Olivia

OLIVIA Attwood has hit back after being accused of lying about her successful booze brand.

This summer the Love Island legend, 35, launched her range of Savano canned cocktail drinks.

However, there had been some criticism of her involvement, after Olivia called the company her “baby”.

But not taking this lying down, the successful businesswoman has now hit back and set the record straight.

“My brand, Savano, my baby. It was acquired by my partners, it existed as Tom Savano, and then with me, we relaunched it,” Olivia told her fans in her latest Instagram video.

“We remarketed it, we renamed it, we repackaged it, and we developed signature flavours. For example, my Moscow Mule. Guys, do you even understand how many Moscow Mules I had to drink to get that right? And it’s perfect.”

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“With me as the majority stakeholder and my team working seven days a week on my baby, in a matter of months, we have made Savano a household name.”

Meanwhile, despite this upset, Olivia has had a good week and is riding high after her NTA appearance with boyfriend Pete, 37.

The new couple went down a storm when they presented an award at the glitzy bash, marking their first live TV appearance together.

Olivia and Pete have been friends for eight years, but earlier this year their connection turned romantic.

The new couple had been trying to keep their relationship under wraps for months, but recently hard launched their new love.

Since going Instagram official, Olivia and Pete have been giving fans snippets about their romance.

The duo were first spotted together in March kissing during a night out at rooftop bar Flute.

Their smooch came just weeks after Olivia’s split from husband Bradley Dack became public.

After months of speculation, Pete then hard-launched their romance with a loved-up black and white shot in July.

Emmerdale’s Claire King revealed her heartache over co-star Olivia Bromley’s exit from the ITV soap, following Dawn Fletcher’s death

Emmerdale actress Claire King has shared her heartache over co-star Olivia Bromley’s exit from the soap, following an explosive episode.

The 30-year-old has played Dawn Fletcher in the long-running ITV programme for eight years, sharing the screen with Claire’s Kim Tate, her stepmother.

Fans were left shocked when her character was killed off in devastating scenes on her tragic wedding day, after prematurely giving birth to a baby boy with partner Joe Tate. In the emotional footage, she suffered internal bleeding and sadly died after giving birth.

Touching on the episode in a press roundtable, Claire described their final few moments together on set as “heartbreaking”.

“But we did have a good laugh that week because we were all outside this massive marquee where we were doing all the wedding stuff and car crash, and it’s all supposed to be tragic but we were all actually having a good life.

“We had some really nice people on set that day. Great crew, and it was just a bit of camaraderie.

“But I could see as the days went on to the final day she was getting more and more sort of angst and things.”

Dawn made a big impact when she arrived in the Dales almost a decade ago, and has been at the centre of huge storylines since then – including the moment she found her long lost son, and her on-off romance with ex-husband Billy.

Olivia was told of her character’s fate earlier this year, with bosses teasing the huge exit plot. However, despite the advanced warning, she admitted that she found it tough to bid farewell.

“It was the toughest storyline I’ve done during my time in the soap,” she told the Mirror.

“I was surprised by how emotional I found it and it was way more emotional than I was expecting. I did cry.

“It is very strange to kill off your character as an actor and in front of your colleagues. But that said, what a gift to be given. Often people leave and just slip off.”

She added: “Psychologically, now I have had time to reflect, I know it’s good for me, because I can say bye to my Emmerdale chapter. It’s been brilliant. I was originally only signed up for 12 episodes and I’ve stayed eight years!”

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Olivia Attwood The Price of Perfection has returned for a brand new season

Former Love Island star Olivia Attwood has been left horrified after a worrying health discovery when travelling the world.

Olivia Attwood: The Price of Perfection is a documentary series following the reality TV star who explores the UK’s obsession with cosmetic treatments, beauty standards and body modifications.

It has since returned to ITV2 for its third series, with brand new episodes being released every Tuesday at 9pm. Episodes are also available to stream on ITVX, with a new instalment dropping today (September 1).

Tonight’s episode marks the fifth in the series and follows Olivia as she travels to Seoul, South Korea as she joins those who are drawn to the K-beauty standards. K (Korean) beauty is a term for skincare, cosmetics, and beauty practices that originate from South Korea, which includes treatments that Olivia dubs “out of this world“.

The former Love Island star is also seen getting treatment herself, but it wasn’t long before she was horrified by what she saw. Just minutes in tonight’s episode, Olivia is seen getting a scalp analysis, showing what her scalp looks like up close. However, she was unimpressed by what she saw.

After seeing her hair follicles on screen, the star squealed in disgust as she said: “Ew. That is minging.” Covering her face with her hands, Olivia then heard a breakdown of what was seen on screen.

Describing her “thin hair”, Olivia was told she has “hair loss” issues meaning if left, things could become worse. She asked: “So my hair is going to fall out?” before looking at the camera in shock.

Seung Pyo, global manager, told the star she needed more nutrients for her hair to grow thicker and healthier. Olivia replied: “Yeah, I need help. Clearly. I am so ready, I’ve never been more ready for anything in my life.”

Getting her treatment, Olivia is then seen chatting to Brits who have lived in South Korea for five years as they opened up on the beauty treatments available.

Later in the episode, the star was seen “recovering from another surprise” after she was informed of excess body fat and other treatments on offer.

