey Love taking the challenge, with White handling the ice-bucket duty. She nominated her brothers and former Lakers superstar LeBron James.
James hasn’t yet responded, but he was one of the many celebrities who took part in the original challenge 12 years ago. Others included Kobe Bryant (who submerged himself in an ice tub), Shaquille O’Neal (who humorously poured one drop of water on his head) and Donald Trump (who joked he was nominated because “they want to see whether or not it’s my real hair, which it is”).
Sony Pictures will invest $100 million and take a minority stake in virtual reality venue operator Cosm, as the studio continues to build a business in communal experiences.
As part of the investment, Sony Pictures Chief Executive Ravi Ahuja will also join Cosm’s board of directors, the studio said Wednesday. The size of Sony’s minority stake was not disclosed.
The El Segundo-based Cosm currently operates three venues — one at Hollywood Park in Inglewood, and the others in Dallas and Atlanta. The company plans to open additional venues in Detroit and Cleveland.
Cosm bills itself as a “shared reality venue,” and its facilities center around a massive, wraparound screen that is intended to envelop viewers with additional digital effects. The company has largely focused on sports, though it has also shown Cirque du Soleil shows and done several collaborations with Warner Bros., including recent screenings of 2001’s “Harry Potter and the Sorcerer’s Stone” in honor of the film’s 25th anniversary.
“Cosm sits at the intersection of several trends shaping the future of entertainment,” Ahuja said in a statement. “We’ve followed Cosm since before launch and have been impressed with the quality of the experience and the enthusiasm it’s generating with audiences.”
FORT WORTH, Texas — A demonstrator who shot and wounded a police officer outside a Texas immigration center last July 4 was sentenced to 100 years in federal prison Tuesday, while other protesters accused of having links to antifa were given multiple decades in federal prison.
Benjamin Song was convicted of attempted murder last March after prosecutors say he opened fire and wounded a police officer at the Prairieland Detention Center in Alvarado.
The seven other protesters sentenced Tuesday received prison terms ranging from 30 to 70 years.
“Our issue with this case has always been this isn’t a bunch of terrorists. This is a bunch of kids and young adults who really have a really big heart and really wanted their voice to be heard,” Philip Hayes, Song’s attorney, said outside the federal courthouse in Fort Worth. “It was never intended that anybody get hurt. It was never intended that any shots would be fired.”
He said his client would appeal the sentencing.
“Song, aside from this day, has had an impeccable life. A former Marine. A good student,” Hayes said. “He had a lot of good qualities that were just ignored. The judge went ahead and gave as much as he could.”
One of the defendants, Daniel Sanchez Estrada, was convicted of corruptly concealing a document and conspiracy to conceal documents. Others pleaded guilty to providing material support to terrorists rather than take their case to trial.
Prosecutors say the eight are members of antifa, a decentralized anti-fascist organization that has become a target of the Trump administration. They have denied any affiliation and maintain they attended the demonstration to show support for immigrants inside the detention center.
President Donald Trump last fall signed an executive order designating antifa a domestic terrorist organization, even though there is no domestic equivalent to the State Department’s list of foreign terror organizations.
Critics warn the case could have wide-reaching impact on protests given that organizations operating within the U.S. are supposed to be protected by First Amendment free-speech rights.
Short for “anti-fascists,” antifa is not a single organization but rather an umbrella term for far-left militant groups that confront or resist neo-Nazis and white supremacists at demonstrations.
Last week, federal prosecutors charged 15 people with impeding the Trump administration’s immigration crackdown in Minnesota. They claimed the demonstrators were members of antifa who conspired against the federal government to block arrests and deportations by setting up blockades around government buildings and throwing chunks of ice at federal vehicles, among other actions.
Stengle and Marcelo write for the Associated Press. Marcelo reported from New York.
When CBS announced that it planned to outsource the hallowed “Late Show” slot occupied by Stephen Colbert and David Letterman before him to “Comics Unleashed,” the syndicated, low-budget talk show with stand-ups riffing on their routines, many saw politics at play.
But the show’s host and producer, comic-turned-mogul Byron Allen, saw the math. Once a cultural touchstone, late-night television has seen its prominence erode greatly over the years with viewers and advertising dollars shifting away from broadcast TV to streaming.
“I said, ‘Look guys, you’re spending a small fortune on late night,’” recalled Allen, who estimated that the programming was costing the network more than $200 million. He offered it a solution.
His company, the Los Angeles-based Allen Media Group, would pay $15 million for the airtime to run “Comics Unleashed,” which previously aired after “The Late Show,” while keeping most of the advertising time on the program to sell. It was the same time-buy model that propelled his fledgling media empire and made him wealthy many times over.
“Comics Unleashed” drew 1.1 million viewers in its debut in the new time slot last month, down substantially from the 2.7 million Colbert’s show averaged in its final season. Critics chimed in, with one outlet even calling it a “ratings disaster.”
But Allen, typically, was not fazed, saying his show bested the competition in key markets and was more comparable with the same time period last May before Colbert’s post-cancellation victory lap.
“CBS has won big-time because they have zero production costs and now they are saving $55 million a year,” he said in an interview.
Media mogul Byron Allen at his studio on the set of “Comics Unleashed” in Culver City.
(Jason Armond/Los Angeles Times)
A relentlessly driven, shrewd dealmaker and entrepreneur, Allen is used to defying skeptics and seeing opportunity in assets overlooked by others. He was one of the first entertainers to recognize that there was more money to be made in owning your content, rather than just performing it.
Over the last three decades, he has built a multibillion-dollar business, Allen Media Group, which now has 2,000 employees across various media properties.
In addition to creating a trove of accessible, family-friendly programs, he’s taken a number of big, bold swings, buying up distressed assets that now span broadcast, cable, streaming and film distribution.
At times, he appears like a minnow trying to swallow a whale. Although many deals have landed, others, such as his bids for ABC, BET, Paramount Global and Tegna, have not.
“He’s had misses, but that doesn’t stop him from going to bat,” said Lloyd Greif, president and chief executive of Greif & Co., a Los Angeles-based investment bank.
After a major restructuring that began two years ago during which the company laid off staffers and sold off properties, Allen is back with a slew of ambitious acquisitions. In addition to owning CBS’ late-night block, he also took over the 12:35 a.m. slot with his comic game show, “Funny You Should Ask.” He declined to reveal how much he paid for that airtime.
Allen recently snapped up controlling interest in the digital media company BuzzFeed (including HuffPost) for $120 million and bought a 10.7% stake in cable channel Starz for $25 million.
Although Allen’s programming has been dismissed as low-budget, apolitical comedy, and his finances have been questioned by some, he remains undaunted by doubters.
“I like to say I’m a 65-year-old overnight success.” And he remains focused on his mission, even proclaiming he is “building the world’s biggest media company.”
An entrepreneurial streak
Allen was born in Detroit, where his grandparents owned a roller rink where he worked as a floor guard. Being surrounded by a family of factory workers and the legacy of 20th century American industry set the stage for his entrepreneurship. “I didn’t play sports; I played office,” he said.
At age 7, after his parents’ divorce, Allen moved to Los Angeles with his mother, Carolyn Folks. It was the summer of 1968 and they planned a two-week vacation. But Detroit was in flames following the assassination of the Rev. Martin Luther King Jr., and they stayed.
Folks put herself through UCLA and eventually worked her way up at NBC from an intern to a publicist, a move Allen credits with changing the trajectory of their lives. His mother couldn’t afford child care, so Allen often accompanied her at the studio, where he soaked up tapings of “Sanford and Son” and “The Tonight Show.” After Johnny Carson finished filming and the studio was empty, Allen would sit at his desk, mimicking the legendary late-night host.
At 14, he convinced his mother to let him do stand-up at the Comedy Store on Sunset Boulevard.
“There were literally four people and 200 chairs. And I said, ‘I have to figure out how to make these chairs laugh.’”
A writer for Jimmie “J.J.” Walker, who was starring on the groundbreaking Norman Lear hit comedy “Good Times,” caught his act. He hired Allen to write jokes for Walker along with a pair of yet-to-be discovered comics: Jay Leno and David Letterman. Allen earned $25 a joke.
Howie Mandel met Byron Allen when they were both starting out at The Comedy Store.
(Allen Media Group)
“Most people in my business wait for other people to give you an opportunity,” said Howie Mandel, the actor and comic who met Allen when they were starting out at the Comedy Store during this period. “Byron and his mom constantly made their own opportunities.”
In 1979, when Allen was 18, he became the youngest comic to appear on “The Tonight Show.” Like a shot out of a cannon, the performance catapulted his career.
While various offers poured in, Allen chose the NBC prime-time series “Real People” as a host and correspondent. It was an embryonic version of reality TV. Allen traveled around the country showcasing quirky, heartwarming stories. The hit show brought Allen to every pocket of America. It also made him a star, delivering him to the country’s living rooms each week.
He continued to tour, doing stand-up and serving as the opening act for such musicians as Lionel Richie and Dolly Parton, and starred in TV movies.
Allen became a hero to young, Black entertainers who were just starting out. Among them was Eddie Murphy, who has called Allen “one of my first inspirations.”
“He just loves comedians,” said Whitney Cummings, co-creator and executive producer of the hit CBS sitcom “2 Broke Girls.” She recalled crucial career and financial advice Allen gave her after she first appeared as a young comic on “Comics Unleashed.” “It gave me like a true north. It changed my life.”
Whitney Cummings says Allen helped her early in her career.
(Troy Conrad)
As Allen’s success swelled, he said, he realized the industry was what he calls “business show, not show business.”
“You need to know the business side and learn the business side and then you can do as many shows as you want. And I knew that I didn’t want to work for anybody,” he said.
While on “Real People,” he sat in on sales meetings and went to the National Assn. of Television Programming Executives, where he introduced himself to Al Masini, the syndication trailblazer who produced “Entertainment Tonight” and “Star Search.”
“I understand you’re the best. I’m here to learn from you,” Allen said.
In 1989 he began hosting the syndicated “The Byron Allen Show.” Two years later, he created BYCA Television Distribution to take over his talk show’s distribution and syndicate other shows.
But Allen and his new company were soon facing legal and financial issues. A group of former employees and an investor sued, claiming they had not been paid. The dispute forced the company into Chapter 7 bankruptcy.
Allen pressed on. He had absorbed another key lesson.
Learning from Richard Pryor
When he was still hanging out at the Comedy Store, he watched Richard Pryor trying out new material.
Iconic comedian Richard Pryor.
(Bettmann / Bettmann Archive)
“He would bomb night after night for almost three months,” Allen said. “I’ll never forget, he told me, ‘Byron, you’re only as good as you dare to be bad.’ I learned, OK, take risks. It’s about growing and taking chances.”
In 1993, Allen launched CF Entertainment on his dining room table in Los Angeles. The production company, later Entertainment Studios, became the foundation of his media empire. He focused on producing low-cost, syndicated programming, including interview series and court shows. Allen produced and often served as host.
His first show, “Entertainers With Byron Allen,” packaged the five-minute celebrity interviews during hotel press junkets, a conveyor belt of actors promoting their latest projects set up by the studios into an hourlong talk show.
Allen bartered the show for free to TV stations in exchange for a split of the revenues from selling commercials to advertisers. Success was not immediate. He said he received countless rejections at first.
“My house went in and out of foreclosure probably 14 times,” he said. At one point, he said, his telephone service was turned off, forcing him use a pay phone for calls.
But the format established the template for what became Allen’s highly successful business. Forbes has estimated his net worth in the billions. Allen declined to discuss his personal or business finances.
The mogul now owns multiple homes, including a $91.3-million mansion in Aspen, Colo., that was recently featured in the Wall Street Journal.
“A lot of people didn’t take him seriously and saw him as a comedian,” said Joan Robbins, Allen’s first employee, who has stayed on for 32 years as president of talent relations. “I don’t think anybody realized the extraordinary business sense he had.”
Byron Allen gets final touches at his studio on the set of “Comics Unleashed.”
(Jason Armond/Los Angeles Times)
As Allen’s media ambitions have expanded beyond comedy and syndicated talk shows, so has his company. It produces, distributes and sells advertising for 74 television programs (“Mathis Court With Judge Mathis” and “Career Day” among them) as well as owns 13 broadcast stations affiliated with the major networks in 11 markets and several dot-TV cable and digital networks including Cars.TV, Automotive.TV and Comedy.TV.
In 2016, he acquired the Black entertainment platform TheGrio and later purchased the assets of the Black News Channel out of bankruptcy for a reported $11 million, merging its TV assets and carriage deals into TheGrio’s network.
A year earlier, Allen made waves by filing the first of several multibillion-dollar racial discrimination lawsuits to tackle what he called the “trade deficit between Black America and white corporate America.” His case against Comcast for not carrying Allen-owned stations and networks reached the Supreme Court before being settled.
“I feel good about starting that conversation … because we were going in circles and we were definitely suffering from economic genocide,” he said.
