offering

Fred. Olsen has launched the special offer on selected fly cruises visiting Spain, Greece, Italy, the Canary Islands and more this autumn and winter

Summer holiday season is well under way – and for those returning from abroad already dreaming of their next trip, there’s the option to book a getaway in autumn and winter when there are fewer crowds. For travellers looking to visit multiple destinations without the fuss of several bookings, a cruise is a top option with a number of money-saving deals now on offer.

Fred. Olsen has launched offers on selected fly cruises, offering holidaymakers the chance to skip the sea days and discover their destination sooner with flights from London or Manchester. Whether jet-setters want to soak up the sunshine in the Canary Islands or explore the picturesque coastlines of the Mediterranean, there’s plenty of options for swapping out the chilly UK weather for somewhere warmer.

The popular cruise line, favoured for its smaller ships which mean the fleet can visit ports that bigger cruise liners can’t reach, is offering passengers £150 on board credit per cabin to spend on selected fly cruises this year. This offer ends on September 30 and is in addition to half price flight offers on some trips – terms and conditions can be found here.

READ MORE:

The first cruise to be included in the offer is the Wonders of the Mediterranean holiday, a 21-night exploration of iconic landmarks and lesser-known ports starting from Limassol, Cyprus on November 9. Priced from £3,099 per person, the next stop after Cyprus is Alexandria in Egypt, followed by Marmaris and Istanbul in Turkey, then visits to Greece, Malta, Italy, Spain, Gibraltar, Morocco, and finally Tenerife.

Also in the £150 credit deal is the Mediterranean Icons voyage from £4,299 per person, offering the chance for UK holidaymakers to escape the dreary winter weather for a whole month by setting sail on November 9 for a 31-night adventure. Also beginning in Limassol, this cruise adds an extra 10 nights on to the aforementioned Wonders of the Mediterranean trip, following the stop in Tenerife with visits to Las Palmas and Lanzarote in the Canary Islands, then Funchal, Lisbon and Matosinhos in Portugal.

Alternatively, holidaymakers can opt to go Country-Hopping from Greece to Tenerife, and take advantage of half price flights as well as the £150 to spend on board. Beginning in Piraeus, Greece and priced from £1,499 per person, this 11-night cruise sails on November 19 to stop off in Malta, Italy, Spain, Gibraltar and Morocco, before finishing in the Canary Islands at Santa Cruz de Tenerife.

Another winter sun option is the Mediterranean & Canary Islands Warmth trip, which is on offer with a half price flight at the start of the cruise as well as the £150 credit. Also starting in Piraeus, Greece on November 19 before embarking on a 21-night adventure around the Mediterranean via Malta, Italy, Spain, Gibraltar and Morocco, followed by stop-offs across the Canary Islands in Tenerife, Las Palmas and Lanzarote, before finishing in Portugal, this cruise is priced from £2,399 per person.

Rounding off the year is the Canaries Escape with the Fleet Fiesta, which also has a half price flight deal at the start of the cruise on top of the £150 per cabin spend. Priced from £1,329 per person and beginning in Santa Cruz de Tenerife on November 30 before embarking on a 10-night tour of the Canary Islands and Portugal, this holiday is centred around the festivities that come with the reunion of the Fred. Olsen fleet in Las Palmas.

For more last-minute fly cruise deals, TUI’s Marella Cruises is also offering trips with flights included in their price as a budget-friendly family option. Among the cheapest options are the Highlights of the Mediterranean cruise beginning from Majorca and stopping off across Corsica, Italy and Spain, which is on offer for £985 per person, and the Grecian Discovery holiday sailing from Cyprus to mainland Greece, Santorini, Turkey and Crete, now priced from £994 per person.

Meanwhile, Ambassador Cruise Line also has special offers on selected Caribbean fly cruises sailing this year. For those who can’t wait to get away, the earliest departure date is on the Atlantic Horizons and Caribbean Discovery cruise, which is priced from £1,499 per person with the option to get 50% off flight upgrades and free coach transport.

Back at Fred. Olsen, holidaymakers who want to plan ahead for next year can also choose from more than 20 fly cruises scheduled for 2027. The shortest option is the Scenic Greek Island Hopping trip from £1,349pp, while the longest is the Scenic Shores & Ancient Wonders of the Mediterranean from £3,899pp which lasts a whopping 33 nights.