Season 3 of The Price of Perfection is now streaming on ITVX, and the just-aired fifth episode explores the cosmetic treatments that even celebrities have received. A synopsis for the instalment teases: “Olivia travels to Seoul, South Korea – the home of K-Beauty. She joins Brits who are drawn to their beauty standards, and gets treatments herself.”

However, ITVX issued strong guidance alongside the episode which reads: “With strong language from the start and graphic scenes of surgery.”

Olivia Attwood: The Price of Perfection is available to stream on ITVX

Emmerdale star Olivia Bromley shed real tears when she filmed the tragic death of her character, Dawn Fletcher, tonight. Due to marry bad boy Joe Tate, their plans were scuppered when Jimmy King crashed into the wedding marquee, causing a big explosion, and pregnant Dawn was rushed to hospital.

Sent into premature labour, while Dawn gave birth safely to a baby boy with Joe at her side, she had a serious internal bleed. Suddenly, without warning, she crashed and, despite medics’ best efforts to resuscitate her, she died.

In her first interview since the explosive scenes, Olivia, 30, who was originally signed by Emmerdale for just 12 episodes in 2018, tells The Mirror: “It was the toughest storyline I’ve done during my time in the soap.

“I was surprised by how emotional I found it and it was way more emotional than I was expecting. I did cry. It is very strange to kill off your character as an actor and in front of your colleagues. But that said, what a gift to be given. Often people leave and just slip off.”

The actress was told earlier this year her character would be at the heart of a huge exit storyline during the soap’s biggest week of the year. Having reached a crossroads playing Dawn, she says it was almost a relief to have the decision over what to do with the role made for her.

She says: “This is a good time for me to go on a personal level. I had felt ready for the character to go. This character felt like she had done so much and I didn’t know what direction she could go in next. I had played her for a long time, and it felt like I needed to do other things. I am proud this was such a big finale to my time in the soap.”

But news that Dawn was being killed off came as a bolt from the blue and she confesses she would have liked to have left the door open to one day return.

Despite the initial shock, she says: “Psychologically, now I have had time to reflect, I know it’s good for me, because I can say bye to my Emmerdale chapter. It’s been brilliant. I was originally only signed up for 12 episodes and I’ve stayed eight years!”

And if viewers found her final scenes surprisingly realistic, she can now share the secret – that real life paramedics, rather than actors, were used to make the medical scenes convincing. She says: “They had real life paramedics and intensive care workers who came in to play those parts. Emmerdale is a fast-paced soap and we often don’t have time to train actors up, so they bring supporting people in with a lot of experience.”

Likening it to an “out of body” experience, she adds of her character’s death scenes: “They had rehearsed the crash response with Ned [who plays Joe Tate] and the supporting artists first and, right at the last minute, they put me in the scene. I had no idea what was going on.

“They went into the crash response, and it felt like an out of body experience lying there. They were all so professional and brilliant at what they did.”

But Olivia is sad that Dawn’s life ended so tragically. She says: “Even though she was able to cradle the baby with her children and Joe by her side, nobody had picked up on her bleeding internally. Finally, she had got what she wanted and so it was a sad end for her.”

Dawn originally arrived in the village as a drug addicted sex worker. Her big storylines included finding her long lost son and her on-off romance with her big love, ex-husband Billy. But she fell for Joe Tate in January 2025, after embarking on an affair behind Billy’s back.

They got engaged in December 2025 and by February 2026 discovered they were expecting a baby. But in recent months, Dawn, who had two other children and an adopted daughter, had been troubled by her lingering feelings for Billy.

And when he was attacked last month, she believed Joe was responsible and had planned to escape with Billy, rather than marrying the bad boy. However, in a massive plot twist, it became apparent Billy had actually been attacked by Kev – making Dawn want to marry Joe after all.

Olivia says: “Only a few weeks ago, she was talking about escaping with Billy, but in the end chose Joe. If Dawn hadn’t returned to Joe at the end, she would still be alive now. Billy is her true love but ultimately, she is an addict and she was drawn to Joe.”

She continues: “I’ve loved playing Dawn and I’ve enjoyed watching her develop and change. I’ve made many friends too and I am going to miss them a lot – especially everyone at Home Farm and Jay, who plays Billy. We are like brother and sister; we get on so well.”

Away from Emmerdale, Olivia lives happily in Leeds with her partner, who she keeps out of the public eye. She says: “My life has changed since joining the show. It has given me stability and, alongside the character, I’ve grown and changed. It’s made me ambitious in different ways and taken my life in a different way.”

After graduating from Oxford School of Drama, Olivia moved to London to work in theatre, before the call from Emmerdale came. She says: “This did change things for me and to be a working actor for eight years has been very special.”

And she would love to continue working in TV drama. She says: “I want to try some new things. It’s an exciting time and I would love to do a period drama or a gritty 9pm drama like Line of Duty.”

Now awaiting auditions, she has her leaving party to look forward to next weekend. She says: “It’s themed and I think we all deserve a drink after such a chaotic, complex end for Dawn. I’m also looking forward to just being me and not Dawn!”

As for Emmerdale without her? Olivia says: “The audience will go on a rollercoaster I am sure! I will always be so grateful to Emmerdale for giving me this role and to have been able to play Dawn fully until the end has been so much fun.”