In 2018, Allen’s company bought the Weather Channel and the streaming service Local Now for $300 million. His firm also announced it had raised $500 million in credit facilities organized by Deutsche Bank Securities, Jefferies Financial Group, Brightwood Capital Advisors and Comerica Bank to finance production and other acquisitions.
What unites these disparate assets? “We’re directed at where the viewers are,” he said. “That’s where we’ll be.”
But in his tireless push to expand his sprawling company, Allen has made several failed bids for high-profile assets.
In 2023, he offered Disney a reported $10 billion for ABC and some of its cable networks, and the following year bid $30 billion for Paramount Global. He also made plays for Tegna and BET.
None of his offers succeeded, prompting skepticism about his ability to finance such deals. Allen Media Group is wholly owned by the entrepreneur.
Allen dismissed such concerns. “I raised the money to buy the Weather Channel in one day,” he said. “There’s trillions of dollars looking for really good executives and really good deals. I have no problem raising capital.”
The Times viewed multiple letters from private equity firms and banks. Several indicated that Allen had financial backing on the deal to buy BET, and another showed he had $4 billion in funds to back the purchase of Paramount assets.
Over the years, former employees have criticized some of Allen’s employment practices. In 2012 he faced a class-action suit from performers and staffers on “Comics Unleashed” who alleged they were not paid residuals or reimbursed for travel and other expenses. The suit was settled in 2023.
Allen called the suits “frivolous,” saying, “I couldn’t be in business if I actually conducted myself that way.”
Last year, Allen came under fire after announcing sweeping cuts at about two dozen local affiliates that included laying off meteorologists, part of a reorganization to centralize forecasts at the Weather Channel in Atlanta. The move sparked viewer outrage and the plans were reversed.
The controversy came as Allen’s company was retrenching. He sold off about a third of the TV station portfolio for $171 million.
Allen said this was a case of “rightsizing,” paying down debt and investing more in digital. “I sold 10 of my ABC, NBC, CBS and Fox affiliates to Gray [Media] at a great price for us and a great price for them.”
Allen confirmed he is negotiating with lenders over substantial debt payments coming due in the next year, but said he is “highly confident they will get refinanced or extended.”
Shortly after he bought a stake in Starz, Allen announced his intentions to own the cable channel. Starz responded by adopting a poison pill.
“Good luck,” he said. “I still plan to take over Starz, and I will eventually get control of Starz.”
“The Listeners,” which premieres Friday on Starz, began unusually as a story written by Jordan Tannahill as the basis of Missy Mazzoli‘s 2022 opera, also called “The Listeners” (libretto by Royce Vavrek), which he turned into a 2021 novel, which became a 2024 BBC television series, also written by Tannahill. Starz has cut its original four episodes into five, which means that they end in odd places, but given its controlled, glacial pace, shorter might be better.
Tannahill’s inspiration is an unexplained phenomenon reported in the real world — though exactly how real it is is open to interpretation — generally called “the hum,” where people experience a low but persistent background noise inaudible to others. (It isn’t tinnitus, or any diagnosable medical condition.) One such sufferer is Claire (Rebecca Hall), a high school literature teacher with a husband, Paul (Prasanna Puwanarajah) and a teenage daughter, Ashley (Mia Tharia), with whom she gets along well. We begin on an up note, Claire and Ashley singing along to Richard and Linda Thompson’s “I Want to See the Bright Lights Tonight” as they drive to school (she also has Nick Drake on her phone). And then the 1970s British folk rock gives way to a less pleasant auditory landscape, as the hum appears, bringing on headaches and nosebleeds and affecting her concentration and mood, her work and family.
Any condition can be isolating from those who don’t share it, and Claire gets some relief when she’s approached by a student, Kyle (Ollie West), who also hears it. They go investigating possible sources of the sound — wind turbines, a radio telescope — and wind up eventually at something like a support group for hum-hearers run by Omar (Amr Waked) and Jo (Gayle Rankin). There is some sketchiness in their past, including a changed identity, and they like to keep the group on a tight rein, but the breathing exercises and visualizations seem pretty standard, and more benign than, say Scientology, and the suggestion that one may tame an affliction by embracing it is pretty reasonable. Claire’s mistake here is not to get a signed parental permission slip, as it were, or enlist a chaperone, and her growing closeness with Kyle (not romantic, not sexual we are assured) will cause them trouble, cost Claire her job and mess up her marriage. She makes some insufficiently careful decisions, but those around her tend to overreact. This is very much a story about listening and not listening.
Directed by Janicza Bravo and photographed with great intention by Jody Lee Lipes, it has the studied look and tempo of a 20th-century art film. (It is always great to look at.) I was reminded of Antonioni’s “Red Desert” and Bergman’s “Persona,” psychological studies of women going to pieces, but also, thematically, of Spielberg’s “Close Encounters of the Third Kind,” with its characters driven to what looks like madness by private bulletins from the ether, pushing them away from family and toward others who are getting the same message. No aliens here — not a spoiler — though I might have liked that ending more than this, which in its own way seems to drop from space.
You can look for metaphors and social comment here — there are references to conspiracy theories and industrial noise pollution and such — but it seems to me to operate most effectively as a beautifully rendered mood piece and character study, and, certainly in the case of Hall, whose story this is, a platform for some exquisitely subtle acting.
WASHINGTON — President Trump said Friday that a “swift and lethal kinetic” U.S. strike has killed Hector Rusthenford Guerrero Flores, whom he called “the infamous leader” of the Tren de Aragua gang.
Tren de Aragua has been labeled by the United States as a terrorist organization. Guerrero Flores was charged in a New York federal court with racketeering conspiracy and other crimes, including lending support to terrorists in crimes that stretched more than a decade, authorities announced in December.
Defense Secretary Pete Hegseth posted on X that the strike occurred earlier in the week on a Tren de Aragua compound in Venezuela.
U.S. Atty. Jay Clayton alleged at the time that the gang is responsible for countless acts of violence, extortion and drug trafficking in North America, South America and Europe. Trump nominated Clayton on Thursday to be director of national intelligence.
The U.S. State Department had offered rewards of up to $5 million for information leading to Guerrero Flores’ arrest.
In a post on his social media site, Trump wrote, “Tren de Aragua terrorists no longer have safe haven in Venezuela or anywhere else and, under my leadership, we will find these vicious murderers and drug lords anytime, anyplace, and send them to the depths of hell where they belong.” Trump’s post referred to Guerrero Flores by his alias, Niño Guerrero.
Hegseth said, “The operation underscores the shared U.S. and Venezuelan commitment to take the fight to narco-terrorists and deny them any safe haven in our hemisphere.”
Venezuela’s ministry of communications did not immediately respond to a request for comment on the operation.
Trump has taken a series of extraordinary actions against the gang, including a series of strikes on small boats his administration has accused of smuggling drugs to the U.S.. At least 207 people have been killed in boat strikes by the U.S. military in the eastern Pacific Ocean and Caribbean Sea since the Trump administration began the campaign in early September.
Independent investigations, by the Associated Press and others, have raised questions about the boat passengers’ alleged connection to drug trafficking. And, in any case, many legal experts say the boat attacks amount to extrajudicial killings in violation of international law.
Trump and administration officials have consistently blamed Tren de Aragua for being at the root of the violence and illicit drug dealing that plague some U.S. cities. The president spent months repeating the claim — contradicted by a declassified U.S. intelligence assessment — that Tren de Aragua had operated under Venezuelan President Nicolás Maduro’s control. The U.S. invaded Venezuela and seized Maduro in January to face U.S. drug charges.
Tren de Aragua originated more than a decade ago at an infamously lawless prison in Venezuela’s central state of Aragua. The gang has expanded in recent years as millions of Venezuelans migrated to other Latin American countries or the U.S. in search of better living conditions.
Guerrero Flores returned to the prison in Aragua on murder and other convictions in 2013, when Venezuela’s crisis began and corruption, mismanagement and a drop in crude prices wrecked the oil-dependent economy. Guerrero Flores and a few other inmates saw a profitable opportunity as the government neglected prisons.
They assumed control and administration of the prison, establishing a system that controlled the entire inmate population through force and extortion. Over time, they transformed the lockup into a sort of city that included a zoo, baseball field, casino and restaurants. Guerrero Flores had his own lavish suite.
The size of the gang is unclear. Countries with large populations of Venezuelan migrants, including Peru and Colombia, have accused the group of being behind a spree of violence in the region. Still, unlike other criminal organizations from Colombia, Brazil and Central America, Tren de Aragua has no large-scale involvement in smuggling cocaine across international borders, according to InSight Crime, a think tank that tracks crime across Latin America.
In Venezuela, gang leaders have long been known to participate in various illegal activities, including illicit gold mining.
Weissert writes for the Associated Press. AP writer Regina Garcia Cano in Mexico City contributed to this report.
Xavier Becerra’s campaign for California governor appeared doomed just two months ago. Every major opinion poll showed the longtime Democratic politician mired near the bottom of the pack, overshadowed by his flashier or wealthier rivals.
Now Becerra tops them all, according to the most recent opinion polls, emerging as a surprise front-runner in a race that has confounded voters and political experts alike.
Both his loyal supporters and well-financed critics have a hard time explaining Becerra’s rapid ascent, with theories ranging from outright luck to a nefarious social media push. Others credit Becerra’s mild temperament, describing him as a steady figure — the Goldilocks candidate in a field of competitors who weren’t just right.
Becerra, when assessing his sudden rise, believes voters wanted experience, not “glitz and sizzle.”
“Folks put their faith in someone who’s done that kind of work and achieved results, someone who’s taken on real crises and been able to pull us out of them,” Becerra said in an interview Friday after a union rally in the Inland Empire. “Now it’s time to get things done. I think they’re looking for someone who could actually do that.”
Becerra’s team also points to the fortuitous timing of their seven-figure political ad campaign that launched shortly before explosive allegations of sexual assault and misconduct against the then-leading Democrat in the race, former Rep. Eric Swalwell. After Swalwell suspended his campaign on April 12, Becerra’s ascent began.
Becerra is backed by 25% of likely California voters, followed by Republican Steve Hilton at 21% and environmental activist Tom Steyer, a fellow Democrat, at 19%, according to a new UC Berkeley Institute for Governmental Studies poll co-sponsored by the Los Angeles Times. Two months ago, before Swalwell dropped out of the race, support for Becerra registered at just 5%.
“It’s almost too good to be true,” said Carrie Webster, a Becerra supporter and Long Beach hairdresser who interviews political candidates on social media using the name “Crowd Source Carrie.”
“He shot through the roof, but it feels like it’s all organic,” said Webster, 49, who said she isn’t paid for her political work.
A Sacramento resident, Becerra, 68, served one term in the state Legislature, more than two decades as a Los Angeles congressman and then as California attorney general, and most recently worked as the secretary of Health and Human Services in the Biden administration.
His only previous statewide race was his 2018 bid for attorney general. In that contest, which he won handily, he had the major advantage of incumbency after being appointed by Gov. Jerry Brown to fill the vacancy caused by then-Atty. Gen. Kamala Harris’ election to the U.S. Senate.
Running for governor has proved to be much more daunting. His top Democratic challengers not only include Steyer, a free-spending billionaire, but also former Los Angeles Mayor Antonio Villaraigosa, current San José Mayor Matt Mahan, former Orange County congresswoman Katie Porter and state Supt. of Public Instruction Tony Thurmond.
In early March, the chair of the California Democratic Party, Rusty Hicks, urged stuggling candidates to drop out of the race. He feared the crowded field of candidates would splinter the party’s voters and lead to a Republican being elected as the next governor of California.
Under the state’s top-two primary system, only the first- and second-place finishers in the primary advance to the November election, regardless of party. While Hicks did not mention Becerra by name, he was certainly among the struggling candidates at the time.
Until now, Becerra’s splashiest moment was in late March, when he launched a public pressure campaign to boycott a gubernatorial debate hosted by USC after he and other candidates of color were excluded from lineup. University officials based the invites on opinion polls and a controversial campaign fundraising formula. The debate was canceled less than 24 hours before it was scheduled to take place.
Then came the allegations against Swalwell, which prompted nationwide interest in the otherwise sleepy California governor’s race. Political data strategist Paul Mitchell compared the moment to a dramatic scene midway into a “Real Housewives” season.
“Finally, somebody flipped a table, threw wine on somebody else, and all the voters started paying attention,” he said.
Alf LaMont worked for Swalwell’s team as a digital communications expert until his firm quit on April 10 following news reports about the allegations against the East Bay Democratic congressman.
LaMont said he was “doomscrolling” that same night when he saw an “organic, random” push for Becerra on Threads and other social media sites. LaMont said he immediately called Becerra’s campaign team and signed up to work for him.
Webster, the Long Beach content creator, also noticed the online buzz about Becerra.