Fred. Olsen has earned a rating of 4.6 out of five stars on Trustpilot based on more than 15,000 reviews. One of the newest reviews reads: “Fantastic suite with extras included. Great, friendly and efficient staff. Many varied activities available. Food was exceptional. Boat size was enough and the atmosphere was lovely and friendly.”

Another passenger fed back recently: “Cabin was spacious with plenty of storage. All the staff were superb and went the extra mile to look after everyone. Food was exceptional everywhere on the ship. It never felt crowded as everyone was doing their own thing all over in the numerous areas to relax. Our first cruise and no doubt we will do it again.”

And a third echoed: “Probably the cleanest ship we’ve ever been on! Staff were excellent with a good variety of food. Definitely will return!”

Regarding fly cruises, some customers felt that the schedule had room for improvement, with one writing: “Sadly the Fred. Olsen pre arranged flight back to the UK was too late in the day. It should have been arranged for early afternoon, which would have allowed us to arrive in Manchester by 6pm rather than 10pm.”

While a different reviewer suggested: “For guests joining the ship at various locations along the way a morning flight would be better, this would enable guests to settle in before evening meal and be refreshed for any excursions they have booked the following day.”

This may help reduce a lot of travel stress – especially for families

Some airports across the UK offer perks to passengers to make the start of their trip less stressful – but they often come at an extra cost.

With holidays already expensive, many people skip the add-ons. However, not everyone realises that travellers at London Luton Airport (LLA) can pre-book a security time slot and potentially avoid the worst of the queues for free.

The Airport explains that this option is called “Prebook Security”. It boasts that this is a “FREE service that allows you to skip the security queues by reserving a 30-minute slot ahead of your arrival.”

The service is currently only available to passengers arriving at security between 3am and 3pm. Travellers can book a 30-minute security slot in advance, then on the day follow the “Prebook Security” signs to the dedicated entry point, where a staff member will be on hand to help.

Airport officials further explain: “You can pre-book this service from 4 days before your arrival, right up until 60 minutes before you arrive at security (subject to availability). Booking this service is completely free, does not require any login or registration and is available to all guests.”

Prebook Security is first-come, first-served. You’ll go through the usual checks and will be processed in the order you arrive, along with other pre-booked passengers. If you use Prebook Security, LLA says they cannot guarantee how long it will take to complete security checks through the Airport Security area.

How does Prebook Security work?

1. Book your appointment slot up to 4 days before your travel date.
2. On arrival at the airport, make your way to the security area and scan your boarding card at one of the signposted “Prebook Security” gates.
3. Upon entry to the security area, head to the left where you’ll find signs for “Prebook Security”. A member of our security team will be waiting to welcome you and scan your QR code.
4. You will then be directed to the front of the line.

Children aged four and under don’t need to be included in your group size. Children aged five and over must be included when booking.

To change or cancel your Prebook Security booking, use the “change” or “cancel” option on your booking confirmation page. You can also do this via the links in your confirmation email.

What information is required to pre-book security?

There’s no need to create an account or log in. Passengers should enter their departure date and flight details (destination, airline and flight number), plus group size. People should also provide a name and email address to receive a confirmation email containing a QR code.

If you need to check-in bags, ensure you allow plenty of time for this. The Airport stresses: “Slots are limited and may book up fast, so we recommend booking up to 4 days before your flight.”

If you are late for your appointment, don’t panic too much. The Airport reassures passengers: “Please make sure to arrive 15 minutes before or after your booking time, the QR code will still be valid.”

You can read all about the Prebook Security Terms and Conditions here. You can also read the FAQ via the Airport website here.

Choosing an Arctic cruise to Svalbard means comparing operators whose actual ice access, passenger capacity, and wildlife programming vary more than their brochures suggest. Polar bear sightings, walrus colonies, and ice-edge cruising depend directly on hull capability and itinerary design — not just cabin category.

What separates a genuinely strong Svalbard operator from an average one:

• Ice-class hull rating enabling pack ice approaches where bears concentrate in summer
• Passenger capacity under 200 for efficient, low-impact Zodiac landings
• Naturalist teams experienced specifically in Svalbard wildlife behavior
• All-inclusive coverage of kayaking, parka, and boot loans

7 Best Operators for Svalbard in 2026

Swan Hellenic

Travelers booking an Arctic cruise to Svalbard with Swan Hellenic choose a boutique operator purpose-built for ice-edge access. SH Diana and SH Vega carry approximately 152 guests each with PC5 Polar Class hulls, reaching the northern pack ice where polar bear sightings concentrate during summer months.