*Emmerdale airs every weekday on ITV1 and STV1 at 8pm. Episodes can also be downloaded on ITVX.

Daisy Chain Fields arrived on a sweltering summer Saturday, plopped in the middle of Irvine’s suede hills, inside Orange County lines. The festival, hosted by Olivia Rodrigo at the Great Park, was a spiritual successor to Sarah McLachlan’s Lilith Fair of the late ‘90s, born out of frustration with promoters and radio stations that refused to play two female artists in a row.

Like McLachlan’s event, Daisy Chain Fields boasted an all-female lineup, featuring some of the most coveted names in the contemporary music scene. The festival also gave a nod to some of the industry’s women pioneers, such as Bikini Kill and Garbage.

Anticipation for the festival was high after Rodrigo unveiled it in late June, with tickets selling out just 30 minutes after release. This translated directly onto the grounds, which were swarmed by 45,000 attendees, comprising teenage girls, moms, dads and everyone in between.

The event raised $10 million to benefit 10 girl- and women-focused nonprofit organizations, all of which made an appearance on stage before each artist’s set. Each musician on the lineup performed for free.

Festivalgoers walk past the Great Park Balloon.

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1. Festival goers pose for pictures in front of a daisy backdrop. 2. Nara Brown from Costa Mesa ties together a flower headpiece.

As the sun went down and Rodrigo took the stage, she announced that proceeds had been 100% matched by billionaire and philanthropist Melinda French Gates, bringing total donations to $20 million.

The Times was on site to witness the festival in all its glory, amid astounding 94 degree heat and an unwavering, tangible electricity among fans. Here is our recap of the best moments from the festival. —Julius Miller

Livies get loud on the Metrolink
The 2 p.m. Metrolink train from Union Station in L.A. to Orange County was absolutely mobbed with Livies (a.k.a. Olivia Rodrigo fans) on Saturday. For such a car-brained region, it was sweet to see public transit packed with young fans in festival regalia, making the grind to Irvine more sane and green. Let’s have this vibe for every major SoCal festival (including the car-free Ocean Way next month). Yet, for new train fans, a gentle reminder: one spirited round of singing “Get Him Back!” as you’re climbing onboard? Endearing, a delight for all. Keeping it up for an hour, next to civilian commuters who looked ready to climb onto the tracks themselves by Buena Park? Maybe save that for the pit. —August Brown

Festivalgoers sing as Olivia Rodrigo performs during Daisy Chain Fields.

Devon Again performs during Daisy Chain Fields.

Devon Again felt so lucky that she gets to know you

25-year-old alt-pop princess Devon Again was a last-minute addition to the Daisy Chain Fields bill, replacing global girl group Katseye, who pulled out of the festival on Thursday due to a member’s ankle injury. Luckily, Devon Again, a personal friend of Rodrigo who will open for her tour starting in November, was there to answer Rodrigo’s call with a resounding “Duh, b—! Obviously I want to do it!” as she relayed to the Saturday afternoon crowd. Though Katseye’s presence was felt — members Lara Raj, Megan Skiendiel and Yoonchae Jeong took the stage to introduce nonprofit partner Baby2Baby before the set, and Devon Again’s drummer wore a Katseye shirt in tribute — Devon Again’s self-confessed impostor syndrome was misplaced. With a rollicking mix of high-energy country twang, twisty ballads and production-heavy pop hits bolstered by her crisp belt, she made the stage her own. —Eloise Rollins-Fife

Die Spitz dives into a great early set

The set began with a five-minute delay due to technical issues, during which bassist Kate Halter — impressively — performed several handstands to pass the time. By 1:45 p.m., the band was ready to go, with frontwoman Ellie Livingston kicking off the performance. Draped in a torn white skirt and black fishnet gloves to complement, she wailed “I hate when girls die.”

Die Spitz’s set felt like the epitome of what Daisy Chain was all about. The band members took turns strutting around stage and acknowledging, “I know it’s f— hot!” But that didn’t stop the crowd from forming mosh pits on the left and right side of the yellow Marigold stage. At one point, Livingston even jumped in herself, to the despair of security and the delight of fans. —JM

Eleanor “Ellie” Livingston of Die Spitz performs during Daisy Chain Fields.

Santigold’s set was worth fighting for

Santigold’s eclectic, genre-defying sound may be a hallmark of the “indie sleaze” era, but her standout midday Daisy Chain set proved she has plenty of staying power in 2026. Dressed in all white and flanked by a pair of straight-faced dancers in futuristic sunglasses, the 49-year-old artist performed back-to-back hits like “Run the Road” and “L.E.S. Artistes” to a crowd ready to dance the pain away. She even brought a handful of fans onstage — mostly, adorably, children — for a follow-along dance contest during “Unstoppable,” with a winner determined by cheers. Wrapping up the set with “Disparate Youth,” Santigold reminded the audience to keep believing in “a life worth fighting for.” –ERF

Santigold transports the crowd to the early aughts era of indie sleaze during Daisy Chain Fields.