“People were saying, ‘Let’s print out yard signs, T-shirts,’” Webster said. “Or someone would say, ‘I’m going to start Gen X for Becerra,’ or ‘I’m going to start Millennials for Becerra.’”
The push was so noticeable that Steyer’s campaign hired an intelligence agency with ties to a major Israeli firm to study the trend.
The agency’s report found about 3,000 fake accounts that amplified Becerra across social media platforms X, Facebook and Instagram while also criticizing Steyer, according to Steyer’s team. In all, the fake accounts generated 1.3 million views and 42,000 engagements, the report stated.
Steyer spokesperson Kevin Liao alleged a coordinated network from Becerra’s team or his supporters. Becerra’s campaign denied any role and dismissed the influence of the fake accounts.
Earlier opinion polls also offer a possible explanation for Becerra’s rise.
Even as he remained stuck behind other candidates in support among voters, Becerra’s favorability ratings versus his unfavorability ratings were better than rivals, including Porter and Villaraigosa.
Swalwell also had high favorability ratings, and when he dropped out, Becerra was “seen as the least objectionable of the candidates that were remaining,” Mitchell said.
The UC Berkeley Institute poll released Thursday shows more likely voters viewed Becerra favorably (44%) than unfavorably (38%). By contrast, 39% of voters viewed Steyer favorably and 43% unfavorably.
Becerra’s campaign credits part of his April surge to good fortune. His team unleashed a large advertising buy — a major chunk of his remaining campaign funds — placing spots on cable TV and online beginning in late March.
The timing was opportune given the chaos caused by Swalwell.
Becerra’s ads depicted him as calm and experienced. One showed him speaking to a diverse group of young people about his record of challenging President Trump, suing his administration more than 100 times when he served as attorney general, and his plan to bring down the cost of living for “the next generation.”
At the same time, LaMont’s team — which also is behind Gov. Gavin Newsom’s political communications — created a more “earthy” and “grassroots” look to Becerra’s campaign ads and messaging. Words like “Tio” and “carne asada” emphasized the candidate’s Latino heritage.
Polls done in the wake of Swalwell’s exit showed Becerra gaining ground.
Special interest groups, including California Medical Assn., which had supported Swalwell, switched to Becerra. A well-financed, independent political committee campaigning against Steyer — an effort intended to benefit Swalwell — also moved over to Becerra. Major corporations, including Chevron, Meta and McDonald’s, lined up next.
Becerra appeared unprepared for the speed at which voters and others gravitated toward him. He stammered through hastily filmed videos asking for small-dollar donations as his campaign sought to convert the new interest around him into donors.
He appeared stiff during his first post-Swalwell debate appearance; he mistakenly referred to Trump’s “war in Iraq” instead of Iran during his first answer and fended off the first of many attacks to come during an April 22 debate. During a sit-down interview with a KTLA-TV reporter in Los Angeles in early May, Becerra went immediately on the defensive — questioning whether it was a “gotcha piece.”
Still, people flocked to town halls, including one in Oxnard in May, where he leaned into his “bad dad joke” persona. He greeted the large crowd with his corny, familiar line, “Did you think you were coming to a Bad Bunny concert?”
Oxnard audience member Rose Castren, 68, told The Times she liked Becerra’s “calm and reassuring” style. The retired nurse watched the CNN debate in early May, where the candidates piled on Becerra to try to undercut his momentum.
“The other candidates seemed to be coming unglued,” she said. “And he didn’t.”
Times staff writer Seema Mehta contributed to this report.
Politics is about persuasion and emotion, not rocket telemetry, so it’s not hard to figure out what’s going on.
“You look at Xavier and he seems to be perceived as a thoughtful, credible, trustworthy choice. That’s what I hear when I talk to regular people who aren’t political insiders,” said Darry Sragow, a Democrat strategist who’s spent decades running California campaigns. “So you see the people who want to take him out going after one of the words I just used here, which is ‘trustworthy’ and, to some extent, ‘credible.’”
A recent Steyer mail piece — which, naturally, features a grim-faced portrait of Becerra — accuses him of “mismanagement,” “scandal” and “incompetence,” and cites a 2024 quote from Susan Rice, a former Biden domestic policy advisor, describing the ex-Cabinet member as an “idiot.” (Apparently “bitch-a—,” another Rice epithet from the same Axios news report, was deemed unsuitable.)
The mail piece also quotes Xochitl Hinojosa, a Justice Department spokesperson in the Biden administration, saying Becerra “was not effective in government,” though several people who worked in the White House could not think of any occasion, or any reason, Hinojosa would have meaningfully interacted with Becerra.
Pretty weak sauce. But at least Hinojosa, who delivered her gibe on one of CNN’s talking-head shows, was willing to publicly attach herself to the criticism.
Six former Biden administration officials were quoted by Politico “reacting with a mix of incredulity, mockery and resignation” to Becerra’s sudden ascendance in the governor’s race. Critics also unloaded to NBC News and other outlets. All of them spoke anonymously.
Therefore, it’s impossible to discern their motivations. Jealousy? Ego? An attempt to stay politically relevant?
Or maybe Becerra was, indeed, a feckless, flailing and thoroughly awful Cabinet member, deserving of scorn and shame.
Ron Klain, who was Biden’s chief of staff during the first two years of his presidency, doesn’t believe so.
“I think he did an excellent job as HHS secretary and I think the record shows that,” Klain said, citing, among other accomplishments, Becerra’s work helping negotiate a drop in the price of prescription drugs and expanding healthcare coverage under the Affordable Care Act.
On COVID-19, Becerra “wasn’t confirmed until several months into the Biden administration. Dr. [Anthony] Fauci had been on the job and was quite a well-known figure to Americans. So, of course, he became more the face of the COVID response.”
“On immigration,” Klain went on. “Xavier’s part was small and discreet. He wasn’t the secretary of Homeland Security. He didn’t run the border. He oversaw an office called the Office of Refugee Resettlement” responsible for processing children who crossed the border alone. “I was in meetings where he was a passionate and forceful advocate for these minors,” Klain said.
Still, there are legitimate questions, notwithstanding Becerra’s deflections — Trump! MAGA! Trump! — about his handling of the migrant children, some of whom died, suffered horrible abuse or were catastrophically injured, according to revelatory reporting by the New York Times. It’s worth noting, however, that Becerra inherited a plan to deal with unaccompanied minors that was drafted and phased in by Rice and her Domestic Policy Council.
There is an unhappy history between the two; apparently Becerra was not alone in drawing Rice’s ire. In 2022, an article in the American Prospect accused her of creating an “abusive and dehumanizing workplace,” in which Rice routinely berated others, including the Health and Human Services secretary.
On social media, Rice has made no secret of her continued contempt for Becerra, a display that carries no small whiff of ax-grinding and score-settling. She highlighted the refusal of Biden’s Homeland Security chief, Alejandro Mayorkas, to endorse Becerra in the governor’s race, though it would be surprising if Mayorkas, Biden, Kamala Harris or any high-level Democrat picked a favorite in such a fiercely contested primary.
Becerra “had big things to do and he got them done,” said Neera Tanden, who succeeded Rice as head of Biden’s Domestic Policy Council and has vigorously defended Becerra against attacks on social media.
“I am not on or coordinating with the Becerra campaign,” Tanden said. “I just know these attacks are ridiculous.”
If Becerra makes it past Tuesday’s primary to the November runoff, his career merits careful scrutiny — and not just those years spent in the Biden Cabinet. Many voters are still getting to know Becerra, who is the likeliest candidate to be California’s next governor. Anonymous quotes, drive-by commentary and incendiary mailers may be standard campaign fare. But voters deserve better.
WASHINGTON — In the 2024 election, hundreds of social media influencers were credentialed for the first time to attend the Democratic and Republican conventions. They have been invited to holiday parties in the Pennsylvania governor’s mansion, to political rallies in Texas and to events at the White House by both the Biden and Trump administrations.
The role of influencers is surging as candidates and groups across the political spectrum see their social media feeds and personas as a pathway to younger audiences and harder-to-reach groups of voters.
“You have that sense of authenticity, like a friend is talking to you,” said Emma Briant, a professor at Notre Dame University’s Lucy Family Institute for Data & Society who studies propaganda.
That’s exactly what campaigns are hoping to harness when they partner with influencers, she said.
But the nature of that partnership has come into question in California’s hotly contested gubernatorial race after it emerged that a number of content creators — some with millions of followers, others with only a handful — had taken payments from the campaign of Democratic candidate Tom Steyer and not disclosed that they were paid to create those posts.
Some popular content creators have felt the need to explain themselves to their audience. Others have questioned how common such under-the-table payments might be, since there are no disclosure requirements for paid content at the federal level and few jurisdictions have any rules mandating it.
Some campaign finance advocates are concerned that voters could increasingly be influenced by social media posts that they don’t know are sponsored.
“The problem is that it doesn’t look like an ad,” said Saurav Ghosh, a former enforcement attorney at the Federal Election Commission. “It ends up really getting people at a place where they’re not skeptical and not able to tell the difference between what’s voluntary and where the influencer is acting as a paid spokesperson.”
Ghosh is now the director of campaign finance reform at the nonprofit Campaign Legal Center, which has filed a petition asking the FEC to require disclaimers on paid content created by influencers.
Roughly 1 in 5 Americans said they regularly got news from social media influencers in 2024, according to the Pew Research Center, and that number was nearly double for younger adults between the ages of 18 and 29.
Working with social media creators can be an easy way for candidates to try to boost their image, particularly with a younger audience.
“If they don’t have big personalities, maybe partnering with some influencers who seem cool and fun can make you seem cool and fun also through association,” said Link Lauren, a political influencer and podcaster who served as a communications advisor for Robert F. Kennedy Jr.’s presidential campaign in 2024.
California is one of the few places that requires disclosure of sponsored social media posts, but the 2023 law that created those rules hadn’t gotten much of a workout before the issue was raised in this contest through a series of dueling complaints with California’s Fair Political Practices Commission. The commission has yet to weigh in on the various accusations.
Under the law, influencers are required to provide disclosure that a post was sponsored and say who paid for it. Political groups are required to notify paid creators of the requirement.
Even if the commission finds that violations have occurred, the penalties are not especially harsh.
Violation of the law carries no civil, criminal or administrative penalties. The FPPC can take alleged violators to court and ask a judge to force compliance. And violations can be penalized with a fine of up to $5,000 per instance.
Influencers reporting influencers
In the gubernatorial race, the issue of compliance was raised, naturally, by a pair of influencers.
Beatrice Gomberg has built up a following of more than 180,000 followers on TikTok, where she posts under the handle antiplasticlady. Her side gig of creating nonplastic children’s cups and lunch boxes became her main gig after she lost her human resources job at Macy’s during the COVID-19 pandemic.
“I started doing social media because I didn’t want to hire a marketing company,” Gomberg said.
Gomberg’s posts were initially largely focused on research related to plastic, but have become increasingly political over time. When campaigns put out the call for influencers to meet with candidates, Gomberg answered.
She interviewed Katie Porter, she met with Xavier Becerra. And it was at a Becerra event in April when she met Kaitlyn Hennessy, another influencer focused on politics.
They found that the world of online influencers can be isolating. “We stare in front of our phones,” Hennessy said. “You don’t want to see our screen time.”
As they scrolled through social media posts about the governor’s race, they found a cause to unite them.
They kept seeing videos posted by social media accounts espousing similar messages in support of Tom Steyer. Hennessy wondered at first if they were actually created by artificial intelligence.
They found that the posts seemed to be created by a network of women who, in some cases, had created several different profiles to promote a variety of products.
They pored over Steyer’s campaign disclosures and saw that the campaign listed payments to several prominent influencers — including one with the handle Zay Dante, with 1.8 million followers on TikTok — who had not disclosed creating paid content for the campaign.
The pair filed a complaint laying out their allegations, which the Steyer campaign has called “baseless.”
In the wake of their complaint, Steyer defended his campaign’s use of paid influencers, writing on Substack that his campaign believed content creators should be paid for their work and that the campaign had been transparent about disclosing those payments.
In a separate post, influencer Carlos Eduardo Espina said he had been paid $400,000 for work he has done for the Steyer campaign. Espina, who has more than 14 million followers on TikTok, is an advisor to the campaign, which was publicly announced.
“You will never see anything on my channels that I don’t believe in, or that I think goes against the best interest of my community. No one buys my opinion. But I also think it’s fair to be compensated for my work,” he wrote on Substack.
Not everyone is ready to accept payment for posts.
Lauren, the influencer who advised Kennedy’s campaign, said that while he doesn’t begrudge other influencers accepting sponsorship, he chooses not to.
“A passive viewer might think you really believe this,” he said. “I have a strong connection with my audience. I really consider them my family.”
Lauren said he favors disclosure requirements.
Briant, the propaganda researcher, said she is concerned about the possibility of foreign actors trying to influence Americans through paid posts.