What’s included on every voyage:

• Daily Zodiac landings and ice-edge cruising
• Kayaking where conditions allow
• Expedition parka to keep, boot loans, and heated mud room
• All meals, premium beverages, and gratuities

Onboard scientists from the SETI Institute partnership frame the voyage through a scientific lens rarely found on Arctic itineraries, while glaciologists explain retreating ice fronts firsthand. At 152 guests, bear sightings rarely turn into crowded viewing scrums the way they can on larger ships.

Hurtigruten Expeditions

Hurtigruten’s decades of Norwegian coastal operation give them deep familiarity with Svalbard’s geography and seasonal ice patterns. Hybrid-powered vessels carry more passengers than boutique operators, which changes landing pace without necessarily reducing wildlife quality. Their programming leans toward environmental science and indigenous community context, particularly on voyages combining Svalbard with mainland Norwegian fjords.

Lindblad Expeditions–National Geographic

Lindblad’s 148-passenger ships bring National Geographic photographers into Svalbard wildlife encounters, turning sightings into structured photography opportunities. Naturalist teams are genuinely strong on seabird identification and walrus behavior, though itineraries often follow well-established routes. All-inclusive pricing covers shore activities, kayaking, and naturalist-led programming throughout.

Quark Expeditions

Quark’s icebreaker capability extends Svalbard itineraries toward Franz Josef Land — Russian Arctic territory rarely included in standard circuits — for travelers wanting to push further north than typical routes allow. Their adventure-forward programming includes optional polar camping and extended kayaking, appealing to physically active travelers.

Oceanwide Expeditions

Oceanwide operates accessible Svalbard voyages through older but well-maintained ice-strengthened vessels carrying up to 174 passengers. Programming is competent rather than scholarly, with naturalists covering wildlife and geology without named institutional partnerships. For travelers prioritizing cost over boutique extras, Oceanwide remains a practical entry point into Arctic cruising.

Ponant

Ponant’s French-flagged vessels bring Gallic culinary standards and bilingual programming to Svalbard, with Le Commandant Charcot’s icebreaker capability available on select extended voyages reaching the geographic North Pole. Conventional Ponant ships carry 180–260 passengers with cultural programming distinct from Anglophone competitors, appealing to travelers drawn to a French expedition framework.

Aurora Expeditions

Aurora brings their adventure-activity philosophy north from Antarctic waters, offering Svalbard voyages with comprehensive kayaking, hiking, and camping programming aboard 132–154 passenger vessels. Their naturalist teams support an activity-first itinerary structure that suits physically engaged travelers more than those prioritizing scholarly depth.

What to Check Before Booking a Svalbard Voyage

Polar bear sightings peak in June and July when pack ice retreats far enough north that only properly ice-rated vessels can follow it. Confirm the operator’s actual ice-class designation rather than relying on “ice-strengthened” language, and ask how many bear sightings occurred on their three most recent June departures — specific numbers reveal more than itinerary descriptions.

Book Your Svalbard Arctic Cruise with Swan Hellenic

For travelers comparing operators for an Arctic cruise to Svalbard, Swan Hellenic’s combination of PC5 ice capability, 152-guest intimacy, and SETI Institute programming offers depth that larger or budget-focused competitors don’t replicate.

One balmy October day in Havana, as the Cuban French sister act Ibeyi plotted the video for “Offerings” — an electro-spiritual ballad from the new album “Offering,” released in June — Lisa-Kaindé Díaz unceremoniously asked her twin Naomi Díaz, to ceremoniously shave her head on camera.

Naomi was accustomed to Lisa-Kaindé’s whims long before they became professional artists. But to take a blade to her sister’s voluminous curls would be a bridge too far.

“I was like, ‘Hell no. I’m not doing that!’” Naomi recalled to The Times, over a Zoom call from Paris.

“As always, when I come with my woo-woo stuff, Naomi is eye rolling like, ‘Girl, what is this s—?’” said Lisa-Kaindé. “But this time around, Naomi was like, ‘OK.’”

