Olivia

The Sparks’ defensive struggles continued on Wednesday during a 99-83 loss to the first-place Minnesota Lynx at Crypto.com Arena.

The Sparks (7-7) had trouble containing Lynx rookie Olivia Miles, who set a WNBA rookie record with 24 first-half points and finished with a career-high 31. Miles helped the Lynx (11-3) make a strong push for a spot in the Commissioner’s Cup championship, but the Las Vegas Aces snatched the final spot against the New York Liberty with a victory over Phoenix on Wednesday night.

Sparks guard Kelsey Plum, the WNBA’s leading scorer, missed the game with a lower leg injury. The team also played without forward Cameron Brink, who sprained her ankle on Monday.

Rae Burrell led the Sparks in scoring with 19 points, while Jihyun Park added 13 off the bench. Dearica Hamby was limited to 12 points and nine rebounds, while Nneka Ogwumike added 10 points and eight boards.

“I thought [Jihyun] was a bright spot. She is really smart out there and knows what she is doing,” Sparks coach Lynne Roberts said. “That’s what you need to do when you get those moments — you take advantage of it, and that’s what she did.”

With Plum and Brink out, Roberts said pregame that it would take a team effort to beat Minnesota, but it was a tough climb for four quarters.

The Sparks were nearly perfect in the first quarter before committing their first turnover with under five minutes to play. The turnover swung the momentum in Minnesota’s favor.

The Lynx erased the Sparks’ 7-3 lead — fueled by quick starts from Burrell and Hamby. Burrell scored 10 points by being aggressive in all areas and Hamby scored 10 of her 12 points in the first half.

Miles took a few minutes to get her feet wet. Once her shots started to fall, the Sparks struggled to contain her.

“She is good,” Roberts said about Miles’ performance. “She is talented. Like I said pregame, she is super skilled, and we were trying to mix things up. We didn’t execute exactly how we’d hoped to all the time, but you just have to tip your cap to her. She is a great player with a lot of skill.”

Lynx took their first lead with a jumper from Natasha Howard with 5:04 left in the first quarter. The lead changed frequently early, but the Lynx opened the second quarter with a 27-21 advantage.

The Sparks’ scoring trouble flared up in the second quarter just as Miles got hot. The Sparks were outscored 29-18 during the quarter and entered halftime down 52-37.

After trailing by as many as 20 points in the third quarter, the Sparks cut the margin to 10. Erica Wheeler sank two free throws to cut the deficit to 61-51 with 4:32 remaining in the third quarter.

The Sparks held Miles to five points during the third quarter, but the Lynx got 20 points from Nia Coffey and 15 points from Howard.

Fouls and turnovers crushed the Sparks’ rally. After Minnesota built a big lead, both teams cleared their benches late in the fourth quarter.

The Sparks haven’t beaten the Lynx at home since Aug. 21, 2018. L.A. is riding a two-game losing streak and will face Eastern Conference leader New York Liberty on Sunday at Crypto.com Arena. The game will feature a celebration of the WNBA’s 30th anniversary.

“We are going through adversity right now,” Roberts said. “We just got to get healthy.”

Olivia Rodrigo has officially begun her new era, and this time she invited her fans to experience it alongside her.

To celebrate the release of her latest album, “You Seem Pretty Sad for a Girl So in Love,” Rodrigo collaborated with American Express to re-create the set of her music video for “The Cure.” The pop-up event, which opened last Thursday and ran until Sunday at Mica Studios, featured props from the video, storyboards, exclusive merchandise and several photo ops for fans.

With a beating felt heart and lab beakers to pose with, the pop-up transformed an industrial studio space in the Arts District into a pastel-painted cardboard hospital. Ahead of the public opening, Rodrigo surprised a small group of AMEX cardholders and select fans.

“I have an album that’s coming out today in about one hour, which is crazy,” Rodrigo said, wearing a blue “Nurses Do It Better” baby tee. “I figured since we’re all here, maybe we should just listen to a few of them together? Would that be cool?”