In 2024, for example, federal prosecutors filed an indictment alleging that Russian state media employees had paid nearly $10 million to a Tennessee company that paid popular right-wing social media influencers to unwittingly produce pro-Russia content.
Briant said she believes that the only way to counteract increased manipulation through social media influencers is to impose harsh penalties when paid content is not disclosed.
“Ultimately, it’s a wild west at the moment if there are no repercussions for not doing it,” she said.
On the second weekend of May, Gustavo Dudamel gave the New York Philharmonic a salsa shock. He gleefully brought the startled players together with the Spanish Harlem Orchestra, an uptown salsa and jazz band, for concerts at Lincoln Center and Washington Heights. The city‘s classical music fans treated it as a cultural breakthrough; Dudamel is expected to transform the orchestra as a cultural institution when he returns in the fall as its music and artistic director.
A day later he was back in Los Angeles to begin rehearsals at a Walt Disney Concert Hall that had been fantastically transformed by Frank Gehry for the Los Angeles Philharmonic’s staging of “Die Walküre.” Transformation — be it cultural, orchestral, personal — has marked Dudamel’s 17 years as music (and more recently artistic) director of the L.A. Phil, which is now coming to an end with his three weeks of concerts in Disney to close the season June 7, followed by a celebratory weekend at the Hollywood Bowl in late August.
But meeting with Dudamel in his dressing room after a “Walküre” rehearsal (the opera begins Tuesday night at Disney and runs for six nights, an act a night, the full opera performed twice) , he says as he has said before, he does not think of this as a culmination, merely the beginning of a new adventure. He’s apartment shopping in New York. But he is keeping his house in Los Angeles.
He’s also departing with two very long new titles as “Die Walküre” premieres: the Diane and M. David Paul Artistic Cultural Laureate of the L.A. Phil and Jane and Michael Eisner Founding Director and Conductor Laureate of Youth Orchestra Los Angeles (YOLA).
Gustavo Dudamel conducts the Los Angeles Philharmonic in a performance of Beethoven’s Missa Solemnis at the Walt Disney Concert Hall on Feb. 22.
(David Butow / For The Times)
“We are talking about projects,” he says. “Look, I’m coming back for two weeks in December,” when he will lead Beethoven programs. He returns in the spring. The Bowl will always be a second home.
“I’m living here and I’m not living here,” he explains. “The connection will always be here.”
The energy in New York is, he continues, “super exciting.” And what excites him the most is how comfortable he feels with the very real differences between L.A. and New York.
“As a Latino from Venezuela,” he says, “I have an immediate connection with the New York that is home of salsa. When I was in the womb I was hearing salsa.” His father, Oscar Dudamel, is a trombonist and salsa musician.
But he adds that mariachi, ubiquitous in Mexico and L.A., is also an integral part of Venezuelan culture. “What I have to say is that I am blessed. I’m blessed that both cities are now part of my life.”
Bringing ‘crazy’ ideas to Los Angeles
L.A., of course, has been the major part of his adult life. At 24, an unknown, he made his dazzling U.S. debut in 2005 leading the L.A. Phil at the Hollywood Bowl. Four years later, he became the orchestra’s music director and caught the world’s attention.
There is no doubt that Dudamel’s extraordinary talents would have meant a major career wherever he landed. But, here, he inherited the world’s most culturally open major orchestra, where fresh thinking and new music thrive. Disney Hall allowed him the extraordinary freedom to dream. Being back at Disney, Dudamel admits, is very emotional, especially conducting “Walküre” with Gehry’s sets of billowy, sumptuous clouds and fanciful white papery horses.
“Frank is here with us,” Dudamel exclaims about the architect, who died in December and with whom he had become close. Conducting Wagner’s opera, in many ways, sums up Dudamel’s ambitions, the way he has connected with more sides of L.A.’s cultural landscape than possibly any other artist.
In L.A., Dudamel grew as an artist and a person, he says, through his relationship with an orchestra that is uniquely flexible and a welcoming community. This allowed Dudamel to be what he likes to call “crazy.”
“I remember the first time I came here. I didn’t have a chance to do or see anything,” he says of his Bowl debut. “So, I remember driving from the airport to Sunset Boulevard, where my hotel was, and I didn’t understand anything. But immediately it was the connection with the orchestra.”
Frank Gehry designed the sets for a Jan. 18, 2024, performance of Wagner’s opera, “Das Rheingold,” with Gustavo Dudamel leading the Los Angeles Philharmonic at Walt Disney Concert Hall.
(Allen J. Schaben / Los Angeles Times)
Flash forward 20 years from 2005 to 2025. In what seemed like a truly crazy idea, he brought the L.A. Phil to the Coachella Valley Music and Arts Festival, where he led a varied set of classical favorites and appearances with pop stars, for 150,000 people shouting “L.A. Phil! L.A Phil.” Among the highlights was “Ride of the Valkyries,” the English title of “Walküre.”
The symbolism of doing “Walküre” is, for Dudamel, unmistakable. Wagner’s four-part “Ring” cycle, of which “Die Walküre” is the second opera, strongly influenced the “Star Wars” films Dudamel grew up with. The saga’s composer John Williams is another L.A. legend who became for Dudamel like family. Williams has, in fact, written a fanfare, “Bravo Gustavo!” that Dudamel will premiere on June 4 in a concert in which he celebrates the musicians of the L.A. Phil.
The “Walküre” production, moreover, further expresses his desire to remain connected with L.A. When asked whether he still plans to complete the “Ring” cycle with the L.A. Phil, which he began two seasons ago with “Das Rheingold,” he says, “completely.”
It’s a radical notion, to say nothing of an extraordinarily expensive and time-consuming challenge for any orchestra given to a former music director, but Dudamel has never been one to take no for an answer. “At my last conversation with Frank,” he recalls, “I said I was coming to talk about ‘Siegfried’ [the next opera in the cycle], and he said, ‘You are crazy.’”
“That was Frank. He freaked out about the operas every time I talked to him about them. And then he came up with fabulous ideas.
“You know I never dreamed about coming to the L.A. Phil. I was happy in Venezuela and guest conducting elsewhere. But when I met Frank and John [Williams], I knew I had come to the right place.”
One reason Dudamel was happy in Venezuela was his position as music director of the Simón Bolívar Youth Orchestra, part of El Sistema, the country’s famed music education program. He brought a version of that to Los Angeles with YOLA, which offers free musical education to students. Bringing young people together to learn — and not just to play music but to listen to each other — has grown increasingly essential to him.
Gustavo Dudamel has fun with John Williams at the Hollywood Bowl as he conducts the L.A. Phil during “Maestro of the Movies: John Williams with the LA Phil” on July 9, 2023.
(Emil Ravelo / For The Times)
On Thursday evening, USC awarded Dudamel an honorary doctorate during its graduation ceremonies at the Coliseum, where Dudamel also gave the commencement speech.
“I will never tire of repeating this: music, art and beauty are universal rights,” he told the graduates, urging them to go out into the world listening to others, seeing others, paying attention to everything. These are the practices he has long championed as the essential need for youth orchestras.
This was, in fact, almost precisely what he said when he first arrived in L.A. “I was very young, but I grew up with these ideas,” he told me.
“You have to say to the students, ‘Stop! Let’s pause. Just listen.’”
“It’s a way to really connect with what surrounds you, but also connect with yourself. That’s the beauty of all the layers of listening we do as musicians. I now think that is our main tool. In the end it’s not listening only to sounds. It’s listening as connecting with others.”
Practicing what he preaches
As Dudamel plans for his next chapter, he indicates that the advice he gives students is what he is also saying to himself.
YOLA students perform on stage during a “Gracias Gustavo Community Block Party” at the Judith and Thomas L. Beckmen YOLA Center in Inglewood on Oct. 11, 2025.
(Etienne Laurent / For The Times)
What L.A. gave him, he concludes, is a greater depth of his own listening. There was the guidance of Deborah Borda, who, as the orchestra’s president and CEO, hired and mentored him. There were the opera productions with Peter Sellars, who made him look deeply inside himself. There were the communities to discover and with which to collaborate.
New York, he insists, will be a further continuation of this process. “There are a lot of things to do. As I did here, that will be not only conducting but spending a big amount of time doing other things. I will have to listen to the community. Every place is different.”
And every place needs to be, for Dudamel, connected. He began his last season in Disney in the fall with the world premiere of Ellen Reid’s “Earth Between Oceans,” a bicoastal co-commission between the L.A. Phil and the New York Philharmonic, sonically evoking the environmental difference between L.A. and New York. He recently repeated it with his new orchestra in David Geffen Hall in New York.
In L.A., Reid’s score felt like a vast, moving, spiritual soundscape of our fires’ fury as well as our coastal fancy. At Geffen, it became a gripping showpiece, like attempting to zoom in a Ferrari through Manhattan streets, were they ever empty — the thrill of taking it all in.
Dudamel says his favorite place in New York so far is the orchestra’s archives. Becoming absorbed in the history of America’s oldest orchestra gives him new ideas. He wants simultaneously the old, the new and the many.
He also insists on ever more connections. ”We are making, many, many projects together,” he says of the L.A. Phil and the New York Philharmonic. That includes bringing the two orchestras together in a further experiment in listening.
“That‘s very important to me, one of my dreams. And it’s not difficult,” he says. “We have plans and it’s beautiful. We have to do that.”
If anyone needs the axiom “Tell me who you’re with, and I’ll tell you who you are” whispered to them every morning as a reminder to do better, it’s Spencer Pratt.
Can someone do that ASAP, por favor?
Instead of holding events around Los Angeles to convince skeptics that his mayoral campaign is for everyone, the former reality television bad boy has bunkered himself inside an echo chamber of sycophants, friendly podcasters and milquetoast media outlets.
Instead of offering an on-ramp to join his pissed-off posse, he calls Mayor Karen Bass “Basura” — trash — and her supporters “Bassholes,” insults that his followers share and like on social media by the thousands.
Instead of enlisting surrogates to push an uplifting vision for L.A.’s future, Pratt elevates those who speak of the city as a West Coast Chernobyl.
Now that Pratt has shown his electoral quest isn’t a farce, it’s time he shows all Angelenos that they can rely on a Republican entertainer with no political experience to head a largely progressive, multicultural metropolis.
Instead, he continues to double down on his doomsday message, exciting the type of people who have been whining that L.A. is a “Lost Cause” since the days of the Watts riots.
They’re the ones depicting Pratt in AI-generated videos as a superhero — Batman, Luke Skywalker and a gladiator, among others — battling Bass, cast as a clown, Darth Vader, the Joker or as herself handing out needles to half-crazed homeless people.
They hound anyone who points out that L.A. is nowhere near as apocalyptic as they make it out to be, when homicides are at their lowest since the 1960s, burglaries are down 30% from last year and unsheltered homelessness has dropped two years in a row. They follow Pratt’s example and call unhoused people with drug problems “zombies” and “bums” while depicting the L.A. of the past as a problem-free playground out of “The Wonderful World of Disney” that derailed once Democrats took over.
Not all of Pratt’s supporters are this obnoxious. But he repeatedly platforms the worst of them and shows no signs of stopping. That nihilism might sell books and gain followers — but it’s no way to prove to Angelenos he’s serious about fixing anything other than his reputation.
Mayoral candidate Spencer Pratt, left, poses with a supporter during a campaign event in Sherman Oaks.
(Etienne Laurent / For The Times)
Anyone who truly loves the city complains about it even on its best days. They realize L.A. can never be perfect, and that’s what makes it so wonderful. When people try to better their part of paradise, everyone benefits.
But Pratt needs to realize that Angelenos don’t want the city to be torn down, as dissatisfied as they may be. Criticizing the status quo is necessary — but waging a campaign of humiliation, a la Donald Trump, isn’t how to heal L.A. It won’t get large swaths of the city on your side, and it can’t spark the true change City Hall so desperately needs.
Instead, we get people like former Times contributor Meghan Daum — who now calls herself the “official Liberal Elite for Pratt” — gushing in the Atlantic about how her man is the “factory-reset option” to Make L.A. Great Again.
Or just to the days when the problems that have long racked L.A. didn’t lap up to the denizens of Prattland — until they did?
These are the people who stayed largely silent as Trump unleashed ICE goons across Los Angeles last summer. They said nothing about housing affordability and violent crime in the years when those issues primarily afflicted South L.A. and the Eastside. They didn’t have a fit about homelessness until encampments spread beyond Skid Row.
Pratt’s loudest fans fundamentally loathe modern-day L.A., and that should chill all other Angelenos. These haters would be his primary constituents and populate his brain trust if he does beat Bass — and if he lets them take over, heaven help the City of Angels.
I’m not discounting Pratt’s chances of winning — he’s too savvy a media pro to fully flop. I knew Bass and Raman would misjudge the anger of Angelenos, fail to capitalize on that rage and find themselves on the defensive against Pratt’s populist push. I also figured he would eschew politeness for the demonizing that has tainted past L.A. elections, from Yorty’s mayoral campaigns of the 1960s to the San Fernando Valley secession movement a generation ago to the continued charges of communism thrown at the democratic socialist wing of the City Council.