Bikini Kill double dares Daisy Chain crowd to keep fighting the power

“This government hates us and wants us dead,” proclaimed punk icon and Bikini Kill frontwoman Kathleen Hanna: a critical guiding light for Olivia Rodrigo’s feminist consciousness, as well as that of thousands of Daisy Chain attendees on Saturday. Since the band’s inception in 1990, the OG riot grrrls of Bikini Kill made social justice the centripetal force of their furor — long before Daisy Chain Fields, and even its late ‘90s predecessor Lilith Fair. Powered by Tobi Vail on drums (and occasional vocals), Kathy Wilcox on bass and Sara Landeau on guitar, the electric Hanna buffered classic songs like “Double Dare Ya” and “Feels Blind” with parables from her own revolutionary life — much of which she spent fighting back against objectification from men. Dudes in Saturday’s crowd got a special directive: “You guys gotta talk to your friends [about misogyny],” said Hanna. “[Women] are not gonna stop this on our own!” Sealed with a kiss and delivered with a snarl, the band closed its rip-roaring set with the anthemic battle cry of “Rebel Girl,” and were flanked onstage by a few lucky young fans. —Suzy Exposito

Bikini Kill’s Kathleen Hanna preaches a message of anti-misogyny to the crowd during Daisy Chain Fields.

Mitski brought melodrama and musical magic

Whether you’ve been rocking with Mitski since the “Lush” days or discovered her music via pandemic-era Tik Tok, when industrial ballads like “Washing Machine Heart” unexpectedly popped off, there’s no denying her captivating stage presence — not to mention her stunning vocals. Longtime fans may have wished for a few more of the hits (no “Your Best American Girl” after the recent “Puberty 2” 10th anniversary re-release was a surprise), but indie music’s favorite sad-woman still brought her A-game to the Dandelion Stage, incorporating her signature “Butoh” performance style — a form of avant-garde Japanese dance-theatre — underscored by a backdrop of 1940s melodramas. During her set she implored Rodrigo to make the festival an annual tradition. “When do you get to be the first anything anymore?” she said. “For the rest of our lives, we could be like, ‘I’m OG DCF.” – ERF

Mitski performs during Daisy Chain Fields.

The Breeders deliver ‘Last Splash’ classics

Hand it to Kim Deal: As one of the OGs on the bill at Daisy Chain Fields, the Breeders frontwoman used her band’s performance to shout out an even earlier pathbreaker by wearing an old Shirley Chisholm campaign T-shirt featuring the first Black congresswoman’s slogan of “Unbought and unbossed.” Deal and her bandmates (including her twin sister Kelley) drew deeply from their classic 1993 “Last Splash” LP, loping through the country-ish “Drivin’ on 9,” chugging on a fuzzed-out “Saints” and pricking up Gen Z ears with the perennially TikTok’d “Cannonball.” — Mikael Wood

The Breeders play songs from their 1993 classic album “Last Splash” during Daisy Chain Fields.

Doechii does it for the girls

Under the hot afternoon sun, Grammy award-winning rapper Doechii celebrated all things girls in her typical over-the-top fashion. She and her dancers arrived onstage painted in hot pink, the swamp princess’ hair fashioned into high pigtails. A dance breakdown to a hardcore take on Beyoncé’s “Run the World (Girls)” introduced the set, and though she fed fans by performing some of her most popular singles — a version of “Anxiety” that morphed into a cover of the original sample “Somebody I Used to Know” by Goyte, “Alter Ego” and tracks like “Nissan Altima” and “Boiled Peanuts” from her 2024 album “Alligator Bites Never Heal” — she also reminded festivalgoers of the influential Black women artists who came before her — Lauryn Hill, Queen Latifah, Beyoncé — by mixing their iconic songs into hers. Glowing magenta, she twirled above what looked to be a rising river, a physical representation of the swirling, engulfing thoughts that anxiety can provoke as she performed the song by the same name. And just to ensure there was zero confusion, the Florida rapper ended her set by simply stating: “We do this for the girls, we do this for the gays and we do this for trans women.” —Danielle Dorsey

Doechii performs during Daisy Chain Fields.

Doechii

Garbage gives grunge power to Gen Z

With its blend of serrated alt-rock guitars and sleek machine rhythms, Garbage always sounded a little ahead of its time when the band broke out in the post-grunge mid-’90s. But as frontwoman Shirley Manson evoked an age of digital surveillance and pharmacological dependence in “I Think I’m Paranoid” — one of the era’s great snarling pop singles — what you realized is that history had finally caught up with the band. — MW

Shirley Manson, lead singer of Garbage, performs during Daisy Chain Fields.

Chappell Roan reigns with a hit-heavy set

It’s funny to think that Chappell Roan has only really been in the American music scene for the past six years, with just one studio album to her name.

Roan appeared from the back of stage, revealing her leather, periwinkle stewardess outfit and red mod bob — an apparent nod to Luc Besson’s 1997 film “The Fifth Element.” Naturally, the crowd roared as she dove bob-first into “Super Graphic Ultra Modern Girl.” She’d occasionally crouch down to take a sip from her water bottle, which matched her ensemble.

Roan looked especially happy to be there, happily performing for free and her set did not disappoint.

“Only the hits today,” she said, smiling. “Only the hits.” —JM

Festivalgoers dance in the “MicroRave.”