A little over an hour before the album’s release, Rodrigo played four songs from the album as the room brewed with excitement. She began with “Maggots for Brains,” a song about being so infatuated you can’t focus when your partner is away. Although it was their first listen, the song’s catchy chorus already had fans dancing along.

Banner for Rodridgo’s pop-up event hands above Mica Studios

(American Express)

Rodrigo explained that her next song, “Purple,” paid homage to the aesthetics of her previous albums, “Guts” and “Sour.”

“Obviously, this is my first non-purple album, but I just had to shout out purple somehow,” Rodrigo joked. “This song started out as a love song and sort of devolved from there, so I’ll let you guys be the judge.”

Playing off the somber vibes of “Purple,” Rodrigo played “Less” next. The piano ballad follows the dissolution of a relationship as the couple grows apart.

“I’ve been going back and forth on what the saddest song on the record is, but I think this one might be it,” Rodrigo said.

In a room full of fans, the song struck an emotional chord with many of the listeners. To bring the mood back up, Rodrigo finished the night by playing her new single, “Stupid Song.”

“This next one is a happy one, and it actually has a music video that comes out tonight,” Rodrigo said. “I love this song so much. It’s basically about having such an intense crush on someone that it drives you totally f— insane. I feel like we’ve all been there at some point in our lives.”

Rodrigo was all smiles at her event celebrating her latest album steeped in heartbreak and romance.

(American Express)

After Rodrigo previewed her music, “The Cure” music video exhibition was opened up to the fans. The showcase ranged from interactive photo ops to gallery walls featuring behind-the-scenes photos from the video shoot and Rodrigo’s nurse costume on display. The video’s props, which were primarily designed using cardboard and felt, were displayed in glass cases for visitors to admire.

Dressed in fun fashion including light pink and polka-dot outfits, fans posed throughout the set, re-creating scenes from the music video as “The Cure” played overhead. Many had thrown on a piece of the Los Angeles-exclusive merchandise on sale at the pop-up, with shirts and hats reading “You Seem Pretty Sad for a Girl in Los Angeles.”

So while some fans teared up at her lyrics and others beamed with excitement, everyone was hyped to experience Rodrigo’s new album.

“I really hope you enjoy this little exhibition. It is so gorgeous, and I am so proud of it,” Rodrigo said. “Thank you guys for being here, and I really hope you love ‘You Seem Pretty Sad for a Girl So in Love’ as much as I do.”

What to do after writing some of this century’s most devastating songs about the torment of breaking up? Write some of this century’s most devastating songs about the ecstasy of getting together.

With her first two albums — 2021’s Grammy-winning “Sour” and 2023’s triple-platinum “Guts” — Olivia Rodrigo proved herself to be perhaps the most gifted of the many chroniclers of Gen Z romance to emerge in Taylor Swift’s wake. She could convey the hot sting of betrayal, as in her smash debut single, “Drivers License”; she could channel the injustice of watching an ex somehow carry on, as in “Good 4 U”; she could deliver a sick burn like somebody handing out Halloween candy, as in “Get Him Back!” (Because it deserves remembering: “He had an ego and a temper and a wandering eye / He said he’s six-foot-two, and I’m like, ‘Dude, nice try.’”)

• Share via Close extra sharing options

Yet on her thrilling third LP, “You Seem Pretty Sad for a Girl So in Love,” Rodrigo, 23, turns to the pleasure that comes before the pain — and, in a feat very few in pop music are ever able to pull off, ends up with a number of first-flush-of-love songs as potent as any breakup tune.

She opens the album with “Drop Dead,” in which she compares a guy in line for the bathroom at a bar to an “angel on the walls of Versailles” — an early sign of how high the emotional ceiling is here. In “Stupid Song” she cycles through a series of metaphors to describe her lovesickness — she’s a car without a brake, she’s a heart made of melting wax — before finding a simpler but infinitely more vivid way of getting her point across: “You should feel how I feel when somebody says your name.” (Chills.)