The music video ended with Lisa-Kaindé releasing her locks into the sea.

At the core of Ibeyi, which translates to “twins” in the Yoruba language, is the polarity between sisters. Lisa-Kaindé is the bleeding heart who whispers divinity into her lyrics, and Naomi grounds them with the beating pulse of her percussion. They sing in unison, both in tension and harmony. This is the synergy that illuminates their atmospheric approach to the Afro-Cuban jazz tradition.

Born into a musical family in Paris — their mother the French Venezuelan singer Maya Dagnino, their father the Grammy-winning Cuban percussionist Anga Díaz (of Irakere and Buena Vista Social Club) — the 31-year-old sisters jump-started their music careers at 18 when they were discovered by British producer Richard Russell, who also helms the indie powerhouse XL Recordings. After releasing a self-titled debut in 2015, the Díaz sisters appeared in the utopian short film for Beyoncé’s “Lemonade,” then released two more albums under XL: 2017’s “Ash” and 2022’s “Spell31,” which Lisa-Kaindé admitted underperformed expectations.

For “Offering,” they parted with XL and braved the studio as independent artists, inviting new collaborators into the project such as producer Michael Brun (J Balvin, Victoria Monét)and the famed Cuban conguero Pedrito Martinez.

“Things didn’t go the way you wanted them to go, now what does it free?” said Lisa-Kaindé. “It freed a lot of things, in our personal and professional lives,” she added.

The duo returned to their roots in Havana last fall to film the visuals for “Offerings” — as well as other singles “Aset” and “Hurry Hurry,” which were co-directed by Corry Van Rhijn and Roman Pichon Herrera. Family, friends and neighbors filled the frames with dancing and dominoes; their apartments painted in shades of mint, butter yellow and palomino pink, flecked with a patina cultivated by humidity and time.

As Cuba remains a topic of heated debate in the U.S. — or a political football — the Díaz sisters remind listeners that the island nation is still home to over 10 million people, including their relatives, whom they’ve visited regularly since they were little girls.

In 2027, Ibeyi will embark on a North American tour, which kicks off Jan. 27 at the Fillmore in San Francisco and includes a stop at Pacific Electric in Los Angeles on Jan. 29. (“I want everybody to cry, dance and twerk that ass at our shows!” said Naomi.) The Díaz sisters spoke to The Times about their season of upheaval and the recovery that informed their first independent outing yet.

This interview has been edited and condensed for clarity.

What has changed for you the most since you released “Spell31?”

Lisa-Kaindé: A lot has changed, personally and in the world. We needed to stop for a little bit and gather our thoughts, reflect on our career and all that we have done. We went from anger to sadness to acceptance. We left XL Recordings, which was our home for 10 years [and] three albums. We also stopped working with Richard Russell, whom we love. He was one of the first people to hear the album. But we really needed to experience something new.

Naomi: We started when we were 18, and now we’re independent and more in control than ever. We tried to find new producers with whom we felt a deep connection. That was like leaving a marriage and going on Tinder and having lots of bad dates… Our sound is so strong that we’d eat them, so we had to find producers whose sound could stay strong with ours.

I hear a lot of heartbreak in this album, but also making peace with that. How do you personally heal from the pain of such endings?

Lisa-Kaindé: We just go through the s—. There’s no other way. I think we should all be courageous to change. Look into the mirror and be like: “Who am I? What do I want to do?” And just live. L-I-V-E. It could also be L-E-A-V-E.

You have a T-shirt that says, “I used to make spells, now I make offerings.” What does that mean to you?

Lisa-Kaindé: “Spell31” [went] hand-in-hand with my high expectations. I felt like we needed to put a spell on the world, so that the world would love us. When “Spell31” didn’t meet the expectations I had, it was painful. I went into a meditation and came out thinking: “I used to make spells. Now I make offerings.” Suddenly it was so obvious I was trying to feed myself from the wrong source of protein. What if I just gave without expecting anything?

Some of your lyrics name orishas from the Yoruba religion, such as Elegua and Olokun. What does your spiritual practice look like?

Lisa-Kaindé: The older we grow, the more religious I’m becoming … but Naomi lives her spirituality in very different ways. For her, twerking in a sweaty club can be one of the most spiritual things ever. She’s getting more and more gangster.

