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Interior minister says ‘vigilance at high level’, after police arrest suspect before setting off explosive device outside US bank’s headquarters.

French authorities have opened an investigation into a foiled ⁠attack targeting Bank of America’s Paris headquarters after police detained one suspect who was allegedly attempting to ignite an explosive device outside the building.

In a social media post on Saturday, Interior Minister Laurent Nunez said the swift intervention by police had “thwarted a violent terrorist attack” in the French capital the previous night.

French newspaper Le Parisien cited a police source as saying the suspect was arrested at about 3:25am local time (02:25 GMT) outside the bank’s local headquarters in the city’s 8th arrondissement as he tried to light a device consisting of a five-litre (1.3-gallon) container filled with an unidentified liquid and an explosive charge made up of about 650 grams (23 ounces) of powder.

The suspect was taken into custody, while a second individual who was present fled the scene and remains at large. The device was taken to the Paris police’s forensics lab for full analysis.

The National Terrorism Prosecution Office told the Reuters news agency the suspected offences included attempted destruction by fire or other dangerous means in connection with a “terrorist plot”, as well as ⁠the making, possession ⁠and transport of an incendiary or explosive device with intent ⁠to carry out dangerous damage.

The probe ⁠also includes a ⁠charge of participation in a “terrorist” criminal association, covering potential ‌links to accomplices or a broader network, it said.

“Vigilance remains at a very high level,” said Nunez on X, thanking “security and intelligence forces, who are fully mobilised under my authority” in what he called the “current international context”, seemingly with reference to the escalating situation in parts of the Middle East amid the US-Israeli war on Iran.

Earlier in the week, Nunez had said that authorities had stepped up the personal protection of some figures from the Iranian opposition and increased security around sites that risked being targeted, including sites linked to US interests and to the Jewish community.

A spokesperson for Bank of America told Reuters the organisation was “aware of the situation” and “communicating with the authorities”.

MAFS star Charlene Douglas has revealed the heartbreaking “final days” she spent with her late friend Mel Schilling following her tragic death.

The relationship expert said she was left “devastated” as she opened up about their last moments together.

Mel Schilling has tragically died aged 54 after a brave battle with colon cancer.

The much-loved dating coach was known for her invaluable work on both the Married At First Sight Australia and UK versions of the show.

She worked alongside Charlene Douglas on Married At First Sight UK.

The TV star shared an emotional tribute, reflecting on their close bond and the impact Mel had on her life.

FEARLESS MEL

How Mel Schilling hid cancer hell from legion of fans despite pain off camera

LAST OUTING

Final pictures of late Mel Schilling four months before tragic death

Taking to Instagram, she wrote: “I’m both devastated and heartbroken to hear of the passing of my MAFS queen and friend Mel.

“I had the pleasure of spending time with Mel in her last days and will forever treasure the laughter, the memories and love we had for each other.

“Mel’s love for life, jokes and of course dancing will forever stay in my heart. What I wouldn’t give to be dancing to Beyoncé with you right now.

“Sleep in perfect peace Mel. Love you ♥️”

Mel was previously diagnosed with colon cancer in 2023, which later spread to her lungs and brain.

Her husband Gareth Brisbane announced the heartbreaking news today in an emotional Instagram post.

Alongside touching pictures of Mel, he said: “Melanie Jane Brisbane-Schilling passed away peacefully today, surrounded by love.

“In her final moments, when I thought cancer had taken away her ability to speak, she ushered me closer and whispered a message for Maddie and me that will sustain me for the rest of my life.

“It took all of her remaining strength, and that gesture summed up our wee Melsie perfectly. Even then, her only thought was for Maddie and me.”

He continued: “This is a woman who became a new mum and a TV star at 42 — and nailed both.

“This is a woman who, through two years of chemotherapy, when she could barely lift her head from the pillow, never complained and never stopped showing courage, grace, compassion and empathy, and never missed a day of filming.

“To most of you, she was Mel Schilling — matriarch of MAFS and queen of reality TV. To Maddie and me, she was our wee Melsie: an incredible mum, role model, and soulmate.”

Tributes have poured in for the TV star since the tragic announcement.

Channel 4 hailed Mel as a friend who “radiated joy, warmth and optimism”.

Issuing a statement, it said: “Our thoughts and condolences are, first and foremost, with her family and loved ones.