I don’t blame Pratt for jumping into the race after his life was upended. And I sure don’t underestimate L.A.’s middle-class malaise, long a reactionary force in city politics with a winning track record that spans decades. But I can’t trust the guy and his crew for just now beginning to say they care about reforming L.A., when all he has fought for is his dark idea of the city.
And if you think L.A. needs a complete makeover, then you probably never really loved it in the first place.
On a recent podcast with Adam Carolla — who has long railed against L.A.’s liberal, multicultural ways and is planning to move to Nevada after his children graduate high school — Pratt huffed that he will “be done with trying to live” in the city if he doesn’t become mayor.
“I’ll go find somewhere that my kids will not have to see naked zombies,” he said, in a comment that was cheered on and seconded by his online army.
Do Angelenos really want to entrust their city to someone who might pick up his ball and quit on a place he professes to love, if he doesn’t get his way?
MEXICO CITY — The highway from the Guadalajara city airport to downtown is newly paved and the city’s famous roundabout has gotten a $4-million facelift. The city is abuzz with renovation projects as Guadalajara prepares to host four World Cup soccer matches in June.
But there’s one thing the 3 million fans expected to flock to the city won’t see — the sites where hundreds of bodies have been found in clandestine graves dug by Mexico’s notorious New Generation Jalisco Cartel. Scores were discovered on the main route leading to Akron Stadium, where the games will be played.
One set of remains was that of a 17-year-old high school student who had gone out to sell his motorcycle to help his unemployed uncle. He disappeared. When his uncle began searching, he disappeared as well. At another site, the bones of a 34-year-old cellphone repairman were found. He was a father of two who’d simply ventured out to shop for used tennis shoes.
According to statistics compiled by the state of Jalisco, between 2018 and March of this year, 1,907 bodies were found in Guadalajara and surrounding cities.
The arrival of the World Cup is an opportunity for Mexico’s second-largest city to shine on the international stage, and the Jalisco state government launched an upbeat campaign highlighting the municipality where games will be played: “Zapopan, the heart of soccer,” the slogan goes.
Families searching for their loved ones sarcastically responded with, “Zapopan, the heart of clandestine graves.”
An aerial view of La Minerva roundabout fountain in Guadalajara, Mexico, taken on June 27, 2025.
(Ulises Ruiz / AFP via Getty Images)
Since January of 2025 alone, search groups and authorities have discovered 58 graves with 226 sets of remains inside city limits. Five graves were located within three miles of Akron Stadium.
Three graves with 15 bodies were found within a mile of the city’s iconic La Minerva roundabout, a huge traffic circle featuring fountains, greenery and a towering statue of the Roman goddess Minerva. Others were found not far from Chapultepec Street, a popular tourist destination.
Liliana Meza, mother of Carlos Maximiliano Romero Meza, who disappeared on Oct. 22, 2020, poses with a search card at the Glorieta de las Personas Desaparecidas in Guadalajara, Mexico, on Friday, May 15, 2026. Founders of the Luz de Esperanza Desaparecidos Jalisco collective created the cards, inspired by World Cup soccer stickers, to draw attention to missing persons cases ahead of the 2026 FIFA World Cup in Jalisco.
(Alejandra Leyva/For The Times)
Though tourists and tourist sites are rarely touched by cartel violence in Mexico, critics say the graves are an embarrassment for state and city administrators.
Amid all the cleanup, little official attention has gone to the growing number of clandestine graves that groups of persistent, family-funded search teams have found in recent months.
Large machinery and backhoes are working nonstop across the city ahead of the games, said Jaime Aguilar, a spokesperson for the group Warrior Searchers of Jalisco, which finds an average of two graves a month. “But when we ask for a backhoe to help in our searches, there is never one available,” he said.
Over the years, secret graves have been discovered in rural areas, at industrial sites, alongside roads, inside buildings and even in the heart of Guadalajara. The Jalisco state government tracks grave discoveries, but an analysis by The Times and Puente News Collaborative shows many have been concentrated in the Guadalajara area.
Flyers with photographs and identifying information about missing persons, posted by search collectives, have become a common sight along the main streets of the city’s historic center, as seen here on Friday, May 15, 2026.
(Alejandra Leyva/For The Times)
Earlier this year, authorities found a blood-soaked safe house a mile from Akron Stadium where cartel enemies were tortured. One person was found buried there. Within a 10-mile radius, nearly 100 sets of remains were found in 500 trash bags buried in shallow graves.
The graves, and the potential discovery of more, worried Mexican President Claudia Sheinbaum. She feared that FIFA, the international soccer association in charge of the games, might move the Mexico games to the United States or Canada, the other countries co-hosting the games, because of the violence, said one Mexican official familiar with planning for the tournament.
That fear burst into the open in February, when Mexican special forces killed Nemesio “El Mencho” Oseguera Cervantes, leader of the hyper-violent New Generation Jalisco Cartel. Law enforcement officials said Guadalajara is a stronghold for the criminal group.
Cartel members responded to El Mencho’s death by setting fire to cars and buses and blocking major exits from Guadalajara. The city was briefly paralyzed. Gunmen burned 80 convenience stores and a host of pharmacies, flexing their power in the city.
In the days after the violence, FIFA officials met with the Mexican government to review security for the Guadalajara matches. Sheinbaum laid out a plan to send 100,000 security personnel, including Army soldiers and police officers, to stadiums in Guadalajara and the country’s two other host cities, Mexico City and Monterrey. FIFA determined it would not change the World Cup venues.
U.S. law enforcement has been advising Mexico on counter-terrorism methods, including training in repelling drone bombs, a weapon increasingly used by cartels to terrorize communities, attack adversaries and target military convoys. U.S. special forces have been training Mexican military teams to repel attacks at stadiums.
Fliers with photographs and identifying information about missing persons are displayed throughout Guadalajara’s historic center alongside traditional city scenes and World Cup-related imagery.
(Alejandra Leyva / For The Times)
The Mexican government had already witnessed the Jalisco cartel’s proclivity for brazen killing. In December, some four miles from Akron Stadium, gunmen fired more than 3,000 bullets in broad daylight into the car of a director of a produce distribution center. The gun battle between his security guards and the cartel took place just a few blocks from a police station. It took officers nearly a half hour to arrive at the scene.
In recent years, Jalisco state has become a cartel killing ground, security experts say. Some graves discovered in the Guadalajara area contained a single body, some more than 40. A few had 95 or more.
In 2023, the remains of nine teenagers, chopped up and stuffed in trash bags, were found in a canyon in Zapopan. They had worked for a Jalisco cartel call center where telemarketers scammed Americans of millions of dollars in a time-share scheme. The teenagers are believed to have upset their employer.
Traffickers recruit young people, including minors, to serve as foot soldiers in their bloody quest to control drug-trafficking routes across Mexico. Some of those teenagers were lured by ads promising good-paying jobs, only to discover they were being funneled to a Jalisco cartel training camp an hour outside Guadalajara. There, as a test, Mexican security officials said, recruits were forced to kill fellow recruits.
Plaza Liberacion, the city’s main public square, with flyers with photographs and identifying information about missing persons, on Friday.
(Alejandra Leyva/For The Times)
The cartel has recruited more than 45,000 minors across Mexico in recent years, said one Jalisco state representative.
While some of Guadalajara’s upscale neighborhoods have escaped the violence, families across the metropolitan area have seen hundreds of children disappear, some to reappear, dead, on cartel battlefields across Jalisco and in the states of Sinaloa and Michoacán, searchers said.
The Jalisco state government lists more than 16,000 reports of missing people — the most of any Mexican state. Nationwide more than 130,000 people are reported missing.
Despite the preparations and the buzz among the nation’s vast population of soccer fans, World Cup fever has not caught on among families of the disappeared and the search teams that each week fan out across Guadalajara, looking for new graves.
Natalia Leticia García’s son disappeared in 2017. She began her own search and launched a group to help find other victims. Eight years later, García’s group has located 26 graves. Some finds have been bags full of severed heads, others holding just arms. It is a cartel tactic, she said, to make it harder to piece together remains.
“It is cruel,” García said. Her son, César Ulises Quintero García, remains missing.
Fisher is a special correspondent. This article was co-published with Puente News Collaborative, a bilingual nonprofit newsroom that covers stories from Mexico and the U.S.-Mexico border.
WASHINGTON — In Napa and surrounding counties, Rep. Mike Thompson’s once-easy reelection contest is turning into something of a race. In the Sacramento area, Rep. Doris Matsui is facing one of her most serious challengers in two decades. In Los Angeles, a former White House climate official wants to unseat Rep. Brad Sherman.
In these districts and others, newcomers are challenging some of the most recognizable Democratic names in California politics in the June 2 primary election.
The challenges are part of a national wave reshaping the debate over generational power and the direction of the Democratic Party ahead of the 2026 midterms, when party leaders hope to retake control of the House. They reflect — and capitalize on — restlessness among progressive voters frustrated with the status quo, worried about affordability and looking for fresh leadership.
The question of when elder lawmakers should step aside has dogged both parties for years, from the late-career health scares of senators including Republican Mitch McConnell and Democrat Dianne Feinstein to the generational debates sparked by progressive figures such as Rep. Alexandria Ocasio-Cortez and New York City Mayor Zohran Mamdani.
Rep. Mike Thompson, a Democrat from California, during a news conference at the U.S. Capitol in March 2025 about a Signal messaging incident involving Trump administration officials.
(Daniel Heuer / Bloomberg via Getty Images)
Now, a handful of California’s primary contests have revived a predictable debate: Some in the party see the argument that lawmakers in their 70s and 80s should step aside as ageist and naive; others argue Democrats need to allow for generational turnover, particularly after the party’s 2024 failure to beat President Trump.
“The Democratic Party has not been delivering, and the power structure there is crumbling,” said Eric Jones, 35, an entrepreneur who is challenging Thompson in the newly redrawn 4th District. “Where’s the hope? Where’s the dreaming? Where’s the future? I don’t see any of that coming out of this current political class.”
Incumbents argue that trading experience for a fresh face is a false promise. In statements to The Times, several pointed to their legislative accomplishments. “Now is not the time for on-the-job training,” said Thomas Dowling, a spokesperson for Thompson.
The redistricting created by Proposition 50 has helped open the door to newcomer candidates in the 4th and 7th districts, where Thompson and Matsui are facing challengers, making those races more competitive. Both districts were redrawn so that the incumbents must earn the trust of new voters who have never before seen them on their ballots.
“They’re still Democratic, but some of the voters are different,” said Christian Grose, a professor of political science and public policy at USC. “I think that has created an opportunity for a couple of those younger people up north, where districts have changed.”
The two races differ — Thompson, for instance, has received endorsements from young-voter groups, such as the Sacramento County Young Democrats, and at 75, is younger than Matsui, 81.
Matsui, meanwhile, is favored in fundraising, with roughly $1 million in cash to the $315,000 brought in by challenger Mai Vang, a Sacramento City Council member backed by progressive groups who has cast her campaign as one fueled by working families and criticized Matsui for relying on corporate donors. Jones’ challenge has forced Thompson to match his fundraising and door-knocking efforts — both candidates have raised roughly $3 million, their campaigns said.
“Others think being a leader is screaming and shouting,” Matsui told The Times. “I think it is about being effective.”
Rep. Doris Matsui (D-Calif.), pictured in April, is facing one of her most serious challengers in two decades.
“It’s going to take new types of energy, new thoughts, and leadership, to fight what is happening in our country right now,” said Myla Rahman, 53, a Los Angeles Democrat in the 43rd District challenging Waters, who has held the seat for 35 years.
The primary election will also feature a handful of open contests in solidly blue districts where long-standing incumbents are stepping aside — including Pelosi’s San Francisco seat and retiring Rep. Julia Brownley’s Ventura County district — offering newcomers their first real opening in years.
In Alameda County, a primary election is set for June 16 for the seat vacated by former Rep. Eric Swalwell, who resigned last month amid sexual assault accusations.
National Democrats, meanwhile, are focused on defending incumbents in two swing districts in California that the party considers crucial to winning the House majority: Rep. Derek Tran of Orange County, who won his seat by just over 600 votes in 2024, and Rep. Adam Gray of the Central Valley, who faces a competitive field.
In both competitive partisan races and in Democrat-on-Democrat contests, analysts say frustration about the economy is bubbling up from voters.
A statewide survey released in February by the Public Policy Institute of California found that 56% of likely voters believe a candidate’s position on affordability was very important in determining their vote in a House race — yet only 20% said they approve of the job Congress is doing.
Among voters under 35, the numbers were starker: 76% named cost of living a top concern, and just 13% approved of Congress.