“Maggots for Brains” is a song about how useless she becomes “when my baby goes away,” and let’s just take a second to savor the fact that Rodrigo is putting that title into the world less than four years after she was still a working Disney kid. The album’s next tune, “U + Me = <3,” is its high point: a euphoric promise of devotion that sounds like Sixpence None the Richer reborn as a Midwestern emo band. It’s got two young lovers carving their names into car seat leather, and it’s got a girl trying to impress her boyfriend’s older sister with her cynical humor and her taste in yacht rock.

More important, it’s got these lines of pure poetry: “They say modern love’s a cruel endeavor / And to that I say, F— it, whatever.” Kurt Cobain would be proud.

Working with her longtime producer, Dan Nigro, Rodrigo has expanded her stylistic palette to accommodate these new emotions; “You Seem Pretty Sad” pulls in chiming folk-rock and synthed-up new wave and even has a gorgeous wine-bar piano ballad, “Less,” that might put the scare in Rodrigo’s pal Laufey.

The cover of Olivia Rodrigo’s new album.

(Geffen Records)

The album is structured to trace the arc of a relationship, which means that the second half dips into the heartbreak we’re used to getting from Rodrigo. But she’s writing about familiar scenarios with new wisdom, drawing sophisticated conclusions about why people in love do the things they do (and don’t do the things they don’t).

In “The Cure,” which rides a strummed acoustic-guitar pattern that strongly recalls Smashing Pumpkins’ “Disarm,” she realizes a boyfriend can’t fix what’s broken inside her; “Begged” examines the limits of one partner’s willingness to look past the failings of the other. After hearing these songs, the happier ones at the beginning of the album reveal bits of shadow that Rodrigo has built into them to presage what’s to come — to presage what always comes.

It’s fitting, then, that Robert Smith of the Cure — perhaps pop’s most jubilant gloommeister — hovers over this LP like a patron saint: nodded to in “The Cure,” of course, but also “Drop Dead,” where Rodrigo name-checks the Cure’s classic “Just Like Heaven.” Smith himself turns up in “What’s Wrong With Me” for a duet with Rodrigo in which the two learn to accept that love, in the end, might be what kills them.

“My head is spinning and my stomach is sick,” they sing, and neither sounds like they’d have it any other way.

FORMER Love Island star Ronnie Vint has hit out at Pete Wicks following his relationship with Olivia Attwood.

The ITV2 star – who has been friends with Olivia for over ten years – lashed out at former Towie star Pete.

Appearing on fellow Love Island star Tyrique Hyde‘s livestream Latta World, the 29-year-old footballer took aim at the Essex star and defended Olivia’s ex Bradley Dack.

Ronnie – whose ex is reality star Harriett Blackmore – made no bones about his feelings when talking to Ty and fellow islander Mitch Taylor.

During the live chat, he was asked a question from a viewer about Pete.

The video caption read: “Awkward moment chat brought up Pete Wicks situation to Ronnie on Tyrique’s livestream.”

REIN-VINT-ED

Love Island’s Ronnie Vint looks wildly different after hair transplant

quick fix

Ronnie Vint jumps into bed with ex on his first night in Celeb Ex On The Beach

The star – who is undergoing a hair transplant – said bluntly: “We’re not talking about Pete Wicks,” then laughed wickedly.

Sidekick Tyrique asked: “What’s going on with Pete Wicks?”

An angry Ronnie vented: “F**k him.”

The star continued: “Brad’s my boy, man. My brother, and that’s all I’m saying.”

The 2024 villa star’s friendship with presenter Olivia has gone down the drain following her split with ex husband Bradley Dack.

The Sun previously told of a rift between the pair who met through Olivia’s estranged husband Bradley and considered themselves like “brother and sister”.

As revealed by The Sun, Olivia severed ties with the Love Islander earlier this year – with Ronnie telling friends there’s no going back after Olivia moved on with Pete.

Olivia first found fame on Love Island in 2017 when she reached the final with Chris Hughes.

She encouraged ex pal Ronnie to follow in her footsteps seven years later when he signed up to the ITV2 show.

Fans are still in the dark about what made ended Olivia’s relationship with her on/off partner of 11 years.

However, claims of a “breach of trust” on Bradley’s side were first reported as news of the split broke.