“We’re privileged to be the channel that is home to Mel’s work, which was at the heart of Married At First Sight‘s phenomenal success, both in the UK and Australia.

“It reflected so much about her – her fierce advocacy for other women, her passion for healthy relationships and her mission to unite people in love.

“For many who work for Channel 4, Mel was not just a colleague but a friend, someone who radiated joy, warmth and optimism, who energized every room she walked into, with humour and positivity.

“Everyone who knew her will miss all this about her and much more. We share in the sorrow that we’re sure many viewers will now feel at this terrible loss.”

Animated Australian sensation “Bluey” has arrived in Disneyland, and the titular anthropomorphic pastel-coated canine has come ready to play. And dance. And to race some “barky boats.”

The Walt Disney Co. first teased that the Blue Heeler puppy and her younger sister Bingo would be coming to the Anaheim theme park in 2024. Bluey is now the star of a performance-focused takeover of the park’s Fantasyland Theatre, which officially opened Sunday.

Two shows, games and spontaneous dance parties are hallmarks of the experience, as Disneyland’s live entertainment team sought to translate the show’s particular broadcast-based appeal to the real world.

“Bluey” works because it’s charmed children and grown-ups alike, emphasizing imaginative parenting skills as much as it does Bluey’s playful spirit. Though only about seven minutes, each core “Bluey” episode unfolds patiently, often centered on make-believe, wonder and childlike ingenuity. Subtle life lessons, such as cooperation, understanding one’s self-worth, overcoming a fear of the unknown and much more, dot seemingly simple scenarios.

In many episodes, Bluey’s mom (Chilli) and dad (Bandit) indulge in their daughters’ penchant to play pretend, so much so that a friend of mine with a young girl joked that she needed to watch the show to learn how to be a better mom.

I arrived at “Bluey’s Best Day Ever!” as a childless columnist, and yet I came away enchanted by what Disneyland’s live entertainment team, led by Susana Tubert, had concocted. It’s a little silly and corny, yes, but manages to vary the tempo and can even tug at one’s heartstrings by showing the bond between siblings.

Theme park fare, especially when aimed at a preschool set, tends to fall back on high-energy, photo-op-based treatments, and while there’s plenty of amped-up goofiness here, “Bluey’s Best Day Ever!” understands that’s not why the series was the most-streamed program in 2025, according to data from research firm Nielsen.

Two core shows are featured in the experience, and some “Bluey” regulars make an appearance. The overbearing, bratty hand-puppet Unicorse, for instance, plays key roles in launching each performance. Set to play continuously throughout the day, with breaks for Bluey and Bingo to appear on stage and dance or play with youngsters, each has a slightly different tone and feel.

One emphasizes an adventure story, its themes encouraging Bluey to flash some bravery and dispel stereotypes. The other takes a lighter touch, with some of the softer, almost ballad-like songs from the show, such as “Rain (Boldly in the Pretend),” highlighted, seeking to emphasize the bond between Bluey and Bingo. Here, I thought of Bluey’s more tender moments — those, for instance, that emphasize becoming comfortable with growing older and letting go.

“Bluey’s Best Day Ever!” features live music, puppets and dance breakouts.

(Mark Potts / Los Angeles Times)

“We try to hit the humor, the play — shared play — and some of the more profound experiences that these characters go through,” Tubert says. “At the end of the second show, you’ll see a moment that is really quite beautiful. It’s a tribute to sisterhood, and how these two characters of Bluey and Bingo connect with one another.”

While one can certainly sit in the Fantasyland Theatre’s stands and simply take in the two shows, there are plenty of moments geared at getting audiences moving. Dances, for instance, may mimic animal behaviors, or reference popular moments from the series, such as getting grannies to floss.

A nod to the attention-seeking fairies — here, less Tinker Bell and more a metaphor for being noticed — inspires a “Riverdance”-like breakout. The five-piece, brass-heavy band gets a workout when Bluey’s impossible-to-control toy Chattermax has a cameo. The squawking plaything can test even Bluey’s patience.

Throughout, performers walk a line between teaching the maneuvers to the crowd and getting lost in the moment themselves. The challenge for Disney choreographer Taylor Worden was to create dance moves that also doubled as audience encouragement.