Those numbers help explain why young voters may be looking for new options from primary challengers, said Mark Baldassare, president and chief executive of the Public Policy Institute of California. Much of the disillusionment stems from economic pressures, he said.
“If you’re getting a 13% approval rating in Congress among 18- to 34-year-olds, that tells you a lot about how people are feeling about the status quo,” Baldassare said.
The trend reflects a mix of younger candidates who have grown tired of waiting their turn, others who are driven by ideology, and others who simply see a rare opening against a vulnerable incumbent, Grose said.
“If you’re a savvy young candidate, it may be easier to beat an incumbent who is over 80 than to then primary 20 people when the person retires later on,” he said.
The challenge for challengers
Still, newcomers face a steep climb against opponents whose names are well known in communities where they have been deeply embedded over the years.
Rahman, a nonprofit director, acknowledged it’s challenging to run against someone like Waters, who is nationally known and has voter loyalty. But she said the cost of groceries, gas and housing have people questioning whether their representatives in Congress are doing enough.
In Solano County, Garamendi, who has served in Congress since 2009 and held senior posts in state government since the 1970s, faces three challengers — two Democrats and one Republican — in the redrawn 8th District.
“Experience matters, both when you’re fighting Trump and when you’re working to improve our community,” he said when he launched his reelection bid.
In Los Angeles’ 32nd District, Sherman, 71, is attempting to fend off Jake Levine, 41, a former Obama and Biden White House climate aide who decided to run after losing his childhood home in the Palisades fire.
“For 30 years, we’ve been told that seniority equals effectiveness, and that time in office equals progress,” Levine said. “But people across our district — who are contending with $7 gas and housing prices driving people out of L.A. — can feel that’s not true.”
Sherman, who has been in Congress since 1997, dismissed the generational-change argument bluntly.
“If you have never shown that you can stand up to the other side in a tough legislative debate, then you might as well just go out there and say, ‘I’ve never done anything, I’ve never proven I can do anything, but I am new,’” Sherman said.
The snow was flying sideways and he had no jacket, but this lumberjack did not shiver. He stood about 25 feet tall, ax in hand, wearing a red hat and rictus grin. And he was made of fiberglass.
I stood at his feet on the Northern Arizona University campus in Flagstaff, full of the satisfaction that comes at having accomplished something truly trivial: At last, I was face to face with the original Muffler Man.
Stories, photos and travel recommendations from America’s Mother Road
Easter Island has its stone-faced monoliths. China has its terra-cotta warriors. And we Americans have these roadside giants, also known as Paul Bunyans, Uniroyal Gals and most commonly, Muffler Men. Manufactured in Los Angeles, they first appeared on the highways of North America in the early 1960s as an advertising gimmick, often promoting car lots or car parts. Now they’re rising again, a battalion of restored and replica specimens, beloved by road-trippers, kitsch aficionados, artists, preservationists and savvy entrepreneurs.
“To me, they’re kind of instant friends,” said Amy Inouye, the designer and artist who rescued L.A.’s most iconic Muffler Man, Chicken Boy, a chicken-headed statue that stands atop her gallery in Highland Park. “They’re really tall and they just want to be accepted for who they are.”
The Northern Arizona University campus in Flagstaff includes the first oversize fiberglass Muffler Man, who has long been outfitted as a lumberjack.
These figures are especially plentiful along Route 66 this year as it turns 100 — there was a “pre-centennial frenzy” in the words of roadsideamerica.com, which coined the term “Muffler Men” and tracks them on a map. Nobody’s certain how many figures were made during the golden age of Muffler Men, but since 2020, the tally of giants has climbed above 250, including “a few dozen” rediscoveries since 2010, according to Doug Kirby, the co-founder and publisher of the site.
“Just in the last year or two, all these Muffler Men are being added,” he said. In addition, more than a dozen giants are currently in transition — that is, getting reconditioned or relocated.
1.) Cigars and Stripes BBQ in Berwyn, Ill., features a Muffler Man smoking a cigar and holding a jumbo bottle of barbecue sauce. 2.) The Gemini Giant stands along Route 66 in Wilmington, Ill.
On a recent westbound journey from Chicago on Route 66, I started seeing them almost immediately.
First, on Ogden Avenue in the Chicago suburb of Berwyn, there was the Cigars & Stripes Muffler Man. He stood on the roof of the Cigars & Stripes BBQ Lounge, brandishing a chicken wing and a fridge-size bottle of barbecue sauce while chewing on a stogie.
Next, in Wilmington, Ill., came the Gemini Giant, who stands 23 feet tall above a tiny park. Made for a Wilmington diner in 1965, he was auctioned off for $275,000 in early 2024 and placed in his current location later that year. He wears a clunky silver space helmet and holds a rocket in his hands.
I had come across a few Muffler Men before this trip, including Big Josh, who looks down upon Joshua Tree from the Station gift shop on State Route 62. But now I was paying more attention.
At first, I learned, these giants were all men, conceived around 1962 by a Lawndale entrepreneur named Bob Prewitt and made popular from the early 1960s through the mid-1970s by a company in Venice called International Fiberglass.
Made from a standard set of molds and held together by steel frames, most Muffler Men are assembled from three or four pieces. Besides those figures holding mufflers and tires, others were outfitted as cowboys, Indians, lumberjacks (often known as Paul Bunyans), astronauts, chefs, dentists, golfers, hot dog vendors, race-car drivers, pirates and service-station attendants. Then there were the jug-eared goofball characters, which some scholars of the art form call halfwits, while others prefer snerds.
As interest in this kind of advertising grew, female giants followed, including Uniroyal Gals and Rosie the Riveters. Oversized animals, including dinosaurs, bulls, roosters, hens and seals, also multiplied.
Juni Peraza, 25, works at the Meadow Gold Mack retail shop on 11th Street in Tulsa, Okla. She said she has only recently realized the possibilities that come with 11th Street being part of Route 66.
All that action faded in the 1970s. But in about 1989, the seeds of a new Muffler Man era were sown.
Kirby, Mike Wilkins and Ken Smith, who had worked together on the 1985 book “Roadside America,” were building a database for a follow-up project when they realized, “Hey, wait, this configuration of statue we’re seeing in a lot of places,” Kirby said. “We decided we’d better start keeping track.”
The first few they saw were holding mufflers. Thinking of the old nursery rhyme “Muffin Man,” and a Frank Zappa song of the same name, Kirby decided to call them Muffler Men.
When the roadsideamerica.com website launched in 1996, Muffler Men were part of it. By 2000, Roadside America had uncovered their origin story and interviewed Steve Dashew, former president of International Fiberglass. And readers had embraced the giants in a big way.
This fiberglass Rosie the Riveter figure went up on 11th Street in Tulsa in 2025.
“It was like a religious epiphany for some people. For years, they were driving past these things,” Kirby said. “As soon as they realized it was part of an uncharted network across the country … it’s like your third eye has been opened.”
Ken Bernstein, principal city planner for Los Angeles Office of Historic Resources, calls Muffler Men “monumental and distinctive representations of midcentury car culture, especially along auto-centric corridors where it was important to catch the eye of passing motorists.”
New giants, known as custom jobs, are being steadily manufactured now. There’s an entire economic community emerging around their restoration, replication, sales, transport and display, including companies like (Re)Giant and sculptor Mark Cline’s Enchanted Castle Studios. (To confuse matters, many Southern California mechanics woo customers by welding together mufflers to make human figures. Those creations, too, are often called Muffler Men.)
The American Giants Museum in Atlanta, Ill., created in 2024 by Bill Thomas of the Atlanta Betterment Fund and collector-historian Joel Baker, is devoted to the fiberglass figures. The museum, open April through October, includes four standing Muffler Men, with two more expected around Memorial Day.
Because the giants stand in the open air, visitors who show up after hours — as I did — can ogle them any time.
Atlanta, Ill., is home to the American Giants Museum, which celebrates the Muffler Men and Uniroyal Gals that were common roadside advertising features in the middle 20th century.
“I love history. I love anything to do with cars and old advertisements. I think it just takes people back,” said Lee Woods, 55, who jumped on the Muffler Men bandwagon about five years ago and owns the museum.
Woods and his wife, Diane, who have a fleet of tow trucks in Hot Springs, Ark., were collecting old porcelain gas station signs, gas pumps and old cars in 2021 when, on a drive through Illinois, they laid eyes on the Gemini Giant.
“I told my wife I would love to have one of them things to represent our tow company,” Woods recalled.
Before long, they had hired someone to build a custom tow-truck-operator Muffler Man. And before that Muffler Man was done, Lee Woods had bought another one — a Paul Bunyan in Oklahoma. Then in 2023 he got a hold of a Muffler Man Mr. Spock from Rainbow Neon in Salt Lake City. Now Woods has eight Muffler Men in Arkansas.
“Sometimes I get carried away, my wife says,” Woods said.
Last fall, he bought the museum, where he collaborates with Baker, who is founder of the American Giants website, creator of a Giants YouTube series and serves as a Muffler Man broker, consultant and transportation specialist.
“When people see these things, they think they’re the coolest thing out there,” Woods said. “Today we’ve had people from six different countries here.”
1.) Cowboy Bob, who is about 20 feet tall, plays guitar and wears a bolo tie, is one of several oversize fiberglass mascots along 11th Street in the Meadow Gold District of Tulsa. 2.) Meadow Gold Mack, a friendly lumberjack, is mascot for a shop of the same name on 11th Street in Tulsa.3.) A Muffler Man near Gearhead Curios in Galena, Kan.4.) The 2nd Amendment Cowboy is a fiberglass giant that stands at the entrance to a trailer park near the art installation Cadillac Ranch in Amarillo, Texas.
From here, the giants seemed to come fast and furious. One in Galena, Kan. Two in Vinita, Okla. (which has since added a third). Five in Tulsa’s Meadow Gold District (including one with an 8-foot-long guitar).
Then in Weatherford, Okla., came a 30-foot astronaut. In Amarillo, a “2nd Amendment Cowboy” with a pair of big pistols at his feet. In Gallup, N.M., a giant on the roof of a used car lot.
By the time I’d reached Flagstaff, my count was 18.
Then came my snowy moment with the original Muffler Man, whose nickname is Louie. Experts agree that he was produced in about 1963 and sent to a Flagstaff cafe with a lumberjack theme (and yes, that cafe stood along Route 66).
Louie stood there until the cafe closed more than 10 years later. Then he was donated to NAU and stationed by the ticket office of the university’s Walkup Skydome. Another lumberjack stands inside.
But after Louie, I hit a drought — no more giant sightings in Arizona and none on the Route 66 alignment I followed into Southern California.
This seemed wrong, because there are so many giants along the byways of Southern California and because this is the land of their birth. Besides Big Josh, there’s the Paul Bunyan in Mentone, the empty-handed Muffler Man known as Kevin on Sherman Way in Van Nuys. There’s the flag-wielding Porsche Muffler Man in Carson (who previously served in the same spot as a club-brandishing Golf Man). And there are plenty of others.
It didn’t seem right to end the journey without another sighting. So I made my way to Highland Park to meet the one who rules the roost.
More specifically, I headed for 5558 N. Figueroa St., which was on the path of Route 66 for several years in the 1930s and which is the home of Chicken Boy.
Blessed with the customized head of a chicken, the body of a Muffler Man and a bucket in his hands (for eating chicken?), Chicken Boy stood for years atop the Chicken Boy fried-chicken restaurant on Broadway downtown, inspiring writer Art Fein to label him “L.A.’s Statue of Liberty.”
After the restaurant was shuttered in 1984, Inouye swooped in to rescue Chicken Boy and place him in protective storage — for years, as it turned out.
The fiberglass statue known as Chicken Boy stands on the roof of artist, designer and gallerist Amy Inouye’s studio on Figueroa Street in Highland Park.
In October 2007, after she and longtime partner Stuart Rapeport had bought the Highland Park studio space and pulled permits, Inouye put Chicken Boy back together again and set him up on the roof. There he remains, sharing space with a billboard, visible up and down the block between Avenue 55 and Avenue 56.
If a nomination by L.A. preservationist Charles J. Fisher goes through, Chicken Boy could become the first Muffler Man declared a city historic-cultural monument. And if you drop by the Future Studio Gallery on a Saturday between noon and 3 p.m. or 4 p.m., you’ll likely find Inouye, now 74, along with a trove of Chicken Boy T-shirts, patches, pencils and ceramic treasure boxes.
But seeing Chicken Boy is its own reward, especially after seeing so many of his fiberglass cousins. I got there on a balmy afternoon, beheld Chicken Boy’s beak gleaming in the sun, and knew my mission was complete.
It’s a showdown that — regardless of the outcome in the June 2 primary election — probably won’t have Republicans in a celebratory mood.
The battle for the 40th Congressional District representing a swath of inland Orange County and portions of San Bernardino and Riverside counties is happening in one of Southern California’s only remaining solidly red districts. But that doesn’t provide much solace, experts say.