It’s thought Olivia later turned on Ronnie, who was Brad’s best man at their wedding, after discovering “he knew more than he let on”.

Ronnie made it clear he’s taken Bradley’s side by unfollowing her on Instagram after she was pictured kissing Pete in a packed hotel bar.

Olivia had already unfriended Ronnie online at the same time as she unfollowed Bradley.

Pete has known Olivia for around nine years and they both starred in Towie in 2019.

Last August they were pictured cosying up together as they partied with friends on a yacht off Ibiza, leaving Olivia “in the doghouse” with Bradley.

Since her marriage separation, speculation has mounted that Olivia has moved on with lothario Pete.

OLIVIA Attwood has vowed she’s “not clearing up any rumours” after her cryptic social media post sparked suggestions of issues with Pete Wicks.

The Love Island alum, 35, uploaded a glam snap showing her posing side-profile in a polka dot top.

Olivia, who split from her footballer husband Bradley Dack earlier this year, following a “breach of trust” from his side, has since started dating pal Pete Wicks.

She and the TOWIE alum shared a very public kiss in London and appeared to be going from strength to strength before her mysterious message this week.

Taking to Instagram on Saturday, Olivia shared a series of images with a caption that read: “Staying out of trouble,” complete with two angel emojis.

Now she has added text over her recent picture post upload, which saw her with a glass in hand and raising a cheers, and posted: “Not clearing up any rumours.

BOTTOMS UP

Olivia Attwood shares bum snap as she undergoes treatment ahead of bikini season

CRYPTIC LIV

Olivia Attwood hints at trouble in paradise with Pete Wicks in cryptic post

“If I didn’t do it, I still might”.

The snap was contained within a picture dump captioned “Left overs’ and included images of her posing by a pool, dipping her toes in the sea while enjoying snacks and a handful of mirror selfies.

Despite the intriguing remarks, fans recently spotted a sign things we on track between the pair.

One person seemed to spot Pete’s dog in one of her recent snaps.

“Yay to Rodney. Was hoping to spot some subtle Pete hints and also wondered if the dogs are mates with each other! (So invested),” one person penned.

While another added: “Yes Rodney!!!!!!!”

And a third penned: “Hard launching Rodney!”

“Stitch, Lola & Rodney,” penned another, spelling out how Olivia’s pups Stitch and Lola, were now pally with Pete’s dog Rodney.

The talked-about pair reportedly begun their relationship at the Brit Awards on February 28.

A source close to the pair told us at the time that they were “dating and enjoying their time together.”

Their apparent romance heated up last month as they jetted off to St Tropez for a cosy holiday.

He was also spotted at her intimate birthday dinner earlier this month as they soft launched their relationship.

Away from her romantic life, Olivia this weekend posed in a bikini following her bum treatment.

reality beauty was snapped face down as the daring bum pic revealed her covered in wires undergoing a treatment known as Truflex.

The non-invasive procedure acts as a muscle stimulant which aims to strengthen, tone, and firm the glutes.

Olivia added the caption: “We are not f****** around this season.”

OLIVIA Attwood undergoes treatment whilst showing off risqué bum snap as she prepares for bikini season.

The stunning TV star, 35, is topping up her curves with a bum enhancing regimen amid her high-profile romance with Pete Wicks.

Taking to her Instagram Stories Olivia shared a body pic of herself hooked up to a machine at a clinic. 

The reality beauty was snapped face down as the daring bum pic revealed her covered in wires undergoing a treatment known as Truflex.

The non-invasive procedure acts as a muscle stimulant which aims to strengthen, tone, and firm the glutes.

Olivia added the caption: “We are not f****** around this season.”

READ MORE ON OLIVIA ATTWOOD

CRYPTIC LIV

Olivia Attwood hints at trouble in paradise with Pete Wicks in cryptic post

YACHT THE HELL

Olivia Attwood and Pete Wicks snubbed from KISS Ibiza trip

In additional text alongside the risque snap, she penned: “Truflex at @sadaf_jaffari I have had better results with this than emsculpt personally depends on your goal x”

In another one of her recent social media posts Olivia had appeared to have undergone an eye treatment with a mirror selfie showing noticeable swelling around her eyes. 