Spin, for instance, like a flower in the wind, or lightly snap your fingers to recall the sound of rain. Bounce with your hands in front of you as if you’re driving a car down a rocky street, or put your hand above your head and try for an elegant, ballerina-inspired twirl.

“It actually was letting go of all of those technical things that I’ve learned and letting that inner child come out,” Worden says. “As imaginative as Bluey and Bingo are, I wanted to hone in on that. I want everybody to enjoy, have fun and play. Play is at the forefront of everything. It’s so easy to get set in our ways, and even as an adult, it’s so hard to actually play nowadays. This has been such an experience to get to a childlike state.”

“Bluey’s Best Day Ever!” references many show moments from the series, including one with nods to the fairies.

(Mark Potts / Los Angeles Times)

There’s more, however, to “Bluey’s Best Day Ever!” than the two performances. The Fantasyland Theatre has been outfitted with pop-up installations. Some are purely photo ops, such as an opportunity for little ones to take a class photo with Bluey and her pals, while others aim to inspire exploration, such as a mini gnome village or fairy garden.

Taken as a whole, the feel is something of a fair, like hanging out with Bluey and Bingo at a backyard barbecue. The theater’s walk-up food window is serving pizza-inspired baked potatoes, a colored chocolate pretzel meant to mimic an asparagus pretzel wand, and more.

There’s also a place to race some “barky boats.” In the show, barky boats is a game that takes place on a tiny stream with tree bark, but there’s no water here. Instead, look for a track in a nook above the seating area, where one can race wooden blocks affixed with wheels — think Pinewood Derby — down a track painted to mimic a waterway. Throughout the theater, the colors are springlike and muted, pastels that are lightly bright and storybook-inspired. Even the dance costumes adopt this soft, crayon-like color palette.

“Bluey’s Best Day Ever!” at the Disneyland Resort invites audience participation.

(Mark Potts / Los Angeles Times)

“The color palette works perfectly with the set,” says Trevor Rush, a manager with costume design and development. “Lots of pastel colors. ‘Bluey,’ that world, focuses very much in that primary world. You won’t see a lot of black represented.”

“Bluey’s Best Day Ever!” does not currently have an end date, but is expected to be a Disneyland staple throughout the spring and summer seasons, with showtimes currently set for the late morning and early afternoons. For Tubert, who has an extensive background in theater, “Bluey’s Best Day Ever!” is meant to highlight the theme park as a place of play, where one can be a bit silly, and maybe even a little vulnerable.

“There’s a nonjudgmental safe space that we’ve created in ‘Bluey’s Best Day Ever!’ that invites everyone to feel uninhibited and the joy of playfulness,” Tubert says.

Neither Alexander Straus nor Mark Parsons were around when Angel City played its first NWSL game in 2022. But they didn’t miss much; in four years the team had one winning season and made just one playoff appearance.

So Straus, in his first full season as coach, and Parsons, 15 months into his job as sporting director, decided to raze the club and its sad history and start over. That break from the past couldn’t have been much clearer than it was in the opening game of the team’s fifth season Sunday, one which ended in a 4-0 rout of the Chicago Stars.

Three of the goals — from Evelyn Shores, Ary Borges and Maiara Niehues — came from players who weren’t on the roster at the start of last season. Borges also picked up her first Angel City assist.

The performance was the most dominant in club history and the margin of victory matched Angel City’s largest ever. It was also the team’s first season-opening win since 2022.

“There is a little bit of a new beginning,” Straus said.

“We’re a completely different organization than we were at the end of last year,” Parsons added.

Angel City proved that when teenager Kennedy Fuller opened the scoring in the 33rd minute, dribbling up the right wing and into the box before driving a right-footed shot off Chicago keeper Alyssa Naeher and just inside the near post.

Shores doubled the lead in the 53rd minute, heading in a Fuller corner for her second NWSL goal before Borges, a Brazilian international, made it 3-0 13 minutes later, jumping on a short goal kick by Naeher, then beating the keeper cleanly with a left-footed shot from the center of the box.

Niehues, another Brazilian international, closed the scoring in the 70th minute on a right-footed shot from the center of the box. Iceland’s Sveindis Jonsdottir got the assist on that goal. Of the four goal-scorers for Angel City, only Borges is over 21.