Not for Radio crank up the volume

Just after sundown, the Marías’ enigmatic leading lady, María Zardoya, emerged to perform songs from her nocturne solo project, Not for Radio. Circled by a verdant reproduction of an enchanted forest, and dressed in a black swan-like two-piece by Ann Demeulemeester, Zardoya held the audience captive with her purring soprano and vampy stare. But make no mistake: by dialing up their otherwise elegant chamber pop with a little extra crunch and distortion, the players of Not for Radio came ready to rock out with the Daisy Chain crowd. It was during a performance of the new track “Comet,” which has only been recorded live thus far, that Zardoya bewitched fans into head-banging along with her. —SE

Olivia Rodrigo does duets with her idols

Sarah McLachlan, left, and Olivia Rodrigo perform during Daisy Chain Fields.

Rodrigo’s enduring virtue as a pop star is being a great fan first. The job requires commanding attention and devotion for yourself, but she’s never been shy about situating herself in the long arc of women who came before (and after) her, or just being moon-eyed to live inside her favorite songs with her heroes onstage. For her Daisy Chain Fields closing set, she dueted with generations of women that shaped her sense of what’s possible in music — Stevie Nicks for a gorgeous “Landslide,” and a surprise Alanis Morissette cameo for “Ironic” that felt like girl-gang karaoke night at its finest. She joined Lilith Fair founder Sarah McLachlan — a specific inspiration for this festival — for “Building a Mystery” and a deeply tender “Angel.” Even Rodrigo’s backing band, full of absolutely shredding women instrumentalists, played beside her on equal footing for exquisitely tasteful, post-punky revisions of songs across her three albums. The boys in the crowd got a brief chance to growl in the lead on “Expectations,” but here they were just allies — the headline act was Rodrigo’s talent framed as a gift received from other women, and given again to the young fans on the field. —AB

IRVINE — Olivia Rodrigo bridged generations Saturday night as the headlining act at her Daisy Chain Fields festival, where the 23-year-old pop star brought Stevie Nicks, Sarah McLachlan and Alanis Morissette to the stage for duets that demonstrated the enduring value of sharp, smart songwriting about women’s emotional lives.

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With McLachlan, Rodrigo sang “Building a Mystery” and “Angel,” which the two dedicated to Dolly Parton, who died Tuesday at age 80; with Morissette (who filled in for a missing Karen O), Rodrigo did the former’s iconic mid-’90s hit “Ironic.” Later, Nicks came out to close the show with a duet of Fleetwood Mac’s “Landslide,” inspiring a mass singalong in the audience of approximately 45,000 at Great Park Live. After the song, Nicks stuck around to deliver an apparently extemporaneous tribute to Rodrigo’s artistry and activism that seemed to push the younger singer close to tears.

Irvine, CA – August 29, 2026: Olivia Rodrigo performs during Daisy Chain Fields at The Great Park on Saturday, Aug. 29, 2026 in Irvine, CA.

(Kayla Bartkowski/Los Angeles Times)

Held a few months after the release of Rodrigo’s third studio album, “You Seem Pretty Sad for a Girl So in Love,” Daisy Chain Fields offered 10 hours of music by all women acts, including Chappell Roan, Doechii, Bikini Kill, Garbage, Not for Radio, the Breeders and Mitski, among others. On Friday, Rodrigo announced that the festival would donate $10 million to an array of organizations working for women’s rights and reproductive justice.

The singer’s headlining set mixed new songs from “You Seem Pretty Sad” — one highlight was “Maggots for Brains,” a euphoric pop-punk jam about going crazy in a lover’s absence — with oldies from her first two LPs, 2021’s Grammy-winning “Sour” and 2023’s triple-platinum “Guts.” Rodrigo also debuted a just-released tune called “Serena Joy,” which she titled after a character in Margaret Atwood’s “The Handmaid’s Tale.”

OLIVIA Attwood has sent fans into a spin after she shared a sweet snap of Pete Wicks wearing an “I love my girlfriend” t-shirt.

The documentary stars have finally been giving followers the relationship content they want to see after months of keeping their romance under wraps.

In a round-up of her week, Olivia posted a picture of her beau Pete donning the top while they played a game of pool.

The candid snap saw Pete, 37, chalking up his cue stick with quite the serious look on his face.

Olivia has been giving fans more of glimpse into their dynamic after hard-launching him on Instagram earlier this week and opening up during her Cosmopolitan interview.

“Love this round up and Pete’s t-shirt,” wrote one fan.

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Another fan penned: “The T-SHIRT, absolutely no notes.”

A third person said: “Love the t-shirt Pete xxx”

Meanwhile, a fourth fan added: “Can’t wait to hear Sam Thompson’s take on the t-shirt.”

Reality TV personality Pete made his intentions clear as he took matters into his own hands and hard-launched his romance with Olivia a whole month before she did.

Olivia recently revealed it was Pete who made the first move and since then their relationship has moved very quickly.

Last week, Olivia dropped a huge hint that things are getting serious with Pete as she leaked a telling WhatsApp message.

Olivia carefully omitted who sent the text which read: “You are the love of my life.”

She then finally went social media official with Pete, sharing a slew of steamy snaps of the pair looking loved-up in Ibiza.

The couple were seen heading out on a date night to the Broadwick hotel in Soho just days ago – the same venue where they were first spotted locking lips.

Loose Women panelist Olivia has reached new career heights this year and she’s certainly been busy as she shared some exciting moments alongside the picture of Pete.

The 35-year-old could be seen at multiple different shoots, her Savano cocktail party, at the gym and she of course showed fans the huge poster she had made for her magazine cover.