The photo dump which also showed Olivia appearing downcast in several snaps which had sparked worry with fans that there could be trouble in her relationship.

Looking downcast in one photo, Olivia pouted and didn’t look very impressed.

The images that followed were of her dogs, with a snap being of her taking a selfie in an elevator.

It also included a pic of Olivia beaming whilst getting her hair and makeup done. 

The photos had left people alarmed by the lack of Pete appearing in the post, despite the pair dating for a while now.

But it seemed all was to be good in paradise as eagle-eyed fans spotted a sign that all might be well between the pair.

One person seemed to spot Pete’s dog in one of the snaps.

“Yay to Rodney. Was hoping to spot some subtle Pete hints and also wondered if the dogs are mates with eachother! (So invested),” one person penned.

While another added: “Yes Rodney!!!!!!!”

And a third penned: “Hard launching Rodney!”

“Stitch, Lola & Rodney,” penned another, spelling out how Olivia’s pups Stitch and Lola, were now pally with Pete’s dog Rodney.

OLIVIA Attwood has hinted at trouble in paradise amid her romance with Pete Wicks – but fans appeared to spot something rather promising hidden within the snaps.

The stunning TV star shared a rather cryptic post where she appeared downcast in several snaps, pouting and looking moody.

Taking to Instagram on Saturday, Olivia, 35, shared a series of images with a caption that read: “Staying out of trouble,” complete with two angel emojis.

The first photo within the dump saw Olivia beaming while getting her hair and makeup done.

Looking more downcast in the next photo, Olivia pouted and didn’t look very impressed.

The images that followed were of her dogs, with another snap being of her taking a selfie in an elevator.

YACHT THE HELL

Olivia Attwood and Pete Wicks snubbed from KISS Ibiza trip

DOC DRAMA

Hunt for Katie Price’s husband Lee Andrews could feature on Olivia Attwood doc

More hair and makeup snaps followed, with another photo of her dog also thrilling fans.

The former Love Island star also showed off some impressive designer items within the slew of snaps.

Liv showed off a Birkin bag by Hermes, as well as a beautiful pink Chanel bag.

The 16th offering from the photo dump saw Liv snap a mirror selfie where her eyes appeared puffy and again, she pouted and looked downcast.

But despite some people alarmed by the lack of Pete appearing in the post, others spotted a sign that all might be well between the pair.

One person seemed to spot Pete’s dog in one of the snaps.

“Yay to Rodney. Was hoping to spot some subtle Pete hints and also wondered if the dogs are mates with eachother! (So invested),” one person penned.

While another added: “Yes Rodney!!!!!!!”

And a third penned: “Hard launching Rodney!”

“Stitch, Lola & Rodney,” penned another, spelling out how Olivia’s pups Stitch and Lola, were now pally with Pete’s dog Rodney.

Olivia split from husband Bradley back in January following a “breach of trust” on his part.

She then moved out of the marital home and into her own apartment in London, and has since been romantically linked to pal and radio co-host Pete.

Just the other week, eagle-eyed fans spotted a very clear sign Pete Wicks was with her on a recent luxury getaway.

The pair added fuel to the fire… literally, by sharing near-identical snaps from near-identical getaways.

Taking to Instagram on Wednesday night, Olivia shared a photo dump of a very plush stay at Estelle Manor – the same place Kim Kardashian and Lewis Hamilton headed on a secret date weekend.

Among the photos Liv shared were snaps of her rescue dogs, stunning selfies, gym workout pics, and a close up snap of a rustic fireplace.

Fans were quick to spot how not long before Liv’s dump, Pete had shared a slew of snaps himself, with one of the photos being of the exact same fireplace.

Fans rushed to the comments section to speculate that Olivia and Pete had spent time together at the stunning manor house.

“I love the subtle you & Pete posting pics of the same fire. I love you two xxx,” penned one person.

The talked-about pair reportedly begun their relationship at the Brit Awards on February 28.