Angel City dominated the match statistically as much as it did on the field, outshooting Chicago 17-7 and putting six of those shots on target. Angel City keeper Angelina Anderson needed to make just two saves to record the clean sheet.

The announced crowd of 16,813 on a beautiful sun-splashed afternoon was the smallest for an Angel City opener.

Ella Bruccoleri looks unrecognisable from her days at Nonnatus House as she takes on the leading role in new BBC period drama

Call the Midwife star Ella Bruccoleri has landed the leading role in new BBC period drama The Other Bennet Sister.

The 10-episode series, which is based on Janice Hadlow’s novel of the same name, follows the “overlooked” character of Mary Bennet, played by Ella, who looks unrecognisable from her days at Nonnatus House, where she featured as Sister Frances until 2022.

The series begins at Longbourn, where the Bennet family’s five unmarried daughters navigate the rigid expectations of Regency society.

“Her journey sees her leave her family home for the soirées of Regency London and the peaks and vales of the Lake District, all in search of independence, self-love, and reinvention,” the synopsis says.

“The series follows Mary as she steps out of her sisters’ shadows in search of her own identity and purpose, finding herself in the middle of an epic love story along the way,” it goes on.

Fans don’t have long to wait for the show to drop as it had since been confirmed that it will premiere on BBC One at 8pm on Sunday ( March 15) and all episodes will be available to stream on iPlayer.

Speaking to the BBC about her new role, Ella explained: “Mary’s not your typical period drama heroine.

“She lives in a world where, particularly for women, appearance is everything, and she doesn’t understand that value system at all.

“Instead, she turns to literature that offers a different viewpoint. Her favourite book is Fordyce’s Sermons to Young Women, because it argues that women shouldn’t have to be beautiful — they should be intelligent and pious.”

Giving fans further insight on her character, she added: “Mary Bennet has been written off by many members of her family, and as a result she’s written herself off too. When we meet her at the beginning of the series, she’s living with her family in a small village and has never really left that world.

“These are the only people she knows, and she understands herself through the values they impose on her. We know these characters from Pride and Prejudice, but it’s fascinating to see the impact they have on someone like Mary.”

Giving her thoughts on the new adaptation, the star said: “When I read Jane Austen, I’m always struck by how witty it is so witty, with humour in every line.

“Sarah Quintrell really brings that into the scripts, and Janice Hadlow’s book does the same. The novel is very different in style from Austen, but it feels like a genuine extension of Pride and Prejudice.

“Sarah’s scripts tread the line between comedy and drama better than anything I’ve ever read. It feels like a tragicomedy – it doesn’t take itself too seriously, but it’s also not afraid to delve into emotionally weighty material. That feels very true to Jane Austen.”

The Other Bennet Sister debuts on BBC One and iPlayer on Sunday (March 15) at 8pm

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WASHINGTON — Jill Biden is breaking her silence about Joe Biden’s decision to abruptly end his 2024 presidential reelection bid under pressure from Democrats concerned about his age, health and viability against Republican Donald Trump in a rematch of their 2020 campaign.

A political spouse for nearly 50 years, Jill Biden said she has never publicly discussed her feelings about the three-week stretch when her husband ended his political career, instead saving her thoughts for the pages of her soon-to-be-released memoir.

Gallery Books, an imprint of Simon & Schuster, on Wednesday announced that her book, “View from the East Wing: A Memoir,” is scheduled to be published June 2.

Jill Biden told the Associated Press in a brief telephone interview that the book is a “reflection of my four years as first lady” and that writing it was somewhat healing.

“It was kind of cathartic for me to write it, and I wrote about all the, you know, sometimes painful — but other times, most of it really beautiful moments that Joe and I shared during his presidency,” she said.

Jill Biden declined on Tuesday to discuss any of those moments, good or bad — including watching her husband work his way to the decision to end his five-decade-long political career by dropping out of the 2024 presidential race.

In an announcement video shared on Instagram, she said she wants to “set the record straight.”

The last chapter of her husband’s political career

In April 2023, then-President Joe Biden was 80 and the oldest president in U.S. history when he announced he was running for a second term. His age and fitness to serve another four years — which would take him to age 86 — became a source of concern for the public. Some fellow Democrats began to pressure him to step aside after he turned in a disastrous debate performance against Trump in June 2024 in which he struggled, in a raspy voice, to land his debating points and often appeared to lose his train of thought. Aides blamed the poor performance on a cold.