Naomi: It’s how we grew up. We never use the word “spiritual,” but spirituality can be a lot of things. To me, there’s nothing more spiritual than being in [famed Atlanta strip club] Magic City. Some people are gonna light a candle. Everybody can do whatever the f— they want.

Lisa-Kaindé: It’s about living in a way that is aligned with what makes you vibrate, what makes you feel alive.

What was it like for Naomi to cut Lisa’s hair in the video for ‘Offerings?’

Naomi: I was scared that she would not like her reflection. She came [to me] with, “Can you be the one shaving my head?” And I was like, “Hell no. I’m not doing that!” She was like, “Please, [it’s] really important for me as a twin.”

We didn’t have any mirrors. It was tough, but [as] I was doing it, I was like, “I hope she’s gonna love herself.” At one point I looked at her and I was like, “Oh, you’re so beautiful!” And she was like, “If Naomi tells me I look beautiful, I am.” It was really powerful.

In the closing track, ‘Lucky,’ you sing: ‘We can’t manifest for s—; God will always choose for us.’ Be honest, is this in response to those trending videos on social media about manifestation magic?

Lisa-Kaindé: Funny enough, we’ve never talked about this to the press. … But I went kind of cuckoo with the manifestation while making “Spell31.” I started writing three times a day: “It’s gonna do well.” It was the first time I ever did that. And when it didn’t work, I was like, “What do you mean? I did all of the things y’all told me to do!” And that’s why I’m saying we can’t manifest for s—. What happened was exactly what was supposed to happen.

My own outlook changed after a priestess told me to keep an altar to bring offerings to my ancestors. If you want something … you have to give the universe something to work with!

Lisa-Kaindé: You need to give! That doesn’t need to be a religion or whatever. Just be kind. It’s an exchange. There’s always a price — and that doesn’t have to be a terrible thing. It could be a very beautiful thing. I think it’s better if there’s a price. You’re not just demanding the universe to give you something just because you say it enough times.

I sense more thunder in the sounds of ‘Offering,’ especially in Naomi’s percussion. ‘Mosh Pit’ is a storm of trap and acoustic elements. Can you talk about making this song?

Naomi: This was the first song we made for the album. We met Michael Brun, who is Haitian and lives in New York. We wanted a tough energy, we wanted dragon energy in this song. I listen to a lot of rap and trap, so there’s a little more of myself in this. Ibeyi is like a needle between Lisa and I; for 10 years, the needle moved a little more toward Lisa, but now it’s moving toward me. Life is like that.

You shot multiple music videos in Cuba. What made you decide it was time to make these videos in Havana?

Naomi: We recorded the videos in September and October. We wanted to show Cuba because it’s remembering our dad. Home is Paris, London and Havana for us.

Lisa-Kaindé: After having done the visuals from “Spell31” inside the studios … we needed something more personal. We had never done visuals in Cuba, but I think it’s because we’re very protective of Cuba. We’re protective of what the world sees Cuba as, whether it’s the old ladies smoking cigars, or the American cause. We’d go there in the summers [for] our whole lives. We wanted to show something beyond what tourists see. These are the people who actually live there. It’s important to know how people live.

Naomi: We wanted to be with our people and show the real Yoruba, Cuban way of living. Parties full of elderly people, young people … everybody twerking!

This big house party happens in the video for the song ‘Aset.’ Can you tell me about shooting the party scene?

Lisa-Kaindé: Funnily enough, I think our family was more involved behind the scenes. Naomi’s best friend helped with all of the wardrobe because she’s a fashion girlie. One of the directors we’ve known since we were 15 years old, he’s like a brother to us. We also worked with a conguero, like our dad, his name is Karín. We filmed the “Offerings” video in his house. Then we went to La Playita 26, which is not far from our old house, to look at the sea.

Naomi: What’s beautiful is that it was all real. It was also [full of] people we didn’t f— know. But it was raw.

Lisa-Kaindé: The day we filmed “Aset,” when I saw Naomi dance, I was like: “Here we are. Here is that freedom [we’ve been] missing.”

Published on
12/06/2026 – 17:57 GMT+2

The moment that Wall Street had anticipated all year arrived on Friday as SpaceX, the AI and aerospace company controlled by Elon Musk, began trading publicly on the Nasdaq in the largest initial public offering (IPO) in the history of financial markets.