A source close to the pair told us at the time that they were “dating and enjoying their time together.”

Their apparent romance heated up last month as they jetted off to St Tropez for a cosy holiday.

He was also spotted at her intimate birthday dinner earlier this month as they soft launched their relationship.

Some are calling the controversy over Olivia Rodrigo’s recent outfit choices babydoll-dress-gate, Olivia Rodrigo calls it “weird.”

The dress debacle kicked up in early May when Rodrigo released the music video for “Drop Dead,” in which she runs through the Palace of Versailles wearing a pink-and-blue ruffled babydoll set while singing about the intensity of a crush. Then on May 8, she wore a cottage-core pink-and-white floral babydoll dress with knee-high Dr. Martens during a live performance in Barcelona.

Rodrigo was drawing from subversive feminist and punk fashion of yore, but internet critics were quick to slam the “deja vu” singer, saying the ensemble was sexualizing child-like imagery. In an hour-and-a-half interview with the New York Times Popcast that dropped on Thursday, Rodrigo staunchly defended the dress and called the criticism disturbing.

“I have worn outfits that are maybe revealing on stage, like I’ve been on stage in a sparkly bra and little shorts — which is my right — that’s fun,” she said. “I felt cool and comfortable in that, and that wasn’t inappropriate, but me fully covered up in a dress that people deemed to be, like, childlike was inappropriate, and I think it shows how we really normalize pedophilia in our culture.”

Rodrigo further decried the criticism as rhetoric that girls are fed from a young age, “which is ‘don’t wear that, because then a man is going to sexualize your body, and it’s your fault’ — it’s so weird.”

Rodrigo said she didn’t think she looked “sexy” in the babydoll dress; she was going for a cool look à la Kathleen Hannah or like Courtney Love, musicians whom the pop star said are her heroes. Love appeared to defend Rodrigo on social media by resharing posts defending the singer-songwriter in since-expired Instagram stories.

“I just think if we start dressing in a way that’s like, ‘Oh, I don’t want some f— freak to think that I am sexy like a baby’ or some crazy thing like that, I think it’s losing the plot a little bit,” she said. “I’m very protective of younger women and girls, and I don’t ever want them to be fed that rhetoric. You shouldn’t be responsible for some guy sexualizing you in a way that was never your intention.”

Rodrigo’s third studio album, “You Seem Pretty Sad for a Girl So in Love,” which features hit singles “Drop Dead” and “The Cure,” will be released June 12.

OLIVIA Attwood and Pete Wicks have revealed that they were snubbed from a recent trip to Ibiza hosted by KISS Radio.

It comes a year after the duo were seen looking cosy together on a yacht on a different trip with KISS.

At the time, uproar arose because Olivia was still married to former flame Bradley Dack.

Though the TV presenter Olivia and ex-Towie’s Pete are now dating, after being seen kissing in a bar in March.

Speaking about the snub on their Sunday Roast podcast, Olivia and Pete addressed the “elephant in the room”.

Olivia began: “Pete I can’t believe we haven’t actually addressed the elephant in the room.

HUNT GOES ON

Katie Price and pal Olivia Attwood poke fun at ‘missing’ Lee Andrews

LIV’S GIRL GANG

Olivia Attwood says pals ‘loved me back to life’ after marriage breakdown

“I wasn’t sure how to address it but basically… this year we haven’t been invited back to Ibiza Pete…’

Pete then chimed in, saying: ‘I’m disappointed to be honest with you. I don’t know if it was our performance last year or what we did but we have been put on the bench. We’ve been replaced actually. 

“This week KISS has been out in Ibiza for the opening parties and last year we got an invite but this year Tyler (West) and Chloe Burrows are going.”

Olivia quipped back: “Yeah I can’t imagine why we weren’t invited…”

It comes after Olivia and Pete have been hinting that they are an item after being friends for over a decade.

Olivia recently hinted at it, saying it’s “great to fall in love” during an appearance on Loose Women where the ladies were discussing the topic of relationships and friendships.