Joe Biden at first insisted that he would stay in the race, but after a few weeks he withdrew from the campaign and endorsed Democrat Kamala Harris, his vice president. Harris became the party’s presidential nominee but lost to Trump in the November 2024 election.

Jill Biden said that, with the book, “I have put things in perspective,” presenting what she describes as a “more balanced view” of her husband’s time as president.

The memoir is also a tribute of the sorts to women who, like herself, juggle multiple roles.

“It’s also a story about my being able to balance life, you know, as a working woman and as a mother, a grandmother, a first lady,” she said.

During her four years in the role, Jill Biden, 74, made history as the first first lady to continue the career she had before entering the White House. She had taught English and writing for decades at the community college level, and she continued teaching twice a week at a Northern Virginia school while serving as first lady.

Joe Biden ‘doing well’ after his cancer diagnosis

The former president’s office announced in May 2025 that he was diagnosed with an aggressive form of prostate cancer and that it had spread to his bones. He’s receiving treatment.

Jill Biden said it was “quite a shock getting the diagnosis” for her husband, who’s now 83.

“The fact that it is in his bones means that he will have cancer, you know, all his lifetime,” Jill Biden said. She said the doctors say he will “live out his natural life.”

“Like most retired couples, he’ll probably drive me crazy till the end of it,” she joked.

She said he visits Washington at least once a week for meetings or to give speeches.

A unique period in American history

The former first lady also writes in the book about serving during a unique period in U.S. history, including the COVID-19 pandemic and the aftermath of the insurrection at the Capitol on Jan. 6, 2021, according to the publisher.

Her husband was sworn into office on the steps of the Capitol on Jan. 20, 2021, just two weeks after a mob of Trump supporters, spurred by his false claims that the Republican lost because of election fraud, stormed the building in a violent attempt to keep lawmakers from certifying Joe Biden’s victory.

Joe Biden’s first year in office was dominated by the federal response to the pandemic and, while he mostly stayed at the White House, Jill Biden wore face mask and traveled around the country to encourage people to get their vaccinations. She also continued her advocacy on behalf of military families, education and community colleges, cancer prevention and women’s health initiatives.

Before she became first lady, Jill Biden was second lady of the United States from 2009 to 2017, when her husband was Barack Obama’s vice president. She currently chairs the Milken Institute’s Women’s Health Network.

Jill Biden is also the author of “Where the Light Enters,” published in 2019, in which she writes about meeting Joe Biden, then a U.S. senator from Delaware, and marrying and building a life with him. She also has written three children’s books.

Superville writes for the Associated Press.

Legoland is growing up.

The Carlsbad theme park will on Friday open Lego Galaxy, a new 2.4-acre themed land that will feature its most adult-focused attraction yet in the Galacticoaster. An indoor, space-themed thrill ride, Galacticoaster is brief but impressionable, a spinning race through a darkened landscape to save a Lego-infused galaxy from an “asteroid of probable destruction.”

At 40 mph, it’s the park’s fastest ride, but coming in at about 60 seconds and focusing on banking and turning means it still has full family appeal. Expect it to serve as an introductory, big kid coaster for many. It’s infused with lighthearted humor — floating farmers and barnyard animals cruise among the stars — lending it a rather relaxed atmosphere for a save-the-world, fast-paced attraction. In other words, it’s sleek, it’s hurried and it’s cutesy.

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“My favorite is the surfing alien,” says Tom Storer, North American project director for Merlin Magic Making, the creative team behind Lego experiences. “She’s my favorite thing to see in there. It’s right after the blast. It will sneak up on you.”

The Galacticoaster is the centerpiece of Lego Galaxy, which also includes two smaller outdoor attractions, a vintage-style shoot-’em-up video game and a play area for little ones. Its part of a $90-million investment in Legoland’s California and Florida parks on behalf of parent Merlin Entertainment (an identical Galacticoaster can be found in Lego’s Florida park). Lego Galaxy hopes to draw visitors — and perhaps new audiences — by focusing on slicker, more modern technology and injecting in the park the sort of excitable ride more commonly found at Legoland’s Southern California competitors.

Storer, for instance, isn’t shy about the Galacticoaster’s inspiration.