The shuffling of districts following the passage of Proposition 50, which gave Democrats in Sacramento the authority to redraw the state’s congressional districts in favor of Democratic candidates, is pitting two current members of Congress — Young Kim (R-Anaheim Hills) and Ken Calvert (R-Corona) — against each other in a bid to keep their seat.
The two are also fending off challenges from a host of Democrats and an independent candidate who says she hopes to win votes from those disenchanted by deeply partisan politics felt across the country.
But even if a Republican keeps the seat, California’s Republican congressional delegation is still down by another member.
“It was all part of the Prop. 50 effort,” said Jon Fleischman, a conservative strategist. “Not only did they reduce the number of seats that Republicans have, they got to shove a couple of incumbents into one seat and eat popcorn and watch the food fight.”
And the gloves are already off.
Kim launched a $3.7-million ad blitz last month with a video boasting her support of President Trump, saying that she’s a “trusted Trump conservative.”
Calvert’s campaign responded in an attack ad that referred to Kim as a RINO, or Republican in name only, a pejorative term frequently used by Trump and others in the GOP to describe conservatives perceived as being disloyal to the party and a “Trump traitor.”
The television advertisement, which began airing last month, called attention to Kim co-sponsoring legislation with other Republicans to censure Trump in 2022 after the Jan. 6, 2021, attack on the U.S. Capitol. Democrats widely criticized the move as a slap on the wrist.
“I believe censuring the president after his actions helps hold him accountable and could garner wide bipartisan support, allowing the House to remain united during some of our nation’s darkest days,” Kim said at the time.
The nonpartisan Cook Political Report lists the 40th District, which extends from Villa Park south to Mission Viejo in Orange County and into Corona, Murrieta and Menifee in the Inland Empire, as being solidly Republican.
It’s the only House seat that was competitive under the old congressional district map that is now fairly safe for the GOP. Trump would have won the district by 12 points in 2024.
As the two incumbents trade jabs, Democrats Esther Kim Varet, an art gallery owner; Lisa Ramirez, an immigration attorney; Joe Kerr, a retired fire captain; and Claude Keissieh, an electrical engineer; are hoping to garner enough support among the progressives in the district to advance to the November election.
Nina Linh, who entered the race early on as a Democrat but has since identified as an independent, is hoping to make inroads with voters disenchanted by both parties.
“When I look at our political climate, I have never in my adult life witnessed or experienced anything so polarized,” she said in a recent interview. “And people, including myself, are just exhausted from this back-and-forth rhetoric for over a decade that has gotten us into a culture of just hyper-divisiveness and extreme partisanship that is prioritized over what everyday people are concerned about.”
Dan Schnur, who teaches political communications at USC, UC Berkeley and Pepperdine, called the race in the 40th District a “classic matchup between the two Republican parties — the pro-Trump party and the pre-Trump party.”
Kim, who in 2020 was one of the first Korean American women elected to Congress, does vote to advance Trump policies, but her biography is more consistent with an earlier era of conservatism. Calvert, the longest-serving Republican in California’s congressional delegation, has much more aggressively positioned himself in line with Trump, Schnur said.
The district is representative in a lot of ways of the two types of Republicans that make up much of the party’s base — MAGA supporters and traditional Republicans who have either come to accept Trump or quietly resent him.
“Not only is this district reflective of the challenge that the party is facing around the country this year, it could be an early precursor of what Republicans will face in the 2028 presidential primary,” Schnur said.
WASHINGTON — As Kamala Harris eyes a possible 2028 presidential bid, there is little outward enthusiasm among her biggest 2024 backers to fund a repeat performance, adding to uncertainty about the former vice president’s prospects in what is sure to be a crowded primary field.
The Times reached out to more than two dozen top donors to the biggest pro-Harris super PAC in 2024. Several of them said they do not plan to support her should she choose to run, or declined to talk about her. Others did not respond.
“I don’t think it’s a helpful narrative [for 2028] to start with the 2024 hangover,” said one fundraiser for Harris’ 2024 campaign, who requested anonymity to speak candidly. “There is an enormous appetite for new blood — something fresh, something that really represents the future, not the past.”
That narrative is poised to present Harris’ biggest challenge if she decides to run — particularly if it jeopardizes her ability to pull in crucial funding. Though few in the party want to criticize Harris, few appear inclined to endorse her, and conversations about her prospects often come down to one thing: Democrats’ anxiety about winning.
“She’s run, she’s lost, so the question’s going to be, is there somebody that gives Democratic voters more of a sense that they could win?” said Dick Harpootlian, a longtime South Carolina Democratic strategist. “That’s what all of us are looking for. We want to win in ‘28.”
The chatter among party elites appears at odds with recent polling in Harris’ favor, including in April’s Harvard Center for American Political Studies/Harris Poll, which showed Harris leading the Democratic field with support from 50% of Democrats.
The former vice president has also been met with enthusiasm from audiences in a series of recent speaking stops — including when she told a friendly crowd at a New York conference in April that she “might” run for president.
Harris remains undecided about whether to mount a run, according to a person familiar with her thinking, who said Friday she has been focused on boosting Democrats ahead of the midterm elections, meeting voters and delivering messages about the economy and affordability.
If she were to run, Harris would expect a crowded primary field to split donors and would be aware of the need to overcome the perception of skeptics, this person said — but noted that 2028 would afford a very different dynamic than the circumstances under which she took the nomination in 2024.
“There’s a bit of a ‘doth protest too much’ quality to some of these complaints about the idea of her running,” said the person close to her. “It may be a backhanded way of acknowledging that she’d be quite formidable if she decided to get in.”
Speculation about whether Harris would run again — and whether she should — has swirled since her truncated 2024 campaign ended in defeat to Donald Trump. Harris’ decision not to run for California governor in a wide-open race was broadly viewed as signaling presidential ambitions, and she reentered the public eye with the publication of a book about the 2024 campaign and an associated speaking tour.
Last month, Harris gave her strongest signal yet that she could seek the party’s nomination again, telling the Rev. Al Sharpton at a gathering of his civil rights organization in New York that she was “thinking about it.”
“I know what the job is and I know what it requires,” Harris said at the time.
Harris’ 2024 loss to Trump and failure to capture any battleground states — after entering the race late following President Biden’s exit — was bruising for Democrats. The defeat is lingering longer for some top donors than it did after Hillary Clinton’s loss to Trump in 2016, making them extra wary, said one Democratic political consultant.
“Especially in the donor class, everyone feels burnt,” he said. “People just want to turn the page.”
The Times contacted top donors to Future Forward, the Democratic super PAC that spent the most to back Harris in the 2024 election. All the donors contacted gave at least $1 million and some acted as bundlers for the campaign, soliciting big checks from other donors in addition to their own contributions.
Netflix co-founder Reed Hastings, who gave $1 million to Future Forward in 2024, said he hoped to support a different Californian.
“Gavin is the candidate who can motivate both the left and the center,” Hastings told The Times, referring to Gov. Gavin Newsom.
A bundler for both Harris and Biden said it comes down to who can give Democrats the best chance to succeed.
“I think it is too early to pick a favorite in the 2028 race, but Kamala Harris will not be my candidate,” this person said. “I don’t think she would appeal to a swing voter, and we need swing voters to win.”
Others, including a few party leaders, deflected questions by citing a focus on this year’s midterm elections. Rep. James E. Clyburn (D-S.C.), who last year praised Newsom’s presidential prospects during a visit by the governor, said Tuesday that Democrats should be zeroed in on 2026.
“I’m not thinking about 2028, and if she were to call me I wouldn’t talk to her about it,” Clyburn told The Times when asked about Harris’ chances.
Enthusiasm for Harris and skepticism about her viability in 2028 aren’t mutually exclusive, said the former Harris fundraiser.
“A lot of people love her and also don’t think that she is the answer for 2028,” the fundraiser said.
The attitudes of the donor class and political elite may be at odds with those of regular Americans, particularly Black and working-class voters, the Democratic political consultant said. Few of the possible candidates have the potential to excite Black voters the way Harris does, he said.
If a candidate, whether Harris or someone else, makes a successful case that they can win, Black voters will be “strategic and optimistic enough” to rally around whoever it is, said Keneshia Grant, a Howard University political scientist.
But, she said, “I don’t think that they are going to take well to work by elites or the donor class to sideline Harris if there is no clear, reasonable, exciting, Obama-level, yes-we-can candidate instead of her.”
Harris speaks the Public Counsel Awards Dinner on April 29 in Beverly Hills.
(Frazer Harrison / Getty Images)
In recent weeks, Harris has spoken at a fundraiser in South Carolina, a party luncheon in Michigan and a dinner in Arkansas. On Thursday, she was in Nevada to rally Democrats ahead of the midterm primary.
She also joined other likely 2028 contenders at the Colorado Speaker Series in Denver and Sharpton’s conference, accepted an award from the nonprofit Public Counsel at a Los Angeles gala and addressed the National Women’s Law Center gala in Washington to a warm reception, as did Illinois Gov. JB Pritzker.
“She was inspiring, she was hopeful, she pushed back on Trump,” said Jay Parmley, chair of the Democratic Party in South Carolina, where Harris spoke at a party-hosted fundraiser in Greenville on April 15.
South Carolina, a key primary state, could help unlock Harris’ path to the nomination. If Black voters there boosted her to a win, she could build early momentum.
But Parmley said he believed she would have to “get over” the hurdle of convincing voters that she can beat the GOP.
“I don’t think it’s a given she wins here without work,” Parmley said. “She’s going to have to really visit with voters and work just like everybody else.”
Times staff writer Ana Ceballos in Washington contributed to this report.
Chad Bianco’s campaign for California governor leans heavily on his years as Riverside County sheriff, a record that has drawn praise from voters yearning to return to a tough-on-crime era and harsh criticism from others who consider him a far-right affront to the rule of law.
The stout, mustached Republican is running an unapologetic campaign against the “Democrat policies that have destroyed this state,” launching into angry diatribes about, as he sees it, the left’s failed record in California in debate after debate, on social media and in news interviews, during which where he often accuses the media of being complicit.
In an interview with The Times, Bianco said he is sick of what he calls soft-on-crime Democrats in Sacramento undermining him and other law enforcement leaders across the state, whom he wants to unleash if given the power.
Part of Bianco’s prescription for turning California around: cracking down on theft and drug offenses, stiffening sentences for both petty and violent crime, building more detention facilities, collaborating with federal immigration forces to deport immigrant offenders, and demanding greater personal accountability from homeless people suffering from mental illness and drug addiction.
Riverside County Sheriff Chad Bianco, a GOP candidate for governor, and Kate Monroe, CEO of VETCOMM, speak with people in the Skid Row area of Los Angeles. .
(Jason Armond / Los Angeles Times)
“It is impossible for me to keep my county safe because of politics. It is impossible for me to run my jails correctly because of politics. It is impossible for me to prosecute someone to the fullest extent of the law because of politics,” Bianco said. “Politics is destroying the state of California — and unfortunately for the Democrat Party, they are 100% to blame.”
It’s a message that has clearly resonated with a slice of the California electorate. Bianco has consistently polled above 10% among likely voters, putting the MAGA-aligned sheriff among the top tier of gubernatorial candidates in deep blue California thanks to a slew of Democratic candidates still splitting their party’s much bigger base.
It’s also a message receiving increased scrutiny as the June 2 primary nears, from rival candidates on both sides of the political aisle.
A spokesman for Democrat Xavier Becerra, who served as California attorney general during part of Bianco’s time as sheriff, called Bianco a “tyrant” and said he has run his department “like a man who answers to no one — not the president, not the courts, not the people he was elected to serve.”
Republican Steve Hilton, a former Fox News commentator endorsed by President Trump, has attacked Bianco for essentially the opposite reason — suggesting Bianco has literally and figuratively bent the knee to liberal forces in the state.
Despite Hilton’s attacks, Bianco’s political record is far right and fully in line with the MAGA base, including on sanctuary policies, election integrity and other issues favored by Trump.
LAPD officers and DEA agents converge along Alvarado Avenue near MacArthur Park targeting an open-air drug market on Wednesday.
(Genaro Molina / Los Angeles Times)
On crime
Crime has been a top issue for California voters for years, and Bianco will no doubt benefit among a portion of the electorate from having the title of sheriff attached to his name on the ballot.
According to a Times analysis of state-collected data through 2024, Bianco’s record on crime has been mixed. The data show violent crime rising for years under his leadership and being solved at lower rates than in surrounding counties. The data also show a more recent turnaround, with declines in such crime and improved clearance rates.
Bianco challenged the accuracy of the state data and offered his own snapshot of crime figures that painted a different picture — of much higher clearance rates, but also a much larger volume of violent crime in his jurisdiction.
Bianco, 58, joined the Sheriff’s Department in 1993 and was a lieutenant when he defeated the incumbent sheriff in 2018, taking over policing and jail oversight in 2019 for a vast swath of one of California’s largest counties. He won reelection in 2022.