Just after the U.S. Supreme Court overturned Roe vs. Wade in 2022, ending the nationwide right to legal abortion, Olivia Rodrigo walked onstage at the Glastonbury festival in the United Kingdom, sad and furious but also galvanized. “I’m heartbroken over what happened in America yesterday,” Rodrigo said onstage then. “I’m devastated and terrified that so many women and so many girls are going to die because of this.”

Four years later, Rodrigo has a new festival of her own this weekend, Daisy Chain Fields in Irvine’s Great Park, that’s entirely in service to those causes of women’s rights and reproductive autonomy.

“I remember being at Glastonbury that day with the most exciting opportunity to perform on that stage, but at the same time, being shaken to my core knowing that women’s rights were being stripped away,” Rodrigo told the Times via e-mail just before the festival. “I want people to walk away from here feeling hopeful and feeling like they can effect change. That was the entire thesis of this festival. I do think we can. We’ve seen it happen before, and we’re seeing some change now.”

Daisy Chain Fields is an ambitious escalation of Rodrigo’s activism in this sphere, which has paralleled her chart-topping success after debuting as a teenager with her LP “Sour” in 2021. The festival — with similarly-aligned acts including Chappell Roan, Doechii, Bikini Kill, Katseye and others — will be a globally-prominent cultural event, underlining the urgency for reproductive and women’s rights work amid the current right-wing backlash. It raises funds to benefit 10 like-minded advocacy groups, and intertwines her music career and women’s rights advocacy in ways few pop artists at her scale are attempting.

“We are ecstatic to have Olivia supporting our work, not only financially, but using her voice and reach to shine a light on these urgent issues,” said Nancy Northup, president and chief executive of the Center for Reproductive Rights, which challenged abortion bans in 11 states, and filed the first lawsuit on behalf of women denied abortions in 50 years. “Women are continuing to suffer under these bans, and that won’t stop until abortion is federally protected once again. Her support will help us continue filing lawsuits and advocating for laws that expand reproductive rights, both in the U.S. and globally.”

Olivia Rodrigo performs during the opening night of her Guts tour at Acrisure Arena on Feb. 23, 2024, in Palm Desert, Calif.

(Michael Blackshire / Los Angeles Times)

Rodrigo’s public work in activism began in earnest on the tour for “Guts” in February 2024. That tour coincided with the launch of Rodrigo’s Fund 4 Good, a nonprofit (under the fiscal sponsorship of the 501(c)(3) group Entertainment Industry Foundation) that steered $2.5 million in profits and donations from that tour to a range of global groups working in women’s rights, health and reproductive care. These included Jhpiego — a Johns Hopkins-affiliated global women’s health NGO — along with Women’s Shelters Canada, Women Against Violence Europe, and the Korea Foundation for Women.

“She did something. She could have played it safe, but she acknowledged that she has the power to make stuff happen, and she’s going to use it for good,” said Kathleen Hanna, founder of the legendarily activist punk group Bikini Kill, who will play Daisy Chain Fields on Saturday. While Hanna recalled feeling initially skeptical about the all-women Lilith Fair in the ’90s, she respects how Rodrigo learned about that fest’s communal, radical goals from a recent documentary, and sought to update it for her fans’ generation.

“What’s awesome about that is that it’s not that rare” for artists to be outspoken on these issues now, Hanna said. “Look at Megan Thee Stallion, Hayley Williams — all I see is women who are like ‘This is bull—.’ In a fascist era, we need to be meeting each other and opening friendship circles instead of isolating ourselves.”

Rodrigo’s advocacy hasn’t always gone smoothly. While on tour for “Guts” in 2024, Rodrigo brought abortion rights groups under the National Network of Abortion Funds to canvass at shows, and some groups handed out free condoms and emergency contraceptives to fans. Those efforts upset conservatives in states like Missouri, which had enacted a near-total abortion ban, and where state legislators sought to ban the morning-after pill. Fearing political backlash, Rodrigo’s management team at the time reportedly asked the groups to refrain from passing out contraceptives, but still encouraged them to canvass on-site.

“I don’t think demanding that women and girls be safe and have ownership over their own bodies is a radical idea,” Rodrigo said. “I was raised by parents who encouraged that belief in me.”

At Daisy Chain Fields, Rodrigo will likely face little resistance — but the show arrives in an ever more challenging time for women’s health and rights.

The return of President Trump to office has resulted in legislation like the One Big Beautiful Bill Act that slashed funding for healthcare; decimated funding for groups like USAID; and saw controversial, conspiracy-pushing figures like Health and Human Services Secretary Robert F. Kennedy Jr. brought into government. Crucial issues in women’s health risked being ignored or exacerbated.

“It is a fraught moment” said Angela Aina, co-founder and executive director of the Black Mamas Matter Alliance, one of the groups supported by Daisy Chain Fields. Aina said that American Black women die in childbirth at three times the rate for white women, and 87% of these deaths were preventable.

“What matters most to us is that the festival is showing people the organizations that are doing this work and pushing solutions,” Aina added. “Black maternal health has too often been treated as a niche concern, something discussed among public health professionals and then set aside.” But when these topics underpin a massive, sold-out festival of music with an audience of young women, it becomes “part of ordinary civic life,” she said.