A view of the stars and scenery that surrounds the Galacticoaster track.

(Legoland / Merlin Entertainment)

“What is the space roller coaster of 2026? Space Mountain is a classic from back in the day,” he says, referring to the Disneyland Resort staple launched in 1977. “But this is kind of the new way.”

It is faster and brighter than Space Mountain, as the Galacticoaster is heavily populated with twinkling stars, planetary projections and many a Lego brick creation. But while Space Mountain tops off at about 32 mph, it likely still has Galacticoaster beat in the intensity factor due to its lift hill, sudden dips, jolting turns and near pitch-black darkness. No matter, says Storer, as here the objective was to place guests in a welcoming adventure with plenty to look at.

“When you think of outer space, you instantly think of stars and planets,” Storer says. “We have a really cool digital planet and we have stars everywhere.”

The Galacticoaster sits four per car, loading attendees parallel in a row via a moving platform. Once seated and locked in, it nearly immediately takes off, jetting riders into a darkened hallway with white lights before injecting them into a Lego galaxy. Lego aficionados or those who grew up with the sets will likely spy many an allusion to past toys. In the ride’s queue, for instance, guests in line will walk past a wall that features a timeline of many a Lego space set. Action comes fast, but surrounds guests, as the coaster cars rotate around a hurtling asteroid.

Legoland’s new Galacticoaster is an indoor space-themed roller coaster with twinkling stars and many Lego brick projections.

(Legoland / Merlin Entertainment)

While it twists from side to side, which has drawn light comparisons to Guardians of the Galaxy: Cosmic Rewind at Walt Disney World’s Epcot, with some referring to this as sort of a starter version of that more powerful coaster, it’s a smooth and relatively unobtrusive twisting. Those prone to motion sickness — and I am one of them — likely need not be too concerned here.

While Legoland has other coasters, many are known as what Storer refers to as “pink knuckle” coasters, slang for safe for kids and families. Galacticoaster, with a minimum height requirement of 36 inches, certainly is as well, but the creative executive hopes it falls somewhere between the pink and white knuckle level of force, the latter term reserved for the most thrilling of coasters.

“We’re known for having ‘pink knuckle’ coaster, where it’s not too scary,” he says. “It’s kind of, ‘My first coaster.’ This is family-friendly. We’d never do anything that’s not family-friendly. We want to make sure our guests from 5 to 12 have lots to do, but it’s a little more punchy and has that cool launch with a space blast-off feel.”

Theme park aficionados will be keen to know that this is the first attraction in the park to feature an animatronic figure. The character of Biff Dipper, an engineer, will be found in the ride’s preshow, familiarizing guests with the story of the asteroid that spells impending doom. Stout and slightly gruff, Dipper has a digital face that can approximate more than 40 expressions. The animatronic, says Storer, was an important investment for the park, as Legoland in Lego Galaxy was cognizant of guests becoming bored in what will surely be one of the park’s longest lines this upcoming spring and summer season.

There are interactive elements throughout Lego Galaxy. In the Galacticoaster, for instance, riders will build a virtual approximation of a spaceship from a touchscreen, selecting options for wings, cannons and more. Some are militant. Others look like burgers or rainbows. There are 625 variations, and the creation will then appear at the start and finish of the attraction, injected into the ride’s projectors via a guest wristband. Legoland officials like to refer to Galacticoaster as a 10-minute experience, a time that takes in the preshow with the Dippper figure as well as the construction of the spacecraft.

The character of Biff Dipper is Legoland’s first animatronic figure. Dipper is in the preshow of the Galacticoaster.

(Legoland / Merlin Entertainment )

Elsewhere in Lego Galaxy, there’s a full video game-like experience called the Rocket Assembly Bay. Here, guests will first build their own spaceship, and then have it scanned into the game for a cooperative shoot-’em-up. Rocket Assembly Bay is good fun, and rewarding even, to see a virtual scan of a hand-built ship injected into the game, this despite that fact that the play experience is largely a modern update of old coin-op “Asteroids.”

“There’s something about the simplicity of some of the things that have been done,” Storer says.

Two other core attractions dot the land. The G-Force Test Facility is a spinner that’s pitched as an astronaut training experience. Guests with a minimum height of 40” will be elevated off the ground via vehicles situated on rotating arms. There’s plenty of swinging and rotating action in this more standard amusement park-like creation, although Storer notes that riders won’t experience any actual G-forces. Still, here’s one that those with a propensity to motion sickness may want to take a pass on.