Riverside County Sheriff Chad Bianco takes a knee with demonstrators after thousands marched to the Robert Presley Detention Center and were met with a roadblock of law enforcement during a protest against the death of George Floyd in 2020.
(Gina Ferazzi / Los Angeles Times)
According to the state data, overall violent crime in that county jumped in 2019, fell slightly in 2020, then increased each year from 2021 to 2023 before falling again in 2024. Homicides increased in 2019 and again in 2020, when the COVID-19 pandemic raged and cities across the country saw similar spikes, but declined each of the next four years, the data show.
Vehicle thefts have fluctuated during Bianco’s tenure but have been on the decline since 2021, according to the state data. Other forms of theft, as well as drug offenses — something Bianco said is crucial to address while backing Proposition 36, a ballot measure state voters passed in 2024 to increase penalties for such crimes — have also fluctuated in the county for years.
Meanwhile, Bianco’s deputies have struggled to reduce violent crime — like their counterparts in other counties — though they have made improvements under Bianco, according to state statistics.
The department cleared about 38% of violent crimes in 2018 and about 47% in 2024, with several fluctuations within that range in the years between, according to state data.
Law enforcement from surrounding communities, including San Bernardino County sheriff’s deputies and CHP officers, close off streets and lock down the perimeter at Loma Linda University Medical Center after a report of a gunman in the emergency department of Children’s Hospital on March 12, 2025.
(Gina Ferazzi / Los Angeles Times)
By comparison, the San Bernardino County Sheriff’s Department during the same time period saw violent crime clearance rates between about 50% and nearly 64%, while the Los Angeles County Sheriff’s Department saw rates between about 55% and 63%, the data show.
The Sheriff’s Department is responsible for law enforcement in the county’s unincorporated areas, which include deserts and mountains, as well as cities that contract with the agency — including Temecula, Moreno Valley, Lake Elsinore, Rancho Mirage and others. The Times analyzed state crime and clearance data from all those areas.
In 2021, the ACLU of Southern California wrote a letter to the California attorney general’s office demanding that it investigate Bianco’s department for “racist policing practices, rampant patrol and jail deaths” and noncompliance with past court orders requiring improvements.
In 2022, 19 people died in Riverside County jails, making them among the deadliest in the nation. An investigation by the Desert Sun later blamed “neglect by jail employees, access to illicit drugs, and cell assignments that put detainees at increased risk of violence or did not allow for close oversight.”
In 2023, California Atty. Gen. Rob Bonta launched a sweeping civil rights investigation to determine whether the Sheriff’s Department had “engaged in a pattern or practice of unconstitutional policing amid deeply concerning allegations relating to conditions of confinement in its jail facilities, excessive force, and other misconduct.”
Bonta’s office declined to comment on the ongoing investigation, which has yet to produce any public findings. Bianco pointed to the lack of results to date as proof there is nothing to uncover in his jails, which he claimed are the best-run in the state.
“If there was all of these bad things that I were doing, are you telling me that he was going to allow me to continue to do them for three years?” Bianco said. “There is not going to be anything because our attorney general is an absolute lying fraud and an embarrassment to law enforcement.”
Gubernatorial candidate Chad Bianco greets supporters during a break at the California Republican Convention at the Sheraton San Diego Resort on April 11.
(John Gastaldo / For The Times)
Bianco argued that crime data put out by the state has been cherry-picked by liberals to make law enforcement look bad.
He said crime was underreported in Riverside County before he took office because residents and business owners didn’t believe anything would be done about it, and that he actually “wanted our crime stats to go up” when he took over because it would mean trust had improved.
He said his agency had been struggling to retain deputies amid poor morale when he took over, but has since rebounded and become “one of the most proactive law enforcement agencies in the country” thanks to his focus on addressing crime “hot spots” and “broken windows” policing — a much-criticized theory that says addressing urban blight and enforcing laws against petty offenses also drives down violent crime.
Rep. Ken Calvert (R-Corona), who has endorsed Bianco, called him a “real law enforcement champion” for Riverside who despite challenges has “consistently made it harder for criminals to succeed in our communities.” Calvert said drug cartels operating in rural stretches of the Inland Empire make solving crime in the region difficult, but Bianco has “done a good job of trying to face up to it and move it in the right direction,” including as an outspoken critic of “soft-on-crime laws” in Sacramento.
Speaker of the House Mike Johnson (R-La.,) center, listens to Riverside County Sheriff Chad Bianco speak at a news conference in the U.S. Capitol as part of Police Week on May 15, 2024.
Speaking with The Times, Bianco defended the Oath Keepers — which he did again during a recent debate — and said it wasn’t right to judge the entire organization based on the actions of some members. He also said Trump was right to pardon many of the people charged in connection with Jan. 6 — who he said “did absolutely nothing” wrong and were “politically prosecuted with lies” — but that he disagreed with the president’s pardoning of others who were caught on video attacking U.S. Capitol police.
Bianco has claimed expansive powers as sheriff, including to buck state directives, as with COVID; has said his Christian faith is a driving force in his life; and has described his comment about a felon in the White House as a tongue-in-cheek criticism of bogus attacks on Trump.
He joined Huntington Beach in a lawsuit challenging California’s sanctuary policies, which generally bar localities and their law enforcement agencies from participating in federal immigration raids or initiatives, and has sent mixed messages on whether his deputies would work with Immigration and Customs Enforcement agents despite California’s laws.
In November 2024, he told Fox 11 L.A. that if keeping Riverside County residents safe meant “working somehow around” state laws and “with ICE so we can deport these people victimizing us and our residents, you can be 100% sure I’m going to do that.” In February 2025, he said Riverside County deputies “have not, are not and will not engage” in immigration enforcement, which he said is a federal responsibility.
Riverside County Sheriff Chad Bianco kicks off his campaign to run for governor at the city’s Avila’s Historic 1929 event center on Feb. 17, 2025.
(Gina Ferazzi / Los Angeles Times)
Also this year, Bianco caused an uproar when he seized more than 650,000 ballots from last November’s election as part of what he said was an investigation into whether they were fraudulently counted — a claim he is entertaining from a fringe group of election deniers, despite assurances from county and state officials that the allegations are baseless.
Bonta sued to stop the investigation, arguing there is no basis for it and that Bianco has no such authority without buy-in from him and oversight from state elections officials. He accused Bianco of having gone “rogue” and creating “a constitutional emergency in the process.”
The California Supreme Court halted the investigation as it weighs arguments in the case.
Bianco slammed Bonta for trying to halt his investigation, which he said was “probably one of the most easy criminal investigations you could ever, ever imagine” and normal work for a sheriff.
Bob Shrum, a longtime Democratic strategist and director of the Dornsife Center for the Political Future at USC, said much of what Bianco does, including his seizure of ballots, is “performative Trumpism” — and “out of step with California.”
Chad Bianco, left, answers a question as Tom Steyer watches during a gubernatorial debate at Pomona College on Tuesday, April 28, 2026 in Claremont, CA.
(Eric Thayer/Los Angeles Times)
Joy Silver, chair of the Riverside County Democratic Party, said Bianco has been cultivating an image as a tough-on-crime candidate for years, but in recent debates has shown his true colors as an angry ideologue with few policy ideas and little willingness to work across the aisle.
Silver said Bianco’s simplistic “own the libs” approach to governing has already harmed Riverside, and would serve no one were he governor.
“There’s no policy or solutions or anything that are packed into that,” she said. “It’s just a hateful message.”
While the specter of la migra continues to haunt the city, far more crushing are problems that affect everyone — affordability, housing, traffic, pollution. Maybe Soto-Martínez and his colleagues should double down on fixing those things first and sell their message better to voters instead of picking up a new issue?
I know the first-term council member comes from a good place. His parents were formerly undocumented, just like my dad, and he has been a fierce advocate for immigrants going back to his labor organizing days. I have friends without legal status and others in the DACA program for people who came to the U.S. illegally as children. I think giving them, as well as green card holders and others with papers, a chance to participate in elections is a righteous idea.
But to paraphrase the Book of Ecclesiastes, there’s a time and a place for everything. In 2026, Angelenos should be focused on electing people and approving initiatives that will improve the city for everyone, not a narrow plank benefiting a slice of the population.
So I called up Soto-Martínez and challenged him to convince this doubting Tomás.
He hopes his proposal will reach the City Council later this month for a vote on whether to place it on the November ballot. If voters pass the measure, it goes back to the council to decide when — if ever — to enfranchise the immigrants.
The proposal, already vilified in conservative media, isn’t as radical as it seems. Noncitizens are already prohibited from voting in federal elections, but there’s a well-established history of their participation in local ones, including in Vermont and Maryland. They can already vote in L.A. neighborhood council elections, and in San Francisco school board elections if they have a child in the district.
Besides, L.A. has long led the way in weaving undocumented immigrants into the fabric of civic life.
This is a sanctuary city where Mayor Karen Bass has stood up to President Trump’s xenophobia. Where eight of the 15 council members are immigrants or the children of immigrants. Where LAUSD Supt. Alberto Carvalho — himself formerly undocumented — has striven to make local schools as welcoming as possible (Carvalho is on paid leave after the FBI raided his home and office earlier this year). Even the LAPD learned decades ago that it’s better to embrace undocumented immigrants than castigate them for their lack of legal status.
“If you’re contributing to this economy, you should have the right to decide who represents you,” Soto-Martínez told me.
Fair point. But isn’t thumbing our noses at Trump asking for more of what he has already inflicted on L.A., making life even more miserable for undocumented immigrants? Could he use the noncitizen voter rolls as a list of whom to deport? Besides, doesn’t extending the franchise to noncitizens give fuel to his crazy conspiracies about stolen elections?
“You always hear, ‘Don’t poke the bear, don’t instigate them,’ but that’s not how you deal with a bully,” Soto-Martínez replied. “They’re coming at us already. While they’re removing people’s right to vote in the Supreme Court, we’re expanding it. … And it has nothing to do with Trump. It’s about fairness.”
Tell that to Trump.
I mentioned that Santa Ana — a city far more Latino than Los Angeles, though not as liberal — decisively rejected a similar measure in 2024. Soto-Martínez’s fellow Democratic Socialist council members, Ysabel Jurado and Eunisses Hernández, have voiced their support for his measure. But I wonder whether the full council will move it along to voters in a year when some members, including Soto-Martínez, are running for reelection.
I couldn’t get a comment from Bass. Councilmember Nithya Raman, who’s running against her, said in a statement that Soto-Martínez’s push “is worth taking seriously” but that it’s “critical to getting this right, and we must not make decisions lightly or quickly.”
“We’re going to have to organize,” Soto-Martínez acknowledged. “But we live in a political moment where it’s the right conversation to have about what this city stands for.”
Avance Democratic Club President Nilza Serrano at Mariachi Plaza in Boyle Heights in 2022.
(Irfan Khan / Los Angeles Times)
He’s going to have to convince people like Nilza Serrano. She’s president of Avance, L.A. County’s largest Latino Democratic club, and heads the California Democratic Party’s Latino caucus. Serrano is no wokosa — she supported Rick Caruso in the last mayoral election and is now siding with Bass.
While Serrano thinks Soto-Martínez is on to something, she said that voting rights for noncitizens are a nonissue for the people she’s trying to get to the polls for the June primary and November general elections. The economy and Trump’s deportation deluge are more on their minds.
I asked if Soto-Martínez’s proposal would cheapen citizenship for people like her. Serrano and her family came here legally from Guatemala in the 1980s before becoming U.S. citizens, a process that took years.
“Not for me,” she replied. “But it’s hard to say for others. I’d have to do a little bit more research.”
“Isn’t San Francisco already doing it?” the Navy veteran cracked.
I thought Hernandez would go on an anti-liberal rant, but.…
“I believe there’s a strong argument,” he said, “that if someone has established residency and is a member of the community and suffered the consequences of whatever local policies will be enacted, they should have a say in who gets elected.”
Did the ghost of Joaquin Murrieta, California’s original avenging Latino, suddenly possess Hernandez? To make sure I was hearing right, I asked again if noncitizens voting in L.A. elections is a good thing.
How could he support that, as a Trump-voting Republican?!
“We have to be pragmatic,” he replied. He approves of noncitizens voting in L.A. neighborhood council elections, because that’s true local control.
He understands that allowing them to vote in municipal elections might come off as an insult to the memory of civil rights activists who lost their lives fighting for that right for Black Americans. But U.S. citizens are already taking it for granted, he noted — turnout in the November 2022 L.A. mayoral election was a pitiful 44%.
“Maybe noncitizens will appreciate voting more than citizens,” he said.
I’m still not fully convinced that Soto-Martínez’s push is wise right now, but I like that he’s being careful.
“We need to get in the weeds of this,” he said of the City Council’s deliberations, which he characterized as attempting to ensure maximum benefit and minimum fallout.