Giving her opinion on the topic, Olivia said: “I love love and it’s great to fall in love and to be in a relationship.”

But not giving too much away, she then explained how its also important to maintain friendships alongside romances.

Olivia continued: “But never neglect those relationships outside, because they will probably be the ones that consist your whole life.”

Pete also hinted at something, getting shy when asked on the spot whether he loves a girl.

During a recent episode of his podcast Staying Relevant, which he co-hosts alongside his best pal Sam Thompson, Sam probed Pete about being spotted with Olivia at Heathrow airport.

Sam asked: “Do you like to go to the airport frequently when you’re not flying?”

Pete replied: “Yeah when I’m around. I bumped into a few people I know and that. It’s just one of those things sometimes I like to go to the airport to get my coffee, there’s a really good Cafe Nero there.”

Former I’m A Celeb star Sam argued that Heathrow was quite a way from Pete’s home but appearing to use a clever euphemism for Olivia he said the “coffee is worth it.”

Talking of Olivia and Pete’s pap pictures, Sam joked: “You looked really happy to be there.”

Sam then tried to get Pete to confess his love for Olivia, but he failed.

He said: “I love girls. No, no not loads of girls, I love girl… Do you love girl, Pete?”

Poor Pete was lost for words as he tried to keep the conversation moving.

KATIE Price and pal Olivia Attwood poked fun at “missing” Lee Andrews after false claims he had been arrested.

The former glamour model spent her 48th birthday last week waiting for news of her husband, as he failed to reach out to her.

Lee has not been in contact with wife Katie since May 13 at 10pm.

On Saturday, Katie was forced to deny claims by Lee’s dad that he had been arrested in Dubai, as she clings to the theory that he’s been kidnapped.

Today, Katie appeared in a clip with mate and TV presenter Olivia Attwood as she insisted she still has no idea where Lee is.

Katie turned to Olivia and said: “We’re missing something,” to which Olivia replied: “Yeah, I have looked for him but…”

KATIE’S PLEA

Katie Price friends reveal reason she’s afraid to go to Dubai to hunt for Lee

BACK AT IT

Katie Price’s husband Lee Andrews active on Instagram AGAIN after arrest claims

Katie continued: “Well mine’s missing, so at the moment it doesn’t look good, does it?”

Olivia, who split from husband Bradley Dack earlier this year, replied: “No, we’ll keep looking I guess.”

Katie looked at the camera and said:” We’re missing our husbands,” which prompted Olivia to burst out laughing.

They followed it up with a picture of them looking shocked with their hands covering their mouth.

Olivia captioned it: “2 gals. Not a husband in sight.”

It comes after Lee appeared to be active on Instagram AGAIN after false claims that he was arrested.

Now, Insiders have said that Lee was active on his phone on Monday afternoon – and has removed his OnlyFans link from his Instagram bio.

Yesterday a source revealed their messages to Lee – over a week after he walked off the face of the earth.

They explained: “I had been messaging Lee and was getting no response.

“But on Sunday morning, my messages had gone from a single tick to a double – so that device is back on and being used.

“Lee has multiple phones but this is the one that is being used now.”

Despite claims Lee had been arrested, Katie insisted yesterday that this was not true.

She hit back at Peter Andrews and said she had spoken to the police in Dubai.

The former glamour model was left furious last week when Lee – who she’d been led to believe had been kidnapped – returned to social media to follow ‘biker babe’ Marisol on Instagram.

But the conman was dealt another blow last night when the US Navy veteran blocked him on the platform.

Marisol reached out to The Sun and thanked us for making her aware of Andrews’ background.

She confirmed she does not know Lee and has never exchanged messages with him – and has now blocked him.

It comes after Katie released messages in which her husband claimed to be tied up in the back of a van.

He told her he was being taken to a “black site” — a term for a clandestine, state-run detention facility.

A source said: “Lee said he had many jobs, one being an international arms dealer. He seemed really proud of it.

“He boasted repeatedly to anyone who cared to listen that he worked with ­dangerous people. He bragged about it and then he gets kidnapped.

“It’s almost as if he’s been writing a storyline.”