Lego Galaxy is rounded out with a play area and the preschool-focused ride Launch & Land. For those with a minimum height of 34 inches, this is a casual, patient experience, one in which seated guests will gently lift off into the air for a slightly elevated view of the land. Nominally designed as a spaceport, Lego aliens and spaceships populate the area. Press a button near one of the ships, and initiate, for instance, an engine test.

But don’t expect anything too serious. The Galacticoaster, after all, has a farting space cow.

FANCY a pint? This new heritage pub is set to become a popular spot for a post or pre-train journey tipple.

The boozer has just opened as part of an enormous multi-million pound refurb at Carlisle Station.

Called The Scott & Brassey, the new pub officially opened on 25 February inside Carlisle Station at Platform 4.

It was formerly used as a First Class waiting room and at one stage even welcomed Queen Victoria.

The Grade-II listed space has been used as various different outlets over the years and was a cafe for decades – but has just opened as a pretty pub operated by Lancaster Brewery.

It has undergone a £400,000 renovation delivered by Network Rail, backed by Avanti West Coast and the Railway Heritage Trust.

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Its name ‘The Scott & Brassey’ comes from novelist Sir Walter Scott and Victorian railway pioneer Thomas Brassey.

Inside, the pub has period features like a large fireplace, and vaulted beam ceilings.

The walls are a mix of deep blue and bright yellow, in the corner are cosy booths with low lampshades.

Upstairs on the mezzanine level is additional seating at smaller tables.

The bar area is sleek and modern with a wooden top and dark grey tiled front along with lots of greenery on shelves and of course, drinks offerings.

It will have seven cask ales on hand pull, five from Lancaster Brewery and two from local cask brewers, and one cask cider – there will also be eight keg lines.

The pub said it aims to spotlight ‘regional and national producers with one of the largest selections in Cumbria‘.

On Facebook reviews, one visitor to the new pub wrote: “Had a great afternoon with my mum and sister today! lovely staff and a fabulous asset to Carlisle.”

Another said: “What a fab job you’ve done. Stunning renovation and fantastic atmosphere.”

The pub is open every day from 11am until 10pm Sunday-Thursday and 11pm Friday-Saturday.

It’s dog-friendly too.

The new pub is inside Carlisle Station which is around 179 years old, and is in the middle of a huge overhaul.

Carlisle Station cost just £53,000 to build at the time, which in today’s money is around £4.6million.

It now welcomes around two million passengers a year with trains to London and Manchester as well as Edinburgh, Liverpool and Newcastle.

Cumberland Council previously announced it would be spending £28million on redesigning Carlisle Station.

The new designs include the creation of a new forecourt entrance to the north of the station.

The north side will have improved links to the city centre, and parking outside the already standing Griffin pub.

It will also see a new piazza space, called George Square created to the south of the station.

This will mean improved access for passengers, and secure cycle parking, as well as plenty of green spaces.

The work is set to be fully complete in early 2027.

For more on train station’s, this is one of the UK’s busiest that’s set to undergo a huge transformation.

And the seven new train stations are coming to UK under £14billion plans.

A beloved BBC expert made a heartbreaking admission during Friday’s episode of Morning Live

A BBC expert has revealed a “devastating” childhood trauma that left him with nothing.

During Friday’s (February 27) edition of Morning Live, hosts Louise Minchin and Greg Rutherford updated viewers on the latest news from across the UK.

At the start of the show, Louise and Greg introduced a segment on electric blankets, after many have failed basic standards with “serious consequences”.

In a pre-recorded segment, consumer expert Harry Kind, who regularly offers advice on the show, shared his own personal trauma, after a fire destroyed his childhood home.

“They’ve become a popular staple in British homes during the winter months, being both cheap and run and cosy to snuggle up into. But across the UK every year, dozens of domestic fires are caused by faulty, damaged, and incorrectly used electric blankets,” Harry began.

“I know from personal experience just how devastating a house fire can be. When I was 14, our family home completely burnt down, and we lost pretty much all of our possessions.

“In my case, the fire started in the chimney, but last year, house fires caused by electric blankets in England hit a five-year high.”

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