In a speech before the New York session opened for trading, Musk stated that SpaceX’s goal is to “take the fiction out of science fiction.”

SPCX opened at $150, over 10% above its $135 IPO price, and it was already at more than $160 after the first few minutes of live trading.

The company confirmed on Thursday that it had priced 555.6 million Class A shares at $135 each, valuing the firm at roughly $1.78 trillion (€1.54trn) and targeting a raise of $75 billion (€64.5bn) that instantly eclipsed Saudi Aramco’s $29.4 billion (€25.4bn) listing, which had stood as the global record for almost seven years.

Only around 3% to 4% of SpaceX shares are currently available for public trading.

The company earmarked as much as 30% of its offering for retail investors, including 10% dedicated to European buyers, but the final amount was set at 20%. As for options contracts on SPCX, they are scheduled to begin trading next week.

The IPO has also brought Elon Musk closer to becoming the world’s first trillionaire.

Forbes valued his pre-IPO SpaceX stake, estimated at around 42% of the company, at about $500bn (€435bn). At the IPO valuation, those holdings are worth roughly $690bn (€600bn), adding nearly $190bn (€165bn) to his fortune and pushing his net worth closer to the $1tn (€870bn) milestone.

Along with Musk, thousands of SpaceX employees are benefitting from the IPO and becoming millionaires.

The listing will give millions of savers indirect exposure to SpaceX as the company is expected to qualify for major stock market indexes shortly after its debut, meaning its shares could be automatically purchased by index-tracking funds.

SpaceX is estimated to be fast-tracked into the Nasdaq-100 in less than a month, as opposed to a typical wait of as much as a year.

Nasdaq’s new fast-entry rule, introduced in May, now sees it evaluating newly listed stocks for potential entry ‌by ranking ⁠their market capitalisation on the seventh trading day and assessing whether they would rank within the top 40 index members.

SpaceX is already in the top 10.

Among other changes announced, the rule that requires companies to float a minimum of 10% of their shares was also scrapped.

Analysts estimate that funds tracking the Nasdaq-100 will be required to purchase at least $7bn (€6bn) worth of SpaceX shares around the inclusion date, creating a wave of mechanical demand.

SpaceX has also already become eligible for inclusion in both the Russell US Equity Indexes and the FTSE Global Equity Index Series under the newly announced fast-entry rules from the index provider FTSE Russell.

The S&P 500, however, will not adopt a similar fast-track approach.

S&P Dow Jones Indices confirmed in early June that it would maintain its 12-month seasoning requirement and GAAP profitability test, meaning SpaceX will not join the index before mid-2027.

This is a developing story and will be updated as more information becomes available.

This article does not constitute financial advice, always do your own research and invest according to your specific circumstances.

OpenAI CEO Sam Altman and other leaders in artificial intelligence testify in May before the Senate Commerce, Science, and Transportation Committee on Capitol Hill in Washington, D.C. OpenAI filed confidentially for an initial public offering Monday. Photo by Anna Rose Layden/UPI | License Photo

June 8 (UPI) — Artificial intelligence company OpenAI confidentially filed for an initial public offering Monday, becoming the third in a well-known trio of U.S. AI companies to do so in the past few weeks.

Rival AI company Anthropic filed for an IPO on June 1, and SpaceX (which merged with xAI, also owned by Elon Musk) filed in late May. SpaceX’s debut is set for Friday. All three are expected to be very lucrative for early investors, as they have valuations around $1 trillion, Axios reported.

OpenAI said in a post that there has been no decision on the IPO’s timing yet.

“It may be a while because there are things we want to do that are likely easier as a private company,” the post said.

The company has had both successes and trials in recent months, CNN reported. Musk lost a lawsuit against it in mid-May because of the statute of limitations, and the company has expanded ChatGPT options and other AI tools and programs.

However, the company and founder/CEO Sam Altman are also facing lawsuits because of ChatGPT’s role in recent shootings and other issues. Florida announced last week that it is suing the company and Altman, claiming the company chose “profits over public safety” in creating a dangerous product in the form of ChatGPT. The state also has an ongoing criminal investigation into the company.

Individuals including the family members of those killed or injured in a recent school shooting have also sued, saying that the company should have warned authorities about the shooter’s interactions with ChatGPT.