These organizations said Rodrigo made a real effort to connect personally with their teams and more closely learn about their issues and strategies. Some, like the National Institute for Reproductive Health and Planned Parenthood, focus on reproductive justice. Baby2Baby supports mothers in poverty while Johns Hopkins Center for Indigenous Health focuses on Native and First Nations community healthcare; FreeFrom responds to the epidemic of gender-based violence, while the National Domestic Workers Alliance advocates for care workers, the vast majority of whom are women.

“It’s really extraordinary,” said National Domestic Workers Alliance President Ai-Jen Poo. “[She’s] making the time to come to meetings and learn about each organization directly from us, offering to think through different ways that she can lift up our work even beyond the festival.”

Part of NDWA’s mission is to change the cultural conversation around domestic labor — “We as a culture often refer to it as ‘help,’ as opposed to the profession that it is for millions of workers,” Poo said — an undertaking Poo said Rodrigo understands well.

“I think that she is a great storyteller herself through her music, and she knows that great storytelling is at the heart of what moves people and what creates change for people,” she said.

Olivia Rodrigo speaks at the beginning of the July 14, 2021, daily briefing at the White House in Washington, where she was filming a video to promote vaccines.

(Susan Walsh / Associated Press)

The National Women’s Law Center works across virtually every issue affecting women and girls in the United States. “One of the things I like to say is that our fingerprints are on the lives of women in this country in ways that they’re probably not even aware of,” said Uma Iyer, NWLC’s chief external affairs officer.

Iyer said that the “constant conversation” between law, policy and culture change is at the heart of the NWLC’s work, and Rodrigo’s advocacy keeps that conversation urgent.

“We’ve seen that in how #MeToo played out. That spawned litigation, but it was also a big global cultural moment,” Iyer said. “You’re talking about it at kitchen tables and movie theaters and on talk shows, and that discourse really matters when you’re trying to effect change.”

Each of the nonprofits will have a physical presence at the festival in Irvine’s Great Park. For their station, Poo said the NDWA will set up a space for visitors to learn about care work and pay tribute to the caregivers in their own lives through artwork, which will all knit together “in a big chain of care” by the festival’s end.

“We’re really excited about all the people who will come to our tent and have a conversation with us and stay involved in our movement long afterwards,” she said. “We feel like Daisy Chain is almost like a catalyst for really growing this movement for care in our country.”

Several organizers said the recognition and opportunities for connection that the festival brings are just as meaningful as whatever financial support it generates.

While the festival’s total donation pool is yet unclear, Rodrigo has said that all artists on the lineup are performing for free, though production and staffing costs for a fest this size will be substantial.

What money the nonprofit groups do receive will go right back into “continuing the work,” Iyer said. “The work of gender justice in whatever form it shows up for any of these 10 organizations is really the work of protecting our democracy.”

Money generated by Daisy Chain Fields will be “flexible dollars,” Iyer explained, usable for anything an organization needs to fill in the gaps. “Those are critical dollars for nonprofits to be able to survive and do the work,” she said. Beyond the impact for populations the organization serves, Iyer said the promise of Daisy Chain Fields has boosted morale among NWLC staff during an extremely difficult time in America.

“When you have this big festival with people you love to hear, who bring you joy and bring you comfort and peace and entertainment and laughs and love, and they’re all banding together because this one incredible person asked them to, because she believes it’s the right thing to do — it makes the work a little less hard.”

The work seems to be catching on. Roan, long outspoken on LGBTQ+ rights issues, will throw the Super Graphic Spectacular concert at the Shrine in Los Angeles on Oct. 21-22, benefiting trans youth through Roan’s Midwest Princess Project. Last year, Doechii told the audience at the GLAAD Media Awards in L.A. that as ”hard-won cultural change and rights for transgender people and the LGBTQ+ community have been threatened,” the superstar rapper was “disgusted” by the revanchism.

“Olivia’s involvement is such a gift, because she is reaching and educating young people who may feel checked out or hopeless on these issues,” Northup said. “Olivia is giving us a chance to meet young people where they’re at, and she’s approaching it with positivity. Her message is not about what we’ve lost, it’s about what we can accomplish if we channel our collective power as women and girls.”

Rodrigo just followed up her acclaimed LP “You Seem Pretty Sad for a Girl So in Love” with a new single, “Serena Joy,” titled after a character in Margaret Atwood’s “The Handmaid’s Tale” who complies with an oppressive theocracy.

“If they do it to them, they’re gonna do it to you,” Rodrigo sang, with a fury that brooks no room for despair.

“There’s a growing sentiment among young people and women that we have to create change, and hopefully people are inspired, whether it’s by engaging with some of our NPO partners or simply finding whatever way feels right to them,” Rodrigo said. “There is no doubt in my mind that protecting women and girls, and ensuring they have ownership over their own bodies, has to be a priority for all of us.”

The latest episode of Olivia Atwood’s The Price of Perfection took an unexpected turn

The ITV presenter caught a mystery man’s eye.

Olivia Attwood briefly paused her ITV2 show, The Price of Perfection, to address a flirty encounter. The former Love Island star, 35, returned with the latest episode of her hit show on Tuesday (August 18) night.

This instalment focused on all things face lifts, and followed Olivia as she journeyed around London trying to uncover what treatments are available for young women looking to transform their faces.

But the presenter was interrupted when she visited a clinic where one surgeon was performing a full face and neck lift.

As she explained the procedure to the camera, a man with his face blurred walked by and seemingly shot a flirtatious look at Olivia.

Spotting his lingering look, the ITV host turned back to the camera and joked: “In your dreams, do you know what I mean?”.

She went on to add: “That’s honestly what it’s been like since I took my wedding ring off. It’s actually, it’s just like let me [live].”

The former TOWIE cast member was married to footballer Bradley Dack for just over two years, before they called it quits in January.

She has since found romance with fellow reality star Pete Wicks, with the pair publicly launching their relationship back in July.

Season 3 of The Price of Perfection is now streaming on ITVX, and the just-aired third episode features a cameo from TOWIE star Dani Imbert.

A synopsis for the instalment teases: “With so many techniques and brands offering to slice and sculpt our face, Olivia looks at the options the under fifties are looking at.

“At just 28, TOWIE’s Dani Imbert has a brow lift but is left unhappy with the results. Newly single Sophie tries a thread lift for a ‘snatched’ look. Amy, exhausted by the cost of facial maintenance having spent £150,000 on fillers, opts for a short scar mini facelift, a procedure with mixed online reviews.

“Olivia also joins a surgeon performing a full face and neck lift on business owner Brit, learning the real differences between SMAS and deep plane approaches, and what may have delivered Kris Jenner’s headline grabbing result.”

Olivia Attwood: The Price of Perfection is available to stream on ITVX

AFTER months of speculation, Olivia Attwood and Pete Wicks finally hard-launched their relationship last week.

But while from the outside it looks like the 35-year-old is happier than ever following the collapse of her marriage to Bradley Dack earlier this year, we can reveal the niggling issue that has been holding her back.

Insiders tell us that the Love Island alumni finally feels ready to move on after taking a huge step and getting rid of ex Bradley from her life once and for all. 

Our insider explained: “Olivia finally decided to unfollow Brad’s mum.

“The unfollow feels like Olivia’s final act of cutting herself off from Bradley’s world completely.

“She’d already started emotionally detaching, but removing his mum feels far more symbolic because that was a relationship she genuinely valued in its own right.

“For Olivia, it’s less about being petty and more about drawing a line under that entire chapter. She knows keeping those connections alive would make it harder to properly move on.

“There’s a real sense of finality to it — almost like she’s accepted she can’t keep one foot in the family while trying to build a life away from Bradley. Olivia feels like she can finally breathe.”

Over the years, Olivia had grown very close to Brad’s family, particularly his mum and sister.

She first started dating the footballer in 2015, when Olivia was 24 and he was just 21. 

While it was an on and off relationship – thanks to Olivia taking part in Love Island – they ended up marrying.

His mum and sister even appeared in Olivia Meets Her Match and fans saw an unusually emotional side to Olivia as she thanked Brad’s mum for accepting her. 

In moving scenes she told her: “It means a lot to me to be welcomed into your family. 

“I’m being serious, it does. Throughout loads of periods of my life people haven’t got who I am. I can be misunderstood. It’s a lot. A lot of hair, a lot of boobs and I just love your son a lot.”  

But when the marriage came crashing down, Olivia’s relationship with his family was put to the test and we’re told that for some time, the star still felt very tied to them all.

Bradley has since been pictured with ex Emily Rose Moloney and she has started afresh with Pete, but being estranged from her in-laws has hit her hard.

Our insider continued: “It hurts because she didn’t just lose a husband, she lost a whole extended family dynamic she’d become attached to.

“But after seeing Bradley pictured with another woman and Olivia already exploring her new relationships, Olivia seems to have decided she needs a clean break, even if that means cutting ties with people she still cares about like his mum.”

Olivia has often been outspoken about her harrowing split from footballer Brad back in January.

She’s taken a series of savage swipes at her former man after claiming he cheated on her multiple times over the course of their 10-year relationship.

The TV star told fans she “stood by him” through the “lies” and “cheating” and hasn’t held back since. 

Just this week, she shared a post which many assumed was directed at Brad.

It read: “Stop being so f**king forgiving, people know exactly what the f**k they’re doing.” 

And when Brad reunited with his former flame  Emily Rose Maloney, Olivia’s outrage was almost palpable.

She couldn’t resist taking a swipe and remarked: “I have definitely beat up myself over my poor judgement over the past decade.

“But I guess I could have spent 10 years as the bit on the side / professional bench warmer… so silver linings I guess.”

The star has found happiness of her own though; her eight-year-long friendship with Pete recently developed into a romantic relationship.

Only weeks after splitting from Brad she was spotted snogging Pete on a night out – and they have been joined at the hip since.

Insiders suggested that Olivia would be keen to keep this relationship more under wraps, but both her and Pete haven’t been able to resist sharing snippets of their romance.

She gushed: “We tick a lot of the boxes that are really important.

“Our friendship group is nauseated by us – we’re one PDA away from being exiled. I’m like, ‘who are we?’ We’re bringing out a [new] side of each other.”

Up until now, Brad has clearly still been a thorn in her side, but could she be rid of it at last?

Our source added: “Those around her feel this was the last emotional cord she needed to cut before she could genuinely start looking forward rather than backwards. She can finally move on properly now.”